Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(composing out). Showing records 1 – 2 of 2 total matches.

Search Limiters

Last 2 Years | English Only

No search limiters apply to these results.

▼ Search Limiters


University of Cincinnati

1. BARNETT, JESSICA R. ALBERTO GINASTERA'S STRING QUARTETS NOS. 1 AND 2: CONSISTENCIES IN STRUCTURE AND PROCESS.

Degree: MM, College-Conservatory of Music : Theory, 2007, University of Cincinnati

Ginastera’s first and second string quartets are characterized by strong stylistic contrasts: the first is non-serial and the second represents the composer’s first attempt at serialism. Despite differences in stylistic orientation, these works exhibit striking similarities with respect to pitch organization and other structural processes. The primary objective of this study is to identify and explicate the consistencies in Ginastera’s musical language. The discussion places particular emphasis on the motivic pitch structure of both works and the way it interacts with the formal design of each movement. Foreground compositional processes in this music involve Ginastera’s emphasis on completing the chromatic aggregate and his penchant for symmetrical constructs. This study also explores the deeper-level compositional process of composing-out, which involves the projection of motivic or intervallic events over larger spans of music. The concept of the associational pathway is introduced to illuminate the musical narratives that unfold in Ginastera’s slow movements. Advisors/Committee Members: Losada, Dr. C. (Advisor).

Subjects/Keywords: Music; Ginastera; string quartet; composing out

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

BARNETT, J. R. (2007). ALBERTO GINASTERA'S STRING QUARTETS NOS. 1 AND 2: CONSISTENCIES IN STRUCTURE AND PROCESS. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179372958

Chicago Manual of Style (16th Edition):

BARNETT, JESSICA R. “ALBERTO GINASTERA'S STRING QUARTETS NOS. 1 AND 2: CONSISTENCIES IN STRUCTURE AND PROCESS.” 2007. Masters Thesis, University of Cincinnati. Accessed October 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179372958.

MLA Handbook (7th Edition):

BARNETT, JESSICA R. “ALBERTO GINASTERA'S STRING QUARTETS NOS. 1 AND 2: CONSISTENCIES IN STRUCTURE AND PROCESS.” 2007. Web. 16 Oct 2019.

Vancouver:

BARNETT JR. ALBERTO GINASTERA'S STRING QUARTETS NOS. 1 AND 2: CONSISTENCIES IN STRUCTURE AND PROCESS. [Internet] [Masters thesis]. University of Cincinnati; 2007. [cited 2019 Oct 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179372958.

Council of Science Editors:

BARNETT JR. ALBERTO GINASTERA'S STRING QUARTETS NOS. 1 AND 2: CONSISTENCIES IN STRUCTURE AND PROCESS. [Masters Thesis]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179372958


University of Cincinnati

2. Barnett, Jessica R. Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera.

Degree: PhD, College-Conservatory of Music: Theory, 2015, University of Cincinnati

In the late 1950s and early 1960s, Alberto Ginastera turned to twelve-tone composition. The personal twelve-tone language he developed during this time was largely an extension of the motivically-driven, sequentially-patterned, chromatic language he favored in his earlier, non-twelve-tone works. The primary objective of this study is twofold: (1) it illustrates the general characteristics of Ginastera’s compositional approach that remain consistent regardless of whether or not he uses a twelve-tone row as a point of departure; and (2) it demonstrates specific twelve-tone organizational strategies in the context of two of his earliest serial works, the Piano Concerto No. 1, Op. 28 (1961) and Violin Concerto, Op. 30 (1963). Advisors/Committee Members: Losada, Cristina (Committee Chair).

Subjects/Keywords: Music; Ginastera; Concerto; Variation; Composing-out; Octatonic; Twelve tone

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barnett, J. R. (2015). Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427980834

Chicago Manual of Style (16th Edition):

Barnett, Jessica R. “Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera.” 2015. Doctoral Dissertation, University of Cincinnati. Accessed October 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427980834.

MLA Handbook (7th Edition):

Barnett, Jessica R. “Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera.” 2015. Web. 16 Oct 2019.

Vancouver:

Barnett JR. Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera. [Internet] [Doctoral dissertation]. University of Cincinnati; 2015. [cited 2019 Oct 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427980834.

Council of Science Editors:

Barnett JR. Clusters, Clouds, and Constellations: Twelve-Tone Techniques and Variation Strategies in Two Concertos by Ginastera. [Doctoral Dissertation]. University of Cincinnati; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427980834

.