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University of Southern California
1. Kennedy, Sean. Accumulation.
Degree: MFA, Fine Arts, 2012, University of Southern California
URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480
Subjects/Keywords: contemporary art
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Kennedy, S. (2012). Accumulation. (Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Kennedy, Sean. “Accumulation.” 2012. Thesis, University of Southern California. Accessed February 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Kennedy, Sean. “Accumulation.” 2012. Web. 27 Feb 2021.
Vancouver:
Kennedy S. Accumulation. [Internet] [Thesis]. University of Southern California; 2012. [cited 2021 Feb 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Kennedy S. Accumulation. [Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Sydney
2. Bohorquez Florez, Gloria Eugenia. WE .
Degree: 2014, University of Sydney
URL: http://hdl.handle.net/2123/12847
Subjects/Keywords: Contemporary art
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APA (6th Edition):
Bohorquez Florez, G. E. (2014). WE . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12847
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Bohorquez Florez, Gloria Eugenia. “WE .” 2014. Thesis, University of Sydney. Accessed February 27, 2021. http://hdl.handle.net/2123/12847.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Bohorquez Florez, Gloria Eugenia. “WE .” 2014. Web. 27 Feb 2021.
Vancouver:
Bohorquez Florez GE. WE . [Internet] [Thesis]. University of Sydney; 2014. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2123/12847.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Bohorquez Florez GE. WE . [Thesis]. University of Sydney; 2014. Available from: http://hdl.handle.net/2123/12847
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Edinburgh
3. Hood, Jennifer L. The Ethics of Transgenic Art.
Degree: 2011, University of Edinburgh
URL: http://hdl.handle.net/1842/5196
Subjects/Keywords: biotechnology; Contemporary art
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APA (6th Edition):
Hood, J. L. (2011). The Ethics of Transgenic Art. (Thesis). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/5196
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Hood, Jennifer L. “The Ethics of Transgenic Art.” 2011. Thesis, University of Edinburgh. Accessed February 27, 2021. http://hdl.handle.net/1842/5196.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Hood, Jennifer L. “The Ethics of Transgenic Art.” 2011. Web. 27 Feb 2021.
Vancouver:
Hood JL. The Ethics of Transgenic Art. [Internet] [Thesis]. University of Edinburgh; 2011. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/1842/5196.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Hood JL. The Ethics of Transgenic Art. [Thesis]. University of Edinburgh; 2011. Available from: http://hdl.handle.net/1842/5196
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Ottawa
4. Howard, Lauren. The Aesthetics of Healing Representations of Sexual Trauma in Gita Hashemi’s Grounding: States of Gender.
Degree: MA, Sciences sociales / Social Sciences, 2020, University of Ottawa
URL: http://dx.doi.org/10.20381/ruor-25657
Subjects/Keywords: contemporary art; aesthetics
Record Details
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APA (6th Edition):
Howard, L. (2020). The Aesthetics of Healing Representations of Sexual Trauma in Gita Hashemi’s Grounding: States of Gender. (Masters Thesis). University of Ottawa. Retrieved from http://dx.doi.org/10.20381/ruor-25657
Chicago Manual of Style (16th Edition):
Howard, Lauren. “The Aesthetics of Healing Representations of Sexual Trauma in Gita Hashemi’s Grounding: States of Gender.” 2020. Masters Thesis, University of Ottawa. Accessed February 27, 2021. http://dx.doi.org/10.20381/ruor-25657.
MLA Handbook (7th Edition):
Howard, Lauren. “The Aesthetics of Healing Representations of Sexual Trauma in Gita Hashemi’s Grounding: States of Gender.” 2020. Web. 27 Feb 2021.
Vancouver:
Howard L. The Aesthetics of Healing Representations of Sexual Trauma in Gita Hashemi’s Grounding: States of Gender. [Internet] [Masters thesis]. University of Ottawa; 2020. [cited 2021 Feb 27]. Available from: http://dx.doi.org/10.20381/ruor-25657.
Council of Science Editors:
Howard L. The Aesthetics of Healing Representations of Sexual Trauma in Gita Hashemi’s Grounding: States of Gender. [Masters Thesis]. University of Ottawa; 2020. Available from: http://dx.doi.org/10.20381/ruor-25657
University of New South Wales
5.
Araujo, Jorge.
The banal and the provisional : self-cancelling strategies in painting.
Degree: Art, 2012, University of New South Wales
URL: http://handle.unsw.edu.au/1959.4/51824
;
https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true
Subjects/Keywords: Contemporary; Painting; Art
Record Details
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APA (6th Edition):
Araujo, J. (2012). The banal and the provisional : self-cancelling strategies in painting. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true
Chicago Manual of Style (16th Edition):
Araujo, Jorge. “The banal and the provisional : self-cancelling strategies in painting.” 2012. Masters Thesis, University of New South Wales. Accessed February 27, 2021. http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true.
MLA Handbook (7th Edition):
Araujo, Jorge. “The banal and the provisional : self-cancelling strategies in painting.” 2012. Web. 27 Feb 2021.
Vancouver:
Araujo J. The banal and the provisional : self-cancelling strategies in painting. [Internet] [Masters thesis]. University of New South Wales; 2012. [cited 2021 Feb 27]. Available from: http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true.
Council of Science Editors:
Araujo J. The banal and the provisional : self-cancelling strategies in painting. [Masters Thesis]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true
University of Minnesota
6. Heer, Melissa. The Breath Within the Breath: Contemporary Performance Art Practices in India.
Degree: PhD, Art History, 2015, University of Minnesota
URL: http://hdl.handle.net/11299/174854
Subjects/Keywords: Contemporary Art; India; Performance Art
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Heer, M. (2015). The Breath Within the Breath: Contemporary Performance Art Practices in India. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/174854
Chicago Manual of Style (16th Edition):
Heer, Melissa. “The Breath Within the Breath: Contemporary Performance Art Practices in India.” 2015. Doctoral Dissertation, University of Minnesota. Accessed February 27, 2021. http://hdl.handle.net/11299/174854.
MLA Handbook (7th Edition):
Heer, Melissa. “The Breath Within the Breath: Contemporary Performance Art Practices in India.” 2015. Web. 27 Feb 2021.
Vancouver:
Heer M. The Breath Within the Breath: Contemporary Performance Art Practices in India. [Internet] [Doctoral dissertation]. University of Minnesota; 2015. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/11299/174854.
Council of Science Editors:
Heer M. The Breath Within the Breath: Contemporary Performance Art Practices in India. [Doctoral Dissertation]. University of Minnesota; 2015. Available from: http://hdl.handle.net/11299/174854
University of Southern California
7. McCarthy, Kiley Anna. Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano.
Degree: MA, Public Art Studies, 2013, University of Southern California
URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5606
Subjects/Keywords: performance art; contemporary art
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
McCarthy, K. A. (2013). Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5606
Chicago Manual of Style (16th Edition):
McCarthy, Kiley Anna. “Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano.” 2013. Masters Thesis, University of Southern California. Accessed February 27, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5606.
MLA Handbook (7th Edition):
McCarthy, Kiley Anna. “Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano.” 2013. Web. 27 Feb 2021.
Vancouver:
McCarthy KA. Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano. [Internet] [Masters thesis]. University of Southern California; 2013. [cited 2021 Feb 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5606.
Council of Science Editors:
McCarthy KA. Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano. [Masters Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5606
University of Sydney
8. Hassanein, Saffaa. We will play: protest, performance, and physical activism .
Degree: 2014, University of Sydney
URL: http://hdl.handle.net/2123/12652
Subjects/Keywords: Contemporary art; Visual art
Record Details
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APA (6th Edition):
Hassanein, S. (2014). We will play: protest, performance, and physical activism . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12652
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Hassanein, Saffaa. “We will play: protest, performance, and physical activism .” 2014. Thesis, University of Sydney. Accessed February 27, 2021. http://hdl.handle.net/2123/12652.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Hassanein, Saffaa. “We will play: protest, performance, and physical activism .” 2014. Web. 27 Feb 2021.
Vancouver:
Hassanein S. We will play: protest, performance, and physical activism . [Internet] [Thesis]. University of Sydney; 2014. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2123/12652.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Hassanein S. We will play: protest, performance, and physical activism . [Thesis]. University of Sydney; 2014. Available from: http://hdl.handle.net/2123/12652
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Melbourne
9. Archer, Anita Sarah. Global positioning: international auctions and the development of the Western market for Chinese Contemporary art, 1998-2012.
Degree: 2018, University of Melbourne
URL: http://hdl.handle.net/11343/224165
Subjects/Keywords: art; auction; art history; Chinese contemporary art; art market; contemporary art
Record Details
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APA (6th Edition):
Archer, A. S. (2018). Global positioning: international auctions and the development of the Western market for Chinese Contemporary art, 1998-2012. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/224165
Chicago Manual of Style (16th Edition):
Archer, Anita Sarah. “Global positioning: international auctions and the development of the Western market for Chinese Contemporary art, 1998-2012.” 2018. Doctoral Dissertation, University of Melbourne. Accessed February 27, 2021. http://hdl.handle.net/11343/224165.
MLA Handbook (7th Edition):
Archer, Anita Sarah. “Global positioning: international auctions and the development of the Western market for Chinese Contemporary art, 1998-2012.” 2018. Web. 27 Feb 2021.
Vancouver:
Archer AS. Global positioning: international auctions and the development of the Western market for Chinese Contemporary art, 1998-2012. [Internet] [Doctoral dissertation]. University of Melbourne; 2018. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/11343/224165.
Council of Science Editors:
Archer AS. Global positioning: international auctions and the development of the Western market for Chinese Contemporary art, 1998-2012. [Doctoral Dissertation]. University of Melbourne; 2018. Available from: http://hdl.handle.net/11343/224165
University of Manitoba
10. Buzzi, Gayle. Accidental landscapes.
Degree: School of Art, 2019, University of Manitoba
URL: http://hdl.handle.net/1993/34274
Subjects/Keywords: Glass art; Sculpture; Fine art; Contemporary art
Record Details
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APA (6th Edition):
Buzzi, G. (2019). Accidental landscapes. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/34274
Chicago Manual of Style (16th Edition):
Buzzi, Gayle. “Accidental landscapes.” 2019. Masters Thesis, University of Manitoba. Accessed February 27, 2021. http://hdl.handle.net/1993/34274.
MLA Handbook (7th Edition):
Buzzi, Gayle. “Accidental landscapes.” 2019. Web. 27 Feb 2021.
Vancouver:
Buzzi G. Accidental landscapes. [Internet] [Masters thesis]. University of Manitoba; 2019. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/1993/34274.
Council of Science Editors:
Buzzi G. Accidental landscapes. [Masters Thesis]. University of Manitoba; 2019. Available from: http://hdl.handle.net/1993/34274
University of Melbourne
11. Crawford, Ashley Robert. End of days: religious imaging in millennialist America.
Degree: 2016, University of Melbourne
URL: http://hdl.handle.net/11343/118385
Subjects/Keywords: contemporary religion; contemporary art; apocalypse; America
Record Details
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APA (6th Edition):
Crawford, A. R. (2016). End of days: religious imaging in millennialist America. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/118385
Chicago Manual of Style (16th Edition):
Crawford, Ashley Robert. “End of days: religious imaging in millennialist America.” 2016. Doctoral Dissertation, University of Melbourne. Accessed February 27, 2021. http://hdl.handle.net/11343/118385.
MLA Handbook (7th Edition):
Crawford, Ashley Robert. “End of days: religious imaging in millennialist America.” 2016. Web. 27 Feb 2021.
Vancouver:
Crawford AR. End of days: religious imaging in millennialist America. [Internet] [Doctoral dissertation]. University of Melbourne; 2016. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/11343/118385.
Council of Science Editors:
Crawford AR. End of days: religious imaging in millennialist America. [Doctoral Dissertation]. University of Melbourne; 2016. Available from: http://hdl.handle.net/11343/118385
University of Louisville
12. Sevilla, Madison DeAnna. Transversal approaches and ecological artwork.
Degree: MA, 2017, University of Louisville
URL: 10.18297/etd/2722
;
https://ir.library.louisville.edu/etd/2722
Subjects/Keywords: contemporary art; ecology; sculpture; earth art; Contemporary Art
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Sevilla, M. D. (2017). Transversal approaches and ecological artwork. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722
Chicago Manual of Style (16th Edition):
Sevilla, Madison DeAnna. “Transversal approaches and ecological artwork.” 2017. Masters Thesis, University of Louisville. Accessed February 27, 2021. 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722.
MLA Handbook (7th Edition):
Sevilla, Madison DeAnna. “Transversal approaches and ecological artwork.” 2017. Web. 27 Feb 2021.
Vancouver:
Sevilla MD. Transversal approaches and ecological artwork. [Internet] [Masters thesis]. University of Louisville; 2017. [cited 2021 Feb 27]. Available from: 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722.
Council of Science Editors:
Sevilla MD. Transversal approaches and ecological artwork. [Masters Thesis]. University of Louisville; 2017. Available from: 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722
University of Wollongong
13. Sprague, Quentin. Making in translation: the intercultural broker in indigenous Australian art.
Degree: PhD, 2016, University of Wollongong
URL: 190102
Art
History,
190104
Visual
Cultures
;
https://ro.uow.edu.au/theses/4807
Subjects/Keywords: contemporary art; Aboriginal art; indigenous contemporary art; intercutural brokerage
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Sprague, Q. (2016). Making in translation: the intercultural broker in indigenous Australian art. (Doctoral Dissertation). University of Wollongong. Retrieved from 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807
Chicago Manual of Style (16th Edition):
Sprague, Quentin. “Making in translation: the intercultural broker in indigenous Australian art.” 2016. Doctoral Dissertation, University of Wollongong. Accessed February 27, 2021. 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807.
MLA Handbook (7th Edition):
Sprague, Quentin. “Making in translation: the intercultural broker in indigenous Australian art.” 2016. Web. 27 Feb 2021.
Vancouver:
Sprague Q. Making in translation: the intercultural broker in indigenous Australian art. [Internet] [Doctoral dissertation]. University of Wollongong; 2016. [cited 2021 Feb 27]. Available from: 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807.
Council of Science Editors:
Sprague Q. Making in translation: the intercultural broker in indigenous Australian art. [Doctoral Dissertation]. University of Wollongong; 2016. Available from: 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807
University of Alberta
14. Talbot, Jacques P. Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century.
Degree: MA, Department of Art and Design, 2016, University of Alberta
URL: https://era.library.ualberta.ca/files/cpr76f347q
Subjects/Keywords: framework; site; contemporary art; installation
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Talbot, J. P. (2016). Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/cpr76f347q
Chicago Manual of Style (16th Edition):
Talbot, Jacques P. “Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century.” 2016. Masters Thesis, University of Alberta. Accessed February 27, 2021. https://era.library.ualberta.ca/files/cpr76f347q.
MLA Handbook (7th Edition):
Talbot, Jacques P. “Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century.” 2016. Web. 27 Feb 2021.
Vancouver:
Talbot JP. Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century. [Internet] [Masters thesis]. University of Alberta; 2016. [cited 2021 Feb 27]. Available from: https://era.library.ualberta.ca/files/cpr76f347q.
Council of Science Editors:
Talbot JP. Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century. [Masters Thesis]. University of Alberta; 2016. Available from: https://era.library.ualberta.ca/files/cpr76f347q
University of Newcastle
15. Collis, Andrew. The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?.
Degree: PhD, 2015, University of Newcastle
URL: http://hdl.handle.net/1959.13/1061111
Subjects/Keywords: portrait; painting; contemporary; art; galleries
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Collis, A. (2015). The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1061111
Chicago Manual of Style (16th Edition):
Collis, Andrew. “The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?.” 2015. Doctoral Dissertation, University of Newcastle. Accessed February 27, 2021. http://hdl.handle.net/1959.13/1061111.
MLA Handbook (7th Edition):
Collis, Andrew. “The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?.” 2015. Web. 27 Feb 2021.
Vancouver:
Collis A. The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?. [Internet] [Doctoral dissertation]. University of Newcastle; 2015. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/1959.13/1061111.
Council of Science Editors:
Collis A. The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?. [Doctoral Dissertation]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1061111
16. Eliev, Elia. Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks .
Degree: 2018, University of Ottawa
URL: http://hdl.handle.net/10393/38035
Subjects/Keywords: Contemporary art; Queer; Lebanon; Masculinities
Record Details
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APA (6th Edition):
Eliev, E. (2018). Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/38035
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Eliev, Elia. “Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks .” 2018. Thesis, University of Ottawa. Accessed February 27, 2021. http://hdl.handle.net/10393/38035.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Eliev, Elia. “Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks .” 2018. Web. 27 Feb 2021.
Vancouver:
Eliev E. Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks . [Internet] [Thesis]. University of Ottawa; 2018. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10393/38035.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Eliev E. Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks . [Thesis]. University of Ottawa; 2018. Available from: http://hdl.handle.net/10393/38035
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Wollongong
17. Hewitt, Peter James. Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings.
Degree: Master of Creative Art - Research, 2016, University of Wollongong
URL: 1901
ART
THEORY
AND
CRITICISM,
1905
VISUAL
ARTS
AND
CRAFTS
;
https://ro.uow.edu.au/theses/4685
Subjects/Keywords: Contemporary urban-based Aboriginal art
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Hewitt, P. J. (2016). Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings. (Masters Thesis). University of Wollongong. Retrieved from 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685
Chicago Manual of Style (16th Edition):
Hewitt, Peter James. “Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings.” 2016. Masters Thesis, University of Wollongong. Accessed February 27, 2021. 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685.
MLA Handbook (7th Edition):
Hewitt, Peter James. “Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings.” 2016. Web. 27 Feb 2021.
Vancouver:
Hewitt PJ. Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings. [Internet] [Masters thesis]. University of Wollongong; 2016. [cited 2021 Feb 27]. Available from: 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685.
Council of Science Editors:
Hewitt PJ. Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings. [Masters Thesis]. University of Wollongong; 2016. Available from: 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685
Universidade Nova
18. Marçal, Hélia Pereira. Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms.
Degree: 2012, Universidade Nova
URL: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467
Subjects/Keywords: Subjectivity; Contemporary art; Conservation; Ethnography
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APA (6th Edition):
Marçal, H. P. (2012). Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Marçal, Hélia Pereira. “Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms.” 2012. Thesis, Universidade Nova. Accessed February 27, 2021. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Marçal, Hélia Pereira. “Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms.” 2012. Web. 27 Feb 2021.
Vancouver:
Marçal HP. Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms. [Internet] [Thesis]. Universidade Nova; 2012. [cited 2021 Feb 27]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Marçal HP. Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms. [Thesis]. Universidade Nova; 2012. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
19. Endresen, Tomas Kominis. SIX MINUTES OF FRESHNESS.
Degree: 2016, , Royal Institute of Art
URL: http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-112
Subjects/Keywords: contemporary art; Installation; Cleanliness; Protection
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Endresen, T. K. (2016). SIX MINUTES OF FRESHNESS. (Thesis). , Royal Institute of Art. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-112
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Endresen, Tomas Kominis. “SIX MINUTES OF FRESHNESS.” 2016. Thesis, , Royal Institute of Art. Accessed February 27, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-112.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Endresen, Tomas Kominis. “SIX MINUTES OF FRESHNESS.” 2016. Web. 27 Feb 2021.
Vancouver:
Endresen TK. SIX MINUTES OF FRESHNESS. [Internet] [Thesis]. , Royal Institute of Art; 2016. [cited 2021 Feb 27]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-112.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Endresen TK. SIX MINUTES OF FRESHNESS. [Thesis]. , Royal Institute of Art; 2016. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-112
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Southern Cross University
20. Delaney, Cornelius. A farewell to meat : rendering ambivalence & transgression.
Degree: 2008, Southern Cross University
URL: https://epubs.scu.edu.au/theses/11
Subjects/Keywords: Contemporary Art
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Delaney, C. (2008). A farewell to meat : rendering ambivalence & transgression. (Thesis). Southern Cross University. Retrieved from https://epubs.scu.edu.au/theses/11
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Delaney, Cornelius. “A farewell to meat : rendering ambivalence & transgression.” 2008. Thesis, Southern Cross University. Accessed February 27, 2021. https://epubs.scu.edu.au/theses/11.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Delaney, Cornelius. “A farewell to meat : rendering ambivalence & transgression.” 2008. Web. 27 Feb 2021.
Vancouver:
Delaney C. A farewell to meat : rendering ambivalence & transgression. [Internet] [Thesis]. Southern Cross University; 2008. [cited 2021 Feb 27]. Available from: https://epubs.scu.edu.au/theses/11.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Delaney C. A farewell to meat : rendering ambivalence & transgression. [Thesis]. Southern Cross University; 2008. Available from: https://epubs.scu.edu.au/theses/11
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
California State University – Chico
21. Sharkey, Willow. Love meetings: impersonality and intimacy in the art of Sharon Hayes .
Degree: 2013, California State University – Chico
URL: http://hdl.handle.net/10211.4/516
Subjects/Keywords: Sharon Hayes; Contemporary art
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Sharkey, W. (2013). Love meetings: impersonality and intimacy in the art of Sharon Hayes . (Thesis). California State University – Chico. Retrieved from http://hdl.handle.net/10211.4/516
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Sharkey, Willow. “Love meetings: impersonality and intimacy in the art of Sharon Hayes .” 2013. Thesis, California State University – Chico. Accessed February 27, 2021. http://hdl.handle.net/10211.4/516.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Sharkey, Willow. “Love meetings: impersonality and intimacy in the art of Sharon Hayes .” 2013. Web. 27 Feb 2021.
Vancouver:
Sharkey W. Love meetings: impersonality and intimacy in the art of Sharon Hayes . [Internet] [Thesis]. California State University – Chico; 2013. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10211.4/516.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Sharkey W. Love meetings: impersonality and intimacy in the art of Sharon Hayes . [Thesis]. California State University – Chico; 2013. Available from: http://hdl.handle.net/10211.4/516
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Eastern Illinois University
22. Bartlett, Brian. David Hockney.
Degree: MA, 1977, Eastern Illinois University
URL: https://thekeep.eiu.edu/theses/3305
Subjects/Keywords: Contemporary Art
Record Details
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APA (6th Edition):
Bartlett, B. (1977). David Hockney. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/3305
Chicago Manual of Style (16th Edition):
Bartlett, Brian. “David Hockney.” 1977. Masters Thesis, Eastern Illinois University. Accessed February 27, 2021. https://thekeep.eiu.edu/theses/3305.
MLA Handbook (7th Edition):
Bartlett, Brian. “David Hockney.” 1977. Web. 27 Feb 2021.
Vancouver:
Bartlett B. David Hockney. [Internet] [Masters thesis]. Eastern Illinois University; 1977. [cited 2021 Feb 27]. Available from: https://thekeep.eiu.edu/theses/3305.
Council of Science Editors:
Bartlett B. David Hockney. [Masters Thesis]. Eastern Illinois University; 1977. Available from: https://thekeep.eiu.edu/theses/3305
California State University – Sacramento
23. Blackmon, Tavarus. The politics of the cartoon and contemporary art.
Degree: MA, Art Studio, 2015, California State University – Sacramento
URL: http://hdl.handle.net/10211.3/139447
Subjects/Keywords: Contemporary art; Painting; Cartoons
Record Details
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APA (6th Edition):
Blackmon, T. (2015). The politics of the cartoon and contemporary art. (Masters Thesis). California State University – Sacramento. Retrieved from http://hdl.handle.net/10211.3/139447
Chicago Manual of Style (16th Edition):
Blackmon, Tavarus. “The politics of the cartoon and contemporary art.” 2015. Masters Thesis, California State University – Sacramento. Accessed February 27, 2021. http://hdl.handle.net/10211.3/139447.
MLA Handbook (7th Edition):
Blackmon, Tavarus. “The politics of the cartoon and contemporary art.” 2015. Web. 27 Feb 2021.
Vancouver:
Blackmon T. The politics of the cartoon and contemporary art. [Internet] [Masters thesis]. California State University – Sacramento; 2015. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/10211.3/139447.
Council of Science Editors:
Blackmon T. The politics of the cartoon and contemporary art. [Masters Thesis]. California State University – Sacramento; 2015. Available from: http://hdl.handle.net/10211.3/139447
University of Sydney
24. Arnold, Kristi. Unearthing the grotesque: the transformation of the underground to cultural mainstream .
Degree: 2013, University of Sydney
URL: http://hdl.handle.net/2123/12775
Subjects/Keywords: Contemporary art; Painting; Grotesque; Aesthetics
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Arnold, K. (2013). Unearthing the grotesque: the transformation of the underground to cultural mainstream . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12775
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Arnold, Kristi. “Unearthing the grotesque: the transformation of the underground to cultural mainstream .” 2013. Thesis, University of Sydney. Accessed February 27, 2021. http://hdl.handle.net/2123/12775.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Arnold, Kristi. “Unearthing the grotesque: the transformation of the underground to cultural mainstream .” 2013. Web. 27 Feb 2021.
Vancouver:
Arnold K. Unearthing the grotesque: the transformation of the underground to cultural mainstream . [Internet] [Thesis]. University of Sydney; 2013. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2123/12775.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Arnold K. Unearthing the grotesque: the transformation of the underground to cultural mainstream . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/12775
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Sydney
25. Dennington, Charles. Altered matter. Like icons, stored .
Degree: 2013, University of Sydney
URL: http://hdl.handle.net/2123/12763
Subjects/Keywords: Contemporary art; Sculpture; Symbolism
Record Details
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APA (6th Edition):
Dennington, C. (2013). Altered matter. Like icons, stored . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12763
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Dennington, Charles. “Altered matter. Like icons, stored .” 2013. Thesis, University of Sydney. Accessed February 27, 2021. http://hdl.handle.net/2123/12763.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Dennington, Charles. “Altered matter. Like icons, stored .” 2013. Web. 27 Feb 2021.
Vancouver:
Dennington C. Altered matter. Like icons, stored . [Internet] [Thesis]. University of Sydney; 2013. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2123/12763.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Dennington C. Altered matter. Like icons, stored . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/12763
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Sydney
26. Warner, Lachlan Phillip. Art Practice as Buddhist Practice: A Soteriology through Suffering .
Degree: 2018, University of Sydney
URL: http://hdl.handle.net/2123/17924
Subjects/Keywords: art; Buddhism; suffering; dukkha; contemporary
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Warner, L. P. (2018). Art Practice as Buddhist Practice: A Soteriology through Suffering . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17924
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Warner, Lachlan Phillip. “Art Practice as Buddhist Practice: A Soteriology through Suffering .” 2018. Thesis, University of Sydney. Accessed February 27, 2021. http://hdl.handle.net/2123/17924.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Warner, Lachlan Phillip. “Art Practice as Buddhist Practice: A Soteriology through Suffering .” 2018. Web. 27 Feb 2021.
Vancouver:
Warner LP. Art Practice as Buddhist Practice: A Soteriology through Suffering . [Internet] [Thesis]. University of Sydney; 2018. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2123/17924.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Warner LP. Art Practice as Buddhist Practice: A Soteriology through Suffering . [Thesis]. University of Sydney; 2018. Available from: http://hdl.handle.net/2123/17924
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Sydney
27. Scardifield, Katherine. Into theatre, under the knife: cultures of dissection and contemporary art practice .
Degree: 2013, University of Sydney
URL: http://hdl.handle.net/2123/11656
Subjects/Keywords: Dissection; Cutting; Contemporary Art
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Scardifield, K. (2013). Into theatre, under the knife: cultures of dissection and contemporary art practice . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/11656
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Scardifield, Katherine. “Into theatre, under the knife: cultures of dissection and contemporary art practice .” 2013. Thesis, University of Sydney. Accessed February 27, 2021. http://hdl.handle.net/2123/11656.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Scardifield, Katherine. “Into theatre, under the knife: cultures of dissection and contemporary art practice .” 2013. Web. 27 Feb 2021.
Vancouver:
Scardifield K. Into theatre, under the knife: cultures of dissection and contemporary art practice . [Internet] [Thesis]. University of Sydney; 2013. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2123/11656.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Scardifield K. Into theatre, under the knife: cultures of dissection and contemporary art practice . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/11656
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Sydney
28. Adelpour, Adam. Art, nationalism and a ‘once in a lifetime crisis of capitalism’ .
Degree: 2012, University of Sydney
URL: http://hdl.handle.net/2123/14348
Subjects/Keywords: Contemporary Art; Nationalism; Marxism; Refugees
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Adelpour, A. (2012). Art, nationalism and a ‘once in a lifetime crisis of capitalism’ . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/14348
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Adelpour, Adam. “Art, nationalism and a ‘once in a lifetime crisis of capitalism’ .” 2012. Thesis, University of Sydney. Accessed February 27, 2021. http://hdl.handle.net/2123/14348.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Adelpour, Adam. “Art, nationalism and a ‘once in a lifetime crisis of capitalism’ .” 2012. Web. 27 Feb 2021.
Vancouver:
Adelpour A. Art, nationalism and a ‘once in a lifetime crisis of capitalism’ . [Internet] [Thesis]. University of Sydney; 2012. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2123/14348.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Adelpour A. Art, nationalism and a ‘once in a lifetime crisis of capitalism’ . [Thesis]. University of Sydney; 2012. Available from: http://hdl.handle.net/2123/14348
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Pretoria
29. [No author]. Artspace : creating a contemporary African art gallery for the city of Pretoria .
Degree: 2008, University of Pretoria
URL: http://upetd.up.ac.za/thesis/available/etd-10242008-120213/
Subjects/Keywords: Contemporary african art; African art gallery; UCTD
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
author], [. (2008). Artspace : creating a contemporary African art gallery for the city of Pretoria . (Masters Thesis). University of Pretoria. Retrieved from http://upetd.up.ac.za/thesis/available/etd-10242008-120213/
Chicago Manual of Style (16th Edition):
author], [No. “Artspace : creating a contemporary African art gallery for the city of Pretoria .” 2008. Masters Thesis, University of Pretoria. Accessed February 27, 2021. http://upetd.up.ac.za/thesis/available/etd-10242008-120213/.
MLA Handbook (7th Edition):
author], [No. “Artspace : creating a contemporary African art gallery for the city of Pretoria .” 2008. Web. 27 Feb 2021.
Vancouver:
author] [. Artspace : creating a contemporary African art gallery for the city of Pretoria . [Internet] [Masters thesis]. University of Pretoria; 2008. [cited 2021 Feb 27]. Available from: http://upetd.up.ac.za/thesis/available/etd-10242008-120213/.
Council of Science Editors:
author] [. Artspace : creating a contemporary African art gallery for the city of Pretoria . [Masters Thesis]. University of Pretoria; 2008. Available from: http://upetd.up.ac.za/thesis/available/etd-10242008-120213/
University of Pretoria
30. Wepener, Leila. Artspace : creating a contemporary African art gallery for the city of Pretoria.
Degree: Architecture, 2008, University of Pretoria
URL: http://hdl.handle.net/2263/29005
Subjects/Keywords: Contemporary african art; African art gallery; UCTD
Record Details
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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager
APA (6th Edition):
Wepener, L. (2008). Artspace : creating a contemporary African art gallery for the city of Pretoria. (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/29005
Chicago Manual of Style (16th Edition):
Wepener, Leila. “Artspace : creating a contemporary African art gallery for the city of Pretoria.” 2008. Masters Thesis, University of Pretoria. Accessed February 27, 2021. http://hdl.handle.net/2263/29005.
MLA Handbook (7th Edition):
Wepener, Leila. “Artspace : creating a contemporary African art gallery for the city of Pretoria.” 2008. Web. 27 Feb 2021.
Vancouver:
Wepener L. Artspace : creating a contemporary African art gallery for the city of Pretoria. [Internet] [Masters thesis]. University of Pretoria; 2008. [cited 2021 Feb 27]. Available from: http://hdl.handle.net/2263/29005.
Council of Science Editors:
Wepener L. Artspace : creating a contemporary African art gallery for the city of Pretoria. [Masters Thesis]. University of Pretoria; 2008. Available from: http://hdl.handle.net/2263/29005