Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(electroacoustic). Showing records 1 – 30 of 188 total matches.

[1] [2] [3] [4] [5] [6] [7]

Search Limiters

Last 2 Years | English Only

Degrees

Levels

Languages

Country

▼ Search Limiters

1. Warne, Matthew JP. Listening and Reflection in an Electroacoustic Compositional Practice.

Degree: PhD, Computer Music and Multimedia Composition, 2013, Brown University

 This dissertation describes four associated musical compositions and represents an effort to advance electroacoustic musical compositional practices by examining and innovating two key technologies: listening… (more)

Subjects/Keywords: Electroacoustic Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Warne, M. J. (2013). Listening and Reflection in an Electroacoustic Compositional Practice. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:320562/

Chicago Manual of Style (16th Edition):

Warne, Matthew JP. “Listening and Reflection in an Electroacoustic Compositional Practice.” 2013. Doctoral Dissertation, Brown University. Accessed January 23, 2020. https://repository.library.brown.edu/studio/item/bdr:320562/.

MLA Handbook (7th Edition):

Warne, Matthew JP. “Listening and Reflection in an Electroacoustic Compositional Practice.” 2013. Web. 23 Jan 2020.

Vancouver:

Warne MJ. Listening and Reflection in an Electroacoustic Compositional Practice. [Internet] [Doctoral dissertation]. Brown University; 2013. [cited 2020 Jan 23]. Available from: https://repository.library.brown.edu/studio/item/bdr:320562/.

Council of Science Editors:

Warne MJ. Listening and Reflection in an Electroacoustic Compositional Practice. [Doctoral Dissertation]. Brown University; 2013. Available from: https://repository.library.brown.edu/studio/item/bdr:320562/


Rutgers University

2. Gopinath, Sandesh, 1989-. Paper-based acoustic transducers with tunable resonance.

Degree: MS, Mechanical and Aerospace Engineering, 2015, Rutgers University

 This thesis describes the use of metallized paper as an electrostatically-driven, tunable acoustic source. Cutting the paper into different patterns and shapes alters the frequency… (more)

Subjects/Keywords: Electroacoustic transducers; Acoustics

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gopinath, Sandesh, 1. (2015). Paper-based acoustic transducers with tunable resonance. (Masters Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/48496/

Chicago Manual of Style (16th Edition):

Gopinath, Sandesh, 1989-. “Paper-based acoustic transducers with tunable resonance.” 2015. Masters Thesis, Rutgers University. Accessed January 23, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/48496/.

MLA Handbook (7th Edition):

Gopinath, Sandesh, 1989-. “Paper-based acoustic transducers with tunable resonance.” 2015. Web. 23 Jan 2020.

Vancouver:

Gopinath, Sandesh 1. Paper-based acoustic transducers with tunable resonance. [Internet] [Masters thesis]. Rutgers University; 2015. [cited 2020 Jan 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/48496/.

Council of Science Editors:

Gopinath, Sandesh 1. Paper-based acoustic transducers with tunable resonance. [Masters Thesis]. Rutgers University; 2015. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/48496/


Victoria University of Wellington

3. Voyce, Thomas. A Personal and Fragile Affair: The Sonic Environment and Its Place In My Compositions.

Degree: 2009, Victoria University of Wellington

 To begin with, I will briefly outline my compositional process. This will help to provide an understanding of my motivations. I will then pose some… (more)

Subjects/Keywords: Sonic art; Electroacoustic; Soundscape

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Voyce, T. (2009). A Personal and Fragile Affair: The Sonic Environment and Its Place In My Compositions. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/1507

Chicago Manual of Style (16th Edition):

Voyce, Thomas. “A Personal and Fragile Affair: The Sonic Environment and Its Place In My Compositions.” 2009. Masters Thesis, Victoria University of Wellington. Accessed January 23, 2020. http://hdl.handle.net/10063/1507.

MLA Handbook (7th Edition):

Voyce, Thomas. “A Personal and Fragile Affair: The Sonic Environment and Its Place In My Compositions.” 2009. Web. 23 Jan 2020.

Vancouver:

Voyce T. A Personal and Fragile Affair: The Sonic Environment and Its Place In My Compositions. [Internet] [Masters thesis]. Victoria University of Wellington; 2009. [cited 2020 Jan 23]. Available from: http://hdl.handle.net/10063/1507.

Council of Science Editors:

Voyce T. A Personal and Fragile Affair: The Sonic Environment and Its Place In My Compositions. [Masters Thesis]. Victoria University of Wellington; 2009. Available from: http://hdl.handle.net/10063/1507


Victoria University of Wellington

4. Taylor, Sarah Elizabeth. The Cinematic Aspects of Electroacoustic Music.

Degree: 2010, Victoria University of Wellington

 This portfolio explores ‘the cinematic aspects of electroacoustic music’ by way of three compositional contexts: acousmatic composition drawing on filmic resources, electroacoustic soundtracks for short… (more)

Subjects/Keywords: Electroacoustic music; Film music; Soundtracks

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Taylor, S. E. (2010). The Cinematic Aspects of Electroacoustic Music. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/2669

Chicago Manual of Style (16th Edition):

Taylor, Sarah Elizabeth. “The Cinematic Aspects of Electroacoustic Music.” 2010. Masters Thesis, Victoria University of Wellington. Accessed January 23, 2020. http://hdl.handle.net/10063/2669.

MLA Handbook (7th Edition):

Taylor, Sarah Elizabeth. “The Cinematic Aspects of Electroacoustic Music.” 2010. Web. 23 Jan 2020.

Vancouver:

Taylor SE. The Cinematic Aspects of Electroacoustic Music. [Internet] [Masters thesis]. Victoria University of Wellington; 2010. [cited 2020 Jan 23]. Available from: http://hdl.handle.net/10063/2669.

Council of Science Editors:

Taylor SE. The Cinematic Aspects of Electroacoustic Music. [Masters Thesis]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/2669


Penn State University

5. Acquaviva, Andrew Arthur. Developing an Underwater Low-frequency Projector Using Musical Instrument Schema.

Degree: MS, Acoustics, 2014, Penn State University

 Designing an underwater source of sound that operates at very low frequencies, such that the wavelength is many times the longest source dimension, is often… (more)

Subjects/Keywords: Acoustics; Electroacoustic Projector; Clarinet; Underwater

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Acquaviva, A. A. (2014). Developing an Underwater Low-frequency Projector Using Musical Instrument Schema. (Masters Thesis). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/22489

Chicago Manual of Style (16th Edition):

Acquaviva, Andrew Arthur. “Developing an Underwater Low-frequency Projector Using Musical Instrument Schema.” 2014. Masters Thesis, Penn State University. Accessed January 23, 2020. https://etda.libraries.psu.edu/catalog/22489.

MLA Handbook (7th Edition):

Acquaviva, Andrew Arthur. “Developing an Underwater Low-frequency Projector Using Musical Instrument Schema.” 2014. Web. 23 Jan 2020.

Vancouver:

Acquaviva AA. Developing an Underwater Low-frequency Projector Using Musical Instrument Schema. [Internet] [Masters thesis]. Penn State University; 2014. [cited 2020 Jan 23]. Available from: https://etda.libraries.psu.edu/catalog/22489.

Council of Science Editors:

Acquaviva AA. Developing an Underwater Low-frequency Projector Using Musical Instrument Schema. [Masters Thesis]. Penn State University; 2014. Available from: https://etda.libraries.psu.edu/catalog/22489


University of Sydney

6. Crawford, Trent. Exploring electroacoustic compositional structure through urban underground acoustic environments .

Degree: 2017, University of Sydney

 The aim and creative intent of this research project is to digitally capture the sonic fingerprint found throughout our cities’ underground transport systems with the… (more)

Subjects/Keywords: soundscape; electronic music; electroacoustic music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Crawford, T. (2017). Exploring electroacoustic compositional structure through urban underground acoustic environments . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/16635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crawford, Trent. “Exploring electroacoustic compositional structure through urban underground acoustic environments .” 2017. Thesis, University of Sydney. Accessed January 23, 2020. http://hdl.handle.net/2123/16635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crawford, Trent. “Exploring electroacoustic compositional structure through urban underground acoustic environments .” 2017. Web. 23 Jan 2020.

Vancouver:

Crawford T. Exploring electroacoustic compositional structure through urban underground acoustic environments . [Internet] [Thesis]. University of Sydney; 2017. [cited 2020 Jan 23]. Available from: http://hdl.handle.net/2123/16635.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crawford T. Exploring electroacoustic compositional structure through urban underground acoustic environments . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/16635

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manchester

7. Hirayama, Haruka. Portfolio of Compositions.

Degree: 2016, University of Manchester

This PhD portfolio focuses on research across interactive computer music composition and live performance involving instrumental players and instrumental sounds. It examines methods of disjoining… (more)

Subjects/Keywords: Electroacoustic music composition; Interactive music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hirayama, H. (2016). Portfolio of Compositions. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:300728

Chicago Manual of Style (16th Edition):

Hirayama, Haruka. “Portfolio of Compositions.” 2016. Doctoral Dissertation, University of Manchester. Accessed January 23, 2020. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:300728.

MLA Handbook (7th Edition):

Hirayama, Haruka. “Portfolio of Compositions.” 2016. Web. 23 Jan 2020.

Vancouver:

Hirayama H. Portfolio of Compositions. [Internet] [Doctoral dissertation]. University of Manchester; 2016. [cited 2020 Jan 23]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:300728.

Council of Science Editors:

Hirayama H. Portfolio of Compositions. [Doctoral Dissertation]. University of Manchester; 2016. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:300728


University of North Texas

8. Wen, Bihe. Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay.

Degree: 2018, University of North Texas

 This paper presents the history and the theoretical study of mixed music and focuses on two piano solo works and two mixed electroacoustic compositions for… (more)

Subjects/Keywords: Piano; Mixed electroacoustic music; Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wen, B. (2018). Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1248402/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wen, Bihe. “Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay.” 2018. Thesis, University of North Texas. Accessed January 23, 2020. https://digital.library.unt.edu/ark:/67531/metadc1248402/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wen, Bihe. “Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay.” 2018. Web. 23 Jan 2020.

Vancouver:

Wen B. Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay. [Internet] [Thesis]. University of North Texas; 2018. [cited 2020 Jan 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248402/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wen B. Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248402/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Ratto, Diego. Electroacoustic Orchestration : Timbre, Space and Sound Material Organisation.

Degree: Composition and Conducting, 2019, Royal College of Music in Stockholm

  As a composer of electroacoustic music, I’m interested in understanding which characteristics of classical orchestration can be used in electroacoustic music after these years… (more)

Subjects/Keywords: Electroacoustic Composition; Music; Musik

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ratto, D. (2019). Electroacoustic Orchestration : Timbre, Space and Sound Material Organisation. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3144

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ratto, Diego. “Electroacoustic Orchestration : Timbre, Space and Sound Material Organisation.” 2019. Thesis, Royal College of Music in Stockholm. Accessed January 23, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3144.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ratto, Diego. “Electroacoustic Orchestration : Timbre, Space and Sound Material Organisation.” 2019. Web. 23 Jan 2020.

Vancouver:

Ratto D. Electroacoustic Orchestration : Timbre, Space and Sound Material Organisation. [Internet] [Thesis]. Royal College of Music in Stockholm; 2019. [cited 2020 Jan 23]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3144.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ratto D. Electroacoustic Orchestration : Timbre, Space and Sound Material Organisation. [Thesis]. Royal College of Music in Stockholm; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3144

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Limerick

10. Lynch, Hugh Adam. Space in multi-channel electroacoustic music: developing sound spatialisation techniques for composing multi-channel electroacoustic music with emphasis on spatial attribute perception.

Degree: 2014, University of Limerick

 Only a small number of perceptual investigations of multi-channel electroacoustic music have been undertaken to date. Consequently, an established method for the elicitation of perceptual… (more)

Subjects/Keywords: electroacoustic music; spatial hearing; listening

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lynch, H. A. (2014). Space in multi-channel electroacoustic music: developing sound spatialisation techniques for composing multi-channel electroacoustic music with emphasis on spatial attribute perception. (Thesis). University of Limerick. Retrieved from http://hdl.handle.net/10344/4266

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lynch, Hugh Adam. “Space in multi-channel electroacoustic music: developing sound spatialisation techniques for composing multi-channel electroacoustic music with emphasis on spatial attribute perception.” 2014. Thesis, University of Limerick. Accessed January 23, 2020. http://hdl.handle.net/10344/4266.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lynch, Hugh Adam. “Space in multi-channel electroacoustic music: developing sound spatialisation techniques for composing multi-channel electroacoustic music with emphasis on spatial attribute perception.” 2014. Web. 23 Jan 2020.

Vancouver:

Lynch HA. Space in multi-channel electroacoustic music: developing sound spatialisation techniques for composing multi-channel electroacoustic music with emphasis on spatial attribute perception. [Internet] [Thesis]. University of Limerick; 2014. [cited 2020 Jan 23]. Available from: http://hdl.handle.net/10344/4266.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lynch HA. Space in multi-channel electroacoustic music: developing sound spatialisation techniques for composing multi-channel electroacoustic music with emphasis on spatial attribute perception. [Thesis]. University of Limerick; 2014. Available from: http://hdl.handle.net/10344/4266

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Limerick

11. Doyle, Tony. Spectral precedence methodologies in spatial auditory research: perceptual evaluation of spatial attributes in 2D and 3D virtual auditory display environments.

Degree: 2015, University of Limerick

 Sounds are space specific. That is, the spectral content of a sound suggests a perception that resides along the three co-ordinates of physical space; front… (more)

Subjects/Keywords: sound; electroacoustic practitioners; audio

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Doyle, T. (2015). Spectral precedence methodologies in spatial auditory research: perceptual evaluation of spatial attributes in 2D and 3D virtual auditory display environments. (Thesis). University of Limerick. Retrieved from http://hdl.handle.net/10344/4829

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Doyle, Tony. “Spectral precedence methodologies in spatial auditory research: perceptual evaluation of spatial attributes in 2D and 3D virtual auditory display environments.” 2015. Thesis, University of Limerick. Accessed January 23, 2020. http://hdl.handle.net/10344/4829.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Doyle, Tony. “Spectral precedence methodologies in spatial auditory research: perceptual evaluation of spatial attributes in 2D and 3D virtual auditory display environments.” 2015. Web. 23 Jan 2020.

Vancouver:

Doyle T. Spectral precedence methodologies in spatial auditory research: perceptual evaluation of spatial attributes in 2D and 3D virtual auditory display environments. [Internet] [Thesis]. University of Limerick; 2015. [cited 2020 Jan 23]. Available from: http://hdl.handle.net/10344/4829.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Doyle T. Spectral precedence methodologies in spatial auditory research: perceptual evaluation of spatial attributes in 2D and 3D virtual auditory display environments. [Thesis]. University of Limerick; 2015. Available from: http://hdl.handle.net/10344/4829

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Tunnicliffe, Steven. Perception and structure in electroacoustic music : a portfolio of compositions.

Degree: PhD, 2019, Bangor University

 Following Pierre Schaeffer's proclamation of the primacy of the ear, the composition of acousmatic music has remained a practice based on aural perception. Consequently, the… (more)

Subjects/Keywords: electroacoustic music; acousmatic music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tunnicliffe, S. (2019). Perception and structure in electroacoustic music : a portfolio of compositions. (Doctoral Dissertation). Bangor University. Retrieved from https://research.bangor.ac.uk/portal/en/theses/perception-and-structure-in-electroacoustic-music-a-portfolio-of-compositions(ea205ed7-4c5f-4a96-a139-8c54128bfbd3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.774150

Chicago Manual of Style (16th Edition):

Tunnicliffe, Steven. “Perception and structure in electroacoustic music : a portfolio of compositions.” 2019. Doctoral Dissertation, Bangor University. Accessed January 23, 2020. https://research.bangor.ac.uk/portal/en/theses/perception-and-structure-in-electroacoustic-music-a-portfolio-of-compositions(ea205ed7-4c5f-4a96-a139-8c54128bfbd3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.774150.

MLA Handbook (7th Edition):

Tunnicliffe, Steven. “Perception and structure in electroacoustic music : a portfolio of compositions.” 2019. Web. 23 Jan 2020.

Vancouver:

Tunnicliffe S. Perception and structure in electroacoustic music : a portfolio of compositions. [Internet] [Doctoral dissertation]. Bangor University; 2019. [cited 2020 Jan 23]. Available from: https://research.bangor.ac.uk/portal/en/theses/perception-and-structure-in-electroacoustic-music-a-portfolio-of-compositions(ea205ed7-4c5f-4a96-a139-8c54128bfbd3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.774150.

Council of Science Editors:

Tunnicliffe S. Perception and structure in electroacoustic music : a portfolio of compositions. [Doctoral Dissertation]. Bangor University; 2019. Available from: https://research.bangor.ac.uk/portal/en/theses/perception-and-structure-in-electroacoustic-music-a-portfolio-of-compositions(ea205ed7-4c5f-4a96-a139-8c54128bfbd3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.774150


Bowling Green State University

13. Carroll, Nicole Lea. Awakenings.

Degree: MM, Music Composition, 2005, Bowling Green State University

  Awakenings is a piece for two-channel electroacoustic music and video. The work incorporates a text composed specifically for this piece, written by Justin Goldberg… (more)

Subjects/Keywords: Music; electroacoustic; video

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carroll, N. L. (2005). Awakenings. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1131030527

Chicago Manual of Style (16th Edition):

Carroll, Nicole Lea. “Awakenings.” 2005. Masters Thesis, Bowling Green State University. Accessed January 23, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1131030527.

MLA Handbook (7th Edition):

Carroll, Nicole Lea. “Awakenings.” 2005. Web. 23 Jan 2020.

Vancouver:

Carroll NL. Awakenings. [Internet] [Masters thesis]. Bowling Green State University; 2005. [cited 2020 Jan 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1131030527.

Council of Science Editors:

Carroll NL. Awakenings. [Masters Thesis]. Bowling Green State University; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1131030527


Bowling Green State University

14. Sears, Brian Carl. Beneath the Universal Strife, The Hidden Harmony in All Things.

Degree: MM, Music Composition, 2016, Bowling Green State University

 …beneath the universal strife, the hidden harmony of all things… is a single movement, twelve minute composition for percussion trio and live, interactive electronics. Its… (more)

Subjects/Keywords: Music; percussion; electroacoustic; electronics; max msp

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sears, B. C. (2016). Beneath the Universal Strife, The Hidden Harmony in All Things. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1453291367

Chicago Manual of Style (16th Edition):

Sears, Brian Carl. “Beneath the Universal Strife, The Hidden Harmony in All Things.” 2016. Masters Thesis, Bowling Green State University. Accessed January 23, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1453291367.

MLA Handbook (7th Edition):

Sears, Brian Carl. “Beneath the Universal Strife, The Hidden Harmony in All Things.” 2016. Web. 23 Jan 2020.

Vancouver:

Sears BC. Beneath the Universal Strife, The Hidden Harmony in All Things. [Internet] [Masters thesis]. Bowling Green State University; 2016. [cited 2020 Jan 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1453291367.

Council of Science Editors:

Sears BC. Beneath the Universal Strife, The Hidden Harmony in All Things. [Masters Thesis]. Bowling Green State University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1453291367


UCLA

15. Keelaghan, Nikolaus Adrian. Performing Percussion in an Electronic World: An Exploration of Electroacoustic Music with a Focus on Stockhausen's Mikrophonie I and Saariaho's Six Japanese Gardens.

Degree: Music, 2016, UCLA

 The origins of electroacoustic music are rooted in a long-standing tradition of non-human music making, dating back centuries to the inventions of automaton creators. The… (more)

Subjects/Keywords: Music; Barriere; Electroacoustic; Electronic; Mikrophonie; Saariaho; Stockhausen

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Keelaghan, N. A. (2016). Performing Percussion in an Electronic World: An Exploration of Electroacoustic Music with a Focus on Stockhausen's Mikrophonie I and Saariaho's Six Japanese Gardens. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/9b10838z

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Keelaghan, Nikolaus Adrian. “Performing Percussion in an Electronic World: An Exploration of Electroacoustic Music with a Focus on Stockhausen's Mikrophonie I and Saariaho's Six Japanese Gardens.” 2016. Thesis, UCLA. Accessed January 23, 2020. http://www.escholarship.org/uc/item/9b10838z.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Keelaghan, Nikolaus Adrian. “Performing Percussion in an Electronic World: An Exploration of Electroacoustic Music with a Focus on Stockhausen's Mikrophonie I and Saariaho's Six Japanese Gardens.” 2016. Web. 23 Jan 2020.

Vancouver:

Keelaghan NA. Performing Percussion in an Electronic World: An Exploration of Electroacoustic Music with a Focus on Stockhausen's Mikrophonie I and Saariaho's Six Japanese Gardens. [Internet] [Thesis]. UCLA; 2016. [cited 2020 Jan 23]. Available from: http://www.escholarship.org/uc/item/9b10838z.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Keelaghan NA. Performing Percussion in an Electronic World: An Exploration of Electroacoustic Music with a Focus on Stockhausen's Mikrophonie I and Saariaho's Six Japanese Gardens. [Thesis]. UCLA; 2016. Available from: http://www.escholarship.org/uc/item/9b10838z

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

16. Rostovtsev, Ilya Yurievich. Scenes, For Two-Channel Fixed Media.

Degree: Music, 2017, University of California – Berkeley

 This paper is an account of the creative process that resulted in the dissertation for a PhD in music composition, Scenes, a two-channel fixed-media composition… (more)

Subjects/Keywords: Music; acousmatic; composition; electroacoustic; improvisation; music; spatialization

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rostovtsev, I. Y. (2017). Scenes, For Two-Channel Fixed Media. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/572071rk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rostovtsev, Ilya Yurievich. “Scenes, For Two-Channel Fixed Media.” 2017. Thesis, University of California – Berkeley. Accessed January 23, 2020. http://www.escholarship.org/uc/item/572071rk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rostovtsev, Ilya Yurievich. “Scenes, For Two-Channel Fixed Media.” 2017. Web. 23 Jan 2020.

Vancouver:

Rostovtsev IY. Scenes, For Two-Channel Fixed Media. [Internet] [Thesis]. University of California – Berkeley; 2017. [cited 2020 Jan 23]. Available from: http://www.escholarship.org/uc/item/572071rk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rostovtsev IY. Scenes, For Two-Channel Fixed Media. [Thesis]. University of California – Berkeley; 2017. Available from: http://www.escholarship.org/uc/item/572071rk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

17. Marotto, Stephen Costanzo. Performance and analysis in Jonathan Harvey's Advaya.

Degree: DMA, Music Performance, 2018, Boston University

 This analysis examines Jonathan Harvey’s seminal electroacoustic work, Advaya, for cello, electronic keyboard, and electronics. The paper is divided into three sections: a survey of… (more)

Subjects/Keywords: Music; Advaya; Cello; Electroacoustic; Jonathan Harvey

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Marotto, S. C. (2018). Performance and analysis in Jonathan Harvey's Advaya. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/30686

Chicago Manual of Style (16th Edition):

Marotto, Stephen Costanzo. “Performance and analysis in Jonathan Harvey's Advaya.” 2018. Doctoral Dissertation, Boston University. Accessed January 23, 2020. http://hdl.handle.net/2144/30686.

MLA Handbook (7th Edition):

Marotto, Stephen Costanzo. “Performance and analysis in Jonathan Harvey's Advaya.” 2018. Web. 23 Jan 2020.

Vancouver:

Marotto SC. Performance and analysis in Jonathan Harvey's Advaya. [Internet] [Doctoral dissertation]. Boston University; 2018. [cited 2020 Jan 23]. Available from: http://hdl.handle.net/2144/30686.

Council of Science Editors:

Marotto SC. Performance and analysis in Jonathan Harvey's Advaya. [Doctoral Dissertation]. Boston University; 2018. Available from: http://hdl.handle.net/2144/30686


California State University – Northridge

18. Power, Gregory. The Limitless Potential of Electroacoustic Percussion: An Exploration of Repertoire Composed for Solo Percussion and Electronics.

Degree: M.M., Department of Music, 2019, California State University – Northridge

 With present-day technology, electronic music has become a much more accessible medium. Many new electroacoustic percussion works have been composed and performed in the year… (more)

Subjects/Keywords: electroacoustic music; Dissertations, Academic  – CSUN  – Music.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Power, G. (2019). The Limitless Potential of Electroacoustic Percussion: An Exploration of Repertoire Composed for Solo Percussion and Electronics. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.3/207548

Chicago Manual of Style (16th Edition):

Power, Gregory. “The Limitless Potential of Electroacoustic Percussion: An Exploration of Repertoire Composed for Solo Percussion and Electronics.” 2019. Masters Thesis, California State University – Northridge. Accessed January 23, 2020. http://hdl.handle.net/10211.3/207548.

MLA Handbook (7th Edition):

Power, Gregory. “The Limitless Potential of Electroacoustic Percussion: An Exploration of Repertoire Composed for Solo Percussion and Electronics.” 2019. Web. 23 Jan 2020.

Vancouver:

Power G. The Limitless Potential of Electroacoustic Percussion: An Exploration of Repertoire Composed for Solo Percussion and Electronics. [Internet] [Masters thesis]. California State University – Northridge; 2019. [cited 2020 Jan 23]. Available from: http://hdl.handle.net/10211.3/207548.

Council of Science Editors:

Power G. The Limitless Potential of Electroacoustic Percussion: An Exploration of Repertoire Composed for Solo Percussion and Electronics. [Masters Thesis]. California State University – Northridge; 2019. Available from: http://hdl.handle.net/10211.3/207548


University of Manchester

19. Garbett, Andrew. Portfolio of original compositions.

Degree: PhD, 2018, University of Manchester

 It is my contention that the worlds of instrumental and electroacoustic music are essentially grounded in one basic reality – the physical properties of sound.… (more)

Subjects/Keywords: Electroacoustic Music; Composition; Instruments and Electronics

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garbett, A. (2018). Portfolio of original compositions. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/portfolio-of-original-compositions(b91b41f5-df94-4f2a-8798-7ac88f1ec2d2).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.756871

Chicago Manual of Style (16th Edition):

Garbett, Andrew. “Portfolio of original compositions.” 2018. Doctoral Dissertation, University of Manchester. Accessed January 23, 2020. https://www.research.manchester.ac.uk/portal/en/theses/portfolio-of-original-compositions(b91b41f5-df94-4f2a-8798-7ac88f1ec2d2).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.756871.

MLA Handbook (7th Edition):

Garbett, Andrew. “Portfolio of original compositions.” 2018. Web. 23 Jan 2020.

Vancouver:

Garbett A. Portfolio of original compositions. [Internet] [Doctoral dissertation]. University of Manchester; 2018. [cited 2020 Jan 23]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/portfolio-of-original-compositions(b91b41f5-df94-4f2a-8798-7ac88f1ec2d2).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.756871.

Council of Science Editors:

Garbett A. Portfolio of original compositions. [Doctoral Dissertation]. University of Manchester; 2018. Available from: https://www.research.manchester.ac.uk/portal/en/theses/portfolio-of-original-compositions(b91b41f5-df94-4f2a-8798-7ac88f1ec2d2).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.756871


University of California – San Diego

20. Miller, Caroline Louise. Texture, Tactility, and Affect in Three Electroacoustic and Multimedia works.

Degree: Music, 2019, University of California – San Diego

 How to Survive a 100-Hour Workweek, Vivarium, and Subsong, with accompanying essays, investigate multiple, polyvalent, cumulative ways to engrave multimedia works with labor, touch, and… (more)

Subjects/Keywords: Musical composition; Affect; Digital; Electroacoustic; Multimedia; Tactility

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Miller, C. L. (2019). Texture, Tactility, and Affect in Three Electroacoustic and Multimedia works. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/3xt044fx

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miller, Caroline Louise. “Texture, Tactility, and Affect in Three Electroacoustic and Multimedia works.” 2019. Thesis, University of California – San Diego. Accessed January 23, 2020. http://www.escholarship.org/uc/item/3xt044fx.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miller, Caroline Louise. “Texture, Tactility, and Affect in Three Electroacoustic and Multimedia works.” 2019. Web. 23 Jan 2020.

Vancouver:

Miller CL. Texture, Tactility, and Affect in Three Electroacoustic and Multimedia works. [Internet] [Thesis]. University of California – San Diego; 2019. [cited 2020 Jan 23]. Available from: http://www.escholarship.org/uc/item/3xt044fx.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miller CL. Texture, Tactility, and Affect in Three Electroacoustic and Multimedia works. [Thesis]. University of California – San Diego; 2019. Available from: http://www.escholarship.org/uc/item/3xt044fx

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manchester

21. Morawitz, Falk. Portfolio of Original Compositions.

Degree: 2019, University of Manchester

Sonification is broadly defined as the display of data as sound, and has been used in educational, scientific and industrial settings to explore, find and… (more)

Subjects/Keywords: Sonification; electroacoustic music; composition; nuclear magnetic resonance

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Morawitz, F. (2019). Portfolio of Original Compositions. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:319864

Chicago Manual of Style (16th Edition):

Morawitz, Falk. “Portfolio of Original Compositions.” 2019. Doctoral Dissertation, University of Manchester. Accessed January 23, 2020. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:319864.

MLA Handbook (7th Edition):

Morawitz, Falk. “Portfolio of Original Compositions.” 2019. Web. 23 Jan 2020.

Vancouver:

Morawitz F. Portfolio of Original Compositions. [Internet] [Doctoral dissertation]. University of Manchester; 2019. [cited 2020 Jan 23]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:319864.

Council of Science Editors:

Morawitz F. Portfolio of Original Compositions. [Doctoral Dissertation]. University of Manchester; 2019. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:319864


University of Manchester

22. Morawitz, Falk. Portfolio of original compositions.

Degree: PhD, 2019, University of Manchester

 Sonification is broadly defined as the display of data as sound, and has been used in educational, scientific and industrial settings to explore, find and… (more)

Subjects/Keywords: nuclear magnetic resonance; composition; Sonification; electroacoustic music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Morawitz, F. (2019). Portfolio of original compositions. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/portfolio-of-original-compositions(ce8b7834-cfae-4f8e-8689-05984390a33c).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.779694

Chicago Manual of Style (16th Edition):

Morawitz, Falk. “Portfolio of original compositions.” 2019. Doctoral Dissertation, University of Manchester. Accessed January 23, 2020. https://www.research.manchester.ac.uk/portal/en/theses/portfolio-of-original-compositions(ce8b7834-cfae-4f8e-8689-05984390a33c).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.779694.

MLA Handbook (7th Edition):

Morawitz, Falk. “Portfolio of original compositions.” 2019. Web. 23 Jan 2020.

Vancouver:

Morawitz F. Portfolio of original compositions. [Internet] [Doctoral dissertation]. University of Manchester; 2019. [cited 2020 Jan 23]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/portfolio-of-original-compositions(ce8b7834-cfae-4f8e-8689-05984390a33c).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.779694.

Council of Science Editors:

Morawitz F. Portfolio of original compositions. [Doctoral Dissertation]. University of Manchester; 2019. Available from: https://www.research.manchester.ac.uk/portal/en/theses/portfolio-of-original-compositions(ce8b7834-cfae-4f8e-8689-05984390a33c).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.779694


Louisiana State University

23. Knoll, Jonathan Corey. Concerto for Laptop Ensemble and Orchestra: The Ship of Theseus and Problems of Performance for Electronics With Orchestra: Taxonomy and Nomenclature.

Degree: PhD, Music, 2014, Louisiana State University

 This dissertation is an examination of the problems faced when staging a work for electronics and orchestra. Part I is an original composition and model… (more)

Subjects/Keywords: interactive; live; realtime; laptop orchestra; electronics and orchestra; electroacoustic nomenclature; electroacoustic taxonomy

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Knoll, J. C. (2014). Concerto for Laptop Ensemble and Orchestra: The Ship of Theseus and Problems of Performance for Electronics With Orchestra: Taxonomy and Nomenclature. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-11142014-140557 ; https://digitalcommons.lsu.edu/gradschool_dissertations/248

Chicago Manual of Style (16th Edition):

Knoll, Jonathan Corey. “Concerto for Laptop Ensemble and Orchestra: The Ship of Theseus and Problems of Performance for Electronics With Orchestra: Taxonomy and Nomenclature.” 2014. Doctoral Dissertation, Louisiana State University. Accessed January 23, 2020. etd-11142014-140557 ; https://digitalcommons.lsu.edu/gradschool_dissertations/248.

MLA Handbook (7th Edition):

Knoll, Jonathan Corey. “Concerto for Laptop Ensemble and Orchestra: The Ship of Theseus and Problems of Performance for Electronics With Orchestra: Taxonomy and Nomenclature.” 2014. Web. 23 Jan 2020.

Vancouver:

Knoll JC. Concerto for Laptop Ensemble and Orchestra: The Ship of Theseus and Problems of Performance for Electronics With Orchestra: Taxonomy and Nomenclature. [Internet] [Doctoral dissertation]. Louisiana State University; 2014. [cited 2020 Jan 23]. Available from: etd-11142014-140557 ; https://digitalcommons.lsu.edu/gradschool_dissertations/248.

Council of Science Editors:

Knoll JC. Concerto for Laptop Ensemble and Orchestra: The Ship of Theseus and Problems of Performance for Electronics With Orchestra: Taxonomy and Nomenclature. [Doctoral Dissertation]. Louisiana State University; 2014. Available from: etd-11142014-140557 ; https://digitalcommons.lsu.edu/gradschool_dissertations/248


De Montfort University

24. Gatt, Michael. Tools for understanding electroacoustic music.

Degree: PhD, 2014, De Montfort University

 There is an arguable lack of activity and interest in the analysis of electroacoustic music when compared to its composition and performance. The absence of… (more)

Subjects/Keywords: 786.7; electroacoustic music; acousmatic music; sonic installations; sound installations; music analysis; electroacoustic music analysis; online communities; open access; music archives

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gatt, M. (2014). Tools for understanding electroacoustic music. (Doctoral Dissertation). De Montfort University. Retrieved from http://hdl.handle.net/2086/10754

Chicago Manual of Style (16th Edition):

Gatt, Michael. “Tools for understanding electroacoustic music.” 2014. Doctoral Dissertation, De Montfort University. Accessed January 23, 2020. http://hdl.handle.net/2086/10754.

MLA Handbook (7th Edition):

Gatt, Michael. “Tools for understanding electroacoustic music.” 2014. Web. 23 Jan 2020.

Vancouver:

Gatt M. Tools for understanding electroacoustic music. [Internet] [Doctoral dissertation]. De Montfort University; 2014. [cited 2020 Jan 23]. Available from: http://hdl.handle.net/2086/10754.

Council of Science Editors:

Gatt M. Tools for understanding electroacoustic music. [Doctoral Dissertation]. De Montfort University; 2014. Available from: http://hdl.handle.net/2086/10754


The Ohio State University

25. Allaire, Roger Alphee, 1941-. Whole field displacement measurements by holographic interferometry - with application on sonic transducers.

Degree: PhD, Graduate School, 1973, The Ohio State University

Subjects/Keywords: Education; Acoustic holography; Electroacoustic transducers

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Allaire, Roger Alphee, 1. (1973). Whole field displacement measurements by holographic interferometry - with application on sonic transducers. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486979835071246

Chicago Manual of Style (16th Edition):

Allaire, Roger Alphee, 1941-. “Whole field displacement measurements by holographic interferometry - with application on sonic transducers.” 1973. Doctoral Dissertation, The Ohio State University. Accessed January 23, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486979835071246.

MLA Handbook (7th Edition):

Allaire, Roger Alphee, 1941-. “Whole field displacement measurements by holographic interferometry - with application on sonic transducers.” 1973. Web. 23 Jan 2020.

Vancouver:

Allaire, Roger Alphee 1. Whole field displacement measurements by holographic interferometry - with application on sonic transducers. [Internet] [Doctoral dissertation]. The Ohio State University; 1973. [cited 2020 Jan 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486979835071246.

Council of Science Editors:

Allaire, Roger Alphee 1. Whole field displacement measurements by holographic interferometry - with application on sonic transducers. [Doctoral Dissertation]. The Ohio State University; 1973. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486979835071246


Temple University

26. Dennis, Harold Edward Brokaw. How We Saved the World: A Multimedia Musical Drama.

Degree: 2013, Temple University

Music Composition

D.M.A.

A monograph on the musical composition How We Saved the World, a multimedia musical drama written by the author, describes in detail… (more)

Subjects/Keywords: Music; Performing arts; Dance;

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dennis, H. E. B. (2013). How We Saved the World: A Multimedia Musical Drama. (Thesis). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,254032

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dennis, Harold Edward Brokaw. “How We Saved the World: A Multimedia Musical Drama.” 2013. Thesis, Temple University. Accessed January 23, 2020. http://digital.library.temple.edu/u?/p245801coll10,254032.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dennis, Harold Edward Brokaw. “How We Saved the World: A Multimedia Musical Drama.” 2013. Web. 23 Jan 2020.

Vancouver:

Dennis HEB. How We Saved the World: A Multimedia Musical Drama. [Internet] [Thesis]. Temple University; 2013. [cited 2020 Jan 23]. Available from: http://digital.library.temple.edu/u?/p245801coll10,254032.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dennis HEB. How We Saved the World: A Multimedia Musical Drama. [Thesis]. Temple University; 2013. Available from: http://digital.library.temple.edu/u?/p245801coll10,254032

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Temple University

27. Dennis, Harold Edward Brokaw. How We Saved The World [Score].

Degree: 2013, Temple University

Music Composition

D.M.A.

A monograph on the musical composition How We Saved the World, a multimedia musical drama written by the author, describes in detail… (more)

Subjects/Keywords: Music; Performing arts; Dance;

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dennis, H. E. B. (2013). How We Saved The World [Score]. (Thesis). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,254225

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dennis, Harold Edward Brokaw. “How We Saved The World [Score].” 2013. Thesis, Temple University. Accessed January 23, 2020. http://digital.library.temple.edu/u?/p245801coll10,254225.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dennis, Harold Edward Brokaw. “How We Saved The World [Score].” 2013. Web. 23 Jan 2020.

Vancouver:

Dennis HEB. How We Saved The World [Score]. [Internet] [Thesis]. Temple University; 2013. [cited 2020 Jan 23]. Available from: http://digital.library.temple.edu/u?/p245801coll10,254225.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dennis HEB. How We Saved The World [Score]. [Thesis]. Temple University; 2013. Available from: http://digital.library.temple.edu/u?/p245801coll10,254225

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Temple University

28. Dennis, Harold Edward Brokaw. How We Saved The World [sound recording].

Degree: 2013, Temple University

Music Composition

D.M.A.

A monograph on the musical composition How We Saved the World, a multimedia musical drama written by the author, describes in detail… (more)

Subjects/Keywords: Music; Performing arts; Dance;

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dennis, H. E. B. (2013). How We Saved The World [sound recording]. (Thesis). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,254226

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dennis, Harold Edward Brokaw. “How We Saved The World [sound recording].” 2013. Thesis, Temple University. Accessed January 23, 2020. http://digital.library.temple.edu/u?/p245801coll10,254226.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dennis, Harold Edward Brokaw. “How We Saved The World [sound recording].” 2013. Web. 23 Jan 2020.

Vancouver:

Dennis HEB. How We Saved The World [sound recording]. [Internet] [Thesis]. Temple University; 2013. [cited 2020 Jan 23]. Available from: http://digital.library.temple.edu/u?/p245801coll10,254226.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dennis HEB. How We Saved The World [sound recording]. [Thesis]. Temple University; 2013. Available from: http://digital.library.temple.edu/u?/p245801coll10,254226

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

29. Hron, Teresa (Terri). Composing idiomatically for specific performers : collaboration in the creation of electroacoustic music .

Degree: 2015, Université de Montréal

 Cette thèse examine l'impact de la collaboration avec des instrumentistes particuliers sur la composition de quatre œuvres électroacoustiques. Assumant un rôle plus important que celui… (more)

Subjects/Keywords: Électroacoustique; Collaboration; Traduction; Transcription; Pratiques d'interprétation; Electroacoustic; Collaboration; Translation; Performance practice

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hron, T. (. (2015). Composing idiomatically for specific performers : collaboration in the creation of electroacoustic music . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/12313

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hron, Teresa (Terri). “Composing idiomatically for specific performers : collaboration in the creation of electroacoustic music .” 2015. Thesis, Université de Montréal. Accessed January 23, 2020. http://hdl.handle.net/1866/12313.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hron, Teresa (Terri). “Composing idiomatically for specific performers : collaboration in the creation of electroacoustic music .” 2015. Web. 23 Jan 2020.

Vancouver:

Hron T(. Composing idiomatically for specific performers : collaboration in the creation of electroacoustic music . [Internet] [Thesis]. Université de Montréal; 2015. [cited 2020 Jan 23]. Available from: http://hdl.handle.net/1866/12313.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hron T(. Composing idiomatically for specific performers : collaboration in the creation of electroacoustic music . [Thesis]. Université de Montréal; 2015. Available from: http://hdl.handle.net/1866/12313

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Plymouth

30. Rutz, Hanns Holger. Tracing the compositional process : sound art that rewrites its own past : formation, praxis and a computer framework.

Degree: PhD, 2014, University of Plymouth

 The domain of this thesis is electroacoustic computer-based music and sound art. It investigates a facet of composition which is often neglected or ill-defined: the… (more)

Subjects/Keywords: 781.3; computer music; sound art; data structures; electroacoustic music; composition process

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rutz, H. H. (2014). Tracing the compositional process : sound art that rewrites its own past : formation, praxis and a computer framework. (Doctoral Dissertation). University of Plymouth. Retrieved from http://hdl.handle.net/10026.1/3116

Chicago Manual of Style (16th Edition):

Rutz, Hanns Holger. “Tracing the compositional process : sound art that rewrites its own past : formation, praxis and a computer framework.” 2014. Doctoral Dissertation, University of Plymouth. Accessed January 23, 2020. http://hdl.handle.net/10026.1/3116.

MLA Handbook (7th Edition):

Rutz, Hanns Holger. “Tracing the compositional process : sound art that rewrites its own past : formation, praxis and a computer framework.” 2014. Web. 23 Jan 2020.

Vancouver:

Rutz HH. Tracing the compositional process : sound art that rewrites its own past : formation, praxis and a computer framework. [Internet] [Doctoral dissertation]. University of Plymouth; 2014. [cited 2020 Jan 23]. Available from: http://hdl.handle.net/10026.1/3116.

Council of Science Editors:

Rutz HH. Tracing the compositional process : sound art that rewrites its own past : formation, praxis and a computer framework. [Doctoral Dissertation]. University of Plymouth; 2014. Available from: http://hdl.handle.net/10026.1/3116

[1] [2] [3] [4] [5] [6] [7]

.