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You searched for subject:(comedy). Showing records 601 – 621 of 621 total matches.

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601. Brown, Jared Clayton. Sex and the City, Platinum Edition: How The Golden Girls Altered American Situation Comedy.

Degree: MA, Popular Culture, 2013, Bowling Green State University

 When The Golden Girls premiered in 1985, the show helped usher in a new era in American situation comedy television. American audiences had never seen… (more)

Subjects/Keywords: Aging; American Studies; Communication; Gender; Gender Studies; Gerontology; Mass Communications; Mass Media; Multimedia Communications; Performing Arts; Theater Studies; Womens Studies; The Golden Girls; Television Studies; Situation Comedy; Sitcoms; Women in Television; Television Performance; Performance Studies; Genre Studies; Television Comedy; Female Comediennes; Female Sexuality; Social Issues in Television; Older Women on TV

…was invented with the show’s inception: the adult female ensemble in situation comedy. As… …been female leads in situation comedy, starting with pioneers like Lucille Ball, but never… …Golden Girls laid a foundation for a new subgenre of comedy. 4 In the second chapter I look… …comedy before, there had not been a program where their concerns were the consistent focus… …Never before within a situation comedy series, was a quartet of women who were all past the… 

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APA (6th Edition):

Brown, J. C. (2013). Sex and the City, Platinum Edition: How The Golden Girls Altered American Situation Comedy. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1366060647

Chicago Manual of Style (16th Edition):

Brown, Jared Clayton. “Sex and the City, Platinum Edition: How The Golden Girls Altered American Situation Comedy.” 2013. Masters Thesis, Bowling Green State University. Accessed October 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1366060647.

MLA Handbook (7th Edition):

Brown, Jared Clayton. “Sex and the City, Platinum Edition: How The Golden Girls Altered American Situation Comedy.” 2013. Web. 16 Oct 2019.

Vancouver:

Brown JC. Sex and the City, Platinum Edition: How The Golden Girls Altered American Situation Comedy. [Internet] [Masters thesis]. Bowling Green State University; 2013. [cited 2019 Oct 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1366060647.

Council of Science Editors:

Brown JC. Sex and the City, Platinum Edition: How The Golden Girls Altered American Situation Comedy. [Masters Thesis]. Bowling Green State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1366060647

602. Almaula, Mirali. The Evolution of Mediatized Stand-Up Comedy: Investigating Para-Performances on Television, Film, and YouTube .

Degree: 2015, University of Guelph

 Although the majority of today’s performances are accessible on multiple platforms, performance analysis often continues to focus on the live event or to discuss the… (more)

Subjects/Keywords: stand-up comedy; race; gender; censorship; forms of capital; commodification; theatre studies; performance studies; cultural studies; media studies; para-text; para-performance; male gaze; dominant gaze; liveness; the unlive; audiences; cyberspace; performance space; Netflix; YouTube; DVD; television; TV; Russell Peters; Margaret Cho; George Carlin; Richard Pryor; Michael Richards; Jenna Marbles; stereotypes; representation; Comedy Now!; The Making-Box; dissidence; Lenny Bruce; mediatization; multicultural; power

…v Chapter One: The Emergence of Mediatized Stand-­‐Up Comedy… …1 Defining Stand-­‐Up Comedy… …2 Stand-­‐Up Comedy vs. Comedic Theatrical Solo Performance… …3 Stand-­‐Up Comedy vs. Vaudeville… …6 Stand-­‐Up Comedy vs. Sketch Comedy… 

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APA (6th Edition):

Almaula, M. (2015). The Evolution of Mediatized Stand-Up Comedy: Investigating Para-Performances on Television, Film, and YouTube . (Thesis). University of Guelph. Retrieved from https://atrium.lib.uoguelph.ca/xmlui/handle/10214/9248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Almaula, Mirali. “The Evolution of Mediatized Stand-Up Comedy: Investigating Para-Performances on Television, Film, and YouTube .” 2015. Thesis, University of Guelph. Accessed October 16, 2019. https://atrium.lib.uoguelph.ca/xmlui/handle/10214/9248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Almaula, Mirali. “The Evolution of Mediatized Stand-Up Comedy: Investigating Para-Performances on Television, Film, and YouTube .” 2015. Web. 16 Oct 2019.

Vancouver:

Almaula M. The Evolution of Mediatized Stand-Up Comedy: Investigating Para-Performances on Television, Film, and YouTube . [Internet] [Thesis]. University of Guelph; 2015. [cited 2019 Oct 16]. Available from: https://atrium.lib.uoguelph.ca/xmlui/handle/10214/9248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Almaula M. The Evolution of Mediatized Stand-Up Comedy: Investigating Para-Performances on Television, Film, and YouTube . [Thesis]. University of Guelph; 2015. Available from: https://atrium.lib.uoguelph.ca/xmlui/handle/10214/9248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

603. Goossen, Jonathan. Jonson's and Shakespeare's "Comedy of Affliction".

Degree: PhD, Department of English, 2011, Dalhousie University

 This dissertation explores the relevance of recent studies of Aristotle’s comic theory to the central dramatists of early modern England, Ben Jonson and William Shakespeare.… (more)

Subjects/Keywords: Aristotle; Aristotle's Poetics; Shakespeare; Much Ado About Nothing; Measure for Measure; Ben Jonson; Every Man Out of His Humour; Epicoene; Comic Theory; Catharsis; Indignation; Hoax; Comic plot; Classical literary theory; Comedy

…important aspect of this work has been speculation on the treatise’s relevance to comedy. The aim… …comedy of Ben Jonson and his greatest rival, Shakespeare. “Sheer anachronism!”, may well be the… …Jonson’s maxim, are true, it should at least be possible that in the process of writing comedy… …circulation in the ancient world, and thus little evident influence on its comedy; indeed, much less… …Shakespeare and Classical Comedy. 3 which postdate Jonson and Shakespeare have regularly… 

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APA (6th Edition):

Goossen, J. (2011). Jonson's and Shakespeare's "Comedy of Affliction". (Doctoral Dissertation). Dalhousie University. Retrieved from http://hdl.handle.net/10222/14178

Chicago Manual of Style (16th Edition):

Goossen, Jonathan. “Jonson's and Shakespeare's "Comedy of Affliction".” 2011. Doctoral Dissertation, Dalhousie University. Accessed October 16, 2019. http://hdl.handle.net/10222/14178.

MLA Handbook (7th Edition):

Goossen, Jonathan. “Jonson's and Shakespeare's "Comedy of Affliction".” 2011. Web. 16 Oct 2019.

Vancouver:

Goossen J. Jonson's and Shakespeare's "Comedy of Affliction". [Internet] [Doctoral dissertation]. Dalhousie University; 2011. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/10222/14178.

Council of Science Editors:

Goossen J. Jonson's and Shakespeare's "Comedy of Affliction". [Doctoral Dissertation]. Dalhousie University; 2011. Available from: http://hdl.handle.net/10222/14178


University of Canterbury

604. Tay, Geniesa. Embracing LOLitics: Popular Culture, Online Political Humor, and Play.

Degree: Media and Communication, 2012, University of Canterbury

 The Internet, and Web 2.0 tools can empower audiences to actively participate in media creation. This allows the production of large quantities of content, both… (more)

Subjects/Keywords: digital media; popular culture; news media; politics; political humor; play theory; jokes; comedy; Internet culture; viral media; online media; textual poaching; memes; remix; lolcats; lolitics; Internet memes; political satire; participatory culture; online spaces; political cartoons; political commentary; social media; discourse analysis; narrative analysis; textual analysis; case studies; crowdsourcing; language; new literacy; political criticism; barack obama; 9/11; osama bin laden; joe biden; john mccain; sarah palin; vladimir putin; stephen colbert; jon stewart; star wars; the daily show; the colbert report; saturday night live; south park; zombies; comics; reddit; tumblr; twitter; photoshop; photomanipulation; online humor; fanfiction; best thesis ever; celebrity culture; tabloid journalism; gaffes; presidential elections; citizen culture; political participation; affinity spaces; parody; intertextuality; virtual communities

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APA (6th Edition):

Tay, G. (2012). Embracing LOLitics: Popular Culture, Online Political Humor, and Play. (Thesis). University of Canterbury. Retrieved from http://hdl.handle.net/10092/7091

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tay, Geniesa. “Embracing LOLitics: Popular Culture, Online Political Humor, and Play.” 2012. Thesis, University of Canterbury. Accessed October 16, 2019. http://hdl.handle.net/10092/7091.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tay, Geniesa. “Embracing LOLitics: Popular Culture, Online Political Humor, and Play.” 2012. Web. 16 Oct 2019.

Vancouver:

Tay G. Embracing LOLitics: Popular Culture, Online Political Humor, and Play. [Internet] [Thesis]. University of Canterbury; 2012. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/10092/7091.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tay G. Embracing LOLitics: Popular Culture, Online Political Humor, and Play. [Thesis]. University of Canterbury; 2012. Available from: http://hdl.handle.net/10092/7091

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

605. Fletcher, Kathryn DeWitt. Geographies of the underworld: the poetics of chthonic embodiment and game worlds.

Degree: MS, Literature, Communication, and Culture, 2008, Georgia Tech

 A concept of underworld runs through many cultures. These realms of spirits and the dead generally share several key characteristics, despite their varied and separate… (more)

Subjects/Keywords: Video game studies; WoW; World of Warcraft; Space; Avatar; Multiplayer; MMO; Phenomenology; Myth; Virtual; Dante; Inferno; Purgatory; Divine Comedy; Digital media; Dead Mythology; Dead Folklore; Spirits; Mythology; Video games; Spatial behavior

…late medieval Divine Comedy, while Renaissance authors like Spenser used the underworld for… 

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APA (6th Edition):

Fletcher, K. D. (2008). Geographies of the underworld: the poetics of chthonic embodiment and game worlds. (Masters Thesis). Georgia Tech. Retrieved from http://hdl.handle.net/1853/24613

Chicago Manual of Style (16th Edition):

Fletcher, Kathryn DeWitt. “Geographies of the underworld: the poetics of chthonic embodiment and game worlds.” 2008. Masters Thesis, Georgia Tech. Accessed October 16, 2019. http://hdl.handle.net/1853/24613.

MLA Handbook (7th Edition):

Fletcher, Kathryn DeWitt. “Geographies of the underworld: the poetics of chthonic embodiment and game worlds.” 2008. Web. 16 Oct 2019.

Vancouver:

Fletcher KD. Geographies of the underworld: the poetics of chthonic embodiment and game worlds. [Internet] [Masters thesis]. Georgia Tech; 2008. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/1853/24613.

Council of Science Editors:

Fletcher KD. Geographies of the underworld: the poetics of chthonic embodiment and game worlds. [Masters Thesis]. Georgia Tech; 2008. Available from: http://hdl.handle.net/1853/24613


Universidade do Estado do Rio de Janeiro

606. Sáran Vasque de Oliveira. [No title].

Degree: Master, 2015, Universidade do Estado do Rio de Janeiro

Subjects/Keywords: Anfitrião; Luís de Camões; Comedy; OUTRAS LITERATURAS VERNACULAS; Camões, Luis de, 1524?-1580 - Crítica e interpretação; Plauto, 254a.C.-184a.C. - Crítica e interpretação; Plauto, 254a.C.-184a.C. Anfitrião; Comédia - História e crítica; Teatro latino (Comédia) - História e crítica; Teatro português (Comédia) - História e crítica

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APA (6th Edition):

Oliveira, S. V. d. (2015). [No title]. (Masters Thesis). Universidade do Estado do Rio de Janeiro. Retrieved from http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=9038 ; http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=10172 ;

Chicago Manual of Style (16th Edition):

Oliveira, Sáran Vasque de. “[No title].” 2015. Masters Thesis, Universidade do Estado do Rio de Janeiro. Accessed October 16, 2019. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=9038 ; http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=10172 ;.

MLA Handbook (7th Edition):

Oliveira, Sáran Vasque de. “[No title].” 2015. Web. 16 Oct 2019.

Vancouver:

Oliveira SVd. [No title]. [Internet] [Masters thesis]. Universidade do Estado do Rio de Janeiro; 2015. [cited 2019 Oct 16]. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=9038 ; http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=10172 ;.

Council of Science Editors:

Oliveira SVd. [No title]. [Masters Thesis]. Universidade do Estado do Rio de Janeiro; 2015. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=9038 ; http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=10172 ;

607. Gilabert, Gaston. El arte dramático de Bances Candamo. Poesía y música en las comedias del ocaso del Siglo de Oro.

Degree: Departament de Filologia Hispànica, 2015, Universitat de Barcelona

 Bances Candamo is to be found at a key inflection point for the history of literature and drama, between the baroque and the neoclassical poetry… (more)

Subjects/Keywords: Teatre (Gènere literari); Teatro (Género literario); Drama; Comèdia; Comedia; Comedy; Teatre barroc; Teatro barroco; Baroque drama; Teatre castellà; Teatro castellano; Spanish drama; Bances Candamo, Francisco Antonio de, 1662-1704; Ciències Humanes i Socials; 82

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APA (6th Edition):

Gilabert, G. (2015). El arte dramático de Bances Candamo. Poesía y música en las comedias del ocaso del Siglo de Oro. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/286632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gilabert, Gaston. “El arte dramático de Bances Candamo. Poesía y música en las comedias del ocaso del Siglo de Oro.” 2015. Thesis, Universitat de Barcelona. Accessed October 16, 2019. http://hdl.handle.net/10803/286632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gilabert, Gaston. “El arte dramático de Bances Candamo. Poesía y música en las comedias del ocaso del Siglo de Oro.” 2015. Web. 16 Oct 2019.

Vancouver:

Gilabert G. El arte dramático de Bances Candamo. Poesía y música en las comedias del ocaso del Siglo de Oro. [Internet] [Thesis]. Universitat de Barcelona; 2015. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/10803/286632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gilabert G. El arte dramático de Bances Candamo. Poesía y música en las comedias del ocaso del Siglo de Oro. [Thesis]. Universitat de Barcelona; 2015. Available from: http://hdl.handle.net/10803/286632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

608. Silveira dos Santos, Daniela. El Nacimiento de la comedia : imaginario mítico en el cine de Charles Chaplin.

Degree: Departament de Comunicació, 2015, Universitat Pompeu Fabra

 This thesis examines the archetypical origins of comedy through the character The Tramp and intends to design and structure the mythical imaginary of Charles Chaplin’s… (more)

Subjects/Keywords: Comedia; Cómico; Burlesco; Slapstick; Cine; Chaplin; Charlot; Verdoux; Hermes; Epifanía; Imaginario; Arquetipo; Niño; Trickster; Símbolo; Mito; Comedy; Comic; Burlesque; Cinema; The Tramp; Epiphany; Imaginary; Archetype; Child; Trickster; Symbol; Myth; 82

…Abstract This thesis examines the archetypical origins of comedy through the character… …sets the ground for comedy storytelling in Western culture, and secondly, how Chaplin’s… …cinema stands as its greatest epiphany. Key words: Comedy, comic, burlesque, slapstick, cinema… …mischief gag a Charlot .................. Del burlesco a la comedian comedy: la epifanía del… …Popular film and television comedy. Londres, Routledge, 1990, pp.15-16. 18 Himnos homéricos, op… 

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APA (6th Edition):

Silveira dos Santos, D. (2015). El Nacimiento de la comedia : imaginario mítico en el cine de Charles Chaplin. (Thesis). Universitat Pompeu Fabra. Retrieved from http://hdl.handle.net/10803/286040

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Silveira dos Santos, Daniela. “El Nacimiento de la comedia : imaginario mítico en el cine de Charles Chaplin.” 2015. Thesis, Universitat Pompeu Fabra. Accessed October 16, 2019. http://hdl.handle.net/10803/286040.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Silveira dos Santos, Daniela. “El Nacimiento de la comedia : imaginario mítico en el cine de Charles Chaplin.” 2015. Web. 16 Oct 2019.

Vancouver:

Silveira dos Santos D. El Nacimiento de la comedia : imaginario mítico en el cine de Charles Chaplin. [Internet] [Thesis]. Universitat Pompeu Fabra; 2015. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/10803/286040.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Silveira dos Santos D. El Nacimiento de la comedia : imaginario mítico en el cine de Charles Chaplin. [Thesis]. Universitat Pompeu Fabra; 2015. Available from: http://hdl.handle.net/10803/286040

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

609. Carneiro Albuquerque, Liliana. Mockumentaries and the music industry : between flattery and criticism.

Degree: Departament de Comunicació, 2013, Universitat Pompeu Fabra

 Esta tesis analiza la relación entre la industria de la música y los falsos documentales. Teniendo en cuenta que esta cuestión todavía no se ha… (more)

Subjects/Keywords: Mockumentary; Music; Audiovisual narrative; Cinema; TV series; Documentary; Comedy; Musicals; Rockumentary; Parody; Satire; New media; Music industry; Music genres; Falso documental; Música; Narrativa audiovisual; Series de televisión; Documental; Comedia; Musicales; Rockumentary; Parodia; Sátira; Nuevos medios; Industria musical; Géneros musicales; 78

…Contemporary issues and examples 33 2.2. Mockumentary as comedy 43 2.3. Music… …name a few examples. Although not all mockumentaries lean towards comedy, many of my… …x28;comedy) with another that generally attracts a lot of attention from critics (… …documentaries but also concerning other audiovisual genres and their strategies, such as comedy and… …by Rusty Cundieff, 1993) was just a comedy about a rap group? This research will not… 

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APA (6th Edition):

Carneiro Albuquerque, L. (2013). Mockumentaries and the music industry : between flattery and criticism. (Thesis). Universitat Pompeu Fabra. Retrieved from http://hdl.handle.net/10803/125712

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carneiro Albuquerque, Liliana. “Mockumentaries and the music industry : between flattery and criticism.” 2013. Thesis, Universitat Pompeu Fabra. Accessed October 16, 2019. http://hdl.handle.net/10803/125712.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carneiro Albuquerque, Liliana. “Mockumentaries and the music industry : between flattery and criticism.” 2013. Web. 16 Oct 2019.

Vancouver:

Carneiro Albuquerque L. Mockumentaries and the music industry : between flattery and criticism. [Internet] [Thesis]. Universitat Pompeu Fabra; 2013. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/10803/125712.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carneiro Albuquerque L. Mockumentaries and the music industry : between flattery and criticism. [Thesis]. Universitat Pompeu Fabra; 2013. Available from: http://hdl.handle.net/10803/125712

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

610. Gagnon, Julie E. Masculinidades de moda : machos del Siglo de Oro.

Degree: PhD, Department of Hispanic Studies., 2003, McGill University

Among the diverse fabric of masculinities that prestigious authors such as Pedro Calderon de la Barca, Tirso de Molina and Agustin Moreto weave into their… (more)

Subjects/Keywords: Masculinity in literature; Spanish drama (Comedy)  – Classical period, 1500-1700  – History and criticism; Calderón de la Barca, Pedro, 1600-1681. Saber del mal y del bien; Molina, Tirso de, 1571?-1648. Don Gil de las calzas verdes; Moreto, Agustín, 1618-1669. Lindo don Diego

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APA (6th Edition):

Gagnon, J. E. (2003). Masculinidades de moda : machos del Siglo de Oro. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile84509.pdf

Chicago Manual of Style (16th Edition):

Gagnon, Julie E. “Masculinidades de moda : machos del Siglo de Oro.” 2003. Doctoral Dissertation, McGill University. Accessed October 16, 2019. http://digitool.library.mcgill.ca/thesisfile84509.pdf.

MLA Handbook (7th Edition):

Gagnon, Julie E. “Masculinidades de moda : machos del Siglo de Oro.” 2003. Web. 16 Oct 2019.

Vancouver:

Gagnon JE. Masculinidades de moda : machos del Siglo de Oro. [Internet] [Doctoral dissertation]. McGill University; 2003. [cited 2019 Oct 16]. Available from: http://digitool.library.mcgill.ca/thesisfile84509.pdf.

Council of Science Editors:

Gagnon JE. Masculinidades de moda : machos del Siglo de Oro. [Doctoral Dissertation]. McGill University; 2003. Available from: http://digitool.library.mcgill.ca/thesisfile84509.pdf

611. Shea, Melissa. The Adventures of Goat.

Degree: 2015, University of Waterloo

 This is a story about a Goat, who is an Animated & a Talking Goat, unusually, for an Architect. There are also other Talking Animals,… (more)

Subjects/Keywords: Fiction Novel Novella Architecture Architect Design Designer Beauty Love Poetry Poetic Comedy Funny Humour Goat Moose Beaver Animal Animals Story Adventure Quest Friendship Friend Imagination Build Building Tiny House Happy Happiness

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APA (6th Edition):

Shea, M. (2015). The Adventures of Goat. (Thesis). University of Waterloo. Retrieved from http://hdl.handle.net/10012/9049

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shea, Melissa. “The Adventures of Goat.” 2015. Thesis, University of Waterloo. Accessed October 16, 2019. http://hdl.handle.net/10012/9049.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shea, Melissa. “The Adventures of Goat.” 2015. Web. 16 Oct 2019.

Vancouver:

Shea M. The Adventures of Goat. [Internet] [Thesis]. University of Waterloo; 2015. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/10012/9049.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shea M. The Adventures of Goat. [Thesis]. University of Waterloo; 2015. Available from: http://hdl.handle.net/10012/9049

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

612. Major, Rafael M. Wisdom and Law: Political Thought in Shakespeare's Comedies.

Degree: 2002, University of North Texas

 In this study of A Midsummer Night's Dream, The Merchant of Venice, and Measure for Measure I argue that the surface plots of these comedies… (more)

Subjects/Keywords: Shakespeare, William, 1564-1616  – Political and social views.; Shakespeare, William, 1564-1616. Midsummer night's dream.; Shakespeare, William, 1564-1616. Merchant of Venice.; Shakespeare, William, 1564-1616. Measure for measure.; Shakespeare; comedy; political philosophy; Leo Strauss; Allan Bloom; John Alvis

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APA (6th Edition):

Major, R. M. (2002). Wisdom and Law: Political Thought in Shakespeare's Comedies. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc3277/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Major, Rafael M. “Wisdom and Law: Political Thought in Shakespeare's Comedies.” 2002. Thesis, University of North Texas. Accessed October 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc3277/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Major, Rafael M. “Wisdom and Law: Political Thought in Shakespeare's Comedies.” 2002. Web. 16 Oct 2019.

Vancouver:

Major RM. Wisdom and Law: Political Thought in Shakespeare's Comedies. [Internet] [Thesis]. University of North Texas; 2002. [cited 2019 Oct 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc3277/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Major RM. Wisdom and Law: Political Thought in Shakespeare's Comedies. [Thesis]. University of North Texas; 2002. Available from: https://digital.library.unt.edu/ark:/67531/metadc3277/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

613. L'hopital, Servane. Toucher le coeur : confrontations du théâtre et des pratiques de piété en France au XVIIe siècle : Printing the Heart : confrontations between Theater and Liturgy in Seventeenth-Century France.

Degree: Docteur es, Lettres et Arts, 2015, Université Lumière – Lyon II

 La confrontation du théâtre et de la liturgie est un lieu commun de la pensée. Il est un motif rhétorique récurrent chez les pères de… (more)

Subjects/Keywords: XVIIe siècle; France; Théâtre; Liturgie catholique; Littérature spirituelle; Réforme; Contre-Réforme; Querelle de la moralité au théâtre; Querelle des règles; Docere et placere; Apologies du théâtre; Cérémonies; Messe; Prédication; Offices; Pénitence; Représentation vive et vive représentation; Jeu du comédien; Actio; Prière; Foi; Exercices spirituels; Présence; Allégorie; Figure; Typologie; Considération; Application; Purgation; Catharsis; Vraisemblance; Incompréhensibilité; Raison et foi; Coutume; Imagination; Horreur; Disposition; Pureté; Coeur; Seventeenth century; France; Theater; Catholic liturgy; Spiritual literature; Reformation; Counter-Reformation; Quarrel of morality in Comedy; Quarrel of the poetic rules; Docere and placere; Apologies of theater; Ceremonies; Mass; Predication; Offices; Penitence; Lively representation; Performance; Actio; Praying; Faith; Spiritual exercises; Presence; Allegory; Typology; Consideration; Application; Purgation; Catharsis; Verisimilitude; Incomprehensibility; Reason and faith; Custom; Imagination; Horror; Disposition; Purity; Heart

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APA (6th Edition):

L'hopital, S. (2015). Toucher le coeur : confrontations du théâtre et des pratiques de piété en France au XVIIe siècle : Printing the Heart : confrontations between Theater and Liturgy in Seventeenth-Century France. (Doctoral Dissertation). Université Lumière – Lyon II. Retrieved from http://www.theses.fr/2015LYO20121

Chicago Manual of Style (16th Edition):

L'hopital, Servane. “Toucher le coeur : confrontations du théâtre et des pratiques de piété en France au XVIIe siècle : Printing the Heart : confrontations between Theater and Liturgy in Seventeenth-Century France.” 2015. Doctoral Dissertation, Université Lumière – Lyon II. Accessed October 16, 2019. http://www.theses.fr/2015LYO20121.

MLA Handbook (7th Edition):

L'hopital, Servane. “Toucher le coeur : confrontations du théâtre et des pratiques de piété en France au XVIIe siècle : Printing the Heart : confrontations between Theater and Liturgy in Seventeenth-Century France.” 2015. Web. 16 Oct 2019.

Vancouver:

L'hopital S. Toucher le coeur : confrontations du théâtre et des pratiques de piété en France au XVIIe siècle : Printing the Heart : confrontations between Theater and Liturgy in Seventeenth-Century France. [Internet] [Doctoral dissertation]. Université Lumière – Lyon II; 2015. [cited 2019 Oct 16]. Available from: http://www.theses.fr/2015LYO20121.

Council of Science Editors:

L'hopital S. Toucher le coeur : confrontations du théâtre et des pratiques de piété en France au XVIIe siècle : Printing the Heart : confrontations between Theater and Liturgy in Seventeenth-Century France. [Doctoral Dissertation]. Université Lumière – Lyon II; 2015. Available from: http://www.theses.fr/2015LYO20121

614. Koutseridi, Olga. The meaning and use of the word vidua in Latin literature of the 2nd and 1st century B.C.

Degree: MA, Classics, 2013, University of Texas – Austin

 The primary role of this report is to provide an in-depth analysis of all the instances of the word vidua, its meanings and uses in… (more)

Subjects/Keywords: Vidua; Roman women; Marriage; No longer married women; Widows; Divorce; Abandoned women; Roman elegy; Roman comedy; Vidua (The Latin word); Latin language – Etymology; Latin language – Lexicology; Latin language – Semantics; Connotation (Linguistics)

…3 Chapter II: The Word Vidua in the 2nd Century B.C. Roman Comedy ..........7… …Adjectival use of the word vidua in Roman Comedy ...................................24… …Comedy ............30 Table II: Instances of Vidua in the 1st Century B.C. Roman… …chapter focuses on the use and meanings of the word vidua in Roman comedy, our earliest context… …of elegiac poetry. This transition into the realm of Roman comedy provides the perfect… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Koutseridi, O. (2013). The meaning and use of the word vidua in Latin literature of the 2nd and 1st century B.C. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/22721

Chicago Manual of Style (16th Edition):

Koutseridi, Olga. “The meaning and use of the word vidua in Latin literature of the 2nd and 1st century B.C.” 2013. Masters Thesis, University of Texas – Austin. Accessed October 16, 2019. http://hdl.handle.net/2152/22721.

MLA Handbook (7th Edition):

Koutseridi, Olga. “The meaning and use of the word vidua in Latin literature of the 2nd and 1st century B.C.” 2013. Web. 16 Oct 2019.

Vancouver:

Koutseridi O. The meaning and use of the word vidua in Latin literature of the 2nd and 1st century B.C. [Internet] [Masters thesis]. University of Texas – Austin; 2013. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/2152/22721.

Council of Science Editors:

Koutseridi O. The meaning and use of the word vidua in Latin literature of the 2nd and 1st century B.C. [Masters Thesis]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/22721


University of Oxford

615. Langdell, Sebastian James. Religious reform, transnational poetics, and literary tradition in the work of Thomas Hoccleve.

Degree: PhD, 2014, University of Oxford

 This study considers Thomas Hoccleve’s role, throughout his works, as a “religious” writer: as an individual who engages seriously with the dynamics of heresy and… (more)

Subjects/Keywords: 821; English Language and Literature; History of art and visual culture; Christianity and Christian spirituality; Church history; Medieval philosophy; Literatures of Romance languages; History of Britain and Europe; Late antiquity and the Middle Ages; Geoffrey Chaucer; William Langland; Thomas Hoccleve; Christine de Pizan; Eustache Deschamps; Dante Alighieri; Literary Criticism; Late-Medieval English Poetry; Late-Medieval French Poetry; Late-Medieval Italian Poetry; Late-Medieval Religious Writing; Late-Medieval Church Reform; Religious Reform; Ecclesiastical Reform; Regiment of Princes; Canterbury Tales; Piers Plowman; Troilus and Criseyde; Archbishop Thomas Arundel; Archbishop Henry Chichele; Transnational Poetry; Chaucerian writing; English literary tradition; Epistle of Cupid; The Series; Orthodoxy; Heresy; John Gower; George Ashby; Nicholas Brigham; Mum and the Sothsegger; Richard the Redeless; Jean de Meun; Divine Comedy; Commedia; Roman de la Rose; John Lydgate

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APA (6th Edition):

Langdell, S. J. (2014). Religious reform, transnational poetics, and literary tradition in the work of Thomas Hoccleve. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:a2e8eb46-5d08-405d-baa9-24e0400a47d8 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669836

Chicago Manual of Style (16th Edition):

Langdell, Sebastian James. “Religious reform, transnational poetics, and literary tradition in the work of Thomas Hoccleve.” 2014. Doctoral Dissertation, University of Oxford. Accessed October 16, 2019. http://ora.ox.ac.uk/objects/uuid:a2e8eb46-5d08-405d-baa9-24e0400a47d8 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669836.

MLA Handbook (7th Edition):

Langdell, Sebastian James. “Religious reform, transnational poetics, and literary tradition in the work of Thomas Hoccleve.” 2014. Web. 16 Oct 2019.

Vancouver:

Langdell SJ. Religious reform, transnational poetics, and literary tradition in the work of Thomas Hoccleve. [Internet] [Doctoral dissertation]. University of Oxford; 2014. [cited 2019 Oct 16]. Available from: http://ora.ox.ac.uk/objects/uuid:a2e8eb46-5d08-405d-baa9-24e0400a47d8 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669836.

Council of Science Editors:

Langdell SJ. Religious reform, transnational poetics, and literary tradition in the work of Thomas Hoccleve. [Doctoral Dissertation]. University of Oxford; 2014. Available from: http://ora.ox.ac.uk/objects/uuid:a2e8eb46-5d08-405d-baa9-24e0400a47d8 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669836

616. Maulden, Hannah Leah. Heroes and Villains: Political Rhetoric in Post-9/11 Popular Media.

Degree: MA, Popular Culture, 2015, Bowling Green State University

 President George W. Bush experienced a drastic rise in popularity after the terrorist attacks of September 11th, 2001, and this popularity continued through his first… (more)

Subjects/Keywords: American Studies; Cultural Anthropology; Film Studies; Mass Media; Middle Eastern Studies; Modern History; Motion Pictures; Political Science; Rhetoric; politics; political rhetoric; 24; Alias; How to Lose a Guy in Ten Days; Maid in Manhattan; Halo; Freedom Fighters; Call of Duty; George W Bush; television; romantic comedy; superhero; video games; presidential speeches

…in the context of romantic comedy films. In this chapter, I take Negre’s examination a step… 

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APA (6th Edition):

Maulden, H. L. (2015). Heroes and Villains: Political Rhetoric in Post-9/11 Popular Media. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1431964700

Chicago Manual of Style (16th Edition):

Maulden, Hannah Leah. “Heroes and Villains: Political Rhetoric in Post-9/11 Popular Media.” 2015. Masters Thesis, Bowling Green State University. Accessed October 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1431964700.

MLA Handbook (7th Edition):

Maulden, Hannah Leah. “Heroes and Villains: Political Rhetoric in Post-9/11 Popular Media.” 2015. Web. 16 Oct 2019.

Vancouver:

Maulden HL. Heroes and Villains: Political Rhetoric in Post-9/11 Popular Media. [Internet] [Masters thesis]. Bowling Green State University; 2015. [cited 2019 Oct 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1431964700.

Council of Science Editors:

Maulden HL. Heroes and Villains: Political Rhetoric in Post-9/11 Popular Media. [Masters Thesis]. Bowling Green State University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1431964700

617. Laviolette, Byron James. From Clowns to Computers: Performing Theatrical Interactivity and Pervasive Transmedia Fictions.

Degree: PhD, Theatre and Performance Studies, 2014, York University

 The Collins English Dictionary defines “Interaction” as “a mutual or reciprocal action or influence”, and “Interactivity” as “allowing or relating to continuous two-way transfer of… (more)

Subjects/Keywords: Theater; Multimedia; Design; Player; Theatre; Improvisational Comedy; Street Theatre; Variety Theatre; Audience Participatory Theatre; Intimate Theatre; Interactive; Pervasive; Transmedia; Clown; Morro; Jasp; U.N.I.T. Productions; Gaming; Game Design; ByoLogyc; ZED.TO; Mission Business; Agency; Play; Trust; Sharing; Believe; Belief; Play; Status; Alternate Reality Game; Pervasive Game; LARP; Audience; Participant

…Clown, Charm, Character and Comedy. The clown form already has built into it the desire to… …them. Finally, the work of Morro and Jasp is comedy, the greatest of social lubricants. And… …series (a clown duo conceived by U.N.I.T. Production in 2005 that explores, through comedy… …Improvisational Comedy, Street Theatre, and finally true Interactive Theatre. Izzo’s categorization… 

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APA (6th Edition):

Laviolette, B. J. (2014). From Clowns to Computers: Performing Theatrical Interactivity and Pervasive Transmedia Fictions. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/27646

Chicago Manual of Style (16th Edition):

Laviolette, Byron James. “From Clowns to Computers: Performing Theatrical Interactivity and Pervasive Transmedia Fictions.” 2014. Doctoral Dissertation, York University. Accessed October 16, 2019. http://hdl.handle.net/10315/27646.

MLA Handbook (7th Edition):

Laviolette, Byron James. “From Clowns to Computers: Performing Theatrical Interactivity and Pervasive Transmedia Fictions.” 2014. Web. 16 Oct 2019.

Vancouver:

Laviolette BJ. From Clowns to Computers: Performing Theatrical Interactivity and Pervasive Transmedia Fictions. [Internet] [Doctoral dissertation]. York University; 2014. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/10315/27646.

Council of Science Editors:

Laviolette BJ. From Clowns to Computers: Performing Theatrical Interactivity and Pervasive Transmedia Fictions. [Doctoral Dissertation]. York University; 2014. Available from: http://hdl.handle.net/10315/27646

618. ΠΑΡΟΙΚΟΣ, ΝΙΚΟΛΑΟΣ. ΤΟ ΓΕΛΙΟ, ΤΟ ΚΩΜΙΚΟ, Η ΚΩΜΩΔΙΑ.

Degree: 1993, Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); National and Kapodistrian University of Athens

Η ΔΙΑΤΡΙΒΗ ΑΥΤΗ ΑΠΟΤΕΛΕΙ ΜΙΑ ΠΡΟΣΠΑΘΕΙΑ ΠΡΟΣΕΓΓΙΣΗΣ ΤΗΣ ΑΙΣΘΗΤΙΚΗΣ ΚΑΤΗΓΟΡΙΑΣ ΤΟΥ ΚΩΜΙΚΟΥ ΜΕ ΤΗΝ ΕΚ ΠΑΡΑΛΛΗΛΟΥ ΕΠΙΣΗΜΑΝΣΗ ΚΑΙ ΤΗ ΣΠΟΥΔΗ ΤΩΝ ΠΡΩΤΑΡΧΙΚΩΝ ΣΤΟΙΧΕΙΩΝ ΠΟΥ ΓΕΝΟΥΝ… (more)

Subjects/Keywords: BIOLOGICAL SOURCES; BOISTEROUS AND MERRY COMPANY; BREADTH OFCOMIC'S SPECTRUM; DANCE OF THE GOATS; ESTHETIC VALUE; FIELDS OF ACTIVITY; IAMBIC SCENES; LAUGHTER-SMILE-MODES OF LAUGHTER; MASQUERADING MAN IN WOMAN AND VICE VERSA; OBSENITY (FOUL-LANGUAGE); PHALICS; PHILOSOPHY OF LAUGHTER; PRECONDITIONS AND QUALIFICATIONS OF COMIC; ROOTS OF COMEDY; SOCIAL AND PSYCHOLOGICAL SOURCES; ZOOMORPHISM(USE OF ANIMALS MASKS); ΑΙΣΘΗΤΙΚΗ ΑΞΙΑ ΚΩΜΙΚΟΥ; ΒΙΟΛΟΓΙΚΕΣ ΠΗΓΕΣ; ΒΩΜΟΛΟΓΙΑ; Γάμοι; ΓΕΛΙΟ-ΜΕΙΔΙΑΜΑ-ΕΙΔΗ ΓΕΛΙΟΥ; ΖΩΟΜΟΡΦΙΣΜΟΣ; ΘΕΩΡΙΑ ΣΤΑΣΕΩΝ-ΔΙΑΘΕΣΕΩΝ; ΙΑΜΒΙΚΕΣ ΣΚΗΝΕΣ; ΚΟΙΝΩΝΙΚΕΣ-ΨΥΧΟΛΟΓΙΚΕΣ ΠΗΓΕΣ ΓΕΛΙΟΥ; ΚΩΜΟΣ; ΜΕΤΑΜΦΙΕΣΗ ΦΥΛΟΥ; ΠΕΔΙΑ, ΦΑΣΜΑ ΚΩΜΙΚΟΥ; ΠΡΟΥΠΟΘΕΣΕΙΣ ΚΩΜΙΚΟΥ; ΡΙΖΕΣ ΚΩΜΩΔΙΑΣ; ΦΑΛΛΙΚΑ; ΦΙΛΟΣΟΦΙΑ ΓΕΛΙΟΥ; ΧΟΡΟΣ ΤΩΝ ΤΡΑΓΩΝ

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APA (6th Edition):

ΠΑΡΟΙΚΟΣ, . (1993). ΤΟ ΓΕΛΙΟ, ΤΟ ΚΩΜΙΚΟ, Η ΚΩΜΩΔΙΑ. (Thesis). Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); National and Kapodistrian University of Athens. Retrieved from http://hdl.handle.net/10442/hedi/3510

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

ΠΑΡΟΙΚΟΣ, ΝΙΚΟΛΑΟΣ. “ΤΟ ΓΕΛΙΟ, ΤΟ ΚΩΜΙΚΟ, Η ΚΩΜΩΔΙΑ.” 1993. Thesis, Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); National and Kapodistrian University of Athens. Accessed October 16, 2019. http://hdl.handle.net/10442/hedi/3510.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

ΠΑΡΟΙΚΟΣ, ΝΙΚΟΛΑΟΣ. “ΤΟ ΓΕΛΙΟ, ΤΟ ΚΩΜΙΚΟ, Η ΚΩΜΩΔΙΑ.” 1993. Web. 16 Oct 2019.

Vancouver:

ΠΑΡΟΙΚΟΣ . ΤΟ ΓΕΛΙΟ, ΤΟ ΚΩΜΙΚΟ, Η ΚΩΜΩΔΙΑ. [Internet] [Thesis]. Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); National and Kapodistrian University of Athens; 1993. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/10442/hedi/3510.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

ΠΑΡΟΙΚΟΣ . ΤΟ ΓΕΛΙΟ, ΤΟ ΚΩΜΙΚΟ, Η ΚΩΜΩΔΙΑ. [Thesis]. Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); National and Kapodistrian University of Athens; 1993. Available from: http://hdl.handle.net/10442/hedi/3510

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

619. Mistler, Brian. Bisociation and Second-Order Change Relationships Among Tolerance for Ambiguity, Sense of Humor, and Humor Styles.

Degree: PhD, Counseling Psychology - Psychology, 2009, University of Florida

 Individual differences in Tolerance for Ambiguity (TFA) are important in predicting how people deal with data subject to multiple interpretations (ambiguity) in contexts including therapy… (more)

Subjects/Keywords: Ambiguity; Cognitive psychology; Constructivism; Humor; Jokes; Personality psychology; Psychological research; Social desirability; Social psychology; Tolerance for uncertainty; abduction, adams, adaptive, adult, affiliative, aggressive, alpha, alternative, ambiguity, ambiguous, analysis, and, anova, apa, apter, aristotlean, arthur, bateson, beck, berger, bisociation, bivalent, black, both, bradford, burton, busse, campbell, carl, carter, cartoon, cartoons, cbt, centered, change, cicero, cognitive, comedy, commonwealth, conflict, congruity, constructivism, constructivist, context, contexts, continuous, contradictory, correlation, counseling, creative, creativity, cricitcisms, cronbach, crowne, david, decision, deep, defeating, descartes, desirability, detrimental, differences, dimension, discontinuity, discontinuous, dispositional, diversity, dogmatic, dominance, double, either, ellis, email, emotive, enhancing, epistemic, epistemology, family, feedback, festinger, first, freud, fry, funny, fuzzy, gainesville, galtung, gamma, geneva, gestalt, gesundheit, google, gregory, group, gstalt, hobart, hobbes, human, humanistic, humor, humorous, humour, hunter, i, incongruity, insolvable, integrative, international, internet, interpretations, jester, johan, john, jokes, kant, ken, kierkegaard, koestler, korb, kosko, kuhn, kuiper, l, laugh, laughter, likert, listserv, logic, loop, ludwig, lyddon, m, mahoney, maintenance, maladaptive, margaret, marlowe, martin, mediation, meta, mind, missouri, moderation, morreall, mstat, multiculturalism, multidimensional, multiple, multivalent, nasreddin, nasrudin, nassrudin, nastradin, negative, net, network, neural, new, non, nonsense, norcross, online, or, order, organization, organizational, orientation, oscillation, p, paradigm, pat, patch, pattern, peace, peripheral, perls, person, personality, perspective, peter, philosophical, philosophy, positive, power, prochaska, psychodynamic, psychology, psychotherapist, psychotherapy, questionnaire, radical, ramsbotham, rational, rationalist, readiness, rebt, recognition, regression, relationship, relationships, report, research, resemblance, resolution, restructuring, rod, rogers, ruch, salameh, schopenhauer, second, self, seligman, sense, shakespeare, shq, single, situational, smith, social, spss, stability, stetson, structure, styles, sufi, sufism, supervision, surprise, survey, svebak, synergy, tfa, theory, therapeutic, therapists, therapy, tolerance, transformation, translation, tree, true, uncertainty, unesco, vague, vagueness, valence, vcu, virginia, watzlawick, weak, white, wilber, william, wittgenstein, yontef, york, yorkshire, ziv, zoomerang

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mistler, B. (2009). Bisociation and Second-Order Change Relationships Among Tolerance for Ambiguity, Sense of Humor, and Humor Styles. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0024493

Chicago Manual of Style (16th Edition):

Mistler, Brian. “Bisociation and Second-Order Change Relationships Among Tolerance for Ambiguity, Sense of Humor, and Humor Styles.” 2009. Doctoral Dissertation, University of Florida. Accessed October 16, 2019. http://ufdc.ufl.edu/UFE0024493.

MLA Handbook (7th Edition):

Mistler, Brian. “Bisociation and Second-Order Change Relationships Among Tolerance for Ambiguity, Sense of Humor, and Humor Styles.” 2009. Web. 16 Oct 2019.

Vancouver:

Mistler B. Bisociation and Second-Order Change Relationships Among Tolerance for Ambiguity, Sense of Humor, and Humor Styles. [Internet] [Doctoral dissertation]. University of Florida; 2009. [cited 2019 Oct 16]. Available from: http://ufdc.ufl.edu/UFE0024493.

Council of Science Editors:

Mistler B. Bisociation and Second-Order Change Relationships Among Tolerance for Ambiguity, Sense of Humor, and Humor Styles. [Doctoral Dissertation]. University of Florida; 2009. Available from: http://ufdc.ufl.edu/UFE0024493


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

620. Βαφειάδου, Τατιάνα. Δημήτρης Ψαθάς: στερεότυποι χαρακτήρες - στερεότυπα σχήματα στο έργο του.

Degree: 2001, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

Subjects/Keywords: Κωμωδία ελληνική, Διερεύνηση και ανάδειξη της μεταπολεμικής; Εικόνα μιας εποχής και μιας κοινωνίας; Η ζωή και το έργο του Δημήτρη Ψαθά; Κυρίαρχες αντιλήψεις; Κυρίαρχες συλλογικές παραστάσεις; Κυρίαρχες αξίες; Νεοελληνική κοινωνία, Μοχλός διερεύνησης πολλών φαινομένων της; Κωμωδίες Ψαθά, Αναλυτικά στοιχεία για τις θεατρικές; Στερεότυποι χαρακτήρες και σχήματα; Μεσαία τάξη, Ο Ψαθάς γνήσιος εκφραστής της; Examination and accent nation of the post greek comedy; The image of an era and a society; The life and works of D. Psathas, with the pen in hand, funny and serious; Dominant collective representations, values and perceptions; Lever of examination of many phenomena of the modern greek society; Detailed data for the theatrical comedies of D. Psathas; Presentation of character and form stereotypes; Middle class, Psathas, the gennine representative of the

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Βαφειάδου, . . (2001). Δημήτρης Ψαθάς: στερεότυποι χαρακτήρες - στερεότυπα σχήματα στο έργο του. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/24914

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Βαφειάδου, Τατιάνα. “Δημήτρης Ψαθάς: στερεότυποι χαρακτήρες - στερεότυπα σχήματα στο έργο του.” 2001. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed October 16, 2019. http://hdl.handle.net/10442/hedi/24914.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Βαφειάδου, Τατιάνα. “Δημήτρης Ψαθάς: στερεότυποι χαρακτήρες - στερεότυπα σχήματα στο έργο του.” 2001. Web. 16 Oct 2019.

Vancouver:

Βαφειάδου . Δημήτρης Ψαθάς: στερεότυποι χαρακτήρες - στερεότυπα σχήματα στο έργο του. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2001. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/10442/hedi/24914.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Βαφειάδου . Δημήτρης Ψαθάς: στερεότυποι χαρακτήρες - στερεότυπα σχήματα στο έργο του. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2001. Available from: http://hdl.handle.net/10442/hedi/24914

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brno University of Technology

621. Hýl, Petr. Slovinské národní divadlo v Lublani .

Degree: 2009, Brno University of Technology

SLOVINSKÉ NÁRODNÍ DIVADLO V LUBLANI Autorská zpráva k diplomové práci Bc. Petr Hýl vedoucí práce: doc. ing. arch. Zdeněk Makovský; SLOVENE NATIONAL THEATRE IN LJUBLJANA Author Report Of The Diploma Work Author: Bc. Petr Hýl Supervisor: doc. ing. arch. Zdeněk Makovský Advisors/Committee Members: Makovský, Zdeněk (advisor).

Subjects/Keywords: DIVADLO Divadelní umění je staré jako lidstvo samo. Za dobu své existence prošlo dlouhým a barvitým vývojem; z něhož jsme zmapovali zřejmě jen malou část. Požadavek činoherního divadla a přítomnost dalších klasických divadel ve městě vedlo k inspiraci divadlem řeckým; japonským; středověkým; alžbětinským; totálním; osvobozeným; arénovým. Moderní budova činohry národního divadla se nemůže spoléhat pouze na klasická schémata; i když i ta mohou být požadována. Návrh reflektuje divadlo především jako místo střetnutí dvou protichůdných světů; světa reálného; v němž žijeme; a světa zidealizovaného; přetvořeného; který vídáme na jevišti; světa skutečnosti a jejího obrazu; světa tragédie a komedie; světa skutečných tváří herců a jejich masek; jejich skutečných osobností a jejich rolí; světa skutečných věcí a kulis; světa prostorového a plošně zjednodušeného. Také dva základní protichůdné pohledy na divadelní umění jako na svět ideální; pompézní; výchovný; poučný a zábavný a na divadlo jako nemilosrdné zrcadlo našeho života; subjektivní; věrné či sarkastické; i rozpor těchto dvou chápání divadla můžeme zahrnout mezi divadelní dvojakosti. BUDOVA Nová budova divadla chce být zhmotněním dialogu; základního stavebního prvku divadelní tvorby; kterým Aischylos povýšil do té doby všeplatné zpěvné a taneční rituály na skutečné drama. Dialog spolu vedou dvě protichůdné formy – budova divadla a její prázdný otisk – veřejné prostranství. Klasifikace dialog a monolog se stává subjektivní; uvažujeme-li za druhý subjekt prázdno. Tato představa dodává úvaze existenciální náboj. Samotné dvě formy – plná a prázdná – mají kromě parafráze divadelní protichůdnosti; pověstného rozhraní dvou světů; přesah do mnoha dalších oblastí života – podobně jako samotné divadlo. Tvar budovy - zužující a zvyšující se hmota - vznikl spolu s prostranstvím spontánně jako asociace doplňkovosti. Tento tvar však reaguje kromě urbanistických a provozních návazností také na ideu moderního divadla; které by mělo být proměnlivé a dynamické. Vzletný tvar budovy zhmotňuje nejen tuto abstraktní dynamiku; ale je také intuitivním přepisem dynamiky hereckého projevu; přetlaku energie sršící z člověka; nepostradatelné nejen k hereckému výkonu; ale také ke všem lidským tvůrčím činnostem.; THEATRE Dramatic art is as old as human society. During its existence it has passed through long and colourful evolution which we charted probably only really partially. Requierement of a drama theatre and presence of another classical thetre buildings in the town caused an inspiration by Greek; Japonese; medieval; Elizabethan; Total; Exempt or arena theatre. A modern bulding of national drama theatre can´t depend of only calssical schemes; though even those could be reguired. The project reflect theatre first of all as a place of a battle of two contradictory worlds; a real world which we live in it; and an ideal; transformated world which we use to see on a stage; a world of reality and a world of its reflex; a world of tragedy and a of comedy; a world of existing faces of actors and a world of their masks; their real personalities and their parts; a world of true things and a world od scenes; a three-dimensional world and a 2D-simplified world. Also the two contradictory views of dramatic art; the first one as an ideal world; pompous; educational; instructive and funy and the second as a merciless mirror of our own lifes; subjective; authentic or caustic; so even this discrepancy of those two different opinions of theatre we could add in the theatre duplicity. BUILDING The new theatre building wants to be an objectification of a dialog; which is the basic structural element of dramatic production; whith which Aischylos sublimated singing and dancig rituals which were of binding force in that times to a real drama. This dialog is runned by two antagonistic forms – the theatre building and its empty impression – a public space. Established classification of dialog and monolog becomes subjective; if we suppose an emptiness as the second object. This idea gives our meditation an existencial character a bit. The two forms by themselves – the full one and the empty one –except of an imitation of theatre dialectics; a proverbial boundery-line of two worlds; also transcend into many other spheres of human life – analogous to a theatre. The shape of the building – a diminished and raising mass – has arised within the open space spontaneously as an association of complementing. But this shape – except other urbanistic and functional sequences - also reacts to an ide of modern theatre; which should be variable and dynamic. The poetic shape of the building not only materializes thist abstract dynamism but it is also an intuitive transscription of dynamism of an actor´s manifestation; an overpressure of human energy which is indispensable not only for a performance but also for all human creative activities.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hýl, P. (2009). Slovinské národní divadlo v Lublani . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/3455

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hýl, Petr. “Slovinské národní divadlo v Lublani .” 2009. Thesis, Brno University of Technology. Accessed October 16, 2019. http://hdl.handle.net/11012/3455.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hýl, Petr. “Slovinské národní divadlo v Lublani .” 2009. Web. 16 Oct 2019.

Vancouver:

Hýl P. Slovinské národní divadlo v Lublani . [Internet] [Thesis]. Brno University of Technology; 2009. [cited 2019 Oct 16]. Available from: http://hdl.handle.net/11012/3455.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hýl P. Slovinské národní divadlo v Lublani . [Thesis]. Brno University of Technology; 2009. Available from: http://hdl.handle.net/11012/3455

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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