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You searched for subject:(documentary photography). Showing records 1 – 30 of 189 total matches.

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1. Mokhberolsafa, Diba. Peering Beyond the Regime: Newsha Tavakolian's use of Social Documentary in exploring and representing Iranian identity.

Degree: 2019, Leiden University

 What is it like being young and living in Tehran? Within the vibrant megalopolis of 16 million inhabitants, a strict Islamic regime has been enforcing… (more)

Subjects/Keywords: Iran; Identity; Contemporary Photography; Newsha Tavakolian; Documentary Photography; Staged Photography; Photojournalism; Representation

…showed to be a mix between social documentary, staged photography and photojournalism… …series that can be defined as either documentary photography, art or photojournalism… …documentary photography, staged photography and more, this thesis intentionally highlights the… …history. Photojournalism, social documentary and vernacular photography became popular themes in… …chapter will go deeper into the theory of documentary photography. Before placing her work in a… 

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APA (6th Edition):

Mokhberolsafa, D. (2019). Peering Beyond the Regime: Newsha Tavakolian's use of Social Documentary in exploring and representing Iranian identity. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/77786

Chicago Manual of Style (16th Edition):

Mokhberolsafa, Diba. “Peering Beyond the Regime: Newsha Tavakolian's use of Social Documentary in exploring and representing Iranian identity.” 2019. Masters Thesis, Leiden University. Accessed June 04, 2020. http://hdl.handle.net/1887/77786.

MLA Handbook (7th Edition):

Mokhberolsafa, Diba. “Peering Beyond the Regime: Newsha Tavakolian's use of Social Documentary in exploring and representing Iranian identity.” 2019. Web. 04 Jun 2020.

Vancouver:

Mokhberolsafa D. Peering Beyond the Regime: Newsha Tavakolian's use of Social Documentary in exploring and representing Iranian identity. [Internet] [Masters thesis]. Leiden University; 2019. [cited 2020 Jun 04]. Available from: http://hdl.handle.net/1887/77786.

Council of Science Editors:

Mokhberolsafa D. Peering Beyond the Regime: Newsha Tavakolian's use of Social Documentary in exploring and representing Iranian identity. [Masters Thesis]. Leiden University; 2019. Available from: http://hdl.handle.net/1887/77786

2. Jafari Firouzabadi, Naghmeh. The Lies That Make Us Voiceless.

Degree: School of Art, 2019, University of Manitoba

 This text focusses on addressing women’s rights in Iran through the personal experience of the artist. The body of exhibited work consists a series of… (more)

Subjects/Keywords: Iran, Culture, Iranian Women Mask; Islam, Ritual Activity, Ghusl; Feminism, Gender Equality, Torture devices, England, Scold's Bridle; Photography, Documentary-fiction fraternity

…in fashion or as some erotic object in photography. When I came to Canada to pursue my… …the Silent mask wasn’t enough. Why I changed the style of my photography in this project I… …rights. Figure 3. Naghmeh Jafari Firouzabadi, Portrait Photography, 2018. Faranak Amidi… …challenges that Shookoofe experienced during this project. In first day of photography, 22 February… …photography in different places such as gyms, where men and women were separated. The photos were… 

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APA (6th Edition):

Jafari Firouzabadi, N. (2019). The Lies That Make Us Voiceless. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/34022

Chicago Manual of Style (16th Edition):

Jafari Firouzabadi, Naghmeh. “The Lies That Make Us Voiceless.” 2019. Masters Thesis, University of Manitoba. Accessed June 04, 2020. http://hdl.handle.net/1993/34022.

MLA Handbook (7th Edition):

Jafari Firouzabadi, Naghmeh. “The Lies That Make Us Voiceless.” 2019. Web. 04 Jun 2020.

Vancouver:

Jafari Firouzabadi N. The Lies That Make Us Voiceless. [Internet] [Masters thesis]. University of Manitoba; 2019. [cited 2020 Jun 04]. Available from: http://hdl.handle.net/1993/34022.

Council of Science Editors:

Jafari Firouzabadi N. The Lies That Make Us Voiceless. [Masters Thesis]. University of Manitoba; 2019. Available from: http://hdl.handle.net/1993/34022

3. O'Dwyer, Kathryn A. ‘Posed with the Greatest Care’: Photographic Representations of Black Women Employed by the Work Progress Administration in New Orleans, 1936-1941.

Degree: MA, History, 2019, University of New Orleans

  For decades, scholars have debated the significance of the Works Progress Administration (WPA), emphasizing its political, economic, and artistic impact. This historiography is dominated… (more)

Subjects/Keywords: Works Progress Administration; New Orleans; African American women; labor; documentary photography; white supremacy; African American Studies; Labor History; Photography; Political History; Women's History

…Introduction Documentary photography was a potent medium for capturing the experiences of… …explores how historians have written about government-funded documentary photography in the New… …information held in state-level WPA documentary photography. A majority of the literature discussing… …photography has been the sole focus of historians’ examination of New Deal documentary photography… …works about 16 documentary photography make it clear that much is to be discovered by… 

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APA (6th Edition):

O'Dwyer, K. A. (2019). ‘Posed with the Greatest Care’: Photographic Representations of Black Women Employed by the Work Progress Administration in New Orleans, 1936-1941. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/2630

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

O'Dwyer, Kathryn A. “‘Posed with the Greatest Care’: Photographic Representations of Black Women Employed by the Work Progress Administration in New Orleans, 1936-1941.” 2019. Thesis, University of New Orleans. Accessed June 04, 2020. https://scholarworks.uno.edu/td/2630.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

O'Dwyer, Kathryn A. “‘Posed with the Greatest Care’: Photographic Representations of Black Women Employed by the Work Progress Administration in New Orleans, 1936-1941.” 2019. Web. 04 Jun 2020.

Vancouver:

O'Dwyer KA. ‘Posed with the Greatest Care’: Photographic Representations of Black Women Employed by the Work Progress Administration in New Orleans, 1936-1941. [Internet] [Thesis]. University of New Orleans; 2019. [cited 2020 Jun 04]. Available from: https://scholarworks.uno.edu/td/2630.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

O'Dwyer KA. ‘Posed with the Greatest Care’: Photographic Representations of Black Women Employed by the Work Progress Administration in New Orleans, 1936-1941. [Thesis]. University of New Orleans; 2019. Available from: https://scholarworks.uno.edu/td/2630

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

4. CANDIDA MARIA MONTEIRO. [en] THE RESSIGNIFICATION OF FAMILY IMAGES: COLLAGE AND DESIGN IN CONTEMPORARY AUTOBIOGRAPHICAL DOCUMENTARY FILM.

Degree: 2019, Pontifical Catholic University of Rio de Janeiro

[pt] O estudo se volta sobre as teorias críticas da imagem nos âmbitos filosófico e artístico, conduzindo o debate a respeito de distintas imagens para… (more)

Subjects/Keywords: [pt] SUBJETIVIDADE; [en] SUBJECTIVITY; [pt] IMAGEM; [en] IMAGE; [pt] MEMORIA; [en] MEMORY; [pt] DESIGN GRAFICO; [en] GRAPHIC DESIGN; [pt] FOTOGRAFIA; [en] PHOTOGRAPHY; [pt] IDENTIDADE; [en] IDENTITY; [pt] ALBUM DE FAMILIA; [en] FAMILY ALBUM; [pt] DOCUMENTARIO AUTOBIOGRAFICO; [en] AUTOBIOGRAPHIC DOCUMENTARY; [pt] ARQUIVO PRIVADO; [en] PRIVATE FILE; [pt] COLLAGE CINEMATOGRAFICA; [en] COLLAGE CINEMATOGRAFICA

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APA (6th Edition):

MONTEIRO, C. M. (2019). [en] THE RESSIGNIFICATION OF FAMILY IMAGES: COLLAGE AND DESIGN IN CONTEMPORARY AUTOBIOGRAPHICAL DOCUMENTARY FILM. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37664

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

MONTEIRO, CANDIDA MARIA. “[en] THE RESSIGNIFICATION OF FAMILY IMAGES: COLLAGE AND DESIGN IN CONTEMPORARY AUTOBIOGRAPHICAL DOCUMENTARY FILM.” 2019. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed June 04, 2020. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37664.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

MONTEIRO, CANDIDA MARIA. “[en] THE RESSIGNIFICATION OF FAMILY IMAGES: COLLAGE AND DESIGN IN CONTEMPORARY AUTOBIOGRAPHICAL DOCUMENTARY FILM.” 2019. Web. 04 Jun 2020.

Vancouver:

MONTEIRO CM. [en] THE RESSIGNIFICATION OF FAMILY IMAGES: COLLAGE AND DESIGN IN CONTEMPORARY AUTOBIOGRAPHICAL DOCUMENTARY FILM. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. [cited 2020 Jun 04]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37664.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MONTEIRO CM. [en] THE RESSIGNIFICATION OF FAMILY IMAGES: COLLAGE AND DESIGN IN CONTEMPORARY AUTOBIOGRAPHICAL DOCUMENTARY FILM. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37664

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Mulvogue, Jessica Siobhan. Catastrophe Aesthetics: Affective Epistemologies of Climate Change in Experimental Media Art.

Degree: PhD, Cinema and Media Studies, 2019, York University

 Catastrophe is no longer an exception to the everyday. Anthropogenic (or capitalogenic) climate change is slowly but radically altering Earth. But climate catastrophe does not… (more)

Subjects/Keywords: Environmental studies; catastrophe; climate change; the anthropocene; ecomedia studies; affect; aesthetics; experimental film; interactive documentary; data visualization; photography; natureculture; petroculture; Buckminster Fuller; fossil fuel narratives; new materialism

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APA (6th Edition):

Mulvogue, J. S. (2019). Catastrophe Aesthetics: Affective Epistemologies of Climate Change in Experimental Media Art. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/35853

Chicago Manual of Style (16th Edition):

Mulvogue, Jessica Siobhan. “Catastrophe Aesthetics: Affective Epistemologies of Climate Change in Experimental Media Art.” 2019. Doctoral Dissertation, York University. Accessed June 04, 2020. http://hdl.handle.net/10315/35853.

MLA Handbook (7th Edition):

Mulvogue, Jessica Siobhan. “Catastrophe Aesthetics: Affective Epistemologies of Climate Change in Experimental Media Art.” 2019. Web. 04 Jun 2020.

Vancouver:

Mulvogue JS. Catastrophe Aesthetics: Affective Epistemologies of Climate Change in Experimental Media Art. [Internet] [Doctoral dissertation]. York University; 2019. [cited 2020 Jun 04]. Available from: http://hdl.handle.net/10315/35853.

Council of Science Editors:

Mulvogue JS. Catastrophe Aesthetics: Affective Epistemologies of Climate Change in Experimental Media Art. [Doctoral Dissertation]. York University; 2019. Available from: http://hdl.handle.net/10315/35853


West Virginia University

6. Pelland, Emily Margaret. Nuanced Narratives: Reporting with Critical Race and Feminist Standpoint Theories.

Degree: MS, Not Listed, 2019, West Virginia University

  The Google Expedition titled WWI Era Through the Eyes of the Chicago Defender explores African American experiences during the early years of the Great… (more)

Subjects/Keywords: critical race theory; feminist standpoint theory; journalism; history; documentary; virtual reality; African American; underreported; experimental; minority; Adult and Continuing Education; African American Studies; Curriculum and Instruction; Educational Technology; Elementary Education; Other American Studies; Other Education; Photography; Secondary Education; Social and Philosophical Foundations of Education; Women's Studies

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APA (6th Edition):

Pelland, E. M. (2019). Nuanced Narratives: Reporting with Critical Race and Feminist Standpoint Theories. (Thesis). West Virginia University. Retrieved from https://researchrepository.wvu.edu/etd/3804

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pelland, Emily Margaret. “Nuanced Narratives: Reporting with Critical Race and Feminist Standpoint Theories.” 2019. Thesis, West Virginia University. Accessed June 04, 2020. https://researchrepository.wvu.edu/etd/3804.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pelland, Emily Margaret. “Nuanced Narratives: Reporting with Critical Race and Feminist Standpoint Theories.” 2019. Web. 04 Jun 2020.

Vancouver:

Pelland EM. Nuanced Narratives: Reporting with Critical Race and Feminist Standpoint Theories. [Internet] [Thesis]. West Virginia University; 2019. [cited 2020 Jun 04]. Available from: https://researchrepository.wvu.edu/etd/3804.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pelland EM. Nuanced Narratives: Reporting with Critical Race and Feminist Standpoint Theories. [Thesis]. West Virginia University; 2019. Available from: https://researchrepository.wvu.edu/etd/3804

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

7. Choi, Connie Hoyean. "A Matter of Building Bridges": Photography and African American Education, 1957–1972.

Degree: 2019, Columbia University

 This dissertation examines the use of photography in civil rights educational efforts from 1957 to 1972. Photography played an important role in the long civil… (more)

Subjects/Keywords: Art; African Americans – Education; Photography; Civil rights movements; Documentary photography

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APA (6th Edition):

Choi, C. H. (2019). "A Matter of Building Bridges": Photography and African American Education, 1957–1972. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/d8-jwvv-ya84

Chicago Manual of Style (16th Edition):

Choi, Connie Hoyean. “"A Matter of Building Bridges": Photography and African American Education, 1957–1972.” 2019. Doctoral Dissertation, Columbia University. Accessed June 04, 2020. https://doi.org/10.7916/d8-jwvv-ya84.

MLA Handbook (7th Edition):

Choi, Connie Hoyean. “"A Matter of Building Bridges": Photography and African American Education, 1957–1972.” 2019. Web. 04 Jun 2020.

Vancouver:

Choi CH. "A Matter of Building Bridges": Photography and African American Education, 1957–1972. [Internet] [Doctoral dissertation]. Columbia University; 2019. [cited 2020 Jun 04]. Available from: https://doi.org/10.7916/d8-jwvv-ya84.

Council of Science Editors:

Choi CH. "A Matter of Building Bridges": Photography and African American Education, 1957–1972. [Doctoral Dissertation]. Columbia University; 2019. Available from: https://doi.org/10.7916/d8-jwvv-ya84


Columbia University

8. Wurst, Daniella. Breaking The Frames of the Past: Photography and Literature in Contemporary Argentina, Chile, and Peru.

Degree: 2019, Columbia University

 Breaking the Frames of the Past examines recent visual and literary work about the periods of historical violence in Argentina, Chile, and Peru. In my… (more)

Subjects/Keywords: Latin American literature; Latin Americans; Collective memory; Documentary photography; History in literature; War in literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wurst, D. (2019). Breaking The Frames of the Past: Photography and Literature in Contemporary Argentina, Chile, and Peru. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/d8-1exn-8h10

Chicago Manual of Style (16th Edition):

Wurst, Daniella. “Breaking The Frames of the Past: Photography and Literature in Contemporary Argentina, Chile, and Peru.” 2019. Doctoral Dissertation, Columbia University. Accessed June 04, 2020. https://doi.org/10.7916/d8-1exn-8h10.

MLA Handbook (7th Edition):

Wurst, Daniella. “Breaking The Frames of the Past: Photography and Literature in Contemporary Argentina, Chile, and Peru.” 2019. Web. 04 Jun 2020.

Vancouver:

Wurst D. Breaking The Frames of the Past: Photography and Literature in Contemporary Argentina, Chile, and Peru. [Internet] [Doctoral dissertation]. Columbia University; 2019. [cited 2020 Jun 04]. Available from: https://doi.org/10.7916/d8-1exn-8h10.

Council of Science Editors:

Wurst D. Breaking The Frames of the Past: Photography and Literature in Contemporary Argentina, Chile, and Peru. [Doctoral Dissertation]. Columbia University; 2019. Available from: https://doi.org/10.7916/d8-1exn-8h10


Florida Atlantic University

9. Dillow, Michael. Many Days Many Nights.

Degree: M.F.A., 2019, Florida Atlantic University

Many Days Many Nights is a body of work that examines the notion of place, highlighting the complex relationship between a psychological state of mind… (more)

Subjects/Keywords: Documentary photography; Experimental videos; Memory; Time; Place

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APA (6th Edition):

Dillow, M. (2019). Many Days Many Nights. (Masters Thesis). Florida Atlantic University. Retrieved from http://fau.digital.flvc.org/islandora/object/fau:41338

Chicago Manual of Style (16th Edition):

Dillow, Michael. “Many Days Many Nights.” 2019. Masters Thesis, Florida Atlantic University. Accessed June 04, 2020. http://fau.digital.flvc.org/islandora/object/fau:41338.

MLA Handbook (7th Edition):

Dillow, Michael. “Many Days Many Nights.” 2019. Web. 04 Jun 2020.

Vancouver:

Dillow M. Many Days Many Nights. [Internet] [Masters thesis]. Florida Atlantic University; 2019. [cited 2020 Jun 04]. Available from: http://fau.digital.flvc.org/islandora/object/fau:41338.

Council of Science Editors:

Dillow M. Many Days Many Nights. [Masters Thesis]. Florida Atlantic University; 2019. Available from: http://fau.digital.flvc.org/islandora/object/fau:41338

10. Norrman, Peter. An artist book as an essay and an object.

Degree: Fine Art, 2019, University of Arts

  I am using the essay as a vehicle to make an artist book. The essay functions on several levels: As my master essay text.… (more)

Subjects/Keywords: Artistic practice; Artist book; Archive; Art; Photography; Post-Documentary; Expanded Document; Time; Folded Time; Humanities and the Arts; Humaniora och konst

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APA (6th Edition):

Norrman, P. (2019). An artist book as an essay and an object. (Thesis). University of Arts. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Norrman, Peter. “An artist book as an essay and an object.” 2019. Thesis, University of Arts. Accessed June 04, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Norrman, Peter. “An artist book as an essay and an object.” 2019. Web. 04 Jun 2020.

Vancouver:

Norrman P. An artist book as an essay and an object. [Internet] [Thesis]. University of Arts; 2019. [cited 2020 Jun 04]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Norrman P. An artist book as an essay and an object. [Thesis]. University of Arts; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Uppsala University

11. Nilsson, Annika Göth. Konsumtionskulturen : Ett porträtt i tiden.

Degree: Art History, 2019, Uppsala University

  The purpose of this essay is to examine documentary photographs using art-science methods. The subject of the analyzes is photographer Lauren Greenfield’s project Generation… (more)

Subjects/Keywords: documentary photographs; art-science; Lauren Greenfield; Generation Wealth; social-constructivist; Erwin Panofsky; iconological interpretation; photography; consumption; konstvetenskap; samhällsanalys; dokumentärfotografi; Lauren Greenfield; fotografi; ikonografisk analys; Erwin Panofsky; konsumtion; Art History; Konstvetenskap

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APA (6th Edition):

Nilsson, A. G. (2019). Konsumtionskulturen : Ett porträtt i tiden. (Thesis). Uppsala University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-403483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nilsson, Annika Göth. “Konsumtionskulturen : Ett porträtt i tiden.” 2019. Thesis, Uppsala University. Accessed June 04, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-403483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nilsson, Annika Göth. “Konsumtionskulturen : Ett porträtt i tiden.” 2019. Web. 04 Jun 2020.

Vancouver:

Nilsson AG. Konsumtionskulturen : Ett porträtt i tiden. [Internet] [Thesis]. Uppsala University; 2019. [cited 2020 Jun 04]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-403483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nilsson AG. Konsumtionskulturen : Ett porträtt i tiden. [Thesis]. Uppsala University; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-403483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Waikato

12. Henry, Todd Marvel. Exploring local perceptions on visual media representations of climate change and last chance tourism in Tuvalu .

Degree: 2019, University of Waikato

 This thesis seeks to explore local Tuvaluan feelings and perceptions on the visual representation of Tuvalu in international climate change media stories in conjunction with… (more)

Subjects/Keywords: Tuvalu; climate change; photography; photojournalism; documentary photography; visual journalism; journalism ethics; visual representation; tourism; tourism development; last chance tourism; talanoa; polynesia; south pacific islands

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Henry, T. M. (2019). Exploring local perceptions on visual media representations of climate change and last chance tourism in Tuvalu . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/13307

Chicago Manual of Style (16th Edition):

Henry, Todd Marvel. “Exploring local perceptions on visual media representations of climate change and last chance tourism in Tuvalu .” 2019. Masters Thesis, University of Waikato. Accessed June 04, 2020. http://hdl.handle.net/10289/13307.

MLA Handbook (7th Edition):

Henry, Todd Marvel. “Exploring local perceptions on visual media representations of climate change and last chance tourism in Tuvalu .” 2019. Web. 04 Jun 2020.

Vancouver:

Henry TM. Exploring local perceptions on visual media representations of climate change and last chance tourism in Tuvalu . [Internet] [Masters thesis]. University of Waikato; 2019. [cited 2020 Jun 04]. Available from: http://hdl.handle.net/10289/13307.

Council of Science Editors:

Henry TM. Exploring local perceptions on visual media representations of climate change and last chance tourism in Tuvalu . [Masters Thesis]. University of Waikato; 2019. Available from: http://hdl.handle.net/10289/13307


University of Cape Town

13. Hsu, Tzu Ting. The reimagined migrant portrait - exploring the lives of Chinese and Taiwanese minorities living in South Africa.

Degree: MA, Centre for Film and Media Studies, 2019, University of Cape Town

 This multimedia project explores the lives of Chinese and Taiwanese migrants living in South Africa and how language, culture, community and marginalisation have come to… (more)

Subjects/Keywords: Migration; East Asian; diasporic communities; identity; language; documentary photography

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APA (6th Edition):

Hsu, T. T. (2019). The reimagined migrant portrait - exploring the lives of Chinese and Taiwanese minorities living in South Africa. (Masters Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/31251

Chicago Manual of Style (16th Edition):

Hsu, Tzu Ting. “The reimagined migrant portrait - exploring the lives of Chinese and Taiwanese minorities living in South Africa.” 2019. Masters Thesis, University of Cape Town. Accessed June 04, 2020. http://hdl.handle.net/11427/31251.

MLA Handbook (7th Edition):

Hsu, Tzu Ting. “The reimagined migrant portrait - exploring the lives of Chinese and Taiwanese minorities living in South Africa.” 2019. Web. 04 Jun 2020.

Vancouver:

Hsu TT. The reimagined migrant portrait - exploring the lives of Chinese and Taiwanese minorities living in South Africa. [Internet] [Masters thesis]. University of Cape Town; 2019. [cited 2020 Jun 04]. Available from: http://hdl.handle.net/11427/31251.

Council of Science Editors:

Hsu TT. The reimagined migrant portrait - exploring the lives of Chinese and Taiwanese minorities living in South Africa. [Masters Thesis]. University of Cape Town; 2019. Available from: http://hdl.handle.net/11427/31251


Uniwersytet im. Adama Mickiewicza w Poznaniu

14. Sulejewska, Justyna. Fotofilm. Fotografia w polskim kinie dokumentalnym .

Degree: 2019, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Celem niniejszej pracy doktorskiej było zbadanie powstania oraz charakterystyka wyjątkowego, mało znanego gatunku, określanego przez autorkę pracy jako „fotofilm”. Jak to zostało określone w rozprawie,… (more)

Subjects/Keywords: film dokumentalny; film polski; fotofilm; fotografia i film; documentary film; polish cinema; photofilm; photography and cinema

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APA (6th Edition):

Sulejewska, J. (2019). Fotofilm. Fotografia w polskim kinie dokumentalnym . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/24957

Chicago Manual of Style (16th Edition):

Sulejewska, Justyna. “Fotofilm. Fotografia w polskim kinie dokumentalnym .” 2019. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed June 04, 2020. http://hdl.handle.net/10593/24957.

MLA Handbook (7th Edition):

Sulejewska, Justyna. “Fotofilm. Fotografia w polskim kinie dokumentalnym .” 2019. Web. 04 Jun 2020.

Vancouver:

Sulejewska J. Fotofilm. Fotografia w polskim kinie dokumentalnym . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2019. [cited 2020 Jun 04]. Available from: http://hdl.handle.net/10593/24957.

Council of Science Editors:

Sulejewska J. Fotofilm. Fotografia w polskim kinie dokumentalnym . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2019. Available from: http://hdl.handle.net/10593/24957

15. Viraben, Hadrien. Le savant et le profane : documenter l'impressionnisme en France, 1900-1939 : Between Scholar and Layman : documenting Impressionism in France, 1900-1939.

Degree: Docteur es, Arts, 2018, Normandie

En 1946, la parution à New York de l’Histoire de l’impressionnisme de John Rewald consacra l’aura d’une historiographie scientifique du mouvement, cautionnée par un investissement… (more)

Subjects/Keywords: Impressionnisme (peinture); Art - Historiographie; Critique d’art; Histoire - sources; Documentation; Archives; Autographes; Photographie documentaire; Films d’art; Sculpture publique; Impressionism (Art); Art - Historiography; Art criticism; History - Sources; Documentation; Archive; Autographs; Documentary photography; Art in motion pictures; Public sculpture; 759.054

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Viraben, H. (2018). Le savant et le profane : documenter l'impressionnisme en France, 1900-1939 : Between Scholar and Layman : documenting Impressionism in France, 1900-1939. (Doctoral Dissertation). Normandie. Retrieved from http://www.theses.fr/2018NORMR095

Chicago Manual of Style (16th Edition):

Viraben, Hadrien. “Le savant et le profane : documenter l'impressionnisme en France, 1900-1939 : Between Scholar and Layman : documenting Impressionism in France, 1900-1939.” 2018. Doctoral Dissertation, Normandie. Accessed June 04, 2020. http://www.theses.fr/2018NORMR095.

MLA Handbook (7th Edition):

Viraben, Hadrien. “Le savant et le profane : documenter l'impressionnisme en France, 1900-1939 : Between Scholar and Layman : documenting Impressionism in France, 1900-1939.” 2018. Web. 04 Jun 2020.

Vancouver:

Viraben H. Le savant et le profane : documenter l'impressionnisme en France, 1900-1939 : Between Scholar and Layman : documenting Impressionism in France, 1900-1939. [Internet] [Doctoral dissertation]. Normandie; 2018. [cited 2020 Jun 04]. Available from: http://www.theses.fr/2018NORMR095.

Council of Science Editors:

Viraben H. Le savant et le profane : documenter l'impressionnisme en France, 1900-1939 : Between Scholar and Layman : documenting Impressionism in France, 1900-1939. [Doctoral Dissertation]. Normandie; 2018. Available from: http://www.theses.fr/2018NORMR095

16. Cabezas Pino, Angélica María. "This is my Face": Audio-visual practice as collaborative sense-making among men living with HIV in Chile.

Degree: 2018, University of Manchester

The research project ´This is my Face: Audio-visual practice as collaborative sense-making among men living with HIV in Chile´ is an interdisciplinary project that explores… (more)

Subjects/Keywords: HIV; collaborative; sense Making; stigma; HIV stigma; life disruption; visual Anthropology; practice-based; documentary Film; photo; collaborative mise-en-scene; autobiography; ethnographic Film; collaborative Anthropology; collaborative ethnography; collaboration; reflexivity; hermeneutic reflexivity; reflexive Ethnography; Chile; self-reflexive; representation; visual methods; photography; ethnographic images; practice based; illness; chronic illness; co-creation; ethnographic context; collaborators; narratives; storytelling; face-to-face; disclosure; evocations; experiences; memory; imagination; public anthroplogy; medical anthropology; applied anthropology; interdisciplinary; ethics; strategies; tactics; suffering; pain; men; Lemebel; Puente Alto; anthropology,media and performance; participatory action research; post-dictatorship; antiretroviral therapy; homophobia; machismo; homosexuality; trauma; enstrangement; This is my face; Russian formalists; Photobook; Angelica Cabezas; Sarah Pink; Andrew irving; Johannes Sjoberg; Paul farmer; Alan Radley; Mattia fumanti; Martin Heidegger; Philippe Lejeune; Marc Auge; Cathy Caruth; Smith and Watson; Michel De Certeau; Bordwell and Thompson; Viktor Shklovsky; Jay Ruby; Edward Casey; Susan Sontag; Michael Bury; Orlando Fals-Borda; Erving Goffman; Susan Hogan; Luke Eric Lassiter; Henri Lefebvre; Maggie O'Neill; Mary Warnock

…practice-based research comprises a feature documentary film ‘This is my face’, two exhibitions… …intimate and self-reflexive narratives using collaborative photography, which mediates their… …sense-making process using autobiographical photography. The photographic aspect of this… …have been consciously staged. Autobiographic photography draws on the collaborators’ life… …Autobiographic photography provides the opportunity of accessing visual materials created by the… 

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APA (6th Edition):

Cabezas Pino, A. M. (2018). "This is my Face": Audio-visual practice as collaborative sense-making among men living with HIV in Chile. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:315600

Chicago Manual of Style (16th Edition):

Cabezas Pino, Angélica María. “"This is my Face": Audio-visual practice as collaborative sense-making among men living with HIV in Chile.” 2018. Doctoral Dissertation, University of Manchester. Accessed June 04, 2020. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:315600.

MLA Handbook (7th Edition):

Cabezas Pino, Angélica María. “"This is my Face": Audio-visual practice as collaborative sense-making among men living with HIV in Chile.” 2018. Web. 04 Jun 2020.

Vancouver:

Cabezas Pino AM. "This is my Face": Audio-visual practice as collaborative sense-making among men living with HIV in Chile. [Internet] [Doctoral dissertation]. University of Manchester; 2018. [cited 2020 Jun 04]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:315600.

Council of Science Editors:

Cabezas Pino AM. "This is my Face": Audio-visual practice as collaborative sense-making among men living with HIV in Chile. [Doctoral Dissertation]. University of Manchester; 2018. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:315600


University of Western Ontario

17. Kasumovic, Mark. Interfaces of Nearness: Documentary Photography and the Representation of Technology.

Degree: 2018, University of Western Ontario

 The central aim of this dissertation is to provide insights into the ways in which documentary photography, in theory and practice, can be employed in… (more)

Subjects/Keywords: visual art; black-boxes; documentary; interfaces; Heidegger; simulation; Art Practice; Photography

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APA (6th Edition):

Kasumovic, M. (2018). Interfaces of Nearness: Documentary Photography and the Representation of Technology. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5461

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kasumovic, Mark. “Interfaces of Nearness: Documentary Photography and the Representation of Technology.” 2018. Thesis, University of Western Ontario. Accessed June 04, 2020. https://ir.lib.uwo.ca/etd/5461.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kasumovic, Mark. “Interfaces of Nearness: Documentary Photography and the Representation of Technology.” 2018. Web. 04 Jun 2020.

Vancouver:

Kasumovic M. Interfaces of Nearness: Documentary Photography and the Representation of Technology. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2020 Jun 04]. Available from: https://ir.lib.uwo.ca/etd/5461.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kasumovic M. Interfaces of Nearness: Documentary Photography and the Representation of Technology. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5461

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

18. Smith, Mariko Myra Anne. Vessels of Culture, Identity, and Knowledge: Aboriginal Tied-Bark Canoe Making as a Phenomenon of Indigenous Resilience through Cultural Resurgence in Contemporary South-Eastern Australia.

Degree: 2018, University of Sydney

 This thesis critically describes the phenomenon of Aboriginal tied-bark canoe making within the highly colonised and urbanised south-eastern coastal region of Australia, as part of… (more)

Subjects/Keywords: Indigenous watercraft; cultural resurgence; Indigenous resilience; visual sociology; documentary photography; Photo elicitation

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APA (6th Edition):

Smith, M. M. A. (2018). Vessels of Culture, Identity, and Knowledge: Aboriginal Tied-Bark Canoe Making as a Phenomenon of Indigenous Resilience through Cultural Resurgence in Contemporary South-Eastern Australia. (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/19701

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Mariko Myra Anne. “Vessels of Culture, Identity, and Knowledge: Aboriginal Tied-Bark Canoe Making as a Phenomenon of Indigenous Resilience through Cultural Resurgence in Contemporary South-Eastern Australia. ” 2018. Thesis, University of Sydney. Accessed June 04, 2020. http://hdl.handle.net/2123/19701.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Mariko Myra Anne. “Vessels of Culture, Identity, and Knowledge: Aboriginal Tied-Bark Canoe Making as a Phenomenon of Indigenous Resilience through Cultural Resurgence in Contemporary South-Eastern Australia. ” 2018. Web. 04 Jun 2020.

Vancouver:

Smith MMA. Vessels of Culture, Identity, and Knowledge: Aboriginal Tied-Bark Canoe Making as a Phenomenon of Indigenous Resilience through Cultural Resurgence in Contemporary South-Eastern Australia. [Internet] [Thesis]. University of Sydney; 2018. [cited 2020 Jun 04]. Available from: http://hdl.handle.net/2123/19701.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith MMA. Vessels of Culture, Identity, and Knowledge: Aboriginal Tied-Bark Canoe Making as a Phenomenon of Indigenous Resilience through Cultural Resurgence in Contemporary South-Eastern Australia. [Thesis]. University of Sydney; 2018. Available from: http://hdl.handle.net/2123/19701

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

19. Xylouris, Christos. The work of Richard Mosse regarding the representation of the refugee crisis.

Degree: 2018, Leiden University

Subjects/Keywords: Infrared Photography; Press Photography; Photojournalism; Documentary Photography; Truth Claim; Representation; Thermal Imaging; Far-Infrared Photography; Refugee Crisis; Photography

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APA (6th Edition):

Xylouris, C. (2018). The work of Richard Mosse regarding the representation of the refugee crisis. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/62089

Chicago Manual of Style (16th Edition):

Xylouris, Christos. “The work of Richard Mosse regarding the representation of the refugee crisis.” 2018. Masters Thesis, Leiden University. Accessed June 04, 2020. http://hdl.handle.net/1887/62089.

MLA Handbook (7th Edition):

Xylouris, Christos. “The work of Richard Mosse regarding the representation of the refugee crisis.” 2018. Web. 04 Jun 2020.

Vancouver:

Xylouris C. The work of Richard Mosse regarding the representation of the refugee crisis. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2020 Jun 04]. Available from: http://hdl.handle.net/1887/62089.

Council of Science Editors:

Xylouris C. The work of Richard Mosse regarding the representation of the refugee crisis. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/62089

20. Rappa, Sara. A Narrative of Resilience: Margaret Morton's Photographs of Homelessness in New York City.

Degree: MA, Art History, 2018, City University of New York

Subjects/Keywords: photography; inter-genre; New York City; homelessness; photojournalism; documentary; Photography

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APA (6th Edition):

Rappa, S. (2018). A Narrative of Resilience: Margaret Morton's Photographs of Homelessness in New York City. (Masters Thesis). City University of New York. Retrieved from https://academicworks.cuny.edu/cc_etds_theses/714

Chicago Manual of Style (16th Edition):

Rappa, Sara. “A Narrative of Resilience: Margaret Morton's Photographs of Homelessness in New York City.” 2018. Masters Thesis, City University of New York. Accessed June 04, 2020. https://academicworks.cuny.edu/cc_etds_theses/714.

MLA Handbook (7th Edition):

Rappa, Sara. “A Narrative of Resilience: Margaret Morton's Photographs of Homelessness in New York City.” 2018. Web. 04 Jun 2020.

Vancouver:

Rappa S. A Narrative of Resilience: Margaret Morton's Photographs of Homelessness in New York City. [Internet] [Masters thesis]. City University of New York; 2018. [cited 2020 Jun 04]. Available from: https://academicworks.cuny.edu/cc_etds_theses/714.

Council of Science Editors:

Rappa S. A Narrative of Resilience: Margaret Morton's Photographs of Homelessness in New York City. [Masters Thesis]. City University of New York; 2018. Available from: https://academicworks.cuny.edu/cc_etds_theses/714


Massey University

21. Tapsell-Kururangi, James. The art of living, retro-gradient jives : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .

Degree: 2018, Massey University

 Is there an art to living? To make meaning of the sober experience, the shortcomings of my present life. These works, albeit tell of the… (more)

Subjects/Keywords: Photography; Documentary photography; Zines; New Zealand; Emotions in art; Grief in art; Tango whakaahua; Aronganui; Pōuri; Whanaungatanga; Tūrangawaewae

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APA (6th Edition):

Tapsell-Kururangi, J. (2018). The art of living, retro-gradient jives : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/15035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tapsell-Kururangi, James. “The art of living, retro-gradient jives : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2018. Thesis, Massey University. Accessed June 04, 2020. http://hdl.handle.net/10179/15035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tapsell-Kururangi, James. “The art of living, retro-gradient jives : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2018. Web. 04 Jun 2020.

Vancouver:

Tapsell-Kururangi J. The art of living, retro-gradient jives : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2018. [cited 2020 Jun 04]. Available from: http://hdl.handle.net/10179/15035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tapsell-Kururangi J. The art of living, retro-gradient jives : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2018. Available from: http://hdl.handle.net/10179/15035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

22. Mustard, Maggie Joe. Atlas Novus: Kawada Kikuji's Chizu (The Map) and Postwar Japanese Photography.

Degree: 2018, Columbia University

 This dissertation explores a vital moment in the history of Japanese photography through a sustained monographic analysis of Kawada Kikuji’s 1965 photobook Chizu (The Map).… (more)

Subjects/Keywords: Art; Art, Japanese; Photography; Palimpsests; Documentary photography; War photography; Kawada, Kikuji, 1933-

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APA (6th Edition):

Mustard, M. J. (2018). Atlas Novus: Kawada Kikuji's Chizu (The Map) and Postwar Japanese Photography. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8CG16M6

Chicago Manual of Style (16th Edition):

Mustard, Maggie Joe. “Atlas Novus: Kawada Kikuji's Chizu (The Map) and Postwar Japanese Photography.” 2018. Doctoral Dissertation, Columbia University. Accessed June 04, 2020. https://doi.org/10.7916/D8CG16M6.

MLA Handbook (7th Edition):

Mustard, Maggie Joe. “Atlas Novus: Kawada Kikuji's Chizu (The Map) and Postwar Japanese Photography.” 2018. Web. 04 Jun 2020.

Vancouver:

Mustard MJ. Atlas Novus: Kawada Kikuji's Chizu (The Map) and Postwar Japanese Photography. [Internet] [Doctoral dissertation]. Columbia University; 2018. [cited 2020 Jun 04]. Available from: https://doi.org/10.7916/D8CG16M6.

Council of Science Editors:

Mustard MJ. Atlas Novus: Kawada Kikuji's Chizu (The Map) and Postwar Japanese Photography. [Doctoral Dissertation]. Columbia University; 2018. Available from: https://doi.org/10.7916/D8CG16M6


University of California – Berkeley

23. Young, Benjamin James. Sympathetic Materialism: Allan Sekula’s Photo-Works, 1971–2000.

Degree: Rhetoric, 2018, University of California – Berkeley

 This monographic dissertation analyzes the photography-based artwork of Allan Sekula (1951–2013) by focusing on the contested status of the human figure in his works made… (more)

Subjects/Keywords: Art history; American history; Labor relations; Conceptual art; Documentary; Globalization; Photography; Politics; Portraiture

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APA (6th Edition):

Young, B. J. (2018). Sympathetic Materialism: Allan Sekula’s Photo-Works, 1971–2000. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/8fx7j2mw

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Young, Benjamin James. “Sympathetic Materialism: Allan Sekula’s Photo-Works, 1971–2000.” 2018. Thesis, University of California – Berkeley. Accessed June 04, 2020. http://www.escholarship.org/uc/item/8fx7j2mw.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Young, Benjamin James. “Sympathetic Materialism: Allan Sekula’s Photo-Works, 1971–2000.” 2018. Web. 04 Jun 2020.

Vancouver:

Young BJ. Sympathetic Materialism: Allan Sekula’s Photo-Works, 1971–2000. [Internet] [Thesis]. University of California – Berkeley; 2018. [cited 2020 Jun 04]. Available from: http://www.escholarship.org/uc/item/8fx7j2mw.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Young BJ. Sympathetic Materialism: Allan Sekula’s Photo-Works, 1971–2000. [Thesis]. University of California – Berkeley; 2018. Available from: http://www.escholarship.org/uc/item/8fx7j2mw

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

24. Stolz, Nathan. Poetic narrative: new visions of documentary photography.

Degree: 2018, University of Melbourne

 The research focuses on narratological possibilities in the so-called photographic series within documentary photography. Instead of causal, plot-based links, it considers other interrelations between images,… (more)

Subjects/Keywords: photography; series; photographic series; narrative; storytelling; documentary photography; lyricism; lyrical documentary series; poetic logic; poetry; national identity; Australia; serial; meaning

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APA (6th Edition):

Stolz, N. (2018). Poetic narrative: new visions of documentary photography. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/224367

Chicago Manual of Style (16th Edition):

Stolz, Nathan. “Poetic narrative: new visions of documentary photography.” 2018. Masters Thesis, University of Melbourne. Accessed June 04, 2020. http://hdl.handle.net/11343/224367.

MLA Handbook (7th Edition):

Stolz, Nathan. “Poetic narrative: new visions of documentary photography.” 2018. Web. 04 Jun 2020.

Vancouver:

Stolz N. Poetic narrative: new visions of documentary photography. [Internet] [Masters thesis]. University of Melbourne; 2018. [cited 2020 Jun 04]. Available from: http://hdl.handle.net/11343/224367.

Council of Science Editors:

Stolz N. Poetic narrative: new visions of documentary photography. [Masters Thesis]. University of Melbourne; 2018. Available from: http://hdl.handle.net/11343/224367


Universidade do Rio Grande do Sul

25. Rocha Filho, Marco Antonio Santos da. Cimo da Serra : uma narrativa fotográfica da paisagem.

Degree: 2017, Universidade do Rio Grande do Sul

Cimo da Serra é uma pesquisa poética em artes visuais que parte da concepção de uma narrativa fotográfica sobre o vilarejo de Tainhas, localizado na… (more)

Subjects/Keywords: Fotografia; Place; Documentary aesthetics; Livro fotográfico; Photobook; Narrativa fotográfica; Photography; Paisagem; Tainhas (São Francisco de Paula, RS); Landscape

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APA (6th Edition):

Rocha Filho, M. A. S. d. (2017). Cimo da Serra : uma narrativa fotográfica da paisagem. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/171426

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rocha Filho, Marco Antonio Santos da. “Cimo da Serra : uma narrativa fotográfica da paisagem.” 2017. Thesis, Universidade do Rio Grande do Sul. Accessed June 04, 2020. http://hdl.handle.net/10183/171426.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rocha Filho, Marco Antonio Santos da. “Cimo da Serra : uma narrativa fotográfica da paisagem.” 2017. Web. 04 Jun 2020.

Vancouver:

Rocha Filho MASd. Cimo da Serra : uma narrativa fotográfica da paisagem. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2017. [cited 2020 Jun 04]. Available from: http://hdl.handle.net/10183/171426.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rocha Filho MASd. Cimo da Serra : uma narrativa fotográfica da paisagem. [Thesis]. Universidade do Rio Grande do Sul; 2017. Available from: http://hdl.handle.net/10183/171426

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Mexico

26. Stein, Emma Brooke Lehrer. Porous Time and Space in Contemporary Photography: How Social Constructions of Space and Reenactment Produce Alternative Histories.

Degree: UNM Department of Art and Art History, 2017, University of New Mexico

  This dissertation examines how the photograph can exceed the long-rooted debate around medium specific notions of photographic truth, since all realisms are historical and… (more)

Subjects/Keywords: photography; documentary; reenactment; Boris Mikhailov; David Schalliol; Chicago; History of Art, Architecture, and Archaeology

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APA (6th Edition):

Stein, E. B. L. (2017). Porous Time and Space in Contemporary Photography: How Social Constructions of Space and Reenactment Produce Alternative Histories. (Doctoral Dissertation). University of New Mexico. Retrieved from https://digitalrepository.unm.edu/arth_etds/69

Chicago Manual of Style (16th Edition):

Stein, Emma Brooke Lehrer. “Porous Time and Space in Contemporary Photography: How Social Constructions of Space and Reenactment Produce Alternative Histories.” 2017. Doctoral Dissertation, University of New Mexico. Accessed June 04, 2020. https://digitalrepository.unm.edu/arth_etds/69.

MLA Handbook (7th Edition):

Stein, Emma Brooke Lehrer. “Porous Time and Space in Contemporary Photography: How Social Constructions of Space and Reenactment Produce Alternative Histories.” 2017. Web. 04 Jun 2020.

Vancouver:

Stein EBL. Porous Time and Space in Contemporary Photography: How Social Constructions of Space and Reenactment Produce Alternative Histories. [Internet] [Doctoral dissertation]. University of New Mexico; 2017. [cited 2020 Jun 04]. Available from: https://digitalrepository.unm.edu/arth_etds/69.

Council of Science Editors:

Stein EBL. Porous Time and Space in Contemporary Photography: How Social Constructions of Space and Reenactment Produce Alternative Histories. [Doctoral Dissertation]. University of New Mexico; 2017. Available from: https://digitalrepository.unm.edu/arth_etds/69


Leiden University

27. Romero Magallanes, Lys Citlalli. CHALLENGING EXPECTATIONS TOWARDS PHOTOGRAPHIC GENRES.

Degree: 2017, Leiden University

 Humans of New York (HONY) is the result of technological changes such as camera phones and social media that so strongly has influenced the way… (more)

Subjects/Keywords: Humans of New York; digital photography; social media; Facebook; Brandon Stanton; amateur photography; documentary photography; dehumanizing technology; modern iconoclasm; tradition of the victim

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APA (6th Edition):

Romero Magallanes, L. C. (2017). CHALLENGING EXPECTATIONS TOWARDS PHOTOGRAPHIC GENRES. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/52574

Chicago Manual of Style (16th Edition):

Romero Magallanes, Lys Citlalli. “CHALLENGING EXPECTATIONS TOWARDS PHOTOGRAPHIC GENRES.” 2017. Masters Thesis, Leiden University. Accessed June 04, 2020. http://hdl.handle.net/1887/52574.

MLA Handbook (7th Edition):

Romero Magallanes, Lys Citlalli. “CHALLENGING EXPECTATIONS TOWARDS PHOTOGRAPHIC GENRES.” 2017. Web. 04 Jun 2020.

Vancouver:

Romero Magallanes LC. CHALLENGING EXPECTATIONS TOWARDS PHOTOGRAPHIC GENRES. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2020 Jun 04]. Available from: http://hdl.handle.net/1887/52574.

Council of Science Editors:

Romero Magallanes LC. CHALLENGING EXPECTATIONS TOWARDS PHOTOGRAPHIC GENRES. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/52574

28. Husain, Aeyliya Fatima. Shooting War.

Degree: MFA - Master of Fine Arts, Film And Video, 2017, York University

 "Shooting War" is a 20-minute documentary that portrays the Iraq war through three photographs captured from the point-of-view of photographer Franco Pagetti, as he explores… (more)

Subjects/Keywords: Political Science; War photography; Film; Documentary; Iraq; Franco Pagetti

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APA (6th Edition):

Husain, A. F. (2017). Shooting War. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/33398

Chicago Manual of Style (16th Edition):

Husain, Aeyliya Fatima. “Shooting War.” 2017. Masters Thesis, York University. Accessed June 04, 2020. http://hdl.handle.net/10315/33398.

MLA Handbook (7th Edition):

Husain, Aeyliya Fatima. “Shooting War.” 2017. Web. 04 Jun 2020.

Vancouver:

Husain AF. Shooting War. [Internet] [Masters thesis]. York University; 2017. [cited 2020 Jun 04]. Available from: http://hdl.handle.net/10315/33398.

Council of Science Editors:

Husain AF. Shooting War. [Masters Thesis]. York University; 2017. Available from: http://hdl.handle.net/10315/33398


University of Queensland

29. Brown, Isaac Douglas. AWOL at Vung Tau Beach: photography as epistolic dialogue.

Degree: School of Communication and Arts, 2017, University of Queensland

Subjects/Keywords: Photography; Documentary photography; Photo media; Patriography; Father son relationship; Ethical philosophy; Autobiography; Postmemory; Visual communication; 1905 Visual Arts and Crafts; 190503 Lens-based Practice

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APA (6th Edition):

Brown, I. D. (2017). AWOL at Vung Tau Beach: photography as epistolic dialogue. (Thesis). University of Queensland. Retrieved from http://espace.library.uq.edu.au/view/UQ:652745

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brown, Isaac Douglas. “AWOL at Vung Tau Beach: photography as epistolic dialogue.” 2017. Thesis, University of Queensland. Accessed June 04, 2020. http://espace.library.uq.edu.au/view/UQ:652745.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brown, Isaac Douglas. “AWOL at Vung Tau Beach: photography as epistolic dialogue.” 2017. Web. 04 Jun 2020.

Vancouver:

Brown ID. AWOL at Vung Tau Beach: photography as epistolic dialogue. [Internet] [Thesis]. University of Queensland; 2017. [cited 2020 Jun 04]. Available from: http://espace.library.uq.edu.au/view/UQ:652745.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown ID. AWOL at Vung Tau Beach: photography as epistolic dialogue. [Thesis]. University of Queensland; 2017. Available from: http://espace.library.uq.edu.au/view/UQ:652745

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Opal, Jack A. Documentary Photography and the Edge of the Sword.

Degree: MA, Art History (Fine Arts), 2017, Ohio University

 This thesis attempts to answer questions and concerns of Martha Rosler and Allan Sekula regarding documentary photography. Rosler wondered – decades ago, now – if… (more)

Subjects/Keywords: Art History; documentary photography; resistance; cell phone photography; drones; copwatching

photography, “In, around, and afterthoughts (on documentary photography),” originally… …and afterthoughts (on documentary photography),” in Decoys and Disruptions… …histories of photography have been written thus far with little more than passing reference to… …discretion concerning the dirty work of modernization, especially when the status of photography as… …a fine art is at stake.”2 I do not wish to speak of photography as a fine art. Roland… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Opal, J. A. (2017). Documentary Photography and the Edge of the Sword. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1492608162938188

Chicago Manual of Style (16th Edition):

Opal, Jack A. “Documentary Photography and the Edge of the Sword.” 2017. Masters Thesis, Ohio University. Accessed June 04, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1492608162938188.

MLA Handbook (7th Edition):

Opal, Jack A. “Documentary Photography and the Edge of the Sword.” 2017. Web. 04 Jun 2020.

Vancouver:

Opal JA. Documentary Photography and the Edge of the Sword. [Internet] [Masters thesis]. Ohio University; 2017. [cited 2020 Jun 04]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1492608162938188.

Council of Science Editors:

Opal JA. Documentary Photography and the Edge of the Sword. [Masters Thesis]. Ohio University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1492608162938188

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