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You searched for subject:(contemporary cinema). Showing records 1 – 30 of 109 total matches.

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University of Exeter

1. McGill, Amy. The contemporary Hollywood film soundtrack : professional practices and sonic styles since the 1970s.

Degree: 2008, University of Exeter

 Since the 1970s, the soundtrack in Hollywood has come of age as a complex and sophisticated site of cinematic art. Greater combinations of sounds expressing… (more)

Subjects/Keywords: Film Sound : Hollywood : Cinema : Contemporary

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APA (6th Edition):

McGill, A. (2008). The contemporary Hollywood film soundtrack : professional practices and sonic styles since the 1970s. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10036/41173

Chicago Manual of Style (16th Edition):

McGill, Amy. “The contemporary Hollywood film soundtrack : professional practices and sonic styles since the 1970s.” 2008. Doctoral Dissertation, University of Exeter. Accessed November 18, 2019. http://hdl.handle.net/10036/41173.

MLA Handbook (7th Edition):

McGill, Amy. “The contemporary Hollywood film soundtrack : professional practices and sonic styles since the 1970s.” 2008. Web. 18 Nov 2019.

Vancouver:

McGill A. The contemporary Hollywood film soundtrack : professional practices and sonic styles since the 1970s. [Internet] [Doctoral dissertation]. University of Exeter; 2008. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/10036/41173.

Council of Science Editors:

McGill A. The contemporary Hollywood film soundtrack : professional practices and sonic styles since the 1970s. [Doctoral Dissertation]. University of Exeter; 2008. Available from: http://hdl.handle.net/10036/41173

2. Marquez, Arturo A. Desastre y Desvío: Narrativas de la Catástrofe en el Chile Contemporáneo.

Degree: PhD, Hispanic Studies, 2013, Brown University

 The dissertation explores how the disaster and its representations are closely linked to figures of madness and deviant sexuality in contemporary Chilean texts. I argue… (more)

Subjects/Keywords: Contemporary Latin American literature and cinema

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APA (6th Edition):

Marquez, A. A. (2013). Desastre y Desvío: Narrativas de la Catástrofe en el Chile Contemporáneo. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:320570/

Chicago Manual of Style (16th Edition):

Marquez, Arturo A. “Desastre y Desvío: Narrativas de la Catástrofe en el Chile Contemporáneo.” 2013. Doctoral Dissertation, Brown University. Accessed November 18, 2019. https://repository.library.brown.edu/studio/item/bdr:320570/.

MLA Handbook (7th Edition):

Marquez, Arturo A. “Desastre y Desvío: Narrativas de la Catástrofe en el Chile Contemporáneo.” 2013. Web. 18 Nov 2019.

Vancouver:

Marquez AA. Desastre y Desvío: Narrativas de la Catástrofe en el Chile Contemporáneo. [Internet] [Doctoral dissertation]. Brown University; 2013. [cited 2019 Nov 18]. Available from: https://repository.library.brown.edu/studio/item/bdr:320570/.

Council of Science Editors:

Marquez AA. Desastre y Desvío: Narrativas de la Catástrofe en el Chile Contemporáneo. [Doctoral Dissertation]. Brown University; 2013. Available from: https://repository.library.brown.edu/studio/item/bdr:320570/

3. Benson, Chloe. Bi what means : Paratextual and filmic representations of bisexuality in contemporary cinema.

Degree: PhD, 2016, Federation University Australia

The question of how bisexuality, which is predominantly nonvisual and lacks a coherent cinematic code, can be represented in film remains a consistent concern within… (more)

Subjects/Keywords: Bisexuality; Film industry; Contemporary cinema; Paratextual theory

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APA (6th Edition):

Benson, C. (2016). Bi what means : Paratextual and filmic representations of bisexuality in contemporary cinema. (Doctoral Dissertation). Federation University Australia. Retrieved from http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/160433

Chicago Manual of Style (16th Edition):

Benson, Chloe. “Bi what means : Paratextual and filmic representations of bisexuality in contemporary cinema.” 2016. Doctoral Dissertation, Federation University Australia. Accessed November 18, 2019. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/160433.

MLA Handbook (7th Edition):

Benson, Chloe. “Bi what means : Paratextual and filmic representations of bisexuality in contemporary cinema.” 2016. Web. 18 Nov 2019.

Vancouver:

Benson C. Bi what means : Paratextual and filmic representations of bisexuality in contemporary cinema. [Internet] [Doctoral dissertation]. Federation University Australia; 2016. [cited 2019 Nov 18]. Available from: http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/160433.

Council of Science Editors:

Benson C. Bi what means : Paratextual and filmic representations of bisexuality in contemporary cinema. [Doctoral Dissertation]. Federation University Australia; 2016. Available from: http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/160433


University of Sydney

4. Sakellis, Sophia. ‘Reading’ and ‘Translating’ Emotions: Nationalism in Contemporary Greek Cinema .

Degree: 2016, University of Sydney

 This study explores emotions related to nationalism, and their manifestations in contemporary Greek cinema. It also investigates the reasons and mechanisms giving rise to nationalism,… (more)

Subjects/Keywords: translating; emotions; nationalism; contemporary; Greek; cinema

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APA (6th Edition):

Sakellis, S. (2016). ‘Reading’ and ‘Translating’ Emotions: Nationalism in Contemporary Greek Cinema . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/15752

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sakellis, Sophia. “‘Reading’ and ‘Translating’ Emotions: Nationalism in Contemporary Greek Cinema .” 2016. Thesis, University of Sydney. Accessed November 18, 2019. http://hdl.handle.net/2123/15752.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sakellis, Sophia. “‘Reading’ and ‘Translating’ Emotions: Nationalism in Contemporary Greek Cinema .” 2016. Web. 18 Nov 2019.

Vancouver:

Sakellis S. ‘Reading’ and ‘Translating’ Emotions: Nationalism in Contemporary Greek Cinema . [Internet] [Thesis]. University of Sydney; 2016. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/2123/15752.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sakellis S. ‘Reading’ and ‘Translating’ Emotions: Nationalism in Contemporary Greek Cinema . [Thesis]. University of Sydney; 2016. Available from: http://hdl.handle.net/2123/15752

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queen Mary, University of London

5. Fagan, Calvin. Embodying virtual war : digital technology and subjectivity in the contemporary war film.

Degree: PhD, 2017, Queen Mary, University of London

 Addressing a perceived absence of critical attention to changes in the war film brought about by the advent of the digital, this thesis aims to… (more)

Subjects/Keywords: Contemporary US war cinema; digital mediation.

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APA (6th Edition):

Fagan, C. (2017). Embodying virtual war : digital technology and subjectivity in the contemporary war film. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/24593 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.765865

Chicago Manual of Style (16th Edition):

Fagan, Calvin. “Embodying virtual war : digital technology and subjectivity in the contemporary war film.” 2017. Doctoral Dissertation, Queen Mary, University of London. Accessed November 18, 2019. http://qmro.qmul.ac.uk/xmlui/handle/123456789/24593 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.765865.

MLA Handbook (7th Edition):

Fagan, Calvin. “Embodying virtual war : digital technology and subjectivity in the contemporary war film.” 2017. Web. 18 Nov 2019.

Vancouver:

Fagan C. Embodying virtual war : digital technology and subjectivity in the contemporary war film. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2017. [cited 2019 Nov 18]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/24593 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.765865.

Council of Science Editors:

Fagan C. Embodying virtual war : digital technology and subjectivity in the contemporary war film. [Doctoral Dissertation]. Queen Mary, University of London; 2017. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/24593 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.765865

6. Silva, Rogério Corrêa da [UNESP]. Artemídia referente: a influência do Neo-realismo e do Cinema Novo na produção de um realizador contemporâneo.

Degree: 2016, Universidade Estadual Paulista

O presente relatório teve como objetivo fazer uma reflexão sobre o meu trabalho de cineasta, tendo como referência as escolas cinematográficas que me inspiraram: Neo-realismo… (more)

Subjects/Keywords: Neo-realismo; Cinema brasileiro; Cinema Novo; Comunicação audiovisual; Neo-realism; New Cinema; Brazilian cinema; Contemporary cinema; Audiovisual production

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APA (6th Edition):

Silva, R. C. d. [. (2016). Artemídia referente: a influência do Neo-realismo e do Cinema Novo na produção de um realizador contemporâneo. (Thesis). Universidade Estadual Paulista. Retrieved from http://hdl.handle.net/11449/146710

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Silva, Rogério Corrêa da [UNESP]. “Artemídia referente: a influência do Neo-realismo e do Cinema Novo na produção de um realizador contemporâneo.” 2016. Thesis, Universidade Estadual Paulista. Accessed November 18, 2019. http://hdl.handle.net/11449/146710.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Silva, Rogério Corrêa da [UNESP]. “Artemídia referente: a influência do Neo-realismo e do Cinema Novo na produção de um realizador contemporâneo.” 2016. Web. 18 Nov 2019.

Vancouver:

Silva RCd[. Artemídia referente: a influência do Neo-realismo e do Cinema Novo na produção de um realizador contemporâneo. [Internet] [Thesis]. Universidade Estadual Paulista; 2016. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/11449/146710.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Silva RCd[. Artemídia referente: a influência do Neo-realismo e do Cinema Novo na produção de um realizador contemporâneo. [Thesis]. Universidade Estadual Paulista; 2016. Available from: http://hdl.handle.net/11449/146710

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Marques, Davina. Entre literatura, cinema e filosofia: Miguilim nas telas.

Degree: PhD, Estudos Comparados de Literaturas de Língua Portuguesa, 2013, University of São Paulo

Esta pesquisa teve como objetivo analisar a literatura e o cinema a partir da filosofia contemporânea. Foram objetos deste estudo a literatura, aqui representada por… (more)

Subjects/Keywords: Cinema; Cinema; Contemporary philosophy; Fabulação; Fabulation; Filosofia contemporânea; Literatura; Literature

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APA (6th Edition):

Marques, D. (2013). Entre literatura, cinema e filosofia: Miguilim nas telas. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8156/tde-22042013-093606/ ;

Chicago Manual of Style (16th Edition):

Marques, Davina. “Entre literatura, cinema e filosofia: Miguilim nas telas.” 2013. Doctoral Dissertation, University of São Paulo. Accessed November 18, 2019. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-22042013-093606/ ;.

MLA Handbook (7th Edition):

Marques, Davina. “Entre literatura, cinema e filosofia: Miguilim nas telas.” 2013. Web. 18 Nov 2019.

Vancouver:

Marques D. Entre literatura, cinema e filosofia: Miguilim nas telas. [Internet] [Doctoral dissertation]. University of São Paulo; 2013. [cited 2019 Nov 18]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8156/tde-22042013-093606/ ;.

Council of Science Editors:

Marques D. Entre literatura, cinema e filosofia: Miguilim nas telas. [Doctoral Dissertation]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/8/8156/tde-22042013-093606/ ;


Universidade Nova

8. Melo, Teresa Caçador Morais Sarmento de. A inventividade do cinema contemporâneo dos países de língua portuguesa no seu contexto político.

Degree: 2015, Universidade Nova

 Através da observação desenvolvida durante o estágio curricular no FESTin - Festival de Cinema Itinerante da Língua Portuguesa – procuro compreender de que forma a… (more)

Subjects/Keywords: Cinema contemporâneo; CPLP; FESTin; Língua Portuguesa; Contemporary Cinema; Portuguese Language

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APA (6th Edition):

Melo, T. C. M. S. d. (2015). A inventividade do cinema contemporâneo dos países de língua portuguesa no seu contexto político. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/15281

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Melo, Teresa Caçador Morais Sarmento de. “A inventividade do cinema contemporâneo dos países de língua portuguesa no seu contexto político.” 2015. Thesis, Universidade Nova. Accessed November 18, 2019. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/15281.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Melo, Teresa Caçador Morais Sarmento de. “A inventividade do cinema contemporâneo dos países de língua portuguesa no seu contexto político.” 2015. Web. 18 Nov 2019.

Vancouver:

Melo TCMSd. A inventividade do cinema contemporâneo dos países de língua portuguesa no seu contexto político. [Internet] [Thesis]. Universidade Nova; 2015. [cited 2019 Nov 18]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/15281.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Melo TCMSd. A inventividade do cinema contemporâneo dos países de língua portuguesa no seu contexto político. [Thesis]. Universidade Nova; 2015. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/15281

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Rogério Secomandi Mestriner. Redes interdiscursivas e convergência de mídias: uma análise de Brilho Eterno de uma Mente Sem Lembranças.

Degree: 2011, Universidade Federal de São Carlos

 Com a vasta disseminação das mídias digitais à sociedade, comprovada pela expansão do mercado de jogos eletrônicos e a crescente inclusão digital propiciada pelo avanço… (more)

Subjects/Keywords: Cinema americano (Francês, inglês, etc); Cinema contemporâneo; Mídia digital; Linguagem cinematográfica; CINEMA; Contemporary cinema; Digital media; Michel Gondry; Cyberpunk

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APA (6th Edition):

Mestriner, R. S. (2011). Redes interdiscursivas e convergência de mídias: uma análise de Brilho Eterno de uma Mente Sem Lembranças. (Thesis). Universidade Federal de São Carlos. Retrieved from http://www.bdtd.ufscar.br/htdocs/tedeSimplificado//tde_busca/arquivo.php?codArquivo=4567

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mestriner, Rogério Secomandi. “Redes interdiscursivas e convergência de mídias: uma análise de Brilho Eterno de uma Mente Sem Lembranças.” 2011. Thesis, Universidade Federal de São Carlos. Accessed November 18, 2019. http://www.bdtd.ufscar.br/htdocs/tedeSimplificado//tde_busca/arquivo.php?codArquivo=4567.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mestriner, Rogério Secomandi. “Redes interdiscursivas e convergência de mídias: uma análise de Brilho Eterno de uma Mente Sem Lembranças.” 2011. Web. 18 Nov 2019.

Vancouver:

Mestriner RS. Redes interdiscursivas e convergência de mídias: uma análise de Brilho Eterno de uma Mente Sem Lembranças. [Internet] [Thesis]. Universidade Federal de São Carlos; 2011. [cited 2019 Nov 18]. Available from: http://www.bdtd.ufscar.br/htdocs/tedeSimplificado//tde_busca/arquivo.php?codArquivo=4567.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mestriner RS. Redes interdiscursivas e convergência de mídias: uma análise de Brilho Eterno de uma Mente Sem Lembranças. [Thesis]. Universidade Federal de São Carlos; 2011. Available from: http://www.bdtd.ufscar.br/htdocs/tedeSimplificado//tde_busca/arquivo.php?codArquivo=4567

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

10. Lykidis, Alex. In a state of exception: political subjecthood in European film, 1990-2008.

Degree: PhD, Cinema-Television (Critical Studies), 2009, University of Southern California

 The articulation of political subjecthood in contemporary Europe is delimited by increasingly neoliberal, technocratic and transnational modes of governance that alienate mass constituencies from democratic… (more)

Subjects/Keywords: contemporary European cinema; citizenship and immigration; Greece; France; Roma; democratic disenfranchisement; art cinema; national cinema; minority cinema; Michael Haneke; Tony Gatlif

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APA (6th Edition):

Lykidis, A. (2009). In a state of exception: political subjecthood in European film, 1990-2008. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/572524/rec/3421

Chicago Manual of Style (16th Edition):

Lykidis, Alex. “In a state of exception: political subjecthood in European film, 1990-2008.” 2009. Doctoral Dissertation, University of Southern California. Accessed November 18, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/572524/rec/3421.

MLA Handbook (7th Edition):

Lykidis, Alex. “In a state of exception: political subjecthood in European film, 1990-2008.” 2009. Web. 18 Nov 2019.

Vancouver:

Lykidis A. In a state of exception: political subjecthood in European film, 1990-2008. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2019 Nov 18]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/572524/rec/3421.

Council of Science Editors:

Lykidis A. In a state of exception: political subjecthood in European film, 1990-2008. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/572524/rec/3421


University of Oxford

11. de Feo-Giet, Danielle Karanjeet J. Fantasies of authenticity, anxieties of culture : global capital, entertainment and cultural nationalism in the contemporary popular cinemas of India and China since 1990.

Degree: PhD, 2016, University of Oxford

 My thesis is dedicated to the study of popular, commercial cinema as a force within the discourse of national and personal identity in the rapidly… (more)

Subjects/Keywords: 791.43; economics; India; Asia; Contemporary; Motion pictures; China; English; Contemporary Cinema; Contemporary Film; Contemporary India; Comparative Studies; Contemporary Motion Pictures; Contemporary China

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APA (6th Edition):

de Feo-Giet, D. K. J. (2016). Fantasies of authenticity, anxieties of culture : global capital, entertainment and cultural nationalism in the contemporary popular cinemas of India and China since 1990. (Doctoral Dissertation). University of Oxford. Retrieved from https://ora.ox.ac.uk/objects/uuid:39cbae3c-354c-4ebc-be09-386af42f78d0 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.729911

Chicago Manual of Style (16th Edition):

de Feo-Giet, Danielle Karanjeet J. “Fantasies of authenticity, anxieties of culture : global capital, entertainment and cultural nationalism in the contemporary popular cinemas of India and China since 1990.” 2016. Doctoral Dissertation, University of Oxford. Accessed November 18, 2019. https://ora.ox.ac.uk/objects/uuid:39cbae3c-354c-4ebc-be09-386af42f78d0 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.729911.

MLA Handbook (7th Edition):

de Feo-Giet, Danielle Karanjeet J. “Fantasies of authenticity, anxieties of culture : global capital, entertainment and cultural nationalism in the contemporary popular cinemas of India and China since 1990.” 2016. Web. 18 Nov 2019.

Vancouver:

de Feo-Giet DKJ. Fantasies of authenticity, anxieties of culture : global capital, entertainment and cultural nationalism in the contemporary popular cinemas of India and China since 1990. [Internet] [Doctoral dissertation]. University of Oxford; 2016. [cited 2019 Nov 18]. Available from: https://ora.ox.ac.uk/objects/uuid:39cbae3c-354c-4ebc-be09-386af42f78d0 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.729911.

Council of Science Editors:

de Feo-Giet DKJ. Fantasies of authenticity, anxieties of culture : global capital, entertainment and cultural nationalism in the contemporary popular cinemas of India and China since 1990. [Doctoral Dissertation]. University of Oxford; 2016. Available from: https://ora.ox.ac.uk/objects/uuid:39cbae3c-354c-4ebc-be09-386af42f78d0 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.729911

12. Bernava, Cristian Carla. Violência e feminino no cinema contemporâneo.

Degree: Mestrado, Sociologia, 2010, University of São Paulo

Este trabalho investiga a associação entre a violência e o feminino no cinema contemporâneo. Em virtude das mudanças nas formas de apresentação da violência feminina… (more)

Subjects/Keywords: Abject; Abjeto; Cinema contemporâneo; Contemporary cinema; Femininity; Feminino; Subject; Sujeito; Violence; Violência

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APA (6th Edition):

Bernava, C. C. (2010). Violência e feminino no cinema contemporâneo. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8132/tde-18012011-123146/ ;

Chicago Manual of Style (16th Edition):

Bernava, Cristian Carla. “Violência e feminino no cinema contemporâneo.” 2010. Masters Thesis, University of São Paulo. Accessed November 18, 2019. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-18012011-123146/ ;.

MLA Handbook (7th Edition):

Bernava, Cristian Carla. “Violência e feminino no cinema contemporâneo.” 2010. Web. 18 Nov 2019.

Vancouver:

Bernava CC. Violência e feminino no cinema contemporâneo. [Internet] [Masters thesis]. University of São Paulo; 2010. [cited 2019 Nov 18]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8132/tde-18012011-123146/ ;.

Council of Science Editors:

Bernava CC. Violência e feminino no cinema contemporâneo. [Masters Thesis]. University of São Paulo; 2010. Available from: http://www.teses.usp.br/teses/disponiveis/8/8132/tde-18012011-123146/ ;


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

13. Bampatzimopoulos, Sotiris. Το στοιχείο της βίας στο σύγχρονο αμερικάνικο κινηματογράφο (1992-2007).

Degree: 2014, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

The objective of the present research is threefold: First, to examine the element of violence in contemporary American cinematographic narratives, as well as the mechanisms… (more)

Subjects/Keywords: Βία; Κινηματογραφική βία; Αφήγηση; Κινηματογραφική αφήγηση; Κινηματογράφος; Violence; Cinema; Film; Narrative; Contemporary American cinema

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APA (6th Edition):

Bampatzimopoulos, S. (2014). Το στοιχείο της βίας στο σύγχρονο αμερικάνικο κινηματογράφο (1992-2007). (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/41663

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bampatzimopoulos, Sotiris. “Το στοιχείο της βίας στο σύγχρονο αμερικάνικο κινηματογράφο (1992-2007).” 2014. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed November 18, 2019. http://hdl.handle.net/10442/hedi/41663.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bampatzimopoulos, Sotiris. “Το στοιχείο της βίας στο σύγχρονο αμερικάνικο κινηματογράφο (1992-2007).” 2014. Web. 18 Nov 2019.

Vancouver:

Bampatzimopoulos S. Το στοιχείο της βίας στο σύγχρονο αμερικάνικο κινηματογράφο (1992-2007). [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2014. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/10442/hedi/41663.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bampatzimopoulos S. Το στοιχείο της βίας στο σύγχρονο αμερικάνικο κινηματογράφο (1992-2007). [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2014. Available from: http://hdl.handle.net/10442/hedi/41663

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Brasília

14. Paula Diniz Lins. O Pobre em Cena : representação no cinema brasileiro contemporâneo.

Degree: 2009, Universidade de Brasília

 Considerando as implicações sócio-políticas de representar e ser representado e a pertinência de estudos que se preocupam com a diversidade e pluralidade das representações, essa… (more)

Subjects/Keywords: representação; personagem; pobre; LITERATURA BRASILEIRA; character; brazilian contemporary cinema; the poor; representation; cinema brasileiro contemporâneo

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lins, P. D. (2009). O Pobre em Cena : representação no cinema brasileiro contemporâneo. (Thesis). Universidade de Brasília. Retrieved from http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=5484

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lins, Paula Diniz. “O Pobre em Cena : representação no cinema brasileiro contemporâneo.” 2009. Thesis, Universidade de Brasília. Accessed November 18, 2019. http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=5484.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lins, Paula Diniz. “O Pobre em Cena : representação no cinema brasileiro contemporâneo.” 2009. Web. 18 Nov 2019.

Vancouver:

Lins PD. O Pobre em Cena : representação no cinema brasileiro contemporâneo. [Internet] [Thesis]. Universidade de Brasília; 2009. [cited 2019 Nov 18]. Available from: http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=5484.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lins PD. O Pobre em Cena : representação no cinema brasileiro contemporâneo. [Thesis]. Universidade de Brasília; 2009. Available from: http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=5484

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Sauvage, Célia. "Déclarations d'indépendance" : perception, discours et définitions du cinéma indépendant américain contemporain : "Declarations of independance" : perception, discurses and definitions of contemporary american independant cinema.

Degree: Docteur es, Cinéma-audiovisuel, 2013, Université Sorbonne Nouvelle – Paris III

Depuis la fin des années 1990, un certain courant du cinéma américain indépendant s'est développé à travers l'instauration d'une nouvelle communauté culturelle (jeune, intellectuelle, 'branchée'),… (more)

Subjects/Keywords: Cinéma indépendant; Cinéma américain; Cinéma contemporain; Cultural studies; Réception; Independent cinema; American cinema; Contemporary cinema; Cultural studies; Media reception studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sauvage, C. (2013). "Déclarations d'indépendance" : perception, discours et définitions du cinéma indépendant américain contemporain : "Declarations of independance" : perception, discurses and definitions of contemporary american independant cinema. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2013PA030154

Chicago Manual of Style (16th Edition):

Sauvage, Célia. “"Déclarations d'indépendance" : perception, discours et définitions du cinéma indépendant américain contemporain : "Declarations of independance" : perception, discurses and definitions of contemporary american independant cinema.” 2013. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed November 18, 2019. http://www.theses.fr/2013PA030154.

MLA Handbook (7th Edition):

Sauvage, Célia. “"Déclarations d'indépendance" : perception, discours et définitions du cinéma indépendant américain contemporain : "Declarations of independance" : perception, discurses and definitions of contemporary american independant cinema.” 2013. Web. 18 Nov 2019.

Vancouver:

Sauvage C. "Déclarations d'indépendance" : perception, discours et définitions du cinéma indépendant américain contemporain : "Declarations of independance" : perception, discurses and definitions of contemporary american independant cinema. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2013. [cited 2019 Nov 18]. Available from: http://www.theses.fr/2013PA030154.

Council of Science Editors:

Sauvage C. "Déclarations d'indépendance" : perception, discours et définitions du cinéma indépendant américain contemporain : "Declarations of independance" : perception, discurses and definitions of contemporary american independant cinema. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2013. Available from: http://www.theses.fr/2013PA030154


Pontifícia Universidade Católica de São Paulo

16. Clayton Antonio Santos da Silva. A complexa trama da pixar: cinema e condição humana.

Degree: 2013, Pontifícia Universidade Católica de São Paulo

Esta tese de doutorado, intitulada A Complexa Trama da Pixar: Cinema e Condição Humana, procura fazer reflexões sobre os filmes produzidos pelo Pixar Animation Studios… (more)

Subjects/Keywords: CIENCIAS SOCIAIS APLICADAS; Pixar; Cinema; Animação; Complexidade; Pensamento complexo; Cinema eletrônico; Animation; Complexity; Complex thought; Contemporary; Electronic cinema; Social sciences

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Silva, C. A. S. d. (2013). A complexa trama da pixar: cinema e condição humana. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16460

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Silva, Clayton Antonio Santos da. “A complexa trama da pixar: cinema e condição humana.” 2013. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed November 18, 2019. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16460.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Silva, Clayton Antonio Santos da. “A complexa trama da pixar: cinema e condição humana.” 2013. Web. 18 Nov 2019.

Vancouver:

Silva CASd. A complexa trama da pixar: cinema e condição humana. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2013. [cited 2019 Nov 18]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16460.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Silva CASd. A complexa trama da pixar: cinema e condição humana. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2013. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=16460

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Wagner Jonasson da Costa Lima. Arthur Omar e o efeito cinema na arte contemporânea.

Degree: 2011, Universidade do Estado de Santa Catarina

A presente pesquisa tem por objetivo analisar a relação entre cinema e arte contemporânea abordando determinados momentos da produção artística e teórica de Arthur Omar.… (more)

Subjects/Keywords: Arthur Omar; Arte contemporânea; Omar, Abdel Muhdi Said Omar; Crítica e interpretação; Arte no cinema; Arte moderna Séc. XX Documentário (Cinema); Cinema; ARTES; Arthur Omar; Cinema; Contemporary art; Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lima, W. J. d. C. (2011). Arthur Omar e o efeito cinema na arte contemporânea. (Thesis). Universidade do Estado de Santa Catarina. Retrieved from http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=2645

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lima, Wagner Jonasson da Costa. “Arthur Omar e o efeito cinema na arte contemporânea.” 2011. Thesis, Universidade do Estado de Santa Catarina. Accessed November 18, 2019. http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=2645.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lima, Wagner Jonasson da Costa. “Arthur Omar e o efeito cinema na arte contemporânea.” 2011. Web. 18 Nov 2019.

Vancouver:

Lima WJdC. Arthur Omar e o efeito cinema na arte contemporânea. [Internet] [Thesis]. Universidade do Estado de Santa Catarina; 2011. [cited 2019 Nov 18]. Available from: http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=2645.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lima WJdC. Arthur Omar e o efeito cinema na arte contemporânea. [Thesis]. Universidade do Estado de Santa Catarina; 2011. Available from: http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=2645

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Pereira, Maria de Fátima Junqueira. Verdades inventadas - Pinturas de cenas.

Degree: Mestrado, Poéticas Visuais, 2009, University of São Paulo

Esta dissertação tem como objeto de estudo a minha produção de pintura entre os anos de 2006 e 2008 e as relações que esta estabelece… (more)

Subjects/Keywords: Arte contemporânea; Cinema; Contemporary art; Fotografia; Movies; Painting; Photography; Pictures; Pintura

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pereira, M. d. F. J. (2009). Verdades inventadas - Pinturas de cenas. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21092009-112410/ ;

Chicago Manual of Style (16th Edition):

Pereira, Maria de Fátima Junqueira. “Verdades inventadas - Pinturas de cenas.” 2009. Masters Thesis, University of São Paulo. Accessed November 18, 2019. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21092009-112410/ ;.

MLA Handbook (7th Edition):

Pereira, Maria de Fátima Junqueira. “Verdades inventadas - Pinturas de cenas.” 2009. Web. 18 Nov 2019.

Vancouver:

Pereira MdFJ. Verdades inventadas - Pinturas de cenas. [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2019 Nov 18]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21092009-112410/ ;.

Council of Science Editors:

Pereira MdFJ. Verdades inventadas - Pinturas de cenas. [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21092009-112410/ ;

19. Biswas, Arundhatie. Violence against women in contemporary popular hindi cinema; -.

Degree: Social Science, 2005, Jawaharlal Nehru University

None

Bibliography p. 347-366

Advisors/Committee Members: Singh, Renuka.

Subjects/Keywords: Cinema; Contemporary; Social; Violence; Women

Page 1

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APA (6th Edition):

Biswas, A. (2005). Violence against women in contemporary popular hindi cinema; -. (Thesis). Jawaharlal Nehru University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/21782

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Biswas, Arundhatie. “Violence against women in contemporary popular hindi cinema; -.” 2005. Thesis, Jawaharlal Nehru University. Accessed November 18, 2019. http://shodhganga.inflibnet.ac.in/handle/10603/21782.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Biswas, Arundhatie. “Violence against women in contemporary popular hindi cinema; -.” 2005. Web. 18 Nov 2019.

Vancouver:

Biswas A. Violence against women in contemporary popular hindi cinema; -. [Internet] [Thesis]. Jawaharlal Nehru University; 2005. [cited 2019 Nov 18]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/21782.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Biswas A. Violence against women in contemporary popular hindi cinema; -. [Thesis]. Jawaharlal Nehru University; 2005. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/21782

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Cornell University

20. Fay, Elisabeth. Precarious Landscapes: Space, Identity, And Community In Migrant Italy .

Degree: 2016, Cornell University

 In this dissertation, I map the ways that intersecting historical, literary, cinematic, and media narratives produce spaces commonly associated with Italy's minority populations. My analysis… (more)

Subjects/Keywords: contemporary Italy; migration and diaspora; minor literature and cinema

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APA (6th Edition):

Fay, E. (2016). Precarious Landscapes: Space, Identity, And Community In Migrant Italy . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/43595

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fay, Elisabeth. “Precarious Landscapes: Space, Identity, And Community In Migrant Italy .” 2016. Thesis, Cornell University. Accessed November 18, 2019. http://hdl.handle.net/1813/43595.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fay, Elisabeth. “Precarious Landscapes: Space, Identity, And Community In Migrant Italy .” 2016. Web. 18 Nov 2019.

Vancouver:

Fay E. Precarious Landscapes: Space, Identity, And Community In Migrant Italy . [Internet] [Thesis]. Cornell University; 2016. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/1813/43595.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fay E. Precarious Landscapes: Space, Identity, And Community In Migrant Italy . [Thesis]. Cornell University; 2016. Available from: http://hdl.handle.net/1813/43595

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

21. Yusoff, Norman. Contemporary Malaysian Cinema: Genre, Gender and Temporality .

Degree: 2013, University of Sydney

 This thesis provides close, contextualised readings of representations of gender and temporality in a number of contemporary, post-millennial genre films. The focus is on textual… (more)

Subjects/Keywords: contemporary Malaysian cinema; genre; representation of gender; temporality; modernity; postcolonial Malaysia

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APA (6th Edition):

Yusoff, N. (2013). Contemporary Malaysian Cinema: Genre, Gender and Temporality . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/9925

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yusoff, Norman. “Contemporary Malaysian Cinema: Genre, Gender and Temporality .” 2013. Thesis, University of Sydney. Accessed November 18, 2019. http://hdl.handle.net/2123/9925.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yusoff, Norman. “Contemporary Malaysian Cinema: Genre, Gender and Temporality .” 2013. Web. 18 Nov 2019.

Vancouver:

Yusoff N. Contemporary Malaysian Cinema: Genre, Gender and Temporality . [Internet] [Thesis]. University of Sydney; 2013. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/2123/9925.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yusoff N. Contemporary Malaysian Cinema: Genre, Gender and Temporality . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/9925

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

22. Robards, Andrew. Repetition, revision, appropriation and the Western .

Degree: 2014, University of Sydney

 The aim of this research paper is to demonstrate the innate dialogue that exists between the Western genre and Contemporary Art practice. Initially, the fundamental… (more)

Subjects/Keywords: Contemporary art; Meta-cinema; The western; Film; Film stills

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APA (6th Edition):

Robards, A. (2014). Repetition, revision, appropriation and the Western . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12843

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Robards, Andrew. “Repetition, revision, appropriation and the Western .” 2014. Thesis, University of Sydney. Accessed November 18, 2019. http://hdl.handle.net/2123/12843.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Robards, Andrew. “Repetition, revision, appropriation and the Western .” 2014. Web. 18 Nov 2019.

Vancouver:

Robards A. Repetition, revision, appropriation and the Western . [Internet] [Thesis]. University of Sydney; 2014. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/2123/12843.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robards A. Repetition, revision, appropriation and the Western . [Thesis]. University of Sydney; 2014. Available from: http://hdl.handle.net/2123/12843

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Debrecen

23. Molnár, Gergely. Representation of Death in Contemporary Hungarian Cinema .

Degree: DE – Bölcsészettudományi Kar, University of Debrecen

 This thesis aims to explore the many aspects and concepts of Death and how they are represented in Hungarian Cinema. It provides a brief overview… (more)

Subjects/Keywords: Death; Hungarian Cinema; Contemporary

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Molnár, G. (n.d.). Representation of Death in Contemporary Hungarian Cinema . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/252689

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Molnár, Gergely. “Representation of Death in Contemporary Hungarian Cinema .” Thesis, University of Debrecen. Accessed November 18, 2019. http://hdl.handle.net/2437/252689.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Molnár, Gergely. “Representation of Death in Contemporary Hungarian Cinema .” Web. 18 Nov 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Molnár G. Representation of Death in Contemporary Hungarian Cinema . [Internet] [Thesis]. University of Debrecen; [cited 2019 Nov 18]. Available from: http://hdl.handle.net/2437/252689.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Molnár G. Representation of Death in Contemporary Hungarian Cinema . [Thesis]. University of Debrecen; Available from: http://hdl.handle.net/2437/252689

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Cambridge

24. Talijan, Emilija. An Extreme Ear to the World: Noise in Contemporary European Cinema .

Degree: 2018, University of Cambridge

 This thesis examines a recent shift in attention to the auditory present in a strand of post-1999 contemporary European film and philosophy. It argues that… (more)

Subjects/Keywords: Film; Sound; Contemporary European Cinema; Jean-Luc Nancy; Listening

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APA (6th Edition):

Talijan, E. (2018). An Extreme Ear to the World: Noise in Contemporary European Cinema . (Thesis). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/285103

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Talijan, Emilija. “An Extreme Ear to the World: Noise in Contemporary European Cinema .” 2018. Thesis, University of Cambridge. Accessed November 18, 2019. https://www.repository.cam.ac.uk/handle/1810/285103.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Talijan, Emilija. “An Extreme Ear to the World: Noise in Contemporary European Cinema .” 2018. Web. 18 Nov 2019.

Vancouver:

Talijan E. An Extreme Ear to the World: Noise in Contemporary European Cinema . [Internet] [Thesis]. University of Cambridge; 2018. [cited 2019 Nov 18]. Available from: https://www.repository.cam.ac.uk/handle/1810/285103.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Talijan E. An Extreme Ear to the World: Noise in Contemporary European Cinema . [Thesis]. University of Cambridge; 2018. Available from: https://www.repository.cam.ac.uk/handle/1810/285103

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oxford

25. Burt, Sophie. Agency in contemporary German cinema : Tykwer, Akın and Petzold.

Degree: PhD, 2017, University of Oxford

 This thesis demonstrates that an interest in human agency is a significant trend in contemporary German cinema. It includes analyses of Tom Tykwer's Heaven (2002)… (more)

Subjects/Keywords: tykwer; Akin; Free will and determinism; contemporary german cinema; petzold

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APA (6th Edition):

Burt, S. (2017). Agency in contemporary German cinema : Tykwer, Akın and Petzold. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:02c53cfd-35fe-40fe-9052-58c844528457 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.770373

Chicago Manual of Style (16th Edition):

Burt, Sophie. “Agency in contemporary German cinema : Tykwer, Akın and Petzold.” 2017. Doctoral Dissertation, University of Oxford. Accessed November 18, 2019. http://ora.ox.ac.uk/objects/uuid:02c53cfd-35fe-40fe-9052-58c844528457 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.770373.

MLA Handbook (7th Edition):

Burt, Sophie. “Agency in contemporary German cinema : Tykwer, Akın and Petzold.” 2017. Web. 18 Nov 2019.

Vancouver:

Burt S. Agency in contemporary German cinema : Tykwer, Akın and Petzold. [Internet] [Doctoral dissertation]. University of Oxford; 2017. [cited 2019 Nov 18]. Available from: http://ora.ox.ac.uk/objects/uuid:02c53cfd-35fe-40fe-9052-58c844528457 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.770373.

Council of Science Editors:

Burt S. Agency in contemporary German cinema : Tykwer, Akın and Petzold. [Doctoral Dissertation]. University of Oxford; 2017. Available from: http://ora.ox.ac.uk/objects/uuid:02c53cfd-35fe-40fe-9052-58c844528457 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.770373


Universidade do Rio Grande do Sul

26. Quinsani, Rafael Hansen. A revolução em película : a relação cinema-história e a construção do paradigma historiográfico.

Degree: 2015, Universidade do Rio Grande do Sul

Esta Tese tem por objetivo problematizar sobre as implicações teóricas da relação Cinema-História, destacando como os filmes interpretam a História e quais as consequências desse… (more)

Subjects/Keywords: Cinema-history; Cinema; Mexican revolution; História; História contemporânea; Film history and methody; História da América Latina; Contemporary history; Theory of history

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Quinsani, R. H. (2015). A revolução em película : a relação cinema-história e a construção do paradigma historiográfico. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/139408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Quinsani, Rafael Hansen. “A revolução em película : a relação cinema-história e a construção do paradigma historiográfico.” 2015. Thesis, Universidade do Rio Grande do Sul. Accessed November 18, 2019. http://hdl.handle.net/10183/139408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Quinsani, Rafael Hansen. “A revolução em película : a relação cinema-história e a construção do paradigma historiográfico.” 2015. Web. 18 Nov 2019.

Vancouver:

Quinsani RH. A revolução em película : a relação cinema-história e a construção do paradigma historiográfico. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2015. [cited 2019 Nov 18]. Available from: http://hdl.handle.net/10183/139408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Quinsani RH. A revolução em película : a relação cinema-história e a construção do paradigma historiográfico. [Thesis]. Universidade do Rio Grande do Sul; 2015. Available from: http://hdl.handle.net/10183/139408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Almeida, Fernanda Albuquerque de. Machinima: entre a narrativa e a experimentação.

Degree: Mestrado, Estética e História da Arte, 2014, University of São Paulo

Desde os primeiros filmes realizados em jogos digitais nos anos 1990, a noção de machinima vem sendo associada às convenções do cinema clássico. Com isso,… (more)

Subjects/Keywords: Arte contemporânea; Arte digital; Cinema experimental; Computer games; Contemporary art; Digital art; Experimental cinema; Hackers; Hackers; Jogos de computador; Machinima; Machinima

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Almeida, F. A. d. (2014). Machinima: entre a narrativa e a experimentação. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/93/93131/tde-24042015-164451/ ;

Chicago Manual of Style (16th Edition):

Almeida, Fernanda Albuquerque de. “Machinima: entre a narrativa e a experimentação.” 2014. Masters Thesis, University of São Paulo. Accessed November 18, 2019. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-24042015-164451/ ;.

MLA Handbook (7th Edition):

Almeida, Fernanda Albuquerque de. “Machinima: entre a narrativa e a experimentação.” 2014. Web. 18 Nov 2019.

Vancouver:

Almeida FAd. Machinima: entre a narrativa e a experimentação. [Internet] [Masters thesis]. University of São Paulo; 2014. [cited 2019 Nov 18]. Available from: http://www.teses.usp.br/teses/disponiveis/93/93131/tde-24042015-164451/ ;.

Council of Science Editors:

Almeida FAd. Machinima: entre a narrativa e a experimentação. [Masters Thesis]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/93/93131/tde-24042015-164451/ ;

28. Garbelotti, Raquel de Oliveira Pedro. (In)audíveis: audiência e reflexividade para uma estética-política.

Degree: PhD, Poéticas Visuais, 2011, University of São Paulo

(In)audíveis é um uma plataforma teórico-prático, que pensa mecanismos de reflexividade e de produção de uma audiência crítica, nos projetos de arte contemporânea com que… (more)

Subjects/Keywords: Arte Contemporânea; Audience; Audiência; Cinema de exposição; Contemporary Art; Exhibition-Cinema; Reflexividade; Reflexivity; Vídeo-Instalação; Vídeo-Instalation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garbelotti, R. d. O. P. (2011). (In)audíveis: audiência e reflexividade para uma estética-política. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27159/tde-13032013-113054/ ;

Chicago Manual of Style (16th Edition):

Garbelotti, Raquel de Oliveira Pedro. “(In)audíveis: audiência e reflexividade para uma estética-política.” 2011. Doctoral Dissertation, University of São Paulo. Accessed November 18, 2019. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-13032013-113054/ ;.

MLA Handbook (7th Edition):

Garbelotti, Raquel de Oliveira Pedro. “(In)audíveis: audiência e reflexividade para uma estética-política.” 2011. Web. 18 Nov 2019.

Vancouver:

Garbelotti RdOP. (In)audíveis: audiência e reflexividade para uma estética-política. [Internet] [Doctoral dissertation]. University of São Paulo; 2011. [cited 2019 Nov 18]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-13032013-113054/ ;.

Council of Science Editors:

Garbelotti RdOP. (In)audíveis: audiência e reflexividade para uma estética-política. [Doctoral Dissertation]. University of São Paulo; 2011. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-13032013-113054/ ;

29. Coração, Claudio Rodrigues. Comunicação do (e em) conflito: legitimação do real e estética da brutalidade no cinema de González Iñárritu.

Degree: PhD, Meios e Processos Audiovisuais, 2013, University of São Paulo

Pretende-se, com este trabalho, verificar e identificar aspectos relacionados à estética da brutalidade e o seu vínculo com a legitimação do real, a partir da… (more)

Subjects/Keywords: aesthetics; Alejandro González Iñárritu; Alejandro González Iñárritu; cinema contemporâneo; communication; comunicação; contemporary cinema; estética; real; real

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Coração, C. R. (2013). Comunicação do (e em) conflito: legitimação do real e estética da brutalidade no cinema de González Iñárritu. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27161/tde-06052014-120457/ ;

Chicago Manual of Style (16th Edition):

Coração, Claudio Rodrigues. “Comunicação do (e em) conflito: legitimação do real e estética da brutalidade no cinema de González Iñárritu.” 2013. Doctoral Dissertation, University of São Paulo. Accessed November 18, 2019. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-06052014-120457/ ;.

MLA Handbook (7th Edition):

Coração, Claudio Rodrigues. “Comunicação do (e em) conflito: legitimação do real e estética da brutalidade no cinema de González Iñárritu.” 2013. Web. 18 Nov 2019.

Vancouver:

Coração CR. Comunicação do (e em) conflito: legitimação do real e estética da brutalidade no cinema de González Iñárritu. [Internet] [Doctoral dissertation]. University of São Paulo; 2013. [cited 2019 Nov 18]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27161/tde-06052014-120457/ ;.

Council of Science Editors:

Coração CR. Comunicação do (e em) conflito: legitimação do real e estética da brutalidade no cinema de González Iñárritu. [Doctoral Dissertation]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/27/27161/tde-06052014-120457/ ;

30. Bosc, Cécile. Au prisme du cinéma. Impressions cinématographiques chez le spectateur de théâtre du XXIème siècle : Theatre Through the Prism of Film. Cinematographic Impressions of the Spectator in the 21st Century.

Degree: Docteur es, Études théâtrales, 2017, Sorbonne Paris Cité

Certains spectacles, alors même qu’ils n’utilisent aucun matériel ni aucune technique cinématographiques (écran, caméra, images filmées), donnent au spectateur une impression de cinéma. Ils réveillent… (more)

Subjects/Keywords: Théâtre contemporain; Cinéma; Spectateur; Impression; Expérience; Cinéphilie; Contemporary theatre; Cinema; Spectator; Impression; Experience; Love of cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bosc, C. (2017). Au prisme du cinéma. Impressions cinématographiques chez le spectateur de théâtre du XXIème siècle : Theatre Through the Prism of Film. Cinematographic Impressions of the Spectator in the 21st Century. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2017USPCA014

Chicago Manual of Style (16th Edition):

Bosc, Cécile. “Au prisme du cinéma. Impressions cinématographiques chez le spectateur de théâtre du XXIème siècle : Theatre Through the Prism of Film. Cinematographic Impressions of the Spectator in the 21st Century.” 2017. Doctoral Dissertation, Sorbonne Paris Cité. Accessed November 18, 2019. http://www.theses.fr/2017USPCA014.

MLA Handbook (7th Edition):

Bosc, Cécile. “Au prisme du cinéma. Impressions cinématographiques chez le spectateur de théâtre du XXIème siècle : Theatre Through the Prism of Film. Cinematographic Impressions of the Spectator in the 21st Century.” 2017. Web. 18 Nov 2019.

Vancouver:

Bosc C. Au prisme du cinéma. Impressions cinématographiques chez le spectateur de théâtre du XXIème siècle : Theatre Through the Prism of Film. Cinematographic Impressions of the Spectator in the 21st Century. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2017. [cited 2019 Nov 18]. Available from: http://www.theses.fr/2017USPCA014.

Council of Science Editors:

Bosc C. Au prisme du cinéma. Impressions cinématographiques chez le spectateur de théâtre du XXIème siècle : Theatre Through the Prism of Film. Cinematographic Impressions of the Spectator in the 21st Century. [Doctoral Dissertation]. Sorbonne Paris Cité; 2017. Available from: http://www.theses.fr/2017USPCA014

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