Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(electronic music). Showing records 1 – 30 of 481 total matches.

[1] [2] [3] [4] [5] … [17]

Search Limiters

Last 2 Years | English Only

Department

Degrees

Levels

Languages

Country

▼ Search Limiters


University of Georgia

1. Ballew, Cranford Braxton. An annotated guide to electroacoustic solo double bass repertoire: published scores to 2005.

Degree: DMA, Music, 2007, University of Georgia

 The double bass has an extensive solo repertoire. Works for solo double bass and electronics make up a significant part of that repertoire. To date,… (more)

Subjects/Keywords: electronic music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ballew, C. B. (2007). An annotated guide to electroacoustic solo double bass repertoire: published scores to 2005. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/ballew_cranford_b_200705_dma

Chicago Manual of Style (16th Edition):

Ballew, Cranford Braxton. “An annotated guide to electroacoustic solo double bass repertoire: published scores to 2005.” 2007. Doctoral Dissertation, University of Georgia. Accessed November 14, 2019. http://purl.galileo.usg.edu/uga_etd/ballew_cranford_b_200705_dma.

MLA Handbook (7th Edition):

Ballew, Cranford Braxton. “An annotated guide to electroacoustic solo double bass repertoire: published scores to 2005.” 2007. Web. 14 Nov 2019.

Vancouver:

Ballew CB. An annotated guide to electroacoustic solo double bass repertoire: published scores to 2005. [Internet] [Doctoral dissertation]. University of Georgia; 2007. [cited 2019 Nov 14]. Available from: http://purl.galileo.usg.edu/uga_etd/ballew_cranford_b_200705_dma.

Council of Science Editors:

Ballew CB. An annotated guide to electroacoustic solo double bass repertoire: published scores to 2005. [Doctoral Dissertation]. University of Georgia; 2007. Available from: http://purl.galileo.usg.edu/uga_etd/ballew_cranford_b_200705_dma

2. Sagesser, Marcel. Seeking the Unstable: A Practice Amidst Digital Analogies.

Degree: Computer Music and Multimedia Composition, 2018, Brown University

 This essay is a thorough documentation of the live music performance "Pulsations [Bitumen]" realized under the author's artist moniker 'Marcel Zaes' in 2018. The author… (more)

Subjects/Keywords: Electronic music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sagesser, M. (2018). Seeking the Unstable: A Practice Amidst Digital Analogies. (Thesis). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:792776/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sagesser, Marcel. “Seeking the Unstable: A Practice Amidst Digital Analogies.” 2018. Thesis, Brown University. Accessed November 14, 2019. https://repository.library.brown.edu/studio/item/bdr:792776/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sagesser, Marcel. “Seeking the Unstable: A Practice Amidst Digital Analogies.” 2018. Web. 14 Nov 2019.

Vancouver:

Sagesser M. Seeking the Unstable: A Practice Amidst Digital Analogies. [Internet] [Thesis]. Brown University; 2018. [cited 2019 Nov 14]. Available from: https://repository.library.brown.edu/studio/item/bdr:792776/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sagesser M. Seeking the Unstable: A Practice Amidst Digital Analogies. [Thesis]. Brown University; 2018. Available from: https://repository.library.brown.edu/studio/item/bdr:792776/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Moses, James. Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation.

Degree: Department of Music, 2018, Brown University

 Oscillator Pond is a sound installation project developed as part of an environment art-science conference program, Atmospheres. The work introduced a randomized soundscape into a… (more)

Subjects/Keywords: Electronic music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moses, J. (2018). Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation. (Thesis). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:792787/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moses, James. “Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation.” 2018. Thesis, Brown University. Accessed November 14, 2019. https://repository.library.brown.edu/studio/item/bdr:792787/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moses, James. “Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation.” 2018. Web. 14 Nov 2019.

Vancouver:

Moses J. Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation. [Internet] [Thesis]. Brown University; 2018. [cited 2019 Nov 14]. Available from: https://repository.library.brown.edu/studio/item/bdr:792787/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moses J. Oscillator Pond: Analog Critters in a Digital Pool - An ambient and interactive audio installation. [Thesis]. Brown University; 2018. Available from: https://repository.library.brown.edu/studio/item/bdr:792787/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Aberdeen

4. Nasciuti, Luca. Imaginal landscapes : the role of electroacoustic music in concealing localised stories and revealing new myths.

Degree: PhD, 2019, University of Aberdeen

 The PhD examines ways in which environmental sounds are being employed for the production of musical works in different media. Drawing on the analysis of… (more)

Subjects/Keywords: Electronic composition; Electronic music; Sounds

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nasciuti, L. (2019). Imaginal landscapes : the role of electroacoustic music in concealing localised stories and revealing new myths. (Doctoral Dissertation). University of Aberdeen. Retrieved from http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=242076 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782082

Chicago Manual of Style (16th Edition):

Nasciuti, Luca. “Imaginal landscapes : the role of electroacoustic music in concealing localised stories and revealing new myths.” 2019. Doctoral Dissertation, University of Aberdeen. Accessed November 14, 2019. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=242076 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782082.

MLA Handbook (7th Edition):

Nasciuti, Luca. “Imaginal landscapes : the role of electroacoustic music in concealing localised stories and revealing new myths.” 2019. Web. 14 Nov 2019.

Vancouver:

Nasciuti L. Imaginal landscapes : the role of electroacoustic music in concealing localised stories and revealing new myths. [Internet] [Doctoral dissertation]. University of Aberdeen; 2019. [cited 2019 Nov 14]. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=242076 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782082.

Council of Science Editors:

Nasciuti L. Imaginal landscapes : the role of electroacoustic music in concealing localised stories and revealing new myths. [Doctoral Dissertation]. University of Aberdeen; 2019. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=242076 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782082


University of Sydney

5. Crawford, Trent. Exploring electroacoustic compositional structure through urban underground acoustic environments .

Degree: 2017, University of Sydney

 The aim and creative intent of this research project is to digitally capture the sonic fingerprint found throughout our cities’ underground transport systems with the… (more)

Subjects/Keywords: soundscape; electronic music; electroacoustic music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Crawford, T. (2017). Exploring electroacoustic compositional structure through urban underground acoustic environments . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/16635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crawford, Trent. “Exploring electroacoustic compositional structure through urban underground acoustic environments .” 2017. Thesis, University of Sydney. Accessed November 14, 2019. http://hdl.handle.net/2123/16635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crawford, Trent. “Exploring electroacoustic compositional structure through urban underground acoustic environments .” 2017. Web. 14 Nov 2019.

Vancouver:

Crawford T. Exploring electroacoustic compositional structure through urban underground acoustic environments . [Internet] [Thesis]. University of Sydney; 2017. [cited 2019 Nov 14]. Available from: http://hdl.handle.net/2123/16635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crawford T. Exploring electroacoustic compositional structure through urban underground acoustic environments . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/16635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Aberdeen

6. Wyness, James. Portfolio of compositions and a commentary.

Degree: 2009, University of Aberdeen

 This portfolio consists of eight original electroacoustic compositions on fixed media and a commentary.  The compositions are as follows: <i>Hannah Throwing Stones</i> (8 channel), 2004… (more)

Subjects/Keywords: 780; Electronic music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wyness, J. (2009). Portfolio of compositions and a commentary. (Doctoral Dissertation). University of Aberdeen. Retrieved from http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=26428 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.509151

Chicago Manual of Style (16th Edition):

Wyness, James. “Portfolio of compositions and a commentary.” 2009. Doctoral Dissertation, University of Aberdeen. Accessed November 14, 2019. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=26428 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.509151.

MLA Handbook (7th Edition):

Wyness, James. “Portfolio of compositions and a commentary.” 2009. Web. 14 Nov 2019.

Vancouver:

Wyness J. Portfolio of compositions and a commentary. [Internet] [Doctoral dissertation]. University of Aberdeen; 2009. [cited 2019 Nov 14]. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=26428 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.509151.

Council of Science Editors:

Wyness J. Portfolio of compositions and a commentary. [Doctoral Dissertation]. University of Aberdeen; 2009. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=26428 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.509151


Queen Mary, University of London

7. Tubb, Robert H. Creativity, exploration and control in musical parameter spaces.

Degree: PhD, 2016, Queen Mary, University of London

 This thesis investigates the use of multidimensional control of synthesis parameters in electronic music, and the impact of controller mapping techniques on creativity. The theoretical… (more)

Subjects/Keywords: Electronic Engineering and Computer Science; electronic music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tubb, R. H. (2016). Creativity, exploration and control in musical parameter spaces. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/12964 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.775284

Chicago Manual of Style (16th Edition):

Tubb, Robert H. “Creativity, exploration and control in musical parameter spaces.” 2016. Doctoral Dissertation, Queen Mary, University of London. Accessed November 14, 2019. http://qmro.qmul.ac.uk/xmlui/handle/123456789/12964 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.775284.

MLA Handbook (7th Edition):

Tubb, Robert H. “Creativity, exploration and control in musical parameter spaces.” 2016. Web. 14 Nov 2019.

Vancouver:

Tubb RH. Creativity, exploration and control in musical parameter spaces. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2016. [cited 2019 Nov 14]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/12964 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.775284.

Council of Science Editors:

Tubb RH. Creativity, exploration and control in musical parameter spaces. [Doctoral Dissertation]. Queen Mary, University of London; 2016. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/12964 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.775284


Brunel University

8. Nicolls, Sarah Louise. Interacting with the piano : absorbing technology into piano technique and collaborative composition : the creation of 'performance environments', pieces and a piano.

Degree: PhD, 2010, Brunel University

 This thesis explores the expansion of the piano performance environment, using technology to augment the sound, the playing area of the piano and its surroundings,… (more)

Subjects/Keywords: 780; Music; Electronic music; Interactive; Live electronics

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nicolls, S. L. (2010). Interacting with the piano : absorbing technology into piano technique and collaborative composition : the creation of 'performance environments', pieces and a piano. (Doctoral Dissertation). Brunel University. Retrieved from http://bura.brunel.ac.uk/handle/2438/5511 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.535928

Chicago Manual of Style (16th Edition):

Nicolls, Sarah Louise. “Interacting with the piano : absorbing technology into piano technique and collaborative composition : the creation of 'performance environments', pieces and a piano.” 2010. Doctoral Dissertation, Brunel University. Accessed November 14, 2019. http://bura.brunel.ac.uk/handle/2438/5511 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.535928.

MLA Handbook (7th Edition):

Nicolls, Sarah Louise. “Interacting with the piano : absorbing technology into piano technique and collaborative composition : the creation of 'performance environments', pieces and a piano.” 2010. Web. 14 Nov 2019.

Vancouver:

Nicolls SL. Interacting with the piano : absorbing technology into piano technique and collaborative composition : the creation of 'performance environments', pieces and a piano. [Internet] [Doctoral dissertation]. Brunel University; 2010. [cited 2019 Nov 14]. Available from: http://bura.brunel.ac.uk/handle/2438/5511 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.535928.

Council of Science Editors:

Nicolls SL. Interacting with the piano : absorbing technology into piano technique and collaborative composition : the creation of 'performance environments', pieces and a piano. [Doctoral Dissertation]. Brunel University; 2010. Available from: http://bura.brunel.ac.uk/handle/2438/5511 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.535928


University of Cincinnati

9. Merkowitz, Jennifer Bernard. The Cardiac Dance—The Spirals of Life.

Degree: DMA, College-Conservatory of Music : Composition, 2007, University of Cincinnati

  <i>The Cardiac Dance—The Spirals of Life</i>is a one-act ballet inspired by the work of Drs. Francisco Torrent-Guasp and Gerald Buckberg. The "cardiac dance" is… (more)

Subjects/Keywords: Music; cardiac dance spirals electronic music composition

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Merkowitz, J. B. (2007). The Cardiac Dance—The Spirals of Life. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185978849

Chicago Manual of Style (16th Edition):

Merkowitz, Jennifer Bernard. “The Cardiac Dance—The Spirals of Life.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed November 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185978849.

MLA Handbook (7th Edition):

Merkowitz, Jennifer Bernard. “The Cardiac Dance—The Spirals of Life.” 2007. Web. 14 Nov 2019.

Vancouver:

Merkowitz JB. The Cardiac Dance—The Spirals of Life. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Nov 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185978849.

Council of Science Editors:

Merkowitz JB. The Cardiac Dance—The Spirals of Life. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185978849


University of Minnesota

10. Klein, Benjamin. The Wunderkammer Interface.

Degree: PhD, Music, 2017, University of Minnesota

 The Wunderkammer Interface is a nonhierarchical composition that invites an improvising musician to interact with twenty-five modules of composed digital audio processing. The musician who… (more)

Subjects/Keywords: Composition; Electronic Music; Improvisation; Music; SuperCollider; Wunderkammer

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Klein, B. (2017). The Wunderkammer Interface. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/188951

Chicago Manual of Style (16th Edition):

Klein, Benjamin. “The Wunderkammer Interface.” 2017. Doctoral Dissertation, University of Minnesota. Accessed November 14, 2019. http://hdl.handle.net/11299/188951.

MLA Handbook (7th Edition):

Klein, Benjamin. “The Wunderkammer Interface.” 2017. Web. 14 Nov 2019.

Vancouver:

Klein B. The Wunderkammer Interface. [Internet] [Doctoral dissertation]. University of Minnesota; 2017. [cited 2019 Nov 14]. Available from: http://hdl.handle.net/11299/188951.

Council of Science Editors:

Klein B. The Wunderkammer Interface. [Doctoral Dissertation]. University of Minnesota; 2017. Available from: http://hdl.handle.net/11299/188951


University of Southern California

11. Letsoalo, Tshegofatso, S. Ash riser and the rise of LA Dubstep.

Degree: MA, Specialized Journalism (The Arts), 2012, University of Southern California

 Dubstep is an electronic music dance genre born right in the heart of South London in the early 2000s. The scene crossed over to America… (more)

Subjects/Keywords: music; dubstep; Los Angeles; culture; electronic music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Letsoalo, Tshegofatso, S. (2012). Ash riser and the rise of LA Dubstep. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/84680/rec/924

Chicago Manual of Style (16th Edition):

Letsoalo, Tshegofatso, S. “Ash riser and the rise of LA Dubstep.” 2012. Masters Thesis, University of Southern California. Accessed November 14, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/84680/rec/924.

MLA Handbook (7th Edition):

Letsoalo, Tshegofatso, S. “Ash riser and the rise of LA Dubstep.” 2012. Web. 14 Nov 2019.

Vancouver:

Letsoalo, Tshegofatso S. Ash riser and the rise of LA Dubstep. [Internet] [Masters thesis]. University of Southern California; 2012. [cited 2019 Nov 14]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/84680/rec/924.

Council of Science Editors:

Letsoalo, Tshegofatso S. Ash riser and the rise of LA Dubstep. [Masters Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/84680/rec/924


University of New South Wales

12. Saintilan, Nicole. The electronic music of Don Banks.

Degree: Social Sciences, 2017, University of New South Wales

 The present study examines the electroacoustic music of Don Banks within the framework of a) previous analytical studies of his compositional process, and b) the… (more)

Subjects/Keywords: Electronic music; Don Banks; Australian music; Spectromorphology

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Saintilan, N. (2017). The electronic music of Don Banks. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/57657 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:44479/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Saintilan, Nicole. “The electronic music of Don Banks.” 2017. Doctoral Dissertation, University of New South Wales. Accessed November 14, 2019. http://handle.unsw.edu.au/1959.4/57657 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:44479/SOURCE02?view=true.

MLA Handbook (7th Edition):

Saintilan, Nicole. “The electronic music of Don Banks.” 2017. Web. 14 Nov 2019.

Vancouver:

Saintilan N. The electronic music of Don Banks. [Internet] [Doctoral dissertation]. University of New South Wales; 2017. [cited 2019 Nov 14]. Available from: http://handle.unsw.edu.au/1959.4/57657 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:44479/SOURCE02?view=true.

Council of Science Editors:

Saintilan N. The electronic music of Don Banks. [Doctoral Dissertation]. University of New South Wales; 2017. Available from: http://handle.unsw.edu.au/1959.4/57657 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:44479/SOURCE02?view=true


University of California – San Diego

13. Kaiser, Jeffrey Glen. Improvising technology : configuring identities and interfaces in contemporary electro-acoustic music.

Degree: Music, 2013, University of California – San Diego

 This dissertation is an ethnographic examination of contemporary musicians who improvise with new, repurposed and reinvented electronic technologies, along with a critical examination of how… (more)

Subjects/Keywords: Improvisation (Music); Electronic musical instruments

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kaiser, J. G. (2013). Improvising technology : configuring identities and interfaces in contemporary electro-acoustic music. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/6bg2c417

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kaiser, Jeffrey Glen. “Improvising technology : configuring identities and interfaces in contemporary electro-acoustic music.” 2013. Thesis, University of California – San Diego. Accessed November 14, 2019. http://www.escholarship.org/uc/item/6bg2c417.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kaiser, Jeffrey Glen. “Improvising technology : configuring identities and interfaces in contemporary electro-acoustic music.” 2013. Web. 14 Nov 2019.

Vancouver:

Kaiser JG. Improvising technology : configuring identities and interfaces in contemporary electro-acoustic music. [Internet] [Thesis]. University of California – San Diego; 2013. [cited 2019 Nov 14]. Available from: http://www.escholarship.org/uc/item/6bg2c417.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kaiser JG. Improvising technology : configuring identities and interfaces in contemporary electro-acoustic music. [Thesis]. University of California – San Diego; 2013. Available from: http://www.escholarship.org/uc/item/6bg2c417

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queen Mary, University of London

14. Terrell, Michael John. Perceptual mixing for musical production.

Degree: PhD, 2012, Queen Mary, University of London

 A general model of music mixing is developed, which enables a mix to be evaluated as a set of acoustic signals. A second model describes… (more)

Subjects/Keywords: 621.389; Electronic Engineering; Music mixing

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Terrell, M. J. (2012). Perceptual mixing for musical production. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/8647 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667075

Chicago Manual of Style (16th Edition):

Terrell, Michael John. “Perceptual mixing for musical production.” 2012. Doctoral Dissertation, Queen Mary, University of London. Accessed November 14, 2019. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8647 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667075.

MLA Handbook (7th Edition):

Terrell, Michael John. “Perceptual mixing for musical production.” 2012. Web. 14 Nov 2019.

Vancouver:

Terrell MJ. Perceptual mixing for musical production. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2012. [cited 2019 Nov 14]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8647 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667075.

Council of Science Editors:

Terrell MJ. Perceptual mixing for musical production. [Doctoral Dissertation]. Queen Mary, University of London; 2012. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8647 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667075


University of Aberdeen

15. Wyness, James. Portfolio of compositions and a commentary.

Degree: Dept. of Music., 2009, University of Aberdeen

Subjects/Keywords: Electronic music.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wyness, J. (2009). Portfolio of compositions and a commentary. (Doctoral Dissertation). University of Aberdeen. Retrieved from http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=26428 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=26428&custom_att_2=simple_viewer

Chicago Manual of Style (16th Edition):

Wyness, James. “Portfolio of compositions and a commentary.” 2009. Doctoral Dissertation, University of Aberdeen. Accessed November 14, 2019. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=26428 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=26428&custom_att_2=simple_viewer.

MLA Handbook (7th Edition):

Wyness, James. “Portfolio of compositions and a commentary.” 2009. Web. 14 Nov 2019.

Vancouver:

Wyness J. Portfolio of compositions and a commentary. [Internet] [Doctoral dissertation]. University of Aberdeen; 2009. [cited 2019 Nov 14]. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=26428 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=26428&custom_att_2=simple_viewer.

Council of Science Editors:

Wyness J. Portfolio of compositions and a commentary. [Doctoral Dissertation]. University of Aberdeen; 2009. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=26428 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=26428&custom_att_2=simple_viewer


University of Aberdeen

16. Thompson, Bill. Towards the non-objective.

Degree: Dept. of Music., 2009, University of Aberdeen

Subjects/Keywords: Electronic music.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Thompson, B. (2009). Towards the non-objective. (Doctoral Dissertation). University of Aberdeen. Retrieved from http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=210037 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=210037&custom_att_2=simple_viewer

Chicago Manual of Style (16th Edition):

Thompson, Bill. “Towards the non-objective.” 2009. Doctoral Dissertation, University of Aberdeen. Accessed November 14, 2019. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=210037 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=210037&custom_att_2=simple_viewer.

MLA Handbook (7th Edition):

Thompson, Bill. “Towards the non-objective.” 2009. Web. 14 Nov 2019.

Vancouver:

Thompson B. Towards the non-objective. [Internet] [Doctoral dissertation]. University of Aberdeen; 2009. [cited 2019 Nov 14]. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=210037 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=210037&custom_att_2=simple_viewer.

Council of Science Editors:

Thompson B. Towards the non-objective. [Doctoral Dissertation]. University of Aberdeen; 2009. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=210037 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=210037&custom_att_2=simple_viewer

17. Horn, Maria. Pressure and movements : Gender constructions in experimental electronic music.

Degree: Composition and Conducting, 2013, Royal College of Music in Stockholm

The aim of this text is to examine the field of experimental electronic music with a focus on gender constructions and in particular electronic(more)

Subjects/Keywords: experimental electronic music; composition; gender

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Horn, M. (2013). Pressure and movements : Gender constructions in experimental electronic music. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1637

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Horn, Maria. “Pressure and movements : Gender constructions in experimental electronic music.” 2013. Thesis, Royal College of Music in Stockholm. Accessed November 14, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1637.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Horn, Maria. “Pressure and movements : Gender constructions in experimental electronic music.” 2013. Web. 14 Nov 2019.

Vancouver:

Horn M. Pressure and movements : Gender constructions in experimental electronic music. [Internet] [Thesis]. Royal College of Music in Stockholm; 2013. [cited 2019 Nov 14]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1637.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Horn M. Pressure and movements : Gender constructions in experimental electronic music. [Thesis]. Royal College of Music in Stockholm; 2013. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1637

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

18. Becker, Matthew David. ...and the songs of another... for Six Voices & Live Electronics.

Degree: 2018, University of Western Ontario

 …and the songs of another… is a composition of five songs for six voices and live electronics. Voice is the principal tool of sound generation,… (more)

Subjects/Keywords: Electronic music; electroacoustic music; contemporary music; vocal music; Composition

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Becker, M. D. (2018). ...and the songs of another... for Six Voices & Live Electronics. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Becker, Matthew David. “...and the songs of another... for Six Voices & Live Electronics.” 2018. Thesis, University of Western Ontario. Accessed November 14, 2019. https://ir.lib.uwo.ca/etd/5499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Becker, Matthew David. “...and the songs of another... for Six Voices & Live Electronics.” 2018. Web. 14 Nov 2019.

Vancouver:

Becker MD. ...and the songs of another... for Six Voices & Live Electronics. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2019 Nov 14]. Available from: https://ir.lib.uwo.ca/etd/5499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Becker MD. ...and the songs of another... for Six Voices & Live Electronics. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

19. Nevels, Daniel L. Music Software in the Compositional Learning Process.

Degree: 2018, University of South Florida

 Computer software for music has made a significant impact by affecting the perspective of music making, music creating, music education, music production, and music distribution.… (more)

Subjects/Keywords: Composition; Electronic Music; Music Education; Music Software; Music Technology; Other Education

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nevels, D. L. (2018). Music Software in the Compositional Learning Process. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/7201

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nevels, Daniel L. “Music Software in the Compositional Learning Process.” 2018. Thesis, University of South Florida. Accessed November 14, 2019. https://scholarcommons.usf.edu/etd/7201.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nevels, Daniel L. “Music Software in the Compositional Learning Process.” 2018. Web. 14 Nov 2019.

Vancouver:

Nevels DL. Music Software in the Compositional Learning Process. [Internet] [Thesis]. University of South Florida; 2018. [cited 2019 Nov 14]. Available from: https://scholarcommons.usf.edu/etd/7201.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nevels DL. Music Software in the Compositional Learning Process. [Thesis]. University of South Florida; 2018. Available from: https://scholarcommons.usf.edu/etd/7201

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Gordon, David Eric. 1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions.

Degree: 2016, University of California – eScholarship, University of California

 Part 1:While paintings, drawings, and sculptures have inspired composers and musicians since ancient times, before the modern era, they were rarely used specifically to generate… (more)

Subjects/Keywords: Music; Electronic Music; Music Composition; New Music; Painting; Transdisciplinary; Visual Art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gordon, D. E. (2016). 1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/9z72t979

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gordon, David Eric. “1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions.” 2016. Thesis, University of California – eScholarship, University of California. Accessed November 14, 2019. http://www.escholarship.org/uc/item/9z72t979.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gordon, David Eric. “1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions.” 2016. Web. 14 Nov 2019.

Vancouver:

Gordon DE. 1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions. [Internet] [Thesis]. University of California – eScholarship, University of California; 2016. [cited 2019 Nov 14]. Available from: http://www.escholarship.org/uc/item/9z72t979.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gordon DE. 1. Paintings as a Source of Musical Form, 2. A Portfolio of Compositions. [Thesis]. University of California – eScholarship, University of California; 2016. Available from: http://www.escholarship.org/uc/item/9z72t979

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Garcia, Anthony Paul. I: At Any Point: an analysis and reflection II: Portfolio of Compositions.

Degree: 2016, University of California – eScholarship, University of California

 I:The first portion of this document is an in-depth analysis and full score of my work, At Any Point, for viola solo, chamber ensemble, live… (more)

Subjects/Keywords: Music; Ableton; Audio Processing; Electronic Music; Music Composition; New Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garcia, A. P. (2016). I: At Any Point: an analysis and reflection II: Portfolio of Compositions. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/4jr2s8bs

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Garcia, Anthony Paul. “I: At Any Point: an analysis and reflection II: Portfolio of Compositions.” 2016. Thesis, University of California – eScholarship, University of California. Accessed November 14, 2019. http://www.escholarship.org/uc/item/4jr2s8bs.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Garcia, Anthony Paul. “I: At Any Point: an analysis and reflection II: Portfolio of Compositions.” 2016. Web. 14 Nov 2019.

Vancouver:

Garcia AP. I: At Any Point: an analysis and reflection II: Portfolio of Compositions. [Internet] [Thesis]. University of California – eScholarship, University of California; 2016. [cited 2019 Nov 14]. Available from: http://www.escholarship.org/uc/item/4jr2s8bs.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garcia AP. I: At Any Point: an analysis and reflection II: Portfolio of Compositions. [Thesis]. University of California – eScholarship, University of California; 2016. Available from: http://www.escholarship.org/uc/item/4jr2s8bs

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

22. Holzborn, Damon Russell. Building Mobile Instruments for Improvised Musical Performance.

Degree: 2013, Columbia University

 This paper explores an approach to building electronic musical instruments for use in improvised music that I have found to be particularly effective for developing… (more)

Subjects/Keywords: Music; Improvisation (Music); Electronic musical instruments; Electronic musical instruments – Construction

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Holzborn, D. R. (2013). Building Mobile Instruments for Improvised Musical Performance. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8GX4JXX

Chicago Manual of Style (16th Edition):

Holzborn, Damon Russell. “Building Mobile Instruments for Improvised Musical Performance.” 2013. Doctoral Dissertation, Columbia University. Accessed November 14, 2019. https://doi.org/10.7916/D8GX4JXX.

MLA Handbook (7th Edition):

Holzborn, Damon Russell. “Building Mobile Instruments for Improvised Musical Performance.” 2013. Web. 14 Nov 2019.

Vancouver:

Holzborn DR. Building Mobile Instruments for Improvised Musical Performance. [Internet] [Doctoral dissertation]. Columbia University; 2013. [cited 2019 Nov 14]. Available from: https://doi.org/10.7916/D8GX4JXX.

Council of Science Editors:

Holzborn DR. Building Mobile Instruments for Improvised Musical Performance. [Doctoral Dissertation]. Columbia University; 2013. Available from: https://doi.org/10.7916/D8GX4JXX


The Ohio State University

23. Montague, Stephen. Voussoirs for large orchestra and electronic tapes.

Degree: PhD, Graduate School, 1972, The Ohio State University

Subjects/Keywords: Music; Orchestra music; Electronic music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Montague, S. (1972). Voussoirs for large orchestra and electronic tapes. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486736094430975

Chicago Manual of Style (16th Edition):

Montague, Stephen. “Voussoirs for large orchestra and electronic tapes.” 1972. Doctoral Dissertation, The Ohio State University. Accessed November 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486736094430975.

MLA Handbook (7th Edition):

Montague, Stephen. “Voussoirs for large orchestra and electronic tapes.” 1972. Web. 14 Nov 2019.

Vancouver:

Montague S. Voussoirs for large orchestra and electronic tapes. [Internet] [Doctoral dissertation]. The Ohio State University; 1972. [cited 2019 Nov 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486736094430975.

Council of Science Editors:

Montague S. Voussoirs for large orchestra and electronic tapes. [Doctoral Dissertation]. The Ohio State University; 1972. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486736094430975


University of Cincinnati

24. Shiota, Kazuaki. The Signals From the Starlight.

Degree: MM, College-Conservatory of Music : Composition, 2006, University of Cincinnati

 The focal point of the piece is the alteration of communications. Through the communication of the two people, their relationship may change as times goes… (more)

Subjects/Keywords: Music; electronic music; electroacoustic music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shiota, K. (2006). The Signals From the Starlight. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1152730522

Chicago Manual of Style (16th Edition):

Shiota, Kazuaki. “The Signals From the Starlight.” 2006. Masters Thesis, University of Cincinnati. Accessed November 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1152730522.

MLA Handbook (7th Edition):

Shiota, Kazuaki. “The Signals From the Starlight.” 2006. Web. 14 Nov 2019.

Vancouver:

Shiota K. The Signals From the Starlight. [Internet] [Masters thesis]. University of Cincinnati; 2006. [cited 2019 Nov 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1152730522.

Council of Science Editors:

Shiota K. The Signals From the Starlight. [Masters Thesis]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1152730522


University of Cincinnati

25. STARK, CHRISTOPHER ANDREW. ARCHITEXTURES.

Degree: MM, College-Conservatory of Music : Composition, 2007, University of Cincinnati

 Architextures was written in response to three buildings I encountered on my road trip from Montana to Ohio in the summer of 2005. The first… (more)

Subjects/Keywords: Music; Composition; Max/MSP; Electronic Music; Interactive Music; NeXT Ens

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

STARK, C. A. (2007). ARCHITEXTURES. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179507638

Chicago Manual of Style (16th Edition):

STARK, CHRISTOPHER ANDREW. “ARCHITEXTURES.” 2007. Masters Thesis, University of Cincinnati. Accessed November 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179507638.

MLA Handbook (7th Edition):

STARK, CHRISTOPHER ANDREW. “ARCHITEXTURES.” 2007. Web. 14 Nov 2019.

Vancouver:

STARK CA. ARCHITEXTURES. [Internet] [Masters thesis]. University of Cincinnati; 2007. [cited 2019 Nov 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179507638.

Council of Science Editors:

STARK CA. ARCHITEXTURES. [Masters Thesis]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179507638


Brunel University

26. Katan, Simon. Sight, sound, the chicken and the egg : audio-visual co-dependency in music.

Degree: PhD, 2012, Brunel University

 Amongst the modern day abundance of audio-visual media, where sounds represent everything from the swooping of virtual cameras through 3D spaces to the pressing of… (more)

Subjects/Keywords: 700; Music; Audio-visual; Electronic music; Audio-visual codependency; Computer music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Katan, S. (2012). Sight, sound, the chicken and the egg : audio-visual co-dependency in music. (Doctoral Dissertation). Brunel University. Retrieved from http://bura.brunel.ac.uk/handle/2438/7643 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.582886

Chicago Manual of Style (16th Edition):

Katan, Simon. “Sight, sound, the chicken and the egg : audio-visual co-dependency in music.” 2012. Doctoral Dissertation, Brunel University. Accessed November 14, 2019. http://bura.brunel.ac.uk/handle/2438/7643 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.582886.

MLA Handbook (7th Edition):

Katan, Simon. “Sight, sound, the chicken and the egg : audio-visual co-dependency in music.” 2012. Web. 14 Nov 2019.

Vancouver:

Katan S. Sight, sound, the chicken and the egg : audio-visual co-dependency in music. [Internet] [Doctoral dissertation]. Brunel University; 2012. [cited 2019 Nov 14]. Available from: http://bura.brunel.ac.uk/handle/2438/7643 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.582886.

Council of Science Editors:

Katan S. Sight, sound, the chicken and the egg : audio-visual co-dependency in music. [Doctoral Dissertation]. Brunel University; 2012. Available from: http://bura.brunel.ac.uk/handle/2438/7643 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.582886


University of Alabama

27. Chong, Ten Yeen. Dialectic (ii) for soprano, flute, and piano.

Degree: 2014, University of Alabama

 Dialectic (II) is a multi-movement chamber piece for soprano, flute, and piano set to a poem of the same name, written by writer and musician… (more)

Subjects/Keywords: Electronic Thesis or Dissertation;  – thesis; Music; Chamber music; Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chong, T. Y. (2014). Dialectic (ii) for soprano, flute, and piano. (Thesis). University of Alabama. Retrieved from http://purl.lib.ua.edu/116183

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chong, Ten Yeen. “Dialectic (ii) for soprano, flute, and piano.” 2014. Thesis, University of Alabama. Accessed November 14, 2019. http://purl.lib.ua.edu/116183.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chong, Ten Yeen. “Dialectic (ii) for soprano, flute, and piano.” 2014. Web. 14 Nov 2019.

Vancouver:

Chong TY. Dialectic (ii) for soprano, flute, and piano. [Internet] [Thesis]. University of Alabama; 2014. [cited 2019 Nov 14]. Available from: http://purl.lib.ua.edu/116183.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chong TY. Dialectic (ii) for soprano, flute, and piano. [Thesis]. University of Alabama; 2014. Available from: http://purl.lib.ua.edu/116183

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Alabama

28. Powell, Hilen. An analysis of factors influencing undergraduate acceptance, matriculation, and success in music theory in the school of music at The University of Alabama.

Degree: 2013, University of Alabama

 The purpose of this study was to seek to identify and assess factors that contributed to undergraduate student acceptance, matriculation, and success in MUS 115,… (more)

Subjects/Keywords: Electronic Thesis or Dissertation;  – thesis; Music education; Music; music theory; undergraduate

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Powell, H. (2013). An analysis of factors influencing undergraduate acceptance, matriculation, and success in music theory in the school of music at The University of Alabama. (Thesis). University of Alabama. Retrieved from http://purl.lib.ua.edu/97229

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Powell, Hilen. “An analysis of factors influencing undergraduate acceptance, matriculation, and success in music theory in the school of music at The University of Alabama.” 2013. Thesis, University of Alabama. Accessed November 14, 2019. http://purl.lib.ua.edu/97229.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Powell, Hilen. “An analysis of factors influencing undergraduate acceptance, matriculation, and success in music theory in the school of music at The University of Alabama.” 2013. Web. 14 Nov 2019.

Vancouver:

Powell H. An analysis of factors influencing undergraduate acceptance, matriculation, and success in music theory in the school of music at The University of Alabama. [Internet] [Thesis]. University of Alabama; 2013. [cited 2019 Nov 14]. Available from: http://purl.lib.ua.edu/97229.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Powell H. An analysis of factors influencing undergraduate acceptance, matriculation, and success in music theory in the school of music at The University of Alabama. [Thesis]. University of Alabama; 2013. Available from: http://purl.lib.ua.edu/97229

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

29. Hutson, William Moran. Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance.

Degree: Theater and Performance Studies 09A2, 2015, UCLA

 The last decade has witnessed an increase in scholarly attention paid to experimental electronic music, especially the subgenres of sound art and noise music. Numerous… (more)

Subjects/Keywords: Performing arts; Music; Affect; Electronic Music; Experimental Music; Performance Art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hutson, W. M. (2015). Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/8dj8t9dc

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hutson, William Moran. “Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance.” 2015. Thesis, UCLA. Accessed November 14, 2019. http://www.escholarship.org/uc/item/8dj8t9dc.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hutson, William Moran. “Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance.” 2015. Web. 14 Nov 2019.

Vancouver:

Hutson WM. Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance. [Internet] [Thesis]. UCLA; 2015. [cited 2019 Nov 14]. Available from: http://www.escholarship.org/uc/item/8dj8t9dc.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hutson WM. Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance. [Thesis]. UCLA; 2015. Available from: http://www.escholarship.org/uc/item/8dj8t9dc

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

30. Masone, Jolene Karen. The Contemporary Bassoonist: Music for Interactive Electroacoustics and Bassoon.

Degree: 2016, University of North Texas

 As the bassoon has evolved over time, the music written for the instrument has evolved around it, and was many times the catalyst for its… (more)

Subjects/Keywords: Bassoon; Electronic Music; Interactive; Electroacoustic Music; Music; Musical Performances

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Masone, J. K. (2016). The Contemporary Bassoonist: Music for Interactive Electroacoustics and Bassoon. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc849603/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Masone, Jolene Karen. “The Contemporary Bassoonist: Music for Interactive Electroacoustics and Bassoon.” 2016. Thesis, University of North Texas. Accessed November 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc849603/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Masone, Jolene Karen. “The Contemporary Bassoonist: Music for Interactive Electroacoustics and Bassoon.” 2016. Web. 14 Nov 2019.

Vancouver:

Masone JK. The Contemporary Bassoonist: Music for Interactive Electroacoustics and Bassoon. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Nov 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc849603/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Masone JK. The Contemporary Bassoonist: Music for Interactive Electroacoustics and Bassoon. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc849603/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2] [3] [4] [5] … [17]

.