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You searched for subject:(dance culture). Showing records 61 – 90 of 127 total matches.

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University of Minnesota

61. Wood, Naomi Pueo. Ciphering nations: performing identity in Brazil and the Caribbean.

Degree: PhD, 2011, University of Minnesota

 This dissertation explores the interaction of theories of hybridity, mestizaje, mestiçagem and popular culture representations of national identity in Cuba, Brazil, and Puerto Rico throughout… (more)

Subjects/Keywords: African Diaspora; Dance; Film; Hip Hop; National Identity; Popular Culture; Hispanic and Luso Literatures, Cultures & Linguistics

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APA (6th Edition):

Wood, N. P. (2011). Ciphering nations: performing identity in Brazil and the Caribbean. (Doctoral Dissertation). University of Minnesota. Retrieved from http://purl.umn.edu/112814

Chicago Manual of Style (16th Edition):

Wood, Naomi Pueo. “Ciphering nations: performing identity in Brazil and the Caribbean.” 2011. Doctoral Dissertation, University of Minnesota. Accessed October 15, 2019. http://purl.umn.edu/112814.

MLA Handbook (7th Edition):

Wood, Naomi Pueo. “Ciphering nations: performing identity in Brazil and the Caribbean.” 2011. Web. 15 Oct 2019.

Vancouver:

Wood NP. Ciphering nations: performing identity in Brazil and the Caribbean. [Internet] [Doctoral dissertation]. University of Minnesota; 2011. [cited 2019 Oct 15]. Available from: http://purl.umn.edu/112814.

Council of Science Editors:

Wood NP. Ciphering nations: performing identity in Brazil and the Caribbean. [Doctoral Dissertation]. University of Minnesota; 2011. Available from: http://purl.umn.edu/112814


University of Florida

62. Phillips, Nicole. Jah Cuban and Its Miami Audience A Case Study of Music as a Cultural Bridge.

Degree: MA, Mass Communication - Journalism and Communications, 2010, University of Florida

 The purpose of this study is to understand how a group of five white Cuban-Americans disc jockeys, known as Jah Cuban, have bridged the gap… (more)

Subjects/Keywords: Audiences; Dance music; Disc jockeying; Hispanics; Immigration; Latin American culture; Music appreciation; Musical forms; Popular songs; Theater; bridge, cuban, cultural, miami

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APA (6th Edition):

Phillips, N. (2010). Jah Cuban and Its Miami Audience A Case Study of Music as a Cultural Bridge. (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0041775

Chicago Manual of Style (16th Edition):

Phillips, Nicole. “Jah Cuban and Its Miami Audience A Case Study of Music as a Cultural Bridge.” 2010. Masters Thesis, University of Florida. Accessed October 15, 2019. http://ufdc.ufl.edu/UFE0041775.

MLA Handbook (7th Edition):

Phillips, Nicole. “Jah Cuban and Its Miami Audience A Case Study of Music as a Cultural Bridge.” 2010. Web. 15 Oct 2019.

Vancouver:

Phillips N. Jah Cuban and Its Miami Audience A Case Study of Music as a Cultural Bridge. [Internet] [Masters thesis]. University of Florida; 2010. [cited 2019 Oct 15]. Available from: http://ufdc.ufl.edu/UFE0041775.

Council of Science Editors:

Phillips N. Jah Cuban and Its Miami Audience A Case Study of Music as a Cultural Bridge. [Masters Thesis]. University of Florida; 2010. Available from: http://ufdc.ufl.edu/UFE0041775


University of Michigan

63. Ng, Stephanie Sooklyn. Filipino Bands Performing Hotels, Clubs, and Restaurants in Asia: Purveyors of Transnational Culture In a Global Arena.

Degree: PhD, Music: Musicology, 2006, University of Michigan

 Filipino musicians can be found performing in many cities throughout Asia. They form the largest and most widely dispersed population of traveling entertainers in Asia.… (more)

Subjects/Keywords: Filipino Musicians; Transnational Culture; Music and Dance; Arts

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APA (6th Edition):

Ng, S. S. (2006). Filipino Bands Performing Hotels, Clubs, and Restaurants in Asia: Purveyors of Transnational Culture In a Global Arena. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/58624

Chicago Manual of Style (16th Edition):

Ng, Stephanie Sooklyn. “Filipino Bands Performing Hotels, Clubs, and Restaurants in Asia: Purveyors of Transnational Culture In a Global Arena.” 2006. Doctoral Dissertation, University of Michigan. Accessed October 15, 2019. http://hdl.handle.net/2027.42/58624.

MLA Handbook (7th Edition):

Ng, Stephanie Sooklyn. “Filipino Bands Performing Hotels, Clubs, and Restaurants in Asia: Purveyors of Transnational Culture In a Global Arena.” 2006. Web. 15 Oct 2019.

Vancouver:

Ng SS. Filipino Bands Performing Hotels, Clubs, and Restaurants in Asia: Purveyors of Transnational Culture In a Global Arena. [Internet] [Doctoral dissertation]. University of Michigan; 2006. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/2027.42/58624.

Council of Science Editors:

Ng SS. Filipino Bands Performing Hotels, Clubs, and Restaurants in Asia: Purveyors of Transnational Culture In a Global Arena. [Doctoral Dissertation]. University of Michigan; 2006. Available from: http://hdl.handle.net/2027.42/58624


University of Western Sydney

64. Miranda Nieto, Alejandro. Mobilities of practice : the circulation of traditional music making across Mexico and the United States.

Degree: 2015, University of Western Sydney

 Music making, amongst a myriad of cultural practices, is on the move. This phenomenon has been reflected in the increasing interest of scholarly debates on… (more)

Subjects/Keywords: music; culture; folk dance music; Mexico; United States; dissemination of music; son jarocho; Thesis (Ph.D.) – University of Western Sydney, 2015

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APA (6th Edition):

Miranda Nieto, A. (2015). Mobilities of practice : the circulation of traditional music making across Mexico and the United States. (Thesis). University of Western Sydney. Retrieved from http://hdl.handle.net/1959.7/uws:34441

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miranda Nieto, Alejandro. “Mobilities of practice : the circulation of traditional music making across Mexico and the United States.” 2015. Thesis, University of Western Sydney. Accessed October 15, 2019. http://hdl.handle.net/1959.7/uws:34441.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miranda Nieto, Alejandro. “Mobilities of practice : the circulation of traditional music making across Mexico and the United States.” 2015. Web. 15 Oct 2019.

Vancouver:

Miranda Nieto A. Mobilities of practice : the circulation of traditional music making across Mexico and the United States. [Internet] [Thesis]. University of Western Sydney; 2015. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1959.7/uws:34441.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miranda Nieto A. Mobilities of practice : the circulation of traditional music making across Mexico and the United States. [Thesis]. University of Western Sydney; 2015. Available from: http://hdl.handle.net/1959.7/uws:34441

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Michigan

65. Stewart, Austin. The Opera is Booming. This is a City.: Opera in the Urban Frontier of Denver, 1864-1893.

Degree: PhD, Music: Musicology, 2019, University of Michigan

 In 1888, a Harper’s Weekly correspondent praised Denver, Colorado, as “a metropolis, a center of refinement, a place rich in itself, influential, and the admiration… (more)

Subjects/Keywords: Opera; American West; Amateurism; Placemaking; Nineteenth-Century Operatic Culture; Colorado; Music and Dance; Theatre and Drama; African-American Studies; Arts; Humanities

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APA (6th Edition):

Stewart, A. (2019). The Opera is Booming. This is a City.: Opera in the Urban Frontier of Denver, 1864-1893. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/149878

Chicago Manual of Style (16th Edition):

Stewart, Austin. “The Opera is Booming. This is a City.: Opera in the Urban Frontier of Denver, 1864-1893.” 2019. Doctoral Dissertation, University of Michigan. Accessed October 15, 2019. http://hdl.handle.net/2027.42/149878.

MLA Handbook (7th Edition):

Stewart, Austin. “The Opera is Booming. This is a City.: Opera in the Urban Frontier of Denver, 1864-1893.” 2019. Web. 15 Oct 2019.

Vancouver:

Stewart A. The Opera is Booming. This is a City.: Opera in the Urban Frontier of Denver, 1864-1893. [Internet] [Doctoral dissertation]. University of Michigan; 2019. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/2027.42/149878.

Council of Science Editors:

Stewart A. The Opera is Booming. This is a City.: Opera in the Urban Frontier of Denver, 1864-1893. [Doctoral Dissertation]. University of Michigan; 2019. Available from: http://hdl.handle.net/2027.42/149878


University of Arizona

66. Banks, Ojeya. Decolonizing the Body: An International Perspective of Dance Pedagogy from Uganda to the United States .

Degree: 2007, University of Arizona

 This dissertation examined how identity was negotiated through dance and how African dance pedagogies challenged colonial legacy and decolonized the body from cultural and political… (more)

Subjects/Keywords: dance anthropology; urban education; postcolonialism; culture; identity

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APA (6th Edition):

Banks, O. (2007). Decolonizing the Body: An International Perspective of Dance Pedagogy from Uganda to the United States . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/193853

Chicago Manual of Style (16th Edition):

Banks, Ojeya. “Decolonizing the Body: An International Perspective of Dance Pedagogy from Uganda to the United States .” 2007. Doctoral Dissertation, University of Arizona. Accessed October 15, 2019. http://hdl.handle.net/10150/193853.

MLA Handbook (7th Edition):

Banks, Ojeya. “Decolonizing the Body: An International Perspective of Dance Pedagogy from Uganda to the United States .” 2007. Web. 15 Oct 2019.

Vancouver:

Banks O. Decolonizing the Body: An International Perspective of Dance Pedagogy from Uganda to the United States . [Internet] [Doctoral dissertation]. University of Arizona; 2007. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/10150/193853.

Council of Science Editors:

Banks O. Decolonizing the Body: An International Perspective of Dance Pedagogy from Uganda to the United States . [Doctoral Dissertation]. University of Arizona; 2007. Available from: http://hdl.handle.net/10150/193853

67. Fylla, Iliana. Mises en présence des corps : la scène chorégraphique française (2000-2013) et ses antécédents historiques : Presenting bodies : the French choreographic scene (2000-2013) and its historical background.

Degree: Docteur es, Histoire de l'art, 2013, Université Paris X – Nanterre

Au début des années 2000 un phénomène de transgression des représentations corporelles conventionnelles envahit les scènes chorégraphiques. Autonomie, indiscipline, réflexivité, expérimentation, tendance protéiforme, performativité, intégration… (more)

Subjects/Keywords: Danse contemporaine; Histoire institutionnelle; Corps; Transdisciplinarité; Culture chorégraphique; Sensibilisation en danse; Contemporary dance; Institutional history; Body; Transdisciplinarity; Choreographic culture; Social attitude and practices; 700

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APA (6th Edition):

Fylla, I. (2013). Mises en présence des corps : la scène chorégraphique française (2000-2013) et ses antécédents historiques : Presenting bodies : the French choreographic scene (2000-2013) and its historical background. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2013PA100195

Chicago Manual of Style (16th Edition):

Fylla, Iliana. “Mises en présence des corps : la scène chorégraphique française (2000-2013) et ses antécédents historiques : Presenting bodies : the French choreographic scene (2000-2013) and its historical background.” 2013. Doctoral Dissertation, Université Paris X – Nanterre. Accessed October 15, 2019. http://www.theses.fr/2013PA100195.

MLA Handbook (7th Edition):

Fylla, Iliana. “Mises en présence des corps : la scène chorégraphique française (2000-2013) et ses antécédents historiques : Presenting bodies : the French choreographic scene (2000-2013) and its historical background.” 2013. Web. 15 Oct 2019.

Vancouver:

Fylla I. Mises en présence des corps : la scène chorégraphique française (2000-2013) et ses antécédents historiques : Presenting bodies : the French choreographic scene (2000-2013) and its historical background. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2013. [cited 2019 Oct 15]. Available from: http://www.theses.fr/2013PA100195.

Council of Science Editors:

Fylla I. Mises en présence des corps : la scène chorégraphique française (2000-2013) et ses antécédents historiques : Presenting bodies : the French choreographic scene (2000-2013) and its historical background. [Doctoral Dissertation]. Université Paris X – Nanterre; 2013. Available from: http://www.theses.fr/2013PA100195


University of Vienna

68. Pettauer, Philipp. Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik.

Degree: 2018, University of Vienna

Die Masterarbeit befasst sich mit aktuellen Strömungen im Feld der elektronischen Tanzmusik (EDM). Grundlage dieser ethnographisch ausgerichteten Forschungsarbeit bildet die Auswertung von qualitativem Datenmaterial, das… (more)

Subjects/Keywords: 71.59 Kultursoziologie: Sonstiges; 71.52 Kulturelle Prozesse; 71.50 Kultursoziologie: Allgemeines; 71.39 Soziale Gruppen: Sonstiges; 71.30 Soziale Gruppen: Allgemeines; 71.14 Städtische Gesellschaft; 71.11 Gesellschaft; elektronische Tanzmusik / EDM / EDMC / Clubkultur / House / Lo-Fi House / Sound / Techno / Ästhetik / Ethnographie / Szene / Subkultur; electronic dance music / electronic dance music studies / electronic dance music culture / EDM / EDMC / club culture / house / lo-fi house / techno / sound / aesthetics / ethnography / scenes / subcultures

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APA (6th Edition):

Pettauer, P. (2018). Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/55492/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pettauer, Philipp. “Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik.” 2018. Thesis, University of Vienna. Accessed October 15, 2019. http://othes.univie.ac.at/55492/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pettauer, Philipp. “Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik.” 2018. Web. 15 Oct 2019.

Vancouver:

Pettauer P. Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik. [Internet] [Thesis]. University of Vienna; 2018. [cited 2019 Oct 15]. Available from: http://othes.univie.ac.at/55492/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pettauer P. Über warmen Sound und abgelutschten Ibizadreck - eine ethnographische Studie zu geliebten und unliebsamen Ästhetiken im Feld der elektronischen Tanzmusik. [Thesis]. University of Vienna; 2018. Available from: http://othes.univie.ac.at/55492/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

69. Fried-Gintis, Sarah E. Elevated: Ballet and culture in the United States, World War II to the National Endowment for the Arts.

Degree: PhD, History, 2010, University of Southern California

 In recent decades historians have traced the popularization of “high” culture in the United States in the post-World War II era. In recognizing opera, classical… (more)

Subjects/Keywords: ballet; culture; history; United States; dance history; post-war culture; Cold War Era culture; twentieth century history; Rudolf Nureyev; Margot Fonteyn; New York City Ballet; American Ballet Theatre; regional ballet; musical theater; visual studies; culture boom

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APA (6th Edition):

Fried-Gintis, S. E. (2010). Elevated: Ballet and culture in the United States, World War II to the National Endowment for the Arts. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/425729/rec/2288

Chicago Manual of Style (16th Edition):

Fried-Gintis, Sarah E. “Elevated: Ballet and culture in the United States, World War II to the National Endowment for the Arts.” 2010. Doctoral Dissertation, University of Southern California. Accessed October 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/425729/rec/2288.

MLA Handbook (7th Edition):

Fried-Gintis, Sarah E. “Elevated: Ballet and culture in the United States, World War II to the National Endowment for the Arts.” 2010. Web. 15 Oct 2019.

Vancouver:

Fried-Gintis SE. Elevated: Ballet and culture in the United States, World War II to the National Endowment for the Arts. [Internet] [Doctoral dissertation]. University of Southern California; 2010. [cited 2019 Oct 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/425729/rec/2288.

Council of Science Editors:

Fried-Gintis SE. Elevated: Ballet and culture in the United States, World War II to the National Endowment for the Arts. [Doctoral Dissertation]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/425729/rec/2288

70. Pollock, Tiffany Rae. Frictions and Flows: Affective Economies of Fire Dance in the Thai Tourism Industry.

Degree: PhD, Gender, Feminist and Women's Studies, 2018, York University

 This dissertation examines Thai fire dance, a form of labour in the Thai tourist industry, as a platform through which fire dancers confront and negotiate… (more)

Subjects/Keywords: Dance; Thailand; Dance; Movement; Embodiment; Space; Transnational studies; Globalization of culture; Southeast Asia; Gender; Sexuality; Masculinities; Femininities; Colonialism; Tourism and performance; Capitalism; Neoliberalism; Art and politics; Intercultural communication; Political solidarities; Affect; Emotion; Queer theory; Sexuality and erotics; Transnational performance; Moral economies; Labour; Affective labour; Dance labour; Performance labour; Transnational labour; Migration; Thai and Burmese relations; Transnational dance and performance; Spatialities and labour; Space and dance; Thai tourism industry; Performance in Southeast Asia; Dance in Southeast Asia; Dance and sexuality; Performance and sexuality; Dance and gender; Performance and gender; Ethnography; Ethnicity

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APA (6th Edition):

Pollock, T. R. (2018). Frictions and Flows: Affective Economies of Fire Dance in the Thai Tourism Industry. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/35551

Chicago Manual of Style (16th Edition):

Pollock, Tiffany Rae. “Frictions and Flows: Affective Economies of Fire Dance in the Thai Tourism Industry.” 2018. Doctoral Dissertation, York University. Accessed October 15, 2019. http://hdl.handle.net/10315/35551.

MLA Handbook (7th Edition):

Pollock, Tiffany Rae. “Frictions and Flows: Affective Economies of Fire Dance in the Thai Tourism Industry.” 2018. Web. 15 Oct 2019.

Vancouver:

Pollock TR. Frictions and Flows: Affective Economies of Fire Dance in the Thai Tourism Industry. [Internet] [Doctoral dissertation]. York University; 2018. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/10315/35551.

Council of Science Editors:

Pollock TR. Frictions and Flows: Affective Economies of Fire Dance in the Thai Tourism Industry. [Doctoral Dissertation]. York University; 2018. Available from: http://hdl.handle.net/10315/35551

71. Andrews, Pamela Megan. Somatic Anacrusis: An Experiential Poetics of Deborah Hay's Choreography and Practice in the Solo At Once.

Degree: PhD, Communication & Culture, Joint Program with Ryerson University, 2016, York University

 This project is a kind of doingmovingthinking: a close study of iconic American dancer/choreographer Deborah Hays choreography and practice through my particular dancing experience of… (more)

Subjects/Keywords: Philosophy; Deborah Hay; Dance; Contemporary dance; Experimental contemporary dance; Choreography; Improvisation; Scores; Performance; Phenomenology; Feminism; Feminist theory; Laban Movement Analysis; LMA; Somatics; Somatic studies; Practice-as-research; Practice-based-research; Auto-ethnography; Autoethnography; Choreographic analysis; Emergent choreographic analysis; Judson Dance Theater; Art; Body; Movement; Poetics; Ethics; Praxis; Perception; Embodiment; Embodied research; Experiential research; Dance studies; Performance studies; Communication and culture; Women in performance; Performance-generating system; Subjectivity; Otherness; Other; Maurice Merleau-Ponty; Luce Irigaray; Rudolf Laban

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APA (6th Edition):

Andrews, P. M. (2016). Somatic Anacrusis: An Experiential Poetics of Deborah Hay's Choreography and Practice in the Solo At Once. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/32710

Chicago Manual of Style (16th Edition):

Andrews, Pamela Megan. “Somatic Anacrusis: An Experiential Poetics of Deborah Hay's Choreography and Practice in the Solo At Once.” 2016. Doctoral Dissertation, York University. Accessed October 15, 2019. http://hdl.handle.net/10315/32710.

MLA Handbook (7th Edition):

Andrews, Pamela Megan. “Somatic Anacrusis: An Experiential Poetics of Deborah Hay's Choreography and Practice in the Solo At Once.” 2016. Web. 15 Oct 2019.

Vancouver:

Andrews PM. Somatic Anacrusis: An Experiential Poetics of Deborah Hay's Choreography and Practice in the Solo At Once. [Internet] [Doctoral dissertation]. York University; 2016. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/10315/32710.

Council of Science Editors:

Andrews PM. Somatic Anacrusis: An Experiential Poetics of Deborah Hay's Choreography and Practice in the Solo At Once. [Doctoral Dissertation]. York University; 2016. Available from: http://hdl.handle.net/10315/32710


IUPUI

72. Tressler, Gretchen E. Dance and Identity Politics in Caribbean Literature: Culture, Community, and Commemoration.

Degree: 2011, IUPUI

Indiana University-Purdue University Indianapolis (IUPUI)

Dance appears often in Anglophone Caribbean literature, usually when a character chooses to celebrate and emphasize her/his freedom from the… (more)

Subjects/Keywords: Caribbean, literature, Anglophone, dance, identity, culture, community, ritual, performance, political consciousness, postcolonial, Carnival, ekphrasis, Afro-Caribbean, Earl Lovelace, Paule Marshall, Marie-Elena John, Samuel Selvon; Selvon, Samuel.  – Lonely Londoners; Lovelace, Earl, 1935-  – Dragon can't dance; Marshall, Paule, 1929-  – Praisesong for the widow; John, Marie-Elena.  – Unburnable; Caribbean literature (English)  – History and criticism; Dance in literature  – History and criticism

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APA (6th Edition):

Tressler, G. E. (2011). Dance and Identity Politics in Caribbean Literature: Culture, Community, and Commemoration. (Thesis). IUPUI. Retrieved from http://hdl.handle.net/1805/2592

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tressler, Gretchen E. “Dance and Identity Politics in Caribbean Literature: Culture, Community, and Commemoration.” 2011. Thesis, IUPUI. Accessed October 15, 2019. http://hdl.handle.net/1805/2592.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tressler, Gretchen E. “Dance and Identity Politics in Caribbean Literature: Culture, Community, and Commemoration.” 2011. Web. 15 Oct 2019.

Vancouver:

Tressler GE. Dance and Identity Politics in Caribbean Literature: Culture, Community, and Commemoration. [Internet] [Thesis]. IUPUI; 2011. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/1805/2592.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tressler GE. Dance and Identity Politics in Caribbean Literature: Culture, Community, and Commemoration. [Thesis]. IUPUI; 2011. Available from: http://hdl.handle.net/1805/2592

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

73. Humphrey, Ashley Renee. Where's the Roda?: Understanding Capoeira Culture in an American Context.

Degree: MM, Music Ethnomusicology, 2018, Bowling Green State University

 The Afro-Brazilian martial art of capoeira has become an increasingly popular sport in the United States. Capoeira performances consist of a back-and-forth exchange of movements… (more)

Subjects/Keywords: Music; Music Education; African Studies; Dance; Ethnic Studies; History; Latin American History; Latin American Studies; Capoeira; Sports; Martial Art; Martial Arts; Afro-Brazilian; Africana; African Diaspora; Music; Ethnomusicology; Popular Culture; Popular Music; Media Studies; Brazil; North America; Game; Dance; Post-Colonial Studies

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APA (6th Edition):

Humphrey, A. R. (2018). Where's the Roda?: Understanding Capoeira Culture in an American Context. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1543574890650575

Chicago Manual of Style (16th Edition):

Humphrey, Ashley Renee. “Where's the Roda?: Understanding Capoeira Culture in an American Context.” 2018. Masters Thesis, Bowling Green State University. Accessed October 15, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1543574890650575.

MLA Handbook (7th Edition):

Humphrey, Ashley Renee. “Where's the Roda?: Understanding Capoeira Culture in an American Context.” 2018. Web. 15 Oct 2019.

Vancouver:

Humphrey AR. Where's the Roda?: Understanding Capoeira Culture in an American Context. [Internet] [Masters thesis]. Bowling Green State University; 2018. [cited 2019 Oct 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1543574890650575.

Council of Science Editors:

Humphrey AR. Where's the Roda?: Understanding Capoeira Culture in an American Context. [Masters Thesis]. Bowling Green State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1543574890650575


University of Southern California

74. Campodonico, Christina. The drive home: a podcasting journey.

Degree: MA, Specialized Journalism (The Arts), 2015, University of Southern California

 The Drive Home is a podcast that marries arts journalism, criticism and car culture to capture the conversations that occur after a performance ends. This… (more)

Subjects/Keywords: podcast; podcasting; podcast renaissance; radio; audio; arts journalism; arts criticism; Los Angeles; car culture; dance; theater; The trip to bountiful; L.A. Dance Project; Benjamin Millepied; REDCAT; performance; Rashaun Mitchell; Stephin Merritt; Silas Riener; Merce Cunningham

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APA (6th Edition):

Campodonico, C. (2015). The drive home: a podcasting journey. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/567063/rec/6573

Chicago Manual of Style (16th Edition):

Campodonico, Christina. “The drive home: a podcasting journey.” 2015. Masters Thesis, University of Southern California. Accessed October 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/567063/rec/6573.

MLA Handbook (7th Edition):

Campodonico, Christina. “The drive home: a podcasting journey.” 2015. Web. 15 Oct 2019.

Vancouver:

Campodonico C. The drive home: a podcasting journey. [Internet] [Masters thesis]. University of Southern California; 2015. [cited 2019 Oct 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/567063/rec/6573.

Council of Science Editors:

Campodonico C. The drive home: a podcasting journey. [Masters Thesis]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/567063/rec/6573


Karlstad University

75. Mellin, Saga. ”Anorna hafva mer välde i contradans än växelbref” : Sällskapsdans och klassamhällets ankomst vid slutet av 1700-talet.

Degree: Faculty of Social and Life Sciences, 2009, Karlstad University

  The purpose of this paper is to examine how the arrival of class society is expressed in the social dance of high society during… (more)

Subjects/Keywords: dance; social dance; eighteenth century; class society; social life; individualism; Gustavian era; the Age of Liberty; culture analysis; dans; sällskapsdans; 1700-tal; ståndssamhälle; klassamhälle; nöjesliv; individualism; gustaviansk tid; frihetstiden; kulturanalys; History; Historia

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mellin, S. (2009). ”Anorna hafva mer välde i contradans än växelbref” : Sällskapsdans och klassamhällets ankomst vid slutet av 1700-talet. (Thesis). Karlstad University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-4343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mellin, Saga. “”Anorna hafva mer välde i contradans än växelbref” : Sällskapsdans och klassamhällets ankomst vid slutet av 1700-talet.” 2009. Thesis, Karlstad University. Accessed October 15, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-4343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mellin, Saga. “”Anorna hafva mer välde i contradans än växelbref” : Sällskapsdans och klassamhällets ankomst vid slutet av 1700-talet.” 2009. Web. 15 Oct 2019.

Vancouver:

Mellin S. ”Anorna hafva mer välde i contradans än växelbref” : Sällskapsdans och klassamhällets ankomst vid slutet av 1700-talet. [Internet] [Thesis]. Karlstad University; 2009. [cited 2019 Oct 15]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-4343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mellin S. ”Anorna hafva mer välde i contradans än växelbref” : Sällskapsdans och klassamhällets ankomst vid slutet av 1700-talet. [Thesis]. Karlstad University; 2009. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-4343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

76. Bohman, Allison. Moments of Geopolitical Choreography: Performance of Cultural Ideals in Nazi Germany, the Soviet Union and Beyond.

Degree: MFA, Dance, 2015, SUNY College at Brockport

  This research analyzes the standardized regimens of bodily training characteristic of Nazi Germany and the Soviet Union and dance in general. Not only were… (more)

Subjects/Keywords: Choreography; Nazi Germany; Soviet Union; Geopolitics; Dance; Culture; Dance; Political History

…2015, the public is bombarded with a dance culture shaped by popular television shows like… …because dance is political—dance is culture. The field of geopolitics has a unique detail in… …people move, what aesthetic of dance is appreciated by a given culture, and how dance is valued… …power.”48 In this way, power, politics, culture and dance are one and should be studied… …characteristic of Nazi Germany and the Soviet Union and dance in general. Not only were the movements… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Bohman, A. (2015). Moments of Geopolitical Choreography: Performance of Cultural Ideals in Nazi Germany, the Soviet Union and Beyond. (Thesis). SUNY College at Brockport. Retrieved from https://digitalcommons.brockport.edu/dns_theses/2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bohman, Allison. “Moments of Geopolitical Choreography: Performance of Cultural Ideals in Nazi Germany, the Soviet Union and Beyond.” 2015. Thesis, SUNY College at Brockport. Accessed October 15, 2019. https://digitalcommons.brockport.edu/dns_theses/2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bohman, Allison. “Moments of Geopolitical Choreography: Performance of Cultural Ideals in Nazi Germany, the Soviet Union and Beyond.” 2015. Web. 15 Oct 2019.

Vancouver:

Bohman A. Moments of Geopolitical Choreography: Performance of Cultural Ideals in Nazi Germany, the Soviet Union and Beyond. [Internet] [Thesis]. SUNY College at Brockport; 2015. [cited 2019 Oct 15]. Available from: https://digitalcommons.brockport.edu/dns_theses/2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bohman A. Moments of Geopolitical Choreography: Performance of Cultural Ideals in Nazi Germany, the Soviet Union and Beyond. [Thesis]. SUNY College at Brockport; 2015. Available from: https://digitalcommons.brockport.edu/dns_theses/2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

77. Cambra González, Toni. Electrodance as a "being-together": New forms of mediatization in the communication of youth styles.

Degree: 2016, Universitat Oberta de Catalunya

 This thesis focuses on the study of what is known as ElectroDance youth style - i.e. a dance and sound style which began to blossom… (more)

Subjects/Keywords: media; media; social media; comunicació; comunicación; communication; interfaç; interfaz; interface; joventut; juventud; youth; cultura; culture; cultura; ball; baile; dance; Sociologia de la comunicació; 3

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APA (6th Edition):

Cambra González, T. (2016). Electrodance as a "being-together": New forms of mediatization in the communication of youth styles. (Thesis). Universitat Oberta de Catalunya. Retrieved from http://hdl.handle.net/10803/565539

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cambra González, Toni. “Electrodance as a "being-together": New forms of mediatization in the communication of youth styles.” 2016. Thesis, Universitat Oberta de Catalunya. Accessed October 15, 2019. http://hdl.handle.net/10803/565539.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cambra González, Toni. “Electrodance as a "being-together": New forms of mediatization in the communication of youth styles.” 2016. Web. 15 Oct 2019.

Vancouver:

Cambra González T. Electrodance as a "being-together": New forms of mediatization in the communication of youth styles. [Internet] [Thesis]. Universitat Oberta de Catalunya; 2016. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/10803/565539.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cambra González T. Electrodance as a "being-together": New forms of mediatization in the communication of youth styles. [Thesis]. Universitat Oberta de Catalunya; 2016. Available from: http://hdl.handle.net/10803/565539

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

78. Couto, Clara Rodrigues. Baile celeste e harmonia terrestre: o balé de corte como imagem prescritiva da harmonia cósmica e política na França (1610-1661).

Degree: Mestrado, História Social, 2015, University of São Paulo

Espetáculo cênico, divertimento e ritual cortesão simultaneamente, o balé de corte constituiu-se enquanto gênero de espetáculo em fins do século XVI, revelando-se extremamente popular e… (more)

Subjects/Keywords: Ancien Régime; Antigo Regime; Balé de corte; Corte francesa; Court ballet; Dança; Dance; French court; Harmonia; Harmony; História cultural; History of culture

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APA (6th Edition):

Couto, C. R. (2015). Baile celeste e harmonia terrestre: o balé de corte como imagem prescritiva da harmonia cósmica e política na França (1610-1661). (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8138/tde-11122015-121738/ ;

Chicago Manual of Style (16th Edition):

Couto, Clara Rodrigues. “Baile celeste e harmonia terrestre: o balé de corte como imagem prescritiva da harmonia cósmica e política na França (1610-1661).” 2015. Masters Thesis, University of São Paulo. Accessed October 15, 2019. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-11122015-121738/ ;.

MLA Handbook (7th Edition):

Couto, Clara Rodrigues. “Baile celeste e harmonia terrestre: o balé de corte como imagem prescritiva da harmonia cósmica e política na França (1610-1661).” 2015. Web. 15 Oct 2019.

Vancouver:

Couto CR. Baile celeste e harmonia terrestre: o balé de corte como imagem prescritiva da harmonia cósmica e política na França (1610-1661). [Internet] [Masters thesis]. University of São Paulo; 2015. [cited 2019 Oct 15]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8138/tde-11122015-121738/ ;.

Council of Science Editors:

Couto CR. Baile celeste e harmonia terrestre: o balé de corte como imagem prescritiva da harmonia cósmica e política na França (1610-1661). [Masters Thesis]. University of São Paulo; 2015. Available from: http://www.teses.usp.br/teses/disponiveis/8/8138/tde-11122015-121738/ ;


Miami University

79. Ladrick, Alice. Isotope.

Degree: MA, English, 2012, Miami University

 By referencing elements of the domestic and positioning the female body within that space, this thesis attempts to create non-traditional, partially autobiographical narratives that delve… (more)

Subjects/Keywords: Aging; Animal Diseases; Canon Law; Dance; Dental Care; Fish Production; Gynecology; Wood; poetry; feminist; women; pop culture; Fugazi; Jonathan Lohr; cat butt

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APA (6th Edition):

Ladrick, A. (2012). Isotope. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1345326739

Chicago Manual of Style (16th Edition):

Ladrick, Alice. “Isotope.” 2012. Masters Thesis, Miami University. Accessed October 15, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1345326739.

MLA Handbook (7th Edition):

Ladrick, Alice. “Isotope.” 2012. Web. 15 Oct 2019.

Vancouver:

Ladrick A. Isotope. [Internet] [Masters thesis]. Miami University; 2012. [cited 2019 Oct 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1345326739.

Council of Science Editors:

Ladrick A. Isotope. [Masters Thesis]. Miami University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1345326739


University of Colorado

80. Gagné, Ari Ben Mosha. Shake It Like A Salt Shaker: Race, Gender, and Sexuality in New Orleans Bounce Culture.

Degree: PhD, 2015, University of Colorado

  A subgenre of hip hop born in New Orleans, bounce was at first almost entirely produced and consumed by members of the Black community,… (more)

Subjects/Keywords: New Orleans; black community; cross-cultural audience; white audience; hypersexual; music; dance; bounce culture; Lesbian, Gay, Bisexual, and Transgender Studies; Musicology; Music Performance

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APA (6th Edition):

Gagné, A. B. M. (2015). Shake It Like A Salt Shaker: Race, Gender, and Sexuality in New Orleans Bounce Culture. (Doctoral Dissertation). University of Colorado. Retrieved from http://scholar.colorado.edu/muco_gradetds/6

Chicago Manual of Style (16th Edition):

Gagné, Ari Ben Mosha. “Shake It Like A Salt Shaker: Race, Gender, and Sexuality in New Orleans Bounce Culture.” 2015. Doctoral Dissertation, University of Colorado. Accessed October 15, 2019. http://scholar.colorado.edu/muco_gradetds/6.

MLA Handbook (7th Edition):

Gagné, Ari Ben Mosha. “Shake It Like A Salt Shaker: Race, Gender, and Sexuality in New Orleans Bounce Culture.” 2015. Web. 15 Oct 2019.

Vancouver:

Gagné ABM. Shake It Like A Salt Shaker: Race, Gender, and Sexuality in New Orleans Bounce Culture. [Internet] [Doctoral dissertation]. University of Colorado; 2015. [cited 2019 Oct 15]. Available from: http://scholar.colorado.edu/muco_gradetds/6.

Council of Science Editors:

Gagné ABM. Shake It Like A Salt Shaker: Race, Gender, and Sexuality in New Orleans Bounce Culture. [Doctoral Dissertation]. University of Colorado; 2015. Available from: http://scholar.colorado.edu/muco_gradetds/6


Universidade Federal da Bahia

81. Mirella Misi. Paradoxo da pós-modernidade na dança: reflexões sobre o corpo e o espaço-tempo no produto coreográfico.

Degree: 2004, Universidade Federal da Bahia

O presente trabalho tem como objetivo principal o estudo do produto coreográfico pósmoderno, com enfoque no conceito de corpo e utilização do espaço-tempo. Propoe-se a… (more)

Subjects/Keywords: Dança - estética - história - ciência moderna - cultura contemporânea; dance - science - aesthetics - culture - history; DANCA

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APA (6th Edition):

Misi, M. (2004). Paradoxo da pós-modernidade na dança: reflexões sobre o corpo e o espaço-tempo no produto coreográfico. (Thesis). Universidade Federal da Bahia. Retrieved from http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Misi, Mirella. “Paradoxo da pós-modernidade na dança: reflexões sobre o corpo e o espaço-tempo no produto coreográfico.” 2004. Thesis, Universidade Federal da Bahia. Accessed October 15, 2019. http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Misi, Mirella. “Paradoxo da pós-modernidade na dança: reflexões sobre o corpo e o espaço-tempo no produto coreográfico.” 2004. Web. 15 Oct 2019.

Vancouver:

Misi M. Paradoxo da pós-modernidade na dança: reflexões sobre o corpo e o espaço-tempo no produto coreográfico. [Internet] [Thesis]. Universidade Federal da Bahia; 2004. [cited 2019 Oct 15]. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Misi M. Paradoxo da pós-modernidade na dança: reflexões sobre o corpo e o espaço-tempo no produto coreográfico. [Thesis]. Universidade Federal da Bahia; 2004. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

82. Wagner Cesar Rédua. Catira: Música, dança e poesia do mundo rural (Uberaba - Século XX).

Degree: 2010, Federal University of Uberlândia

Uberaba, uma cidade do século XIX, situada no Sertão da Farinha Podre, interior de Minas Gerais, tem como uma das características mais marcantes de seu… (more)

Subjects/Keywords: Catira; Cultura popular; Dança; Sociabilidade; HISTORIA; História social; Dança - Uberaba (MG); Uberaba (MG) - Cultura popular; Vida rural - Uberaba (MG); População rural - Aspectos sociais; Popular culture; Dance; History; Sociability

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rédua, W. C. (2010). Catira: Música, dança e poesia do mundo rural (Uberaba - Século XX). (Thesis). Federal University of Uberlândia. Retrieved from http://www.bdtd.ufu.br//tde_busca/arquivo.php?codArquivo=2853

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rédua, Wagner Cesar. “Catira: Música, dança e poesia do mundo rural (Uberaba - Século XX).” 2010. Thesis, Federal University of Uberlândia. Accessed October 15, 2019. http://www.bdtd.ufu.br//tde_busca/arquivo.php?codArquivo=2853.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rédua, Wagner Cesar. “Catira: Música, dança e poesia do mundo rural (Uberaba - Século XX).” 2010. Web. 15 Oct 2019.

Vancouver:

Rédua WC. Catira: Música, dança e poesia do mundo rural (Uberaba - Século XX). [Internet] [Thesis]. Federal University of Uberlândia; 2010. [cited 2019 Oct 15]. Available from: http://www.bdtd.ufu.br//tde_busca/arquivo.php?codArquivo=2853.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rédua WC. Catira: Música, dança e poesia do mundo rural (Uberaba - Século XX). [Thesis]. Federal University of Uberlândia; 2010. Available from: http://www.bdtd.ufu.br//tde_busca/arquivo.php?codArquivo=2853

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifícia Universidade Católica de São Paulo

83. Doralice Soares Leão. Uma fábrica de mentiras: a (in)comunicação da economia da dança.

Degree: 2012, Pontifícia Universidade Católica de São Paulo

Não são poucos os teóricos que proclamam a urgência em se tratar a cultura como um setor produtivo (THOMPSON, 1999; BRIGGS e BURKE, 2004) e… (more)

Subjects/Keywords: COMUNICACAO; Economia da dança; Jornalismo econômico; Jornalismo cultural; Economia da cultura; Corpomídia; Políticas públicas; Dance economy; Economic journalism; Cultural journalism; Culture economy; Corpomídia; Public policies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leão, D. S. (2012). Uma fábrica de mentiras: a (in)comunicação da economia da dança. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=15283

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leão, Doralice Soares. “Uma fábrica de mentiras: a (in)comunicação da economia da dança.” 2012. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed October 15, 2019. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=15283.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leão, Doralice Soares. “Uma fábrica de mentiras: a (in)comunicação da economia da dança.” 2012. Web. 15 Oct 2019.

Vancouver:

Leão DS. Uma fábrica de mentiras: a (in)comunicação da economia da dança. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2012. [cited 2019 Oct 15]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=15283.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leão DS. Uma fábrica de mentiras: a (in)comunicação da economia da dança. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2012. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=15283

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifícia Universidade Católica de São Paulo

84. Joachim Andrade. Shiva abandona seu trono: destradicionalização da dança Hindu e sua difusão no Brasil.

Degree: 2007, Pontifícia Universidade Católica de São Paulo

Hindu Dance one of the most popular artistic forms of India, has received universal acclamation including in Brazil as one of the subtlest expressions of… (more)

Subjects/Keywords: ritual; dança hindu; tradition; ritual; cultura; Hinduismo  – Rituais; TEOLOGIA; Danca  – Aspectos religiosos  – Hinduismo; identity; tradição; mudança; Danca  – India; religion; religião; identidade; Hindu dance; culture; change

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Andrade, J. (2007). Shiva abandona seu trono: destradicionalização da dança Hindu e sua difusão no Brasil. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4361

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Andrade, Joachim. “Shiva abandona seu trono: destradicionalização da dança Hindu e sua difusão no Brasil.” 2007. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed October 15, 2019. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4361.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Andrade, Joachim. “Shiva abandona seu trono: destradicionalização da dança Hindu e sua difusão no Brasil.” 2007. Web. 15 Oct 2019.

Vancouver:

Andrade J. Shiva abandona seu trono: destradicionalização da dança Hindu e sua difusão no Brasil. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2007. [cited 2019 Oct 15]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4361.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Andrade J. Shiva abandona seu trono: destradicionalização da dança Hindu e sua difusão no Brasil. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2007. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4361

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

85. Lau, Gar-lum. The social construction of rave culture in Hong Kong.

Degree: M. Phil., 2004, University of Hong Kong

published_or_final_version

Sociology

Master

Master of Philosophy

Advisors/Committee Members: Laidler, KA.

Subjects/Keywords: Dance parties - Social aspects - China - Hong Kong.; Rave culture - China - Hong Kong.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lau, G. (2004). The social construction of rave culture in Hong Kong. (Masters Thesis). University of Hong Kong. Retrieved from Lau, G. [劉嘉琳]. (2004). The social construction of rave culture in Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122828 ; http://dx.doi.org/10.5353/th_b3122828 ; http://hdl.handle.net/10722/52667

Chicago Manual of Style (16th Edition):

Lau, Gar-lum. “The social construction of rave culture in Hong Kong.” 2004. Masters Thesis, University of Hong Kong. Accessed October 15, 2019. Lau, G. [劉嘉琳]. (2004). The social construction of rave culture in Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122828 ; http://dx.doi.org/10.5353/th_b3122828 ; http://hdl.handle.net/10722/52667.

MLA Handbook (7th Edition):

Lau, Gar-lum. “The social construction of rave culture in Hong Kong.” 2004. Web. 15 Oct 2019.

Vancouver:

Lau G. The social construction of rave culture in Hong Kong. [Internet] [Masters thesis]. University of Hong Kong; 2004. [cited 2019 Oct 15]. Available from: Lau, G. [劉嘉琳]. (2004). The social construction of rave culture in Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122828 ; http://dx.doi.org/10.5353/th_b3122828 ; http://hdl.handle.net/10722/52667.

Council of Science Editors:

Lau G. The social construction of rave culture in Hong Kong. [Masters Thesis]. University of Hong Kong; 2004. Available from: Lau, G. [劉嘉琳]. (2004). The social construction of rave culture in Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122828 ; http://dx.doi.org/10.5353/th_b3122828 ; http://hdl.handle.net/10722/52667


Ryerson University

86. Chan, Sara Wei-Ming. Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual.

Degree: 2003, Ryerson University

 This study is an exploration into how dance music cultures (better known as "rave" or "club" cultures) find ways to straddle the divide between human… (more)

Subjects/Keywords: Electronic music; Underground dance music; Rave culture; Virtual reality; Cultural anthropology; Music

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APA (6th Edition):

Chan, S. W. (2003). Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chan, Sara Wei-Ming. “Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual.” 2003. Thesis, Ryerson University. Accessed October 15, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chan, Sara Wei-Ming. “Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual.” 2003. Web. 15 Oct 2019.

Vancouver:

Chan SW. Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual. [Internet] [Thesis]. Ryerson University; 2003. [cited 2019 Oct 15]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A817.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chan SW. Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual. [Thesis]. Ryerson University; 2003. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A817

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

87. Hernandez, Lisabeth. Social Transgression and Nostalgia in Contemporary Hollywood Teen Films.

Degree: 2012, University of Florida

 Teen films, although often dismissed as formulaic and unimaginative, thrive on reinventing the conventions of the genre. Originating in the familiar coming-of-age story, Hollywood’s teen… (more)

Subjects/Keywords: Dance; Fathers; Film criticism; Film music; Hate; High schools; Motion picture industry; Movies; Nostalgia; Parents; Motion pictures; Motion pictures and teenagers; Popular culture; Stereotypes (Social psychology) in motion pictures

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hernandez, L. (2012). Social Transgression and Nostalgia in Contemporary Hollywood Teen Films. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00057729

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hernandez, Lisabeth. “Social Transgression and Nostalgia in Contemporary Hollywood Teen Films.” 2012. Thesis, University of Florida. Accessed October 15, 2019. http://ufdc.ufl.edu/AA00057729.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hernandez, Lisabeth. “Social Transgression and Nostalgia in Contemporary Hollywood Teen Films.” 2012. Web. 15 Oct 2019.

Vancouver:

Hernandez L. Social Transgression and Nostalgia in Contemporary Hollywood Teen Films. [Internet] [Thesis]. University of Florida; 2012. [cited 2019 Oct 15]. Available from: http://ufdc.ufl.edu/AA00057729.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hernandez L. Social Transgression and Nostalgia in Contemporary Hollywood Teen Films. [Thesis]. University of Florida; 2012. Available from: http://ufdc.ufl.edu/AA00057729

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Washington University in St. Louis

88. Cohn, Shayna. RE-ENCHANTING THE SPECTACLE.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2014, Washington University in St. Louis

  “Re-Enchanting the Spectacle” explores guiding notions and central themes within the art practice of Shayna Cohn. Cohn’s installation spaces and sculptures within them, evoke… (more)

Subjects/Keywords: theatricality; Peter Brooks; liberation; staging; Club Kids; dance culture; Wolfgang Tillmans; Nike Savvas; Art and Design; Fine Arts; Interdisciplinary Arts and Media; Other Theatre and Performance Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cohn, S. (2014). RE-ENCHANTING THE SPECTACLE. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/24

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cohn, Shayna. “RE-ENCHANTING THE SPECTACLE.” 2014. Thesis, Washington University in St. Louis. Accessed October 15, 2019. https://openscholarship.wustl.edu/samfox_art_etds/24.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cohn, Shayna. “RE-ENCHANTING THE SPECTACLE.” 2014. Web. 15 Oct 2019.

Vancouver:

Cohn S. RE-ENCHANTING THE SPECTACLE. [Internet] [Thesis]. Washington University in St. Louis; 2014. [cited 2019 Oct 15]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/24.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cohn S. RE-ENCHANTING THE SPECTACLE. [Thesis]. Washington University in St. Louis; 2014. Available from: https://openscholarship.wustl.edu/samfox_art_etds/24

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


KTH

89. Tang, Hans. Kulturstråket.

Degree: Architecture, 2017, KTH

Älvsjö är stark trafikknytpunkt med goda pendeltåg- och bussförbindelser och en målpunkt för alla besökare till populära Stockholmsmässan. En Kulturskola i Älvsjö skulle förstärka… (more)

Subjects/Keywords: Culture; school; cultural school; cultural highway; architecture; activity; children; youth; music; dance; theater; Kultur; skola; kulturskola; kulturstråk; arkitektur; aktivitet; barn; ungdomar; musik; dans; teater; bild; konst; Älvsjö; Architecture; Arkitektur

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tang, H. (2017). Kulturstråket. (Thesis). KTH. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-168438

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tang, Hans. “Kulturstråket.” 2017. Thesis, KTH. Accessed October 15, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-168438.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tang, Hans. “Kulturstråket.” 2017. Web. 15 Oct 2019.

Vancouver:

Tang H. Kulturstråket. [Internet] [Thesis]. KTH; 2017. [cited 2019 Oct 15]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-168438.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tang H. Kulturstråket. [Thesis]. KTH; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-168438

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

90. Izu, Benjamin Obeghare. Music and associated ceremonies displayed during Ugie (festival) in the Royal Court of Benin Kingdom, Nigeria .

Degree: 2012, University of South Africa

 This study examines the Oba of Benin Royal Ugie ceremonies, which is an annual religious and cultural event celebrated by the Benin speaking people of… (more)

Subjects/Keywords: Festival; Music; Ewini music; African music; Traditional festivals; Igue festival; Rituals; Oba of Benin kingdom; Ugie festivals; Chiefs; Benin kingdom; Culture; Costume; Igue Dance; Edo people

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Izu, B. O. (2012). Music and associated ceremonies displayed during Ugie (festival) in the Royal Court of Benin Kingdom, Nigeria . (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/6721

Chicago Manual of Style (16th Edition):

Izu, Benjamin Obeghare. “Music and associated ceremonies displayed during Ugie (festival) in the Royal Court of Benin Kingdom, Nigeria .” 2012. Masters Thesis, University of South Africa. Accessed October 15, 2019. http://hdl.handle.net/10500/6721.

MLA Handbook (7th Edition):

Izu, Benjamin Obeghare. “Music and associated ceremonies displayed during Ugie (festival) in the Royal Court of Benin Kingdom, Nigeria .” 2012. Web. 15 Oct 2019.

Vancouver:

Izu BO. Music and associated ceremonies displayed during Ugie (festival) in the Royal Court of Benin Kingdom, Nigeria . [Internet] [Masters thesis]. University of South Africa; 2012. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/10500/6721.

Council of Science Editors:

Izu BO. Music and associated ceremonies displayed during Ugie (festival) in the Royal Court of Benin Kingdom, Nigeria . [Masters Thesis]. University of South Africa; 2012. Available from: http://hdl.handle.net/10500/6721

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