subject:(craft)

Delft University of Technology

1. Du, Y. (author). Back to Nature: The Life Cycle of the Pottery.

Degree: 2016, Delft University of Technology

URL: http://resolver.tudelft.nl/uuid:72b19e67-f4f3-45d0-9050-a29266da091f

The Culture of The Craft

The Architecture of the Interior

Architecture and The Built Environment

Advisors/Committee Members: Pietsch, S. (mentor), Schreurs, E.P.N. (mentor), Parravicini, M. (mentor).

Subjects/Keywords: craft

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APA (6^th Edition):

Du, Y. (. (2016). Back to Nature: The Life Cycle of the Pottery. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:72b19e67-f4f3-45d0-9050-a29266da091f

Chicago Manual of Style (16^th Edition):

Du, Y (author). “Back to Nature: The Life Cycle of the Pottery.” 2016. Masters Thesis, Delft University of Technology. Accessed February 27, 2021. http://resolver.tudelft.nl/uuid:72b19e67-f4f3-45d0-9050-a29266da091f.

MLA Handbook (7^th Edition):

Du, Y (author). “Back to Nature: The Life Cycle of the Pottery.” 2016. Web. 27 Feb 2021.

Vancouver:

Du Y(. Back to Nature: The Life Cycle of the Pottery. [Internet] [Masters thesis]. Delft University of Technology; 2016. [cited 2021 Feb 27]. Available from: http://resolver.tudelft.nl/uuid:72b19e67-f4f3-45d0-9050-a29266da091f.

Council of Science Editors:

Du Y(. Back to Nature: The Life Cycle of the Pottery. [Masters Thesis]. Delft University of Technology; 2016. Available from: http://resolver.tudelft.nl/uuid:72b19e67-f4f3-45d0-9050-a29266da091f

Universidade do Rio Grande do Norte

2. Bezerra, Nilton Xavier. Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade .

Degree: 2007, Universidade do Rio Grande do Norte

URL: http://repositorio.ufrn.br/handle/123456789/12250

► In the Rio Grande do Norte, the craftsmanship is generating of economy, it involves a significant number of people and is diversified in its raw… (more)

Subjects/Keywords: Artesanato; Craft

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APA (6^th Edition):

Bezerra, N. X. (2007). Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade . (Thesis). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/12250

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bezerra, Nilton Xavier. “Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade .” 2007. Thesis, Universidade do Rio Grande do Norte. Accessed February 27, 2021. http://repositorio.ufrn.br/handle/123456789/12250.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bezerra, Nilton Xavier. “Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade .” 2007. Web. 27 Feb 2021.

Vancouver:

Bezerra NX. Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade . [Internet] [Thesis]. Universidade do Rio Grande do Norte; 2007. [cited 2021 Feb 27]. Available from: http://repositorio.ufrn.br/handle/123456789/12250.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bezerra NX. Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade . [Thesis]. Universidade do Rio Grande do Norte; 2007. Available from: http://repositorio.ufrn.br/handle/123456789/12250

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Toronto

3. Morris, Kathleen. Emerging Views on Making: Fibre Graduates Reflect on their Practice.

Degree: 2013, University of Toronto

URL: http://hdl.handle.net/1807/42635

►

This narrative research examines the ways in which craft is conceptualized from the perspective of five recent graduates from the Material Art and Design Fibre… (more)

Subjects/Keywords: craft theory; craft education; 0273; 0727

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APA (6^th Edition):

Morris, K. (2013). Emerging Views on Making: Fibre Graduates Reflect on their Practice. (Masters Thesis). University of Toronto. Retrieved from http://hdl.handle.net/1807/42635

Chicago Manual of Style (16^th Edition):

Morris, Kathleen. “Emerging Views on Making: Fibre Graduates Reflect on their Practice.” 2013. Masters Thesis, University of Toronto. Accessed February 27, 2021. http://hdl.handle.net/1807/42635.

MLA Handbook (7^th Edition):

Morris, Kathleen. “Emerging Views on Making: Fibre Graduates Reflect on their Practice.” 2013. Web. 27 Feb 2021.

Vancouver:

Morris K. Emerging Views on Making: Fibre Graduates Reflect on their Practice. [Internet] [Masters thesis]. University of Toronto; 2013. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/1807/42635.

Council of Science Editors:

Morris K. Emerging Views on Making: Fibre Graduates Reflect on their Practice. [Masters Thesis]. University of Toronto; 2013. Available from: http://hdl.handle.net/1807/42635

Delft University of Technology

4. Clark, E. (author). A House for Craft.

Degree: 2016, Delft University of Technology

URL: http://resolver.tudelft.nl/uuid:0378d4e9-fcbd-45c6-b8e0-b10c5c1c6c8d

Architecture and The Built Environment

Architecture

Architecture, Urbanism & Building Sciences

Advisors/Committee Members: Schreurs, E.P.N. (mentor).

Subjects/Keywords: Craft; Villa; Amsterdam; Public Building; Craft Council

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Clark, E. (. (2016). A House for Craft. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:0378d4e9-fcbd-45c6-b8e0-b10c5c1c6c8d

Chicago Manual of Style (16^th Edition):

Clark, E (author). “A House for Craft.” 2016. Masters Thesis, Delft University of Technology. Accessed February 27, 2021. http://resolver.tudelft.nl/uuid:0378d4e9-fcbd-45c6-b8e0-b10c5c1c6c8d.

MLA Handbook (7^th Edition):

Clark, E (author). “A House for Craft.” 2016. Web. 27 Feb 2021.

Vancouver:

Clark E(. A House for Craft. [Internet] [Masters thesis]. Delft University of Technology; 2016. [cited 2021 Feb 27]. Available from: http://resolver.tudelft.nl/uuid:0378d4e9-fcbd-45c6-b8e0-b10c5c1c6c8d.

Council of Science Editors:

Clark E(. A House for Craft. [Masters Thesis]. Delft University of Technology; 2016. Available from: http://resolver.tudelft.nl/uuid:0378d4e9-fcbd-45c6-b8e0-b10c5c1c6c8d

5. Nilton Xavier Bezerra. Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade.

Degree: 2007, Universidade Federal do Rio Grande do Norte

URL: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=1441

►

No Rio Grande do Norte, a atividade artesanal é geradora de economia, envolve um número significativo de pessoas e é diversificada em suas matérias-primas e… (more)

▼

No Rio Grande do Norte, a atividade artesanal é geradora de economia, envolve um número significativo de pessoas e é diversificada em suas matérias-primas e tipologias. Como referência do artesanato local, a cerâmica supriu as necessidades primárias nos utilitários domésticos, adquiriu feição devocional nas figuras religiosas, foi brinquedo nos divertimentos infantis e, por fim, ganhou status de puro ornamento. Por sua representatividade histórica, o distrito de Santo Antônio do Potengi é considerado o mais importante centro de fabricação da cerâmica artesanal no Estado. O trabalho dos oleiros prossegue naquela localidade ancorado entre a herança familiar e a participação cada vez mais influente das políticas públicas destinadas ao setor, situação verificada por visíveis alterações no feitio da louça, açodadas a partir da década de 1990, com a implantação de uma cooperativa destinada à produção coletiva. Nesse percurso, observamos que tais ações, na medida em que objetivam estruturar condições ideais para prover a sustentabilidade do fazer artesanal, não beneficiam de maneira significativa o desenvolvimento social dos artesãos. É importante não perder de vista que existem várias dimensões envolvidas nesse processo e que estas extrapolam o interesse comum pelo objeto e a conotação econômica conseqüente de sua comercialização. São conhecimentos que implicam a escolha às matérias-primas, as singularidades dos aspectos formais e métodos produtivos, sobretudo as relações contextuais organizadas para defender a sobrevivência da atividade

In the Rio Grande do Norte, the craftsmanship is generating of economy, it involves a significant number of people and is diversified in its raw materials and particular type. As reference of the craft local, the ceramics supplied the primary necessities in the utilitarian domestic servants, acquired piety in the religious figures, were toy in infantile amusements and, finally, gained status of pure ornament. By its historical representation, the district of Santo Antônio do Potengi is considered the most important center of manufacture of craftpottery in the State. The work of the potters continues in that locality anchored between the familiar inheritance and the participation each more influential time of the public politics destined to the sector situation verified for visible alterations in the shape of the pottery from the decade of 1990 with the implantation of a cooperative destined to the collective production. We observe in this passage, that such actions in the measure where they objectify to structuralize conditions ideal to support the artisan making, do not benefit in significant way the social development them craftsmen. It is important not to lose of sight that exists some involved dimensions in this process and that these surpass the common interest for the object and the consequent economic connotation of its commercialization. They are knowledge that imply in the access to raw materials, in the peculiar of the formal aspects and productive methods, in the contextual…

Advisors/Committee Members: Lisabete Coradini, Edmundo Marcelo Mendes Pereira, Luiz Carvalho de Assunção.

Subjects/Keywords: Artesanato; ANTROPOLOGIA; Craft

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bezerra, N. X. (2007). Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade. (Thesis). Universidade Federal do Rio Grande do Norte. Retrieved from http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=1441

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bezerra, Nilton Xavier. “Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade.” 2007. Thesis, Universidade Federal do Rio Grande do Norte. Accessed February 27, 2021. http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=1441.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bezerra, Nilton Xavier. “Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade.” 2007. Web. 27 Feb 2021.

Vancouver:

Bezerra NX. Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade. [Internet] [Thesis]. Universidade Federal do Rio Grande do Norte; 2007. [cited 2021 Feb 27]. Available from: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=1441.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bezerra NX. Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade. [Thesis]. Universidade Federal do Rio Grande do Norte; 2007. Available from: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=1441

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rochester Institute of Technology

6. Oh, Sunhee. Emotion of motion.

Degree: School for American Crafts (CIAS), 2012, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/7341

► The origin of my thesis is the motion with which users interact with seating, how users interact with space progressively. In this thesis I explored… (more)

▼ The origin of my thesis is the motion with which users interact with seating, how users interact with space progressively. In this thesis I explored and developed seating, a deep interest of mine that has been growing for the last several years. I worked as an interior designer for 3 years before studying woodworking and furniture design at the Rochester Institute of Technology. The experience undertaken by designing, drafting and engineering of space and furniture taught me a great deal. I realized that the function of furniture in some spaces is not just about simple function such as storage, or decoration. Furniture in the space addresses and defines the role of a space, and it becomes the other in that space. Furniture has evolved throughout the centuries. Furniture not only provides convenience but also gives a clear definition of the space's character, where it is placed. In other words, furniture plays the connecting role between a space and a human being. Seating is a kind of furniture closely related to people and is used more widely and in more ways than others. We spend a significant portion of our lives sitting. Consequently, our whole bodies are affected by it, physically and emotionally. I chose to investigate how a user's emotion relates to seating based on that physical relationship. The progression of my thesis has started from the motion to let users interact with the seating and space gradually. Most of my works are composed of multiple movable components that can be freely reconfigured by users in different ways. Through repositioning or combining separate components, users can create a variety of furnishings allowing static furniture to be dynamic and playful. The first thing I focused on was the physical characteristics of structure in free form motion. Each from has its own curve or round shapes from bending. Bending techniques helped me convey the "invisible" relationship between user and seating, the physical and psychological concepts behind my work. I was able to express my ideas and feelings in my works. The process of creating the seating, made me open to a new visual and technical point of view. Advisors/Committee Members: Tannen, Rich.

Subjects/Keywords: Craft; Furniture; Wood

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Oh, S. (2012). Emotion of motion. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/7341

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Oh, Sunhee. “Emotion of motion.” 2012. Thesis, Rochester Institute of Technology. Accessed February 27, 2021. https://scholarworks.rit.edu/theses/7341.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Oh, Sunhee. “Emotion of motion.” 2012. Web. 27 Feb 2021.

Vancouver:

Oh S. Emotion of motion. [Internet] [Thesis]. Rochester Institute of Technology; 2012. [cited 2021 Feb 27]. Available from: https://scholarworks.rit.edu/theses/7341.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oh S. Emotion of motion. [Thesis]. Rochester Institute of Technology; 2012. Available from: https://scholarworks.rit.edu/theses/7341

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rochester Institute of Technology

7. Florey, Ryan Arthur. No Beginning and No End.

Degree: MFA, School for American Crafts (CIAS), 2017, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/9642

► This thesis describes the realization of my art, created with the intention to project into a plastic medium the story of an ancient artifact,… (more)

Subjects/Keywords: Ceramics; Craft; Sculpture

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APA (6^th Edition):

Florey, R. A. (2017). No Beginning and No End. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/9642

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Florey, Ryan Arthur. “No Beginning and No End.” 2017. Thesis, Rochester Institute of Technology. Accessed February 27, 2021. https://scholarworks.rit.edu/theses/9642.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Florey, Ryan Arthur. “No Beginning and No End.” 2017. Web. 27 Feb 2021.

Vancouver:

Florey RA. No Beginning and No End. [Internet] [Thesis]. Rochester Institute of Technology; 2017. [cited 2021 Feb 27]. Available from: https://scholarworks.rit.edu/theses/9642.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Florey RA. No Beginning and No End. [Thesis]. Rochester Institute of Technology; 2017. Available from: https://scholarworks.rit.edu/theses/9642

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Oregon State University

8. Stannard, Casey Rhea. The consumption and design process of handcrafters : theoretical implications.

Degree: PhD, Design and Human Environment, 2014, Oregon State University

URL: http://hdl.handle.net/1957/49240

► The overarching purpose of this research was to determine characteristics of raw materials which impacted the consumption and design process of crafters. The characteristics were… (more)

▼ The overarching purpose of this research was to determine characteristics of raw materials which impacted the consumption and design process of crafters. The characteristics were related to the three levels of design as described by Donald Norman and the concept of linking value in consumer tribes. The specific focus of this research was a comparison of the levels of design of artisan brand yarn and national brand yarn consumed and utilized by crafters. The comparison occurred at each of the three stages of the craft design process: the initial planning stage of the project, the design process stage, and the result stage. Quantitative data were collected to test four hypotheses and qualitative data were gathered to investigate five research questions relating to the purpose statement. Six hundred and fifty-seven individuals participated in an online, self-administered survey. Participants were recruited using the online social media platform, www.facebook.com and also through a snowball sampling technique. Hypotheses were tested using Pearson's Correlation test, frequencies, and MANOVA. Factor analysis was also used to determine the appropriateness of the three levels of design. Qualitative data from the surveys were analyzed using the constant comparison method. The data were organized into emergent themes which were used to explore the research questions and provide more explanation for the hypotheses. Two design process models were proposed as part of this research effort. The three levels of design as described by Norman (2004) were not appropriate for describing what characteristics of raw materials were important to the consumption and design process of crafters. Individuals purchasing artisan brand yarn placed more emphasis on characteristics such as: the visible texture and feel of the yarn. These craft consumers were also more interested in buying yarn which supported an important business and which came from animals which were ethically raised. The resulting craft design process models were also a major outcome. The description of these models was the first attempt to detail the steps taken by crafters when producing projects. This research was also the first attempt to integrate consumption of materials into a design process model. Future research should endeavor to utilize these models to describe the behavior of different types of crafters. Advisors/Committee Members: Mullet, Kathy (advisor), Pedersen, Elaine (committee member).

Subjects/Keywords: Craft; Knitters (Persons)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Stannard, C. R. (2014). The consumption and design process of handcrafters : theoretical implications. (Doctoral Dissertation). Oregon State University. Retrieved from http://hdl.handle.net/1957/49240

Chicago Manual of Style (16^th Edition):

Stannard, Casey Rhea. “The consumption and design process of handcrafters : theoretical implications.” 2014. Doctoral Dissertation, Oregon State University. Accessed February 27, 2021. http://hdl.handle.net/1957/49240.

MLA Handbook (7^th Edition):

Stannard, Casey Rhea. “The consumption and design process of handcrafters : theoretical implications.” 2014. Web. 27 Feb 2021.

Vancouver:

Stannard CR. The consumption and design process of handcrafters : theoretical implications. [Internet] [Doctoral dissertation]. Oregon State University; 2014. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/1957/49240.

Council of Science Editors:

Stannard CR. The consumption and design process of handcrafters : theoretical implications. [Doctoral Dissertation]. Oregon State University; 2014. Available from: http://hdl.handle.net/1957/49240

Victoria University of Wellington

9. Nurlitasari, Karina. An Exploration of Traditional Contemporary of Indonesian Culture through Batik.

Degree: 2019, Victoria University of Wellington

URL: http://hdl.handle.net/10063/8620

► Indonesia is a developing country in which the majority of the population that is 225 million people identified as Muslim. As a part of that… (more)

▼ Indonesia is a developing country in which the majority of the population that is 225 million people identified as Muslim. As a part of that phenomenon and in conjunction with Indonesia’s recent cultural and economic development, Muslim women in Indonesia are becoming increasingly aware of external cultural trends and as a result of this are seeking opportunities to express themselves of their culture and beliefs as a part of their own personal fashion statements. For many Muslim women the Muslim veil, often referred to as Hijab, is perhaps the most salient of their clothing items worn to show obligation to their religious law. Although the hijab has been called into question by some within the Muslim community, and others outside of it, this research does not address that discourse. This research presents the hijab as a piece of clothing that creates a ‘sense of cultural space’. As an Indonesian woman wearing the hijab, through this research I aim to consider how wearing the hijab can both respectfully and creatively express both faith and culture within a contemporary context. In parallel, this research asks how the traditional Indonesian technique of batik can be used to signify, identify and celebrate Indonesian Muslim women in the 21st century. Batik was officially recognized by the United Nations Educational, Scientific and Cultural Organization (UNESCO) in October 2009 as an Intangible Heritage of Indonesia. Although examples of the authentic batik technique have been overrun by mass-produced printed versions, undeniably batik still does not only hold an important place in Indonesia’s history but also in Indonesia’s global identity. The inseparable connection between the symbolism and the significance of the meanings and narratives expressed within batik has existed for centuries. As a part of a larger and historically established visual language, this research seeks to design contemporary symbols that represent the values, characteristics and beliefs of Indonesian Muslim women in the 21st century. The new symbols are designed in response to a present-day voice and seek to connect religious beliefs, cultural heritage as well as the young Indonesian Muslim woman’s appreciation of these as a part of her everyday appearance and lifestyle. The voice of young Indonesian woman of Muslim faith is gained in interviews and workshops where they identify, interpret, and depict characteristics and values that express who they consider themselves to be and what values they wish to express as a fundamental to their lifestyle. The symbols are then adapted by the hijab using both traditional pattern making techniques and digital software which will then printed onto the fabric using traditional batik methods. Through the design of contemporary symbols and patterns that represent the contemporary Indonesian Muslim woman of the 21st century and the printing of these onto the hijab using the traditional technique of batik, this research aims to establish a more contemporary appreciation of the hijab and the values held… Advisors/Committee Members: O'Sullivan, Nan.

Subjects/Keywords: Craft; Batik; Motif

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Nurlitasari, K. (2019). An Exploration of Traditional Contemporary of Indonesian Culture through Batik. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/8620

Chicago Manual of Style (16^th Edition):

Nurlitasari, Karina. “An Exploration of Traditional Contemporary of Indonesian Culture through Batik.” 2019. Masters Thesis, Victoria University of Wellington. Accessed February 27, 2021. http://hdl.handle.net/10063/8620.

MLA Handbook (7^th Edition):

Nurlitasari, Karina. “An Exploration of Traditional Contemporary of Indonesian Culture through Batik.” 2019. Web. 27 Feb 2021.

Vancouver:

Nurlitasari K. An Exploration of Traditional Contemporary of Indonesian Culture through Batik. [Internet] [Masters thesis]. Victoria University of Wellington; 2019. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10063/8620.

Council of Science Editors:

Nurlitasari K. An Exploration of Traditional Contemporary of Indonesian Culture through Batik. [Masters Thesis]. Victoria University of Wellington; 2019. Available from: http://hdl.handle.net/10063/8620

University of Dundee

10. Donald, Elizabeth K. Mind the gaps! : an advanced practice model for the understanding and development of fine craft practice.

Degree: PhD, 2012, University of Dundee

URL: https://discovery.dundee.ac.uk/en/studentTheses/4434eab8-a793-4a76-9fb8-64bacaed0b62 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578841

► The current uncertainty centres around Craft as a discipline as opposed to a set of skills applied to a process for a predefined product. This… (more)

▼ The current uncertainty centres around Craft as a discipline as opposed to a set of skills applied to a process for a predefined product. This dichotomy is partly due to the lack of a clear definition of craft practice, its theoretical underpinning, and criteria for the evaluation of the products of practice. It appears that this problem emanates from craft itself which has few, if any, practitioners writing from their perspective of practice. A practitioner herself, with all the tacit knowledge from which craft practice is built, enables the researcher to articulate a particular viewpoint, that of the practitioner‘s. She has used this knowledge in the presentation of this thesis and has conducted the research necessarily informed by her own practice. She has also specifically sought the views of other practitioners in order to maintain the voice of practice within this thesis. The term =Fine Craft practice‘ is used by the Past Present and Future Craft Practice1 project to which the researcher is affiliated. In order to understand what Fine Craft practice is, it is necessary to define within the Project context what is meant by this from the perspective of practice. A working definition of Fine Craft practice was developed and this definition became the tool with which to identify possible historical and contemporary Fine Craft practice and to examine the process of progress within these craft practices in order to develop a model of interrogating progress within one‘s own practice and within that of another. This process verified the definition of Fine Craft Practice. Interviews with a cross-section of contemporary craft practitioners were conducted to enable a critical analysis of their methodological approaches. Analysis of practitioners‘ responses formed the basis of a progress wheel, which was divided into equal quadrants. This progress wheel can, through self-reflection and through interview, identify the process of progress within one‘s own or another practitioner‘s practice, dependant on the balance of segments within the wheel. Fine Craft practice is the goal of dedicated practitioners, and the model developed is the yardstick against which to measure that progress and to identify the gaps in practice, which can be addressed. The relevance and importance of this research to craft practitioners and to education was discussed and further research identified. The House of Falkland in Fife, Scotland, a Grade A listed building, was part of the investigation. The wonderful original Arts and Crafts and Byzantium features were part of the refurbishment in 1890‘s, undertaken by G.W. Schultz, H.W.Lonsdale and others who were significant practitioners of the Arts and Crafts movement. A case study of the Vine Corridor2 within the House of Falkland, gave opportunity to critically analyse historical craft using the Advanced Practice Model which gave insight into the methodological approaches embedded within historical Fine Craft practice and verified the model as a tool for interrogating the practitioner responsible for…

Subjects/Keywords: 745; Fine Craft

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Donald, E. K. (2012). Mind the gaps! : an advanced practice model for the understanding and development of fine craft practice. (Doctoral Dissertation). University of Dundee. Retrieved from https://discovery.dundee.ac.uk/en/studentTheses/4434eab8-a793-4a76-9fb8-64bacaed0b62 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578841

Chicago Manual of Style (16^th Edition):

Donald, Elizabeth K. “Mind the gaps! : an advanced practice model for the understanding and development of fine craft practice.” 2012. Doctoral Dissertation, University of Dundee. Accessed February 27, 2021. https://discovery.dundee.ac.uk/en/studentTheses/4434eab8-a793-4a76-9fb8-64bacaed0b62 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578841.

MLA Handbook (7^th Edition):

Donald, Elizabeth K. “Mind the gaps! : an advanced practice model for the understanding and development of fine craft practice.” 2012. Web. 27 Feb 2021.

Vancouver:

Donald EK. Mind the gaps! : an advanced practice model for the understanding and development of fine craft practice. [Internet] [Doctoral dissertation]. University of Dundee; 2012. [cited 2021 Feb 27]. Available from: https://discovery.dundee.ac.uk/en/studentTheses/4434eab8-a793-4a76-9fb8-64bacaed0b62 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578841.

Council of Science Editors:

Donald EK. Mind the gaps! : an advanced practice model for the understanding and development of fine craft practice. [Doctoral Dissertation]. University of Dundee; 2012. Available from: https://discovery.dundee.ac.uk/en/studentTheses/4434eab8-a793-4a76-9fb8-64bacaed0b62 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578841

Colorado State University

11. Phillips, Lindsey Elizabeth. Analogues.

Degree: Master of Fine Arts (M.F.A.), Art, 2011, Colorado State University

URL: http://hdl.handle.net/10217/47441

► Block by block, pixel by pixel, my three dimensional work suggests the framework of the virtual and how it has become increasingly routine to cross… (more)

Subjects/Keywords: craft; metalsmithing; enamel

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APA (6^th Edition):

Phillips, L. E. (2011). Analogues. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/47441

Chicago Manual of Style (16^th Edition):

Phillips, Lindsey Elizabeth. “Analogues.” 2011. Masters Thesis, Colorado State University. Accessed February 27, 2021. http://hdl.handle.net/10217/47441.

MLA Handbook (7^th Edition):

Phillips, Lindsey Elizabeth. “Analogues.” 2011. Web. 27 Feb 2021.

Vancouver:

Phillips LE. Analogues. [Internet] [Masters thesis]. Colorado State University; 2011. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10217/47441.

Council of Science Editors:

Phillips LE. Analogues. [Masters Thesis]. Colorado State University; 2011. Available from: http://hdl.handle.net/10217/47441

University of New South Wales

12. Hayes, Peter. Stability Requirements of Naval Landing Craft.

Degree: Engineering & Information Technology, 2014, University of New South Wales

URL: http://handle.unsw.edu.au/1959.4/53853 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12558/SOURCE02?view=true

► Landing craft have been operated by various navies around the world, including the Royal Australian Navy (RAN), for many decades to transport vehicles and personnel,… (more)

▼ Landing craft have been operated by various navies around the world, including the Royal Australian Navy (RAN), for many decades to transport vehicles and personnel, often from ship to shore. Currently the RAN assesses the stability of landing craft using contemporary naval stability criteria. Over time, multiple landing craft stability issues have arisen, mainly due to the unique shapes and uses of these vessel types. Improved stability criteria need to be developed based on a better understanding of the unique physics of landing craft capsize.The research presented in this thesis involved extensive semi-captive model tests in regular beam waves, together with parallel ship motion simulation studies using the time domain motions prediction code FREDYN. The research program was based on a series of three models having different freeboards and a removable bulwark. The various hull/bulwark configurations were tested at three vertical centres of gravity (VCG) intended to represent excessive stability through to marginal stability. In a substantial number of cases there was significant water on deck or into the well created by the bulwarks.The original intention for the experimental series was to achieve a number of capsizes so that boundaries could be establishedâvery few capsizes occurred. The experimental data was used to calibrate FREDYN, whereupon it was found that, with careful calibration, the simulation results could be deemed acceptable. However, the calibration data was for a specific shape of vessel, limiting the usefulness of FREDYN for exploring the stability of landing craft in general. Nevertheless, the data obtained indicated a number of trends that could prove useful in establishing stability criteria.The data obtained has been analysed and the results used to develop quasi-static stability criteria specific to landing craft. These criteria are primarily adaptations of existing contemporary criteria, such as the IMO and naval wind/wave criteria, augmented by criteria designed to account for the peculiarities of landing craft. A specific stability criterion to address taking significant water into the well, such as from a major green sea event, has been developed. The criteria proposed are suitable for application by the mainstream naval architectural community. Advisors/Committee Members: Smith, Warren, Engineering & Information Technology, UNSW Canberra, UNSW, Renilson, Martin, Higher College of Technology, UAE, Cannon, Stuart, DSTO, Department of Defence.

Subjects/Keywords: Landing Craft; Stability

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APA (6^th Edition):

Hayes, P. (2014). Stability Requirements of Naval Landing Craft. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/53853 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12558/SOURCE02?view=true

Chicago Manual of Style (16^th Edition):

Hayes, Peter. “Stability Requirements of Naval Landing Craft.” 2014. Masters Thesis, University of New South Wales. Accessed February 27, 2021. http://handle.unsw.edu.au/1959.4/53853 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12558/SOURCE02?view=true.

MLA Handbook (7^th Edition):

Hayes, Peter. “Stability Requirements of Naval Landing Craft.” 2014. Web. 27 Feb 2021.

Vancouver:

Hayes P. Stability Requirements of Naval Landing Craft. [Internet] [Masters thesis]. University of New South Wales; 2014. [cited 2021 Feb 27]. Available from: http://handle.unsw.edu.au/1959.4/53853 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12558/SOURCE02?view=true.

Council of Science Editors:

Hayes P. Stability Requirements of Naval Landing Craft. [Masters Thesis]. University of New South Wales; 2014. Available from: http://handle.unsw.edu.au/1959.4/53853 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12558/SOURCE02?view=true

East Tennessee State University

13. Boismenu, Nicholas. Indirect Measure.

Degree: MFA (Master of Fine Arts), Art, 2017, East Tennessee State University

URL: https://dc.etsu.edu/etd/3351

► This paper is in support of my thesis exhibition “Indirect Measure” May 5th – June 3rd 2017, at the Reece Museum, located on the… (more)

Subjects/Keywords: Art; Craft; Art Vs. Craft; Assemblage; Ceramics; Ceramic Assemblage; Ceramic Art; Ceramic Craft; Ceramic Arts

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APA (6^th Edition):

Boismenu, N. (2017). Indirect Measure. (Thesis). East Tennessee State University. Retrieved from https://dc.etsu.edu/etd/3351

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Boismenu, Nicholas. “Indirect Measure.” 2017. Thesis, East Tennessee State University. Accessed February 27, 2021. https://dc.etsu.edu/etd/3351.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Boismenu, Nicholas. “Indirect Measure.” 2017. Web. 27 Feb 2021.

Vancouver:

Boismenu N. Indirect Measure. [Internet] [Thesis]. East Tennessee State University; 2017. [cited 2021 Feb 27]. Available from: https://dc.etsu.edu/etd/3351.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boismenu N. Indirect Measure. [Thesis]. East Tennessee State University; 2017. Available from: https://dc.etsu.edu/etd/3351

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rhodes University

14. Randell, Gillian. Pottery craft and culture.

Degree: Faculty of Humanities, Fine Art, 1972, Rhodes University

URL: http://hdl.handle.net/10962/d1007559

► "The idea and fact of containment have been the primary significance of pottery from the beginning, and pots of all ages and peoples, even when… (more)

Subjects/Keywords: Pottery craft

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APA (6^th Edition):

Randell, G. (1972). Pottery craft and culture. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1007559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Randell, Gillian. “Pottery craft and culture.” 1972. Thesis, Rhodes University. Accessed February 27, 2021. http://hdl.handle.net/10962/d1007559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Randell, Gillian. “Pottery craft and culture.” 1972. Web. 27 Feb 2021.

Vancouver:

Randell G. Pottery craft and culture. [Internet] [Thesis]. Rhodes University; 1972. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10962/d1007559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Randell G. Pottery craft and culture. [Thesis]. Rhodes University; 1972. Available from: http://hdl.handle.net/10962/d1007559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of California – San Diego

15. MacNelly, Matthew Perry. A Man's His Job: Artistic Possibilities through Craftsmanship.

Degree: Theatre and Dance, 2013, University of California – San Diego

URL: http://www.escholarship.org/uc/item/5wf788z5

► I subscribe to the belief that we actors are craftsmen, and the usual analogy I make, for no particular reason, is to a cabinetmaker. A… (more)

Subjects/Keywords: Theater; Acting; Craft; Performance

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APA (6^th Edition):

MacNelly, M. P. (2013). A Man's His Job: Artistic Possibilities through Craftsmanship. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/5wf788z5

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

MacNelly, Matthew Perry. “A Man's His Job: Artistic Possibilities through Craftsmanship.” 2013. Thesis, University of California – San Diego. Accessed February 27, 2021. http://www.escholarship.org/uc/item/5wf788z5.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

MacNelly, Matthew Perry. “A Man's His Job: Artistic Possibilities through Craftsmanship.” 2013. Web. 27 Feb 2021.

Vancouver:

MacNelly MP. A Man's His Job: Artistic Possibilities through Craftsmanship. [Internet] [Thesis]. University of California – San Diego; 2013. [cited 2021 Feb 27]. Available from: http://www.escholarship.org/uc/item/5wf788z5.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MacNelly MP. A Man's His Job: Artistic Possibilities through Craftsmanship. [Thesis]. University of California – San Diego; 2013. Available from: http://www.escholarship.org/uc/item/5wf788z5

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rochester Institute of Technology

16. Boonprakob, Apinya. Reality and appearance.

Degree: School for American Crafts (CIAS), 1995, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/3235

None provided. Advisors/Committee Members: Urso, Leonard.

Subjects/Keywords: Metal craft

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Boonprakob, A. (1995). Reality and appearance. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/3235

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Boonprakob, Apinya. “Reality and appearance.” 1995. Thesis, Rochester Institute of Technology. Accessed February 27, 2021. https://scholarworks.rit.edu/theses/3235.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Boonprakob, Apinya. “Reality and appearance.” 1995. Web. 27 Feb 2021.

Vancouver:

Boonprakob A. Reality and appearance. [Internet] [Thesis]. Rochester Institute of Technology; 1995. [cited 2021 Feb 27]. Available from: https://scholarworks.rit.edu/theses/3235.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boonprakob A. Reality and appearance. [Thesis]. Rochester Institute of Technology; 1995. Available from: https://scholarworks.rit.edu/theses/3235

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rochester Institute of Technology

17. Cooper, J. Steven. Searching for a personal aesthetic.

Degree: School for American Crafts (CIAS), 1997, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/1412

Not Included Advisors/Committee Members: Sigler, Douglas.

Subjects/Keywords: Wood craft

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APA (6^th Edition):

Cooper, J. S. (1997). Searching for a personal aesthetic. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/1412

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Cooper, J Steven. “Searching for a personal aesthetic.” 1997. Thesis, Rochester Institute of Technology. Accessed February 27, 2021. https://scholarworks.rit.edu/theses/1412.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Cooper, J Steven. “Searching for a personal aesthetic.” 1997. Web. 27 Feb 2021.

Vancouver:

Cooper JS. Searching for a personal aesthetic. [Internet] [Thesis]. Rochester Institute of Technology; 1997. [cited 2021 Feb 27]. Available from: https://scholarworks.rit.edu/theses/1412.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cooper JS. Searching for a personal aesthetic. [Thesis]. Rochester Institute of Technology; 1997. Available from: https://scholarworks.rit.edu/theses/1412

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rochester Institute of Technology

18. Ong, Keng Nio. Memories in nature.

Degree: School for American Crafts (CIAS), 1994, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/2501

Not Included Advisors/Committee Members: Urso, Leonard.

Subjects/Keywords: Metal craft

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APA (6^th Edition):

Ong, K. N. (1994). Memories in nature. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/2501

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Ong, Keng Nio. “Memories in nature.” 1994. Thesis, Rochester Institute of Technology. Accessed February 27, 2021. https://scholarworks.rit.edu/theses/2501.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Ong, Keng Nio. “Memories in nature.” 1994. Web. 27 Feb 2021.

Vancouver:

Ong KN. Memories in nature. [Internet] [Thesis]. Rochester Institute of Technology; 1994. [cited 2021 Feb 27]. Available from: https://scholarworks.rit.edu/theses/2501.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ong KN. Memories in nature. [Thesis]. Rochester Institute of Technology; 1994. Available from: https://scholarworks.rit.edu/theses/2501

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rochester Institute of Technology

19. Park, Katherine. Reflections on wood.

Degree: School for American Crafts (CIAS), 1996, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/2717

Not Included Advisors/Committee Members: Sigler, Douglas.

Subjects/Keywords: Wood craft

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APA (6^th Edition):

Park, K. (1996). Reflections on wood. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/2717

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Park, Katherine. “Reflections on wood.” 1996. Thesis, Rochester Institute of Technology. Accessed February 27, 2021. https://scholarworks.rit.edu/theses/2717.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Park, Katherine. “Reflections on wood.” 1996. Web. 27 Feb 2021.

Vancouver:

Park K. Reflections on wood. [Internet] [Thesis]. Rochester Institute of Technology; 1996. [cited 2021 Feb 27]. Available from: https://scholarworks.rit.edu/theses/2717.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Park K. Reflections on wood. [Thesis]. Rochester Institute of Technology; 1996. Available from: https://scholarworks.rit.edu/theses/2717

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rochester Institute of Technology

20. Moore, Victoria. Art as environment.

Degree: School for American Crafts (CIAS), 1996, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/3228

None provided. Advisors/Committee Members: Urso, Leonard.

Subjects/Keywords: Multimedia craft

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APA (6^th Edition):

Moore, V. (1996). Art as environment. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/3228

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Moore, Victoria. “Art as environment.” 1996. Thesis, Rochester Institute of Technology. Accessed February 27, 2021. https://scholarworks.rit.edu/theses/3228.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Moore, Victoria. “Art as environment.” 1996. Web. 27 Feb 2021.

Vancouver:

Moore V. Art as environment. [Internet] [Thesis]. Rochester Institute of Technology; 1996. [cited 2021 Feb 27]. Available from: https://scholarworks.rit.edu/theses/3228.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moore V. Art as environment. [Thesis]. Rochester Institute of Technology; 1996. Available from: https://scholarworks.rit.edu/theses/3228

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rochester Institute of Technology

21. Martin, Ami. Multiples of one hundred.

Degree: School for American Crafts (CIAS), 1997, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/7502

Not listed. Advisors/Committee Members: Urso, Leonard.

Subjects/Keywords: American craft

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Martin, A. (1997). Multiples of one hundred. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/7502

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Martin, Ami. “Multiples of one hundred.” 1997. Thesis, Rochester Institute of Technology. Accessed February 27, 2021. https://scholarworks.rit.edu/theses/7502.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Martin, Ami. “Multiples of one hundred.” 1997. Web. 27 Feb 2021.

Vancouver:

Martin A. Multiples of one hundred. [Internet] [Thesis]. Rochester Institute of Technology; 1997. [cited 2021 Feb 27]. Available from: https://scholarworks.rit.edu/theses/7502.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Martin A. Multiples of one hundred. [Thesis]. Rochester Institute of Technology; 1997. Available from: https://scholarworks.rit.edu/theses/7502

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Cornell University

22. Miller, David Hislop. Anton Webern and Mainstream Music Culture in the United States, 1923–1987.

Degree: PhD, Music, 2020, Cornell University

URL: http://hdl.handle.net/1813/70474

► This dissertation, the first dedicated study of the reception of the music of Anton Webern in the United States, focuses on moments at which U.S.… (more)

Subjects/Keywords: Craft; Moldenhauer; Slonimsky; Webern

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APA (6^th Edition):

Miller, D. H. (2020). Anton Webern and Mainstream Music Culture in the United States, 1923–1987. (Doctoral Dissertation). Cornell University. Retrieved from http://hdl.handle.net/1813/70474

Chicago Manual of Style (16^th Edition):

Miller, David Hislop. “Anton Webern and Mainstream Music Culture in the United States, 1923–1987.” 2020. Doctoral Dissertation, Cornell University. Accessed February 27, 2021. http://hdl.handle.net/1813/70474.

MLA Handbook (7^th Edition):

Miller, David Hislop. “Anton Webern and Mainstream Music Culture in the United States, 1923–1987.” 2020. Web. 27 Feb 2021.

Vancouver:

Miller DH. Anton Webern and Mainstream Music Culture in the United States, 1923–1987. [Internet] [Doctoral dissertation]. Cornell University; 2020. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/1813/70474.

Council of Science Editors:

Miller DH. Anton Webern and Mainstream Music Culture in the United States, 1923–1987. [Doctoral Dissertation]. Cornell University; 2020. Available from: http://hdl.handle.net/1813/70474

University of Waterloo

23. Brown, Wade. Digital Craft | In Search of a Method of Personal Expression Within the Digital.

Degree: 2018, University of Waterloo

URL: http://hdl.handle.net/10012/12934

► Our relationship with the digital has fundamentally changed within the past decade. A mesh of outside interests have been efficiently folding themselves into our lives.… (more)

▼ Our relationship with the digital has fundamentally changed within the past decade. A mesh of outside interests have been efficiently folding themselves into our lives. These exist as either a legion of hosted “free” web services touting the promise of a new-found collective intimacy, or a set of tightly coupled IOT(Internet of Things) applications that are slowly being pulled away from our fully capable hardware—all causing us to rely heavily on a virtual infrastructure that demands to host our work and place us at arm’s length of tools that we no longer own or control. This new bargain includes a view into our work and habits so that we can be better understood, tokenized, categorized, mapped, and finally monetized. While many today may be OK with this relationship, I’ll be frank, it unsettles me. I believe something fundamental is lost in this unravelling long-distance relationship. This thesis is a response. It pushes for a more intimate connection with technology within the backdrop of digital design and its many processes. In The Craftsman, Richard Sennett writes: “Making is Thinking,” and in his text he explores the close relationship between head and hand for a small set of traditional craftsmen: a cook, a musician and a glass blower. To elevate the digital within today’s architectural practice, I feel its use must also be seen as craft. But how might a relationship between head and hand manifest itself? Is there some similarity in thinking between Sennett’s craftsmen and the processes of successful digital design? I propose to investigate the mechanisms of digital Making, and hence digital Thinking through three design problems, inspired by the works of Neri Oxman, deskriptiv, Michael Hansmeyer, as well as the methods of D’Arcy Thompson, Shinichi Maruyama, Pina Bausch, and Frei Otto. By mindfully observing my exploration of these from a digital perspective, I believe it will be possible to get a sense of what makes craft possible within this realm.

Subjects/Keywords: Digital; design; tool; Craft

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Brown, W. (2018). Digital Craft | In Search of a Method of Personal Expression Within the Digital. (Thesis). University of Waterloo. Retrieved from http://hdl.handle.net/10012/12934

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Brown, Wade. “Digital Craft | In Search of a Method of Personal Expression Within the Digital.” 2018. Thesis, University of Waterloo. Accessed February 27, 2021. http://hdl.handle.net/10012/12934.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Brown, Wade. “Digital Craft | In Search of a Method of Personal Expression Within the Digital.” 2018. Web. 27 Feb 2021.

Vancouver:

Brown W. Digital Craft | In Search of a Method of Personal Expression Within the Digital. [Internet] [Thesis]. University of Waterloo; 2018. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10012/12934.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown W. Digital Craft | In Search of a Method of Personal Expression Within the Digital. [Thesis]. University of Waterloo; 2018. Available from: http://hdl.handle.net/10012/12934

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Victoria University of Wellington

24. Molloy, Isabella. Designed Deposition - Freeform 3D Printing for Digitally Crafted Artefacts.

Degree: 2017, Victoria University of Wellington

URL: http://hdl.handle.net/10063/6879

► Through the exploitation of new additive manufacturing (AM) processes, this research seeks to reinvent the designer as an informed mediator between the digitally defined and… (more)

▼ Through the exploitation of new additive manufacturing (AM) processes, this research seeks to reinvent the designer as an informed mediator between the digitally defined and the physically expressed. Current 3D printing techniques generally construct an object layer by layer, building vertically in the z-axis. Recently developed, ‘freeform 3D printing’ is an AM method which builds through the deposition of material that solidifies upon extrusion. The result is free-standing material forms with diminished need for support material. Building in this spatial manner means that AM is no longer reliant on layer based techniques that are built from ground-up. Instead, motions can move simultaneously in the x, y and z axes. This increased freedom of motion allows the designer to disregard the requisite that solid forms need to be delineated prior to considering material deposition. Considering this in relationship to the design of artefacts, specific approaches that consider both form and material deposition concurrently allow the authorship of the method of making to be reclaimed. Bespoke computational processes work to encode material deposition with qualities that are tactile, visual and expressive of its making method. Considerations to structural, performative and aesthetic implications are assimilated from the onset rather than post-rationalised. Material deposition is crafted to become three-dimensionally informed and considerate of the integral nature of its making method and its output, exposing new design opportunities. Among other things, the research-through-design process suggests how parametric modelling could be used for mass-customisation and suggests a possible path for AM beyond prototyping, towards the manufacturing of bespoke products through an industrial design perspective. Through iterative abstract and application based experiments, Designed Deposition pursues an increasingly integrated process between the user, the designer, the digital and the physical, towards the creation of digitally crafted artefacts. Advisors/Committee Members: Miller, Tim.

Subjects/Keywords: Design; Craft; Digital; 3D printing

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APA (6^th Edition):

Molloy, I. (2017). Designed Deposition - Freeform 3D Printing for Digitally Crafted Artefacts. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/6879

Chicago Manual of Style (16^th Edition):

Molloy, Isabella. “Designed Deposition - Freeform 3D Printing for Digitally Crafted Artefacts.” 2017. Masters Thesis, Victoria University of Wellington. Accessed February 27, 2021. http://hdl.handle.net/10063/6879.

MLA Handbook (7^th Edition):

Molloy, Isabella. “Designed Deposition - Freeform 3D Printing for Digitally Crafted Artefacts.” 2017. Web. 27 Feb 2021.

Vancouver:

Molloy I. Designed Deposition - Freeform 3D Printing for Digitally Crafted Artefacts. [Internet] [Masters thesis]. Victoria University of Wellington; 2017. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10063/6879.

Council of Science Editors:

Molloy I. Designed Deposition - Freeform 3D Printing for Digitally Crafted Artefacts. [Masters Thesis]. Victoria University of Wellington; 2017. Available from: http://hdl.handle.net/10063/6879

Universidade do Rio Grande do Norte

25. Bezerra, Nilton Xavier. Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade .

Degree: 2007, Universidade do Rio Grande do Norte

URL: http://repositorio.ufrn.br/handle/123456789/12250

► In the Rio Grande do Norte, the craftsmanship is generating of economy, it involves a significant number of people and is diversified in its raw… (more)

Subjects/Keywords: Artesanato; Craft

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APA (6^th Edition):

Bezerra, N. X. (2007). Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade . (Masters Thesis). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/12250

Chicago Manual of Style (16^th Edition):

Bezerra, Nilton Xavier. “Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade .” 2007. Masters Thesis, Universidade do Rio Grande do Norte. Accessed February 27, 2021. http://repositorio.ufrn.br/handle/123456789/12250.

MLA Handbook (7^th Edition):

Bezerra, Nilton Xavier. “Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade .” 2007. Web. 27 Feb 2021.

Vancouver:

Bezerra NX. Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade . [Internet] [Masters thesis]. Universidade do Rio Grande do Norte; 2007. [cited 2021 Feb 27]. Available from: http://repositorio.ufrn.br/handle/123456789/12250.

Council of Science Editors:

Bezerra NX. Cerâmica de Santo Antônio do Potengi: entre tradição e modernidade . [Masters Thesis]. Universidade do Rio Grande do Norte; 2007. Available from: http://repositorio.ufrn.br/handle/123456789/12250

University of Helsinki

26. Autio, Johanna. Räsymatto perinteen ja muutoksen puristuksessa : Tapaustutkimus Eija Rasinmäen matoista 1970–2011: Ragrug between tradition and change : A case study of the Eija Rasinmäki s rugs from 1970 to 2011.

Degree: Department of Teacher Education; Helsingfors universitet, Beteendevetenskapliga fakulteten, Institutionen för lärarutbildning, 2012, University of Helsinki

URL: http://hdl.handle.net/10138/34196

► Mattosuunnittelija Eija Rasinmäki on valmistanut räsymattoja vuodesta 1970 lähtien. Hän halusi uudistaa suomalaista räsymattoa niin, että se sopisi vaativaankin sisustamiseen. Tutkimuksessa kuvataan Eija Rasinmäen Suomessa… (more)

▼ Mattosuunnittelija Eija Rasinmäki on valmistanut räsymattoja vuodesta 1970 lähtien. Hän halusi uudistaa suomalaista räsymattoa niin, että se sopisi vaativaankin sisustamiseen. Tutkimuksessa kuvataan Eija Rasinmäen Suomessa valmistettujen mattojen olemusta ja sen muutoksia vuosina 1970 - 2011. Tämä käsittää sekä ulkoisen olemuksen että tuotteesta välittyvän perinneviestin. Myös muutosten yhteyttä mattojen syntykontekstissa tapahtuneisiin muutoksiin tarkastellaan. Lisäksi pohditaan mattojen kokonaisolemuksen muutosten pohjalta, millaisia haasteita perinteen ja modernin muotokielen yhdistäminen kohtaa. Tutkimuksen lähestymistapa oli historiallinen tapaustutkimus. Tutkimuksen pääaineiston muodostivat Rasinmäen matot, kuvat ja esitteet matoista ja mallistoista, hänen aiheesta keräämänsä lehtijutut vuosien varrelta, sekä Eija Rasinmäen haastattelut. Muuta kutomon tarjoamaa materiaalia käytettiin tarkastelun tukena. Aineistoa analysoitiin teemoittelun, aikasarjojen rakentamisen ja niiden keskinäisen vertailun avulla. Tutkimus osoitti mattomallien muuttuneen selvästi vuosina 1970 - 2011. Mattojen väri, sidos, pintastruktuuri, kuviointi ja sommittelu sekä maton koko ja muoto muuttuivat. Matot jaettiin muutoskohtien mukaan kehityskausiin: Loimaan aika 1970 - 1978, Oitin alkuaika 1979 - 1983, Menestyksen aika 1984 - 1989, Lama-aika 1990 - 1995, Hiljainen aika 1996 - 2003 ja Intian aika 2004 - 2011. Muutoksia malleissa aiheuttivat etenkin markkinat ja talous. Ne vaikuttivat sekä suunnittelua rajoittavasti että suuntaavasti asettamalla vaatimuksen tehokkuudelle, ja toisaalta muokkaamalla asiakkaiden toiveita. Myös suunnittelijan omat intentiot muuttuivat ajan hengen mukaisesti. Perinteestä tuli Rasinmäen matoille brändi. Perinneviesti välittyi matoista materiaalin, valmistustavan, kuvioinnin, sommittelun, värin ja muodon kautta. Näistä materiaali ja valmistustapa eivät muuttuneet merkittävästi, mutta muiden elementtien muuttuminen aiheutti perinneviestin väistymisen 1980-luvulla. Perinteen ja modernin yhdistämisessä ongelmaksi muodostui niiden erilainen - säilyttämään/muuttumaan pyrkivä - luonne. Mattojen kutsuminen perinteeksi ja räsymatoksi sitoi ne tiettyyn rajoittavaan mielikuvaan, ja tuotteen ja brändin ristiriita hämmensi asiakasta. Parempi termi olisi voinut olla taidematto.

Subjects/Keywords: Craft Science; Käsityötiede; Slöjdvetenskap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Autio, J. (2012). Räsymatto perinteen ja muutoksen puristuksessa : Tapaustutkimus Eija Rasinmäen matoista 1970–2011: Ragrug between tradition and change : A case study of the Eija Rasinmäki s rugs from 1970 to 2011. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/34196

Chicago Manual of Style (16^th Edition):

Autio, Johanna. “Räsymatto perinteen ja muutoksen puristuksessa : Tapaustutkimus Eija Rasinmäen matoista 1970–2011: Ragrug between tradition and change : A case study of the Eija Rasinmäki s rugs from 1970 to 2011.” 2012. Masters Thesis, University of Helsinki. Accessed February 27, 2021. http://hdl.handle.net/10138/34196.

MLA Handbook (7^th Edition):

Autio, Johanna. “Räsymatto perinteen ja muutoksen puristuksessa : Tapaustutkimus Eija Rasinmäen matoista 1970–2011: Ragrug between tradition and change : A case study of the Eija Rasinmäki s rugs from 1970 to 2011.” 2012. Web. 27 Feb 2021.

Vancouver:

Autio J. Räsymatto perinteen ja muutoksen puristuksessa : Tapaustutkimus Eija Rasinmäen matoista 1970–2011: Ragrug between tradition and change : A case study of the Eija Rasinmäki s rugs from 1970 to 2011. [Internet] [Masters thesis]. University of Helsinki; 2012. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10138/34196.

Council of Science Editors:

Autio J. Räsymatto perinteen ja muutoksen puristuksessa : Tapaustutkimus Eija Rasinmäen matoista 1970–2011: Ragrug between tradition and change : A case study of the Eija Rasinmäki s rugs from 1970 to 2011. [Masters Thesis]. University of Helsinki; 2012. Available from: http://hdl.handle.net/10138/34196

University of Helsinki

27. Hara, Maiju. Muotiblogien luksus.

Degree: Department of Teacher Education; Helsingfors universitet, Beteendevetenskapliga fakulteten, Institutionen för lärarutbildning, 2012, University of Helsinki

URL: http://hdl.handle.net/10138/37152

► Muoti ja luksus kulkevat muotiblogeissa luontevasti rinnakkain. Laadukkaaseen pukeutumiseen ja viimeisteltyyn ulkonäköön panostaminen on merkittävässä osassa suosituissa suomalaisissa blogeissa. Blogien suosion myötä luksustuotteet ovat tulleet… (more)

▼ Muoti ja luksus kulkevat muotiblogeissa luontevasti rinnakkain. Laadukkaaseen pukeutumiseen ja viimeisteltyyn ulkonäköön panostaminen on merkittävässä osassa suosituissa suomalaisissa blogeissa. Blogien suosion myötä luksustuotteet ovat tulleet lähemmäs tavallista kuluttajaa. Blogeista välittyy sellainen mielikuva, että myös tavallinen ihminen saa käyttää luksusmerkkejä ja -tuotteita. Tämän tutkimuksen tehtävänä oli tarkastella millaista on muotiblogien luksus. Onko se yltäkylläisyyttä ja materiaa? Vai halua ja tarvetta saada kuulua johonkin yhteisöön, jossa samanhenkiset ihmiset jakavat tietoa ja kokemuksia kiinnostuksenkohteistaan? Tutkimuksen aineisto koostui yhdeksän suositun suomalaisen muotiblogin blogimerkinnöistä kolmen kuukauden ajalta vuodelta 2012. Blogien valintaan vaikutti tutkijan oma perehtyneisyys muotiblogimaailmaan sekä blogien yleinen suosio ja päivitysaktiivisuus. Laadullisen tutkimuksen taustalla vaikutti netnografinen lähestymistapa ja analyysimenetelmä oli teoriaohjaava sisällönanalyysi. Tutkimustulokset jakautuivat kahteen kokonaisuuteen: materiaaliseen ja aineettomaan luksukseen. Materiaalinen luksus näkyi aineistossa keräilynä, harkittuna kuluttamisena, haaveena ja ristiriitana. Luksuskeräilyyn kuului tunnettujen luksusbrandien tuotteiden tuntemuksesta ja kuluttamisesta saatu nautinto. Harkitussa kuluttamisessa puolestaan korostuivat laatuun, ainutlaatuisuuteen ja harvinaisuuteen panostaminen. Luksustuotteista haaveilu oli monen bloggaajan ajanvietettä. Haaveet kohdistuivat materiaan, erityisesti tunnettujen luksusbrandien erilaisiin tuotteisiin. Ristiriitaa luksusta kohtaan kokevat bloggaajat kuluttivat luksustuotteita keräilijöiden tavoin, mutta materian omistaminen ja haluaminen aiheutti heille sisäistä ristiriitaa. Aineettomaan luksukseen kuului tiedon ja tyylin jakaminen sosiaalisessa kontekstissa sekä blogien tarjoama esteettinen kokemus. Tiedon löytäminen ja käyttäjäkokemusten jakaminen, osallisuus, merkitykselliseen yhteisöön kuuluminen ja yhteisöltä saatu tunnustus olivat blogien aineettoman luksuksen muotoja. Blogien estetiikkaa olivat valokuvatut vartalon, vaatteen ja asusteiden muodostamat kokonaisuudet. Parhaimmillaan blogien valokuvat voi nähdä pieninä taideteoksina, joiden katselu tarjoaa lukijalle todellisen aineettoman luksuskokemuksen.

Subjects/Keywords: Craft Science; Käsityötiede; Slöjdvetenskap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hara, M. (2012). Muotiblogien luksus. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/37152

Chicago Manual of Style (16^th Edition):

Hara, Maiju. “Muotiblogien luksus.” 2012. Masters Thesis, University of Helsinki. Accessed February 27, 2021. http://hdl.handle.net/10138/37152.

MLA Handbook (7^th Edition):

Hara, Maiju. “Muotiblogien luksus.” 2012. Web. 27 Feb 2021.

Vancouver:

Hara M. Muotiblogien luksus. [Internet] [Masters thesis]. University of Helsinki; 2012. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10138/37152.

Council of Science Editors:

Hara M. Muotiblogien luksus. [Masters Thesis]. University of Helsinki; 2012. Available from: http://hdl.handle.net/10138/37152

University of Helsinki

28. Laukkanen, Minttu. Hyväntekeväisyyskäsityöt.

Degree: Department of Teacher Education; Helsingfors universitet, Beteendevetenskapliga fakulteten, Institutionen för lärarutbildning, 2013, University of Helsinki

URL: http://hdl.handle.net/10138/42273

► Tavoitteet: Tutkimuksen tavoitteena oli analysoida minkälaisia käsityön merkityksiä hyväntekeväisyyskäsitöiden tekijät liittävät omaan tekemiseensä. Tutkimusongelma muodostui käsitöiden tekemisen teoriaan perehtymisen kautta. Aiemmissa tutkimuksissa käsitöiden tekemiseen liitettyjä… (more)

▼ Tavoitteet: Tutkimuksen tavoitteena oli analysoida minkälaisia käsityön merkityksiä hyväntekeväisyyskäsitöiden tekijät liittävät omaan tekemiseensä. Tutkimusongelma muodostui käsitöiden tekemisen teoriaan perehtymisen kautta. Aiemmissa tutkimuksissa käsitöiden tekemiseen liitettyjä merkityksiä ovat olleet käsitöiden suunnittelu- ja valmistusprosessi, yhteisöllisyys ja käsitöiden tuottama ilo. Hyväntekeväisyyteen osallistumisen taustalla on tutkijoiden mukaan auttamisen halu ja halu osallistua yhteiskunnalliseen toimintaan. Tämän tutkimuksen tarkoituksena on analysoida miten nämä käsityön ja hyväntekeväisyyden merkitykset liittyvät hyväntekeväisyyskäsitöiden tekijöiden tekemisprosessiin ja miten hyväntekeväisyyskohde valikoitui. Menetelmä: Keräsin aineistoni käyttäen laadullisia ja määrällisiä lähestymistapoja, kuitenkin laadullisen ollen tutkimukseni päälähestymistapa. Aineisto kerättiin kyselylomakkeella, jonka julkaisin internetissä. Kyselyssä oli strukturoituja väittämiä ja yksi avoin kirjoitelmapyyntö, joiden avulla saatiin tietoa hyväntekeväisyyskäsitöihin liitetyistä merkityksistä. Kyselyyn tuli 488 vastausta. Sain väittämistä määrällistä aineistoa merkitysten tyypillisyydestä ja kirjoitelmista laadullista aineistoa yksittäisten vastaajien ajatuksista. Tutkimusmenetelmät täydensivät toisiaan ja sain teemasta monipuolisesti tietoa. Väittämien analysointi oli kuvailevaa ja kirjoitelmien analysointi oli teoriasidonnaista. Tulokset ja johtopäätökset: Käsityön merkitykset saivat monenlaisia piirteitä vastaajien tekemisessä. Hyväntekeväisyyskohde valikoitui vastaajien aatteiden ja ajatusten mukaan. Osa koki vaikuttavansa yhteiskunnallisesti osallistuessaan hyväntekeväisyyskäsityötoimintaan. Tunne vaikuttamisesta riippui kohteen ja projektin mukaan. Auttaminen koettiin tärkeäksi ja se korostui tuloksissa. Käsitöiden kautta auttaminen oli luonnollista käsityön harrastajille ja sen konkreettisuutta pidettiin tärkeänä. Suunnitteluprosessissa korostui värien suunnittelu, jossa pystyi käyttämään luovuutta. Suurin osa tuotteista tehtiin valmiin ohjeen mukaan, mikä sopi toteutettuihin tuotteisiin. Vaikka suurinosa teki käsitöitä usein yksin, yhteisöllisyyttä tunnettiin osallistumalla yhteiseen projektiin. Internetissä projektin seuraaminen ja keskuteluun osallistuminen toi yhteisöllisyyden tunnetta. Käsitöiden tekemisestä nautittiin paljon ja sen koettiin rentouttavan ja tuovat iloa. Vastaajat valmistivat paljon käsitöitä ja tekivät niitä usein.

Subjects/Keywords: Craft Science; Käsityötiede; Slöjdvetenskap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Laukkanen, M. (2013). Hyväntekeväisyyskäsityöt. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/42273

Chicago Manual of Style (16^th Edition):

Laukkanen, Minttu. “Hyväntekeväisyyskäsityöt.” 2013. Masters Thesis, University of Helsinki. Accessed February 27, 2021. http://hdl.handle.net/10138/42273.

MLA Handbook (7^th Edition):

Laukkanen, Minttu. “Hyväntekeväisyyskäsityöt.” 2013. Web. 27 Feb 2021.

Vancouver:

Laukkanen M. Hyväntekeväisyyskäsityöt. [Internet] [Masters thesis]. University of Helsinki; 2013. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10138/42273.

Council of Science Editors:

Laukkanen M. Hyväntekeväisyyskäsityöt. [Masters Thesis]. University of Helsinki; 2013. Available from: http://hdl.handle.net/10138/42273

Robert Gordon University

29. Peach, Andrea. The making of modern Scottish craft : revival and invention in 1970s Scotland.

Degree: PhD, 2017, Robert Gordon University

URL: http://hdl.handle.net/10059/2711

► The 1970s were a period of renaissance for the crafts in Britain, often referred to as a craft revival. The creation of national organisations and… (more)

Subjects/Keywords: 700; Scottish craft; 1970s Scotland; Craft history; Craft revival; Craft development; Souvenir; Cultural production; Commodification; Modernity; Cultural identity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Peach, A. (2017). The making of modern Scottish craft : revival and invention in 1970s Scotland. (Doctoral Dissertation). Robert Gordon University. Retrieved from http://hdl.handle.net/10059/2711

Chicago Manual of Style (16^th Edition):

Peach, Andrea. “The making of modern Scottish craft : revival and invention in 1970s Scotland.” 2017. Doctoral Dissertation, Robert Gordon University. Accessed February 27, 2021. http://hdl.handle.net/10059/2711.

MLA Handbook (7^th Edition):

Peach, Andrea. “The making of modern Scottish craft : revival and invention in 1970s Scotland.” 2017. Web. 27 Feb 2021.

Vancouver:

Peach A. The making of modern Scottish craft : revival and invention in 1970s Scotland. [Internet] [Doctoral dissertation]. Robert Gordon University; 2017. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10059/2711.

Council of Science Editors:

Peach A. The making of modern Scottish craft : revival and invention in 1970s Scotland. [Doctoral Dissertation]. Robert Gordon University; 2017. Available from: http://hdl.handle.net/10059/2711

University of Dundee

30. Nasseri, Mona. In the making : an exploration of the inner change of the practitioner.

Degree: PhD, 2013, University of Dundee

URL: https://discovery.dundee.ac.uk/en/studentTheses/a43e2b29-7cc0-44dd-a077-83258bdb557b ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578912

► This is a study at the interface of self, craft, and sustainability. It is a small part of a wider personal and social conjecture on… (more)

▼ This is a study at the interface of self, craft, and sustainability. It is a small part of a wider personal and social conjecture on the subject of ‘change ’ involving these three domains.This research develops the proposal that the success of a profound social change, which in our time pertains to the change towards sustainable societies, lies in the likeliness of self-transformation in individuals. Here the craft perspective is taken in order to link it to a large body of research in response to environmental and ethical concerns. However, unlike other object-oriented approaches with a similar purpose, the purpose of this research is to seek a greater contribution from craft practice when it is viewed as a transformation of the craftsperson. By referring to this human capacity, it argues, not only is crafting an inducement to self-transformation but also self-transformation can be regarded as a craft. To support this argument, material is drawn from the literature on craft, sustainability, philosophy of the self and social and developmental psychology. The historical and developmental formations of the key areas of the research are explored and psychological factors that motivate desirable ‘changes’ are identified. This exploration is then supported by interviews, personal narratives and the active participation of the researcher in the actual practice of craft. The research suggests that the state of self-actualization, where humanity reaches its fullness, is the destination to which the self needs to transform. It then traces elements involved in such a transformation back to their origin. This includes meanings and values leading to transformation, knowledge leading to meanings, experience leading to knowledge and the embodied connection between the self and the environment leading to experience. At the deepest level, it proposes a particular mode of relationship which is best described as craftsmanship or ‘the craft way of being.’ This process is also traced in the personal experience of the researcher.This thesis concludes with an explanation of the concept of ‘deep craft’. It proposes that the outcome of a deeper understanding of craft, which in effect widens the territory of craft activities, becomes manifest in the world in the form of ‘care taking’, essential for the ‘change’ towards more sustainable societies.

Subjects/Keywords: 741.6; Craft; Self; Sustainability

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Nasseri, M. (2013). In the making : an exploration of the inner change of the practitioner. (Doctoral Dissertation). University of Dundee. Retrieved from https://discovery.dundee.ac.uk/en/studentTheses/a43e2b29-7cc0-44dd-a077-83258bdb557b ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578912

Chicago Manual of Style (16^th Edition):

Nasseri, Mona. “In the making : an exploration of the inner change of the practitioner.” 2013. Doctoral Dissertation, University of Dundee. Accessed February 27, 2021. https://discovery.dundee.ac.uk/en/studentTheses/a43e2b29-7cc0-44dd-a077-83258bdb557b ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578912.

MLA Handbook (7^th Edition):

Nasseri, Mona. “In the making : an exploration of the inner change of the practitioner.” 2013. Web. 27 Feb 2021.

Vancouver:

Nasseri M. In the making : an exploration of the inner change of the practitioner. [Internet] [Doctoral dissertation]. University of Dundee; 2013. [cited 2021 Feb 27]. Available from: https://discovery.dundee.ac.uk/en/studentTheses/a43e2b29-7cc0-44dd-a077-83258bdb557b ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578912.

Council of Science Editors:

Nasseri M. In the making : an exploration of the inner change of the practitioner. [Doctoral Dissertation]. University of Dundee; 2013. Available from: https://discovery.dundee.ac.uk/en/studentTheses/a43e2b29-7cc0-44dd-a077-83258bdb557b ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578912

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Open Access Theses and Dissertations