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You searched for subject:(contemporary dramaturgy). Showing records 1 – 19 of 19 total matches.

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Loughborough University

1. Pinchbeck, Michael. Acts of dramaturgy : the dramaturgical turn in contemporary performance.

Degree: PhD, 2016, Loughborough University

 This doctoral study examines the evolving role of the dramaturg in the British contemporary performance scene from 2000-2015. In 1999, the role was seen in… (more)

Subjects/Keywords: 792.02; Dramaturgy; Contemporary; Performance; Practice-as-research; Narrative; Text

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APA (6th Edition):

Pinchbeck, M. (2016). Acts of dramaturgy : the dramaturgical turn in contemporary performance. (Doctoral Dissertation). Loughborough University. Retrieved from https://dspace.lboro.ac.uk/2134/24175 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.706203

Chicago Manual of Style (16th Edition):

Pinchbeck, Michael. “Acts of dramaturgy : the dramaturgical turn in contemporary performance.” 2016. Doctoral Dissertation, Loughborough University. Accessed November 12, 2019. https://dspace.lboro.ac.uk/2134/24175 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.706203.

MLA Handbook (7th Edition):

Pinchbeck, Michael. “Acts of dramaturgy : the dramaturgical turn in contemporary performance.” 2016. Web. 12 Nov 2019.

Vancouver:

Pinchbeck M. Acts of dramaturgy : the dramaturgical turn in contemporary performance. [Internet] [Doctoral dissertation]. Loughborough University; 2016. [cited 2019 Nov 12]. Available from: https://dspace.lboro.ac.uk/2134/24175 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.706203.

Council of Science Editors:

Pinchbeck M. Acts of dramaturgy : the dramaturgical turn in contemporary performance. [Doctoral Dissertation]. Loughborough University; 2016. Available from: https://dspace.lboro.ac.uk/2134/24175 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.706203


Loughborough University

2. Pinchbeck, Michael. Acts of dramaturgy : the dramaturgical turn in contemporary performance.

Degree: PhD, 2016, Loughborough University

 This doctoral study examines the evolving role of the dramaturg in the British contemporary performance scene from 2000-2015. In 1999, the role was seen in… (more)

Subjects/Keywords: 792.02; Dramaturgy; Contemporary; Performance; Practice-as-research; Narrative; Text

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pinchbeck, M. (2016). Acts of dramaturgy : the dramaturgical turn in contemporary performance. (Doctoral Dissertation). Loughborough University. Retrieved from http://hdl.handle.net/2134/24175

Chicago Manual of Style (16th Edition):

Pinchbeck, Michael. “Acts of dramaturgy : the dramaturgical turn in contemporary performance.” 2016. Doctoral Dissertation, Loughborough University. Accessed November 12, 2019. http://hdl.handle.net/2134/24175.

MLA Handbook (7th Edition):

Pinchbeck, Michael. “Acts of dramaturgy : the dramaturgical turn in contemporary performance.” 2016. Web. 12 Nov 2019.

Vancouver:

Pinchbeck M. Acts of dramaturgy : the dramaturgical turn in contemporary performance. [Internet] [Doctoral dissertation]. Loughborough University; 2016. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/2134/24175.

Council of Science Editors:

Pinchbeck M. Acts of dramaturgy : the dramaturgical turn in contemporary performance. [Doctoral Dissertation]. Loughborough University; 2016. Available from: http://hdl.handle.net/2134/24175

3. Theodoridou, Danae. Short (research) stories : drama and dramaturgy in experimental theatre and dance practices.

Degree: PhD, 2013, Roehampton University

 This practice-as-research project discusses modes, processes and aesthetics of contemporary dramaturgy, as practiced in experimental theatre and dance works in Europe from the 1990s onwards.… (more)

Subjects/Keywords: contemporary dramaturgy; experimental theatre; dance

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APA (6th Edition):

Theodoridou, D. (2013). Short (research) stories : drama and dramaturgy in experimental theatre and dance practices. (Doctoral Dissertation). Roehampton University. Retrieved from http://hdl.handle.net/10142/283932

Chicago Manual of Style (16th Edition):

Theodoridou, Danae. “Short (research) stories : drama and dramaturgy in experimental theatre and dance practices.” 2013. Doctoral Dissertation, Roehampton University. Accessed November 12, 2019. http://hdl.handle.net/10142/283932.

MLA Handbook (7th Edition):

Theodoridou, Danae. “Short (research) stories : drama and dramaturgy in experimental theatre and dance practices.” 2013. Web. 12 Nov 2019.

Vancouver:

Theodoridou D. Short (research) stories : drama and dramaturgy in experimental theatre and dance practices. [Internet] [Doctoral dissertation]. Roehampton University; 2013. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10142/283932.

Council of Science Editors:

Theodoridou D. Short (research) stories : drama and dramaturgy in experimental theatre and dance practices. [Doctoral Dissertation]. Roehampton University; 2013. Available from: http://hdl.handle.net/10142/283932

4. Thiéblemont, Caroline. L’Esthétique du cynisme dans le théâtre contemporain : Aesthetics of cinicism in contemporary theater.

Degree: Docteur es, Études théâtrales, 2018, Sorbonne Paris Cité

L’hypothèse d’une esthétique du cynisme dans le théâtre contemporain s’appuie sur un constat empirique : au sein d’un théâtre qui s’autoproclame bien souvent politique, sans… (more)

Subjects/Keywords: Esthétique; Dramaturgie; Théâtre contemporain; Cynisme; Pessimisme; Philosophie; Monde du travail; Ironie; Humour; Politique; Aesthetics; Dramaturgy; Contemporary theatre; Cynicism; Pessimism; Philosophy; World of work; Irony; Humour; Politic

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APA (6th Edition):

Thiéblemont, C. (2018). L’Esthétique du cynisme dans le théâtre contemporain : Aesthetics of cinicism in contemporary theater. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2018USPCA148

Chicago Manual of Style (16th Edition):

Thiéblemont, Caroline. “L’Esthétique du cynisme dans le théâtre contemporain : Aesthetics of cinicism in contemporary theater.” 2018. Doctoral Dissertation, Sorbonne Paris Cité. Accessed November 12, 2019. http://www.theses.fr/2018USPCA148.

MLA Handbook (7th Edition):

Thiéblemont, Caroline. “L’Esthétique du cynisme dans le théâtre contemporain : Aesthetics of cinicism in contemporary theater.” 2018. Web. 12 Nov 2019.

Vancouver:

Thiéblemont C. L’Esthétique du cynisme dans le théâtre contemporain : Aesthetics of cinicism in contemporary theater. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2018. [cited 2019 Nov 12]. Available from: http://www.theses.fr/2018USPCA148.

Council of Science Editors:

Thiéblemont C. L’Esthétique du cynisme dans le théâtre contemporain : Aesthetics of cinicism in contemporary theater. [Doctoral Dissertation]. Sorbonne Paris Cité; 2018. Available from: http://www.theses.fr/2018USPCA148

5. Edy, Delphine. Le réalisme et son double au théâtre. Thomas Ostermeier, mise en scène et recréation : Realism ans ist double on the theatre stage. Thomas Ostermeier, stage direction as recreation.

Degree: Docteur es, Littérature comparée, 2018, Sorbonne université

Les mises en scène récentes de T. Ostermeier explorent les liens entre littérature et art théâtral pour questionner, à l’aide d’un réalisme complexe qu’il réinvente,… (more)

Subjects/Keywords: Thomas Ostermeier; Réalisme; Spectralité; Mise en scène; Dramaturgie; Actualisation; Traduction; Théâtre contemporain; Thomas Ostermeier; Realism; Spectrality; Stage direction; Dramaturgy; Actualization; Translation; Contemporary theatre

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APA (6th Edition):

Edy, D. (2018). Le réalisme et son double au théâtre. Thomas Ostermeier, mise en scène et recréation : Realism ans ist double on the theatre stage. Thomas Ostermeier, stage direction as recreation. (Doctoral Dissertation). Sorbonne université. Retrieved from http://www.theses.fr/2018SORUL150

Chicago Manual of Style (16th Edition):

Edy, Delphine. “Le réalisme et son double au théâtre. Thomas Ostermeier, mise en scène et recréation : Realism ans ist double on the theatre stage. Thomas Ostermeier, stage direction as recreation.” 2018. Doctoral Dissertation, Sorbonne université. Accessed November 12, 2019. http://www.theses.fr/2018SORUL150.

MLA Handbook (7th Edition):

Edy, Delphine. “Le réalisme et son double au théâtre. Thomas Ostermeier, mise en scène et recréation : Realism ans ist double on the theatre stage. Thomas Ostermeier, stage direction as recreation.” 2018. Web. 12 Nov 2019.

Vancouver:

Edy D. Le réalisme et son double au théâtre. Thomas Ostermeier, mise en scène et recréation : Realism ans ist double on the theatre stage. Thomas Ostermeier, stage direction as recreation. [Internet] [Doctoral dissertation]. Sorbonne université; 2018. [cited 2019 Nov 12]. Available from: http://www.theses.fr/2018SORUL150.

Council of Science Editors:

Edy D. Le réalisme et son double au théâtre. Thomas Ostermeier, mise en scène et recréation : Realism ans ist double on the theatre stage. Thomas Ostermeier, stage direction as recreation. [Doctoral Dissertation]. Sorbonne université; 2018. Available from: http://www.theses.fr/2018SORUL150


Universidade do Rio Grande do Sul

6. Brito, Nayara Macedo Barbosa de. Formas de ser um, de ser só : modos de sentir da dramaturgia brasileira contemporânea.

Degree: 2015, Universidade do Rio Grande do Sul

Tomamos o trabalho de três dramaturgos brasileiros contemporâneos, a saber: Newton Moreno, Fernando Bonassi e Roberto Alvim e suas respectivas peças Dentro, Três cigarros e… (more)

Subjects/Keywords: Dramaturgia brasileira; Structure of feeling; Contemporaneity; Dramaturgos : Brasil; Brazilian dramaturgy; Dramaturgia contemporanea; Contemporary dramaturgy; Contemporaneidade; Sentimento; Theatre

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APA (6th Edition):

Brito, N. M. B. d. (2015). Formas de ser um, de ser só : modos de sentir da dramaturgia brasileira contemporânea. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/122538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brito, Nayara Macedo Barbosa de. “Formas de ser um, de ser só : modos de sentir da dramaturgia brasileira contemporânea.” 2015. Thesis, Universidade do Rio Grande do Sul. Accessed November 12, 2019. http://hdl.handle.net/10183/122538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brito, Nayara Macedo Barbosa de. “Formas de ser um, de ser só : modos de sentir da dramaturgia brasileira contemporânea.” 2015. Web. 12 Nov 2019.

Vancouver:

Brito NMBd. Formas de ser um, de ser só : modos de sentir da dramaturgia brasileira contemporânea. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2015. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10183/122538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brito NMBd. Formas de ser um, de ser só : modos de sentir da dramaturgia brasileira contemporânea. [Thesis]. Universidade do Rio Grande do Sul; 2015. Available from: http://hdl.handle.net/10183/122538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

7. Khamphommala, Vanasay. Spectres de Shakespeare dans l’œuvre de Howard Barker : Spectres of Shakespeare in the work of Howard Barker.

Degree: Docteur es, Études anglophones, 2010, Université Paris-Sorbonne – Paris IV

Howard Barker fait ses armes de dramaturge en composant en 1971 une pochade sur Henry V de Shakespeare et signe trente ans plus tard l’un… (more)

Subjects/Keywords: Howard Barker; William Shakespeare; Spectralité; Fantômes; Théâtre; Mise en scène; Dramaturgie; Tragédie; Howard Barker; William Shakespeare; Spectrality; Ghosts; Contemporary drama; Production and direction, dramaturgy; Rhythm; Voice; Poetics; Tragedy; History

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APA (6th Edition):

Khamphommala, V. (2010). Spectres de Shakespeare dans l’œuvre de Howard Barker : Spectres of Shakespeare in the work of Howard Barker. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2010PA040190

Chicago Manual of Style (16th Edition):

Khamphommala, Vanasay. “Spectres de Shakespeare dans l’œuvre de Howard Barker : Spectres of Shakespeare in the work of Howard Barker.” 2010. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed November 12, 2019. http://www.theses.fr/2010PA040190.

MLA Handbook (7th Edition):

Khamphommala, Vanasay. “Spectres de Shakespeare dans l’œuvre de Howard Barker : Spectres of Shakespeare in the work of Howard Barker.” 2010. Web. 12 Nov 2019.

Vancouver:

Khamphommala V. Spectres de Shakespeare dans l’œuvre de Howard Barker : Spectres of Shakespeare in the work of Howard Barker. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2010. [cited 2019 Nov 12]. Available from: http://www.theses.fr/2010PA040190.

Council of Science Editors:

Khamphommala V. Spectres de Shakespeare dans l’œuvre de Howard Barker : Spectres of Shakespeare in the work of Howard Barker. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2010. Available from: http://www.theses.fr/2010PA040190

8. Padovani, Delphine. Le théâtre du monde chez les auteurs dramatiques contemporains francophones. Valère Novarina, Pierre Guyotat, Didier-Georges Gabily, Olivier Py, Joël Pommerat, Daniel Danis : Theatre of the world in plays by french-speaking contemporary authors. Valère Novarina, Pierre Guyotat, Didier-Georges Gabily, Olivier Py, Joël Pommerat, Daniel Danis.

Degree: Docteur es, Arts du spectacle. Spécialité Études théâtrales, 2011, Université Paul Valéry – Montpellier III

Cette thèse porte sur les caractéristiques du théâtre du monde telles qu’elles se manifestent dans différentes œuvres dramatiques contemporaines francophones. Il s’agit d’envisager sept pièces… (more)

Subjects/Keywords: Theatrum mundi; Poétique du drame; Dramaturgie contemporaine; Drame universel; Métaphore; Fable; Personnage; Rhapsodie; Theatrum mundi; Poetics of drama; Contemporary dramaturgy; Universal drama; Metaphor; Tale; Character; Rhapsody

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APA (6th Edition):

Padovani, D. (2011). Le théâtre du monde chez les auteurs dramatiques contemporains francophones. Valère Novarina, Pierre Guyotat, Didier-Georges Gabily, Olivier Py, Joël Pommerat, Daniel Danis : Theatre of the world in plays by french-speaking contemporary authors. Valère Novarina, Pierre Guyotat, Didier-Georges Gabily, Olivier Py, Joël Pommerat, Daniel Danis. (Doctoral Dissertation). Université Paul Valéry – Montpellier III. Retrieved from http://www.theses.fr/2011MON30029

Chicago Manual of Style (16th Edition):

Padovani, Delphine. “Le théâtre du monde chez les auteurs dramatiques contemporains francophones. Valère Novarina, Pierre Guyotat, Didier-Georges Gabily, Olivier Py, Joël Pommerat, Daniel Danis : Theatre of the world in plays by french-speaking contemporary authors. Valère Novarina, Pierre Guyotat, Didier-Georges Gabily, Olivier Py, Joël Pommerat, Daniel Danis.” 2011. Doctoral Dissertation, Université Paul Valéry – Montpellier III. Accessed November 12, 2019. http://www.theses.fr/2011MON30029.

MLA Handbook (7th Edition):

Padovani, Delphine. “Le théâtre du monde chez les auteurs dramatiques contemporains francophones. Valère Novarina, Pierre Guyotat, Didier-Georges Gabily, Olivier Py, Joël Pommerat, Daniel Danis : Theatre of the world in plays by french-speaking contemporary authors. Valère Novarina, Pierre Guyotat, Didier-Georges Gabily, Olivier Py, Joël Pommerat, Daniel Danis.” 2011. Web. 12 Nov 2019.

Vancouver:

Padovani D. Le théâtre du monde chez les auteurs dramatiques contemporains francophones. Valère Novarina, Pierre Guyotat, Didier-Georges Gabily, Olivier Py, Joël Pommerat, Daniel Danis : Theatre of the world in plays by french-speaking contemporary authors. Valère Novarina, Pierre Guyotat, Didier-Georges Gabily, Olivier Py, Joël Pommerat, Daniel Danis. [Internet] [Doctoral dissertation]. Université Paul Valéry – Montpellier III; 2011. [cited 2019 Nov 12]. Available from: http://www.theses.fr/2011MON30029.

Council of Science Editors:

Padovani D. Le théâtre du monde chez les auteurs dramatiques contemporains francophones. Valère Novarina, Pierre Guyotat, Didier-Georges Gabily, Olivier Py, Joël Pommerat, Daniel Danis : Theatre of the world in plays by french-speaking contemporary authors. Valère Novarina, Pierre Guyotat, Didier-Georges Gabily, Olivier Py, Joël Pommerat, Daniel Danis. [Doctoral Dissertation]. Université Paul Valéry – Montpellier III; 2011. Available from: http://www.theses.fr/2011MON30029

9. Trapp, Franziska. Lectures de cirque contemporain : un modèle d'analyse des représentations circassiennes axé sur des textes et contextes : Reading Contemporary Circus : a text-context-oriented model for the analysis of circus performances.

Degree: Docteur es, ARTS spécialité Etudes théâtrales et spectacle vivant, 2019, Université Paul Valéry – Montpellier III

En 1996, après avoir assisté à la dernière représentation de la septième édition du Centre National des Arts du Cirque, le journal parisien Libération prédit… (more)

Subjects/Keywords: Cirque Contemporain; Dramaturgie; Sémiotique; Contemporary Circus; Dramaturgy; Semiotics

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APA (6th Edition):

Trapp, F. (2019). Lectures de cirque contemporain : un modèle d'analyse des représentations circassiennes axé sur des textes et contextes : Reading Contemporary Circus : a text-context-oriented model for the analysis of circus performances. (Doctoral Dissertation). Université Paul Valéry – Montpellier III. Retrieved from http://www.theses.fr/2019MON30002

Chicago Manual of Style (16th Edition):

Trapp, Franziska. “Lectures de cirque contemporain : un modèle d'analyse des représentations circassiennes axé sur des textes et contextes : Reading Contemporary Circus : a text-context-oriented model for the analysis of circus performances.” 2019. Doctoral Dissertation, Université Paul Valéry – Montpellier III. Accessed November 12, 2019. http://www.theses.fr/2019MON30002.

MLA Handbook (7th Edition):

Trapp, Franziska. “Lectures de cirque contemporain : un modèle d'analyse des représentations circassiennes axé sur des textes et contextes : Reading Contemporary Circus : a text-context-oriented model for the analysis of circus performances.” 2019. Web. 12 Nov 2019.

Vancouver:

Trapp F. Lectures de cirque contemporain : un modèle d'analyse des représentations circassiennes axé sur des textes et contextes : Reading Contemporary Circus : a text-context-oriented model for the analysis of circus performances. [Internet] [Doctoral dissertation]. Université Paul Valéry – Montpellier III; 2019. [cited 2019 Nov 12]. Available from: http://www.theses.fr/2019MON30002.

Council of Science Editors:

Trapp F. Lectures de cirque contemporain : un modèle d'analyse des représentations circassiennes axé sur des textes et contextes : Reading Contemporary Circus : a text-context-oriented model for the analysis of circus performances. [Doctoral Dissertation]. Université Paul Valéry – Montpellier III; 2019. Available from: http://www.theses.fr/2019MON30002

10. Hemmerlé, Marie-Aude. Représentations et figurations des dramaturgies québécoises contemporaines de Normand Chaurette à Daniel Danis : Representation and figuration of the Québec contemporary dramaturgies from Normand Chaurette to Daniel Danis.

Degree: Docteur es, Théâtre et arts du spectacle, 2010, Université Sorbonne Nouvelle – Paris III

Examiner la dramaturgie québécoise contemporaine, c’est travailler la singularité et emprunter d’autres voies de la mise en crise du drame. Cette thèse montre comment des… (more)

Subjects/Keywords: Dramaturgie contemporaine; Québec; Représentation; Figuration; Fable; Personnage; Drame; Crise du drame; Double; Altérité; Contemporary dramaturgy; Québec; Representation; Figuration; Fable; Character; Drama; Crisis of the dramatic form; Double; Otherness

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APA (6th Edition):

Hemmerlé, M. (2010). Représentations et figurations des dramaturgies québécoises contemporaines de Normand Chaurette à Daniel Danis : Representation and figuration of the Québec contemporary dramaturgies from Normand Chaurette to Daniel Danis. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2010PA030144

Chicago Manual of Style (16th Edition):

Hemmerlé, Marie-Aude. “Représentations et figurations des dramaturgies québécoises contemporaines de Normand Chaurette à Daniel Danis : Representation and figuration of the Québec contemporary dramaturgies from Normand Chaurette to Daniel Danis.” 2010. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed November 12, 2019. http://www.theses.fr/2010PA030144.

MLA Handbook (7th Edition):

Hemmerlé, Marie-Aude. “Représentations et figurations des dramaturgies québécoises contemporaines de Normand Chaurette à Daniel Danis : Representation and figuration of the Québec contemporary dramaturgies from Normand Chaurette to Daniel Danis.” 2010. Web. 12 Nov 2019.

Vancouver:

Hemmerlé M. Représentations et figurations des dramaturgies québécoises contemporaines de Normand Chaurette à Daniel Danis : Representation and figuration of the Québec contemporary dramaturgies from Normand Chaurette to Daniel Danis. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2010. [cited 2019 Nov 12]. Available from: http://www.theses.fr/2010PA030144.

Council of Science Editors:

Hemmerlé M. Représentations et figurations des dramaturgies québécoises contemporaines de Normand Chaurette à Daniel Danis : Representation and figuration of the Québec contemporary dramaturgies from Normand Chaurette to Daniel Danis. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2010. Available from: http://www.theses.fr/2010PA030144

11. Bonnier, Anaïs. L'empreinte des rituels. Persistance et mutations des formes et mécanismes rituels dans les dramaturgies occidentales des années 50 à nos jours : The Mark of Rituals. Persistence and Transformations of Ritual Forms and Mechanisms in Western Drama, from the 1950s until today.

Degree: Docteur es, Théâtre et arts du spectacle, 2010, Université Sorbonne Nouvelle – Paris III

Dans cette recherche, nous souhaitons mettre en jeu la mémoire des rites. Le rite est un élément fondamental de la vie sociale, un repère fixe… (more)

Subjects/Keywords: Empreinte; Rituel; Rite; Théâtre contemporain; Dramaturgie; Crise du drame; Mark; Ritual; Rite; Contemporary drama; Dramaturgy; Drama crisis

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APA (6th Edition):

Bonnier, A. (2010). L'empreinte des rituels. Persistance et mutations des formes et mécanismes rituels dans les dramaturgies occidentales des années 50 à nos jours : The Mark of Rituals. Persistence and Transformations of Ritual Forms and Mechanisms in Western Drama, from the 1950s until today. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2010PA030145

Chicago Manual of Style (16th Edition):

Bonnier, Anaïs. “L'empreinte des rituels. Persistance et mutations des formes et mécanismes rituels dans les dramaturgies occidentales des années 50 à nos jours : The Mark of Rituals. Persistence and Transformations of Ritual Forms and Mechanisms in Western Drama, from the 1950s until today.” 2010. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed November 12, 2019. http://www.theses.fr/2010PA030145.

MLA Handbook (7th Edition):

Bonnier, Anaïs. “L'empreinte des rituels. Persistance et mutations des formes et mécanismes rituels dans les dramaturgies occidentales des années 50 à nos jours : The Mark of Rituals. Persistence and Transformations of Ritual Forms and Mechanisms in Western Drama, from the 1950s until today.” 2010. Web. 12 Nov 2019.

Vancouver:

Bonnier A. L'empreinte des rituels. Persistance et mutations des formes et mécanismes rituels dans les dramaturgies occidentales des années 50 à nos jours : The Mark of Rituals. Persistence and Transformations of Ritual Forms and Mechanisms in Western Drama, from the 1950s until today. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2010. [cited 2019 Nov 12]. Available from: http://www.theses.fr/2010PA030145.

Council of Science Editors:

Bonnier A. L'empreinte des rituels. Persistance et mutations des formes et mécanismes rituels dans les dramaturgies occidentales des années 50 à nos jours : The Mark of Rituals. Persistence and Transformations of Ritual Forms and Mechanisms in Western Drama, from the 1950s until today. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2010. Available from: http://www.theses.fr/2010PA030145

12. Cousin, Marion. L'Auteur en scène. Analyse d'un geste théâtral et dramaturgie du texte né de la scène : The On-Stage Author. Analysis of a Theatre Practice and Dramaturgy of Texts Born from the Stage.

Degree: Docteur es, Etudes théâtrales, 2012, Université Sorbonne Nouvelle – Paris III

Cette thèse de doctorat en études théâtrales présente la pratique d'artistes que nous nommons auteurs en scène, et propose des outils pour l'analyse dramaturgique des… (more)

Subjects/Keywords: Auteur en scène; Dramaturgie contemporaine; Écriture scénique; Représentation; Europe; On-stage author; Contemporary dramaturgy; Stage writing; Performance; Europe; 792

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APA (6th Edition):

Cousin, M. (2012). L'Auteur en scène. Analyse d'un geste théâtral et dramaturgie du texte né de la scène : The On-Stage Author. Analysis of a Theatre Practice and Dramaturgy of Texts Born from the Stage. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2012PA030158

Chicago Manual of Style (16th Edition):

Cousin, Marion. “L'Auteur en scène. Analyse d'un geste théâtral et dramaturgie du texte né de la scène : The On-Stage Author. Analysis of a Theatre Practice and Dramaturgy of Texts Born from the Stage.” 2012. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed November 12, 2019. http://www.theses.fr/2012PA030158.

MLA Handbook (7th Edition):

Cousin, Marion. “L'Auteur en scène. Analyse d'un geste théâtral et dramaturgie du texte né de la scène : The On-Stage Author. Analysis of a Theatre Practice and Dramaturgy of Texts Born from the Stage.” 2012. Web. 12 Nov 2019.

Vancouver:

Cousin M. L'Auteur en scène. Analyse d'un geste théâtral et dramaturgie du texte né de la scène : The On-Stage Author. Analysis of a Theatre Practice and Dramaturgy of Texts Born from the Stage. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2012. [cited 2019 Nov 12]. Available from: http://www.theses.fr/2012PA030158.

Council of Science Editors:

Cousin M. L'Auteur en scène. Analyse d'un geste théâtral et dramaturgie du texte né de la scène : The On-Stage Author. Analysis of a Theatre Practice and Dramaturgy of Texts Born from the Stage. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2012. Available from: http://www.theses.fr/2012PA030158

13. Kingston, Talya A. The Dramaturgy of Dialect: An Examination Of The Sociolinguistic Problems Faced When Producing Contemporary British Plays In The United States.

Degree: MFA, Theater, 2008, University of Massachusetts

  To fully realize plays in another culture, it is important for the actors and audience to understand the meaning of the words that are… (more)

Subjects/Keywords: dramaturgy; British drama; contemporary theater; dialect; Arts and Humanities; Theatre and Performance Studies

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APA (6th Edition):

Kingston, T. A. (2008). The Dramaturgy of Dialect: An Examination Of The Sociolinguistic Problems Faced When Producing Contemporary British Plays In The United States. (Masters Thesis). University of Massachusetts. Retrieved from https://scholarworks.umass.edu/theses/105

Chicago Manual of Style (16th Edition):

Kingston, Talya A. “The Dramaturgy of Dialect: An Examination Of The Sociolinguistic Problems Faced When Producing Contemporary British Plays In The United States.” 2008. Masters Thesis, University of Massachusetts. Accessed November 12, 2019. https://scholarworks.umass.edu/theses/105.

MLA Handbook (7th Edition):

Kingston, Talya A. “The Dramaturgy of Dialect: An Examination Of The Sociolinguistic Problems Faced When Producing Contemporary British Plays In The United States.” 2008. Web. 12 Nov 2019.

Vancouver:

Kingston TA. The Dramaturgy of Dialect: An Examination Of The Sociolinguistic Problems Faced When Producing Contemporary British Plays In The United States. [Internet] [Masters thesis]. University of Massachusetts; 2008. [cited 2019 Nov 12]. Available from: https://scholarworks.umass.edu/theses/105.

Council of Science Editors:

Kingston TA. The Dramaturgy of Dialect: An Examination Of The Sociolinguistic Problems Faced When Producing Contemporary British Plays In The United States. [Masters Thesis]. University of Massachusetts; 2008. Available from: https://scholarworks.umass.edu/theses/105


University of Melbourne

14. Arroquero, Thomas (Tomás). Reframing tradition: renegotiating flamenco dance within contemporary contexts.

Degree: 2016, University of Melbourne

 ‘Reframing Tradition: Renegotiating Flamenco Dance within Contemporary Contexts’, is a practice-led inquiry undertaken between 2014 – 2016 at the Victorian College of the Arts as… (more)

Subjects/Keywords: dance; flamenco; dramaturgy; contemporary performance; somatic movement; traditional form

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APA (6th Edition):

Arroquero, T. (. (2016). Reframing tradition: renegotiating flamenco dance within contemporary contexts. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/191808

Chicago Manual of Style (16th Edition):

Arroquero, Thomas (Tomás). “Reframing tradition: renegotiating flamenco dance within contemporary contexts.” 2016. Masters Thesis, University of Melbourne. Accessed November 12, 2019. http://hdl.handle.net/11343/191808.

MLA Handbook (7th Edition):

Arroquero, Thomas (Tomás). “Reframing tradition: renegotiating flamenco dance within contemporary contexts.” 2016. Web. 12 Nov 2019.

Vancouver:

Arroquero T(. Reframing tradition: renegotiating flamenco dance within contemporary contexts. [Internet] [Masters thesis]. University of Melbourne; 2016. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/11343/191808.

Council of Science Editors:

Arroquero T(. Reframing tradition: renegotiating flamenco dance within contemporary contexts. [Masters Thesis]. University of Melbourne; 2016. Available from: http://hdl.handle.net/11343/191808

15. Radonjić Miroslav. Dramski opus Vide Ognjenović u kontekstu savremene srpske dramaturgije i književne tradicije.

Degree: 2015, University of Novi Sad

Намера студије јесте да се целокупни досадашњи драмски опус Виде Огњеновић сагледа у ширем контексту савремене српске драматургије и књижевне традиције. Овакав задатак подразумева… (more)

Subjects/Keywords: savremena srpska dramaturgija, književna tradicija, drama, komedija, dramatizacija, poetika, žanrovsko-stilske odlike, jezički izraz, karakterizacija; contemporary Serbian dramaturgy, literarytradition, drama, comedy, dramatisation,poetics, genre-stylistic features, linguisticexpression, characterisation

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APA (6th Edition):

Miroslav, R. (2015). Dramski opus Vide Ognjenović u kontekstu savremene srpske dramaturgije i književne tradicije. (Thesis). University of Novi Sad. Retrieved from http://www.cris.uns.ac.rs/DownloadFileServlet/Disertacija142442586272742.pdf?controlNumber=(BISIS)94108&fileName=142442586272742.pdf&id=3311&source=OATD&language=en ; http://www.cris.uns.ac.rs/record.jsf?recordId=94108&source=OATD&language=en

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miroslav, Radonjić. “Dramski opus Vide Ognjenović u kontekstu savremene srpske dramaturgije i književne tradicije.” 2015. Thesis, University of Novi Sad. Accessed November 12, 2019. http://www.cris.uns.ac.rs/DownloadFileServlet/Disertacija142442586272742.pdf?controlNumber=(BISIS)94108&fileName=142442586272742.pdf&id=3311&source=OATD&language=en ; http://www.cris.uns.ac.rs/record.jsf?recordId=94108&source=OATD&language=en.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miroslav, Radonjić. “Dramski opus Vide Ognjenović u kontekstu savremene srpske dramaturgije i književne tradicije.” 2015. Web. 12 Nov 2019.

Vancouver:

Miroslav R. Dramski opus Vide Ognjenović u kontekstu savremene srpske dramaturgije i književne tradicije. [Internet] [Thesis]. University of Novi Sad; 2015. [cited 2019 Nov 12]. Available from: http://www.cris.uns.ac.rs/DownloadFileServlet/Disertacija142442586272742.pdf?controlNumber=(BISIS)94108&fileName=142442586272742.pdf&id=3311&source=OATD&language=en ; http://www.cris.uns.ac.rs/record.jsf?recordId=94108&source=OATD&language=en.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miroslav R. Dramski opus Vide Ognjenović u kontekstu savremene srpske dramaturgije i književne tradicije. [Thesis]. University of Novi Sad; 2015. Available from: http://www.cris.uns.ac.rs/DownloadFileServlet/Disertacija142442586272742.pdf?controlNumber=(BISIS)94108&fileName=142442586272742.pdf&id=3311&source=OATD&language=en ; http://www.cris.uns.ac.rs/record.jsf?recordId=94108&source=OATD&language=en

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Biscaro, Roberto Rillo. O choque dos mundos ou uma leitura materialista da peça \'And things that go bump in the night\', de Terrence McNally.

Degree: PhD, Estudos Lingüísticos e Literários em Inglês, 2006, University of São Paulo

Este trabalho é um estudo da peça And Things that Go Bump in the Night, escrita pelo norte-americano Terrence McNally na primeira metade da década… (more)

Subjects/Keywords: Anos sessenta; Contemporary American dramaturgy; Crítica literária materialista; Dramaturgia norte-americana contemporânea; Gay movement; Materialist literary criticism; Movimento; Terrence McNally; The Sixties

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APA (6th Edition):

Biscaro, R. R. (2006). O choque dos mundos ou uma leitura materialista da peça \'And things that go bump in the night\', de Terrence McNally. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8147/tde-09112007-140328/ ;

Chicago Manual of Style (16th Edition):

Biscaro, Roberto Rillo. “O choque dos mundos ou uma leitura materialista da peça \'And things that go bump in the night\', de Terrence McNally.” 2006. Doctoral Dissertation, University of São Paulo. Accessed November 12, 2019. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-09112007-140328/ ;.

MLA Handbook (7th Edition):

Biscaro, Roberto Rillo. “O choque dos mundos ou uma leitura materialista da peça \'And things that go bump in the night\', de Terrence McNally.” 2006. Web. 12 Nov 2019.

Vancouver:

Biscaro RR. O choque dos mundos ou uma leitura materialista da peça \'And things that go bump in the night\', de Terrence McNally. [Internet] [Doctoral dissertation]. University of São Paulo; 2006. [cited 2019 Nov 12]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8147/tde-09112007-140328/ ;.

Council of Science Editors:

Biscaro RR. O choque dos mundos ou uma leitura materialista da peça \'And things that go bump in the night\', de Terrence McNally. [Doctoral Dissertation]. University of São Paulo; 2006. Available from: http://www.teses.usp.br/teses/disponiveis/8/8147/tde-09112007-140328/ ;

17. Cavalcante, Alex Beigui de Paiva. Dramaturgia por outras vias: a apropriação como matriz estética do teatro contemporâneo - do texto literário à encenação.

Degree: PhD, Literatura Brasileira, 2006, University of São Paulo

O presente trabalho procurou conciliar a reflexão teórica sobre o fenômeno da äpropriaçãod̈e textos literários para o palco, tomando como ponto de partida a leitura… (more)

Subjects/Keywords: Adaptação teatral; Contemporary theatre; Dramaturgia; Dramaturgy; Estética (Arte); Esthetic (Art); Linguagem teatral; Scenical language; Teatro (Literatura); Teatro contemporanea; Theatre (Literature); Theatre adaptation

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APA (6th Edition):

Cavalcante, A. B. d. P. (2006). Dramaturgia por outras vias: a apropriação como matriz estética do teatro contemporâneo - do texto literário à encenação. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8149/tde-23082007-131724/ ;

Chicago Manual of Style (16th Edition):

Cavalcante, Alex Beigui de Paiva. “Dramaturgia por outras vias: a apropriação como matriz estética do teatro contemporâneo - do texto literário à encenação.” 2006. Doctoral Dissertation, University of São Paulo. Accessed November 12, 2019. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-23082007-131724/ ;.

MLA Handbook (7th Edition):

Cavalcante, Alex Beigui de Paiva. “Dramaturgia por outras vias: a apropriação como matriz estética do teatro contemporâneo - do texto literário à encenação.” 2006. Web. 12 Nov 2019.

Vancouver:

Cavalcante ABdP. Dramaturgia por outras vias: a apropriação como matriz estética do teatro contemporâneo - do texto literário à encenação. [Internet] [Doctoral dissertation]. University of São Paulo; 2006. [cited 2019 Nov 12]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8149/tde-23082007-131724/ ;.

Council of Science Editors:

Cavalcante ABdP. Dramaturgia por outras vias: a apropriação como matriz estética do teatro contemporâneo - do texto literário à encenação. [Doctoral Dissertation]. University of São Paulo; 2006. Available from: http://www.teses.usp.br/teses/disponiveis/8/8149/tde-23082007-131724/ ;

18. Bytsenko, Anastassia. Liev Tolstói e o teatro: texto e contexto de O Cadáver Vivo.

Degree: PhD, Literatura e Cultura Russa, 2013, University of São Paulo

A análise aborda o fenômeno artístico e cultural que é o teatro de Liev Tolstói no limiar entre a literatura e a história do teatro… (more)

Subjects/Keywords: Contemporary theater; Dramaturgia; Dramaturgy; Leo Tolstoy; Liev Tostói; Russian theater; Teatro (história); Teatro contemporâneo; Teatro russo; Theatre (history)

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APA (6th Edition):

Bytsenko, A. (2013). Liev Tolstói e o teatro: texto e contexto de O Cadáver Vivo. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8155/tde-13022014-114418/ ;

Chicago Manual of Style (16th Edition):

Bytsenko, Anastassia. “Liev Tolstói e o teatro: texto e contexto de O Cadáver Vivo.” 2013. Doctoral Dissertation, University of São Paulo. Accessed November 12, 2019. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-13022014-114418/ ;.

MLA Handbook (7th Edition):

Bytsenko, Anastassia. “Liev Tolstói e o teatro: texto e contexto de O Cadáver Vivo.” 2013. Web. 12 Nov 2019.

Vancouver:

Bytsenko A. Liev Tolstói e o teatro: texto e contexto de O Cadáver Vivo. [Internet] [Doctoral dissertation]. University of São Paulo; 2013. [cited 2019 Nov 12]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8155/tde-13022014-114418/ ;.

Council of Science Editors:

Bytsenko A. Liev Tolstói e o teatro: texto e contexto de O Cadáver Vivo. [Doctoral Dissertation]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/8/8155/tde-13022014-114418/ ;

19. Matos, Ivan Delmanto Franklin de. O Labirinto Miopia: o espetáculo teatral como planetário em ruínas.

Degree: Mestrado, Teoria Literária e Literatura Comparada, 2011, University of São Paulo

Esta dissertação, que tem como objeto o processo de criação do espetáculo teatral Miopia, investiga as tensas relações entre forma teatral, abordada em suas diversas… (more)

Subjects/Keywords: 5)Teatro contemporâneo; Capitalism; Capitalismo; Contemporary theater; Critical theory; Dialetic; Dialética; Dramaturgia; Dramaturgy; Epic theater; Teatro; Teatro épico; Teoria crítica; Theater

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APA (6th Edition):

Matos, I. D. F. d. (2011). O Labirinto Miopia: o espetáculo teatral como planetário em ruínas. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8151/tde-30032012-134914/ ;

Chicago Manual of Style (16th Edition):

Matos, Ivan Delmanto Franklin de. “O Labirinto Miopia: o espetáculo teatral como planetário em ruínas.” 2011. Masters Thesis, University of São Paulo. Accessed November 12, 2019. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-30032012-134914/ ;.

MLA Handbook (7th Edition):

Matos, Ivan Delmanto Franklin de. “O Labirinto Miopia: o espetáculo teatral como planetário em ruínas.” 2011. Web. 12 Nov 2019.

Vancouver:

Matos IDFd. O Labirinto Miopia: o espetáculo teatral como planetário em ruínas. [Internet] [Masters thesis]. University of São Paulo; 2011. [cited 2019 Nov 12]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8151/tde-30032012-134914/ ;.

Council of Science Editors:

Matos IDFd. O Labirinto Miopia: o espetáculo teatral como planetário em ruínas. [Masters Thesis]. University of São Paulo; 2011. Available from: http://www.teses.usp.br/teses/disponiveis/8/8151/tde-30032012-134914/ ;

.