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You searched for subject:(contemporary art). Showing records 1 – 30 of 1449 total matches.

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University of Georgia

1. Hughes, Melissa Lynn. Aesthetic qualities: enacting understanding in contemporary art endeavors.

Degree: PhD, Art Education, 2013, University of Georgia

 Informed by a hermeneutic propensity, this arts-based autoethnography inquires into forms of social and participatory experience in contemporary art. A living art that uses people… (more)

Subjects/Keywords: Contemporary art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hughes, M. L. (2013). Aesthetic qualities: enacting understanding in contemporary art endeavors. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/hughes_melissa_l_201312_phd

Chicago Manual of Style (16th Edition):

Hughes, Melissa Lynn. “Aesthetic qualities: enacting understanding in contemporary art endeavors.” 2013. Doctoral Dissertation, University of Georgia. Accessed February 27, 2020. http://purl.galileo.usg.edu/uga_etd/hughes_melissa_l_201312_phd.

MLA Handbook (7th Edition):

Hughes, Melissa Lynn. “Aesthetic qualities: enacting understanding in contemporary art endeavors.” 2013. Web. 27 Feb 2020.

Vancouver:

Hughes ML. Aesthetic qualities: enacting understanding in contemporary art endeavors. [Internet] [Doctoral dissertation]. University of Georgia; 2013. [cited 2020 Feb 27]. Available from: http://purl.galileo.usg.edu/uga_etd/hughes_melissa_l_201312_phd.

Council of Science Editors:

Hughes ML. Aesthetic qualities: enacting understanding in contemporary art endeavors. [Doctoral Dissertation]. University of Georgia; 2013. Available from: http://purl.galileo.usg.edu/uga_etd/hughes_melissa_l_201312_phd


University of Southern California

2. Kennedy, Sean. Accumulation.

Degree: MFA, Fine Arts, 2012, University of Southern California

 This paper should function, formally speaking, as an analog to the approach I take in producing art, which is to say that something that might… (more)

Subjects/Keywords: contemporary art

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APA (6th Edition):

Kennedy, S. (2012). Accumulation. (Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kennedy, Sean. “Accumulation.” 2012. Thesis, University of Southern California. Accessed February 27, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kennedy, Sean. “Accumulation.” 2012. Web. 27 Feb 2020.

Vancouver:

Kennedy S. Accumulation. [Internet] [Thesis]. University of Southern California; 2012. [cited 2020 Feb 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kennedy S. Accumulation. [Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/376317/rec/480

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

3. Bohorquez Florez, Gloria Eugenia. WE .

Degree: 2014, University of Sydney

 This research paper in tandem with my artistic practice, investigates the mutual forces of interconnectivity which are intrinsic to the construction of the natural world… (more)

Subjects/Keywords: Contemporary art

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APA (6th Edition):

Bohorquez Florez, G. E. (2014). WE . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12847

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bohorquez Florez, Gloria Eugenia. “WE .” 2014. Thesis, University of Sydney. Accessed February 27, 2020. http://hdl.handle.net/2123/12847.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bohorquez Florez, Gloria Eugenia. “WE .” 2014. Web. 27 Feb 2020.

Vancouver:

Bohorquez Florez GE. WE . [Internet] [Thesis]. University of Sydney; 2014. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/2123/12847.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bohorquez Florez GE. WE . [Thesis]. University of Sydney; 2014. Available from: http://hdl.handle.net/2123/12847

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Edinburgh

4. Hood, Jennifer L. The Ethics of Transgenic Art.

Degree: 2011, University of Edinburgh

 Is biotechnology an appropriate and ethical medium for contemporary art? In the past decade, the line between science and art has become increasingly blurred as… (more)

Subjects/Keywords: biotechnology; Contemporary art

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APA (6th Edition):

Hood, J. L. (2011). The Ethics of Transgenic Art. (Thesis). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/5196

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hood, Jennifer L. “The Ethics of Transgenic Art.” 2011. Thesis, University of Edinburgh. Accessed February 27, 2020. http://hdl.handle.net/1842/5196.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hood, Jennifer L. “The Ethics of Transgenic Art.” 2011. Web. 27 Feb 2020.

Vancouver:

Hood JL. The Ethics of Transgenic Art. [Internet] [Thesis]. University of Edinburgh; 2011. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/1842/5196.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hood JL. The Ethics of Transgenic Art. [Thesis]. University of Edinburgh; 2011. Available from: http://hdl.handle.net/1842/5196

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

5. Araujo, Jorge. The banal and the provisional : self-cancelling strategies in painting.

Degree: Art, 2012, University of New South Wales

 This project conducts a series of investigations into the act of painting through zones characterized by the indefinite, the ordinary, the banal and the provisional,… (more)

Subjects/Keywords: Contemporary; Painting; Art

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APA (6th Edition):

Araujo, J. (2012). The banal and the provisional : self-cancelling strategies in painting. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Araujo, Jorge. “The banal and the provisional : self-cancelling strategies in painting.” 2012. Masters Thesis, University of New South Wales. Accessed February 27, 2020. http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true.

MLA Handbook (7th Edition):

Araujo, Jorge. “The banal and the provisional : self-cancelling strategies in painting.” 2012. Web. 27 Feb 2020.

Vancouver:

Araujo J. The banal and the provisional : self-cancelling strategies in painting. [Internet] [Masters thesis]. University of New South Wales; 2012. [cited 2020 Feb 27]. Available from: http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true.

Council of Science Editors:

Araujo J. The banal and the provisional : self-cancelling strategies in painting. [Masters Thesis]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true


University of Minnesota

6. Heer, Melissa. The Breath Within the Breath: Contemporary Performance Art Practices in India.

Degree: PhD, Art History, 2015, University of Minnesota

 This dissertation examines contemporary performance art practices in India, with a particular focus on the work of three artists with diverse approaches to this ever-evolving… (more)

Subjects/Keywords: Contemporary Art; India; Performance Art

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APA (6th Edition):

Heer, M. (2015). The Breath Within the Breath: Contemporary Performance Art Practices in India. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/174854

Chicago Manual of Style (16th Edition):

Heer, Melissa. “The Breath Within the Breath: Contemporary Performance Art Practices in India.” 2015. Doctoral Dissertation, University of Minnesota. Accessed February 27, 2020. http://hdl.handle.net/11299/174854.

MLA Handbook (7th Edition):

Heer, Melissa. “The Breath Within the Breath: Contemporary Performance Art Practices in India.” 2015. Web. 27 Feb 2020.

Vancouver:

Heer M. The Breath Within the Breath: Contemporary Performance Art Practices in India. [Internet] [Doctoral dissertation]. University of Minnesota; 2015. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/11299/174854.

Council of Science Editors:

Heer M. The Breath Within the Breath: Contemporary Performance Art Practices in India. [Doctoral Dissertation]. University of Minnesota; 2015. Available from: http://hdl.handle.net/11299/174854


University of Southern California

7. McCarthy, Kiley Anna. Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano.

Degree: MA, Public Art Studies, 2013, University of Southern California

 This thesis examines feminist performance artists Barbara T. Smith and Linda Montano, and the artists’ respective use of biography as political statement in themes of… (more)

Subjects/Keywords: performance art; contemporary art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McCarthy, K. A. (2013). Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5599

Chicago Manual of Style (16th Edition):

McCarthy, Kiley Anna. “Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano.” 2013. Masters Thesis, University of Southern California. Accessed February 27, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5599.

MLA Handbook (7th Edition):

McCarthy, Kiley Anna. “Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano.” 2013. Web. 27 Feb 2020.

Vancouver:

McCarthy KA. Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano. [Internet] [Masters thesis]. University of Southern California; 2013. [cited 2020 Feb 27]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5599.

Council of Science Editors:

McCarthy KA. Ritual, nourishment, and caregiving: the performances of Barbara T. Smith and Linda Montano. [Masters Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/254922/rec/5599


University of Sydney

8. Hassanein, Saffaa. We will play: protest, performance, and physical activism .

Degree: 2014, University of Sydney

 This paper explores the politically charged topic of sport and gender in Saudi Arabia. Banning women and girls in Saudi from participating in organized sport… (more)

Subjects/Keywords: Contemporary art; Visual art

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APA (6th Edition):

Hassanein, S. (2014). We will play: protest, performance, and physical activism . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hassanein, Saffaa. “We will play: protest, performance, and physical activism .” 2014. Thesis, University of Sydney. Accessed February 27, 2020. http://hdl.handle.net/2123/12652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hassanein, Saffaa. “We will play: protest, performance, and physical activism .” 2014. Web. 27 Feb 2020.

Vancouver:

Hassanein S. We will play: protest, performance, and physical activism . [Internet] [Thesis]. University of Sydney; 2014. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/2123/12652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hassanein S. We will play: protest, performance, and physical activism . [Thesis]. University of Sydney; 2014. Available from: http://hdl.handle.net/2123/12652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manitoba

9. Buzzi, Gayle. Accidental landscapes.

Degree: School of Art, 2019, University of Manitoba

 This paper describes and explains my thesis installation through the context of the Western world’s perceived culture vs nature binary. The history of nature in… (more)

Subjects/Keywords: Glass art; Sculpture; Fine art; Contemporary art

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APA (6th Edition):

Buzzi, G. (2019). Accidental landscapes. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/34274

Chicago Manual of Style (16th Edition):

Buzzi, Gayle. “Accidental landscapes.” 2019. Masters Thesis, University of Manitoba. Accessed February 27, 2020. http://hdl.handle.net/1993/34274.

MLA Handbook (7th Edition):

Buzzi, Gayle. “Accidental landscapes.” 2019. Web. 27 Feb 2020.

Vancouver:

Buzzi G. Accidental landscapes. [Internet] [Masters thesis]. University of Manitoba; 2019. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/1993/34274.

Council of Science Editors:

Buzzi G. Accidental landscapes. [Masters Thesis]. University of Manitoba; 2019. Available from: http://hdl.handle.net/1993/34274


University of Louisville

10. Sevilla, Madison DeAnna. Transversal approaches and ecological artwork.

Degree: MA, 2017, University of Louisville

  This work explores systematic ecology as it relates to sculpture and language. This project exists in two parts: a written thesis and a thesis… (more)

Subjects/Keywords: contemporary art; ecology; sculpture; earth art; Contemporary Art

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APA (6th Edition):

Sevilla, M. D. (2017). Transversal approaches and ecological artwork. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722

Chicago Manual of Style (16th Edition):

Sevilla, Madison DeAnna. “Transversal approaches and ecological artwork.” 2017. Masters Thesis, University of Louisville. Accessed February 27, 2020. 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722.

MLA Handbook (7th Edition):

Sevilla, Madison DeAnna. “Transversal approaches and ecological artwork.” 2017. Web. 27 Feb 2020.

Vancouver:

Sevilla MD. Transversal approaches and ecological artwork. [Internet] [Masters thesis]. University of Louisville; 2017. [cited 2020 Feb 27]. Available from: 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722.

Council of Science Editors:

Sevilla MD. Transversal approaches and ecological artwork. [Masters Thesis]. University of Louisville; 2017. Available from: 10.18297/etd/2722 ; https://ir.library.louisville.edu/etd/2722


University of Wollongong

11. Sprague, Quentin. Making in translation: the intercultural broker in indigenous Australian art.

Degree: PhD, 2016, University of Wollongong

  This thesis examines the role of intercultural brokerage in the production and mediation of indigenous contemporary art in Australia. It aims to illuminate something… (more)

Subjects/Keywords: contemporary art; Aboriginal art; indigenous contemporary art; intercutural brokerage

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APA (6th Edition):

Sprague, Q. (2016). Making in translation: the intercultural broker in indigenous Australian art. (Doctoral Dissertation). University of Wollongong. Retrieved from 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807

Chicago Manual of Style (16th Edition):

Sprague, Quentin. “Making in translation: the intercultural broker in indigenous Australian art.” 2016. Doctoral Dissertation, University of Wollongong. Accessed February 27, 2020. 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807.

MLA Handbook (7th Edition):

Sprague, Quentin. “Making in translation: the intercultural broker in indigenous Australian art.” 2016. Web. 27 Feb 2020.

Vancouver:

Sprague Q. Making in translation: the intercultural broker in indigenous Australian art. [Internet] [Doctoral dissertation]. University of Wollongong; 2016. [cited 2020 Feb 27]. Available from: 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807.

Council of Science Editors:

Sprague Q. Making in translation: the intercultural broker in indigenous Australian art. [Doctoral Dissertation]. University of Wollongong; 2016. Available from: 190102 Art History, 190104 Visual Cultures ; https://ro.uow.edu.au/theses/4807


University of Alberta

12. Talbot, Jacques P. Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century.

Degree: MA, Department of Art and Design, 2016, University of Alberta

 This thesis examines the emergence and proliferation of installation art in the 20th Century and the ways in which its complexities have been contended through… (more)

Subjects/Keywords: framework; site; contemporary art; installation

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APA (6th Edition):

Talbot, J. P. (2016). Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/cpr76f347q

Chicago Manual of Style (16th Edition):

Talbot, Jacques P. “Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century.” 2016. Masters Thesis, University of Alberta. Accessed February 27, 2020. https://era.library.ualberta.ca/files/cpr76f347q.

MLA Handbook (7th Edition):

Talbot, Jacques P. “Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century.” 2016. Web. 27 Feb 2020.

Vancouver:

Talbot JP. Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century. [Internet] [Masters thesis]. University of Alberta; 2016. [cited 2020 Feb 27]. Available from: https://era.library.ualberta.ca/files/cpr76f347q.

Council of Science Editors:

Talbot JP. Expanded Fields: Revisiting the Notion of a Framework for Installation Art in the 21st Century. [Masters Thesis]. University of Alberta; 2016. Available from: https://era.library.ualberta.ca/files/cpr76f347q


University of Newcastle

13. Collis, Andrew. The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?.

Degree: PhD, 2015, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

‘The re-emergence of all figurative art as progressive and groundbreaking’ since the last quarter of the twentieth century… (more)

Subjects/Keywords: portrait; painting; contemporary; art; galleries

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Collis, A. (2015). The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1061111

Chicago Manual of Style (16th Edition):

Collis, Andrew. “The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?.” 2015. Doctoral Dissertation, University of Newcastle. Accessed February 27, 2020. http://hdl.handle.net/1959.13/1061111.

MLA Handbook (7th Edition):

Collis, Andrew. “The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?.” 2015. Web. 27 Feb 2020.

Vancouver:

Collis A. The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?. [Internet] [Doctoral dissertation]. University of Newcastle; 2015. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/1959.13/1061111.

Council of Science Editors:

Collis A. The human touch: what is the value of the artist/sitter relationship to contemporary portrait painting?. [Doctoral Dissertation]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1061111


Universidade Nova

14. Marçal, Hélia Pereira. Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms.

Degree: 2012, Universidade Nova

Dissertação para obtenção do Grau de Mestre em Conservação e Restauro, Perfil Ciências da Conservação Especialização em Arte Contemporânea

Drawing from philosophy and social sciences,… (more)

Subjects/Keywords: Subjectivity; Contemporary art; Conservation; Ethnography

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APA (6th Edition):

Marçal, H. P. (2012). Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marçal, Hélia Pereira. “Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms.” 2012. Thesis, Universidade Nova. Accessed February 27, 2020. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marçal, Hélia Pereira. “Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms.” 2012. Web. 27 Feb 2020.

Vancouver:

Marçal HP. Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms. [Internet] [Thesis]. Universidade Nova; 2012. [cited 2020 Feb 27]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marçal HP. Embracing transience and subjectivity in the conservation of complex contemporary artworks: contributions from ethnographic and psychological paradigms. [Thesis]. Universidade Nova; 2012. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/8467

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – Sacramento

15. Blackmon, Tavarus. The politics of the cartoon and contemporary art.

Degree: MA, Art Studio, 2015, California State University – Sacramento

 Painting, for me, is essential. Through digital processes, I find another way to visually express myself. Mixed media, assemblage and sculpture, are disciplines with which… (more)

Subjects/Keywords: Contemporary art; Painting; Cartoons

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APA (6th Edition):

Blackmon, T. (2015). The politics of the cartoon and contemporary art. (Masters Thesis). California State University – Sacramento. Retrieved from http://hdl.handle.net/10211.3/139447

Chicago Manual of Style (16th Edition):

Blackmon, Tavarus. “The politics of the cartoon and contemporary art.” 2015. Masters Thesis, California State University – Sacramento. Accessed February 27, 2020. http://hdl.handle.net/10211.3/139447.

MLA Handbook (7th Edition):

Blackmon, Tavarus. “The politics of the cartoon and contemporary art.” 2015. Web. 27 Feb 2020.

Vancouver:

Blackmon T. The politics of the cartoon and contemporary art. [Internet] [Masters thesis]. California State University – Sacramento; 2015. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/10211.3/139447.

Council of Science Editors:

Blackmon T. The politics of the cartoon and contemporary art. [Masters Thesis]. California State University – Sacramento; 2015. Available from: http://hdl.handle.net/10211.3/139447


Southern Cross University

16. Delaney, Cornelius. A farewell to meat : rendering ambivalence & transgression.

Degree: 2008, Southern Cross University

 This exegesis speaks to the body of work constructed over three years between February 2004 and April 2007, assembled and exhibited at the Lismore Regional… (more)

Subjects/Keywords: Contemporary Art

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APA (6th Edition):

Delaney, C. (2008). A farewell to meat : rendering ambivalence & transgression. (Thesis). Southern Cross University. Retrieved from https://epubs.scu.edu.au/theses/11

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Delaney, Cornelius. “A farewell to meat : rendering ambivalence & transgression.” 2008. Thesis, Southern Cross University. Accessed February 27, 2020. https://epubs.scu.edu.au/theses/11.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Delaney, Cornelius. “A farewell to meat : rendering ambivalence & transgression.” 2008. Web. 27 Feb 2020.

Vancouver:

Delaney C. A farewell to meat : rendering ambivalence & transgression. [Internet] [Thesis]. Southern Cross University; 2008. [cited 2020 Feb 27]. Available from: https://epubs.scu.edu.au/theses/11.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Delaney C. A farewell to meat : rendering ambivalence & transgression. [Thesis]. Southern Cross University; 2008. Available from: https://epubs.scu.edu.au/theses/11

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – Chico

17. Sharkey, Willow. Love meetings: impersonality and intimacy in the art of Sharon Hayes .

Degree: 2013, California State University – Chico

 The study that follows establishes the work of contemporary artist Sharon Hayes as critically engaged with some of modern art???s central concerns. Hayes???s art asserts… (more)

Subjects/Keywords: Sharon Hayes; Contemporary art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sharkey, W. (2013). Love meetings: impersonality and intimacy in the art of Sharon Hayes . (Thesis). California State University – Chico. Retrieved from http://hdl.handle.net/10211.4/516

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sharkey, Willow. “Love meetings: impersonality and intimacy in the art of Sharon Hayes .” 2013. Thesis, California State University – Chico. Accessed February 27, 2020. http://hdl.handle.net/10211.4/516.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sharkey, Willow. “Love meetings: impersonality and intimacy in the art of Sharon Hayes .” 2013. Web. 27 Feb 2020.

Vancouver:

Sharkey W. Love meetings: impersonality and intimacy in the art of Sharon Hayes . [Internet] [Thesis]. California State University – Chico; 2013. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/10211.4/516.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sharkey W. Love meetings: impersonality and intimacy in the art of Sharon Hayes . [Thesis]. California State University – Chico; 2013. Available from: http://hdl.handle.net/10211.4/516

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

18. Sawrey, Anthony Raoul. Rain skating.

Degree: 2009, University of Melbourne

 In the Twenty First Century, cheap digital video has challenged the photograph for the distribution of visual ideas. Clip sharing sites such as YouTube now… (more)

Subjects/Keywords: contemporary art; painting; digtial culture

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APA (6th Edition):

Sawrey, A. R. (2009). Rain skating. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/35482

Chicago Manual of Style (16th Edition):

Sawrey, Anthony Raoul. “Rain skating.” 2009. Masters Thesis, University of Melbourne. Accessed February 27, 2020. http://hdl.handle.net/11343/35482.

MLA Handbook (7th Edition):

Sawrey, Anthony Raoul. “Rain skating.” 2009. Web. 27 Feb 2020.

Vancouver:

Sawrey AR. Rain skating. [Internet] [Masters thesis]. University of Melbourne; 2009. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/11343/35482.

Council of Science Editors:

Sawrey AR. Rain skating. [Masters Thesis]. University of Melbourne; 2009. Available from: http://hdl.handle.net/11343/35482

19. Eliev, Elia. Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks .

Degree: 2018, University of Ottawa

 Over the past decade, scholarly works have examined the plurality and diversity of men in relation to social practices of Arab cultures, while also examining… (more)

Subjects/Keywords: Contemporary art; Queer; Lebanon; Masculinities

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Eliev, E. (2018). Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/38035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Eliev, Elia. “Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks .” 2018. Thesis, University of Ottawa. Accessed February 27, 2020. http://hdl.handle.net/10393/38035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Eliev, Elia. “Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks .” 2018. Web. 27 Feb 2020.

Vancouver:

Eliev E. Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks . [Internet] [Thesis]. University of Ottawa; 2018. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/10393/38035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Eliev E. Unruly Acts: Queer Masculinities in Akram Zaatari’s Lens-Based Artworks . [Thesis]. University of Ottawa; 2018. Available from: http://hdl.handle.net/10393/38035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Wollongong

20. Hewitt, Peter James. Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings.

Degree: Master of Creative Art - Research, 2016, University of Wollongong

  In my artistic practice I have identified as an ‘Aboriginal artist’; a contemporary Aboriginal painter to be more accurate. This categorisation is significant to… (more)

Subjects/Keywords: Contemporary urban-based Aboriginal art

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APA (6th Edition):

Hewitt, P. J. (2016). Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings. (Masters Thesis). University of Wollongong. Retrieved from 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685

Chicago Manual of Style (16th Edition):

Hewitt, Peter James. “Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings.” 2016. Masters Thesis, University of Wollongong. Accessed February 27, 2020. 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685.

MLA Handbook (7th Edition):

Hewitt, Peter James. “Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings.” 2016. Web. 27 Feb 2020.

Vancouver:

Hewitt PJ. Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings. [Internet] [Masters thesis]. University of Wollongong; 2016. [cited 2020 Feb 27]. Available from: 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685.

Council of Science Editors:

Hewitt PJ. Aboriginal people come in all shapes and sizes: authentic Aboriginal paintings. [Masters Thesis]. University of Wollongong; 2016. Available from: 1901 ART THEORY AND CRITICISM, 1905 VISUAL ARTS AND CRAFTS ; https://ro.uow.edu.au/theses/4685


University of Sydney

21. Warner, Lachlan Phillip. Art Practice as Buddhist Practice: A Soteriology through Suffering .

Degree: 2018, University of Sydney

 The thesis examines the Buddhist concept of suffering, portrayed through visual art. The central questions are how can art be used to understand Buddhist suffering… (more)

Subjects/Keywords: art; Buddhism; suffering; dukkha; contemporary

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APA (6th Edition):

Warner, L. P. (2018). Art Practice as Buddhist Practice: A Soteriology through Suffering . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17924

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Warner, Lachlan Phillip. “Art Practice as Buddhist Practice: A Soteriology through Suffering .” 2018. Thesis, University of Sydney. Accessed February 27, 2020. http://hdl.handle.net/2123/17924.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Warner, Lachlan Phillip. “Art Practice as Buddhist Practice: A Soteriology through Suffering .” 2018. Web. 27 Feb 2020.

Vancouver:

Warner LP. Art Practice as Buddhist Practice: A Soteriology through Suffering . [Internet] [Thesis]. University of Sydney; 2018. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/2123/17924.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Warner LP. Art Practice as Buddhist Practice: A Soteriology through Suffering . [Thesis]. University of Sydney; 2018. Available from: http://hdl.handle.net/2123/17924

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

22. Arnold, Kristi. Unearthing the grotesque: the transformation of the underground to cultural mainstream .

Degree: 2013, University of Sydney

 'Unearthing the Grotesque: the Transformation of the Underground to Cultural Mainstream' examines the grotesque by way of its history and re-­‐emergence over the last few… (more)

Subjects/Keywords: Contemporary art; Painting; Grotesque; Aesthetics

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APA (6th Edition):

Arnold, K. (2013). Unearthing the grotesque: the transformation of the underground to cultural mainstream . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Arnold, Kristi. “Unearthing the grotesque: the transformation of the underground to cultural mainstream .” 2013. Thesis, University of Sydney. Accessed February 27, 2020. http://hdl.handle.net/2123/12775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Arnold, Kristi. “Unearthing the grotesque: the transformation of the underground to cultural mainstream .” 2013. Web. 27 Feb 2020.

Vancouver:

Arnold K. Unearthing the grotesque: the transformation of the underground to cultural mainstream . [Internet] [Thesis]. University of Sydney; 2013. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/2123/12775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Arnold K. Unearthing the grotesque: the transformation of the underground to cultural mainstream . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/12775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

23. Scardifield, Katherine. Into theatre, under the knife: cultures of dissection and contemporary art practice .

Degree: 2013, University of Sydney

 Dissection can be considered a process of calculated dividing and a form of meticulous dismantling. As a method of analysis, it remains inextricably linked to… (more)

Subjects/Keywords: Dissection; Cutting; Contemporary Art

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APA (6th Edition):

Scardifield, K. (2013). Into theatre, under the knife: cultures of dissection and contemporary art practice . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/11656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scardifield, Katherine. “Into theatre, under the knife: cultures of dissection and contemporary art practice .” 2013. Thesis, University of Sydney. Accessed February 27, 2020. http://hdl.handle.net/2123/11656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scardifield, Katherine. “Into theatre, under the knife: cultures of dissection and contemporary art practice .” 2013. Web. 27 Feb 2020.

Vancouver:

Scardifield K. Into theatre, under the knife: cultures of dissection and contemporary art practice . [Internet] [Thesis]. University of Sydney; 2013. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/2123/11656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scardifield K. Into theatre, under the knife: cultures of dissection and contemporary art practice . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/11656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

24. Dennington, Charles. Altered matter. Like icons, stored .

Degree: 2013, University of Sydney

 This thesis proposes research findings that run parallel to my own practice. At the heart of the concepts discussed there is a notion of invention… (more)

Subjects/Keywords: Contemporary art; Sculpture; Symbolism

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APA (6th Edition):

Dennington, C. (2013). Altered matter. Like icons, stored . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12763

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dennington, Charles. “Altered matter. Like icons, stored .” 2013. Thesis, University of Sydney. Accessed February 27, 2020. http://hdl.handle.net/2123/12763.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dennington, Charles. “Altered matter. Like icons, stored .” 2013. Web. 27 Feb 2020.

Vancouver:

Dennington C. Altered matter. Like icons, stored . [Internet] [Thesis]. University of Sydney; 2013. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/2123/12763.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dennington C. Altered matter. Like icons, stored . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/12763

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

25. Adelpour, Adam. Art, nationalism and a ‘once in a lifetime crisis of capitalism’ .

Degree: 2012, University of Sydney

 Amid the economic fallout that has followed the 2008 Global Financial Crisis, governments in badly effected countries have often sought to heighten exclusionary forms of… (more)

Subjects/Keywords: Contemporary Art; Nationalism; Marxism; Refugees

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APA (6th Edition):

Adelpour, A. (2012). Art, nationalism and a ‘once in a lifetime crisis of capitalism’ . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/14348

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Adelpour, Adam. “Art, nationalism and a ‘once in a lifetime crisis of capitalism’ .” 2012. Thesis, University of Sydney. Accessed February 27, 2020. http://hdl.handle.net/2123/14348.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Adelpour, Adam. “Art, nationalism and a ‘once in a lifetime crisis of capitalism’ .” 2012. Web. 27 Feb 2020.

Vancouver:

Adelpour A. Art, nationalism and a ‘once in a lifetime crisis of capitalism’ . [Internet] [Thesis]. University of Sydney; 2012. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/2123/14348.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Adelpour A. Art, nationalism and a ‘once in a lifetime crisis of capitalism’ . [Thesis]. University of Sydney; 2012. Available from: http://hdl.handle.net/2123/14348

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Eastern Illinois University

26. Bartlett, Brian. David Hockney.

Degree: MA, Art, 1977, Eastern Illinois University

  David Hockney is generally recognised as the most talented British artist of his generation. In my thesis I trace his development from his childhood… (more)

Subjects/Keywords: Contemporary Art

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APA (6th Edition):

Bartlett, B. (1977). David Hockney. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/3305

Chicago Manual of Style (16th Edition):

Bartlett, Brian. “David Hockney.” 1977. Masters Thesis, Eastern Illinois University. Accessed February 27, 2020. https://thekeep.eiu.edu/theses/3305.

MLA Handbook (7th Edition):

Bartlett, Brian. “David Hockney.” 1977. Web. 27 Feb 2020.

Vancouver:

Bartlett B. David Hockney. [Internet] [Masters thesis]. Eastern Illinois University; 1977. [cited 2020 Feb 27]. Available from: https://thekeep.eiu.edu/theses/3305.

Council of Science Editors:

Bartlett B. David Hockney. [Masters Thesis]. Eastern Illinois University; 1977. Available from: https://thekeep.eiu.edu/theses/3305

27. Endresen, Tomas Kominis. SIX MINUTES OF FRESHNESS.

Degree: 2016, , Royal Institute of Art

https://vimeo.com/142533096</p Every time I am on an elevator or an airplane there is always someone right behind me, or beside me, that is coughing… (more)

Subjects/Keywords: contemporary art; Installation; Cleanliness; Protection

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APA (6th Edition):

Endresen, T. K. (2016). SIX MINUTES OF FRESHNESS. (Thesis). , Royal Institute of Art. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-112

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Endresen, Tomas Kominis. “SIX MINUTES OF FRESHNESS.” 2016. Thesis, , Royal Institute of Art. Accessed February 27, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-112.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Endresen, Tomas Kominis. “SIX MINUTES OF FRESHNESS.” 2016. Web. 27 Feb 2020.

Vancouver:

Endresen TK. SIX MINUTES OF FRESHNESS. [Internet] [Thesis]. , Royal Institute of Art; 2016. [cited 2020 Feb 27]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-112.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Endresen TK. SIX MINUTES OF FRESHNESS. [Thesis]. , Royal Institute of Art; 2016. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-112

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – Northridge

28. Pointer, Garrett. The future is malign.

Degree: MA, Department of Art, 2014, California State University – Northridge

 As part of my thesis culmination I will present three sculptures in a series collectively titled ???The Future Is Malign???, accompanied by a written thesis… (more)

Subjects/Keywords: Contemporary art; Dissertations, Academic  – CSUN  – Art.

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APA (6th Edition):

Pointer, G. (2014). The future is malign. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.3/125287

Chicago Manual of Style (16th Edition):

Pointer, Garrett. “The future is malign.” 2014. Masters Thesis, California State University – Northridge. Accessed February 27, 2020. http://hdl.handle.net/10211.3/125287.

MLA Handbook (7th Edition):

Pointer, Garrett. “The future is malign.” 2014. Web. 27 Feb 2020.

Vancouver:

Pointer G. The future is malign. [Internet] [Masters thesis]. California State University – Northridge; 2014. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/10211.3/125287.

Council of Science Editors:

Pointer G. The future is malign. [Masters Thesis]. California State University – Northridge; 2014. Available from: http://hdl.handle.net/10211.3/125287


University of New Mexico

29. Parker, Erik. Neal Ambrose-Smith: The Artistic Modernity of Indianness.

Degree: UNM Department of Art and Art History, 2015, University of New Mexico

 Neal Ambrose-Smith is an artist of Cree, Metis, and Salish heritage who is at the forefront of contemporary Native American art. A thorough examination of… (more)

Subjects/Keywords: Native American art; Contemporary art; popular culture

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APA (6th Edition):

Parker, E. (2015). Neal Ambrose-Smith: The Artistic Modernity of Indianness. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/31687

Chicago Manual of Style (16th Edition):

Parker, Erik. “Neal Ambrose-Smith: The Artistic Modernity of Indianness.” 2015. Masters Thesis, University of New Mexico. Accessed February 27, 2020. http://hdl.handle.net/1928/31687.

MLA Handbook (7th Edition):

Parker, Erik. “Neal Ambrose-Smith: The Artistic Modernity of Indianness.” 2015. Web. 27 Feb 2020.

Vancouver:

Parker E. Neal Ambrose-Smith: The Artistic Modernity of Indianness. [Internet] [Masters thesis]. University of New Mexico; 2015. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/1928/31687.

Council of Science Editors:

Parker E. Neal Ambrose-Smith: The Artistic Modernity of Indianness. [Masters Thesis]. University of New Mexico; 2015. Available from: http://hdl.handle.net/1928/31687


University of Rochester

30. Bouman, Margot (1962 - ). “A broken piece of an absent whole” : experimental video and its spaces of production and reception.

Degree: PhD, 2009, University of Rochester

 This dissertation, “‘A Broken Piece of an Absent Whole’: Experimental Video and its Spaces of Production and Reception” presumes that where video is found—as the… (more)

Subjects/Keywords: Contemporary art; Video art; Avant-garde; Television

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bouman, M. (. -. ). (2009). “A broken piece of an absent whole” : experimental video and its spaces of production and reception. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/6783

Chicago Manual of Style (16th Edition):

Bouman, Margot (1962 - ). ““A broken piece of an absent whole” : experimental video and its spaces of production and reception.” 2009. Doctoral Dissertation, University of Rochester. Accessed February 27, 2020. http://hdl.handle.net/1802/6783.

MLA Handbook (7th Edition):

Bouman, Margot (1962 - ). ““A broken piece of an absent whole” : experimental video and its spaces of production and reception.” 2009. Web. 27 Feb 2020.

Vancouver:

Bouman M(-). “A broken piece of an absent whole” : experimental video and its spaces of production and reception. [Internet] [Doctoral dissertation]. University of Rochester; 2009. [cited 2020 Feb 27]. Available from: http://hdl.handle.net/1802/6783.

Council of Science Editors:

Bouman M(-). “A broken piece of an absent whole” : experimental video and its spaces of production and reception. [Doctoral Dissertation]. University of Rochester; 2009. Available from: http://hdl.handle.net/1802/6783

[1] [2] [3] [4] [5] … [49]

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