subject:(dollhouse)

Delft University of Technology

1. Efklidou, N. (author). Types and Stereotypes.

Degree: 2016, Delft University of Technology

URL: http://resolver.tudelft.nl/uuid:4425f952-4a6c-4698-a0ef-86a4db9ad0bd

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Polykatoikia is a Greek version of the typical, modern, generic, multi-storey apartment building. The project, a 1:20 dollhouse, is an inhabited architectural section. Each room… (more)

Subjects/Keywords: Polykatoikia; Dollhouse; Good Life; Building type; Stereotype

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Efklidou, N. (. (2016). Types and Stereotypes. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:4425f952-4a6c-4698-a0ef-86a4db9ad0bd

Chicago Manual of Style (16^th Edition):

Efklidou, N (author). “Types and Stereotypes.” 2016. Masters Thesis, Delft University of Technology. Accessed January 23, 2021. http://resolver.tudelft.nl/uuid:4425f952-4a6c-4698-a0ef-86a4db9ad0bd.

MLA Handbook (7^th Edition):

Efklidou, N (author). “Types and Stereotypes.” 2016. Web. 23 Jan 2021.

Vancouver:

Efklidou N(. Types and Stereotypes. [Internet] [Masters thesis]. Delft University of Technology; 2016. [cited 2021 Jan 23]. Available from: http://resolver.tudelft.nl/uuid:4425f952-4a6c-4698-a0ef-86a4db9ad0bd.

Council of Science Editors:

Efklidou N(. Types and Stereotypes. [Masters Thesis]. Delft University of Technology; 2016. Available from: http://resolver.tudelft.nl/uuid:4425f952-4a6c-4698-a0ef-86a4db9ad0bd

2. Royer, Karen M. All Through the Night: A Comparison of Two Dollhouses.

Degree: MS, 2019, Worcester Polytechnic Institute

URL: etd-3121 ; https://digitalcommons.wpi.edu/etd-theses/1330

► Holograms are a newer form of digital media. Digital media is changing traditional arts. They are also shaping how people play. How holograms have… (more)

Subjects/Keywords: dollhouse; craft; materiality; social interaction; play; hologram

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APA (6^th Edition):

Royer, K. M. (2019). All Through the Night: A Comparison of Two Dollhouses. (Thesis). Worcester Polytechnic Institute. Retrieved from etd-3121 ; https://digitalcommons.wpi.edu/etd-theses/1330

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Royer, Karen M. “All Through the Night: A Comparison of Two Dollhouses.” 2019. Thesis, Worcester Polytechnic Institute. Accessed January 23, 2021. etd-3121 ; https://digitalcommons.wpi.edu/etd-theses/1330.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Royer, Karen M. “All Through the Night: A Comparison of Two Dollhouses.” 2019. Web. 23 Jan 2021.

Vancouver:

Royer KM. All Through the Night: A Comparison of Two Dollhouses. [Internet] [Thesis]. Worcester Polytechnic Institute; 2019. [cited 2021 Jan 23]. Available from: etd-3121 ; https://digitalcommons.wpi.edu/etd-theses/1330.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Royer KM. All Through the Night: A Comparison of Two Dollhouses. [Thesis]. Worcester Polytechnic Institute; 2019. Available from: etd-3121 ; https://digitalcommons.wpi.edu/etd-theses/1330

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Warner, Judith. La production de franchises transmédia de science-fiction aux États-Unis à l’ère du numerique : The production of science fiction transmedia franchises in the united states in the digital age.

Degree: Docteur es, Études anglophones, 2019, Université Sorbonne Nouvelle – Paris III

URL: http://www.theses.fr/2019PA030051

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La franchise transmédia émerge aux États-Unis au tournant du 21ème siècle. Si la série télévisée jouit déjà d’un statut de production hollywoodienne de qualité, les… (more)

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La franchise transmédia émerge aux États-Unis au tournant du 21ème siècle. Si la série télévisée jouit déjà d’un statut de production hollywoodienne de qualité, les franchises Battlestar Galactica, Dollhouse, Firefly, Fringe et Lost occasionnent une nouvelle dynamique de production en développant leurs récits à travers le processus de production transmédia. L’analyse porte sur ce procédé industriel ancré dans la mouvance des mutations technologiques, culturelles et sociétales engendrées par l’avènement du numérique au sein des industries créatives. Elle révèle les enjeux de création et de distribution associés à ces mutations au sein de l’industrie de l’audiovisuel et montre comment la création transmédia s’inscrit dans la culture émergente de la convergence médiatique. Elle considère la reconfiguration des pratiques de consommation et des interrelations entre les usagers et les producteurs, entre les usagers eux-mêmes et entre les usagers et les contenus, dans un système complexe et en constante évolution. Ces transformations sont favorisées par le genre de la science-fiction qui, dans ses caractéristiques, se fait l’écho des mutations technologiques et sociétales en question dans la société américaine. La recherche s’inscrit dans le champ de la civilisation américaine et combine Media Studies et économie politique des médias afin de mettre en lumière d’une part le cadre contextuel de création et de production des franchises transmédia et d’autre part leur réception au regard du rôle de certains « créatifs », en particulier les showrunners, et des mécanismes de participation des audiences et communautés au sein des industries créatives, au-delà des cultures de fans.

Transmedia franchises surfaced at the dawn of the 21st century when television series in Hollywood where considered as quality audiovisual productions. The franchises Battlestar Galactica, Dollhouse, Firefly, Fringe and Lost are the epitome of the new dynamics of production through their development as transmedia production. The research examines an industrial process established during the shifting technological, cultural and societal moment created by the digital era within the creative industries. It reveals the creation and distribution challenges associated with this new era within the audiovisual industry and shows how transmedia creation is part of the emerging media convergence culture. The analysis also considers the reshaping of consumption practices and of interrelations between users themselves, between users and producers, and between users and contents, in a complex and constantly evolving system. These shifts are backed by the science-fiction genre and its characteristics as they echo the technological and societal mutations that are at stake in US society. The research draws upon the field of civilization studies, and combines Media Studies and political economy of media in order to shed light, on the one hand on the contextual frame of creation and production of transmedia franchises and on the other hand on their reception,…

Advisors/Committee Members: Frau-Meigs, Divina (thesis director).

Subjects/Keywords: Transmédia; Franchise; Science-Fiction; Convergence; Industries créatives; Battlestar Galactica; Dollhouse; Firefly; Fringe; Lost; Transmedia; Franchise; Science-Fiction; Convergence; Creative Industries; Battlestar Galactica; Dollhouse; Firefly; Fringe; Lost

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Warner, J. (2019). La production de franchises transmédia de science-fiction aux États-Unis à l’ère du numerique : The production of science fiction transmedia franchises in the united states in the digital age. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2019PA030051

Chicago Manual of Style (16^th Edition):

Warner, Judith. “La production de franchises transmédia de science-fiction aux États-Unis à l’ère du numerique : The production of science fiction transmedia franchises in the united states in the digital age.” 2019. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed January 23, 2021. http://www.theses.fr/2019PA030051.

MLA Handbook (7^th Edition):

Warner, Judith. “La production de franchises transmédia de science-fiction aux États-Unis à l’ère du numerique : The production of science fiction transmedia franchises in the united states in the digital age.” 2019. Web. 23 Jan 2021.

Vancouver:

Warner J. La production de franchises transmédia de science-fiction aux États-Unis à l’ère du numerique : The production of science fiction transmedia franchises in the united states in the digital age. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2019. [cited 2021 Jan 23]. Available from: http://www.theses.fr/2019PA030051.

Council of Science Editors:

Warner J. La production de franchises transmédia de science-fiction aux États-Unis à l’ère du numerique : The production of science fiction transmedia franchises in the united states in the digital age. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2019. Available from: http://www.theses.fr/2019PA030051

Georgia State University

4. Thompson, Gina R. Dysfunctional.

Degree: MFA, Art and Design, 2016, Georgia State University

URL: https://scholarworks.gsu.edu/art_design_theses/204

► Dysfunctional examines the relationships and experiences that contribute to my art. I grew up in an unsafe environment, with dysfunctional people. This work serves… (more)

Subjects/Keywords: Dysfunctional Family; Abuse; Photography; Sculpture; Process Art; Childhood; Dollhouse; Installation Art; Video

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APA (6^th Edition):

Thompson, G. R. (2016). Dysfunctional. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/art_design_theses/204

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Thompson, Gina R. “Dysfunctional.” 2016. Thesis, Georgia State University. Accessed January 23, 2021. https://scholarworks.gsu.edu/art_design_theses/204.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Thompson, Gina R. “Dysfunctional.” 2016. Web. 23 Jan 2021.

Vancouver:

Thompson GR. Dysfunctional. [Internet] [Thesis]. Georgia State University; 2016. [cited 2021 Jan 23]. Available from: https://scholarworks.gsu.edu/art_design_theses/204.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thompson GR. Dysfunctional. [Thesis]. Georgia State University; 2016. Available from: https://scholarworks.gsu.edu/art_design_theses/204

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Georgia State University

5. McCormick, Casey J. "Now There's No Difference": Artificial Subjectivity as a Posthuman Negotiation of Hegel's Master/Slave Dialectic.

Degree: MA, English, 2011, Georgia State University

URL: https://scholarworks.gsu.edu/english_theses/105

► This thesis examines the theme of robot rebellion in SF narrative as an incarnation of Hegel’s Master/Slave dialectic. Chapter one analyzes the depiction of… (more)

Subjects/Keywords: Artificial subjectivity; Hegel; Posthuman; Capek; Battlestar Galactica; Dollhouse; English Language and Literature

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APA (6^th Edition):

McCormick, C. J. (2011). "Now There's No Difference": Artificial Subjectivity as a Posthuman Negotiation of Hegel's Master/Slave Dialectic. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/english_theses/105

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

McCormick, Casey J. “"Now There's No Difference": Artificial Subjectivity as a Posthuman Negotiation of Hegel's Master/Slave Dialectic.” 2011. Thesis, Georgia State University. Accessed January 23, 2021. https://scholarworks.gsu.edu/english_theses/105.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

McCormick, Casey J. “"Now There's No Difference": Artificial Subjectivity as a Posthuman Negotiation of Hegel's Master/Slave Dialectic.” 2011. Web. 23 Jan 2021.

Vancouver:

McCormick CJ. "Now There's No Difference": Artificial Subjectivity as a Posthuman Negotiation of Hegel's Master/Slave Dialectic. [Internet] [Thesis]. Georgia State University; 2011. [cited 2021 Jan 23]. Available from: https://scholarworks.gsu.edu/english_theses/105.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McCormick CJ. "Now There's No Difference": Artificial Subjectivity as a Posthuman Negotiation of Hegel's Master/Slave Dialectic. [Thesis]. Georgia State University; 2011. Available from: https://scholarworks.gsu.edu/english_theses/105

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Spencer, Carrie D. Domestic bliss.

Degree: 2012, James Madison University

URL: https://commons.lib.jmu.edu/master201019/338

► Domestic Bliss is my ceramic sculpture and mixed media MFA thesis exhibition with supporting written monograph. Through the combination of these works I investigate influences… (more)

Subjects/Keywords: domestic bliss; domesticity; domestic role; female role; sex toy; ceramic sculpture; ceramics; dollhouse; Art and Design

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APA (6^th Edition):

Spencer, C. D. (2012). Domestic bliss. (Masters Thesis). James Madison University. Retrieved from https://commons.lib.jmu.edu/master201019/338

Chicago Manual of Style (16^th Edition):

Spencer, Carrie D. “Domestic bliss.” 2012. Masters Thesis, James Madison University. Accessed January 23, 2021. https://commons.lib.jmu.edu/master201019/338.

MLA Handbook (7^th Edition):

Spencer, Carrie D. “Domestic bliss.” 2012. Web. 23 Jan 2021.

Vancouver:

Spencer CD. Domestic bliss. [Internet] [Masters thesis]. James Madison University; 2012. [cited 2021 Jan 23]. Available from: https://commons.lib.jmu.edu/master201019/338.

Council of Science Editors:

Spencer CD. Domestic bliss. [Masters Thesis]. James Madison University; 2012. Available from: https://commons.lib.jmu.edu/master201019/338

7. Rothén, Linn. Joss Whedons kvinnor : En analys av kvinnosynen i tv-serierna Dollhouse och Firefly.

Degree: Language and Literature, 2012, Linnaeus University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-24001

► Uppsatsen är en analys där de två amerikanska science fiction-serierna Dollhouse (Joss Whedon, 2009) och Firefly (Joss Whedon, 2002), som sänts i både svensk… (more)

Subjects/Keywords: Filmvetenskap; Dollhouse; Firefly; Joss Whedon; kvinnor; Studies on Film; Filmvetenskap

…Dollhouse hade premiär 2009, men inte heller denna serie blev särskilt långvarig på den… …Dollhouse handlar om en ung kvinna, Echo, som är medlem av en grupp människor som är kända som… …också är en docka och Adele DeWitt som är chefen för Dollhouse. Teori och tidigare forsking I… …argument även kan återfinnas i Whedons senare serier, Dollhouse och Firefly. I Robin Anne Reids… …kvinnligt beteende. Just denna blandning går att ses i Dollhouse. I Dollhouse avsnittet ”The…

10 more images…

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APA (6^th Edition):

Rothén, L. (2012). Joss Whedons kvinnor : En analys av kvinnosynen i tv-serierna Dollhouse och Firefly. (Thesis). Linnaeus University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-24001

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Rothén, Linn. “Joss Whedons kvinnor : En analys av kvinnosynen i tv-serierna Dollhouse och Firefly.” 2012. Thesis, Linnaeus University. Accessed January 23, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-24001.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Rothén, Linn. “Joss Whedons kvinnor : En analys av kvinnosynen i tv-serierna Dollhouse och Firefly.” 2012. Web. 23 Jan 2021.

Vancouver:

Rothén L. Joss Whedons kvinnor : En analys av kvinnosynen i tv-serierna Dollhouse och Firefly. [Internet] [Thesis]. Linnaeus University; 2012. [cited 2021 Jan 23]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-24001.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rothén L. Joss Whedons kvinnor : En analys av kvinnosynen i tv-serierna Dollhouse och Firefly. [Thesis]. Linnaeus University; 2012. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-24001

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

The Ohio State University

8. Chambers, Leslie Ann B. A Grammar of Consubstantiality: A Burkean Feminist Rhetorical Analysis of Third-Person Identity Constitution in Science-Fiction Television.

Degree: PhD, English, 2018, The Ohio State University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=osu152068821804109

► Rhetoric and feminism have historically been seen as having little to do with each other. This dissertation seeks to illuminate commonalities between rhetoric and feminism… (more)

Subjects/Keywords: Rhetoric; rhetoric; feminism; science fiction; television; Kenneth Burke; invitational rhetoric; Buffy the Vampire Slayer; Angel; Firefly; Dollhouse; Farscape; Battlestar Galactica; constitutive rhetoric, identification; consubstantiality; terministic screen

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APA (6^th Edition):

Chambers, L. A. B. (2018). A Grammar of Consubstantiality: A Burkean Feminist Rhetorical Analysis of Third-Person Identity Constitution in Science-Fiction Television. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu152068821804109

Chicago Manual of Style (16^th Edition):

Chambers, Leslie Ann B. “A Grammar of Consubstantiality: A Burkean Feminist Rhetorical Analysis of Third-Person Identity Constitution in Science-Fiction Television.” 2018. Doctoral Dissertation, The Ohio State University. Accessed January 23, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu152068821804109.

MLA Handbook (7^th Edition):

Chambers, Leslie Ann B. “A Grammar of Consubstantiality: A Burkean Feminist Rhetorical Analysis of Third-Person Identity Constitution in Science-Fiction Television.” 2018. Web. 23 Jan 2021.

Vancouver:

Chambers LAB. A Grammar of Consubstantiality: A Burkean Feminist Rhetorical Analysis of Third-Person Identity Constitution in Science-Fiction Television. [Internet] [Doctoral dissertation]. The Ohio State University; 2018. [cited 2021 Jan 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu152068821804109.

Council of Science Editors:

Chambers LAB. A Grammar of Consubstantiality: A Burkean Feminist Rhetorical Analysis of Third-Person Identity Constitution in Science-Fiction Television. [Doctoral Dissertation]. The Ohio State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu152068821804109

9. Hannon, David. Mantle.

Degree: University of Massachusetts

URL: https://scholarworks.umass.edu/masters_theses_2/602

► Through a large-scale installation called mantle, I explore how the queer body becomes uncanny to the home through a human sized dollhouse and using… (more)

Subjects/Keywords: queer; installation; art; sculpture; dollhouse; Art Practice; Interdisciplinary Arts and Media; Sculpture

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APA (6^th Edition):

Hannon, D. (n.d.). Mantle. (Thesis). University of Massachusetts. Retrieved from https://scholarworks.umass.edu/masters_theses_2/602

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hannon, David. “Mantle.” Thesis, University of Massachusetts. Accessed January 23, 2021. https://scholarworks.umass.edu/masters_theses_2/602.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hannon, David. “Mantle.” Web. 23 Jan 2021.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Hannon D. Mantle. [Internet] [Thesis]. University of Massachusetts; [cited 2021 Jan 23]. Available from: https://scholarworks.umass.edu/masters_theses_2/602.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Hannon D. Mantle. [Thesis]. University of Massachusetts; Available from: https://scholarworks.umass.edu/masters_theses_2/602

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

University of Southern California

10. Burcar, Jillian. The cyborg in the basement: hauntedness and narrative transmography.

Degree: PhD, Literature and Creative Writing, 2014, University of Southern California

URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/53709/rec/6547

► I constructed, photographed, and then animated a dollhouse in Adobe Flash Professional 5.5 in order to create a space in which my writing haunts: as… (more)

Subjects/Keywords: gender; sexuality; hybridity; liminality; intertextuality; regeneration; reanimation; gothic; posthuman; technology; visual; spatial; design elements; vampire; cyborg; zombie; witch; comic books; new media; battlestar galactica; the walking dead; kabuki; david mack; patchwork girl; sky doll; chobits; john polidori; the vampyre; bram stoker; dracula; mina harker; donna haraway; shelley jackson; jane austen; alice in wonderland; angela carter; patience worth; mary shelley; madwoman in the attic; nikola tesla; thomas edison; opera; blog; novel; haunted house; haunt; haunting; ghost; victorian; britain; dollhouse; narrative; transmography; adobe flash; photography

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APA (6^th Edition):

Burcar, J. (2014). The cyborg in the basement: hauntedness and narrative transmography. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/53709/rec/6547

Chicago Manual of Style (16^th Edition):

Burcar, Jillian. “The cyborg in the basement: hauntedness and narrative transmography.” 2014. Doctoral Dissertation, University of Southern California. Accessed January 23, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/53709/rec/6547.

MLA Handbook (7^th Edition):

Burcar, Jillian. “The cyborg in the basement: hauntedness and narrative transmography.” 2014. Web. 23 Jan 2021.

Vancouver:

Burcar J. The cyborg in the basement: hauntedness and narrative transmography. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2021 Jan 23]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/53709/rec/6547.

Council of Science Editors:

Burcar J. The cyborg in the basement: hauntedness and narrative transmography. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/53709/rec/6547

Georgia State University

11. Cochran, Tanya R. Toward a Rhetoric of Scholar-Fandom.

Degree: PhD, English, 2009, Georgia State University

URL: https://scholarworks.gsu.edu/english_diss/51

► Individuals who consider themselves both scholars and fans represent not only a subculture of fandom but also a subculture of academia. These liminal figures seem… (more)

Subjects/Keywords: Aca-fan; Academic-fan; Angel (television series); Astonishing X-Men (comic book series); Autoethnography; Browncoats; Buffy the Vampire Slayer (television series); Composition; Discourse; Dollhouse (television series); Dr. Horrible’s Sing-a-long Blog (web series); English department; Fandom; Fans (persons); Fan-scholar; Firefly (television series); Fray (graphic novel); Gospel epistemology; Ivory Tower; Joss Whedon; Narrative inquiry; Parker J. Palmer; Popular culture; Rhetoric; Scholar-fan; Scholar-fandom; Scholardom; Serenity (motion picture); Writing centers; English Language and Literature

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APA (6^th Edition):

Cochran, T. R. (2009). Toward a Rhetoric of Scholar-Fandom. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/english_diss/51

Chicago Manual of Style (16^th Edition):

Cochran, Tanya R. “Toward a Rhetoric of Scholar-Fandom.” 2009. Doctoral Dissertation, Georgia State University. Accessed January 23, 2021. https://scholarworks.gsu.edu/english_diss/51.

MLA Handbook (7^th Edition):

Cochran, Tanya R. “Toward a Rhetoric of Scholar-Fandom.” 2009. Web. 23 Jan 2021.

Vancouver:

Cochran TR. Toward a Rhetoric of Scholar-Fandom. [Internet] [Doctoral dissertation]. Georgia State University; 2009. [cited 2021 Jan 23]. Available from: https://scholarworks.gsu.edu/english_diss/51.

Council of Science Editors:

Cochran TR. Toward a Rhetoric of Scholar-Fandom. [Doctoral Dissertation]. Georgia State University; 2009. Available from: https://scholarworks.gsu.edu/english_diss/51

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Open Access Theses and Dissertations