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You searched for subject:(dramatic monologue). Showing records 1 – 12 of 12 total matches.

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University of Debrecen

1. Szabó, Gyöngyi. The Dramatic Monologue as a Poetic Device to Give Voice to Women in Cartol Ann Duffy's The World's Wife .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 Carol Ann Duffy criticizes patriarchy, male dominance by giving voice those in society who are not usually heard. To make a strong critique, her female… (more)

Subjects/Keywords: dramatic monologue; social roles

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APA (6th Edition):

Szabó, G. (2013). The Dramatic Monologue as a Poetic Device to Give Voice to Women in Cartol Ann Duffy's The World's Wife . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/170073

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Szabó, Gyöngyi. “The Dramatic Monologue as a Poetic Device to Give Voice to Women in Cartol Ann Duffy's The World's Wife .” 2013. Thesis, University of Debrecen. Accessed November 19, 2019. http://hdl.handle.net/2437/170073.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Szabó, Gyöngyi. “The Dramatic Monologue as a Poetic Device to Give Voice to Women in Cartol Ann Duffy's The World's Wife .” 2013. Web. 19 Nov 2019.

Vancouver:

Szabó G. The Dramatic Monologue as a Poetic Device to Give Voice to Women in Cartol Ann Duffy's The World's Wife . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/2437/170073.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Szabó G. The Dramatic Monologue as a Poetic Device to Give Voice to Women in Cartol Ann Duffy's The World's Wife . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/170073

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

2. Lan, Wen-lin. The Male Narrators in Robert Browningâs Dramatic Monologues.

Degree: Master, Foreign Language and Literature, 2012, NSYSU

 The present thesis is a study of Robert Browningâs male narrators in his dramatic monologues that deal with problematic man-woman relationships. Being a renovator of… (more)

Subjects/Keywords: egoism; dramatic monologue; Robert Browning; masculinity; patriarchy

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APA (6th Edition):

Lan, W. (2012). The Male Narrators in Robert Browningâs Dramatic Monologues. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0117112-135504

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lan, Wen-lin. “The Male Narrators in Robert Browningâs Dramatic Monologues.” 2012. Thesis, NSYSU. Accessed November 19, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0117112-135504.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lan, Wen-lin. “The Male Narrators in Robert Browningâs Dramatic Monologues.” 2012. Web. 19 Nov 2019.

Vancouver:

Lan W. The Male Narrators in Robert Browningâs Dramatic Monologues. [Internet] [Thesis]. NSYSU; 2012. [cited 2019 Nov 19]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0117112-135504.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lan W. The Male Narrators in Robert Browningâs Dramatic Monologues. [Thesis]. NSYSU; 2012. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0117112-135504

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

3. King, Cynthia Marie. Ascensionist.

Degree: PhD, Arts and Sciences : English and Comparative Literature, 2008, University of Cincinnati

  The lyric narrative poems and dramatic monologues in Ascensionist ask, What happen when the Other speaks? The poems revolve around the idea of a… (more)

Subjects/Keywords: English literature; ascensionist; asian-american; diasporadic; experimental; dramatic monologue

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APA (6th Edition):

King, C. M. (2008). Ascensionist. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212179833

Chicago Manual of Style (16th Edition):

King, Cynthia Marie. “Ascensionist.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed November 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212179833.

MLA Handbook (7th Edition):

King, Cynthia Marie. “Ascensionist.” 2008. Web. 19 Nov 2019.

Vancouver:

King CM. Ascensionist. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2019 Nov 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212179833.

Council of Science Editors:

King CM. Ascensionist. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212179833

4. Rich, Brian C. Robert Browning: Separating Author from Narrator.

Degree: 2012, Buffalo State College

 In 1833, John Stuart Mill criticized Browning’s very first poem, Pauline: A Fragment of a Confession, because he claimed that it overexposed the author. What… (more)

Subjects/Keywords: Robert Browning; Author; Narrator; Dramatic Monologue; English Language and Literature

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APA (6th Edition):

Rich, B. C. (2012). Robert Browning: Separating Author from Narrator. (Thesis). Buffalo State College. Retrieved from http://digitalcommons.buffalostate.edu/engeducation_theses/2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rich, Brian C. “Robert Browning: Separating Author from Narrator.” 2012. Thesis, Buffalo State College. Accessed November 19, 2019. http://digitalcommons.buffalostate.edu/engeducation_theses/2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rich, Brian C. “Robert Browning: Separating Author from Narrator.” 2012. Web. 19 Nov 2019.

Vancouver:

Rich BC. Robert Browning: Separating Author from Narrator. [Internet] [Thesis]. Buffalo State College; 2012. [cited 2019 Nov 19]. Available from: http://digitalcommons.buffalostate.edu/engeducation_theses/2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rich BC. Robert Browning: Separating Author from Narrator. [Thesis]. Buffalo State College; 2012. Available from: http://digitalcommons.buffalostate.edu/engeducation_theses/2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

5. Capp, Laura. Dramatic audition: listeners, readers, and women's dramatic monologues, 1844-1916.

Degree: PhD, English, 2010, University of Iowa

  The "dramatic monologue" is curiously named, given that poems of this genre often feature characters not only listening to the speakers but responding to… (more)

Subjects/Keywords: dramatic monologue; empathy; reader response; silent auditor; sympathy; women poets; English Language and Literature

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APA (6th Edition):

Capp, L. (2010). Dramatic audition: listeners, readers, and women's dramatic monologues, 1844-1916. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/3438

Chicago Manual of Style (16th Edition):

Capp, Laura. “Dramatic audition: listeners, readers, and women's dramatic monologues, 1844-1916.” 2010. Doctoral Dissertation, University of Iowa. Accessed November 19, 2019. https://ir.uiowa.edu/etd/3438.

MLA Handbook (7th Edition):

Capp, Laura. “Dramatic audition: listeners, readers, and women's dramatic monologues, 1844-1916.” 2010. Web. 19 Nov 2019.

Vancouver:

Capp L. Dramatic audition: listeners, readers, and women's dramatic monologues, 1844-1916. [Internet] [Doctoral dissertation]. University of Iowa; 2010. [cited 2019 Nov 19]. Available from: https://ir.uiowa.edu/etd/3438.

Council of Science Editors:

Capp L. Dramatic audition: listeners, readers, and women's dramatic monologues, 1844-1916. [Doctoral Dissertation]. University of Iowa; 2010. Available from: https://ir.uiowa.edu/etd/3438


Queens University

6. Luu, Helen. Impossible Speech: 19th-century women poets and the dramatic monologue .

Degree: English, 2008, Queens University

 This study seeks to redress the continued exclusion of women poets from the theorization of the dramatic monologue. I argue that an unacknowledged consensus on… (more)

Subjects/Keywords: English literature; Women poets; 19th-century literature; Dramatic monologue

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APA (6th Edition):

Luu, H. (2008). Impossible Speech: 19th-century women poets and the dramatic monologue . (Thesis). Queens University. Retrieved from http://hdl.handle.net/1974/1262

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Luu, Helen. “Impossible Speech: 19th-century women poets and the dramatic monologue .” 2008. Thesis, Queens University. Accessed November 19, 2019. http://hdl.handle.net/1974/1262.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Luu, Helen. “Impossible Speech: 19th-century women poets and the dramatic monologue .” 2008. Web. 19 Nov 2019.

Vancouver:

Luu H. Impossible Speech: 19th-century women poets and the dramatic monologue . [Internet] [Thesis]. Queens University; 2008. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/1974/1262.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Luu H. Impossible Speech: 19th-century women poets and the dramatic monologue . [Thesis]. Queens University; 2008. Available from: http://hdl.handle.net/1974/1262

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Marinakou-Matsa, Evgenia. L'occupation italo-allemande et le parcours de l'identité féminine dans "Η μητέρα του σκύλου" de Pavlos Matessis : Non communiqué.

Degree: Docteur es, Etudes néo-hélléniques, 2011, Université Paul Valéry – Montpellier III

Cette étude, intitulée « Représentations de l’Occupation et le parcours de l’identité féminine dans Η μητέρα του σκύλου de Pavlos Matessis », examine la collaboration… (more)

Subjects/Keywords: Châtiment public; Collaboration sexuelle des femmes avec l’ennemi; Identité féminine; Lettre d’amour à l’ennemi; Marge sociale; Monologue dramatique; Occupation italo-allemande; Roman; Silence en tant que forme de protestation; Dramatic monologue; Feminine identity; Italian/german Occupation; Novel; Woman’s sexual collaboration with the enemy; Love letter to the enemy; Public shame and punishment; Social exclusion; Silence as form of protest

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APA (6th Edition):

Marinakou-Matsa, E. (2011). L'occupation italo-allemande et le parcours de l'identité féminine dans "Η μητέρα του σκύλου" de Pavlos Matessis : Non communiqué. (Doctoral Dissertation). Université Paul Valéry – Montpellier III. Retrieved from http://www.theses.fr/2011MON30069

Chicago Manual of Style (16th Edition):

Marinakou-Matsa, Evgenia. “L'occupation italo-allemande et le parcours de l'identité féminine dans "Η μητέρα του σκύλου" de Pavlos Matessis : Non communiqué.” 2011. Doctoral Dissertation, Université Paul Valéry – Montpellier III. Accessed November 19, 2019. http://www.theses.fr/2011MON30069.

MLA Handbook (7th Edition):

Marinakou-Matsa, Evgenia. “L'occupation italo-allemande et le parcours de l'identité féminine dans "Η μητέρα του σκύλου" de Pavlos Matessis : Non communiqué.” 2011. Web. 19 Nov 2019.

Vancouver:

Marinakou-Matsa E. L'occupation italo-allemande et le parcours de l'identité féminine dans "Η μητέρα του σκύλου" de Pavlos Matessis : Non communiqué. [Internet] [Doctoral dissertation]. Université Paul Valéry – Montpellier III; 2011. [cited 2019 Nov 19]. Available from: http://www.theses.fr/2011MON30069.

Council of Science Editors:

Marinakou-Matsa E. L'occupation italo-allemande et le parcours de l'identité féminine dans "Η μητέρα του σκύλου" de Pavlos Matessis : Non communiqué. [Doctoral Dissertation]. Université Paul Valéry – Montpellier III; 2011. Available from: http://www.theses.fr/2011MON30069

8. Takiguchi, Tomoko. Recasting women's stories: in the poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti.

Degree: 2011, Faculty of the Humanities, Leiden University

 The dissertation reads the poetry written by three British women, Felicia Hemans, Letitia Landon, and Christina Rossetti, exploring the ways they present, and recast, conventional… (more)

Subjects/Keywords: Christian redemption; Christina Rossetti; Corinne; Dramatic monologue; Eve; Felicia Hemans; Letitia Landon; Sappho; Women's poetry; Christian redemption; Christina Rossetti; Corinne; Dramatic monologue; Eve; Felicia Hemans; Letitia Landon; Sappho; Women's poetry

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APA (6th Edition):

Takiguchi, T. (2011). Recasting women's stories: in the poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti. (Doctoral Dissertation). Faculty of the Humanities, Leiden University. Retrieved from http://hdl.handle.net/1887/17621

Chicago Manual of Style (16th Edition):

Takiguchi, Tomoko. “Recasting women's stories: in the poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti.” 2011. Doctoral Dissertation, Faculty of the Humanities, Leiden University. Accessed November 19, 2019. http://hdl.handle.net/1887/17621.

MLA Handbook (7th Edition):

Takiguchi, Tomoko. “Recasting women's stories: in the poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti.” 2011. Web. 19 Nov 2019.

Vancouver:

Takiguchi T. Recasting women's stories: in the poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti. [Internet] [Doctoral dissertation]. Faculty of the Humanities, Leiden University; 2011. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/1887/17621.

Council of Science Editors:

Takiguchi T. Recasting women's stories: in the poetry of Felicia Hemans, Letitia Landon, and Christina Rossetti. [Doctoral Dissertation]. Faculty of the Humanities, Leiden University; 2011. Available from: http://hdl.handle.net/1887/17621


University of Manchester

9. Anderson, Crystal Lee. The Coagulate, and, 'Not simply a case' : Frank Bidart's post-confessional framing of mental illness, typography, the dramatic monologue and feint in 'Herbert White' and 'Ellen West'.

Degree: PhD, 2016, University of Manchester

 This doctoral thesis involves two components, a book length collection of poems and a critical study of ‘Herbert White’ and ‘Ellen West’ by Frank Bidart.… (more)

Subjects/Keywords: 811; Frank Bidart; American poetry; dramatic monologue; Post-Confessionalism; Confessionalism; 1970s poetry; typography; mental illness; anti-self; personal poetry; poetry about Japan; nature poetry; poetry of Cheshire; poetry of Wales; poetry of Cumbria; poetry of Lancashire; gender identity; gender linguistics; suicide in poetry; murder in poetry; yokai; poetic voice

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APA (6th Edition):

Anderson, C. L. (2016). The Coagulate, and, 'Not simply a case' : Frank Bidart's post-confessional framing of mental illness, typography, the dramatic monologue and feint in 'Herbert White' and 'Ellen West'. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/the-coagulateandnot-simply-a-case-frank-bidarts-postconfessional-framing-of-mental-illness-typography-the-dramatic-monologue-and-feint-in-herbert-white-and-ellen-west(2408f29d-e56f-46fe-8301-0f10a463f901).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.680015

Chicago Manual of Style (16th Edition):

Anderson, Crystal Lee. “The Coagulate, and, 'Not simply a case' : Frank Bidart's post-confessional framing of mental illness, typography, the dramatic monologue and feint in 'Herbert White' and 'Ellen West'.” 2016. Doctoral Dissertation, University of Manchester. Accessed November 19, 2019. https://www.research.manchester.ac.uk/portal/en/theses/the-coagulateandnot-simply-a-case-frank-bidarts-postconfessional-framing-of-mental-illness-typography-the-dramatic-monologue-and-feint-in-herbert-white-and-ellen-west(2408f29d-e56f-46fe-8301-0f10a463f901).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.680015.

MLA Handbook (7th Edition):

Anderson, Crystal Lee. “The Coagulate, and, 'Not simply a case' : Frank Bidart's post-confessional framing of mental illness, typography, the dramatic monologue and feint in 'Herbert White' and 'Ellen West'.” 2016. Web. 19 Nov 2019.

Vancouver:

Anderson CL. The Coagulate, and, 'Not simply a case' : Frank Bidart's post-confessional framing of mental illness, typography, the dramatic monologue and feint in 'Herbert White' and 'Ellen West'. [Internet] [Doctoral dissertation]. University of Manchester; 2016. [cited 2019 Nov 19]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/the-coagulateandnot-simply-a-case-frank-bidarts-postconfessional-framing-of-mental-illness-typography-the-dramatic-monologue-and-feint-in-herbert-white-and-ellen-west(2408f29d-e56f-46fe-8301-0f10a463f901).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.680015.

Council of Science Editors:

Anderson CL. The Coagulate, and, 'Not simply a case' : Frank Bidart's post-confessional framing of mental illness, typography, the dramatic monologue and feint in 'Herbert White' and 'Ellen West'. [Doctoral Dissertation]. University of Manchester; 2016. Available from: https://www.research.manchester.ac.uk/portal/en/theses/the-coagulateandnot-simply-a-case-frank-bidarts-postconfessional-framing-of-mental-illness-typography-the-dramatic-monologue-and-feint-in-herbert-white-and-ellen-west(2408f29d-e56f-46fe-8301-0f10a463f901).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.680015

10. Anderson, Crystal Lee. The Coagulateand‘Not Simply a Case’: Frank Bidart’s Post-Confessional Framing of Mental Illness, Typography, the Dramatic Monologue and Feint in ‘Herbert White’ and ‘Ellen West’.

Degree: 2016, University of Manchester

 This doctoral thesis involves two components, a book length collection of poems and a critical study of ‘Herbert White’ and ‘Ellen West’ by Frank Bidart.… (more)

Subjects/Keywords: Frank Bidart; American poetry; dramatic monologue; Post-Confessionalism; Confessionalism; 1970s poetry; typography; mental illness; anti-self; personal poetry; poetry about Japan; nature poetry; poetry of Cheshire; poetry of Wales; poetry of Cumbria; poetry of Lancashire; gender identity; gender linguistics; suicide in poetry; murder in poetry; yokai; poetic voice

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Anderson, C. L. (2016). The Coagulateand‘Not Simply a Case’: Frank Bidart’s Post-Confessional Framing of Mental Illness, Typography, the Dramatic Monologue and Feint in ‘Herbert White’ and ‘Ellen West’. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:295891

Chicago Manual of Style (16th Edition):

Anderson, Crystal Lee. “The Coagulateand‘Not Simply a Case’: Frank Bidart’s Post-Confessional Framing of Mental Illness, Typography, the Dramatic Monologue and Feint in ‘Herbert White’ and ‘Ellen West’.” 2016. Doctoral Dissertation, University of Manchester. Accessed November 19, 2019. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:295891.

MLA Handbook (7th Edition):

Anderson, Crystal Lee. “The Coagulateand‘Not Simply a Case’: Frank Bidart’s Post-Confessional Framing of Mental Illness, Typography, the Dramatic Monologue and Feint in ‘Herbert White’ and ‘Ellen West’.” 2016. Web. 19 Nov 2019.

Vancouver:

Anderson CL. The Coagulateand‘Not Simply a Case’: Frank Bidart’s Post-Confessional Framing of Mental Illness, Typography, the Dramatic Monologue and Feint in ‘Herbert White’ and ‘Ellen West’. [Internet] [Doctoral dissertation]. University of Manchester; 2016. [cited 2019 Nov 19]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:295891.

Council of Science Editors:

Anderson CL. The Coagulateand‘Not Simply a Case’: Frank Bidart’s Post-Confessional Framing of Mental Illness, Typography, the Dramatic Monologue and Feint in ‘Herbert White’ and ‘Ellen West’. [Doctoral Dissertation]. University of Manchester; 2016. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:295891


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

11. Παπαλεωνίδα, Παρασκευή. The victorian ear: gendered acoustics in science and poetry.

Degree: 2005, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

 Late-Victorians had a sense of a new “modern theory of hearing,” as it was called by populariser of science Grant Allen, being an exciting innovation,… (more)

Subjects/Keywords: Δραματικός μονόλογος; Βικτωριανές ποιήτριες; Ακουστική επιστήμη; 19ος αιώνας; Φυσιολογία; Ψυχολογία; Φωνόγραφος; Υπνωτισμός; Μεσμερισμός; Ψυχανάλυση; Δραματικοί ακροατές; Λυρική ποίηση; Αφηγηματική ποίηση; Συμπαθητική δόνηση; Δονούμαι κατ' αντήχηση; 19th century; Physiological acoustics; Physiological psychology; Dramatic monologue; Victorian women poets; Dramatic auditor; Lyric poetry; Narrative poetry; Sympathetic vibration; Phonograph; Hypnotism; Mesmerism; Talking cure

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APA (6th Edition):

Παπαλεωνίδα, . . (2005). The victorian ear: gendered acoustics in science and poetry. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/14825

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Παπαλεωνίδα, Παρασκευή. “The victorian ear: gendered acoustics in science and poetry.” 2005. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed November 19, 2019. http://hdl.handle.net/10442/hedi/14825.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Παπαλεωνίδα, Παρασκευή. “The victorian ear: gendered acoustics in science and poetry.” 2005. Web. 19 Nov 2019.

Vancouver:

Παπαλεωνίδα . The victorian ear: gendered acoustics in science and poetry. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2005. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/10442/hedi/14825.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Παπαλεωνίδα . The victorian ear: gendered acoustics in science and poetry. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2005. Available from: http://hdl.handle.net/10442/hedi/14825

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

12. Tsambo, T. L. (Theriso Louisa). The theme of protest and its expression in S. F. Motlhake's poetry.

Degree: 1999, University of South Africa

 In the Apartheid South Africa, repression and the heightening of the Blacks' struggle for political emancipation, prompted artists to challenge the system through their music,… (more)

Subjects/Keywords: Steswana poetry; Motlhake; Protest poetry; Socio-cultural protest; Religious protest; Political protest; Evolutationary protest; Mild protest; Militant protest; Threnody stylistics; Satire; Linguistic format; Acquiscence; Censorship; Repetitive devices; Prolepsis; Praise denunciation; Contrast; Sarcasm; Dramatic monologue; Expression; Malope; Thobega; Theme; African Marxism; Sexual harassment

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APA (6th Edition):

Tsambo, T. L. (. L. (1999). The theme of protest and its expression in S. F. Motlhake's poetry. (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/16225

Chicago Manual of Style (16th Edition):

Tsambo, T L (Theriso Louisa). “The theme of protest and its expression in S. F. Motlhake's poetry.” 1999. Masters Thesis, University of South Africa. Accessed November 19, 2019. http://hdl.handle.net/10500/16225.

MLA Handbook (7th Edition):

Tsambo, T L (Theriso Louisa). “The theme of protest and its expression in S. F. Motlhake's poetry.” 1999. Web. 19 Nov 2019.

Vancouver:

Tsambo TL(L. The theme of protest and its expression in S. F. Motlhake's poetry. [Internet] [Masters thesis]. University of South Africa; 1999. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/10500/16225.

Council of Science Editors:

Tsambo TL(L. The theme of protest and its expression in S. F. Motlhake's poetry. [Masters Thesis]. University of South Africa; 1999. Available from: http://hdl.handle.net/10500/16225

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