subject:(cultural hybridity)

1. Alamares, Charlene. Bharati Mukherjee's Jasmine and Diana Abu-Jaber's Crescent: Metaphoric Representations of Hybrid Identities .

Degree: 2013, California State University – San Marcos

URL: http://hdl.handle.net/10211.8/555

► Metaphors potentially provide people a way to communicate deep meaning in an everyday sense. Homi K. Bhabha imagines hybridity in terms of space, and both… (more)

Subjects/Keywords: Cultural Hybridity; Identity Construction; Metaphor

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APA (6^th Edition):

Alamares, C. (2013). Bharati Mukherjee's Jasmine and Diana Abu-Jaber's Crescent: Metaphoric Representations of Hybrid Identities . (Thesis). California State University – San Marcos. Retrieved from http://hdl.handle.net/10211.8/555

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Alamares, Charlene. “Bharati Mukherjee's Jasmine and Diana Abu-Jaber's Crescent: Metaphoric Representations of Hybrid Identities .” 2013. Thesis, California State University – San Marcos. Accessed January 19, 2021. http://hdl.handle.net/10211.8/555.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Alamares, Charlene. “Bharati Mukherjee's Jasmine and Diana Abu-Jaber's Crescent: Metaphoric Representations of Hybrid Identities .” 2013. Web. 19 Jan 2021.

Vancouver:

Alamares C. Bharati Mukherjee's Jasmine and Diana Abu-Jaber's Crescent: Metaphoric Representations of Hybrid Identities . [Internet] [Thesis]. California State University – San Marcos; 2013. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10211.8/555.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alamares C. Bharati Mukherjee's Jasmine and Diana Abu-Jaber's Crescent: Metaphoric Representations of Hybrid Identities . [Thesis]. California State University – San Marcos; 2013. Available from: http://hdl.handle.net/10211.8/555

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

2. Pataki, Éva. Caught Between Two Worlds .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/171811

► In this paper I intend to provide an insight into the current position and state of mind of British Asians through three landmark novels of… (more)

Subjects/Keywords: hybridity; cultural identity; multiculturalism; South Asian diaspora

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APA (6^th Edition):

Pataki, �. (2013). Caught Between Two Worlds . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/171811

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pataki, Éva. “Caught Between Two Worlds .” 2013. Thesis, University of Debrecen. Accessed January 19, 2021. http://hdl.handle.net/2437/171811.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pataki, Éva. “Caught Between Two Worlds .” 2013. Web. 19 Jan 2021.

Vancouver:

Pataki �. Caught Between Two Worlds . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/2437/171811.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pataki �. Caught Between Two Worlds . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/171811

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Victoria University of Wellington

3. Gourlay, Carl. Aotearoa Architecture Interwoven Abroad.

Degree: 2020, Victoria University of Wellington

URL: http://hdl.handle.net/10063/9342

► In an era of globalization and technological revolution, concurrent shifts in architectural styles are visually apparent. With endeavors to accommodate globalized cultural diversity, multi-cultural exploration… (more)

Subjects/Keywords: Maori Architecture; Cultural; Embassy; Multi-cultural; Cultural Hybridity

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APA (6^th Edition):

Gourlay, C. (2020). Aotearoa Architecture Interwoven Abroad. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/9342

Chicago Manual of Style (16^th Edition):

Gourlay, Carl. “Aotearoa Architecture Interwoven Abroad.” 2020. Masters Thesis, Victoria University of Wellington. Accessed January 19, 2021. http://hdl.handle.net/10063/9342.

MLA Handbook (7^th Edition):

Gourlay, Carl. “Aotearoa Architecture Interwoven Abroad.” 2020. Web. 19 Jan 2021.

Vancouver:

Gourlay C. Aotearoa Architecture Interwoven Abroad. [Internet] [Masters thesis]. Victoria University of Wellington; 2020. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10063/9342.

Council of Science Editors:

Gourlay C. Aotearoa Architecture Interwoven Abroad. [Masters Thesis]. Victoria University of Wellington; 2020. Available from: http://hdl.handle.net/10063/9342

AUT University

4. Radojkovich, Leanne. The literary benefits of linguistic and cultural hybridity .

Degree: 2010, AUT University

URL: http://hdl.handle.net/10292/868

► The objective of this exegesis is to show how linguistic and cultural hybridity create a unique prose style, and how my stories sit within that… (more)

Subjects/Keywords: Literary fiction; Cultural hybridity; Linguistic hybridity; Mixed identities; Prose style; Narrative techniques

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APA (6^th Edition):

Radojkovich, L. (2010). The literary benefits of linguistic and cultural hybridity . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/868

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Radojkovich, Leanne. “The literary benefits of linguistic and cultural hybridity .” 2010. Thesis, AUT University. Accessed January 19, 2021. http://hdl.handle.net/10292/868.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Radojkovich, Leanne. “The literary benefits of linguistic and cultural hybridity .” 2010. Web. 19 Jan 2021.

Vancouver:

Radojkovich L. The literary benefits of linguistic and cultural hybridity . [Internet] [Thesis]. AUT University; 2010. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10292/868.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Radojkovich L. The literary benefits of linguistic and cultural hybridity . [Thesis]. AUT University; 2010. Available from: http://hdl.handle.net/10292/868

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Washington Roberto Almeida Soares. NegociaÃÃo e hibridismo cultural no espaÃo missioneiro do GuairÃ pelos escritos de Antonio Ruiz de Montoya (1609-1632).

Degree: 2012, Universidade Estadual do Oeste do Parana

URL: http://tede.unioeste.br/tede//tde_busca/arquivo.php?codArquivo=940

►

O trabalho tem por objetivo analisar o processo civilizador empregado pelos jesuÃtas nas missÃes do GuairÃ entre os anos de 1609 e 1632, tendo como… (more)

▼

O trabalho tem por objetivo analisar o processo civilizador empregado pelos jesuÃtas nas missÃes do GuairÃ entre os anos de 1609 e 1632, tendo como referÃncia teÃrica central o conceito de negociaÃÃo cultural, assim como concebido por Hommi Bhabha. De acordo com a nossa hipÃtese, a introduÃÃo da cultura eurocristÃ entre os Guarani se deu mediante intensa negociaÃÃo cultural entre as partes envolvidas. Esse movimento inaugurou a construÃÃo de pontes intersubjetivas entre indÃgenas e religiosos, o que resultou, por consequÃncia, na origem de uma cultura hÃbrida, que mesclou aspectos da cultura Guarani e CristÃ, ressignificando-os em um espaÃo missioneiro, que serÃ tratado como um entre-lugar. Analisaremos a interpretaÃÃo das prÃticas culturais dos Guarani, a sua apropriaÃÃo e a posterior representaÃÃo da identidade do Ãndio gentio e do Ãndio reduzido. As fontes que alimentam a nossa abordagem contemplam, sobretudo, os escritos do Padre Antonio Ruiz de Montoya, um dos pioneiros da experiÃncia reducional na regiÃo.

The work aims to analyze the civilizing process employed by the Jesuits in the missions of GuairÃ between the years 1609 and 1632, with reference to the central theoretical concept of cultural negociation, as conceived by Hommi Bhabha. According to our hypothesis, the introduction of the eurochristian culture among the Guarani took place through intense cultural negotiation between the parties involved. This movement inaugurated the construction of intersubjective bridges between the Indians and the religious, which therefore resulted in a hybrid culture, with aspects of both the Guarani and the Christian cultures, redefined in the missionary area, that will be treated as an in-between place. We will discuss the interpretation of the cultural practices of the Guarani, their appropriation and further representation of the Gentile Indian and the Reduced Indian. The sources that feed our approach include, in particular, the writings of Father Antonio Ruiz de Montoya, one of the pioneers of reductional experience in the region.

Advisors/Committee Members: Samuel Klauck, Euclides Marchi, Erneldo Schallenberger.

Subjects/Keywords: missÃes jesuÃticas; negociaÃÃo cultural; hibridismo cultural; jesuit missions; cultural negotiation; cultural hybridity; SOCIOLOGIA

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APA (6^th Edition):

Soares, W. R. A. (2012). NegociaÃÃo e hibridismo cultural no espaÃo missioneiro do GuairÃ pelos escritos de Antonio Ruiz de Montoya (1609-1632). (Thesis). Universidade Estadual do Oeste do Parana. Retrieved from http://tede.unioeste.br/tede//tde_busca/arquivo.php?codArquivo=940

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Soares, Washington Roberto Almeida. “NegociaÃÃo e hibridismo cultural no espaÃo missioneiro do GuairÃ pelos escritos de Antonio Ruiz de Montoya (1609-1632).” 2012. Thesis, Universidade Estadual do Oeste do Parana. Accessed January 19, 2021. http://tede.unioeste.br/tede//tde_busca/arquivo.php?codArquivo=940.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Soares, Washington Roberto Almeida. “NegociaÃÃo e hibridismo cultural no espaÃo missioneiro do GuairÃ pelos escritos de Antonio Ruiz de Montoya (1609-1632).” 2012. Web. 19 Jan 2021.

Vancouver:

Soares WRA. NegociaÃÃo e hibridismo cultural no espaÃo missioneiro do GuairÃ pelos escritos de Antonio Ruiz de Montoya (1609-1632). [Internet] [Thesis]. Universidade Estadual do Oeste do Parana; 2012. [cited 2021 Jan 19]. Available from: http://tede.unioeste.br/tede//tde_busca/arquivo.php?codArquivo=940.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Soares WRA. NegociaÃÃo e hibridismo cultural no espaÃo missioneiro do GuairÃ pelos escritos de Antonio Ruiz de Montoya (1609-1632). [Thesis]. Universidade Estadual do Oeste do Parana; 2012. Available from: http://tede.unioeste.br/tede//tde_busca/arquivo.php?codArquivo=940

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Universidade do Rio Grande do Sul

6. Bobsin, Augusto da Silva. Galpões do vale do Rio Três Forquilhas (RS): hibridismo e paisagem cultural.

Degree: 2017, Universidade do Rio Grande do Sul

URL: http://hdl.handle.net/10183/172209

►

Esta dissertação busca desenvolver uma etnogeografia sobre a presença dos Galpões no cotidiano de alguns grupos sociais no Vale do Rio Três Forquilhas (Litoral Norte… (more)

▼

Esta dissertação busca desenvolver uma etnogeografia sobre a presença dos Galpões no cotidiano de alguns grupos sociais no Vale do Rio Três Forquilhas (Litoral Norte do Rio Grande do Sul), para tanto se aporta em Bonnemaison (2002), como referencial para o entendimento dos acontecimentos na área delimitada, para analisar não somente a arquitetura contemporânea de algumas casas, mas também ressaltar a importância da etnicidade e período das ocupações “não nativas” como vetores dos processos de hibridismo. Para este conceito (hibridismo) serão utilizados textos de Canclini (2006) e Burke (2008). O “Galpão” investigado não é somente o “Galpão gaúcho”, mas também os espaços do habitar, trabalho e lazer de vários grupos étnicos e sociais presentes nesta região (Japoneses, alemães, açorianos, quilombolas e pescadores). Amalgamando-se culturalmente, estes grupos constituem seus territórios domésticos e representações sociais dentro do hibridismo. Os acontecimentos que motivam a ascensão dos diferentes espaços domésticos de representação social, em análise, constroem esta pesquisa; seus vetores, razões e as diversas composições da paisagem cultural (CLAVAL, 2007), como feição praticada do processo geográfico de (re) construção do espaço.

This dissertation aims to develop an ethnogeography about the presence of Galpões on the daily life of some social groups in Três Forquilhas River Valley (North Coast of Rio Grande do Sul). To do so, it is contributed in the formulation of ideas of Bonnemaison (2002) as referential to the understanding of the events in that delimited area in order to analyse not only the contemporary architecture of some houses, but also to highlight the importance of ethnicity and “non native” occupation periods as values of the hybridity process. For the concept of hibridity, Canclini’s (2006) and Burke’s (2008) conception will be used. The investigated “Galpão” is not only the “Galpão Gaúcho”, but also places of habitation, work and leisure of many ethnic and social groups that inhabit that region (japanese, german, azoreans, quilombolas and fishermen). Culturally amalgamating, these groups constitute their domestic territory and social representations inside the hybridity. The events that motivate the rise of distinct domestic spaces of social representation, in analysis, constitute this research; their vectors, reasons and the various compositions of the cultural landscape (CLAVAL, 2007), as practiced feature of the geographical process of (re)construction of spaces.

Advisors/Committee Members: Heidrich, Álvaro Luiz.

Subjects/Keywords: Galpões; Galpão; Etnografia; Etnogeography; Hibridismo cultural; Hybridity; Cultural landscape

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APA (6^th Edition):

Bobsin, A. d. S. (2017). Galpões do vale do Rio Três Forquilhas (RS): hibridismo e paisagem cultural. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/172209

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bobsin, Augusto da Silva. “Galpões do vale do Rio Três Forquilhas (RS): hibridismo e paisagem cultural.” 2017. Thesis, Universidade do Rio Grande do Sul. Accessed January 19, 2021. http://hdl.handle.net/10183/172209.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bobsin, Augusto da Silva. “Galpões do vale do Rio Três Forquilhas (RS): hibridismo e paisagem cultural.” 2017. Web. 19 Jan 2021.

Vancouver:

Bobsin AdS. Galpões do vale do Rio Três Forquilhas (RS): hibridismo e paisagem cultural. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2017. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10183/172209.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bobsin AdS. Galpões do vale do Rio Três Forquilhas (RS): hibridismo e paisagem cultural. [Thesis]. Universidade do Rio Grande do Sul; 2017. Available from: http://hdl.handle.net/10183/172209

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Myers, Grace Katharine Elizabeth. Into Ireland: An Analysis Of Cultural Hybridity, Immigration, Food, And Place In The Silicon Docks Market In Dublin, Ireland.

Degree: MA, Sociology and Anthropology, 2017, University of Mississippi

URL: https://egrove.olemiss.edu/etd/359

► Ireland is still recovering from the Great Recession that devastated much of the world in 2007. Simultaneously, the country is also dealing with increasing diversity… (more)

Subjects/Keywords: Cultural Anthropology; Cultural Hybridity; Food; Immigration; Ireland; Place; Social and Cultural Anthropology

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APA (6^th Edition):

Myers, G. K. E. (2017). Into Ireland: An Analysis Of Cultural Hybridity, Immigration, Food, And Place In The Silicon Docks Market In Dublin, Ireland. (Masters Thesis). University of Mississippi. Retrieved from https://egrove.olemiss.edu/etd/359

Chicago Manual of Style (16^th Edition):

Myers, Grace Katharine Elizabeth. “Into Ireland: An Analysis Of Cultural Hybridity, Immigration, Food, And Place In The Silicon Docks Market In Dublin, Ireland.” 2017. Masters Thesis, University of Mississippi. Accessed January 19, 2021. https://egrove.olemiss.edu/etd/359.

MLA Handbook (7^th Edition):

Myers, Grace Katharine Elizabeth. “Into Ireland: An Analysis Of Cultural Hybridity, Immigration, Food, And Place In The Silicon Docks Market In Dublin, Ireland.” 2017. Web. 19 Jan 2021.

Vancouver:

Myers GKE. Into Ireland: An Analysis Of Cultural Hybridity, Immigration, Food, And Place In The Silicon Docks Market In Dublin, Ireland. [Internet] [Masters thesis]. University of Mississippi; 2017. [cited 2021 Jan 19]. Available from: https://egrove.olemiss.edu/etd/359.

Council of Science Editors:

Myers GKE. Into Ireland: An Analysis Of Cultural Hybridity, Immigration, Food, And Place In The Silicon Docks Market In Dublin, Ireland. [Masters Thesis]. University of Mississippi; 2017. Available from: https://egrove.olemiss.edu/etd/359

University of California – Berkeley

8. Bodenheimer, Rebecca Marina. Localizing Hybridity: The Politics of Place in Contemporary Cuban Rumba Performance.

Degree: Music, 2010, University of California – Berkeley

URL: http://www.escholarship.org/uc/item/6dd1d7h7

► This study examines a range of innovations that have emerged in the performance of the Afro-Cuban music and dance genre rumba during the last three… (more)

▼ This study examines a range of innovations that have emerged in the performance of the Afro-Cuban music and dance genre rumba during the last three decades. Rumba, which emerged in the mid-nineteenth century within black and racially mixed communities in western Cuba, is a hybrid musical practice that integrates Central- and West African-derived percussion instruments and rhythmic patterns with European melody and Spanish poetic forms. Recent innovations include the creation of fusions with a variety of Afro-diasporic musical practices, the incorporation of Afro-Cuban sacred music and dance into the repertoires of rumba groups, and the invention of a new percussion style. Rather than employing an indiscriminate approach to their fusions, I posit that musicians from different provinces in Cuba have drawn on specific, locally-defined traditions in their respective innovations. I propose that recent rumba fusions can be viewed as an example of the entangled relationship between regional identity formation and musical innovation. The main theoretical focus of my dissertation is an exploration of how racialized regional identities are performed through the rumba innovations emerging respectively from Havana and Matanzas, the two western Cuban cities with the longest and most influential histories of rumba performance. While Havana and Matanzas share many of the same Afro-Cuban musical traditions, the two cities have been inserted into polarized cultural discourses: whereas Havana is represented as the cosmopolitan center of innovation and racial/cultural hybridity, Matanzas is known as "the cradle of Afro-Cuban culture" and constructed as the site of "authentic" blackness. My fieldwork with rumba groups in both Havana and Matanzas leads me to complicate these widely held assumptions about where tradition is "located" and where hybridity "takes place" in Cuba, as they paint incomplete portraits of the two cities' respective folkloric scenes. Although these tropes of place result in a problematic essentialization of the cultural identities of the two cities, they enjoy widespread currency both in Cuba and abroad and cannot simply be dismissed. The government's investment since the mid-1990s in cultural tourism centered around Afro-Cuban music and dance has significantly raised the stakes for folkloric musicians in terms of representing themselves as "authentic." Competition between Havana and Matanzas for cultural tourism, mainly in the form of music and dance lessons, thus presents a concrete example of how racialized discourses of place and related claims of authenticity have material effects on the livelihoods of folkloric musicians.

Subjects/Keywords: Music; Latin American Studies; Anthropology, Cultural; hybridity; politics of place; rumba

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bodenheimer, R. M. (2010). Localizing Hybridity: The Politics of Place in Contemporary Cuban Rumba Performance. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/6dd1d7h7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bodenheimer, Rebecca Marina. “Localizing Hybridity: The Politics of Place in Contemporary Cuban Rumba Performance.” 2010. Thesis, University of California – Berkeley. Accessed January 19, 2021. http://www.escholarship.org/uc/item/6dd1d7h7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bodenheimer, Rebecca Marina. “Localizing Hybridity: The Politics of Place in Contemporary Cuban Rumba Performance.” 2010. Web. 19 Jan 2021.

Vancouver:

Bodenheimer RM. Localizing Hybridity: The Politics of Place in Contemporary Cuban Rumba Performance. [Internet] [Thesis]. University of California – Berkeley; 2010. [cited 2021 Jan 19]. Available from: http://www.escholarship.org/uc/item/6dd1d7h7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bodenheimer RM. Localizing Hybridity: The Politics of Place in Contemporary Cuban Rumba Performance. [Thesis]. University of California – Berkeley; 2010. Available from: http://www.escholarship.org/uc/item/6dd1d7h7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Alberta

9. Ing, Cynthia P. Interrogating interculturalism: confronting the provocative theatricality of Ariane Mnouchkine and Shūji Terayama.

Degree: MA, Department of Drama, 2010, University of Alberta

URL: https://era.library.ualberta.ca/files/8p58pf08m

► Intercultural theatre is a highly contested form of theatre. Critical discussions over its position as a revitalizing force or a colonial instrument have raged on… (more)

Subjects/Keywords: Mnouchkine; interculturalism; hybridity; Terayama; theatre; cross-cultural; avant-garde

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APA (6^th Edition):

Ing, C. P. (2010). Interrogating interculturalism: confronting the provocative theatricality of Ariane Mnouchkine and Shūji Terayama. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/8p58pf08m

Chicago Manual of Style (16^th Edition):

Ing, Cynthia P. “Interrogating interculturalism: confronting the provocative theatricality of Ariane Mnouchkine and Shūji Terayama.” 2010. Masters Thesis, University of Alberta. Accessed January 19, 2021. https://era.library.ualberta.ca/files/8p58pf08m.

MLA Handbook (7^th Edition):

Ing, Cynthia P. “Interrogating interculturalism: confronting the provocative theatricality of Ariane Mnouchkine and Shūji Terayama.” 2010. Web. 19 Jan 2021.

Vancouver:

Ing CP. Interrogating interculturalism: confronting the provocative theatricality of Ariane Mnouchkine and Shūji Terayama. [Internet] [Masters thesis]. University of Alberta; 2010. [cited 2021 Jan 19]. Available from: https://era.library.ualberta.ca/files/8p58pf08m.

Council of Science Editors:

Ing CP. Interrogating interculturalism: confronting the provocative theatricality of Ariane Mnouchkine and Shūji Terayama. [Masters Thesis]. University of Alberta; 2010. Available from: https://era.library.ualberta.ca/files/8p58pf08m

Penn State University

10. Alauddin, Nursabrina Binti. From Dress Shoes to Flip-Flops: A Study on the Shifting of Imperialism and Cultural Identity in Malaysia.

Degree: 2017, Penn State University

URL: https://submit-etda.libraries.psu.edu/catalog/13707npa5059

► This paper explores the differences in imperialism and its impact on cultural identity formation. Taking Malaysians as model, Malaysia is a country founded by the… (more)

Subjects/Keywords: Media imperialism; cultural identity; Hybridity; Hyperreality; Participatory Culture

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APA (6^th Edition):

Alauddin, N. B. (2017). From Dress Shoes to Flip-Flops: A Study on the Shifting of Imperialism and Cultural Identity in Malaysia. (Thesis). Penn State University. Retrieved from https://submit-etda.libraries.psu.edu/catalog/13707npa5059

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Alauddin, Nursabrina Binti. “From Dress Shoes to Flip-Flops: A Study on the Shifting of Imperialism and Cultural Identity in Malaysia.” 2017. Thesis, Penn State University. Accessed January 19, 2021. https://submit-etda.libraries.psu.edu/catalog/13707npa5059.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Alauddin, Nursabrina Binti. “From Dress Shoes to Flip-Flops: A Study on the Shifting of Imperialism and Cultural Identity in Malaysia.” 2017. Web. 19 Jan 2021.

Vancouver:

Alauddin NB. From Dress Shoes to Flip-Flops: A Study on the Shifting of Imperialism and Cultural Identity in Malaysia. [Internet] [Thesis]. Penn State University; 2017. [cited 2021 Jan 19]. Available from: https://submit-etda.libraries.psu.edu/catalog/13707npa5059.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alauddin NB. From Dress Shoes to Flip-Flops: A Study on the Shifting of Imperialism and Cultural Identity in Malaysia. [Thesis]. Penn State University; 2017. Available from: https://submit-etda.libraries.psu.edu/catalog/13707npa5059

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Newcastle

11. Liou, Ruth (Ru-Hwa). Lotus trace III: hybrid cultural identity ~ a place to call home.

Degree: PhD, 2015, University of Newcastle

URL: http://hdl.handle.net/1959.13/1310437

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Research Doctorate - Doctor of Philosophy (PhD)

Concepts of Identity, Culture and Home have become fluid in a contemporary globalised world. No longer can one… (more)

▼

Research Doctorate - Doctor of Philosophy (PhD)

Concepts of Identity, Culture and Home have become fluid in a contemporary globalised world. No longer can one hold a static assumption that these concepts are coherent and unitary. As a migrant, and later in life an artist, who has been living in Australia for thirty-five years, the question ‘Where are you from?’ always highlighted my ‘double-consciousness’ and provoked me to consider ‘who am I?’ My own acceptance of ‘otherness’ intensified my desire to explore through my creative arts research the concepts of self and belonging. My research perspective is drawn from a personal migration experience. It is a testimony to the psychological complexities experienced by people displaced to live in an unfamiliar culture and the affects this displacement has on ones sense of self. It considers theories that examine whether displaced people can ever be fully assimilated into a new and different culture and enquires whether ‘liminal space’ is a transitory or permanent location for the displaced person’s identity configuration? The research project reconnoitres and conceptualises a personal justification of hybrid/cultural identity configuration and metaphysical belongingness in a liminal space - a psychological space of ‘neither here nor there’ realised through sculptural installation. It explores and identifies an understanding of accumulating differences that mark the split, incomplete, hybrid positions in the fissure of liminality of those transnationals who are placed between two or more divided geographies, socio-graphics and cultural identities in the ‘in-between-ness’ and beyond. Through a critical analysis of six contemporary transnational artists whose experiences of displacement have shaped their sense of identity, belonging and their creative arts practice I find a common ground to convey my own insight and feelings of ‘being in the third space’. My research shows how the search for a concept of home, identity and belongingness informs the work of the artist and a longing to express these effects and understandings manifesting itself through a visual interpretation.

Advisors/Committee Members: University of Newcastle. Faculty of Education & Arts, School of Creative Arts.

Subjects/Keywords: identity; cultural identity; liminality; third space; home; hybridity; home and identity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Liou, R. (. (2015). Lotus trace III: hybrid cultural identity ~ a place to call home. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1310437

Chicago Manual of Style (16^th Edition):

Liou, Ruth (Ru-Hwa). “Lotus trace III: hybrid cultural identity ~ a place to call home.” 2015. Doctoral Dissertation, University of Newcastle. Accessed January 19, 2021. http://hdl.handle.net/1959.13/1310437.

MLA Handbook (7^th Edition):

Liou, Ruth (Ru-Hwa). “Lotus trace III: hybrid cultural identity ~ a place to call home.” 2015. Web. 19 Jan 2021.

Vancouver:

Liou R(. Lotus trace III: hybrid cultural identity ~ a place to call home. [Internet] [Doctoral dissertation]. University of Newcastle; 2015. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/1959.13/1310437.

Council of Science Editors:

Liou R(. Lotus trace III: hybrid cultural identity ~ a place to call home. [Doctoral Dissertation]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1310437

Tampere University

12. Nieminen, Tuuli. "It gave me everything but it gave me nothing": a study of second-generation migrants, transnationalism and identity .

Degree: 2018, Tampere University

URL: https://trepo.tuni.fi/handle/10024/104810

► Since the 1990’s Finland has experienced a steady growth in migration. This has led to an increase in interest in the fields of integration and… (more)

Subjects/Keywords: Second-generation migrants; transnationalism; integration; cultural hybridity; identity

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APA (6^th Edition):

Nieminen, T. (2018). "It gave me everything but it gave me nothing": a study of second-generation migrants, transnationalism and identity . (Masters Thesis). Tampere University. Retrieved from https://trepo.tuni.fi/handle/10024/104810

Chicago Manual of Style (16^th Edition):

Nieminen, Tuuli. “"It gave me everything but it gave me nothing": a study of second-generation migrants, transnationalism and identity .” 2018. Masters Thesis, Tampere University. Accessed January 19, 2021. https://trepo.tuni.fi/handle/10024/104810.

MLA Handbook (7^th Edition):

Nieminen, Tuuli. “"It gave me everything but it gave me nothing": a study of second-generation migrants, transnationalism and identity .” 2018. Web. 19 Jan 2021.

Vancouver:

Nieminen T. "It gave me everything but it gave me nothing": a study of second-generation migrants, transnationalism and identity . [Internet] [Masters thesis]. Tampere University; 2018. [cited 2021 Jan 19]. Available from: https://trepo.tuni.fi/handle/10024/104810.

Council of Science Editors:

Nieminen T. "It gave me everything but it gave me nothing": a study of second-generation migrants, transnationalism and identity . [Masters Thesis]. Tampere University; 2018. Available from: https://trepo.tuni.fi/handle/10024/104810

AUT University

13. Naware, Mihika. Vastra Avatar: a personal manifestation of fashion, culture, and identity .

Degree: 2010, AUT University

URL: http://hdl.handle.net/10292/811

► This research project asks; what is the potential for garments to express an Indian/European cultural hybridisation? The research explores the development of an alternative aesthetic… (more)

Subjects/Keywords: Fashion; Hybridity; India; Cultural identity; Heuristic methodology; Digital printing

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APA (6^th Edition):

Naware, M. (2010). Vastra Avatar: a personal manifestation of fashion, culture, and identity . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/811

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Naware, Mihika. “Vastra Avatar: a personal manifestation of fashion, culture, and identity .” 2010. Thesis, AUT University. Accessed January 19, 2021. http://hdl.handle.net/10292/811.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Naware, Mihika. “Vastra Avatar: a personal manifestation of fashion, culture, and identity .” 2010. Web. 19 Jan 2021.

Vancouver:

Naware M. Vastra Avatar: a personal manifestation of fashion, culture, and identity . [Internet] [Thesis]. AUT University; 2010. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10292/811.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Naware M. Vastra Avatar: a personal manifestation of fashion, culture, and identity . [Thesis]. AUT University; 2010. Available from: http://hdl.handle.net/10292/811

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

AUT University

14. Carle [Charman], Trudy Ann. Pigment of the imagination: essay film as a navigation of liminity .

Degree: 2013, AUT University

URL: http://hdl.handle.net/10292/5260

► This creative, practice-led project considers the potential of essay film to negotiate a complex whanau narrative. It explores the intricate pathway of a family born… (more)

Subjects/Keywords: Essay film; Racial hybridity; Liminal space; Heuristic methodology; Cultural displacement

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APA (6^th Edition):

Carle [Charman], T. A. (2013). Pigment of the imagination: essay film as a navigation of liminity . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/5260

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Carle [Charman], Trudy Ann. “Pigment of the imagination: essay film as a navigation of liminity .” 2013. Thesis, AUT University. Accessed January 19, 2021. http://hdl.handle.net/10292/5260.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Carle [Charman], Trudy Ann. “Pigment of the imagination: essay film as a navigation of liminity .” 2013. Web. 19 Jan 2021.

Vancouver:

Carle [Charman] TA. Pigment of the imagination: essay film as a navigation of liminity . [Internet] [Thesis]. AUT University; 2013. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/10292/5260.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carle [Charman] TA. Pigment of the imagination: essay film as a navigation of liminity . [Thesis]. AUT University; 2013. Available from: http://hdl.handle.net/10292/5260

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Ali, Nitasha. Balancing Two Worlds: Female Indo-Fijian Immigrant Youth in Their Public and Private Domains and the Emergence of the New Hybridity.

Degree: MA, Anthropology, 2011, University of Mississippi

URL: https://egrove.olemiss.edu/etd/32

► In the last 20 years immigration in Canada has increased due to the relaxed immigration laws. With such an increase it is vital to understand… (more)

Subjects/Keywords: Adolescents; Hybridity; Identity; Immigrant; Indo-Fijian; Social and Cultural Anthropology

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APA (6^th Edition):

Ali, N. (2011). Balancing Two Worlds: Female Indo-Fijian Immigrant Youth in Their Public and Private Domains and the Emergence of the New Hybridity. (Masters Thesis). University of Mississippi. Retrieved from https://egrove.olemiss.edu/etd/32

Chicago Manual of Style (16^th Edition):

Ali, Nitasha. “Balancing Two Worlds: Female Indo-Fijian Immigrant Youth in Their Public and Private Domains and the Emergence of the New Hybridity.” 2011. Masters Thesis, University of Mississippi. Accessed January 19, 2021. https://egrove.olemiss.edu/etd/32.

MLA Handbook (7^th Edition):

Ali, Nitasha. “Balancing Two Worlds: Female Indo-Fijian Immigrant Youth in Their Public and Private Domains and the Emergence of the New Hybridity.” 2011. Web. 19 Jan 2021.

Vancouver:

Ali N. Balancing Two Worlds: Female Indo-Fijian Immigrant Youth in Their Public and Private Domains and the Emergence of the New Hybridity. [Internet] [Masters thesis]. University of Mississippi; 2011. [cited 2021 Jan 19]. Available from: https://egrove.olemiss.edu/etd/32.

Council of Science Editors:

Ali N. Balancing Two Worlds: Female Indo-Fijian Immigrant Youth in Their Public and Private Domains and the Emergence of the New Hybridity. [Masters Thesis]. University of Mississippi; 2011. Available from: https://egrove.olemiss.edu/etd/32

16. Iwanska, Eleonora. L’écriture du vide et de la renaissance dans l’oeuvre de Simone Veil, d’Agata Tuszyńska et de Władysław Szpilman : The Holocaust : emptiness and rebirth in the work of Agata Tuszynska, of Wladyslaw Szpilman and Simone Veil.

Degree: Docteur es, Littérature générale et comparée, 2013, Aix Marseille Université

URL: http://www.theses.fr/2013AIXM3131

►

Dans l’histoire des Juifs d’Europe rien n’illumine autant que le mouvement des Lumières (XVIIIe siècle), rien n’est plus troublant que la comparaison entre le sujet… (more)

▼

Dans l’histoire des Juifs d’Europe rien n’illumine autant que le mouvement des Lumières (XVIIIe siècle), rien n’est plus troublant que la comparaison entre le sujet national et l'étranger (fin du XIXe siècle), rien n’est plus sinistre que la dévastation de ce qui semblait immuable, en vue d’un but déterminé : pureté raciale. Le nazisme triomphant (début du XXe siècle) a tout fait pour anéantir la diaspora juive. En dehors même de la destruction physique, la résolution de la question juive se présente comme démolition à la fois du patrimoine et de l’identité juifs. Ce qui change dès lors, c’est l’ensemble des rapports sociaux. Le sentiment d’insécurité devient une obsession, qui longtemps après la guerre continue à hanter les survivants. Ce que nous voyons dans Une histoire familiale de la peur, c’est l’impact qu’a l’Holocauste sur le devenir des Juifs polonais. Agata Tuszyńska (deuxième génération des survivants) a eu une période de déni et une période de révolte, puis est venu l’âge de l’acceptation, avec une volonté de restaurer des liens socioculturels entre le monde disparu et le monde contemporain. Le refus de jugement sur la fièvre antisémite, rend caduque la saisie du sens exacte de l’extermination au lendemain de la guerre. Le silence des rescapés couvre d’ombre des siècles d’existence des Juifs polonais. Il enferme les victimes dans un monde de souffrance incommunicable. Dans ces circonstances le deuil du génocide ne réussit pas. Ce qui les empêche de faire ce travail ce sont les défenses psychiques, l’incompréhension sociale et l’oubli de soi. La Shoah devient alors un jeu de confessions et de concepts imprécis, où s’introduisent le vide et le non-sens.

A period of triumphant Nazism (in the beginning of XXth century) imposed in all Europe an abrupt stop: it made everything to annihilate the Jewish Diaspora. Outside even of physical destruction, this resolution of the “Jewish issue” is present as demolition at the same time of the heritage and of the Jewish identity. A lack of apogee is cause by a long way of tolerance and a hard work of integration. What changes from then on, is all the social relationships. The feeling of insecurity becomes an obsession and continues to haunt the survivors long after the end of the War. We can see that in the example of “Rodzinna historia leku” (A family history of the fear) it is the impact which has the Holocaust on the future of Polish Jews. Agata Tuszynska, professor, journalist (the second generation of the survivors) had a period of denial and a period of revolt, then came the age of the acceptance, with a desire to restore socio-cultural links between the disappeared and the contemporary world. The refusal of judgment on a kind of anti-Semitic fever, according to the criterion of the good and the bad, makes null the seizure of the correct meaning of the extermination after the War. The silence of the survivors overshadows the centuries of existence of the Polish Jews. It locks the victims into a world of incommunicable suffering. It is thus obvious that, in these…

Advisors/Committee Members: Rinner, Fridrun (thesis director).

Subjects/Keywords: Shoah; Renaissance; Rebondissement; Hybridité; Emptiness; Rebirth; Renewal; Cultural hybridity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Iwanska, E. (2013). L’écriture du vide et de la renaissance dans l’oeuvre de Simone Veil, d’Agata Tuszyńska et de Władysław Szpilman : The Holocaust : emptiness and rebirth in the work of Agata Tuszynska, of Wladyslaw Szpilman and Simone Veil. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2013AIXM3131

Chicago Manual of Style (16^th Edition):

Iwanska, Eleonora. “L’écriture du vide et de la renaissance dans l’oeuvre de Simone Veil, d’Agata Tuszyńska et de Władysław Szpilman : The Holocaust : emptiness and rebirth in the work of Agata Tuszynska, of Wladyslaw Szpilman and Simone Veil.” 2013. Doctoral Dissertation, Aix Marseille Université. Accessed January 19, 2021. http://www.theses.fr/2013AIXM3131.

MLA Handbook (7^th Edition):

Iwanska, Eleonora. “L’écriture du vide et de la renaissance dans l’oeuvre de Simone Veil, d’Agata Tuszyńska et de Władysław Szpilman : The Holocaust : emptiness and rebirth in the work of Agata Tuszynska, of Wladyslaw Szpilman and Simone Veil.” 2013. Web. 19 Jan 2021.

Vancouver:

Iwanska E. L’écriture du vide et de la renaissance dans l’oeuvre de Simone Veil, d’Agata Tuszyńska et de Władysław Szpilman : The Holocaust : emptiness and rebirth in the work of Agata Tuszynska, of Wladyslaw Szpilman and Simone Veil. [Internet] [Doctoral dissertation]. Aix Marseille Université 2013. [cited 2021 Jan 19]. Available from: http://www.theses.fr/2013AIXM3131.

Council of Science Editors:

Iwanska E. L’écriture du vide et de la renaissance dans l’oeuvre de Simone Veil, d’Agata Tuszyńska et de Władysław Szpilman : The Holocaust : emptiness and rebirth in the work of Agata Tuszynska, of Wladyslaw Szpilman and Simone Veil. [Doctoral Dissertation]. Aix Marseille Université 2013. Available from: http://www.theses.fr/2013AIXM3131

University of Leicester

17. Liu, Kuan-Yin. Understanding the organisational hybridity of cultural and art organisations : the case of contemporary art spaces in Taiwan.

Degree: PhD, 2020, University of Leicester

URL: https://doi.org/10.25392/leicester.data.13322795.v1 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.819487

► Research into the phenomenon of hybrid organisations has emerged from a number of different academic and professional spheres, typically focusing on the multiple, complex social… (more)

▼ Research into the phenomenon of hybrid organisations has emerged from a number of different academic and professional spheres, typically focusing on the multiple, complex social issues related to the concept. However, across this work the definition of ‘hybrid organisations' is yet to be determined. In addition, little is known about hybrid organisational behaviour in the field of cultural and art institutions, especially across different national and cultural settings. Responding to this need, this research sets out to explore the organisational hybridity within cultural and art organisations. Taking Taiwanese contemporary art spaces as case studies, it argues that these art organisations cannot achieve hybridity without being able to negotiate complexity. Specifically, it shows how in the Taiwanese context this is achieved by embedding culturally specific approaches into organisational structure, strategy and programming. What emerges from the research is the importance of the role played by staff in expressing hybrid characteristics; with leadership vital in empowering staff to develop this hybridity. By taking the example of artists-in-residence programmes for all three of its case studies, the thesis demonstrates how hybridity is reached through the ways in which staff have established human relationships with the stakeholders; negotiated the challenges of cultural policy and governmental funding; and facilitated programmes to identify how and why hybridity works. This research contributes to an understanding of the particular dynamics of hybridity within cultural and art organisations. The findings show that the benefits of hybrid organisations are applicable to different kinds of institutions and offer sustainable ways to foster organisational development. However, beyond this the thesis also shows how the unique contexts of the Taiwanese experience provide a particularly vivid situation in which to see organisational hybridity in action, but also it reminds us of the importance of understanding organisations within their own cultural context.

Subjects/Keywords: Organisational Hybridity; Cultural and Art Organisations; Contemporary Art Spaces; Taiwan

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APA (6^th Edition):

Liu, K. (2020). Understanding the organisational hybridity of cultural and art organisations : the case of contemporary art spaces in Taiwan. (Doctoral Dissertation). University of Leicester. Retrieved from https://doi.org/10.25392/leicester.data.13322795.v1 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.819487

Chicago Manual of Style (16^th Edition):

Liu, Kuan-Yin. “Understanding the organisational hybridity of cultural and art organisations : the case of contemporary art spaces in Taiwan.” 2020. Doctoral Dissertation, University of Leicester. Accessed January 19, 2021. https://doi.org/10.25392/leicester.data.13322795.v1 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.819487.

MLA Handbook (7^th Edition):

Liu, Kuan-Yin. “Understanding the organisational hybridity of cultural and art organisations : the case of contemporary art spaces in Taiwan.” 2020. Web. 19 Jan 2021.

Vancouver:

Liu K. Understanding the organisational hybridity of cultural and art organisations : the case of contemporary art spaces in Taiwan. [Internet] [Doctoral dissertation]. University of Leicester; 2020. [cited 2021 Jan 19]. Available from: https://doi.org/10.25392/leicester.data.13322795.v1 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.819487.

Council of Science Editors:

Liu K. Understanding the organisational hybridity of cultural and art organisations : the case of contemporary art spaces in Taiwan. [Doctoral Dissertation]. University of Leicester; 2020. Available from: https://doi.org/10.25392/leicester.data.13322795.v1 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.819487

University of Melbourne

18. Hyland, Nicola Marie. Wherefore art thou bro'?: youth, hybridity and cross-cultural retellings of Romeo and Juliet.

Degree: 2011, University of Melbourne

URL: http://hdl.handle.net/11343/37129

► This thesis explores five performances which utilise Romeo and Juliet narratives to highlight the ‘hybrid’ experiences of othered youth in contemporary cross-cultural communities. Traversing diverse… (more)

Subjects/Keywords: theatre; cross-cultural; hybridity; youth; adaptation; Romeo and Juliet; Shakespeare

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hyland, N. M. (2011). Wherefore art thou bro'?: youth, hybridity and cross-cultural retellings of Romeo and Juliet. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/37129

Chicago Manual of Style (16^th Edition):

Hyland, Nicola Marie. “Wherefore art thou bro'?: youth, hybridity and cross-cultural retellings of Romeo and Juliet.” 2011. Doctoral Dissertation, University of Melbourne. Accessed January 19, 2021. http://hdl.handle.net/11343/37129.

MLA Handbook (7^th Edition):

Hyland, Nicola Marie. “Wherefore art thou bro'?: youth, hybridity and cross-cultural retellings of Romeo and Juliet.” 2011. Web. 19 Jan 2021.

Vancouver:

Hyland NM. Wherefore art thou bro'?: youth, hybridity and cross-cultural retellings of Romeo and Juliet. [Internet] [Doctoral dissertation]. University of Melbourne; 2011. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/11343/37129.

Council of Science Editors:

Hyland NM. Wherefore art thou bro'?: youth, hybridity and cross-cultural retellings of Romeo and Juliet. [Doctoral Dissertation]. University of Melbourne; 2011. Available from: http://hdl.handle.net/11343/37129

Louisiana State University

19. Chen, Yi-Chia. Shifting place identities in a post-conflict society : irony and multiculturality in Quemoy, Taiwan.

Degree: PhD, Social and Behavioral Sciences, 2013, Louisiana State University

URL: etd-05192013-150547 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3209

► ABSTRACT Quemoy is a small island with an area of fifty-eight square miles at the mouth of Xiamen Bay on the southeast coast of… (more)

▼ ABSTRACT Quemoy is a small island with an area of fifty-eight square miles at the mouth of Xiamen Bay on the southeast coast of China. As a Cold-War front of Taiwan shelled by the Chinese artillery for twenty years, Quemoy is becoming a heritage tourism destination attracting mainland Chinese to sightsee in its military structures. In this study, I examine landscape change in the post-conflict society through the interplay of three social dynamics—reconciliation, demilitarization, and touristification—exploring the cultural mechanism of landscape change and its meaning. Through a review of Quemoy’s history, I identify Quemoy’s geographical characteristics—marginality, cultural hybridity, and islandness—formed and articulated in a repetitive process that I term as the reversal of geographical coordinate system. The reversal coincides with a change of social concerns in the marginal society, whose negotiations with terrestrial and maritime powers direct its engaging front toward the land or the sea, and stimulates distinct human inscriptions in the landscape. Militarization of Quemoy as Chinese Nationalists’ Cold-War front initiated the last reversal, which turned its front toward the mainland China in 1949 and brought forth a military landscape characterized by its rigidity, hierarchy, and pragmatism. Simultaneously, the militarization incurred biopolitical production through militia duty, everyday regulation, combat economy, and battlefield knowledge. As the 1949-reversal is now dissolving under current demilitarization, from reinvention and destruction of military structures I reveal irony in the landscape as a way of cultural demilitarization subverting the significance of the past anticommunist conflicts. Furthermore, by reconstruction of historical landscapes and reinterpretation of symbolic landscapes, Quemoyans (re)localize landscape and jointly engage in a process of homeland construction. The juxtaposition of historical simulacra and reinvented military relics produces heterotopias of a museum island for heritage tourism. Consequently, the production of irony and heterotopias together serves as the cultural mechanism of the current identity reformulation from a battlefield to a heritage tourism destination. Uncovering the mechanism, I then demonstrate that ambiguity and multiculturality emerging from this irony’s multivocality and heterotopia’s multilocality is a cultural strategy of the border island society to negotiate with the post-conflict situation.

Subjects/Keywords: battlefield; heterotopia; heritage tourism; cultural hybridity; place formation; geographical reversal

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APA (6^th Edition):

Chen, Y. (2013). Shifting place identities in a post-conflict society : irony and multiculturality in Quemoy, Taiwan. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-05192013-150547 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3209

Chicago Manual of Style (16^th Edition):

Chen, Yi-Chia. “Shifting place identities in a post-conflict society : irony and multiculturality in Quemoy, Taiwan.” 2013. Doctoral Dissertation, Louisiana State University. Accessed January 19, 2021. etd-05192013-150547 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3209.

MLA Handbook (7^th Edition):

Chen, Yi-Chia. “Shifting place identities in a post-conflict society : irony and multiculturality in Quemoy, Taiwan.” 2013. Web. 19 Jan 2021.

Vancouver:

Chen Y. Shifting place identities in a post-conflict society : irony and multiculturality in Quemoy, Taiwan. [Internet] [Doctoral dissertation]. Louisiana State University; 2013. [cited 2021 Jan 19]. Available from: etd-05192013-150547 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3209.

Council of Science Editors:

Chen Y. Shifting place identities in a post-conflict society : irony and multiculturality in Quemoy, Taiwan. [Doctoral Dissertation]. Louisiana State University; 2013. Available from: etd-05192013-150547 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3209

University of Canterbury

20. Reilly, Brendan Michael Declan. Tiki to Mickey: The Anglo - American Influence On New Zealand Commercial Music Radio 1931-2008.

Degree: PhD, Media and Communication, 2011, University of Canterbury

URL: http://dx.doi.org/10.26021/4286

► Emerging consensus tends to suggest there is overwhelming American dominance of New Zealand radio in music. This study sets out to investigate such claims by… (more)

Subjects/Keywords: globalisation; cultural imperialism; hybridity; culture; media dependency; radio industry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Reilly, B. M. D. (2011). Tiki to Mickey: The Anglo - American Influence On New Zealand Commercial Music Radio 1931-2008. (Doctoral Dissertation). University of Canterbury. Retrieved from http://dx.doi.org/10.26021/4286

Chicago Manual of Style (16^th Edition):

Reilly, Brendan Michael Declan. “Tiki to Mickey: The Anglo - American Influence On New Zealand Commercial Music Radio 1931-2008.” 2011. Doctoral Dissertation, University of Canterbury. Accessed January 19, 2021. http://dx.doi.org/10.26021/4286.

MLA Handbook (7^th Edition):

Reilly, Brendan Michael Declan. “Tiki to Mickey: The Anglo - American Influence On New Zealand Commercial Music Radio 1931-2008.” 2011. Web. 19 Jan 2021.

Vancouver:

Reilly BMD. Tiki to Mickey: The Anglo - American Influence On New Zealand Commercial Music Radio 1931-2008. [Internet] [Doctoral dissertation]. University of Canterbury; 2011. [cited 2021 Jan 19]. Available from: http://dx.doi.org/10.26021/4286.

Council of Science Editors:

Reilly BMD. Tiki to Mickey: The Anglo - American Influence On New Zealand Commercial Music Radio 1931-2008. [Doctoral Dissertation]. University of Canterbury; 2011. Available from: http://dx.doi.org/10.26021/4286

Universiteit Utrecht

21. Dubbeldam, M. Conglomerates and the Hybridization of the K-Pop Movement: A Socio-Linguistic Analysis of K-Pop Lyrics 1992-2015.

Degree: 2016, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/338293

► The main question this study sets out to answer is to what extent large media conglomerates such as YG Entertainment, JYP Entertainment, and SM Entertainment… (more)

Subjects/Keywords: Socio-Linguistics; American Cultural Transfer; K-Pop; Cultural Hybridity; Korea; United States of America

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APA (6^th Edition):

Dubbeldam, M. (2016). Conglomerates and the Hybridization of the K-Pop Movement: A Socio-Linguistic Analysis of K-Pop Lyrics 1992-2015. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/338293

Chicago Manual of Style (16^th Edition):

Dubbeldam, M. “Conglomerates and the Hybridization of the K-Pop Movement: A Socio-Linguistic Analysis of K-Pop Lyrics 1992-2015.” 2016. Masters Thesis, Universiteit Utrecht. Accessed January 19, 2021. http://dspace.library.uu.nl:8080/handle/1874/338293.

MLA Handbook (7^th Edition):

Dubbeldam, M. “Conglomerates and the Hybridization of the K-Pop Movement: A Socio-Linguistic Analysis of K-Pop Lyrics 1992-2015.” 2016. Web. 19 Jan 2021.

Vancouver:

Dubbeldam M. Conglomerates and the Hybridization of the K-Pop Movement: A Socio-Linguistic Analysis of K-Pop Lyrics 1992-2015. [Internet] [Masters thesis]. Universiteit Utrecht; 2016. [cited 2021 Jan 19]. Available from: http://dspace.library.uu.nl:8080/handle/1874/338293.

Council of Science Editors:

Dubbeldam M. Conglomerates and the Hybridization of the K-Pop Movement: A Socio-Linguistic Analysis of K-Pop Lyrics 1992-2015. [Masters Thesis]. Universiteit Utrecht; 2016. Available from: http://dspace.library.uu.nl:8080/handle/1874/338293

Universidade Presbiteriana Mackenzie

22. Tania Cristina de Paula. Artefatos híbridos: uma reflexão sobre design e artesanato à luz do conceito de hibridismo cultural.

Degree: 2012, Universidade Presbiteriana Mackenzie

URL: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=3017

► A presente pesquisa propõe uma reflexão crítica sobre artefatos que surgem da confluência do design com o artesanato à luz do conceito de hibridismo cultural.… (more)

Subjects/Keywords: cultura material; design; artesanato; cultural hybridity; material culture; design; DESENHO DE PRODUTO; hibridismo cultural; craftwork

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APA (6^th Edition):

Paula, T. C. d. (2012). Artefatos híbridos: uma reflexão sobre design e artesanato à luz do conceito de hibridismo cultural. (Thesis). Universidade Presbiteriana Mackenzie. Retrieved from http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=3017

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Paula, Tania Cristina de. “Artefatos híbridos: uma reflexão sobre design e artesanato à luz do conceito de hibridismo cultural.” 2012. Thesis, Universidade Presbiteriana Mackenzie. Accessed January 19, 2021. http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=3017.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Paula, Tania Cristina de. “Artefatos híbridos: uma reflexão sobre design e artesanato à luz do conceito de hibridismo cultural.” 2012. Web. 19 Jan 2021.

Vancouver:

Paula TCd. Artefatos híbridos: uma reflexão sobre design e artesanato à luz do conceito de hibridismo cultural. [Internet] [Thesis]. Universidade Presbiteriana Mackenzie; 2012. [cited 2021 Jan 19]. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=3017.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Paula TCd. Artefatos híbridos: uma reflexão sobre design e artesanato à luz do conceito de hibridismo cultural. [Thesis]. Universidade Presbiteriana Mackenzie; 2012. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=3017

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Cambridge

23. Devitt Tremblay, Mary Lucie Maeve. Manifestations of Poland in nineteenth-century French culture.

Degree: PhD, 2019, University of Cambridge

URL: https://www.repository.cam.ac.uk/handle/1810/293617

► This dissertation looks at manifestations of Poland in nineteenth-century France and how perceptions of Poland and Polish people evolved throughout the century. This evolution was… (more)

▼ This dissertation looks at manifestations of Poland in nineteenth-century France and how perceptions of Poland and Polish people evolved throughout the century. This evolution was a result of political changes in France as well as an increasing awareness and understanding of Poland. The Great Emigration, a migration of thousands of Polish exiles to France during the nineteenth century, changed French perceptions of Poland. The more Polish migrants entered France and settled into Parisian society, the more representations became realistic. Hence, stereotypes changed and evolved as a result of political changes and increased factual awareness. Moreover, this dissertation suggests that culture and politics were inherently intertwined and illustrates how the French used Poland as a trope to promote their own political interests. Although the appropriation of Poland in France was prolific in the nineteenth century, it is a topic that has been neglected by scholars. This dissertation addresses this gap through a study of culture, particularly popular media. I have used a variety of primary source materials including costume books, caricatures, vaudevilles, melodramas, cookbooks, music sheets, and dance manuals to retrieve references to Pologne, polonais, and à la polonaise. The concept of the nation plays a vital role, as the sources under consideration demonstrate how representations of Poland within France helped propagate the idea of an existing Polish nation over a century where Poland was difficult to locate. It is argued that the Polish-Lithuanian Commonwealth was considered ‘near-exotic’, it was removed; it was a ‘periphery’- a frontier between the non-exotic and the exotic. Its peripheral European status meant that it was considered an ‘other’ in France. There are four chapters in this dissertation: one pertains to theatre, a second to images, the third concerns food and the fourth examines song, music, and dance. These chapters investigate some of the most common cultural forms through which Poland was manifested, particularly focusing on the public sphere.

Subjects/Keywords: History of France; History of Poland; Cultural History; Nineteenth-century French History; Cultural Appropriation; Cultural Hybridity; French culture

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APA (6^th Edition):

Devitt Tremblay, M. L. M. (2019). Manifestations of Poland in nineteenth-century French culture. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/293617

Chicago Manual of Style (16^th Edition):

Devitt Tremblay, Mary Lucie Maeve. “Manifestations of Poland in nineteenth-century French culture.” 2019. Doctoral Dissertation, University of Cambridge. Accessed January 19, 2021. https://www.repository.cam.ac.uk/handle/1810/293617.

MLA Handbook (7^th Edition):

Devitt Tremblay, Mary Lucie Maeve. “Manifestations of Poland in nineteenth-century French culture.” 2019. Web. 19 Jan 2021.

Vancouver:

Devitt Tremblay MLM. Manifestations of Poland in nineteenth-century French culture. [Internet] [Doctoral dissertation]. University of Cambridge; 2019. [cited 2021 Jan 19]. Available from: https://www.repository.cam.ac.uk/handle/1810/293617.

Council of Science Editors:

Devitt Tremblay MLM. Manifestations of Poland in nineteenth-century French culture. [Doctoral Dissertation]. University of Cambridge; 2019. Available from: https://www.repository.cam.ac.uk/handle/1810/293617

RMIT University

24. Rigumi, W. Spelling out the Hyphen: articulations of bicultural identity in three Tibeto-Chinese writers.

Degree: 2010, RMIT University

URL: http://researchbank.rmit.edu.au/view/rmit:160532

► The relatively liberalised cultural atmosphere of post-Mao late 1980’s China saw the emergence of a generation of writers seeking to reconnect with their ethnic background… (more)

▼ The relatively liberalised cultural atmosphere of post-Mao late 1980’s China saw the emergence of a generation of writers seeking to reconnect with their ethnic background in a literary movement largely known as “root-seeking literature”. This dissertation explores how three of the most prominent writers of that generation in contemporary Tibet, who share a Tibeto-Chinese ancestry, undertake this journey to define their bicultural identity. It seeks to amend previous descriptions the identities of these writers as an admixture of two cultural identities. Drawing from the concept of hybridity defined by Homi Bhabha, I argue that hybridity is a problematic of indeterminacy of identification through which they then articulate their identity. Adopting the metaphor of the hyphen (-), literally a punctuation mark of conjunction without any content to be spelt out, the study underscores its argument that the cultural identity each Tibeto-Chinese writer articulates can be apprehended in the mode they negotiate their position between the two dominant cultural identifiers and not in the content that is fused. This use of hybridity not only reveals markedly different manifestations of their bicultural identity; but it attests to the theoretical premise of the study to adopt hybridity not as passive description but active articulation. With his metropolitan sensibilities, Tashi Dawa assumes the satirical stance of a detached observer, to reject the larger markers of social identity and dwell in the individualistic space of the hyphen itself as a cosmopolitan. Woeser conceives of the hyphen in her identity as a divider that splits her selfhood, to reject this in-between status and reclaim a Tibetan identity in a nativist stance. Alai recreates a pseudo-history of his border homeland against the grain of larger nationalist histories and projects his Tibeto-Chinese ancestry as an older creole identity, to negate the hyphen and the cultural-nationalist notions that fracture his identity.

Subjects/Keywords: Fields of Research; Tibetan literature; cultural identity; hybridity; root-seeking literature; Tibeto-Chinese writers

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APA (6^th Edition):

Rigumi, W. (2010). Spelling out the Hyphen: articulations of bicultural identity in three Tibeto-Chinese writers. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:160532

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Rigumi, W. “Spelling out the Hyphen: articulations of bicultural identity in three Tibeto-Chinese writers.” 2010. Thesis, RMIT University. Accessed January 19, 2021. http://researchbank.rmit.edu.au/view/rmit:160532.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Rigumi, W. “Spelling out the Hyphen: articulations of bicultural identity in three Tibeto-Chinese writers.” 2010. Web. 19 Jan 2021.

Vancouver:

Rigumi W. Spelling out the Hyphen: articulations of bicultural identity in three Tibeto-Chinese writers. [Internet] [Thesis]. RMIT University; 2010. [cited 2021 Jan 19]. Available from: http://researchbank.rmit.edu.au/view/rmit:160532.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rigumi W. Spelling out the Hyphen: articulations of bicultural identity in three Tibeto-Chinese writers. [Thesis]. RMIT University; 2010. Available from: http://researchbank.rmit.edu.au/view/rmit:160532

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of California – Berkeley

25. Langin-Hooper, Stephanie Marie. Beyond Typology: Investigating Entanglements of Difference and Exploring Object-Generated Social Interactions in the Terracotta Figurines of Hellenistic Babylonia.

Degree: Near Eastern Studies, 2011, University of California – Berkeley

URL: http://www.escholarship.org/uc/item/57t59793

► This dissertation investigates the social role played by terracotta figurines in the Greek-Mesopotamian cross-cultural interactions of Hellenistic Babylonia. Previous studies of Hellenistic Babylonian terracotta figurines… (more)

▼ This dissertation investigates the social role played by terracotta figurines in the Greek-Mesopotamian cross-cultural interactions of Hellenistic Babylonia. Previous studies of Hellenistic Babylonian terracotta figurines have largely been organized as typological catalogues, with an emphasis placed on organizing the vast number of figurines within an understood dichotomy of "Greek" or "Babylonian". This dissertation makes two unique contributions to the study of these figurines. The first is to highlight the limitations of typology, an organizational tool that has the effect of privileging some features of the figurines over others, as well as using those features to cement figurines into rigid, artificial hierarchies. Through deconstructing typologies, this dissertation allows for the methodological substitution of more flexible, "real life" systems of categorization. The second major contribution of this dissertation is to investigate how Hellenistic Babylonian figurines actively participated in social interactions that were organized not only along the lines of Greek vs. Babylonian ethnicity, but also other social roles such as gender, age, class, and profession.In this dissertation, typologies are replaced by a new methodology of investigating "trends" of similarity and difference, which can be used to access object identities and trace entanglements of human-object interaction based on the shifting, mutable affiliations suggested by bundled features of the figurines. I address these methodological and historiographic considerations in Part I of the dissertation. In Part II of this dissertation, these methodological approaches are used to trace the "trends" of similarity in the Hellenistic Babylonian figurines. Figurines are treated as interconnected social actors: through the sharing of particular features, some figurines have closer associations than others; however, no figurines are assigned as part of a set "type". Rather, the shared features of figurines with visual, technological, or contextual similarities are interrogated, in order to determine which assemblages were the most popular, and thus bore widely-accepted meanings. Chapters 4, 5, and 6 each address a different (but interconnected) aspect of the figurine corpus. Chapter 4 contains a discussion of male social roles and gender ambiguities. Chapter 5 contains a discussion of human-figurine interactions conditioned by the materialities of the objects, with particular reference to figurine features that either beckon the human interlocutor into closer interaction or, conversely, discourage tactile and visual engagement. Chapter 6 contains a discussion of the closely entwined visualizations of many female figurines, and the social implications of that cohesive visual ideal. Within each chapter, the interpretation of figurine trends are approached through such theoretically-informed lenses as the social construction of gender, the psychological effect of miniature scale, and the controlling power of the Gaze.This object-agency approach to…

Subjects/Keywords: Near Eastern studies; Art history; cross-cultural; figurines; Hellenistic Babylonia; hybridity; materiality; postcolonialism

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APA (6^th Edition):

Langin-Hooper, S. M. (2011). Beyond Typology: Investigating Entanglements of Difference and Exploring Object-Generated Social Interactions in the Terracotta Figurines of Hellenistic Babylonia. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/57t59793

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Langin-Hooper, Stephanie Marie. “Beyond Typology: Investigating Entanglements of Difference and Exploring Object-Generated Social Interactions in the Terracotta Figurines of Hellenistic Babylonia.” 2011. Thesis, University of California – Berkeley. Accessed January 19, 2021. http://www.escholarship.org/uc/item/57t59793.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Langin-Hooper, Stephanie Marie. “Beyond Typology: Investigating Entanglements of Difference and Exploring Object-Generated Social Interactions in the Terracotta Figurines of Hellenistic Babylonia.” 2011. Web. 19 Jan 2021.

Vancouver:

Langin-Hooper SM. Beyond Typology: Investigating Entanglements of Difference and Exploring Object-Generated Social Interactions in the Terracotta Figurines of Hellenistic Babylonia. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2021 Jan 19]. Available from: http://www.escholarship.org/uc/item/57t59793.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Langin-Hooper SM. Beyond Typology: Investigating Entanglements of Difference and Exploring Object-Generated Social Interactions in the Terracotta Figurines of Hellenistic Babylonia. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/57t59793

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Washington State University

26. [No author]. ARCHITECTURAL DESIGN OF PLAZAS, SOCIAL CAPITAL, AND CULTURAL HYBRIDITY IN URBAN NEIGHBORHOODS: DEFINING A MULTIDIMENTIONAL NETWORK MODEL FOR PUBLIC HEALTH PROMOTION .

Degree: 2012, Washington State University

URL: http://hdl.handle.net/2376/4161

► Modeling the factors related to plaza design, social capital, and health in urban neighborhoods remains a neglected area of investigation. Models that integrate different socio-material… (more)

▼ Modeling the factors related to plaza design, social capital, and health in urban neighborhoods remains a neglected area of investigation. Models that integrate different socio-material factors can contribute to an understanding of how their association can promote or hinder public health and social well-being. Therefore, this research creates a multidimensional network model of socio-material connectivity in urban neighborhoods. The multidimensional model integrates the elements of urban-spatial connectivity, accessibility, walkability, hybridity in design concepts and elements, affordances, safety, bridging social capital, and social public health. This theory-driven case study research estimates the levels at which these factors are present in three neighborhood plazas each characterized by different kinds of cultural hybridity: Amman as a local city, Seattle as a regional city, and London as a global city. Data collection and analysis for each neighborhood focused on the socio-spatial attributes of the plaza. The socio-spatial analysis examined the levels of socio-spatial attributes present in each plaza; and the multiple centrality assessment examined the centrality of the plaza to determine the extent to which social capital is bridged in each neighborhood. The strength of connectivity was examined among all of the elements by defining the neighborhood in this research as a social network of socio-material actors. The research creates three models and synthesizes them to create the final multidimensional model. The model can be used to better understand, model, and forecast the relationships among neighborhood-factors, and can be applied strategically for public health promotion. This research found that the socio-material connectivity in neighborhoods-plazas was associated with public health levels and was the highest in the neighborhoods characterized by a global kind of cultural hybridity. This suggested that global and national cultural hybridity strengthens the association of the socio-material factors and could promote health. Additionally, this research found that the urban-spatial connectivity and the hybridity in plaza design were the most significant factors in the network. Also, this research found that when the cultural hybridity level varied from the local to the national and the global levels, the number of strong relationships between the factors increased, the number of weak relationships between them decreased. Advisors/Committee Members: Abell, John H (advisor).

Subjects/Keywords: Architecture; Design; architectural design; cultural hybridity; modeling; public health; social capital; social network analysis

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

author], [. (2012). ARCHITECTURAL DESIGN OF PLAZAS, SOCIAL CAPITAL, AND CULTURAL HYBRIDITY IN URBAN NEIGHBORHOODS: DEFINING A MULTIDIMENTIONAL NETWORK MODEL FOR PUBLIC HEALTH PROMOTION . (Thesis). Washington State University. Retrieved from http://hdl.handle.net/2376/4161

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

author], [No. “ARCHITECTURAL DESIGN OF PLAZAS, SOCIAL CAPITAL, AND CULTURAL HYBRIDITY IN URBAN NEIGHBORHOODS: DEFINING A MULTIDIMENTIONAL NETWORK MODEL FOR PUBLIC HEALTH PROMOTION .” 2012. Thesis, Washington State University. Accessed January 19, 2021. http://hdl.handle.net/2376/4161.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

author], [No. “ARCHITECTURAL DESIGN OF PLAZAS, SOCIAL CAPITAL, AND CULTURAL HYBRIDITY IN URBAN NEIGHBORHOODS: DEFINING A MULTIDIMENTIONAL NETWORK MODEL FOR PUBLIC HEALTH PROMOTION .” 2012. Web. 19 Jan 2021.

Vancouver:

author] [. ARCHITECTURAL DESIGN OF PLAZAS, SOCIAL CAPITAL, AND CULTURAL HYBRIDITY IN URBAN NEIGHBORHOODS: DEFINING A MULTIDIMENTIONAL NETWORK MODEL FOR PUBLIC HEALTH PROMOTION . [Internet] [Thesis]. Washington State University; 2012. [cited 2021 Jan 19]. Available from: http://hdl.handle.net/2376/4161.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. ARCHITECTURAL DESIGN OF PLAZAS, SOCIAL CAPITAL, AND CULTURAL HYBRIDITY IN URBAN NEIGHBORHOODS: DEFINING A MULTIDIMENTIONAL NETWORK MODEL FOR PUBLIC HEALTH PROMOTION . [Thesis]. Washington State University; 2012. Available from: http://hdl.handle.net/2376/4161

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chapman University

27. Chen, Elizabeth. Lessons from Hybridity: A Look into the Coupling of Image and Text in Karen Tei Yamashita’s Letters to Memory, Claudia Rankine’s Citizen: An American Lyric, and Ilya Kaminsky’s Deaf Republic.

Degree: MA, English, 2020, Chapman University

URL: https://digitalcommons.chapman.edu/english_theses/23

► The spoken and written word has always been a platform for voices to be heard, but being heard is not always enough. This thesis… (more)

Subjects/Keywords: hybridity; spectacle; spectator; third space; Literature in English, North America, Ethnic and Cultural Minority

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APA (6^th Edition):

Chen, E. (2020). Lessons from Hybridity: A Look into the Coupling of Image and Text in Karen Tei Yamashita’s Letters to Memory, Claudia Rankine’s Citizen: An American Lyric, and Ilya Kaminsky’s Deaf Republic. (Thesis). Chapman University. Retrieved from https://digitalcommons.chapman.edu/english_theses/23

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Chen, Elizabeth. “Lessons from Hybridity: A Look into the Coupling of Image and Text in Karen Tei Yamashita’s Letters to Memory, Claudia Rankine’s Citizen: An American Lyric, and Ilya Kaminsky’s Deaf Republic.” 2020. Thesis, Chapman University. Accessed January 19, 2021. https://digitalcommons.chapman.edu/english_theses/23.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Chen, Elizabeth. “Lessons from Hybridity: A Look into the Coupling of Image and Text in Karen Tei Yamashita’s Letters to Memory, Claudia Rankine’s Citizen: An American Lyric, and Ilya Kaminsky’s Deaf Republic.” 2020. Web. 19 Jan 2021.

Vancouver:

Chen E. Lessons from Hybridity: A Look into the Coupling of Image and Text in Karen Tei Yamashita’s Letters to Memory, Claudia Rankine’s Citizen: An American Lyric, and Ilya Kaminsky’s Deaf Republic. [Internet] [Thesis]. Chapman University; 2020. [cited 2021 Jan 19]. Available from: https://digitalcommons.chapman.edu/english_theses/23.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen E. Lessons from Hybridity: A Look into the Coupling of Image and Text in Karen Tei Yamashita’s Letters to Memory, Claudia Rankine’s Citizen: An American Lyric, and Ilya Kaminsky’s Deaf Republic. [Thesis]. Chapman University; 2020. Available from: https://digitalcommons.chapman.edu/english_theses/23

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Colorado

28. Terpenning, Steven Tyler Spinner. Choral Music, Hybridity, and Postcolonial Consciousness in Ghana.

Degree: PhD, 2017, University of Colorado

URL: https://scholar.colorado.edu/musi_gradetds/9

► Ghanaian choral music emerged from the colonial experience through a process of musical hybridity and became relevant in the post-independent state of Ghana. This dissertation… (more)

Subjects/Keywords: choral music; cultural hybridity; ghana; mission history; postcolonial theory; African Studies; History; Music

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APA (6^th Edition):

Terpenning, S. T. S. (2017). Choral Music, Hybridity, and Postcolonial Consciousness in Ghana. (Doctoral Dissertation). University of Colorado. Retrieved from https://scholar.colorado.edu/musi_gradetds/9

Chicago Manual of Style (16^th Edition):

Terpenning, Steven Tyler Spinner. “Choral Music, Hybridity, and Postcolonial Consciousness in Ghana.” 2017. Doctoral Dissertation, University of Colorado. Accessed January 19, 2021. https://scholar.colorado.edu/musi_gradetds/9.

MLA Handbook (7^th Edition):

Terpenning, Steven Tyler Spinner. “Choral Music, Hybridity, and Postcolonial Consciousness in Ghana.” 2017. Web. 19 Jan 2021.

Vancouver:

Terpenning STS. Choral Music, Hybridity, and Postcolonial Consciousness in Ghana. [Internet] [Doctoral dissertation]. University of Colorado; 2017. [cited 2021 Jan 19]. Available from: https://scholar.colorado.edu/musi_gradetds/9.

Council of Science Editors:

Terpenning STS. Choral Music, Hybridity, and Postcolonial Consciousness in Ghana. [Doctoral Dissertation]. University of Colorado; 2017. Available from: https://scholar.colorado.edu/musi_gradetds/9

University of Colorado

29. Terpenning, Steven Tyler Spinner. Choral Music, Hybridity, and Postcolonial Consciousness in Ghana.

Degree: PhD, 2017, University of Colorado

URL: https://scholar.colorado.edu/muco_gradetds/16

► Ghanaian choral music emerged from the colonial experience through a process of musical hybridity and became relevant in the post-independent state of Ghana. This… (more)

Subjects/Keywords: choral music; cultural hybridity; Ghana; mission history; postcolonial theory; African Studies; History; Music

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Terpenning, S. T. S. (2017). Choral Music, Hybridity, and Postcolonial Consciousness in Ghana. (Doctoral Dissertation). University of Colorado. Retrieved from https://scholar.colorado.edu/muco_gradetds/16

Chicago Manual of Style (16^th Edition):

Terpenning, Steven Tyler Spinner. “Choral Music, Hybridity, and Postcolonial Consciousness in Ghana.” 2017. Doctoral Dissertation, University of Colorado. Accessed January 19, 2021. https://scholar.colorado.edu/muco_gradetds/16.

MLA Handbook (7^th Edition):

Terpenning, Steven Tyler Spinner. “Choral Music, Hybridity, and Postcolonial Consciousness in Ghana.” 2017. Web. 19 Jan 2021.

Vancouver:

Terpenning STS. Choral Music, Hybridity, and Postcolonial Consciousness in Ghana. [Internet] [Doctoral dissertation]. University of Colorado; 2017. [cited 2021 Jan 19]. Available from: https://scholar.colorado.edu/muco_gradetds/16.

Council of Science Editors:

Terpenning STS. Choral Music, Hybridity, and Postcolonial Consciousness in Ghana. [Doctoral Dissertation]. University of Colorado; 2017. Available from: https://scholar.colorado.edu/muco_gradetds/16

University of Sydney

30. Bradford, Jessica. Haw Par Villa: Representations and Remediation of Singaporean Culture .

Degree: University of Sydney

URL: http://hdl.handle.net/2123/22498

► In this thesis I describe how the negotiations of my cultural identity as a mixed-race individual has motivated the subject and material methodologies of my… (more)

Subjects/Keywords: Hybridity; biculturalism; remediation; Singapore; cultural identity

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APA (6^th Edition):

Bradford, J. (n.d.). Haw Par Villa: Representations and Remediation of Singaporean Culture . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/22498

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bradford, Jessica. “Haw Par Villa: Representations and Remediation of Singaporean Culture .” Thesis, University of Sydney. Accessed January 19, 2021. http://hdl.handle.net/2123/22498.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bradford, Jessica. “Haw Par Villa: Representations and Remediation of Singaporean Culture .” Web. 19 Jan 2021.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Bradford J. Haw Par Villa: Representations and Remediation of Singaporean Culture . [Internet] [Thesis]. University of Sydney; [cited 2021 Jan 19]. Available from: http://hdl.handle.net/2123/22498.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Bradford J. Haw Par Villa: Representations and Remediation of Singaporean Culture . [Thesis]. University of Sydney; Available from: http://hdl.handle.net/2123/22498

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Open Access Theses and Dissertations