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You searched for subject:(electro acoustic music). Showing records 1 – 24 of 24 total matches.

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University of California – Berkeley

1. Ficarra, Evelyn Jacqueline. Vagues / Fenêtres for String Trio and Electronic Sounds.

Degree: Music, 2010, University of California – Berkeley

 AbstractVagues / Fenêtres for String Trio and Electronic SoundsbyEvelyn Jacqueline FicarraDoctor of Philosophy in MusicUniversity of California, BerkeleyProfessor Edmund Campion, ChairThis research begins with close… (more)

Subjects/Keywords: Music; Chamber; Composition; Electro-Acoustic; Electronic

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APA (6th Edition):

Ficarra, E. J. (2010). Vagues / Fenêtres for String Trio and Electronic Sounds. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/6jf071v1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ficarra, Evelyn Jacqueline. “Vagues / Fenêtres for String Trio and Electronic Sounds.” 2010. Thesis, University of California – Berkeley. Accessed December 08, 2019. http://www.escholarship.org/uc/item/6jf071v1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ficarra, Evelyn Jacqueline. “Vagues / Fenêtres for String Trio and Electronic Sounds.” 2010. Web. 08 Dec 2019.

Vancouver:

Ficarra EJ. Vagues / Fenêtres for String Trio and Electronic Sounds. [Internet] [Thesis]. University of California – Berkeley; 2010. [cited 2019 Dec 08]. Available from: http://www.escholarship.org/uc/item/6jf071v1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ficarra EJ. Vagues / Fenêtres for String Trio and Electronic Sounds. [Thesis]. University of California – Berkeley; 2010. Available from: http://www.escholarship.org/uc/item/6jf071v1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Swilley, Daniel. Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963).

Degree: A.Mus.D., 0265, 2014, University of Illinois – Urbana-Champaign

 This dissertation is an investigation of electro-acoustic music analysis; it highlights the difficulties of analysis, explains some of the prevailing analysis methodologies, and demonstrates the… (more)

Subjects/Keywords: Electro-acoustic Music; Electro-acoustic Music Analysis

…concerning the analysis of electro-acoustic music, (3) a review of current electro… …laboratory for engaging the difficulties and utilizing the methods of electro-acoustic music… …electro-acoustic music analysis. The study made use of methodologies based on listening and also… …problems and methods of electro-acoustic music analysis, to inform algorithm design in computer… …assisted algorithmic composition, and to inform pedagogical approaches in electro-acoustic music… 

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APA (6th Edition):

Swilley, D. (2014). Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963). (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/49416

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Swilley, Daniel. “Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963).” 2014. Thesis, University of Illinois – Urbana-Champaign. Accessed December 08, 2019. http://hdl.handle.net/2142/49416.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Swilley, Daniel. “Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963).” 2014. Web. 08 Dec 2019.

Vancouver:

Swilley D. Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963). [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2014. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2142/49416.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Swilley D. Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963). [Thesis]. University of Illinois – Urbana-Champaign; 2014. Available from: http://hdl.handle.net/2142/49416

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

3. BARNHART, MICHAEL ROBERT. THE SINGING BRIDGE.

Degree: DMA, College-Conservatory of Music : Composition, 2007, University of Cincinnati

 The Singing Bridge is a piece for percussion trio with recorded electro-acoustic music inspired by and utilizing samples from the sonic environment surrounding the Cincinnati-Covington… (more)

Subjects/Keywords: Music; Singing Bridge; music; Roebling Bridge; music composition; percussion; computer music; electro-acoustic; Cincinnati

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APA (6th Edition):

BARNHART, M. R. (2007). THE SINGING BRIDGE. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195667467

Chicago Manual of Style (16th Edition):

BARNHART, MICHAEL ROBERT. “THE SINGING BRIDGE.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed December 08, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195667467.

MLA Handbook (7th Edition):

BARNHART, MICHAEL ROBERT. “THE SINGING BRIDGE.” 2007. Web. 08 Dec 2019.

Vancouver:

BARNHART MR. THE SINGING BRIDGE. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Dec 08]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195667467.

Council of Science Editors:

BARNHART MR. THE SINGING BRIDGE. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195667467

4. Sousa Bittencourt, Pedro. Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones.

Degree: Docteur es, Musique, 2015, Paris 8

Étude sur la collaboration et la participation active d’un saxophoniste-chercheur avec plusieurs compositeurs dans la création musicale mixte. Les musiques mixtes combinent un performeur jouant… (more)

Subjects/Keywords: Saxophone; Mixed electro acoustic music (saxophone); Saxophone; Interpretation - music; Composition (music); Music with computers

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APA (6th Edition):

Sousa Bittencourt, P. (2015). Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones. (Doctoral Dissertation). Paris 8. Retrieved from http://www.theses.fr/2015PA080075

Chicago Manual of Style (16th Edition):

Sousa Bittencourt, Pedro. “Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones.” 2015. Doctoral Dissertation, Paris 8. Accessed December 08, 2019. http://www.theses.fr/2015PA080075.

MLA Handbook (7th Edition):

Sousa Bittencourt, Pedro. “Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones.” 2015. Web. 08 Dec 2019.

Vancouver:

Sousa Bittencourt P. Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones. [Internet] [Doctoral dissertation]. Paris 8; 2015. [cited 2019 Dec 08]. Available from: http://www.theses.fr/2015PA080075.

Council of Science Editors:

Sousa Bittencourt P. Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones. [Doctoral Dissertation]. Paris 8; 2015. Available from: http://www.theses.fr/2015PA080075


University of Michigan

5. Ellis, Jennifer. Summary of Dissertation Recitals Three Programs of Harp Music.

Degree: AMU, Music: Performance, 2015, University of Michigan

 Three harp recitals were given in lieu of a written dissertation. My dissertation traced innovation on the harp. In particular, I focused on extended techniques.… (more)

Subjects/Keywords: harp; extended techniques; music; social networks; electro-acoustic; new music; Music and Dance; Arts

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APA (6th Edition):

Ellis, J. (2015). Summary of Dissertation Recitals Three Programs of Harp Music. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/147592

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ellis, Jennifer. “Summary of Dissertation Recitals Three Programs of Harp Music.” 2015. Thesis, University of Michigan. Accessed December 08, 2019. http://hdl.handle.net/2027.42/147592.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ellis, Jennifer. “Summary of Dissertation Recitals Three Programs of Harp Music.” 2015. Web. 08 Dec 2019.

Vancouver:

Ellis J. Summary of Dissertation Recitals Three Programs of Harp Music. [Internet] [Thesis]. University of Michigan; 2015. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2027.42/147592.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ellis J. Summary of Dissertation Recitals Three Programs of Harp Music. [Thesis]. University of Michigan; 2015. Available from: http://hdl.handle.net/2027.42/147592

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

6. Perez, Francisco. A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3.

Degree: DMA, Music Education & Music Therapy, 2015, University of Kansas

Electro-acoustic music for wind band is an emerging genre among contemporary composers that incorporates and blends an electronic soundtrack and cues with traditional wind nstruments.… (more)

Subjects/Keywords: Music; Band; Electroacoustic; Electro-acoustic; Electronics; Wind Band

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APA (6th Edition):

Perez, F. (2015). A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/19440

Chicago Manual of Style (16th Edition):

Perez, Francisco. “A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3.” 2015. Doctoral Dissertation, University of Kansas. Accessed December 08, 2019. http://hdl.handle.net/1808/19440.

MLA Handbook (7th Edition):

Perez, Francisco. “A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3.” 2015. Web. 08 Dec 2019.

Vancouver:

Perez F. A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3. [Internet] [Doctoral dissertation]. University of Kansas; 2015. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/1808/19440.

Council of Science Editors:

Perez F. A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3. [Doctoral Dissertation]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/19440


University of California – Berkeley

7. MacCallum, John Andrew. El Árbol de la noche triste.

Degree: Music, 2010, University of California – Berkeley

 El Árbol de la noche triste is a composition for solo scordatura violaand electronicsounds which are generated algorithmically in real-time during the performance.In the work… (more)

Subjects/Keywords: Music; Algorithmic; Composition; Electro-acoustic; Harmonic Series; Stochastic; Viola

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APA (6th Edition):

MacCallum, J. A. (2010). El Árbol de la noche triste. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/5z77z44j

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

MacCallum, John Andrew. “El Árbol de la noche triste.” 2010. Thesis, University of California – Berkeley. Accessed December 08, 2019. http://www.escholarship.org/uc/item/5z77z44j.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

MacCallum, John Andrew. “El Árbol de la noche triste.” 2010. Web. 08 Dec 2019.

Vancouver:

MacCallum JA. El Árbol de la noche triste. [Internet] [Thesis]. University of California – Berkeley; 2010. [cited 2019 Dec 08]. Available from: http://www.escholarship.org/uc/item/5z77z44j.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MacCallum JA. El Árbol de la noche triste. [Thesis]. University of California – Berkeley; 2010. Available from: http://www.escholarship.org/uc/item/5z77z44j

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

8. Borden, Stacy R. Work for Five-String Electronic Violin and Tape (Torn Edges).

Degree: MM, Music Composition, 2008, Bowling Green State University

 Torn Edges, a Work for Five-String Electronic Violin and Tape, was written in partial fulfillment of the requirements for the degree of Master of Music(more)

Subjects/Keywords: Music; Tape and Instruments; Electro-acoustic, Electronic Violin; Five-string Violin; Music Technology

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APA (6th Edition):

Borden, S. R. (2008). Work for Five-String Electronic Violin and Tape (Torn Edges). (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1213920863

Chicago Manual of Style (16th Edition):

Borden, Stacy R. “Work for Five-String Electronic Violin and Tape (Torn Edges).” 2008. Masters Thesis, Bowling Green State University. Accessed December 08, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1213920863.

MLA Handbook (7th Edition):

Borden, Stacy R. “Work for Five-String Electronic Violin and Tape (Torn Edges).” 2008. Web. 08 Dec 2019.

Vancouver:

Borden SR. Work for Five-String Electronic Violin and Tape (Torn Edges). [Internet] [Masters thesis]. Bowling Green State University; 2008. [cited 2019 Dec 08]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1213920863.

Council of Science Editors:

Borden SR. Work for Five-String Electronic Violin and Tape (Torn Edges). [Masters Thesis]. Bowling Green State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1213920863


University of Cincinnati

9. Wang, Jennifer A. Wind in Her Hair.

Degree: MM, College-Conservatory of Music : Composition, 2004, University of Cincinnati

 <i>WIND IN HER HAIR</i> was commissioned by NeXT Ens, an electro-acoustic music ensemble founded in October 2003 by pianist Shiau-uen Ding. The piece is inspired… (more)

Subjects/Keywords: Music; Electro-acoustic; Computer; Tape; RTCmix; Cmix; Composition

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APA (6th Edition):

Wang, J. A. (2004). Wind in Her Hair. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085678411

Chicago Manual of Style (16th Edition):

Wang, Jennifer A. “Wind in Her Hair.” 2004. Masters Thesis, University of Cincinnati. Accessed December 08, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085678411.

MLA Handbook (7th Edition):

Wang, Jennifer A. “Wind in Her Hair.” 2004. Web. 08 Dec 2019.

Vancouver:

Wang JA. Wind in Her Hair. [Internet] [Masters thesis]. University of Cincinnati; 2004. [cited 2019 Dec 08]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085678411.

Council of Science Editors:

Wang JA. Wind in Her Hair. [Masters Thesis]. University of Cincinnati; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085678411


Ohio University

10. Beery, Timothy Russell. Parameters of Articulation: an Introduction to Analysis of Form in Electroacoustic Music.

Degree: MM, Music Theory (Fine Arts), 2019, Ohio University

 Throughout the history of electroacoustic music, a concise method of analysis has eluded researchers. Though many exceptional examples of nomenclature exist, no standard system for… (more)

Subjects/Keywords: Music; Performing Arts; Pedagogy; Composition; Electroacoustic; Electro-acoustic; acousmatic; analysis; spectromorphology; spectro-morphology; form; articulation; articulators; continuation, continuators

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APA (6th Edition):

Beery, T. R. (2019). Parameters of Articulation: an Introduction to Analysis of Form in Electroacoustic Music. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1557400355694011

Chicago Manual of Style (16th Edition):

Beery, Timothy Russell. “Parameters of Articulation: an Introduction to Analysis of Form in Electroacoustic Music.” 2019. Masters Thesis, Ohio University. Accessed December 08, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1557400355694011.

MLA Handbook (7th Edition):

Beery, Timothy Russell. “Parameters of Articulation: an Introduction to Analysis of Form in Electroacoustic Music.” 2019. Web. 08 Dec 2019.

Vancouver:

Beery TR. Parameters of Articulation: an Introduction to Analysis of Form in Electroacoustic Music. [Internet] [Masters thesis]. Ohio University; 2019. [cited 2019 Dec 08]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1557400355694011.

Council of Science Editors:

Beery TR. Parameters of Articulation: an Introduction to Analysis of Form in Electroacoustic Music. [Masters Thesis]. Ohio University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1557400355694011


University of Cincinnati

11. Ding, Shiau-Uen. Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

Music reflects the society and technology of its age. For 21st century pianists, in addition to mastering traditional solo piano and chamber repertoire, cultivating skills… (more)

Subjects/Keywords: Music; Education, Music; contemporary music; computer music; electroacoustic; electro-acoustic; piano; tape; Christopher Bailey; Balladei; Luigi Nono; sofferte onde serene; Mario Davidovsky; Synchronisms; Jonathan Harvey; Tombeau de Messiaen; James Mobberley

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APA (6th Edition):

Ding, S. (2007). Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001

Chicago Manual of Style (16th Edition):

Ding, Shiau-Uen. “Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed December 08, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001.

MLA Handbook (7th Edition):

Ding, Shiau-Uen. “Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”.” 2007. Web. 08 Dec 2019.

Vancouver:

Ding S. Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Dec 08]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001.

Council of Science Editors:

Ding S. Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001

12. Anderson, Dean. The Conductor’s Role in Electro-Acoustic Orchestral Music: Performance Practice Problems in Kaija Saariaho’s Verblendungen.

Degree: Music, 2015, UCLA

 The pairing of electronic elements with traditional orchestral instruments confronts the conductor with many performance practice problems. These problems are examined in this dissertation using… (more)

Subjects/Keywords: Music; Performing arts; Conducting; Electro-Acoustic; Orchestra; Saariaho; Verblendungen

…1 Conductorial issues in electro-acoustic music… …Golan. viii INTRODUCTION Conductorial issues in electro-acoustic music The pairing of… …performing with electronic instruments.  Conductors of electro-acoustic music must expand their… …modern music conducting, and even fewer concerning conductorial issues in electro-acoustic… …Electro-acoustic music is not simply a new form of instrumentation: it is the result of a… 

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APA (6th Edition):

Anderson, D. (2015). The Conductor’s Role in Electro-Acoustic Orchestral Music: Performance Practice Problems in Kaija Saariaho’s Verblendungen. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/99x992wn

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anderson, Dean. “The Conductor’s Role in Electro-Acoustic Orchestral Music: Performance Practice Problems in Kaija Saariaho’s Verblendungen.” 2015. Thesis, UCLA. Accessed December 08, 2019. http://www.escholarship.org/uc/item/99x992wn.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anderson, Dean. “The Conductor’s Role in Electro-Acoustic Orchestral Music: Performance Practice Problems in Kaija Saariaho’s Verblendungen.” 2015. Web. 08 Dec 2019.

Vancouver:

Anderson D. The Conductor’s Role in Electro-Acoustic Orchestral Music: Performance Practice Problems in Kaija Saariaho’s Verblendungen. [Internet] [Thesis]. UCLA; 2015. [cited 2019 Dec 08]. Available from: http://www.escholarship.org/uc/item/99x992wn.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anderson D. The Conductor’s Role in Electro-Acoustic Orchestral Music: Performance Practice Problems in Kaija Saariaho’s Verblendungen. [Thesis]. UCLA; 2015. Available from: http://www.escholarship.org/uc/item/99x992wn

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Lavergne, Grégoire. « Toucher les sons » : la manipulation expérimentale des sons électroniques, de l'apprentissage à la transmission dans les pratiques improvisées contemporaines - enquête de terrain à montréal auprès de musiciens improvisateurs (2013-2016) : "touch the sounds". The experimental manipulation of electronics sounds, learning and transmission, in the contemporary improvised practices - investigation with improvisers in Montreal (2013-2016).

Degree: Docteur es, Musicologie anthropologie sociale, 2017, Paris, EHESS; Université de Montréal

Dans le domaine musical, l'époque contemporaine se caractérise par la dissémination de la scène, la démultiplication des genres musicaux et l’omniprésence des techniques audionumériques dans… (more)

Subjects/Keywords: Improvisation libre électronique; Improvisation électroacoustique; Sampling; Musiques expérimentales; Free jazz; Audiotactilité; Processus; Tradition; Free electronic Improvisation; Electro-Acoustic improvisation; Sampling; Experimental music; Free jazz; Process; Tradition; Audio-Tactility

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APA (6th Edition):

Lavergne, G. (2017). « Toucher les sons » : la manipulation expérimentale des sons électroniques, de l'apprentissage à la transmission dans les pratiques improvisées contemporaines - enquête de terrain à montréal auprès de musiciens improvisateurs (2013-2016) : "touch the sounds". The experimental manipulation of electronics sounds, learning and transmission, in the contemporary improvised practices - investigation with improvisers in Montreal (2013-2016). (Doctoral Dissertation). Paris, EHESS; Université de Montréal. Retrieved from http://www.theses.fr/2017EHES0080

Chicago Manual of Style (16th Edition):

Lavergne, Grégoire. “« Toucher les sons » : la manipulation expérimentale des sons électroniques, de l'apprentissage à la transmission dans les pratiques improvisées contemporaines - enquête de terrain à montréal auprès de musiciens improvisateurs (2013-2016) : "touch the sounds". The experimental manipulation of electronics sounds, learning and transmission, in the contemporary improvised practices - investigation with improvisers in Montreal (2013-2016).” 2017. Doctoral Dissertation, Paris, EHESS; Université de Montréal. Accessed December 08, 2019. http://www.theses.fr/2017EHES0080.

MLA Handbook (7th Edition):

Lavergne, Grégoire. “« Toucher les sons » : la manipulation expérimentale des sons électroniques, de l'apprentissage à la transmission dans les pratiques improvisées contemporaines - enquête de terrain à montréal auprès de musiciens improvisateurs (2013-2016) : "touch the sounds". The experimental manipulation of electronics sounds, learning and transmission, in the contemporary improvised practices - investigation with improvisers in Montreal (2013-2016).” 2017. Web. 08 Dec 2019.

Vancouver:

Lavergne G. « Toucher les sons » : la manipulation expérimentale des sons électroniques, de l'apprentissage à la transmission dans les pratiques improvisées contemporaines - enquête de terrain à montréal auprès de musiciens improvisateurs (2013-2016) : "touch the sounds". The experimental manipulation of electronics sounds, learning and transmission, in the contemporary improvised practices - investigation with improvisers in Montreal (2013-2016). [Internet] [Doctoral dissertation]. Paris, EHESS; Université de Montréal; 2017. [cited 2019 Dec 08]. Available from: http://www.theses.fr/2017EHES0080.

Council of Science Editors:

Lavergne G. « Toucher les sons » : la manipulation expérimentale des sons électroniques, de l'apprentissage à la transmission dans les pratiques improvisées contemporaines - enquête de terrain à montréal auprès de musiciens improvisateurs (2013-2016) : "touch the sounds". The experimental manipulation of electronics sounds, learning and transmission, in the contemporary improvised practices - investigation with improvisers in Montreal (2013-2016). [Doctoral Dissertation]. Paris, EHESS; Université de Montréal; 2017. Available from: http://www.theses.fr/2017EHES0080


University of North Texas

14. McCulloch, Peter. UNRAVEL: Acoustic and Electronic Resynthesis.

Degree: 2004, University of North Texas

 UNRAVEL, a work for alto saxophone and interactive electronics. Examines works for saxophone and electro-acoustic music. Analyzes modes of interactivity using Robert Rowe's guidelines, with… (more)

Subjects/Keywords: Saxophone and electronic music  – Scores.; computer; interactive; electronic; electro-acoustic; live electronics; saxophone

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McCulloch, P. (2004). UNRAVEL: Acoustic and Electronic Resynthesis. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4589/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McCulloch, Peter. “UNRAVEL: Acoustic and Electronic Resynthesis.” 2004. Thesis, University of North Texas. Accessed December 08, 2019. https://digital.library.unt.edu/ark:/67531/metadc4589/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McCulloch, Peter. “UNRAVEL: Acoustic and Electronic Resynthesis.” 2004. Web. 08 Dec 2019.

Vancouver:

McCulloch P. UNRAVEL: Acoustic and Electronic Resynthesis. [Internet] [Thesis]. University of North Texas; 2004. [cited 2019 Dec 08]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4589/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McCulloch P. UNRAVEL: Acoustic and Electronic Resynthesis. [Thesis]. University of North Texas; 2004. Available from: https://digital.library.unt.edu/ark:/67531/metadc4589/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Potts, Brian James. Marcos Suzano and the Amplified Pandeiro: Techniques for Nontraditional Performance.

Degree: DMA, Instrumental Performance (Music), 2012, University of Miami

  Widely recognized in Brazil as the nation’s quintessential percussion instrument, the pandeiro (or Brazilian tambourine) has long been an integral part of samba and… (more)

Subjects/Keywords: Brazil; Percussion; Pandeiro; Marcos Suzano; Electro-Acoustic Music; Sound Reinforcement

electro-acoustic music. His interest in this area began when he developed a method of attaching… …23 THE ACOUSTIC PANDEIRO… …samba and other iconic styles of Brazilian music. However, in recent years, the pandeiro has… …pandeiro method books, studies of candomblé (a style of Brazilian music that directly… …Brazilian Tambourine into a Drum Kit, and Other Matters of Politically Correct Music Making.” 5… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Potts, B. J. (2012). Marcos Suzano and the Amplified Pandeiro: Techniques for Nontraditional Performance. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/788

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Potts, Brian James. “Marcos Suzano and the Amplified Pandeiro: Techniques for Nontraditional Performance.” 2012. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/788.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Potts, Brian James. “Marcos Suzano and the Amplified Pandeiro: Techniques for Nontraditional Performance.” 2012. Web. 08 Dec 2019.

Vancouver:

Potts BJ. Marcos Suzano and the Amplified Pandeiro: Techniques for Nontraditional Performance. [Internet] [Thesis]. University of Miami; 2012. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/788.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Potts BJ. Marcos Suzano and the Amplified Pandeiro: Techniques for Nontraditional Performance. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/788

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

16. Kawamoto, Hideko. Summer Rain Part I Summer Rain - Dawn for Two-channel Tape; Part II After the Summer Rain for Piano and Two-channel Tape.

Degree: 2001, University of North Texas

 This dissertation contains five chapters: 1. Introduction, 2. Basic Digital Processing Used in Summer Rain, 3. Part I Summer Rain - Dawn, 4. Part II… (more)

Subjects/Keywords: Electronic music.; Piano and electronic music.; Electro-acoustic music; piano and tape; acoustic music; Rainer Maria Rilke; Olidon Redon; soundscape; computer music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kawamoto, H. (2001). Summer Rain Part I Summer Rain - Dawn for Two-channel Tape; Part II After the Summer Rain for Piano and Two-channel Tape. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc3010/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kawamoto, Hideko. “Summer Rain Part I Summer Rain - Dawn for Two-channel Tape; Part II After the Summer Rain for Piano and Two-channel Tape.” 2001. Thesis, University of North Texas. Accessed December 08, 2019. https://digital.library.unt.edu/ark:/67531/metadc3010/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kawamoto, Hideko. “Summer Rain Part I Summer Rain - Dawn for Two-channel Tape; Part II After the Summer Rain for Piano and Two-channel Tape.” 2001. Web. 08 Dec 2019.

Vancouver:

Kawamoto H. Summer Rain Part I Summer Rain - Dawn for Two-channel Tape; Part II After the Summer Rain for Piano and Two-channel Tape. [Internet] [Thesis]. University of North Texas; 2001. [cited 2019 Dec 08]. Available from: https://digital.library.unt.edu/ark:/67531/metadc3010/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kawamoto H. Summer Rain Part I Summer Rain - Dawn for Two-channel Tape; Part II After the Summer Rain for Piano and Two-channel Tape. [Thesis]. University of North Texas; 2001. Available from: https://digital.library.unt.edu/ark:/67531/metadc3010/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Seigido, Liza. Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

 Missa della Grande Transizione is a twenty-two minute electro-acoustic nuptial Mass for live processed voice, and stereographic video—using red-blue 3D glasses. The stereographic video backdrop… (more)

Subjects/Keywords: electronic music; electro-acoustic music; multimedia composition; processed voice; stereographic video; new music

…a composer. It changed my outlook on electro-acoustic music and introduced me to new… …He even makes use of a staple effect in electro-acoustic music in the Passion—delay… …acoustic composition. One pivotal experience changed my entire outlook on electro-acoustic… …fixed playback, and video. Mirror Story is a dispassionate, yet evocative, electro-acoustic… …SEAMUS, Studio 300 and the Electro Acoustic Juke Joint/Electro Acoustic Barn Dance) 2… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Seigido, L. (2012). Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seigido, Liza. “Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video.” 2012. Thesis, University of Miami. Accessed December 08, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seigido, Liza. “Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video.” 2012. Web. 08 Dec 2019.

Vancouver:

Seigido L. Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video. [Internet] [Thesis]. University of Miami; 2012. [cited 2019 Dec 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seigido L. Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

18. Welch, Chapman. Three Pieces for Musicians and Computer: Rameaux, Nature Morte, Moiré.

Degree: 2008, University of North Texas

 Three Pieces for Musicians and Computer implements a modular formal structure that allows the performers to experiment with the order and number of movements to… (more)

Subjects/Keywords: electro-acoustic music; Interactive; flute; clarinet; percussion; computer; chamber music; electronic music; Bass flute and computer music.; Computer and percussion music.; Clarinet and computer music.

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APA (6th Edition):

Welch, C. (2008). Three Pieces for Musicians and Computer: Rameaux, Nature Morte, Moiré. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc9723/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Welch, Chapman. “Three Pieces for Musicians and Computer: Rameaux, Nature Morte, Moiré.” 2008. Thesis, University of North Texas. Accessed December 08, 2019. https://digital.library.unt.edu/ark:/67531/metadc9723/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Welch, Chapman. “Three Pieces for Musicians and Computer: Rameaux, Nature Morte, Moiré.” 2008. Web. 08 Dec 2019.

Vancouver:

Welch C. Three Pieces for Musicians and Computer: Rameaux, Nature Morte, Moiré. [Internet] [Thesis]. University of North Texas; 2008. [cited 2019 Dec 08]. Available from: https://digital.library.unt.edu/ark:/67531/metadc9723/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Welch C. Three Pieces for Musicians and Computer: Rameaux, Nature Morte, Moiré. [Thesis]. University of North Texas; 2008. Available from: https://digital.library.unt.edu/ark:/67531/metadc9723/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

19. Bukvic, Ivica Ico. Tabula Rasa.

Degree: DMA, College-Conservatory of Music : Composition, 2005, University of Cincinnati

 Tabula rasa is a creative artistic endeavor in a form of a musical composition whose primary purpose is to produce an aurally and intellectually engaging… (more)

Subjects/Keywords: Music; music composition live interactive real-time electroacoustic electro-acoustic electronic ensemble flute piano cello computer DSP Max/MSP contemporary algorithmic

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bukvic, I. I. (2005). Tabula Rasa. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1131065629

Chicago Manual of Style (16th Edition):

Bukvic, Ivica Ico. “Tabula Rasa.” 2005. Doctoral Dissertation, University of Cincinnati. Accessed December 08, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1131065629.

MLA Handbook (7th Edition):

Bukvic, Ivica Ico. “Tabula Rasa.” 2005. Web. 08 Dec 2019.

Vancouver:

Bukvic II. Tabula Rasa. [Internet] [Doctoral dissertation]. University of Cincinnati; 2005. [cited 2019 Dec 08]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1131065629.

Council of Science Editors:

Bukvic II. Tabula Rasa. [Doctoral Dissertation]. University of Cincinnati; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1131065629


University of North Texas

20. Bell, Jeffrey C. Present Absence: A work for string quintet and live electronics.

Degree: 2001, University of North Texas

 Present Absence is a work that integrates electronic processing and live performance. It is approximately 20 minutes long and is divided into three movements. The… (more)

Subjects/Keywords: Sextets (Electronics, violins (2), viola, violoncello, double bass)  – Scores.; electro-acoustic music; computer music; string quartet

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APA (6th Edition):

Bell, J. C. (2001). Present Absence: A work for string quintet and live electronics. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2822/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bell, Jeffrey C. “Present Absence: A work for string quintet and live electronics.” 2001. Thesis, University of North Texas. Accessed December 08, 2019. https://digital.library.unt.edu/ark:/67531/metadc2822/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bell, Jeffrey C. “Present Absence: A work for string quintet and live electronics.” 2001. Web. 08 Dec 2019.

Vancouver:

Bell JC. Present Absence: A work for string quintet and live electronics. [Internet] [Thesis]. University of North Texas; 2001. [cited 2019 Dec 08]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2822/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bell JC. Present Absence: A work for string quintet and live electronics. [Thesis]. University of North Texas; 2001. Available from: https://digital.library.unt.edu/ark:/67531/metadc2822/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

21. Welch, Chapman. Tele: Using Vernacular Performance Practices in an Eight-Channel Environment.

Degree: 2003, University of North Texas

 Examines the use of vernacular, country guitar styles in an electro-acoustic environment. Special attention is given to performance practices and explanation of techniques. Electro-acoustic techniques-including… (more)

Subjects/Keywords: Electric guitar music  – History and criticism.; Electronic music  – History and criticism.; Computer music  – Analysis, appreciation.; Electric guitar and electronic music  – Scores.; TELE; performance practice; vernacular; eight-channel; electric guitar music; electronic music; electro-acoustic

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Welch, C. (2003). Tele: Using Vernacular Performance Practices in an Eight-Channel Environment. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4282/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Welch, Chapman. “Tele: Using Vernacular Performance Practices in an Eight-Channel Environment.” 2003. Thesis, University of North Texas. Accessed December 08, 2019. https://digital.library.unt.edu/ark:/67531/metadc4282/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Welch, Chapman. “Tele: Using Vernacular Performance Practices in an Eight-Channel Environment.” 2003. Web. 08 Dec 2019.

Vancouver:

Welch C. Tele: Using Vernacular Performance Practices in an Eight-Channel Environment. [Internet] [Thesis]. University of North Texas; 2003. [cited 2019 Dec 08]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4282/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Welch C. Tele: Using Vernacular Performance Practices in an Eight-Channel Environment. [Thesis]. University of North Texas; 2003. Available from: https://digital.library.unt.edu/ark:/67531/metadc4282/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

22. Lavergne, Grégoire. « Toucher les sons » : la manipulation expérimentale des sons électroniques, de l'apprentissage à la transmission dans les pratiques improvisées contemporaines - enquête de terrain à Montréal auprès de musiciens improvisateurs (2013-2016) .

Degree: 2018, Université de Montréal

Subjects/Keywords: improvisation libre électronique; improvisation électroacoustique; échantillonnage; musiques expérimentales; free jazz; audiotactilite; processus; tradition; Free electronic improvisation; Electro-acoustic improvisation; Sampling; Experimental music; Free jazz; Audio-tactility; Process

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lavergne, G. (2018). « Toucher les sons » : la manipulation expérimentale des sons électroniques, de l'apprentissage à la transmission dans les pratiques improvisées contemporaines - enquête de terrain à Montréal auprès de musiciens improvisateurs (2013-2016) . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/20078

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lavergne, Grégoire. “« Toucher les sons » : la manipulation expérimentale des sons électroniques, de l'apprentissage à la transmission dans les pratiques improvisées contemporaines - enquête de terrain à Montréal auprès de musiciens improvisateurs (2013-2016) .” 2018. Thesis, Université de Montréal. Accessed December 08, 2019. http://hdl.handle.net/1866/20078.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lavergne, Grégoire. “« Toucher les sons » : la manipulation expérimentale des sons électroniques, de l'apprentissage à la transmission dans les pratiques improvisées contemporaines - enquête de terrain à Montréal auprès de musiciens improvisateurs (2013-2016) .” 2018. Web. 08 Dec 2019.

Vancouver:

Lavergne G. « Toucher les sons » : la manipulation expérimentale des sons électroniques, de l'apprentissage à la transmission dans les pratiques improvisées contemporaines - enquête de terrain à Montréal auprès de musiciens improvisateurs (2013-2016) . [Internet] [Thesis]. Université de Montréal; 2018. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/1866/20078.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lavergne G. « Toucher les sons » : la manipulation expérimentale des sons électroniques, de l'apprentissage à la transmission dans les pratiques improvisées contemporaines - enquête de terrain à Montréal auprès de musiciens improvisateurs (2013-2016) . [Thesis]. Université de Montréal; 2018. Available from: http://hdl.handle.net/1866/20078

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Lough, Alex Joseph. Sonic Activation: a Multimedia Performance-Installation.

Degree: MM, Music, 2016, Florida International University

  Sonic Activation is a multimedia performance-installation featuring sound sculptures, video projections, and performance with live electronics for solo and mixed ensembles. The work aims… (more)

Subjects/Keywords: electro-acoustic; experimental music; digital art; Max/MSP; transducers; sound installation; Composition; Interactive Arts; Interdisciplinary Arts and Media; Music Performance; Other Music

…how gesture plays a role in electronic and electroacoustic music. 2 1.1 – Terminology… …the term sonic art as a “cowardly” lack of effort to expand the definition of music. He… …Handmade Electronic Music. It was important aesthetically that the sculptures had no cables or… …an additional amplifier/speaker and mp3 player. In his book, Handmade Electronic Music… …Indian classical music and some Indian classical dance. My exposure to Indian music left a… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lough, A. J. (2016). Sonic Activation: a Multimedia Performance-Installation. (Thesis). Florida International University. Retrieved from http://digitalcommons.fiu.edu/etd/2632 ; 10.25148/etd.FIDC000694 ; FIDC000694

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lough, Alex Joseph. “Sonic Activation: a Multimedia Performance-Installation.” 2016. Thesis, Florida International University. Accessed December 08, 2019. http://digitalcommons.fiu.edu/etd/2632 ; 10.25148/etd.FIDC000694 ; FIDC000694.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lough, Alex Joseph. “Sonic Activation: a Multimedia Performance-Installation.” 2016. Web. 08 Dec 2019.

Vancouver:

Lough AJ. Sonic Activation: a Multimedia Performance-Installation. [Internet] [Thesis]. Florida International University; 2016. [cited 2019 Dec 08]. Available from: http://digitalcommons.fiu.edu/etd/2632 ; 10.25148/etd.FIDC000694 ; FIDC000694.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lough AJ. Sonic Activation: a Multimedia Performance-Installation. [Thesis]. Florida International University; 2016. Available from: http://digitalcommons.fiu.edu/etd/2632 ; 10.25148/etd.FIDC000694 ; FIDC000694

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

24. Wood, Kelly Thomas. Now All the Fingers of This Tree.

Degree: 2003, University of North Texas

 Now All the Fingers of This Tree is a work in two movements based upon a poem of the same name by E. E. Cummings.… (more)

Subjects/Keywords: Songs (High voice) with electronics.; Electronic music.; Cummings, E. E. (Edward Estlin), 1894-1962  – Musical settings.; Cummings, E. E. (Edward Estlin), 1894-1962.; Electro-acoustic; vocal; soprano; computer music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wood, K. T. (2003). Now All the Fingers of This Tree. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4166/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wood, Kelly Thomas. “Now All the Fingers of This Tree.” 2003. Thesis, University of North Texas. Accessed December 08, 2019. https://digital.library.unt.edu/ark:/67531/metadc4166/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wood, Kelly Thomas. “Now All the Fingers of This Tree.” 2003. Web. 08 Dec 2019.

Vancouver:

Wood KT. Now All the Fingers of This Tree. [Internet] [Thesis]. University of North Texas; 2003. [cited 2019 Dec 08]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4166/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wood KT. Now All the Fingers of This Tree. [Thesis]. University of North Texas; 2003. Available from: https://digital.library.unt.edu/ark:/67531/metadc4166/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.