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You searched for subject:(composition). Showing records 1 – 12 of 12 total matches.

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University of Miami

1. Guerra, Stephen J., Jr. A Study of Bob Brookmeyer's Compositional Style for Large Jazz Ensemble.

Degree: DMA, Studio Music and Jazz (Music), 2016, University of Miami

 This study will examine the compositional style of composer, pianist, and trombonist Bob Brookmeyer as it pertains to his works for large jazz ensemble. Brookmeyer’s… (more)

Subjects/Keywords: Bob Brookmeyer; Big Band; Jazz Composition; Jazz Arranging; Music Composition

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APA (6th Edition):

Guerra, Stephen J., J. (2016). A Study of Bob Brookmeyer's Compositional Style for Large Jazz Ensemble. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1687

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Guerra, Stephen J., Jr. “A Study of Bob Brookmeyer's Compositional Style for Large Jazz Ensemble.” 2016. Thesis, University of Miami. Accessed March 28, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1687.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Guerra, Stephen J., Jr. “A Study of Bob Brookmeyer's Compositional Style for Large Jazz Ensemble.” 2016. Web. 28 Mar 2020.

Vancouver:

Guerra, Stephen J. J. A Study of Bob Brookmeyer's Compositional Style for Large Jazz Ensemble. [Internet] [Thesis]. University of Miami; 2016. [cited 2020 Mar 28]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1687.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guerra, Stephen J. J. A Study of Bob Brookmeyer's Compositional Style for Large Jazz Ensemble. [Thesis]. University of Miami; 2016. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1687

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

2. Scott, Marion Wilkinson. Robert Schumann and His Magic Circle - Is it Synesthesia or Ekphrasis?.

Degree: DMA, Keyboard Performance (Music), 2012, University of Miami

  The purpose of this study will be to examine Robert Schumann’s unique perceptive abilities. Most notably, it will serve as an argument that Schumann… (more)

Subjects/Keywords: Schumann; Robert; synesthesia; ekphrasis; composition; magic circle

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APA (6th Edition):

Scott, M. W. (2012). Robert Schumann and His Magic Circle - Is it Synesthesia or Ekphrasis?. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/813

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scott, Marion Wilkinson. “Robert Schumann and His Magic Circle - Is it Synesthesia or Ekphrasis?.” 2012. Thesis, University of Miami. Accessed March 28, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/813.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scott, Marion Wilkinson. “Robert Schumann and His Magic Circle - Is it Synesthesia or Ekphrasis?.” 2012. Web. 28 Mar 2020.

Vancouver:

Scott MW. Robert Schumann and His Magic Circle - Is it Synesthesia or Ekphrasis?. [Internet] [Thesis]. University of Miami; 2012. [cited 2020 Mar 28]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/813.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scott MW. Robert Schumann and His Magic Circle - Is it Synesthesia or Ekphrasis?. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/813

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

3. Mendoza, David Dean. Axis Mundi, An Intercultural Composition For The Atlas Ensemble.

Degree: DMA, Music Theory and Composition (Music), 2015, University of Miami

  In our time, composers are presented with an abundance of styles and tools with which to compose, as well as many compositional challenges. Intercultural… (more)

Subjects/Keywords: Music; Composition; Intercultural; Transculturalism; Cosmopolitanism; Appropriation

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APA (6th Edition):

Mendoza, D. D. (2015). Axis Mundi, An Intercultural Composition For The Atlas Ensemble. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1554

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mendoza, David Dean. “Axis Mundi, An Intercultural Composition For The Atlas Ensemble.” 2015. Thesis, University of Miami. Accessed March 28, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1554.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mendoza, David Dean. “Axis Mundi, An Intercultural Composition For The Atlas Ensemble.” 2015. Web. 28 Mar 2020.

Vancouver:

Mendoza DD. Axis Mundi, An Intercultural Composition For The Atlas Ensemble. [Internet] [Thesis]. University of Miami; 2015. [cited 2020 Mar 28]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1554.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mendoza DD. Axis Mundi, An Intercultural Composition For The Atlas Ensemble. [Thesis]. University of Miami; 2015. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1554

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

4. Lindenmoyer, Amy. A Comparison of Multiple Frequency versus Single Frequency Bioelectrical Impedance Techniques for the Assessment of Body Composition.

Degree: MS, Kinesiology and Sport Sciences (Education), 2014, University of Miami

  Purpose. The bioelectric impedance analyzer (BIA) is a device commonly used to assess body composition; however, there are questions concerning the reliability of single-… (more)

Subjects/Keywords: Body composition; Plethysmography; Bioelectrical Impedance Analyzer

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APA (6th Edition):

Lindenmoyer, A. (2014). A Comparison of Multiple Frequency versus Single Frequency Bioelectrical Impedance Techniques for the Assessment of Body Composition. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/497

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lindenmoyer, Amy. “A Comparison of Multiple Frequency versus Single Frequency Bioelectrical Impedance Techniques for the Assessment of Body Composition.” 2014. Thesis, University of Miami. Accessed March 28, 2020. https://scholarlyrepository.miami.edu/oa_theses/497.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lindenmoyer, Amy. “A Comparison of Multiple Frequency versus Single Frequency Bioelectrical Impedance Techniques for the Assessment of Body Composition.” 2014. Web. 28 Mar 2020.

Vancouver:

Lindenmoyer A. A Comparison of Multiple Frequency versus Single Frequency Bioelectrical Impedance Techniques for the Assessment of Body Composition. [Internet] [Thesis]. University of Miami; 2014. [cited 2020 Mar 28]. Available from: https://scholarlyrepository.miami.edu/oa_theses/497.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lindenmoyer A. A Comparison of Multiple Frequency versus Single Frequency Bioelectrical Impedance Techniques for the Assessment of Body Composition. [Thesis]. University of Miami; 2014. Available from: https://scholarlyrepository.miami.edu/oa_theses/497

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Dickinson, Daniel P. Blue Skies: An Interactive Soundscape Composition.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Blue Skies is a site-specific interactive soundscape composition that integrates live musicians and algorithmic improvisation into a sound installation that reacts to changing environmental… (more)

Subjects/Keywords: soundscape composition; interactive composition; algorithmic composition; improvisation; acoustic ecology

…3! Example 2.1. State machine from a simple Blue Skies composition designed for a… …40! vii Chapter 1 INTERACTIVE SOUNDSCAPE COMPOSITION In his book The Soundscape, R… …Murray Schafer announces his intention “to treat the world as a macrocosmic musical composition… …be a “composition,” thus obviating the need for a composer. In the case of the soundscape… …of composition, focusing on considerations of the performance space and the expansive… 

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APA (6th Edition):

Dickinson, D. P. (2012). Blue Skies: An Interactive Soundscape Composition. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/762

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dickinson, Daniel P. “Blue Skies: An Interactive Soundscape Composition.” 2012. Thesis, University of Miami. Accessed March 28, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/762.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dickinson, Daniel P. “Blue Skies: An Interactive Soundscape Composition.” 2012. Web. 28 Mar 2020.

Vancouver:

Dickinson DP. Blue Skies: An Interactive Soundscape Composition. [Internet] [Thesis]. University of Miami; 2012. [cited 2020 Mar 28]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/762.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dickinson DP. Blue Skies: An Interactive Soundscape Composition. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/762

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

6. Spiegel, Russell Adam. The Rise and Development of Contemporary European Big Band Writing: An Analysis of Composers Peter Herbolzheimer, George Gruntz, Kenny Wheeler, Helge Sunde, and Florian Ross.

Degree: DMA, Studio Music and Jazz (Music), 2016, University of Miami

  It has been argued that a distinctive European big band sound began to emerge in the second half of the 20th century and has… (more)

Subjects/Keywords: European Big Band; Jazz Arranging; Jazz Composition; Jazz; Big Band

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APA (6th Edition):

Spiegel, R. A. (2016). The Rise and Development of Contemporary European Big Band Writing: An Analysis of Composers Peter Herbolzheimer, George Gruntz, Kenny Wheeler, Helge Sunde, and Florian Ross. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1620

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Spiegel, Russell Adam. “The Rise and Development of Contemporary European Big Band Writing: An Analysis of Composers Peter Herbolzheimer, George Gruntz, Kenny Wheeler, Helge Sunde, and Florian Ross.” 2016. Thesis, University of Miami. Accessed March 28, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1620.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Spiegel, Russell Adam. “The Rise and Development of Contemporary European Big Band Writing: An Analysis of Composers Peter Herbolzheimer, George Gruntz, Kenny Wheeler, Helge Sunde, and Florian Ross.” 2016. Web. 28 Mar 2020.

Vancouver:

Spiegel RA. The Rise and Development of Contemporary European Big Band Writing: An Analysis of Composers Peter Herbolzheimer, George Gruntz, Kenny Wheeler, Helge Sunde, and Florian Ross. [Internet] [Thesis]. University of Miami; 2016. [cited 2020 Mar 28]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1620.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Spiegel RA. The Rise and Development of Contemporary European Big Band Writing: An Analysis of Composers Peter Herbolzheimer, George Gruntz, Kenny Wheeler, Helge Sunde, and Florian Ross. [Thesis]. University of Miami; 2016. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1620

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

7. Bell, Elizabeth R. The Effect of Classroom Age Composition on Head Start Preschoolers' School Readiness.

Degree: MS, Psychology (Arts and Sciences), 2010, University of Miami

  The current study examined the influence of classroom age composition (the variability in ages of children in the classroom) on low-income preschool children's rates… (more)

Subjects/Keywords: Classroom Age Composition; Head Start; School Readiness; Developmental Psychology

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APA (6th Edition):

Bell, E. R. (2010). The Effect of Classroom Age Composition on Head Start Preschoolers' School Readiness. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/65

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bell, Elizabeth R. “The Effect of Classroom Age Composition on Head Start Preschoolers' School Readiness.” 2010. Thesis, University of Miami. Accessed March 28, 2020. https://scholarlyrepository.miami.edu/oa_theses/65.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bell, Elizabeth R. “The Effect of Classroom Age Composition on Head Start Preschoolers' School Readiness.” 2010. Web. 28 Mar 2020.

Vancouver:

Bell ER. The Effect of Classroom Age Composition on Head Start Preschoolers' School Readiness. [Internet] [Thesis]. University of Miami; 2010. [cited 2020 Mar 28]. Available from: https://scholarlyrepository.miami.edu/oa_theses/65.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bell ER. The Effect of Classroom Age Composition on Head Start Preschoolers' School Readiness. [Thesis]. University of Miami; 2010. Available from: https://scholarlyrepository.miami.edu/oa_theses/65

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Dickinson, Scott Carter. The Compositional Style of Dave Douglas: Analysis of Select Pieces from a Spectrum of the Composer's Ensembles.

Degree: DMA, Studio Music and Jazz (Music), 2017, University of Miami

  Trumpeter Dave Douglas is widely considered to be one of the most important contemporary jazz composers and performers of our time. Douglas has quickly… (more)

Subjects/Keywords: Dave Douglas; jazz composition; music analysis; jazz; composition

…6 Jazz and General Composition… …visionary, his world of composition and improvisation is leading the way in an era that is one of… …analyze jazz compositions such as Jazz Composition: Theory and Practice, by Ted Pease, which… …Pease, Jazz Composition: Theory and Practice ( Boston: Berklee… …pedagogical implications of his music as it pertains to contemporary jazz composition. Research… 

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APA (6th Edition):

Dickinson, S. C. (2017). The Compositional Style of Dave Douglas: Analysis of Select Pieces from a Spectrum of the Composer's Ensembles. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1834

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dickinson, Scott Carter. “The Compositional Style of Dave Douglas: Analysis of Select Pieces from a Spectrum of the Composer's Ensembles.” 2017. Thesis, University of Miami. Accessed March 28, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1834.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dickinson, Scott Carter. “The Compositional Style of Dave Douglas: Analysis of Select Pieces from a Spectrum of the Composer's Ensembles.” 2017. Web. 28 Mar 2020.

Vancouver:

Dickinson SC. The Compositional Style of Dave Douglas: Analysis of Select Pieces from a Spectrum of the Composer's Ensembles. [Internet] [Thesis]. University of Miami; 2017. [cited 2020 Mar 28]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1834.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dickinson SC. The Compositional Style of Dave Douglas: Analysis of Select Pieces from a Spectrum of the Composer's Ensembles. [Thesis]. University of Miami; 2017. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1834

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Pegel, David Anthony. An American Evensong: The Application of an Anglican Worship Service to a Large-scale Choral Concertpiece.

Degree: DMA, Music Theory and Composition (Music), 2014, University of Miami

  An American Evensong (2014), an original choral work composed by the author, was commissioned by Dr. Angela Batey and the University of Tennessee Chamber… (more)

Subjects/Keywords: Sacred Music; Composition; Evensong; Choir; Organ; Orchestra

…having rarely encountered American composers who expressed any interest in the composition of… …traditions that influenced the composition of An American Evensong. These traditions informed text… …concert hall influence its identity as a sacred composition, if only because the venue is… …composition of Evensong maintains its identity as the author’s “offering” in either context. 29… 

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APA (6th Edition):

Pegel, D. A. (2014). An American Evensong: The Application of an Anglican Worship Service to a Large-scale Choral Concertpiece. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pegel, David Anthony. “An American Evensong: The Application of an Anglican Worship Service to a Large-scale Choral Concertpiece.” 2014. Thesis, University of Miami. Accessed March 28, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pegel, David Anthony. “An American Evensong: The Application of an Anglican Worship Service to a Large-scale Choral Concertpiece.” 2014. Web. 28 Mar 2020.

Vancouver:

Pegel DA. An American Evensong: The Application of an Anglican Worship Service to a Large-scale Choral Concertpiece. [Internet] [Thesis]. University of Miami; 2014. [cited 2020 Mar 28]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pegel DA. An American Evensong: The Application of an Anglican Worship Service to a Large-scale Choral Concertpiece. [Thesis]. University of Miami; 2014. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Piccolotto de Lima, Rafael. Blurred Distinctions; Beyond Third Stream – A Study in Composition of Confluent Hybrid Musical Styles: The Amalgam of Jazz and Classical Concert Music.

Degree: DMA, Studio Music and Jazz (Music), 2017, University of Miami

 Categorizations are very necessary as shortcuts to facilitate teaching, academic discourse, and for publicizing, but they are also very dangerous in the attempt to put… (more)

Subjects/Keywords: third stream; composition; jazz; classical; orchestra; crossover

…exemplified in the composition and analysis of the original hybrid suite Seven Masks, presenting one… …of the classical techniques of composition. Towards the end of the twentieth century a new… …incorporate this research into a new extended composition for studio large ensemble? Chapter 2… …musicians became more interested in composition and arrangement, and a new collaborative… …Alex Stewart. “Contemporary New York City Big Bands: Composition, Arranging and Individuality… 

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APA (6th Edition):

Piccolotto de Lima, R. (2017). Blurred Distinctions; Beyond Third Stream – A Study in Composition of Confluent Hybrid Musical Styles: The Amalgam of Jazz and Classical Concert Music. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1797

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Piccolotto de Lima, Rafael. “Blurred Distinctions; Beyond Third Stream – A Study in Composition of Confluent Hybrid Musical Styles: The Amalgam of Jazz and Classical Concert Music.” 2017. Thesis, University of Miami. Accessed March 28, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/1797.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Piccolotto de Lima, Rafael. “Blurred Distinctions; Beyond Third Stream – A Study in Composition of Confluent Hybrid Musical Styles: The Amalgam of Jazz and Classical Concert Music.” 2017. Web. 28 Mar 2020.

Vancouver:

Piccolotto de Lima R. Blurred Distinctions; Beyond Third Stream – A Study in Composition of Confluent Hybrid Musical Styles: The Amalgam of Jazz and Classical Concert Music. [Internet] [Thesis]. University of Miami; 2017. [cited 2020 Mar 28]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1797.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Piccolotto de Lima R. Blurred Distinctions; Beyond Third Stream – A Study in Composition of Confluent Hybrid Musical Styles: The Amalgam of Jazz and Classical Concert Music. [Thesis]. University of Miami; 2017. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1797

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Seigido, Liza. Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

 Missa della Grande Transizione is a twenty-two minute electro-acoustic nuptial Mass for live processed voice, and stereographic video—using red-blue 3D glasses. The stereographic video backdrop… (more)

Subjects/Keywords: electronic music; electro-acoustic music; multimedia composition; processed voice; stereographic video; new music

…acoustic composition late in my undergraduate studies. Although developing an appreciation for… …acoustic composition. One pivotal experience changed my entire outlook on electro-acoustic… …composition and although I still enjoy writing for small acoustic ensembles, I dedicate much of my… …dying on a hospital bed due to complications following an illegal abortion. The composition… …composition; there are no prerecorded samples or synthesizers used in this work. The vocalist (… 

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APA (6th Edition):

Seigido, L. (2012). Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seigido, Liza. “Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video.” 2012. Thesis, University of Miami. Accessed March 28, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seigido, Liza. “Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video.” 2012. Web. 28 Mar 2020.

Vancouver:

Seigido L. Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video. [Internet] [Thesis]. University of Miami; 2012. [cited 2020 Mar 28]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seigido L. Missa Della Grande Transizione: For Live Processed Voice and Stereographic Video. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

12. Chen, Lee-Fei. The Emergence of the Double-Action Harp as the Standard Instrument: Pleyel's Chromatic Harp and Erard's Double-Action Harp.

Degree: DMA, Instrumental Performance (Music), 2008, University of Miami

  The primary purpose of this essay is to provide comparisons between Pleyel's chromatic harp and Erard's double-action pedal harp, in order to find the… (more)

Subjects/Keywords: Chromatic Harp; Double-Action Pedal Harp; History Of Erard's Double-Action Harp; Pleyel's Chromatic Harp; Harpists; Single-Action Harp; Salvi Harp; History Of Wurlitzer's Harp; Lyon & Healy Harp; Comparison Of Performance And Composition Techniqu

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APA (6th Edition):

Chen, L. (2008). The Emergence of the Double-Action Harp as the Standard Instrument: Pleyel's Chromatic Harp and Erard's Double-Action Harp. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/109

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chen, Lee-Fei. “The Emergence of the Double-Action Harp as the Standard Instrument: Pleyel's Chromatic Harp and Erard's Double-Action Harp.” 2008. Thesis, University of Miami. Accessed March 28, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/109.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chen, Lee-Fei. “The Emergence of the Double-Action Harp as the Standard Instrument: Pleyel's Chromatic Harp and Erard's Double-Action Harp.” 2008. Web. 28 Mar 2020.

Vancouver:

Chen L. The Emergence of the Double-Action Harp as the Standard Instrument: Pleyel's Chromatic Harp and Erard's Double-Action Harp. [Internet] [Thesis]. University of Miami; 2008. [cited 2020 Mar 28]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/109.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen L. The Emergence of the Double-Action Harp as the Standard Instrument: Pleyel's Chromatic Harp and Erard's Double-Action Harp. [Thesis]. University of Miami; 2008. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/109

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.