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You searched for subject:(digital music). Showing records 1 – 30 of 309 total matches.

[1] [2] [3] [4] [5] … [11]

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Universiteit Utrecht

1. Slager, R. Streaming into the future: The value of music in the digital age.

Degree: 2016, Universiteit Utrecht

 In March 2015, a new version of music streaming service Tidal was introduced during a press launch. The service promised a higher audio quality, exclusive… (more)

Subjects/Keywords: music value; digital music; music streaming services; Spotify; digital materiality

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Slager, R. (2016). Streaming into the future: The value of music in the digital age. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/338317

Chicago Manual of Style (16th Edition):

Slager, R. “Streaming into the future: The value of music in the digital age.” 2016. Masters Thesis, Universiteit Utrecht. Accessed July 11, 2020. http://dspace.library.uu.nl:8080/handle/1874/338317.

MLA Handbook (7th Edition):

Slager, R. “Streaming into the future: The value of music in the digital age.” 2016. Web. 11 Jul 2020.

Vancouver:

Slager R. Streaming into the future: The value of music in the digital age. [Internet] [Masters thesis]. Universiteit Utrecht; 2016. [cited 2020 Jul 11]. Available from: http://dspace.library.uu.nl:8080/handle/1874/338317.

Council of Science Editors:

Slager R. Streaming into the future: The value of music in the digital age. [Masters Thesis]. Universiteit Utrecht; 2016. Available from: http://dspace.library.uu.nl:8080/handle/1874/338317


Southern Cross University

2. Murphy, Shane. Independent music marketing in the digital age: an examination of the decision making process and key issues facing an independent singer-songwriter producing and marketing an album (LP) in the digital age.

Degree: 2015, Southern Cross University

 It has been widely documented that the global music recording industries have been undergoing major structural transformations since the arrival of music piracy and digital(more)

Subjects/Keywords: Independent music marketing digital

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APA (6th Edition):

Murphy, S. (2015). Independent music marketing in the digital age: an examination of the decision making process and key issues facing an independent singer-songwriter producing and marketing an album (LP) in the digital age. (Thesis). Southern Cross University. Retrieved from https://epubs.scu.edu.au/theses/460

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Murphy, Shane. “Independent music marketing in the digital age: an examination of the decision making process and key issues facing an independent singer-songwriter producing and marketing an album (LP) in the digital age.” 2015. Thesis, Southern Cross University. Accessed July 11, 2020. https://epubs.scu.edu.au/theses/460.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Murphy, Shane. “Independent music marketing in the digital age: an examination of the decision making process and key issues facing an independent singer-songwriter producing and marketing an album (LP) in the digital age.” 2015. Web. 11 Jul 2020.

Vancouver:

Murphy S. Independent music marketing in the digital age: an examination of the decision making process and key issues facing an independent singer-songwriter producing and marketing an album (LP) in the digital age. [Internet] [Thesis]. Southern Cross University; 2015. [cited 2020 Jul 11]. Available from: https://epubs.scu.edu.au/theses/460.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murphy S. Independent music marketing in the digital age: an examination of the decision making process and key issues facing an independent singer-songwriter producing and marketing an album (LP) in the digital age. [Thesis]. Southern Cross University; 2015. Available from: https://epubs.scu.edu.au/theses/460

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hawaii – Manoa

3. French, Jeremiah Sundance. The virtual-musical other : creating unique worlds through musical sound in videogames.

Degree: 2015, University of Hawaii – Manoa

M.A. University of Hawaii at Manoa 2014.

The post-apocalypse is a narrative context that focuses on the destruction and rebirth of civilization, society, and culture.… (more)

Subjects/Keywords: post-apocalypse; digital music

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APA (6th Edition):

French, J. S. (2015). The virtual-musical other : creating unique worlds through musical sound in videogames. (Thesis). University of Hawaii – Manoa. Retrieved from http://hdl.handle.net/10125/100315

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

French, Jeremiah Sundance. “The virtual-musical other : creating unique worlds through musical sound in videogames.” 2015. Thesis, University of Hawaii – Manoa. Accessed July 11, 2020. http://hdl.handle.net/10125/100315.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

French, Jeremiah Sundance. “The virtual-musical other : creating unique worlds through musical sound in videogames.” 2015. Web. 11 Jul 2020.

Vancouver:

French JS. The virtual-musical other : creating unique worlds through musical sound in videogames. [Internet] [Thesis]. University of Hawaii – Manoa; 2015. [cited 2020 Jul 11]. Available from: http://hdl.handle.net/10125/100315.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

French JS. The virtual-musical other : creating unique worlds through musical sound in videogames. [Thesis]. University of Hawaii – Manoa; 2015. Available from: http://hdl.handle.net/10125/100315

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Darlington, Bruce. Music in the spaces of the 21st century.

Degree: PhD, 2016, University of Chester

Exploration of the changes modern digital technology has had on the act of engaging with music in the early 21st century.

Subjects/Keywords: 780.9; Music; Digital technology

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APA (6th Edition):

Darlington, B. (2016). Music in the spaces of the 21st century. (Doctoral Dissertation). University of Chester. Retrieved from http://hdl.handle.net/10034/620326

Chicago Manual of Style (16th Edition):

Darlington, Bruce. “Music in the spaces of the 21st century.” 2016. Doctoral Dissertation, University of Chester. Accessed July 11, 2020. http://hdl.handle.net/10034/620326.

MLA Handbook (7th Edition):

Darlington, Bruce. “Music in the spaces of the 21st century.” 2016. Web. 11 Jul 2020.

Vancouver:

Darlington B. Music in the spaces of the 21st century. [Internet] [Doctoral dissertation]. University of Chester; 2016. [cited 2020 Jul 11]. Available from: http://hdl.handle.net/10034/620326.

Council of Science Editors:

Darlington B. Music in the spaces of the 21st century. [Doctoral Dissertation]. University of Chester; 2016. Available from: http://hdl.handle.net/10034/620326


University of Ghana

5. Akakpo, P.K. Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana .

Degree: 2019, University of Ghana

 The purpose of this study is to explore how the use of digital technology has impacted value creation in the music industry with focus on… (more)

Subjects/Keywords: Ghana Music Industry; Digitization; Music; Digital Technology

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APA (6th Edition):

Akakpo, P. K. (2019). Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana . (Masters Thesis). University of Ghana. Retrieved from http://ugspace.ug.edu.gh/handle/123456789/33462

Chicago Manual of Style (16th Edition):

Akakpo, P K. “Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana .” 2019. Masters Thesis, University of Ghana. Accessed July 11, 2020. http://ugspace.ug.edu.gh/handle/123456789/33462.

MLA Handbook (7th Edition):

Akakpo, P K. “Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana .” 2019. Web. 11 Jul 2020.

Vancouver:

Akakpo PK. Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana . [Internet] [Masters thesis]. University of Ghana; 2019. [cited 2020 Jul 11]. Available from: http://ugspace.ug.edu.gh/handle/123456789/33462.

Council of Science Editors:

Akakpo PK. Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana . [Masters Thesis]. University of Ghana; 2019. Available from: http://ugspace.ug.edu.gh/handle/123456789/33462


University of Southern California

6. Banner, Nicole Jeanelle. Pop music production.

Degree: MA, Journalism (Broadcast Journalism), 2012, University of Southern California

 The use of live instrument recordings in modern day studios is becoming an archaic form of pop music production. With the advancement of digital technology,… (more)

Subjects/Keywords: music; digital technology; music production; musicians; music industry; music studio; music engineer; music producer

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Banner, N. J. (2012). Pop music production. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5109

Chicago Manual of Style (16th Edition):

Banner, Nicole Jeanelle. “Pop music production.” 2012. Masters Thesis, University of Southern California. Accessed July 11, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5109.

MLA Handbook (7th Edition):

Banner, Nicole Jeanelle. “Pop music production.” 2012. Web. 11 Jul 2020.

Vancouver:

Banner NJ. Pop music production. [Internet] [Masters thesis]. University of Southern California; 2012. [cited 2020 Jul 11]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5109.

Council of Science Editors:

Banner NJ. Pop music production. [Masters Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5109

7. Morais, Vera Sousa. A estratégia na venda de música digital: caso Vodafone Music Service.

Degree: 2011, RCAAP

M10, M16, M31

O adverso quadro macroeconómico em que a generalidade das empresas portuguesas operam, explica largamente a contracção do mercado português de telecomunicações e… (more)

Subjects/Keywords: Estratégia; Música digital; Vodafone; Vodafone Music Service; Strategy; Digital Music

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APA (6th Edition):

Morais, V. S. (2011). A estratégia na venda de música digital: caso Vodafone Music Service. (Thesis). RCAAP. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/4700

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morais, Vera Sousa. “A estratégia na venda de música digital: caso Vodafone Music Service.” 2011. Thesis, RCAAP. Accessed July 11, 2020. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/4700.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morais, Vera Sousa. “A estratégia na venda de música digital: caso Vodafone Music Service.” 2011. Web. 11 Jul 2020.

Vancouver:

Morais VS. A estratégia na venda de música digital: caso Vodafone Music Service. [Internet] [Thesis]. RCAAP; 2011. [cited 2020 Jul 11]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/4700.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morais VS. A estratégia na venda de música digital: caso Vodafone Music Service. [Thesis]. RCAAP; 2011. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/4700

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

8. Rando, Thomas. How do Digital Audio Workstations influence the way musicians make and record music?.

Degree: 2019, University of Melbourne

Digital technology in music is evolving at an accelerating pace. Musicians are increasingly relying on software instruments and digital audio workstations (DAWs) to create popular… (more)

Subjects/Keywords: digital music making; digital technology; creating, performing and recording music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rando, T. (2019). How do Digital Audio Workstations influence the way musicians make and record music?. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/224192

Chicago Manual of Style (16th Edition):

Rando, Thomas. “How do Digital Audio Workstations influence the way musicians make and record music?.” 2019. Masters Thesis, University of Melbourne. Accessed July 11, 2020. http://hdl.handle.net/11343/224192.

MLA Handbook (7th Edition):

Rando, Thomas. “How do Digital Audio Workstations influence the way musicians make and record music?.” 2019. Web. 11 Jul 2020.

Vancouver:

Rando T. How do Digital Audio Workstations influence the way musicians make and record music?. [Internet] [Masters thesis]. University of Melbourne; 2019. [cited 2020 Jul 11]. Available from: http://hdl.handle.net/11343/224192.

Council of Science Editors:

Rando T. How do Digital Audio Workstations influence the way musicians make and record music?. [Masters Thesis]. University of Melbourne; 2019. Available from: http://hdl.handle.net/11343/224192


NSYSU

9. Lin, Tai-wei. Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan.

Degree: Master, Business Management, 2016, NSYSU

 Recently, due to the phenomenon of digitization on popular music industry, the sales of the record decline severely. Besides, the digital music market also faces… (more)

Subjects/Keywords: Record store; Digital music; Music corporation; Popular music industry; Artist

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APA (6th Edition):

Lin, T. (2016). Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lin, Tai-wei. “Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan.” 2016. Thesis, NSYSU. Accessed July 11, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lin, Tai-wei. “Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan.” 2016. Web. 11 Jul 2020.

Vancouver:

Lin T. Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan. [Internet] [Thesis]. NSYSU; 2016. [cited 2020 Jul 11]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lin T. Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan. [Thesis]. NSYSU; 2016. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

10. French, Kory. The Subway Sessions: How technology is changing the way we interact with music in public space and reshaping sociomusical theory.

Degree: 2011, Columbia University

 For the millions of Americans who use it, the iPod has changed the way we ‘receive’ music. I place an emphasis on receive because it… (more)

Subjects/Keywords: Music; Music – Social aspects; iPod (Digital music player)

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APA (6th Edition):

French, K. (2011). The Subway Sessions: How technology is changing the way we interact with music in public space and reshaping sociomusical theory. (Masters Thesis). Columbia University. Retrieved from https://doi.org/10.7916/D8B56RP6

Chicago Manual of Style (16th Edition):

French, Kory. “The Subway Sessions: How technology is changing the way we interact with music in public space and reshaping sociomusical theory.” 2011. Masters Thesis, Columbia University. Accessed July 11, 2020. https://doi.org/10.7916/D8B56RP6.

MLA Handbook (7th Edition):

French, Kory. “The Subway Sessions: How technology is changing the way we interact with music in public space and reshaping sociomusical theory.” 2011. Web. 11 Jul 2020.

Vancouver:

French K. The Subway Sessions: How technology is changing the way we interact with music in public space and reshaping sociomusical theory. [Internet] [Masters thesis]. Columbia University; 2011. [cited 2020 Jul 11]. Available from: https://doi.org/10.7916/D8B56RP6.

Council of Science Editors:

French K. The Subway Sessions: How technology is changing the way we interact with music in public space and reshaping sociomusical theory. [Masters Thesis]. Columbia University; 2011. Available from: https://doi.org/10.7916/D8B56RP6


University of California – Berkeley

11. Cloutier, Eleanor. Repetitive Novelty: Italian Opera in Paris and London in the 1830s and 1840s.

Degree: Music, 2016, University of California – Berkeley

 My dissertation connects music, politics, and society by focusing on the cultural life of the Théâtre Italien in Paris and the King’s Theatre in London.… (more)

Subjects/Keywords: Music; Digital Humanities; London; Opera; Paris; Reception

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APA (6th Edition):

Cloutier, E. (2016). Repetitive Novelty: Italian Opera in Paris and London in the 1830s and 1840s. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/2521w43c

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cloutier, Eleanor. “Repetitive Novelty: Italian Opera in Paris and London in the 1830s and 1840s.” 2016. Thesis, University of California – Berkeley. Accessed July 11, 2020. http://www.escholarship.org/uc/item/2521w43c.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cloutier, Eleanor. “Repetitive Novelty: Italian Opera in Paris and London in the 1830s and 1840s.” 2016. Web. 11 Jul 2020.

Vancouver:

Cloutier E. Repetitive Novelty: Italian Opera in Paris and London in the 1830s and 1840s. [Internet] [Thesis]. University of California – Berkeley; 2016. [cited 2020 Jul 11]. Available from: http://www.escholarship.org/uc/item/2521w43c.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cloutier E. Repetitive Novelty: Italian Opera in Paris and London in the 1830s and 1840s. [Thesis]. University of California – Berkeley; 2016. Available from: http://www.escholarship.org/uc/item/2521w43c

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Nova

12. Monteiro, Luís Carlos Caçador. Internationalization plan of Nmusic to India.

Degree: 2013, Universidade Nova

A Work Project, presented as part of the requirements for the Award of a Masters Degree in Management from the NOVA – School of Business and Economics Advisors/Committee Members: Soeiro, Filipe Castro.

Subjects/Keywords: Digital Music; Implementation Plan; India; Partnership

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APA (6th Edition):

Monteiro, L. C. C. (2013). Internationalization plan of Nmusic to India. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/11617

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Monteiro, Luís Carlos Caçador. “Internationalization plan of Nmusic to India.” 2013. Thesis, Universidade Nova. Accessed July 11, 2020. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/11617.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Monteiro, Luís Carlos Caçador. “Internationalization plan of Nmusic to India.” 2013. Web. 11 Jul 2020.

Vancouver:

Monteiro LCC. Internationalization plan of Nmusic to India. [Internet] [Thesis]. Universidade Nova; 2013. [cited 2020 Jul 11]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/11617.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Monteiro LCC. Internationalization plan of Nmusic to India. [Thesis]. Universidade Nova; 2013. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/11617

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

13. Lantigua, Frank R. Music Consumption in the Dominican Republic: Technological Changes, Uses, and Gratifications.

Degree: MS, School of Communication (CLA), 2019, Rochester Institute of Technology

Music consumption has been transformed by technological changes during the last three decades; the introduction of streaming technologies and the expansion of the global… (more)

Subjects/Keywords: Consumption; Digital streaming; Gratifications; Music; Uses

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APA (6th Edition):

Lantigua, F. R. (2019). Music Consumption in the Dominican Republic: Technological Changes, Uses, and Gratifications. (Masters Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/10079

Chicago Manual of Style (16th Edition):

Lantigua, Frank R. “Music Consumption in the Dominican Republic: Technological Changes, Uses, and Gratifications.” 2019. Masters Thesis, Rochester Institute of Technology. Accessed July 11, 2020. https://scholarworks.rit.edu/theses/10079.

MLA Handbook (7th Edition):

Lantigua, Frank R. “Music Consumption in the Dominican Republic: Technological Changes, Uses, and Gratifications.” 2019. Web. 11 Jul 2020.

Vancouver:

Lantigua FR. Music Consumption in the Dominican Republic: Technological Changes, Uses, and Gratifications. [Internet] [Masters thesis]. Rochester Institute of Technology; 2019. [cited 2020 Jul 11]. Available from: https://scholarworks.rit.edu/theses/10079.

Council of Science Editors:

Lantigua FR. Music Consumption in the Dominican Republic: Technological Changes, Uses, and Gratifications. [Masters Thesis]. Rochester Institute of Technology; 2019. Available from: https://scholarworks.rit.edu/theses/10079


Rochester Institute of Technology

14. Messmer, Alisha. Band space: Promoting local musicians on the web.

Degree: School of Design (CIAS), 2011, Rochester Institute of Technology

 Local Rochester Musicians start off with limited resources to promote their music. One option would be to upload their music for free onto a website.… (more)

Subjects/Keywords: Design; Digital; Graphics; Music; Video; Web

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Messmer, A. (2011). Band space: Promoting local musicians on the web. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/6101

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Messmer, Alisha. “Band space: Promoting local musicians on the web.” 2011. Thesis, Rochester Institute of Technology. Accessed July 11, 2020. https://scholarworks.rit.edu/theses/6101.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Messmer, Alisha. “Band space: Promoting local musicians on the web.” 2011. Web. 11 Jul 2020.

Vancouver:

Messmer A. Band space: Promoting local musicians on the web. [Internet] [Thesis]. Rochester Institute of Technology; 2011. [cited 2020 Jul 11]. Available from: https://scholarworks.rit.edu/theses/6101.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Messmer A. Band space: Promoting local musicians on the web. [Thesis]. Rochester Institute of Technology; 2011. Available from: https://scholarworks.rit.edu/theses/6101

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Delft University of Technology

15. van den Broek, Floris (author). A seismic-inspired denoising method for online recorded music.

Degree: 2017, Delft University of Technology

In this work, a novel subspace-based algorithm is presented for automated random noise reduction in online recorded music. Musical signal enhancement is a separate issue… (more)

Subjects/Keywords: Noise; Audio; Music; Algorithm; Digital signal processing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

van den Broek, F. (. (2017). A seismic-inspired denoising method for online recorded music. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:7aebe70c-b2aa-484e-850c-937892414650

Chicago Manual of Style (16th Edition):

van den Broek, Floris (author). “A seismic-inspired denoising method for online recorded music.” 2017. Masters Thesis, Delft University of Technology. Accessed July 11, 2020. http://resolver.tudelft.nl/uuid:7aebe70c-b2aa-484e-850c-937892414650.

MLA Handbook (7th Edition):

van den Broek, Floris (author). “A seismic-inspired denoising method for online recorded music.” 2017. Web. 11 Jul 2020.

Vancouver:

van den Broek F(. A seismic-inspired denoising method for online recorded music. [Internet] [Masters thesis]. Delft University of Technology; 2017. [cited 2020 Jul 11]. Available from: http://resolver.tudelft.nl/uuid:7aebe70c-b2aa-484e-850c-937892414650.

Council of Science Editors:

van den Broek F(. A seismic-inspired denoising method for online recorded music. [Masters Thesis]. Delft University of Technology; 2017. Available from: http://resolver.tudelft.nl/uuid:7aebe70c-b2aa-484e-850c-937892414650


University of KwaZulu-Natal

16. Ramnandan, Praveena. Digital supply chain distribution of music in the South Africa recording industry : Durban region.

Degree: 2015, University of KwaZulu-Natal

 The advent of the Internet as a music distribution channel led to significant transformation of the South African music industry at the end of the… (more)

Subjects/Keywords: Theses - Management Studies.; Digital music distribution.; Digital distribution.; Electronic distribution.; Disintermediation.; Music distribution.; Supply chain.

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APA (6th Edition):

Ramnandan, P. (2015). Digital supply chain distribution of music in the South Africa recording industry : Durban region. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/15318

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ramnandan, Praveena. “Digital supply chain distribution of music in the South Africa recording industry : Durban region.” 2015. Thesis, University of KwaZulu-Natal. Accessed July 11, 2020. http://hdl.handle.net/10413/15318.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ramnandan, Praveena. “Digital supply chain distribution of music in the South Africa recording industry : Durban region.” 2015. Web. 11 Jul 2020.

Vancouver:

Ramnandan P. Digital supply chain distribution of music in the South Africa recording industry : Durban region. [Internet] [Thesis]. University of KwaZulu-Natal; 2015. [cited 2020 Jul 11]. Available from: http://hdl.handle.net/10413/15318.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ramnandan P. Digital supply chain distribution of music in the South Africa recording industry : Durban region. [Thesis]. University of KwaZulu-Natal; 2015. Available from: http://hdl.handle.net/10413/15318

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Oliveira, Joaquim Paulo da Cruz. O Processo de internacionalização da música portuguesa: contexto histórico, desafios atuais e futuro.

Degree: 2014, Instituto Politécnico do Porto

Dissertação de Mestrado apresentada ao Instituto de Contabilidade e Administração do Porto para a obtenção do grau de Mestre em Empreendedorismo e Internacionalização, sob orientação… (more)

Subjects/Keywords: Música portuguesa; Música digital; Internacionalização; Exportação; Portuguese music; Digital music; Internationalization; Exportation

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APA (6th Edition):

Oliveira, J. P. d. C. (2014). O Processo de internacionalização da música portuguesa: contexto histórico, desafios atuais e futuro. (Thesis). Instituto Politécnico do Porto. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/5065

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oliveira, Joaquim Paulo da Cruz. “O Processo de internacionalização da música portuguesa: contexto histórico, desafios atuais e futuro.” 2014. Thesis, Instituto Politécnico do Porto. Accessed July 11, 2020. http://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/5065.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oliveira, Joaquim Paulo da Cruz. “O Processo de internacionalização da música portuguesa: contexto histórico, desafios atuais e futuro.” 2014. Web. 11 Jul 2020.

Vancouver:

Oliveira JPdC. O Processo de internacionalização da música portuguesa: contexto histórico, desafios atuais e futuro. [Internet] [Thesis]. Instituto Politécnico do Porto; 2014. [cited 2020 Jul 11]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/5065.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oliveira JPdC. O Processo de internacionalização da música portuguesa: contexto histórico, desafios atuais e futuro. [Thesis]. Instituto Politécnico do Porto; 2014. Available from: http://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/5065

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Waikato

18. Laundry, Beverley Alice. Sheet Music Unbound: A fluid approach to sheet music display and annotation on a multi-touch screen .

Degree: 2011, University of Waikato

 In this thesis we present the design and prototype implementation of a Digital Music Stand that focuses on fluid music layout management and free-form digital(more)

Subjects/Keywords: Annotation; Digital Music Stand; Multi-touch; Sheet music; Finger input; Digital Ink; Zoom

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APA (6th Edition):

Laundry, B. A. (2011). Sheet Music Unbound: A fluid approach to sheet music display and annotation on a multi-touch screen . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/5956

Chicago Manual of Style (16th Edition):

Laundry, Beverley Alice. “Sheet Music Unbound: A fluid approach to sheet music display and annotation on a multi-touch screen .” 2011. Masters Thesis, University of Waikato. Accessed July 11, 2020. http://hdl.handle.net/10289/5956.

MLA Handbook (7th Edition):

Laundry, Beverley Alice. “Sheet Music Unbound: A fluid approach to sheet music display and annotation on a multi-touch screen .” 2011. Web. 11 Jul 2020.

Vancouver:

Laundry BA. Sheet Music Unbound: A fluid approach to sheet music display and annotation on a multi-touch screen . [Internet] [Masters thesis]. University of Waikato; 2011. [cited 2020 Jul 11]. Available from: http://hdl.handle.net/10289/5956.

Council of Science Editors:

Laundry BA. Sheet Music Unbound: A fluid approach to sheet music display and annotation on a multi-touch screen . [Masters Thesis]. University of Waikato; 2011. Available from: http://hdl.handle.net/10289/5956


Universidade do Rio Grande do Sul

19. Rosas, Fátima Weber. Competências para o contexto tecnológico-musical : um foco nas tecnologias digitais online para a educação.

Degree: 2013, Universidade do Rio Grande do Sul

Esta dissertação de Mestrado trata das competências para o contexto tecnológicomusical educacional. Seu objetivo principal é mapeá-las para que professores, tutores e alunos músicos ou… (more)

Subjects/Keywords: Competences; Educação musical; Tecnologia digital; Music composition; Digital technology

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APA (6th Edition):

Rosas, F. W. (2013). Competências para o contexto tecnológico-musical : um foco nas tecnologias digitais online para a educação. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/72127

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rosas, Fátima Weber. “Competências para o contexto tecnológico-musical : um foco nas tecnologias digitais online para a educação.” 2013. Thesis, Universidade do Rio Grande do Sul. Accessed July 11, 2020. http://hdl.handle.net/10183/72127.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rosas, Fátima Weber. “Competências para o contexto tecnológico-musical : um foco nas tecnologias digitais online para a educação.” 2013. Web. 11 Jul 2020.

Vancouver:

Rosas FW. Competências para o contexto tecnológico-musical : um foco nas tecnologias digitais online para a educação. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2013. [cited 2020 Jul 11]. Available from: http://hdl.handle.net/10183/72127.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rosas FW. Competências para o contexto tecnológico-musical : um foco nas tecnologias digitais online para a educação. [Thesis]. Universidade do Rio Grande do Sul; 2013. Available from: http://hdl.handle.net/10183/72127

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

20. Hawk, Emily. “Take Those Old Records Off the Shelf” A Uses & Gratifications Study of Different Music Platforms.

Degree: MS, School of Communication (CLA), 2020, Rochester Institute of Technology

  The platforms people use to listen to music have evolved rapidly in the last fifty years. Digital streaming and digital downloads are the most… (more)

Subjects/Keywords: CDs; Digital download; Digital streaming; Music; Uses and gratifications theory; Vinyl

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hawk, E. (2020). “Take Those Old Records Off the Shelf” A Uses & Gratifications Study of Different Music Platforms. (Masters Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/10452

Chicago Manual of Style (16th Edition):

Hawk, Emily. ““Take Those Old Records Off the Shelf” A Uses & Gratifications Study of Different Music Platforms.” 2020. Masters Thesis, Rochester Institute of Technology. Accessed July 11, 2020. https://scholarworks.rit.edu/theses/10452.

MLA Handbook (7th Edition):

Hawk, Emily. ““Take Those Old Records Off the Shelf” A Uses & Gratifications Study of Different Music Platforms.” 2020. Web. 11 Jul 2020.

Vancouver:

Hawk E. “Take Those Old Records Off the Shelf” A Uses & Gratifications Study of Different Music Platforms. [Internet] [Masters thesis]. Rochester Institute of Technology; 2020. [cited 2020 Jul 11]. Available from: https://scholarworks.rit.edu/theses/10452.

Council of Science Editors:

Hawk E. “Take Those Old Records Off the Shelf” A Uses & Gratifications Study of Different Music Platforms. [Masters Thesis]. Rochester Institute of Technology; 2020. Available from: https://scholarworks.rit.edu/theses/10452


University of Saskatchewan

21. Dahl, Kurt. A change is gonna come : the future of copyright and the artist/record label relationship in the Music Industry.

Degree: 2009, University of Saskatchewan

 The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions… (more)

Subjects/Keywords: copyright; music; record labels; downloading; p2p; digital music; law

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APA (6th Edition):

Dahl, K. (2009). A change is gonna come : the future of copyright and the artist/record label relationship in the Music Industry. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-09152009-223322

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dahl, Kurt. “A change is gonna come : the future of copyright and the artist/record label relationship in the Music Industry.” 2009. Thesis, University of Saskatchewan. Accessed July 11, 2020. http://hdl.handle.net/10388/etd-09152009-223322.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dahl, Kurt. “A change is gonna come : the future of copyright and the artist/record label relationship in the Music Industry.” 2009. Web. 11 Jul 2020.

Vancouver:

Dahl K. A change is gonna come : the future of copyright and the artist/record label relationship in the Music Industry. [Internet] [Thesis]. University of Saskatchewan; 2009. [cited 2020 Jul 11]. Available from: http://hdl.handle.net/10388/etd-09152009-223322.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dahl K. A change is gonna come : the future of copyright and the artist/record label relationship in the Music Industry. [Thesis]. University of Saskatchewan; 2009. Available from: http://hdl.handle.net/10388/etd-09152009-223322

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

22. Suhr, Hiesun Cecilia, 1979-. The mutation of cultural values, popularity, and aesthetic tastes in the age of convergence culture: social networking practices of musicians.

Degree: PhD, Communication, Information and Library Studies, 2010, Rutgers University

This dissertation examines cultural production in an age of digital media and convergence. It focuses on how musicians, by exerting immaterial and affective labor, use… (more)

Subjects/Keywords: Mass media and technology; Digital media; Music and technology; Music trade

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APA (6th Edition):

Suhr, Hiesun Cecilia, 1. (2010). The mutation of cultural values, popularity, and aesthetic tastes in the age of convergence culture: social networking practices of musicians. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052270

Chicago Manual of Style (16th Edition):

Suhr, Hiesun Cecilia, 1979-. “The mutation of cultural values, popularity, and aesthetic tastes in the age of convergence culture: social networking practices of musicians.” 2010. Doctoral Dissertation, Rutgers University. Accessed July 11, 2020. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052270.

MLA Handbook (7th Edition):

Suhr, Hiesun Cecilia, 1979-. “The mutation of cultural values, popularity, and aesthetic tastes in the age of convergence culture: social networking practices of musicians.” 2010. Web. 11 Jul 2020.

Vancouver:

Suhr, Hiesun Cecilia 1. The mutation of cultural values, popularity, and aesthetic tastes in the age of convergence culture: social networking practices of musicians. [Internet] [Doctoral dissertation]. Rutgers University; 2010. [cited 2020 Jul 11]. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052270.

Council of Science Editors:

Suhr, Hiesun Cecilia 1. The mutation of cultural values, popularity, and aesthetic tastes in the age of convergence culture: social networking practices of musicians. [Doctoral Dissertation]. Rutgers University; 2010. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052270

23. Martin, Johan. Effekten av virtuell rullbandsdistorsion i musik : Hur upplever lyssnaren digital rullbansemulering?.

Degree: Informatics, 2017, University of Skövde

  Många mjukvarutillverkare gör idag digitala produkter menade att emulera analog hårdvara för musiker och ljudingenjörer. Denna undersökning utgick ifrån frågan om hur lyssnare upplever… (more)

Subjects/Keywords: analogue; digital; tape; music; analogt; digitalt; rullband; musik; Music; Musik

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APA (6th Edition):

Martin, J. (2017). Effekten av virtuell rullbandsdistorsion i musik : Hur upplever lyssnaren digital rullbansemulering?. (Thesis). University of Skövde. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-14062

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Martin, Johan. “Effekten av virtuell rullbandsdistorsion i musik : Hur upplever lyssnaren digital rullbansemulering?.” 2017. Thesis, University of Skövde. Accessed July 11, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-14062.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Martin, Johan. “Effekten av virtuell rullbandsdistorsion i musik : Hur upplever lyssnaren digital rullbansemulering?.” 2017. Web. 11 Jul 2020.

Vancouver:

Martin J. Effekten av virtuell rullbandsdistorsion i musik : Hur upplever lyssnaren digital rullbansemulering?. [Internet] [Thesis]. University of Skövde; 2017. [cited 2020 Jul 11]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-14062.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Martin J. Effekten av virtuell rullbandsdistorsion i musik : Hur upplever lyssnaren digital rullbansemulering?. [Thesis]. University of Skövde; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-14062

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan Technological University

24. Lawrence, Daniel William. ON THE DIGITAL-POLITICAL TOPOGRAPHY OF MUSIC.

Degree: PhD, Department of Humanities, 2014, Michigan Technological University

  The persuasive power of music is often relegated to the dimension of pathos: that which moves us emotionally. Yet, the music commodity is now… (more)

Subjects/Keywords: Ancient Greek Theories of Music; Digital Music Commodity; Musical Rhetoric; Politics of Music; Rhetorical-Musical Persuasion; Rhetoric and Music; Music; Rhetoric

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APA (6th Edition):

Lawrence, D. W. (2014). ON THE DIGITAL-POLITICAL TOPOGRAPHY OF MUSIC. (Doctoral Dissertation). Michigan Technological University. Retrieved from http://digitalcommons.mtu.edu/etds/785

Chicago Manual of Style (16th Edition):

Lawrence, Daniel William. “ON THE DIGITAL-POLITICAL TOPOGRAPHY OF MUSIC.” 2014. Doctoral Dissertation, Michigan Technological University. Accessed July 11, 2020. http://digitalcommons.mtu.edu/etds/785.

MLA Handbook (7th Edition):

Lawrence, Daniel William. “ON THE DIGITAL-POLITICAL TOPOGRAPHY OF MUSIC.” 2014. Web. 11 Jul 2020.

Vancouver:

Lawrence DW. ON THE DIGITAL-POLITICAL TOPOGRAPHY OF MUSIC. [Internet] [Doctoral dissertation]. Michigan Technological University; 2014. [cited 2020 Jul 11]. Available from: http://digitalcommons.mtu.edu/etds/785.

Council of Science Editors:

Lawrence DW. ON THE DIGITAL-POLITICAL TOPOGRAPHY OF MUSIC. [Doctoral Dissertation]. Michigan Technological University; 2014. Available from: http://digitalcommons.mtu.edu/etds/785


University of Washington

25. Paczkowski, Marcin. Deep Decline.

Degree: PhD, 2016, University of Washington

 Deep Decline is a musical piece for chamber ensemble and interactive computer-generated sound that uses custom motion-sensing devices for controlling sound transformations. The work focuses… (more)

Subjects/Keywords: accelerometer; chamber music; computer music; live electronics; motion sensing; Music; digital arts and experimental media

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APA (6th Edition):

Paczkowski, M. (2016). Deep Decline. (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/36983

Chicago Manual of Style (16th Edition):

Paczkowski, Marcin. “Deep Decline.” 2016. Doctoral Dissertation, University of Washington. Accessed July 11, 2020. http://hdl.handle.net/1773/36983.

MLA Handbook (7th Edition):

Paczkowski, Marcin. “Deep Decline.” 2016. Web. 11 Jul 2020.

Vancouver:

Paczkowski M. Deep Decline. [Internet] [Doctoral dissertation]. University of Washington; 2016. [cited 2020 Jul 11]. Available from: http://hdl.handle.net/1773/36983.

Council of Science Editors:

Paczkowski M. Deep Decline. [Doctoral Dissertation]. University of Washington; 2016. Available from: http://hdl.handle.net/1773/36983


Edith Cowan University

26. Terren, Michael. The grain of the digital audio workstation.

Degree: 2019, Edith Cowan University

 This thesis explores the material conditions and practices of the digital audio workstation (DAW), treating them as a subject of musical composition. The DAW is… (more)

Subjects/Keywords: Digital audio workstation; experimental music; electronic music; sound studies; social construction of technology; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Terren, M. (2019). The grain of the digital audio workstation. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/2201

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Terren, Michael. “The grain of the digital audio workstation.” 2019. Thesis, Edith Cowan University. Accessed July 11, 2020. https://ro.ecu.edu.au/theses/2201.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Terren, Michael. “The grain of the digital audio workstation.” 2019. Web. 11 Jul 2020.

Vancouver:

Terren M. The grain of the digital audio workstation. [Internet] [Thesis]. Edith Cowan University; 2019. [cited 2020 Jul 11]. Available from: https://ro.ecu.edu.au/theses/2201.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Terren M. The grain of the digital audio workstation. [Thesis]. Edith Cowan University; 2019. Available from: https://ro.ecu.edu.au/theses/2201

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. O’Connell, Amanda. The application of ICT in the music classroom: Factors that influence technology integration in New Zealand secondary schools.

Degree: 2018, University of Waikato

 This thesis investigates how New Zealand secondary school music teachers used ICT in their music programmes between 2008 and 2012. It started from the assumption… (more)

Subjects/Keywords: Music; music education; ICT; music technology; digital technology; ICT integration; TPACK; qualitative; critical pedagogy; music teachers; secondary school; New Zealand

Page 1 Page 2

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APA (6th Edition):

O’Connell, A. (2018). The application of ICT in the music classroom: Factors that influence technology integration in New Zealand secondary schools. (Doctoral Dissertation). University of Waikato. Retrieved from http://hdl.handle.net/10289/12239

Chicago Manual of Style (16th Edition):

O’Connell, Amanda. “The application of ICT in the music classroom: Factors that influence technology integration in New Zealand secondary schools. ” 2018. Doctoral Dissertation, University of Waikato. Accessed July 11, 2020. http://hdl.handle.net/10289/12239.

MLA Handbook (7th Edition):

O’Connell, Amanda. “The application of ICT in the music classroom: Factors that influence technology integration in New Zealand secondary schools. ” 2018. Web. 11 Jul 2020.

Vancouver:

O’Connell A. The application of ICT in the music classroom: Factors that influence technology integration in New Zealand secondary schools. [Internet] [Doctoral dissertation]. University of Waikato; 2018. [cited 2020 Jul 11]. Available from: http://hdl.handle.net/10289/12239.

Council of Science Editors:

O’Connell A. The application of ICT in the music classroom: Factors that influence technology integration in New Zealand secondary schools. [Doctoral Dissertation]. University of Waikato; 2018. Available from: http://hdl.handle.net/10289/12239


Universidade do Rio Grande do Sul

28. Martins, João Paulo Capelli. O mercado de música digital : um estudo sobre o comportamento do consumidor brasileiro perante o uso de música na internet.

Degree: 2012, Universidade do Rio Grande do Sul

A convergência entre tecnologia, internet e música resultou em grandes desafios para a indústria fonográfica mundial. Apesar do crescimento no volume de receitas de música… (more)

Subjects/Keywords: Música digital; Digital music; Comportamento do consumidor; Marketing; Perfil do consumidor; Consumer behavior

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Martins, J. P. C. (2012). O mercado de música digital : um estudo sobre o comportamento do consumidor brasileiro perante o uso de música na internet. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/48927

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Martins, João Paulo Capelli. “O mercado de música digital : um estudo sobre o comportamento do consumidor brasileiro perante o uso de música na internet.” 2012. Thesis, Universidade do Rio Grande do Sul. Accessed July 11, 2020. http://hdl.handle.net/10183/48927.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Martins, João Paulo Capelli. “O mercado de música digital : um estudo sobre o comportamento do consumidor brasileiro perante o uso de música na internet.” 2012. Web. 11 Jul 2020.

Vancouver:

Martins JPC. O mercado de música digital : um estudo sobre o comportamento do consumidor brasileiro perante o uso de música na internet. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2012. [cited 2020 Jul 11]. Available from: http://hdl.handle.net/10183/48927.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Martins JPC. O mercado de música digital : um estudo sobre o comportamento do consumidor brasileiro perante o uso de música na internet. [Thesis]. Universidade do Rio Grande do Sul; 2012. Available from: http://hdl.handle.net/10183/48927

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Santos, Ana Teresa Teixeira Gomes Martins dos. Distribuição e consumo de música na era da internet: a internet como veículo de aproximação entre artístas e públicos.

Degree: 2013, RCAAP

Mestrado em Gestão Cultural

O tema central deste estudo é a proximidade entre músicos e seus públicos estimulada pelo advento da Internet, e em particular… (more)

Subjects/Keywords: Música; Web 2.0; Consumo digital; Redes sociais; Music; Web 2.0; Digital consumption; Social networks

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Santos, A. T. T. G. M. d. (2013). Distribuição e consumo de música na era da internet: a internet como veículo de aproximação entre artístas e públicos. (Thesis). RCAAP. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/7775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Santos, Ana Teresa Teixeira Gomes Martins dos. “Distribuição e consumo de música na era da internet: a internet como veículo de aproximação entre artístas e públicos.” 2013. Thesis, RCAAP. Accessed July 11, 2020. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/7775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Santos, Ana Teresa Teixeira Gomes Martins dos. “Distribuição e consumo de música na era da internet: a internet como veículo de aproximação entre artístas e públicos.” 2013. Web. 11 Jul 2020.

Vancouver:

Santos ATTGMd. Distribuição e consumo de música na era da internet: a internet como veículo de aproximação entre artístas e públicos. [Internet] [Thesis]. RCAAP; 2013. [cited 2020 Jul 11]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/7775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Santos ATTGMd. Distribuição e consumo de música na era da internet: a internet como veículo de aproximação entre artístas e públicos. [Thesis]. RCAAP; 2013. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/7775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Naves, Diogo Telo das. Artista e a música na sociedade cultural digital, evolução dos direitos performativos em Portugal.

Degree: 2014, RCAAP

Doutoramento em Ciências da Comunicação

Numa era de novos desafios digitais, e de evolução de tendências representadas pela mudança de paradigma em curso, numa indústria… (more)

Subjects/Keywords: Artista; Cultura digital; Negócio da música; Streaming; Copyright; Artists; Digital culture; Music business

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Naves, D. T. d. (2014). Artista e a música na sociedade cultural digital, evolução dos direitos performativos em Portugal. (Thesis). RCAAP. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/9630

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Naves, Diogo Telo das. “Artista e a música na sociedade cultural digital, evolução dos direitos performativos em Portugal.” 2014. Thesis, RCAAP. Accessed July 11, 2020. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/9630.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Naves, Diogo Telo das. “Artista e a música na sociedade cultural digital, evolução dos direitos performativos em Portugal.” 2014. Web. 11 Jul 2020.

Vancouver:

Naves DTd. Artista e a música na sociedade cultural digital, evolução dos direitos performativos em Portugal. [Internet] [Thesis]. RCAAP; 2014. [cited 2020 Jul 11]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/9630.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Naves DTd. Artista e a música na sociedade cultural digital, evolução dos direitos performativos em Portugal. [Thesis]. RCAAP; 2014. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/9630

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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