subject:(contemporary japan)

Queensland University of Technology

1. Kirker, Marjorie Anne. Printmaking as an expanding field in contemporary art practice : a case study of Japan, Australia and Thailand.

Degree: 2009, Queensland University of Technology

URL: https://eprints.qut.edu.au/29746/

► This thesis proposes that contemporary printmaking, at its most significant, marks the present through reconstructing pasts and anticipating futures. It argues this through examples in… (more)

▼ This thesis proposes that contemporary printmaking, at its most significant, marks the present through reconstructing pasts and anticipating futures. It argues this through examples in the field, occurring in contexts beyond the Euramerican (Europe and North America). The arguments revolve around how the practice of a number of significant artists in Japan, Australia and Thailand has generated conceptual and formal innovations in printmaking that transcend local histories and conventions, whilst paradoxically, also building upon them and creating new meanings. The arguments do not portray the relations between contemporary and traditional art as necessarily antagonistic but rather, as productively dialectical. Furthermore, the case studies demonstrate that, in the 1980s and 1990s particularly, the studio practice of these printmakers was informed by other visual arts disciplines and reflected postmodern concerns. Departures from convention witnessed in these countries within the Asia-Pacific region shifted the field of the print into a heterogeneous and hybrid realm. The practitioners concerned (especially in Thailand) produced work that was more readily equated with performance and installation art than with printmaking per se. In Japan, the incursion of photography interrupted the decorative cast of printmaking and delivered it from a straightforward, craft-based aesthetic. In Australia, fixed notions of national identity were challenged by print practitioners through deliberate cultural rapprochements and technical contradictions (speaking across old and new languages).However time-honoured print methods were not jettisoned by any case study artists. Their re-alignment of the fundamental attributes of printmaking, in line with materialist formalism, is a core consideration of my arguments. The artists selected for in-depth analysis from these three countries are all innovators whose geographical circumstances and creative praxis drew on local traditions whilst absorbing international trends. In their radical revisionism, they acknowledged the specificity of history and place, conditions of contingency and forces of globalisation. The transformational nature of their work during the late twentieth century connects it to the postmodern ethos and to a broader artistic and cultural nexus than has hitherto been recognised in literature on the print. Emerging from former guild-based practices, they ambitiously conceived their work to be part of a continually evolving visual arts vocabulary. I argue in this thesis that artists from the Asia-Pacific region have historically broken with the hermetic and Euramerican focus that has generally characterised the field. Inadequate documentation and access to print activity outside the dominant centres of critical discourse imply that readings of postmodernism have been too limited in their scope of inquiry. Other locations offer complexities of artistic practice where re-alignments of customary boundaries are often the norm. By addressing innovative activity in Japan,…

Subjects/Keywords: printmaking; contemporary art practice; Japan; Australia; Thailand

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Kirker, M. A. (2009). Printmaking as an expanding field in contemporary art practice : a case study of Japan, Australia and Thailand. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/29746/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kirker, Marjorie Anne. “Printmaking as an expanding field in contemporary art practice : a case study of Japan, Australia and Thailand.” 2009. Thesis, Queensland University of Technology. Accessed March 05, 2021. https://eprints.qut.edu.au/29746/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kirker, Marjorie Anne. “Printmaking as an expanding field in contemporary art practice : a case study of Japan, Australia and Thailand.” 2009. Web. 05 Mar 2021.

Vancouver:

Kirker MA. Printmaking as an expanding field in contemporary art practice : a case study of Japan, Australia and Thailand. [Internet] [Thesis]. Queensland University of Technology; 2009. [cited 2021 Mar 05]. Available from: https://eprints.qut.edu.au/29746/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kirker MA. Printmaking as an expanding field in contemporary art practice : a case study of Japan, Australia and Thailand. [Thesis]. Queensland University of Technology; 2009. Available from: https://eprints.qut.edu.au/29746/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Vermont

2. Teixeira, Pedro M. The Portrayal of Suicide in Postmodern Japanese Literature and Popular Culture Media.

Degree: Japanese, 2014, University of Vermont

URL: https://scholarworks.uvm.edu/hcoltheses/15

► This project aims to analyze the portrayal of suicide in contemporary Japanese literature and popular media (manga, anime, and films). Some key topics investigated… (more)

Subjects/Keywords: suicide; Japan; popular culture; literature; media; contemporary

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Teixeira, P. M. (2014). The Portrayal of Suicide in Postmodern Japanese Literature and Popular Culture Media. (Thesis). University of Vermont. Retrieved from https://scholarworks.uvm.edu/hcoltheses/15

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Teixeira, Pedro M. “The Portrayal of Suicide in Postmodern Japanese Literature and Popular Culture Media.” 2014. Thesis, University of Vermont. Accessed March 05, 2021. https://scholarworks.uvm.edu/hcoltheses/15.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Teixeira, Pedro M. “The Portrayal of Suicide in Postmodern Japanese Literature and Popular Culture Media.” 2014. Web. 05 Mar 2021.

Vancouver:

Teixeira PM. The Portrayal of Suicide in Postmodern Japanese Literature and Popular Culture Media. [Internet] [Thesis]. University of Vermont; 2014. [cited 2021 Mar 05]. Available from: https://scholarworks.uvm.edu/hcoltheses/15.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Teixeira PM. The Portrayal of Suicide in Postmodern Japanese Literature and Popular Culture Media. [Thesis]. University of Vermont; 2014. Available from: https://scholarworks.uvm.edu/hcoltheses/15

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Victoria

3. Van Loon, Joel. Looking outside: representations of the periphery in contemporary Japanese cinema.

Degree: Dept. of Pacific and Asian Studies, 2011, University of Victoria

URL: http://hdl.handle.net/1828/3243

► This thesis examines a body of contemporary Japanese films in order to unpack the various portrayals of some of Japan’s socially marginalized groups including women,… (more)

Subjects/Keywords: Japan; periphery; postmodernism; film; margins; contemporary

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Van Loon, J. (2011). Looking outside: representations of the periphery in contemporary Japanese cinema. (Masters Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/3243

Chicago Manual of Style (16^th Edition):

Van Loon, Joel. “Looking outside: representations of the periphery in contemporary Japanese cinema.” 2011. Masters Thesis, University of Victoria. Accessed March 05, 2021. http://hdl.handle.net/1828/3243.

MLA Handbook (7^th Edition):

Van Loon, Joel. “Looking outside: representations of the periphery in contemporary Japanese cinema.” 2011. Web. 05 Mar 2021.

Vancouver:

Van Loon J. Looking outside: representations of the periphery in contemporary Japanese cinema. [Internet] [Masters thesis]. University of Victoria; 2011. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1828/3243.

Council of Science Editors:

Van Loon J. Looking outside: representations of the periphery in contemporary Japanese cinema. [Masters Thesis]. University of Victoria; 2011. Available from: http://hdl.handle.net/1828/3243

University of Texas – Austin

4. -1384-1645. Contemporary Japanese seishun eiga cinema.

Degree: PhD, Radio-Television-Film, 2018, University of Texas – Austin

URL: http://hdl.handle.net/2152/68752

► Contemporary Japanese Seishun Eiga Cinema examines Japanese popular films of the last 30 years that focus on youth protagonists, analyzes new generic modes and how… (more)

Subjects/Keywords: Contemporary film; Japan; Genre; Youth; Lost years

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

-1384-1645. (2018). Contemporary Japanese seishun eiga cinema. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/68752

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16^th Edition):

-1384-1645. “Contemporary Japanese seishun eiga cinema.” 2018. Doctoral Dissertation, University of Texas – Austin. Accessed March 05, 2021. http://hdl.handle.net/2152/68752.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7^th Edition):

-1384-1645. “Contemporary Japanese seishun eiga cinema.” 2018. Web. 05 Mar 2021.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-1384-1645. Contemporary Japanese seishun eiga cinema. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2018. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/2152/68752.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-1384-1645. Contemporary Japanese seishun eiga cinema. [Doctoral Dissertation]. University of Texas – Austin; 2018. Available from: http://hdl.handle.net/2152/68752

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

University of Melbourne

5. Zhang, Lu. Strategies of negation in reflective design as an alternative to critical regionalism: a study of contemporary architecture in China and Japan since 1990.

Degree: 2019, University of Melbourne

URL: http://hdl.handle.net/11343/225167

► After a long period of westernisation and modernisation, East Asian countries had begun a common effort in regenerating indigenous cultural resources to shape their own… (more)

▼ After a long period of westernisation and modernisation, East Asian countries had begun a common effort in regenerating indigenous cultural resources to shape their own versions of modernity in response to a globalising homogenisation in architecture. It firstly emerged in Japan with a rise of Metabolist movement since the 1960s. Benefited from the Chinese market economy and opening-up policy, it happened in China only from the 1990s, amongst some most reflective architects with independent thinking. This situation puts China and Japan into parallel and even comparable positions to examine East Asian approaches to respond the universalizing forces of globalisation. This is often viewed as attempts in ‘critical regionalism’, a concept developed in European and North American academic context using mainly western cases and concepts. This raises an issue as to if this western category is applicable to the cases in East Asia. However, there is no research done that addresses this issue using cases from China and Japan in a regional framework and adopting indigenous aesthetic categories in response to formulations from the west. To fill up this gap, this research conducts a region-based comparative study on the most recent reflective design practices in China and Japan. It explores the use of traditional aesthetic ideas and strategies that – already different in the past – may depart from western categories for contemporary practice. It aims to discover new expressions and new uses of traditional aesthetic categories – conscious or unconscious – in contemporary design practices in China and Japan that may indicate an alternative path to those proposed in the Euro-American context. This thesis tries to position critical regionalism within a larger historic and geographic context. It is neither to critique the details of the former argument, nor to debate the value and significance of this concept in any abstract sense. Rather, it is to seek for an alternative to critical regionalism in the current East Asian circumstances. It aims to test and to find out an alternative approach – discovered as a strategy of negation – to critical regionalism, an approach rooted in the local cultural and aesthetic traditions.

Subjects/Keywords: Contemporary Architecture in China; Contemporary Architecture in Japan; Reflective Design

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Zhang, L. (2019). Strategies of negation in reflective design as an alternative to critical regionalism: a study of contemporary architecture in China and Japan since 1990. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/225167

Chicago Manual of Style (16^th Edition):

Zhang, Lu. “Strategies of negation in reflective design as an alternative to critical regionalism: a study of contemporary architecture in China and Japan since 1990.” 2019. Doctoral Dissertation, University of Melbourne. Accessed March 05, 2021. http://hdl.handle.net/11343/225167.

MLA Handbook (7^th Edition):

Zhang, Lu. “Strategies of negation in reflective design as an alternative to critical regionalism: a study of contemporary architecture in China and Japan since 1990.” 2019. Web. 05 Mar 2021.

Vancouver:

Zhang L. Strategies of negation in reflective design as an alternative to critical regionalism: a study of contemporary architecture in China and Japan since 1990. [Internet] [Doctoral dissertation]. University of Melbourne; 2019. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/11343/225167.

Council of Science Editors:

Zhang L. Strategies of negation in reflective design as an alternative to critical regionalism: a study of contemporary architecture in China and Japan since 1990. [Doctoral Dissertation]. University of Melbourne; 2019. Available from: http://hdl.handle.net/11343/225167

University of Bradford

6. Tamura, Azumi. The politics of disaster and their role in imagining an outside : understanding the rise of the post-Fukushima anti-nuclear movements.

Degree: PhD, 2015, University of Bradford

URL: http://hdl.handle.net/10454/14384

► Political disillusionment is widespread in contemporary Japanese society, despite people’s struggles in the recession. Our social relationships become entangled, and we can no longer clearly… (more)

Subjects/Keywords: 303.48; Fukushima; Social movement; Contemporary Japan; Postmodernity; Political apathy; Identity; Emotion

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Tamura, A. (2015). The politics of disaster and their role in imagining an outside : understanding the rise of the post-Fukushima anti-nuclear movements. (Doctoral Dissertation). University of Bradford. Retrieved from http://hdl.handle.net/10454/14384

Chicago Manual of Style (16^th Edition):

Tamura, Azumi. “The politics of disaster and their role in imagining an outside : understanding the rise of the post-Fukushima anti-nuclear movements.” 2015. Doctoral Dissertation, University of Bradford. Accessed March 05, 2021. http://hdl.handle.net/10454/14384.

MLA Handbook (7^th Edition):

Tamura, Azumi. “The politics of disaster and their role in imagining an outside : understanding the rise of the post-Fukushima anti-nuclear movements.” 2015. Web. 05 Mar 2021.

Vancouver:

Tamura A. The politics of disaster and their role in imagining an outside : understanding the rise of the post-Fukushima anti-nuclear movements. [Internet] [Doctoral dissertation]. University of Bradford; 2015. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10454/14384.

Council of Science Editors:

Tamura A. The politics of disaster and their role in imagining an outside : understanding the rise of the post-Fukushima anti-nuclear movements. [Doctoral Dissertation]. University of Bradford; 2015. Available from: http://hdl.handle.net/10454/14384

University of Toronto

7. Scott, Ryan C. W. The Art of Marimba in Tokyo: Emergence in the Twentieth Century.

Degree: 2015, University of Toronto

URL: http://hdl.handle.net/1807/71624

►

The marimba emerged as a leading voice in contemporary Western art music in the twentieth century. This is due to several key factors: principally the… (more)

Subjects/Keywords: contemporary; Japan; keiko abe; marimba; music; percussion; 0413

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Scott, R. C. W. (2015). The Art of Marimba in Tokyo: Emergence in the Twentieth Century. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/71624

Chicago Manual of Style (16^th Edition):

Scott, Ryan C W. “The Art of Marimba in Tokyo: Emergence in the Twentieth Century.” 2015. Doctoral Dissertation, University of Toronto. Accessed March 05, 2021. http://hdl.handle.net/1807/71624.

MLA Handbook (7^th Edition):

Scott, Ryan C W. “The Art of Marimba in Tokyo: Emergence in the Twentieth Century.” 2015. Web. 05 Mar 2021.

Vancouver:

Scott RCW. The Art of Marimba in Tokyo: Emergence in the Twentieth Century. [Internet] [Doctoral dissertation]. University of Toronto; 2015. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1807/71624.

Council of Science Editors:

Scott RCW. The Art of Marimba in Tokyo: Emergence in the Twentieth Century. [Doctoral Dissertation]. University of Toronto; 2015. Available from: http://hdl.handle.net/1807/71624

University of Melbourne

8. Okumura, Akihiro. Photographic interpretation through slippage.

Degree: 2016, University of Melbourne

URL: http://hdl.handle.net/11343/124269

► This research asks the question; can photography provide a framework to be both understood and be formed through a series of cultural and linguistic misinterpretations?… (more)

Subjects/Keywords: contemporary art; photography; interpretation; culture; linguistics; Japan; Australia

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Okumura, A. (2016). Photographic interpretation through slippage. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/124269

Chicago Manual of Style (16^th Edition):

Okumura, Akihiro. “Photographic interpretation through slippage.” 2016. Masters Thesis, University of Melbourne. Accessed March 05, 2021. http://hdl.handle.net/11343/124269.

MLA Handbook (7^th Edition):

Okumura, Akihiro. “Photographic interpretation through slippage.” 2016. Web. 05 Mar 2021.

Vancouver:

Okumura A. Photographic interpretation through slippage. [Internet] [Masters thesis]. University of Melbourne; 2016. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/11343/124269.

Council of Science Editors:

Okumura A. Photographic interpretation through slippage. [Masters Thesis]. University of Melbourne; 2016. Available from: http://hdl.handle.net/11343/124269

Leiden University

9. Koppers, Roos. Globalization of Japanese Art Galleries: An analysis of Tokyo’s contemporary art galleries’ art fair participation and artist nationalities.

Degree: 2017, Leiden University

URL: http://hdl.handle.net/1887/52176

► Although Japan started participating in the commercial international art world during its so-called ‘bubble period’ between 1986 and 1991, very few Japanese artists currently enjoy… (more)

Subjects/Keywords: art markets; contemporary art; art galleries; Japan; art fairs; artist representation; globalization

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Koppers, R. (2017). Globalization of Japanese Art Galleries: An analysis of Tokyo’s contemporary art galleries’ art fair participation and artist nationalities. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/52176

Chicago Manual of Style (16^th Edition):

Koppers, Roos. “Globalization of Japanese Art Galleries: An analysis of Tokyo’s contemporary art galleries’ art fair participation and artist nationalities.” 2017. Masters Thesis, Leiden University. Accessed March 05, 2021. http://hdl.handle.net/1887/52176.

MLA Handbook (7^th Edition):

Koppers, Roos. “Globalization of Japanese Art Galleries: An analysis of Tokyo’s contemporary art galleries’ art fair participation and artist nationalities.” 2017. Web. 05 Mar 2021.

Vancouver:

Koppers R. Globalization of Japanese Art Galleries: An analysis of Tokyo’s contemporary art galleries’ art fair participation and artist nationalities. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1887/52176.

Council of Science Editors:

Koppers R. Globalization of Japanese Art Galleries: An analysis of Tokyo’s contemporary art galleries’ art fair participation and artist nationalities. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/52176

University of Kansas

10. Clements, Jacob. Murakami Haruki's Short Fiction and the Japanese Consumer Society.

Degree: MA, East Asian Languages & Cultures, 2019, University of Kansas

URL: http://hdl.handle.net/1808/30078

► This thesis seeks to describe the Japanese novelist Murakami Haruki’s continuing critique of Japan’s modern consumer-oriented society in his fiction. The first chapter provides a… (more)

Subjects/Keywords: Asian literature; Asian studies; Consumerism; Contemporary Japanese Literature; Identity; Japan; Murakami Haruki; Short Fiction

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Clements, J. (2019). Murakami Haruki's Short Fiction and the Japanese Consumer Society. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/30078

Chicago Manual of Style (16^th Edition):

Clements, Jacob. “Murakami Haruki's Short Fiction and the Japanese Consumer Society.” 2019. Masters Thesis, University of Kansas. Accessed March 05, 2021. http://hdl.handle.net/1808/30078.

MLA Handbook (7^th Edition):

Clements, Jacob. “Murakami Haruki's Short Fiction and the Japanese Consumer Society.” 2019. Web. 05 Mar 2021.

Vancouver:

Clements J. Murakami Haruki's Short Fiction and the Japanese Consumer Society. [Internet] [Masters thesis]. University of Kansas; 2019. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1808/30078.

Council of Science Editors:

Clements J. Murakami Haruki's Short Fiction and the Japanese Consumer Society. [Masters Thesis]. University of Kansas; 2019. Available from: http://hdl.handle.net/1808/30078

Bowling Green State University

11. Titus, Stephanie. Japanese Contemporary Piano Music: Cultural Influence and Identity.

Degree: DMA, Contemporary Music, 2020, Bowling Green State University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1604259509513433

► In an increasingly globalized community, a composer's cultural heritage may or may not manifest itself in their compositions. Conversely, manifest influences from different cultures may… (more)

Subjects/Keywords: Fine Arts; Music; piano; contemporary music; Japan; Japanese composers; Culture studies; Exoticism

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Titus, S. (2020). Japanese Contemporary Piano Music: Cultural Influence and Identity. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1604259509513433

Chicago Manual of Style (16^th Edition):

Titus, Stephanie. “Japanese Contemporary Piano Music: Cultural Influence and Identity.” 2020. Doctoral Dissertation, Bowling Green State University. Accessed March 05, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1604259509513433.

MLA Handbook (7^th Edition):

Titus, Stephanie. “Japanese Contemporary Piano Music: Cultural Influence and Identity.” 2020. Web. 05 Mar 2021.

Vancouver:

Titus S. Japanese Contemporary Piano Music: Cultural Influence and Identity. [Internet] [Doctoral dissertation]. Bowling Green State University; 2020. [cited 2021 Mar 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1604259509513433.

Council of Science Editors:

Titus S. Japanese Contemporary Piano Music: Cultural Influence and Identity. [Doctoral Dissertation]. Bowling Green State University; 2020. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1604259509513433

12. Sarugasawa, Kanae. La maternité hors mariage au Japon - La modernité, la famille et l'individu - : Unmarried Motherhood in Japan - Modernity, family and individual -.

Degree: Docteur es, Sociologie, anthropologie, ethnologie, 2018, Sorbonne Paris Cité

URL: http://www.theses.fr/2018USPCF017

►

Au Japon, si les rapports sexuels avant le mariage sont largement acceptés par la société, la part des enfants nés hors mariage reste très faible… (more)

▼

Au Japon, si les rapports sexuels avant le mariage sont largement acceptés par la société, la part des enfants nés hors mariage reste très faible (2,3 % en 2016). Ceci reflète la prégnance de la norme sociale qui veut que l’enfant naisse au sein d’un couple officiellement marié. Il existe pourtant des femmes qui outrepassent cette norme. Ce travail de doctorat vise, d’une part, à dévoiler qui sont ces femmes qui s’engagent dans la maternité hors mariage dans une société où ce choix est difficilement accepté et, d’autre part, à éclairer des questions autour de la modernité, de la famille et de l’individu au travers de l’analyse de ce phénomène. Dans ce but, nous mettrons d’abord en évidence le processus historique par lequel le mariage devient la norme absolue pour fonder une famille. Nous analyserons ensuite de quelles manières la maternité hors mariage devient un stigmate, en étudiant les politiques publiques, ainsi que les réactions dans l’entourage familial, à l’école et dans le lieu de travail. Enfin, à partir d’une série d’entretiens menés en 2012 et 2013, nous mettrons en lumière les logiques sous-jacentes ayant présidé à la démarche de ces mères japonaises non mariées. Au contraire de certaines recherches qui voient dans cette population une catégorie homogène, c’est avant tout sa pluralité qui ressorte de la présente thèse. Enfin, cette thèse démontre qu’il existe bel et bien des « individus » au Japon, comme le montrent les parcours variés de ces mères qui ont outrepassé la norme familiale dominante en adoptant des stratégies différentes.

In Japan, although pre-marital sex is widely accepted by society, birth out of marriage remains very low (2.3% of all birth in 2016), which marks a strong social norm: children must be born from an officially married couple. Some limited scholarship on this topic only points out this social pressure or the economic and legal disadvantages which Japanese women face once they become unmarried mothers, in order to highlight the rarity of the phenomenon. My research, on the other hand, aims to discover who these women are who engage in extramarital motherhood in a society where this choice is rarely accepted. First of all, it exposes the historical processes of how marriage becomes the absolute norm for starting a family. Secondly, by investigating the public policy as well as the reaction in family, school and work place against extramarital motherhood, it examines how unwedded motherhood becomes a stigma. An analysis of interviews with Japanese unmarried mothers conducted in 2012 and 2013 finally reveals not only their various profiles but also their different approaches and strategies to challenge this social norm. Through a study of marginal people, this research examines the relationship between modernity, families and the individual in Japanese society. Contrary to some scholarship which considers Japanese unmarried mothers as a homogeneous category, what emerges from my study is its plurality. This research demonstrates that there are indeed individuals in Japan and…

Advisors/Committee Members: Thomann, Bernard (thesis director).

Subjects/Keywords: Maternité hors mariage; Modernité; Famille; Individu; Genre; Stigmate; Japon contemporain; Extramarital motherhood; Modernity; Family; Individual; Gender; Stigma; Contemporary Japan

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sarugasawa, K. (2018). La maternité hors mariage au Japon - La modernité, la famille et l'individu - : Unmarried Motherhood in Japan - Modernity, family and individual -. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2018USPCF017

Chicago Manual of Style (16^th Edition):

Sarugasawa, Kanae. “La maternité hors mariage au Japon - La modernité, la famille et l'individu - : Unmarried Motherhood in Japan - Modernity, family and individual -.” 2018. Doctoral Dissertation, Sorbonne Paris Cité. Accessed March 05, 2021. http://www.theses.fr/2018USPCF017.

MLA Handbook (7^th Edition):

Sarugasawa, Kanae. “La maternité hors mariage au Japon - La modernité, la famille et l'individu - : Unmarried Motherhood in Japan - Modernity, family and individual -.” 2018. Web. 05 Mar 2021.

Vancouver:

Sarugasawa K. La maternité hors mariage au Japon - La modernité, la famille et l'individu - : Unmarried Motherhood in Japan - Modernity, family and individual -. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2018. [cited 2021 Mar 05]. Available from: http://www.theses.fr/2018USPCF017.

Council of Science Editors:

Sarugasawa K. La maternité hors mariage au Japon - La modernité, la famille et l'individu - : Unmarried Motherhood in Japan - Modernity, family and individual -. [Doctoral Dissertation]. Sorbonne Paris Cité; 2018. Available from: http://www.theses.fr/2018USPCF017

University of Adelaide

13. Kondo, Masako. Portfolio of recorded performances and exegesis: the influence of selected traditional Japanese musical concepts on contemporary flute repertoire.

Degree: 2010, University of Adelaide

URL: http://hdl.handle.net/2440/61311

► This submission investigates the influence of selected Japanese traditional musical concepts on the contemporary flute repertoire through performance. The influence of selected Japanese traditional musical… (more)

Subjects/Keywords: traditional Japanese musical concepts; contemporary flute repertoire; Variations (Flute and piano); Flute music; Flute and piano music; Sonatas (Flute and piano); Music Japan.

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Kondo, M. (2010). Portfolio of recorded performances and exegesis: the influence of selected traditional Japanese musical concepts on contemporary flute repertoire. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/61311

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kondo, Masako. “Portfolio of recorded performances and exegesis: the influence of selected traditional Japanese musical concepts on contemporary flute repertoire.” 2010. Thesis, University of Adelaide. Accessed March 05, 2021. http://hdl.handle.net/2440/61311.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kondo, Masako. “Portfolio of recorded performances and exegesis: the influence of selected traditional Japanese musical concepts on contemporary flute repertoire.” 2010. Web. 05 Mar 2021.

Vancouver:

Kondo M. Portfolio of recorded performances and exegesis: the influence of selected traditional Japanese musical concepts on contemporary flute repertoire. [Internet] [Thesis]. University of Adelaide; 2010. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/2440/61311.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kondo M. Portfolio of recorded performances and exegesis: the influence of selected traditional Japanese musical concepts on contemporary flute repertoire. [Thesis]. University of Adelaide; 2010. Available from: http://hdl.handle.net/2440/61311

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Gothenburg / Göteborgs Universitet

14. Wiklund, Lisa. Kreativa liv. Konstnärligt arbete och kosmopolitisk vardag i Williamsburg, Brooklyn, New York.

Degree: 2013, University of Gothenburg / Göteborgs Universitet

URL: http://hdl.handle.net/2077/30693

►

The everyday experiences of young Japanese individuals in creative careers, living in the neighborhood of Williamsburg in Brooklyn, New York City, is the starting point… (more)

▼

The everyday experiences of young Japanese individuals in creative careers, living in the neighborhood of Williamsburg in Brooklyn, New York City, is the starting point for this study that investigates the informants strategies in the creative field they belong to, as well as how cosmopolitanism and globalization is experienced on an individual level. The research is based on ethnographic fieldwork, primarily interviews and participant observations, carried out between 2008 and 2012. The main fieldwork is from New York City but the study also includes fieldwork from Japan and Sweden. The 15 informants were born in Japan in the 1970’s and 80’s and belong to the first generation in Japan that has started to question traditional national norms regarding, for example, career building and family life. Williamsburg is a traditional immigrant neighborhood, and today a typical example of an area that is going through a gentrification process. Since the 1990’s the area has had an influx of young people from different parts of the world who have come there to work in a creative setting, with freelance jobs in fashion, music, art, photography, et cetera. Through applying Pierre Bourdieu’s field theory, the study examines how this alternative creative field is organized and what strategies the agents in the field take on. Arjun Appadurai’s theoretical concepts imagination and -scapes are applied to examine how globalization and cosmopolitanism is experienced on an individual level. The dissertation examines how old and new media and communication techniques, along with travel have influenced the informants’ lives. How the informants relate to the their homeland and how national identification is made in the cosmopolitan environment is also analyzed. The notion of cosmopolitanism is regarded as an opportunity to oppose national cultural norms and conventions and as a chance for new perspectives and possibilities. On the other hand, alternative choices may also have consequences for the individual, which the dissertation discusses, using the informants’ complex experiences as a starting point.

Makadam Publishers 2013

Subjects/Keywords: creative work; cosmopolitanism; globalization; national identification; contemporary Japan; freeter; freelance work; Williamsburg; Brooklyn; New York City; gentrification; hipster; bohemia; ethnography; field theory

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Wiklund, L. (2013). Kreativa liv. Konstnärligt arbete och kosmopolitisk vardag i Williamsburg, Brooklyn, New York. (Thesis). University of Gothenburg / Göteborgs Universitet. Retrieved from http://hdl.handle.net/2077/30693

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wiklund, Lisa. “Kreativa liv. Konstnärligt arbete och kosmopolitisk vardag i Williamsburg, Brooklyn, New York.” 2013. Thesis, University of Gothenburg / Göteborgs Universitet. Accessed March 05, 2021. http://hdl.handle.net/2077/30693.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wiklund, Lisa. “Kreativa liv. Konstnärligt arbete och kosmopolitisk vardag i Williamsburg, Brooklyn, New York.” 2013. Web. 05 Mar 2021.

Vancouver:

Wiklund L. Kreativa liv. Konstnärligt arbete och kosmopolitisk vardag i Williamsburg, Brooklyn, New York. [Internet] [Thesis]. University of Gothenburg / Göteborgs Universitet; 2013. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/2077/30693.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wiklund L. Kreativa liv. Konstnärligt arbete och kosmopolitisk vardag i Williamsburg, Brooklyn, New York. [Thesis]. University of Gothenburg / Göteborgs Universitet; 2013. Available from: http://hdl.handle.net/2077/30693

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Southern California

15. Santiago, Christopher S. Sonic displacement, sonic placemaking: the poetics of diaspora in Yoko Tawada, Jessica Hagedorn, and M.I.A.

Degree: PhD, Literature and Creative Writing, 2017, University of Southern California

URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/600245/rec/5967

► This project investigates the ways in which sound irrupts in the work of Asian diasporic writers. Combining sound studies practices with a phenomenological approach to… (more)

▼ This project investigates the ways in which sound irrupts in the work of Asian diasporic writers. Combining sound studies practices with a phenomenological approach to transnational texts, the project seeks to not only develop new readings of diasporic texts—readings which argue for the indispensability of diasporic literature within a larger literary and social discourse—but to contribute to a new critical framework for reading sound in literature. ❧ Each chapter listens closely to a text authored by an Asian diasporic author. I take note of the sonic irruptions that enfold (and are enfolded within) the short stories‐cum‐literary‐essays of Yoko Tawada, written in both her native Japanese and German; Jessica Hagedorn’s immigrant punk‐rock novel The Gangster of Love; and Sri Lankan/British rapper M.I.A.’s first and second albums Arular and Kala. Each text is rife with word play, neologisms, code‐switching, exacting transcriptions of speech and soundscapes, sonic worldbuilding, and other forms of sonic manipulation. My project explores not only the aesthetic, affective, and philosophical implications of these sounds, but also their political valences as sites of productive rupture in hegemonies of language. ❧ Through echo and sympathetic vibration, sonic irruptions in literary works make audible a twofold sonic displacement: one is the author’s displacement from a local ecosystem of sound; the other is the author’s displacement from a community of spoken language. Together, these two aspects constitute the sonic dimension of what diaspora studies refers to as the homeland: a native soundscape that is the originary space of sonic subject formation. Displaced from their native soundscapes, but never fully at home within their new sonic environments, diasporic authors paradoxically enjoy the freedom to make metalinguistic commentary on both the target (second language) and heritage languages (mother tongue). If language is the principal force of hegemony, then diasporic authors’ sonic irruptions constitute a feedback loop, the noise produced by bodies simultaneously immersed in and alienated by language. This feedback, I believe, has the capacity to overload and reconfigure language and the relationships in and between the bodies that it seeks to regulate. Advisors/Committee Members: St. John, David M.McCabe, Susan (Committee Chair), Smith, Bruce R. (Committee Member), Nguyen, Viet Thanh (Committee Member), Demers, Joanna T. (Committee Member).

Subjects/Keywords: diaspora; literature; poetry; contemporary poetry; sound; sound studies; Asian American literature; Asian diasporic literature; rap; hip‐hop; Philippines; Japan; Sri Lanka; exophony; popular music; musicology; critical musicology

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Santiago, C. S. (2017). Sonic displacement, sonic placemaking: the poetics of diaspora in Yoko Tawada, Jessica Hagedorn, and M.I.A. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/600245/rec/5967

Chicago Manual of Style (16^th Edition):

Santiago, Christopher S. “Sonic displacement, sonic placemaking: the poetics of diaspora in Yoko Tawada, Jessica Hagedorn, and M.I.A.” 2017. Doctoral Dissertation, University of Southern California. Accessed March 05, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/600245/rec/5967.

MLA Handbook (7^th Edition):

Santiago, Christopher S. “Sonic displacement, sonic placemaking: the poetics of diaspora in Yoko Tawada, Jessica Hagedorn, and M.I.A.” 2017. Web. 05 Mar 2021.

Vancouver:

Santiago CS. Sonic displacement, sonic placemaking: the poetics of diaspora in Yoko Tawada, Jessica Hagedorn, and M.I.A. [Internet] [Doctoral dissertation]. University of Southern California; 2017. [cited 2021 Mar 05]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/600245/rec/5967.

Council of Science Editors:

Santiago CS. Sonic displacement, sonic placemaking: the poetics of diaspora in Yoko Tawada, Jessica Hagedorn, and M.I.A. [Doctoral Dissertation]. University of Southern California; 2017. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/600245/rec/5967

16. Murnion, Stephen. The Limits of Existential Therapy in the Fiction of Nakamura Fuminori.

Degree: MA, Department of East Asian Languages and Literatures, 2016, University of Oregon

URL: http://hdl.handle.net/1794/19674

► Written within an existentialist mode, Nakamura Fuminori’s early fictional works lend themselves to be read as therapeutic technologies reaching out to Japanese youth whose lives… (more)

Subjects/Keywords: Child abuse; Contemporary literature; Existentialism; Japan; Lost Generation; Therapy

…northeastern Japan of earthquake, tsunami, and nuclear meltdown at… …30,000 individuals who commit suicide every year in Japan. By… …readers to the existence of child abuse in Japan, a… …1977 in Aichi Prefecture in central Japan. He graduated… …rare in today’s Japan?” Nakamura’s response was very guarded…

1 more image…

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Murnion, S. (2016). The Limits of Existential Therapy in the Fiction of Nakamura Fuminori. (Masters Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/19674

Chicago Manual of Style (16^th Edition):

Murnion, Stephen. “The Limits of Existential Therapy in the Fiction of Nakamura Fuminori.” 2016. Masters Thesis, University of Oregon. Accessed March 05, 2021. http://hdl.handle.net/1794/19674.

MLA Handbook (7^th Edition):

Murnion, Stephen. “The Limits of Existential Therapy in the Fiction of Nakamura Fuminori.” 2016. Web. 05 Mar 2021.

Vancouver:

Murnion S. The Limits of Existential Therapy in the Fiction of Nakamura Fuminori. [Internet] [Masters thesis]. University of Oregon; 2016. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1794/19674.

Council of Science Editors:

Murnion S. The Limits of Existential Therapy in the Fiction of Nakamura Fuminori. [Masters Thesis]. University of Oregon; 2016. Available from: http://hdl.handle.net/1794/19674

University of Canterbury

17. Kennedy, Olivia. A Window into Contemporary Japanese Society From a Woman’s Perspective: Taigan no Kanojo (Woman on the Other Bank, 2004) By Kakuta Mitsuyo.

Degree: MA, 2009, University of Canterbury

URL: http://dx.doi.org/10.26021/5000

► This thesis is an exploration of the novel Taigan no Kanojo (Woman on the Other Bank, 2004) by Japanese writer Kakuta Mitsuyo (1967- ). A… (more)

Subjects/Keywords: Japan; Contemporary Japanese Society; Women; Woman's Perspective; Kakuta Mitsuyo; Feminism

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Kennedy, O. (2009). A Window into Contemporary Japanese Society From a Woman’s Perspective: Taigan no Kanojo (Woman on the Other Bank, 2004) By Kakuta Mitsuyo. (Masters Thesis). University of Canterbury. Retrieved from http://dx.doi.org/10.26021/5000

Chicago Manual of Style (16^th Edition):

Kennedy, Olivia. “A Window into Contemporary Japanese Society From a Woman’s Perspective: Taigan no Kanojo (Woman on the Other Bank, 2004) By Kakuta Mitsuyo.” 2009. Masters Thesis, University of Canterbury. Accessed March 05, 2021. http://dx.doi.org/10.26021/5000.

MLA Handbook (7^th Edition):

Kennedy, Olivia. “A Window into Contemporary Japanese Society From a Woman’s Perspective: Taigan no Kanojo (Woman on the Other Bank, 2004) By Kakuta Mitsuyo.” 2009. Web. 05 Mar 2021.

Vancouver:

Kennedy O. A Window into Contemporary Japanese Society From a Woman’s Perspective: Taigan no Kanojo (Woman on the Other Bank, 2004) By Kakuta Mitsuyo. [Internet] [Masters thesis]. University of Canterbury; 2009. [cited 2021 Mar 05]. Available from: http://dx.doi.org/10.26021/5000.

Council of Science Editors:

Kennedy O. A Window into Contemporary Japanese Society From a Woman’s Perspective: Taigan no Kanojo (Woman on the Other Bank, 2004) By Kakuta Mitsuyo. [Masters Thesis]. University of Canterbury; 2009. Available from: http://dx.doi.org/10.26021/5000

Université Toulouse II – Le Mirail

18. Lamotte, Charlotte. De l'expérience individuelle du religieux dans la société japonaise contemporaine : itinéraires de dévotion sur le circuit du nouveau pèlerinage de Shikoku à Sasaguri (Fukuoka) : Individual experience of religious practice in contemporary Japanese society : faith routes on a "New Shikoku" pilgrimage trail, Sasaguri, Fukuoka.

Degree: Docteur es, Anthropologie sociale et historique, 2015, Université Toulouse II – Le Mirail

URL: http://www.theses.fr/2015TOU20060

►

Cette thèse cherche à montrer le rôle structurant pour l’individu tenu par les pratiques religieuses dans la société japonaise contemporaine et la façon dont elles… (more)

▼

Cette thèse cherche à montrer le rôle structurant pour l’individu tenu par les pratiques religieuses dans la société japonaise contemporaine et la façon dont elles sont porteuses de sens aujourd’hui, dans une ville de pèlerinage appelée Sasaguri et située près de la mégapole de Fukuoka à Kyūshū. La première partie présente ce cadre en montrant à quel point Sasaguri forme un espace où se donnent à voir des pratiques religieuses de toutes sortes, notamment pour les visiteurs venus de l’extérieur, mais aussi comment, il est représentatif d’une religiosité que l’on retrouve partout au Japon, ancré dans la vie des communautés locales, et que j’appelle ici « premier niveau de l’expérience religieuse ». La deuxième partie se focalise sur différents types de spécialistes religieux. La troisième et dernière partie traite des modalités individuelles du rapport au religieux par l’angle des interactions entre l’intérieur et l’extérieur, du fidèle et de l’espace, du système ou du réseau dans lequel il évolue et dont il est centre.

This doctoral dissertation aims to determine the structural role that religious practice can have for the individual and how they are meaningful nowadays, in the context of a pilgrimage town called Sasaguri, situated near the big city of Fukuoka in Kyūshū. The first part presents this frame by showing how Sasaguri forms a sacred, dynamic and multi-layered space where various religious practices are displayed by people coming from outside of the town. The second part of this thesis explores the various possibilities between different types of religious specialists. The third and last part of this thesis discusses the individual modalities of the religious practices, via the interactions between the internal and external dimensions: those of the practitioner, the space they are in, or the network which they belong to and which is revolving around them.

Advisors/Committee Members: Bouchy, Anne (thesis director), Suzuki, Masataka (thesis director).

Subjects/Keywords: Expérience individuelle; Fait religieux dans le Japon contemporain; Pèlerinage; Spécialiste religieux; Pratiquant; Individual experience; Religion in contemporary Japan; Pilgrimage; Religious specialist; Practitioner

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Lamotte, C. (2015). De l'expérience individuelle du religieux dans la société japonaise contemporaine : itinéraires de dévotion sur le circuit du nouveau pèlerinage de Shikoku à Sasaguri (Fukuoka) : Individual experience of religious practice in contemporary Japanese society : faith routes on a "New Shikoku" pilgrimage trail, Sasaguri, Fukuoka. (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2015TOU20060

Chicago Manual of Style (16^th Edition):

Lamotte, Charlotte. “De l'expérience individuelle du religieux dans la société japonaise contemporaine : itinéraires de dévotion sur le circuit du nouveau pèlerinage de Shikoku à Sasaguri (Fukuoka) : Individual experience of religious practice in contemporary Japanese society : faith routes on a "New Shikoku" pilgrimage trail, Sasaguri, Fukuoka.” 2015. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed March 05, 2021. http://www.theses.fr/2015TOU20060.

MLA Handbook (7^th Edition):

Lamotte, Charlotte. “De l'expérience individuelle du religieux dans la société japonaise contemporaine : itinéraires de dévotion sur le circuit du nouveau pèlerinage de Shikoku à Sasaguri (Fukuoka) : Individual experience of religious practice in contemporary Japanese society : faith routes on a "New Shikoku" pilgrimage trail, Sasaguri, Fukuoka.” 2015. Web. 05 Mar 2021.

Vancouver:

Lamotte C. De l'expérience individuelle du religieux dans la société japonaise contemporaine : itinéraires de dévotion sur le circuit du nouveau pèlerinage de Shikoku à Sasaguri (Fukuoka) : Individual experience of religious practice in contemporary Japanese society : faith routes on a "New Shikoku" pilgrimage trail, Sasaguri, Fukuoka. [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2015. [cited 2021 Mar 05]. Available from: http://www.theses.fr/2015TOU20060.

Council of Science Editors:

Lamotte C. De l'expérience individuelle du religieux dans la société japonaise contemporaine : itinéraires de dévotion sur le circuit du nouveau pèlerinage de Shikoku à Sasaguri (Fukuoka) : Individual experience of religious practice in contemporary Japanese society : faith routes on a "New Shikoku" pilgrimage trail, Sasaguri, Fukuoka. [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2015. Available from: http://www.theses.fr/2015TOU20060

University of Vienna

19. Faust, Alexandra. Between tradition and modernity.

Degree: 2019, University of Vienna

URL: http://othes.univie.ac.at/56751/

►

Kyōto — die frühere Hauptstadt Japans mit ihren siebzehn UNESCO Weltkulturerbe, 1600 buddhistische Tempel und mehr als 400 Shintō-Tempeln ist nicht nur als „Herz“ und… (more)

▼

Kyōto — die frühere Hauptstadt Japans mit ihren siebzehn UNESCO Weltkulturerbe, 1600 buddhistische Tempel und mehr als 400 Shintō-Tempeln ist nicht nur als „Herz“ und Geburtsort der japanischen Kultur, sondern auch als als Zentrum traditioneller Kunst und Handwerkskunst weltberühmt. Aber sind Ukiyo-e Farbholzdrucke, handgemachte Keramik oder buddhistische Kalligraphien (Shodō) wirklich die einzigen Repräsentanten aus Kyōto’s Kunstwelt? In den letzten zwei Jahrzehnten erfuhr die Asiatische Kunstwelt eine explosionsartige Pluralisierung von Ausstellungsorten und Kunstsammlungen, welche auch Kyōto nicht unbeeinflusst ließ. So ist auch dort, vor allem seit den letzten zehn Jahren, von einer wahrhaften Revitalisierung und Erneuerung der lokalen Kunstwelt die Rede. Die vorliegende Masterarbeit präsentiert die Resultate und Forschungsergebnisse meiner dreimonatigen Forschungsreise in Kyōto (Japan), welche vom 17. Januar bis zum 15. April 2017 stattgefunden hat. Im Rahmen dieses Forschungsprojektes ist die Absicht dieser Arbeit ein Bild von Kyōto’s zeitgenössischer Kunstwelt — d.h. die privaten und öffentlichen Kunstinstitutionen wie Galerien, alternative Ausstellungsorte, Kunstmessen welche ich zur besagten Zeit aufgesucht habe, — zu geben, um deren Charakter und die Charakteristika, wie auch ihre lokalen und globalen Aspekte zu untersuchen. Das Ziel dieser Arbeit ist es aufzuzeigen, wie Kyōto’s zeitgenössische Kunstwelt mit ihren öffentlichen wie auch privaten Institutionen, Gallerien und Künstlern strukturiert ist, um darüber hinaus den Fragen nachzugehen, wie die zeitgenössische Kunstwelt mit Kyōto’s traditioneller Kunstwelt koexistieren kann und ob, bzw. in welchem Maße die lokale Regierung — bis hin zur Tourismusindustrie — Einfluss auf Kyōto’s Kunstwelt ausübt. Der konzeptuelle Rahmen der Recherchen und Ergebnisse können in der Anthropologie der Kunst, wie auch in den Global Art Studies und der Japanischen Kunstgeschichte verordnet werden, wobei der Großteil der Forschung auf den empirischen Daten meiner eigenen Feldforschung beruht. Um ein Verständnis von den interdisziplinären Zusammenhängen des theoretischen Kontextes dieser Arbeit zu verschaffen wird darüber hinaus ein historischer Überblick über die Entstehung moderner und zeitgenössischer Kunst in Japan im Allgemeinen, und zeitgenössischer Kunst in Kyōto im Speziellen gegeben werden.

Kyōto — the former capital of Japan, is with its seventeen UNESCO World Heritage sites, 1600 Buddhist temples and 400 Shintō-shrines, world famous for being the ‘heart’ and birthplace of Japans traditional culture and thus, also the center of traditional art- and craftwork. But are Ukiyo-e, woodblock prints, handmade pottery or Buddhist calligraphy (Shodō) really the only artistic works that the city’s art world has to offer? Since the last two decades have produced an explosive growth of exhibiting and collecting practices in the Asian art world, the art world in Kyōto has also experienced a veritable revival and renewal of its private art institutions, especially in the…

Subjects/Keywords: 20.41 Asiatische Kunst; 20.07 Kunstkritik, Kunstinterpretation; 20.13 Kunstausstellung; 20.24 Gesellschaft, Kultur; 20.89 Kunstgeschichte: Sonstiges; 20.40 Außereuropäische Kunst; 73.06 Ethnographie; 02.00 Wissenschaft und Kultur allgemein: Allgemeines; Zeitgenössische Kunst / Kunst / Japan / Kyoto / Japanische Kunst / Anthropologie / Visuelle Anthropologie; Contemporary art / art / Japan / Kyoto / Japanese art / anthropology / visual anthropology / global art studies

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Faust, A. (2019). Between tradition and modernity. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/56751/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Faust, Alexandra. “Between tradition and modernity.” 2019. Thesis, University of Vienna. Accessed March 05, 2021. http://othes.univie.ac.at/56751/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Faust, Alexandra. “Between tradition and modernity.” 2019. Web. 05 Mar 2021.

Vancouver:

Faust A. Between tradition and modernity. [Internet] [Thesis]. University of Vienna; 2019. [cited 2021 Mar 05]. Available from: http://othes.univie.ac.at/56751/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Faust A. Between tradition and modernity. [Thesis]. University of Vienna; 2019. Available from: http://othes.univie.ac.at/56751/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Hosoi, Ayame. Le « Corps asiatique » De Yang Seog-il, Fils du Japon post-colonial : questions sur la subjectivité et le parricide dans la littérature zainichi contemporaine et intertexte avec la littérature maghrébine d’expression française : A son of post-colonial Japan, Yang Seog-il’s “Asiatic body” : questioning subjectivity and parricide tendancy in the contemporary Zainichi literature with an intertext of the French literature of North African immigrants.

Degree: Docteur es, Etudes de l'Asie et ses diasporas, 2011, Université Jean Moulin – Lyon III

URL: http://www.theses.fr/2011LYO30096

►

Cette thèse, située dans le contexte post-Colonial au Japon, s’articule autour d’un concept crée par Yang Seog-Il, écrivain contemporain zainichi : le « corps asiatique… (more)

▼

Cette thèse, située dans le contexte post-Colonial au Japon, s’articule autour d’un concept crée par Yang Seog-Il, écrivain contemporain zainichi : le « corps asiatique ». Après avoir circonscrit le champ d’analyse couvert par ce terme, notre étude formule la problématique suivante : par quels moyens ce « corps asiatique » s’affronte, dans la littérature de Yang -Dite zainichi-, au dépassement de l’ère coloniale et post-Coloniale au Japon ? Au cours de cette étude, nous recourrons à l’intertexte de la littérature maghrébine d’expression française (de Azouz Begag en particulier) lu comme dans un miroir. La première partie cartographie les contextes socio-Historiques de ces deux populations diasporiques, formées de décolonisés -Zainichi au Japon et Français issus de l’immigration maghrébine en France- apparues au siècle dernier, ainsi que le processus de formation des catégories littéraires associées à ces populations. Ensuite, nous entrons dans la profondeur du corpus, en abordant la manifestation de la subjectivité des (ex-) colonisés en tant que corps asiatique, à l’aide de l’épistémologie de Mikhaïl Bakhtine. La troisième partie enfin, est consacrée à une nouvelle lecture de ces œuvres, en établissant un lien entre le thème littéraire du parricide et le « corps asiatique ». Fils du Japon post-Colonial, Yang Seog-Il désire éliminer et dépasser un père tant filial que symbolique. Cependant, sa tentative de dépassement qui se veut passer par la féminisation de ce « corps asiatique » nous invite à effectuer une ultime lecture sous l’angle de la critique féministe post-Coloniale, pour en dévoiler les restes de rapports de domination.

In the context of post-Colonial Japan this dissertation attaches itself to explore the concept of a contemporary writer, a so-Called Zainichi: Yang Seog-Il’s “Asiatic body”. Having defined the field of interpretations covered by this term, our central question will be: in Yang Seog-Il’s literature how is the “Asiatic body” engaged in a process of overcoming this colonial and post-Colonial era? While reading Yang’s works, we shall use as an intertext and a mirror, some literary cases of contemporary francophone North African descendant writers (especially Azouz Begag’s texts). The first part shall map the socio-Historical context of these two diasporic populations (the Decolonized Zainichi in Japan and the Descendant from North African immigrants in France), that appeared in the last century, and in the same time, the birth of their so-Called post-Colonial literature. In the second part, we intend to make an in-Depth interpretation of our corpus, in taking up the manifestation of subjectivity of the (ex) colonized as the “Asiatic body”, using the Mikhaïl Bakhtine’s epistemology. The third part at last is devoted to a new reading of the literary works we are interested in: by establishing a link between the parricide as a literary theme and the “Asiatic body”, the wish of the son of post-Colonial Japan, Yang Seog-Il, to eliminate the father appears to renegotiate symbolical aspects that…

Advisors/Committee Members: Giraud, Jean-Pierre (thesis director).

Subjects/Keywords: Japon; Zainichi; Yang Seog-il; Post-colonial; Littérature contemporaine; Subjectivité; Parricide; Critique féministe; Études du genre; Intertexte; Immigration maghrébine en France; Azouz Begag; Japan; Zainichi; Yang Seog-il; Post-colonial; Contemporary literature; Subjectivity; Parricide; Feminist criticism; Gender studies; Intertext; North African immigration in France; Azouz Begag

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hosoi, A. (2011). Le « Corps asiatique » De Yang Seog-il, Fils du Japon post-colonial : questions sur la subjectivité et le parricide dans la littérature zainichi contemporaine et intertexte avec la littérature maghrébine d’expression française : A son of post-colonial Japan, Yang Seog-il’s “Asiatic body” : questioning subjectivity and parricide tendancy in the contemporary Zainichi literature with an intertext of the French literature of North African immigrants. (Doctoral Dissertation). Université Jean Moulin – Lyon III. Retrieved from http://www.theses.fr/2011LYO30096

Chicago Manual of Style (16^th Edition):

Hosoi, Ayame. “Le « Corps asiatique » De Yang Seog-il, Fils du Japon post-colonial : questions sur la subjectivité et le parricide dans la littérature zainichi contemporaine et intertexte avec la littérature maghrébine d’expression française : A son of post-colonial Japan, Yang Seog-il’s “Asiatic body” : questioning subjectivity and parricide tendancy in the contemporary Zainichi literature with an intertext of the French literature of North African immigrants.” 2011. Doctoral Dissertation, Université Jean Moulin – Lyon III. Accessed March 05, 2021. http://www.theses.fr/2011LYO30096.

MLA Handbook (7^th Edition):

Hosoi, Ayame. “Le « Corps asiatique » De Yang Seog-il, Fils du Japon post-colonial : questions sur la subjectivité et le parricide dans la littérature zainichi contemporaine et intertexte avec la littérature maghrébine d’expression française : A son of post-colonial Japan, Yang Seog-il’s “Asiatic body” : questioning subjectivity and parricide tendancy in the contemporary Zainichi literature with an intertext of the French literature of North African immigrants.” 2011. Web. 05 Mar 2021.

Vancouver:

Hosoi A. Le « Corps asiatique » De Yang Seog-il, Fils du Japon post-colonial : questions sur la subjectivité et le parricide dans la littérature zainichi contemporaine et intertexte avec la littérature maghrébine d’expression française : A son of post-colonial Japan, Yang Seog-il’s “Asiatic body” : questioning subjectivity and parricide tendancy in the contemporary Zainichi literature with an intertext of the French literature of North African immigrants. [Internet] [Doctoral dissertation]. Université Jean Moulin – Lyon III; 2011. [cited 2021 Mar 05]. Available from: http://www.theses.fr/2011LYO30096.

Council of Science Editors:

Hosoi A. Le « Corps asiatique » De Yang Seog-il, Fils du Japon post-colonial : questions sur la subjectivité et le parricide dans la littérature zainichi contemporaine et intertexte avec la littérature maghrébine d’expression française : A son of post-colonial Japan, Yang Seog-il’s “Asiatic body” : questioning subjectivity and parricide tendancy in the contemporary Zainichi literature with an intertext of the French literature of North African immigrants. [Doctoral Dissertation]. Université Jean Moulin – Lyon III; 2011. Available from: http://www.theses.fr/2011LYO30096

University of Cambridge

21. Ushiyama, Rin. Memory struggles: Narrating and commemorating the Aum Affair in contemporary Japan, 1994-2015.

Degree: PhD, 2017, University of Cambridge

URL: https://www.repository.cam.ac.uk/handle/1810/267895

► This dissertation investigates how different stakeholders have competed over the interpretation and commemoration of the Aum Affair. The Aum Affair was a series of crimes… (more)

▼ This dissertation investigates how different stakeholders have competed over the interpretation and commemoration of the Aum Affair. The Aum Affair was a series of crimes committed by new religious movement Aum Shinrikyō between 1988 and 1995, which culminated in the gassing of the Tokyo subway system using sarin in March 1995. The Tokyo attack was the largest act of terrorism in post-war Japan. I combine qualitative methods of media analysis, interviews, and participant observation to analyse how different stakeholders have narrated and commemorated the Aum Affair. I propose ‘collective trauma’ as a revised theory of ‘cultural trauma’ to describe an event which is represented as harmful and indelible to collective memory and identity. In contrast to ‘cultural trauma’, which stresses the importance of symbolic representations of traumatic events, ‘collective trauma’ considers other ‘material’ processes – such as establishing facts, collective action, state responses, and litigation – which also contribute to trauma construction. My overarching argument is that various stakeholders – including state authorities, mass media, public intellectuals, victims, and former Aum believers – have constructed the Aum Affair as a collective trauma in multiple and conflicting ways. Many media representations situated Aum as an evil ‘cult’ which ‘brainwashed’ believers and intended to take over Japan through terror. State authorities also responded by treating Aum as a dangerous terrorist group. In some instances, these binary representations of Japan locked in a struggle against an evil force led to municipal governments violating the civil rights of Aum believers. Some individuals such as public intellectuals and former believers have challenged this divisive view by treating Aum as a ‘religion’, not a ‘cult’, and locating the root causes of Aum’s growth in Japanese society. Additionally, victims and former members have pursued divergent goals such as retributive justice, financial reparations, and social reconciliation through their public actions. A key conclusion of this dissertation is that whilst confronting horrific acts of violence may require social construction of collective trauma using cultural codes of good and evil, the entrenchment of these symbolic categories can result in lasting social tension and division.

Subjects/Keywords: collective memory; aum shinrikyo; contemporary japan; japanese culture; sociology of religion; japanese religion; cultural trauma; cultural sociology; sociology of intellectuals; commemoration; Tokyo Sarin Incident; cultural studies; trauma theory; victimhood; public intellectuals; memorials

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Ushiyama, R. (2017). Memory struggles: Narrating and commemorating the Aum Affair in contemporary Japan, 1994-2015. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/267895

Chicago Manual of Style (16^th Edition):

Ushiyama, Rin. “Memory struggles: Narrating and commemorating the Aum Affair in contemporary Japan, 1994-2015.” 2017. Doctoral Dissertation, University of Cambridge. Accessed March 05, 2021. https://www.repository.cam.ac.uk/handle/1810/267895.

MLA Handbook (7^th Edition):

Ushiyama, Rin. “Memory struggles: Narrating and commemorating the Aum Affair in contemporary Japan, 1994-2015.” 2017. Web. 05 Mar 2021.

Vancouver:

Ushiyama R. Memory struggles: Narrating and commemorating the Aum Affair in contemporary Japan, 1994-2015. [Internet] [Doctoral dissertation]. University of Cambridge; 2017. [cited 2021 Mar 05]. Available from: https://www.repository.cam.ac.uk/handle/1810/267895.

Council of Science Editors:

Ushiyama R. Memory struggles: Narrating and commemorating the Aum Affair in contemporary Japan, 1994-2015. [Doctoral Dissertation]. University of Cambridge; 2017. Available from: https://www.repository.cam.ac.uk/handle/1810/267895

Michigan State University

22. Chen, Dexin. A cluster analysis comparison of selected traditional Japanese gardens, classical Chinese gardens and modern Chinese gardens.

Degree: 2018, Michigan State University

URL: http://etd.lib.msu.edu/islandora/object/etd:16366

►

"Cluster analysis is a useful mathematical method that has been used to examine the differences or similarities between gardens (Xu Y. , 2015). This investigation… (more)

Subjects/Keywords: Gardens, Japanese – Japan – Kyoto; Gardens, Chinese – China – Suzhou (Jiangsu Sheng); Gardens, Chinese – China – Xiamen (Xiamen Shi); Gardens – Design; Landscape architecture; Environmental design; Historic gardens; Contemporary gardens; Garden design; Aesthetic principles; Cultural context; Oriental gardens; Gardens, Japanese; Gardens, Chinese

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Chen, D. (2018). A cluster analysis comparison of selected traditional Japanese gardens, classical Chinese gardens and modern Chinese gardens. (Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:16366

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Chen, Dexin. “A cluster analysis comparison of selected traditional Japanese gardens, classical Chinese gardens and modern Chinese gardens.” 2018. Thesis, Michigan State University. Accessed March 05, 2021. http://etd.lib.msu.edu/islandora/object/etd:16366.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Chen, Dexin. “A cluster analysis comparison of selected traditional Japanese gardens, classical Chinese gardens and modern Chinese gardens.” 2018. Web. 05 Mar 2021.

Vancouver:

Chen D. A cluster analysis comparison of selected traditional Japanese gardens, classical Chinese gardens and modern Chinese gardens. [Internet] [Thesis]. Michigan State University; 2018. [cited 2021 Mar 05]. Available from: http://etd.lib.msu.edu/islandora/object/etd:16366.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen D. A cluster analysis comparison of selected traditional Japanese gardens, classical Chinese gardens and modern Chinese gardens. [Thesis]. Michigan State University; 2018. Available from: http://etd.lib.msu.edu/islandora/object/etd:16366

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Bradley, Lynne M. Found in translation: Transcultural performance practice in the 21st century.

Degree: 2017, Queensland University of Technology

URL: https://eprints.qut.edu.au/104124/

► This practice-led PhD proposes Cultural Translation as a methodology for engaging with transcultural performance as innovative and ethical practice. The investigation draws upon the decade-long… (more)

Subjects/Keywords: Cultural Translation; Zen Zen Zo; Dairakudakan; Butoh; Transcultural; Cross-cultural; Innovation; Physical Theatre; Contemporary Performance; Australia-Japan Artistic Partnerships

…International Theatre Olympics in Toga,5 which I attended whilst living in Japan, I heard a lecture by… …Japan. PHOTO 4: Maro Akaji. Backstage Yuhi no Utage (Dairakudakan). Photo: Yamamoto… …practice‑led PhD started in Japan in 1990 at a critical turning point in my life. As writer Julia… …with Dairakudakan. Before leaving Japan at the end of 1991 I embarked on a study tour around… …Japan, determined to interview as many of the significant Butoh dancers and choreographers as…

11 more images…

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bradley, L. M. (2017). Found in translation: Transcultural performance practice in the 21st century. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/104124/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bradley, Lynne M. “Found in translation: Transcultural performance practice in the 21st century.” 2017. Thesis, Queensland University of Technology. Accessed March 05, 2021. https://eprints.qut.edu.au/104124/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bradley, Lynne M. “Found in translation: Transcultural performance practice in the 21st century.” 2017. Web. 05 Mar 2021.

Vancouver:

Bradley LM. Found in translation: Transcultural performance practice in the 21st century. [Internet] [Thesis]. Queensland University of Technology; 2017. [cited 2021 Mar 05]. Available from: https://eprints.qut.edu.au/104124/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bradley LM. Found in translation: Transcultural performance practice in the 21st century. [Thesis]. Queensland University of Technology; 2017. Available from: https://eprints.qut.edu.au/104124/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Université de Montréal

24. Davre, Amandine. Multiplicité et sensation dans l'oeuvre d'Aida Makoto : une approche schizo-analytique.

Degree: 2016, Université de Montréal

URL: http://hdl.handle.net/1866/13660

Subjects/Keywords: Japon; Philosophie; Multiplicité; Sensation; Schizo-analyse; Art contemporain; Gilles Deleuze; Félix Guattari; Aida Makoto; Otaku; Japan; Philosophy; Multiplicity; Schizoanalysis; Contemporary art; Literature - Asian / Littérature - Asiatique (UMI : 0305)

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Davre, A. (2016). Multiplicité et sensation dans l'oeuvre d'Aida Makoto : une approche schizo-analytique. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/13660

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Davre, Amandine. “Multiplicité et sensation dans l'oeuvre d'Aida Makoto : une approche schizo-analytique.” 2016. Thesis, Université de Montréal. Accessed March 05, 2021. http://hdl.handle.net/1866/13660.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Davre, Amandine. “Multiplicité et sensation dans l'oeuvre d'Aida Makoto : une approche schizo-analytique.” 2016. Web. 05 Mar 2021.

Vancouver:

Davre A. Multiplicité et sensation dans l'oeuvre d'Aida Makoto : une approche schizo-analytique. [Internet] [Thesis]. Université de Montréal; 2016. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1866/13660.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Davre A. Multiplicité et sensation dans l'oeuvre d'Aida Makoto : une approche schizo-analytique. [Thesis]. Université de Montréal; 2016. Available from: http://hdl.handle.net/1866/13660

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Illinois – Urbana-Champaign

25. Raymond, Andrew Colin. Re-evaluating Murakami's Superflat: toward a contextualized interpretation of contemporary Japanese art.

Degree: MA, Asian Studies, 2015, University of Illinois – Urbana-Champaign

URL: http://hdl.handle.net/2142/88947

► This thesis examines Murakami Takashi’s Superflat theory and exhibition as well as the ramifications of its success. Developed through the 1990s and the early 2000s,… (more)

Subjects/Keywords: Murakami; Murakami Takashi; Superflat; Super Flat; Elliott; David Elliott; Little Boy; Bye Bye Kitty; Contemporary Japanese Art; Japanese Art; Aida; Aida Makoto; Ikeda; Ikeda Manabu; Nara; Nara Yoshitomo; Azuma; Azuma Hiroki; Sawaragi; Sawaragi Noi; Lyotard; Jean-François Lyotard; Orientalism; Postmodern Art; Danto; Arthur Danto; Japan Society; Curation; Anime; Manga; Favell; Adrian Favell; Kawaii; Neo pop; Neo-pop

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Raymond, A. C. (2015). Re-evaluating Murakami's Superflat: toward a contextualized interpretation of contemporary Japanese art. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/88947

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Raymond, Andrew Colin. “Re-evaluating Murakami's Superflat: toward a contextualized interpretation of contemporary Japanese art.” 2015. Thesis, University of Illinois – Urbana-Champaign. Accessed March 05, 2021. http://hdl.handle.net/2142/88947.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Raymond, Andrew Colin. “Re-evaluating Murakami's Superflat: toward a contextualized interpretation of contemporary Japanese art.” 2015. Web. 05 Mar 2021.

Vancouver:

Raymond AC. Re-evaluating Murakami's Superflat: toward a contextualized interpretation of contemporary Japanese art. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2015. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/2142/88947.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Raymond AC. Re-evaluating Murakami's Superflat: toward a contextualized interpretation of contemporary Japanese art. [Thesis]. University of Illinois – Urbana-Champaign; 2015. Available from: http://hdl.handle.net/2142/88947

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. MAYUMI SENRA AIBE. [en] HEARING INHERITED SILENCES.

Degree: 2017, Pontifical Catholic University of Rio de Janeiro

URL: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30654

►

[pt] Questões silenciadas ao longo de décadas podem continuar a reverberar ainda hoje, atravessando gerações e experiências de vida distantes no tempo e no espaço.… (more)

Subjects/Keywords: [pt] ARTE CONTEMPORANEA; [en] CONTEMPORARY ART; [pt] SILENCIO; [en] SILENCE; [pt] HERANCA; [en] INHERITANCE; [pt] POS-GUERRA; [en] POSTWAR; [pt] JAPAO; [en] JAPAN; [pt] ESCUTA; [en] HEARING; [pt] YAMASHIRO CHIKAKO; [en] YAMASHIRO CHIKAKO; [pt] OKINAWA; [en] OKINAWA

…heritage; contemporary art; Japan; postwar; Yamashiro Chikako; Okinawa. !9 PUC-Rio… …Still Hear the Wound’: Art, Affect, and Post-Colonial Memory in Japan,10 realizado em 6 de… …Art, Affect, and Post-Colonial Memory in Japan, Lee (2015b) enfatizou seu desejo… …in Japan, Mizutamari Mayumi leu um texto em japonês que incluía os comentários citados…

11 more images…

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

AIBE, M. S. (2017). [en] HEARING INHERITED SILENCES. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30654

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

AIBE, MAYUMI SENRA. “[en] HEARING INHERITED SILENCES.” 2017. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed March 05, 2021. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30654.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

AIBE, MAYUMI SENRA. “[en] HEARING INHERITED SILENCES.” 2017. Web. 05 Mar 2021.

Vancouver:

AIBE MS. [en] HEARING INHERITED SILENCES. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2017. [cited 2021 Mar 05]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30654.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

AIBE MS. [en] HEARING INHERITED SILENCES. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2017. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30654

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Noguchi, Hiromi. Transnational Divorce: The Violation of Immigrant Japanese Mothers' Rights an the Hague Abduction Convention.

Degree: MA -MA, Communication & Culture, Joint Program with Ryerson University, 2015, York University

URL: http://hdl.handle.net/10315/29864

► As a counterpoint to existing discussions of how Western fathers’ rights can be secured in the context of transnational divorce, this study raises the important… (more)

Subjects/Keywords: Sociology; International law; Gender studies; Transnational divorce; International Parental Child Abduction; The Hague Convention and Japan; Joint child custody; Japan's sole custody; Domestic Violence; Critical Race Theory; Interlocking Analysis; Intersectionality; Racialization; Institutional discrimination; Institutional Racism; Contemporary Orientalism; Flight Risk; Habitual Residence; Grave Risk; Default Judgment; Undertakings; Hague return order

…the historical occupation of Japan is comparable to contemporary diplomatic pressure… …countries, unequal power relations between the West and Japan shape historical and contemporary… …children to visit their grandfather at his deathbed in Japan. Meanwhile, Kaori’s children’s… …international child abduction. On April 1, 2014, Japan implemented the Hague Convention. The… …returned to Japan with their children of transnational marriage played a significant role in…

1 more image…

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Noguchi, H. (2015). Transnational Divorce: The Violation of Immigrant Japanese Mothers' Rights an the Hague Abduction Convention. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/29864

Chicago Manual of Style (16^th Edition):

Noguchi, Hiromi. “Transnational Divorce: The Violation of Immigrant Japanese Mothers' Rights an the Hague Abduction Convention.” 2015. Masters Thesis, York University. Accessed March 05, 2021. http://hdl.handle.net/10315/29864.

MLA Handbook (7^th Edition):

Noguchi, Hiromi. “Transnational Divorce: The Violation of Immigrant Japanese Mothers' Rights an the Hague Abduction Convention.” 2015. Web. 05 Mar 2021.

Vancouver:

Noguchi H. Transnational Divorce: The Violation of Immigrant Japanese Mothers' Rights an the Hague Abduction Convention. [Internet] [Masters thesis]. York University; 2015. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10315/29864.

Council of Science Editors:

Noguchi H. Transnational Divorce: The Violation of Immigrant Japanese Mothers' Rights an the Hague Abduction Convention. [Masters Thesis]. York University; 2015. Available from: http://hdl.handle.net/10315/29864

		in
And / Or
		in
And / Or
		in
And / Or
		in

Open Access Theses and Dissertations