subject:(comedies)

Universiteit Utrecht

1. Schepel, R.J. "I am not what I am": Cross-Dressing Girls in Shakespeare's Comedies.

Degree: 2009, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/35228

► In The Two Gentlemen of Verona, The Merchant of Venice, As You Like It, Twelfth Night, and Cymbeline, one (or more) of the female characters… (more)

Subjects/Keywords: Letteren; Shakespeare, comedies, gender, identity

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APA (6^th Edition):

Schepel, R. J. (2009). "I am not what I am": Cross-Dressing Girls in Shakespeare's Comedies. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/35228

Chicago Manual of Style (16^th Edition):

Schepel, R J. “"I am not what I am": Cross-Dressing Girls in Shakespeare's Comedies.” 2009. Masters Thesis, Universiteit Utrecht. Accessed January 27, 2021. http://dspace.library.uu.nl:8080/handle/1874/35228.

MLA Handbook (7^th Edition):

Schepel, R J. “"I am not what I am": Cross-Dressing Girls in Shakespeare's Comedies.” 2009. Web. 27 Jan 2021.

Vancouver:

Schepel RJ. "I am not what I am": Cross-Dressing Girls in Shakespeare's Comedies. [Internet] [Masters thesis]. Universiteit Utrecht; 2009. [cited 2021 Jan 27]. Available from: http://dspace.library.uu.nl:8080/handle/1874/35228.

Council of Science Editors:

Schepel RJ. "I am not what I am": Cross-Dressing Girls in Shakespeare's Comedies. [Masters Thesis]. Universiteit Utrecht; 2009. Available from: http://dspace.library.uu.nl:8080/handle/1874/35228

University of Debrecen

2. Kárpáti, Barbara. The Diverse Portrayals of the American Family in Major Situation Comedies from the 1950s to the 2000s .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/161591

► I have chosen to explore the transformation of the American family portrayed in situation comedies in the twentieth century. The popular representations of the family… (more)

Subjects/Keywords: situation comedies; american family

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APA (6^th Edition):

Kárpáti, B. (2013). The Diverse Portrayals of the American Family in Major Situation Comedies from the 1950s to the 2000s . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/161591

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kárpáti, Barbara. “The Diverse Portrayals of the American Family in Major Situation Comedies from the 1950s to the 2000s .” 2013. Thesis, University of Debrecen. Accessed January 27, 2021. http://hdl.handle.net/2437/161591.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kárpáti, Barbara. “The Diverse Portrayals of the American Family in Major Situation Comedies from the 1950s to the 2000s .” 2013. Web. 27 Jan 2021.

Vancouver:

Kárpáti B. The Diverse Portrayals of the American Family in Major Situation Comedies from the 1950s to the 2000s . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/2437/161591.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kárpáti B. The Diverse Portrayals of the American Family in Major Situation Comedies from the 1950s to the 2000s . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/161591

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Victoria University of Wellington

3. Nicoll Antipas, Philippa. Put to the Test: The Folk-Tale Motif of the "Test to Prove Worthiness" in Three of Shakespeare's Comedies.

Degree: 2013, Victoria University of Wellington

URL: http://hdl.handle.net/10063/2771

► Critics have recognised folk‐tales as being among the varied sources Shakespeare has mined for the plots of his plays. However, this recognition has often formed… (more)

▼ Critics have recognised folk‐tales as being among the varied sources Shakespeare has mined for the plots of his plays. However, this recognition has often formed the basis of an argument which seeks to excuse what are perceived as flaws in Shakespeare’s plays, for example claiming that humanised characters jostle against their folk‐tale or popular culture archetypes, or that friction is generated when a folk‐tale plot is placed into a realistic setting. There has been little examination of Shakespeare’s relationship to his sources from folk‐tale, and so in this thesis I use the motif of the “test imposed to prove worthiness” (Stith Thompson’s Motif H900) as an example of the way Shakespeare develops, doubles and ultimately subverts these sources. I examine three comedies which employ this motif: The Taming of the Shrew, The Merchant of Venice and All’s Well That Ends Well. In the first play I argue that the testing of Katherina’s obedience rebounds to test Petruccio’s masculinity. In The Merchant, I argue that the casket test and doubled ring test play a crucial role in the development of Bassanio’s worthiness and loyalty, simultaneously casting doubt on Portia’s faithfulness. Finally, in relation to All’s Well, I argue that the test motif and by extension its folk‐tale sources are subverted so that the impossible tasks rebound not only on Bertram, but on the play as a whole, testing the genres of romance and realism. I find that testing cycles have a structural function as they fall between the couples’ weddings and consummations. Because of this placement, they are linked to private and public anxieties about sexuality and fidelity, in turn demonstrating their thematic function. The development, doubling and subversion of folk‐tales allow Shakespeare to explore ideas fully, often contrapuntally. Thus, my thesis seeks to address the gap in the critical studies by contending that Shakespeare makes innovative use of his folk‐tale sources. While ambiguity is certainly generated in each of the three plays, this is a deliberate effect rather than a flaw; no apology is required. Advisors/Committee Members: Miles, Geoff.

Subjects/Keywords: Folk-tale; Shakespeare; Comedies

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APA (6^th Edition):

Nicoll Antipas, P. (2013). Put to the Test: The Folk-Tale Motif of the "Test to Prove Worthiness" in Three of Shakespeare's Comedies. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/2771

Chicago Manual of Style (16^th Edition):

Nicoll Antipas, Philippa. “Put to the Test: The Folk-Tale Motif of the "Test to Prove Worthiness" in Three of Shakespeare's Comedies.” 2013. Masters Thesis, Victoria University of Wellington. Accessed January 27, 2021. http://hdl.handle.net/10063/2771.

MLA Handbook (7^th Edition):

Nicoll Antipas, Philippa. “Put to the Test: The Folk-Tale Motif of the "Test to Prove Worthiness" in Three of Shakespeare's Comedies.” 2013. Web. 27 Jan 2021.

Vancouver:

Nicoll Antipas P. Put to the Test: The Folk-Tale Motif of the "Test to Prove Worthiness" in Three of Shakespeare's Comedies. [Internet] [Masters thesis]. Victoria University of Wellington; 2013. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10063/2771.

Council of Science Editors:

Nicoll Antipas P. Put to the Test: The Folk-Tale Motif of the "Test to Prove Worthiness" in Three of Shakespeare's Comedies. [Masters Thesis]. Victoria University of Wellington; 2013. Available from: http://hdl.handle.net/10063/2771

University of Dayton

4. Venn, Andrea Faye. An Adornment of Words: Precious Gemstones and Jewelry as Part of Relationships in William Shakespeare's Comedies.

Degree: MA, English, 2011, University of Dayton

URL: http://rave.ohiolink.edu/etdc/view?acc_num=dayton1304104101

► William Shakespeare's works have been studied in multiple ways, but the focus of his use of gemstones and jewelry during the course of his comedies… (more)

Subjects/Keywords: Literature; Shakespeare; comedies; jewelry; gemstones

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APA (6^th Edition):

Venn, A. F. (2011). An Adornment of Words: Precious Gemstones and Jewelry as Part of Relationships in William Shakespeare's Comedies. (Masters Thesis). University of Dayton. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=dayton1304104101

Chicago Manual of Style (16^th Edition):

Venn, Andrea Faye. “An Adornment of Words: Precious Gemstones and Jewelry as Part of Relationships in William Shakespeare's Comedies.” 2011. Masters Thesis, University of Dayton. Accessed January 27, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1304104101.

MLA Handbook (7^th Edition):

Venn, Andrea Faye. “An Adornment of Words: Precious Gemstones and Jewelry as Part of Relationships in William Shakespeare's Comedies.” 2011. Web. 27 Jan 2021.

Vancouver:

Venn AF. An Adornment of Words: Precious Gemstones and Jewelry as Part of Relationships in William Shakespeare's Comedies. [Internet] [Masters thesis]. University of Dayton; 2011. [cited 2021 Jan 27]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=dayton1304104101.

Council of Science Editors:

Venn AF. An Adornment of Words: Precious Gemstones and Jewelry as Part of Relationships in William Shakespeare's Comedies. [Masters Thesis]. University of Dayton; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=dayton1304104101

5. Sinha,Prachi. Reveange as a theme of Shakespeares Comedies; -.

Degree: English and Foreign Languages, 2004, INFLIBNET

URL: http://shodhganga.inflibnet.ac.in/handle/10603/39640

None

Bibliography p 214-221

Advisors/Committee Members: Awasthi,A K.

Subjects/Keywords: Reveange; Shakespeares Comedies; theme

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APA (6^th Edition):

Sinha,Prachi. (2004). Reveange as a theme of Shakespeares Comedies; -. (Thesis). INFLIBNET. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/39640

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Sinha,Prachi. “Reveange as a theme of Shakespeares Comedies; -.” 2004. Thesis, INFLIBNET. Accessed January 27, 2021. http://shodhganga.inflibnet.ac.in/handle/10603/39640.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Sinha,Prachi. “Reveange as a theme of Shakespeares Comedies; -.” 2004. Web. 27 Jan 2021.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Sinha,Prachi. Reveange as a theme of Shakespeares Comedies; -. [Internet] [Thesis]. INFLIBNET; 2004. [cited 2021 Jan 27]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/39640.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sinha,Prachi. Reveange as a theme of Shakespeares Comedies; -. [Thesis]. INFLIBNET; 2004. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/39640

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

6. Hausermann, Christophe. Apprentis et apprentissage dans les comédies citadines élisabéthaines. : Apprentices and Apprenticeship in Elizabethan City Comedies.

Degree: Docteur es, Etudes anglophones, 2011, Université Sorbonne Nouvelle – Paris III

URL: http://www.theses.fr/2011PA030110

►

À l'époque élisabéthaine, l'apprentissage marquait le début d'un long parcours professionnel. Après avoir terminé sa formation, un jeune artisan obtenait sa liberté et devenait membre… (more)

Subjects/Keywords: Apprentis; Comédies citadines; Londres; Apprentices; City comedies; London

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APA (6^th Edition):

Hausermann, C. (2011). Apprentis et apprentissage dans les comédies citadines élisabéthaines. : Apprentices and Apprenticeship in Elizabethan City Comedies. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2011PA030110

Chicago Manual of Style (16^th Edition):

Hausermann, Christophe. “Apprentis et apprentissage dans les comédies citadines élisabéthaines. : Apprentices and Apprenticeship in Elizabethan City Comedies.” 2011. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed January 27, 2021. http://www.theses.fr/2011PA030110.

MLA Handbook (7^th Edition):

Hausermann, Christophe. “Apprentis et apprentissage dans les comédies citadines élisabéthaines. : Apprentices and Apprenticeship in Elizabethan City Comedies.” 2011. Web. 27 Jan 2021.

Vancouver:

Hausermann C. Apprentis et apprentissage dans les comédies citadines élisabéthaines. : Apprentices and Apprenticeship in Elizabethan City Comedies. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2011. [cited 2021 Jan 27]. Available from: http://www.theses.fr/2011PA030110.

Council of Science Editors:

Hausermann C. Apprentis et apprentissage dans les comédies citadines élisabéthaines. : Apprentices and Apprenticeship in Elizabethan City Comedies. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2011. Available from: http://www.theses.fr/2011PA030110

Texas Tech University

7. Hustoles, Paul J. Musical theatre directing: a generic approach.

Degree: Fine Arts, 1984, Texas Tech University

URL: http://hdl.handle.net/2346/16867

Subjects/Keywords: Musical revues comedies etc. – Production

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hustoles, P. J. (1984). Musical theatre directing: a generic approach. (Thesis). Texas Tech University. Retrieved from http://hdl.handle.net/2346/16867

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hustoles, Paul J. “Musical theatre directing: a generic approach.” 1984. Thesis, Texas Tech University. Accessed January 27, 2021. http://hdl.handle.net/2346/16867.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hustoles, Paul J. “Musical theatre directing: a generic approach.” 1984. Web. 27 Jan 2021.

Vancouver:

Hustoles PJ. Musical theatre directing: a generic approach. [Internet] [Thesis]. Texas Tech University; 1984. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/2346/16867.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hustoles PJ. Musical theatre directing: a generic approach. [Thesis]. Texas Tech University; 1984. Available from: http://hdl.handle.net/2346/16867

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Houston

8. Koenig, Abigail. THE CHANGING IMPORTANCE OF THE REAL AND SITCOM FAMILY: EXAMINING GENERATIONAL BEHAVIOR TOWARDS FAMILY THROUGH TELEVISION VIEWING HABITS.

Degree: Mass Communication Studies, Mass Communication, 2012, University of Houston

URL: http://hdl.handle.net/10657/228

► Generational researchers William Strauss and Neil Howe describe a generation as “unique in acquiring a shared history that lends its members to a social and… (more)

Subjects/Keywords: generations; baby boomers; generation x; sitcoms; situational comedies

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APA (6^th Edition):

Koenig, A. (2012). THE CHANGING IMPORTANCE OF THE REAL AND SITCOM FAMILY: EXAMINING GENERATIONAL BEHAVIOR TOWARDS FAMILY THROUGH TELEVISION VIEWING HABITS. (Masters Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/228

Chicago Manual of Style (16^th Edition):

Koenig, Abigail. “THE CHANGING IMPORTANCE OF THE REAL AND SITCOM FAMILY: EXAMINING GENERATIONAL BEHAVIOR TOWARDS FAMILY THROUGH TELEVISION VIEWING HABITS.” 2012. Masters Thesis, University of Houston. Accessed January 27, 2021. http://hdl.handle.net/10657/228.

MLA Handbook (7^th Edition):

Koenig, Abigail. “THE CHANGING IMPORTANCE OF THE REAL AND SITCOM FAMILY: EXAMINING GENERATIONAL BEHAVIOR TOWARDS FAMILY THROUGH TELEVISION VIEWING HABITS.” 2012. Web. 27 Jan 2021.

Vancouver:

Koenig A. THE CHANGING IMPORTANCE OF THE REAL AND SITCOM FAMILY: EXAMINING GENERATIONAL BEHAVIOR TOWARDS FAMILY THROUGH TELEVISION VIEWING HABITS. [Internet] [Masters thesis]. University of Houston; 2012. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10657/228.

Council of Science Editors:

Koenig A. THE CHANGING IMPORTANCE OF THE REAL AND SITCOM FAMILY: EXAMINING GENERATIONAL BEHAVIOR TOWARDS FAMILY THROUGH TELEVISION VIEWING HABITS. [Masters Thesis]. University of Houston; 2012. Available from: http://hdl.handle.net/10657/228

9. Tomassini, Juan B. Enrique Pérez Eschrich.

Degree: 1967, North Texas State University

URL: https://digital.library.unt.edu/ark:/67531/metadc130793/

► No extensive study exists that covers the foundation of the dramatic works of Enrique Pérez Escrich, therefore we believe it will be a positive use… (more)

Subjects/Keywords: Enrique Pérez Escrich; dramas; comedies

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APA (6^th Edition):

Tomassini, J. B. (1967). Enrique Pérez Eschrich. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc130793/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Tomassini, Juan B. “Enrique Pérez Eschrich.” 1967. Thesis, North Texas State University. Accessed January 27, 2021. https://digital.library.unt.edu/ark:/67531/metadc130793/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Tomassini, Juan B. “Enrique Pérez Eschrich.” 1967. Web. 27 Jan 2021.

Vancouver:

Tomassini JB. Enrique Pérez Eschrich. [Internet] [Thesis]. North Texas State University; 1967. [cited 2021 Jan 27]. Available from: https://digital.library.unt.edu/ark:/67531/metadc130793/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tomassini JB. Enrique Pérez Eschrich. [Thesis]. North Texas State University; 1967. Available from: https://digital.library.unt.edu/ark:/67531/metadc130793/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Campbell, Mary Tom. Some phases of English Life as Revealed in Jonson's Early Comedies.

Degree: 1937, North Texas State Teachers College

URL: https://digital.library.unt.edu/ark:/67531/metadc29852/

► This thesis aimed to present Johnson's wide knowledge of his own age and to discuss his minute observation of contemporary life in England and to… (more)

Subjects/Keywords: Attire; Shakespeere; Comedies; English Life

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APA (6^th Edition):

Campbell, M. T. (1937). Some phases of English Life as Revealed in Jonson's Early Comedies. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc29852/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Campbell, Mary Tom. “Some phases of English Life as Revealed in Jonson's Early Comedies.” 1937. Thesis, North Texas State Teachers College. Accessed January 27, 2021. https://digital.library.unt.edu/ark:/67531/metadc29852/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Campbell, Mary Tom. “Some phases of English Life as Revealed in Jonson's Early Comedies.” 1937. Web. 27 Jan 2021.

Vancouver:

Campbell MT. Some phases of English Life as Revealed in Jonson's Early Comedies. [Internet] [Thesis]. North Texas State Teachers College; 1937. [cited 2021 Jan 27]. Available from: https://digital.library.unt.edu/ark:/67531/metadc29852/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Campbell MT. Some phases of English Life as Revealed in Jonson's Early Comedies. [Thesis]. North Texas State Teachers College; 1937. Available from: https://digital.library.unt.edu/ark:/67531/metadc29852/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Cunningham, Hilda Hugon. The Prose Dramas of Joaquin Dicenta.

Degree: 1937, North Texas State Teachers College

URL: https://digital.library.unt.edu/ark:/67531/metadc29853/

The purpose of this thesis is to make an intensive survey of the plots, characters, and teachings of Dicenta's prose dramas together with a study of the life and works of Dicenta. Advisors/Committee Members: Smith, Ruby C., Shook, Bessie.

Subjects/Keywords: Dramas; Joaquin Dicenta; Comedies

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APA (6^th Edition):

Cunningham, H. H. (1937). The Prose Dramas of Joaquin Dicenta. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc29853/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Cunningham, Hilda Hugon. “The Prose Dramas of Joaquin Dicenta.” 1937. Thesis, North Texas State Teachers College. Accessed January 27, 2021. https://digital.library.unt.edu/ark:/67531/metadc29853/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Cunningham, Hilda Hugon. “The Prose Dramas of Joaquin Dicenta.” 1937. Web. 27 Jan 2021.

Vancouver:

Cunningham HH. The Prose Dramas of Joaquin Dicenta. [Internet] [Thesis]. North Texas State Teachers College; 1937. [cited 2021 Jan 27]. Available from: https://digital.library.unt.edu/ark:/67531/metadc29853/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cunningham HH. The Prose Dramas of Joaquin Dicenta. [Thesis]. North Texas State Teachers College; 1937. Available from: https://digital.library.unt.edu/ark:/67531/metadc29853/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Attanasio, Lola Curbo. Social Ideas in the Dramas of Gregorio Martinez Sierra.

Degree: 1937, North Texas State Teachers College

URL: https://digital.library.unt.edu/ark:/67531/metadc29854/

This thesis illustrated Gregorio Martinez Sierra's social philosophy: motherhood, marital relationships, relationships between parents and children, and the social even of spain. Advisors/Committee Members: Smith, Ruby C., Wiley, Margaret La.

Subjects/Keywords: Dramas; Gregorio Martinez Sierra; Comedies

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APA (6^th Edition):

Attanasio, L. C. (1937). Social Ideas in the Dramas of Gregorio Martinez Sierra. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc29854/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Attanasio, Lola Curbo. “Social Ideas in the Dramas of Gregorio Martinez Sierra.” 1937. Thesis, North Texas State Teachers College. Accessed January 27, 2021. https://digital.library.unt.edu/ark:/67531/metadc29854/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Attanasio, Lola Curbo. “Social Ideas in the Dramas of Gregorio Martinez Sierra.” 1937. Web. 27 Jan 2021.

Vancouver:

Attanasio LC. Social Ideas in the Dramas of Gregorio Martinez Sierra. [Internet] [Thesis]. North Texas State Teachers College; 1937. [cited 2021 Jan 27]. Available from: https://digital.library.unt.edu/ark:/67531/metadc29854/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Attanasio LC. Social Ideas in the Dramas of Gregorio Martinez Sierra. [Thesis]. North Texas State Teachers College; 1937. Available from: https://digital.library.unt.edu/ark:/67531/metadc29854/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of New South Wales

13. Angyal, Chloe. Gender, sex, and power in the postfeminist romantic comedy.

Degree: Arts and Media, 2014, University of New South Wales

URL: http://handle.unsw.edu.au/1959.4/53737 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12432/SOURCE02?view=true

► This thesis argues that the Hollywood romantic comedies released between 2005 and 2011 constitute a new cycle in the genre, the postfeminist cycle, in which… (more)

▼ This thesis argues that the Hollywood romantic comedies released between 2005 and 2011 constitute a new cycle in the genre, the postfeminist cycle, in which feminism is “‘taken into account’ but only to be shown to be no longer necessary” (McRobbie 2004, p. 255). Drawing on accounts and analyses of postfeminism by McRobbie (2004, 2009) and Gill (2007), and on applications of these analyses to popular culture by Negra (2004, 2008, 2009) and Tasker and Negra (2007), I argue that the romantic comedies released during this period represent gender, sex, and power in a manner consistent with – and informed by – postfeminist approaches to these themes. I do this by conducting close readings (case studies) of three films, selected from a representative sample of thirty, and examining how these three films screen postfeminist ideas about gender (Forgetting Sarah Marshall [Stoller 2008]), sex (Friends With Benefits [Gluck 2011]), and power (The Ugly Truth [Luketic 2009]). Following analyses of the Hollywood romantic comedy by Jeffers McDonald (2007) and Grindon (2011), I demonstrate how these movies form a new and heretofore minimally examined cycle which is shaped not only by what Gill (2007) terms the “postfeminist sensibility” in the United States, but by the history of the genre, that is, in response to previous cycles. In each of the three case studies in this thesis, I place the films in question in generic context, and in extra-cinematic context, demonstrating how the films are informed by – and in turn contribute to – larger cultural discourses about: the effect of feminism on masculinity (Forgetting Sarah Marshall), “hook up culture” (Friends With Benefits), and women’s professional authority and economic independence (The Ugly Truth). Taken together, I conclude, these three films demonstrate that the Hollywood romantic comedy has become yet another popular culture site in which postfeminist ideas are represented, and I consider the political and cultural ramifications of the entrenchment of these ideas in the sole movie genre that is made primarily for and about women. Advisors/Committee Members: Mills, Jane, Arts and Media, Faculty of Arts & Social Sciences, UNSW.

Subjects/Keywords: Gender; Romantic comedies; Postfeminism; Sex; Power; Hollywood; Feminism

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APA (6^th Edition):

Angyal, C. (2014). Gender, sex, and power in the postfeminist romantic comedy. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/53737 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12432/SOURCE02?view=true

Chicago Manual of Style (16^th Edition):

Angyal, Chloe. “Gender, sex, and power in the postfeminist romantic comedy.” 2014. Doctoral Dissertation, University of New South Wales. Accessed January 27, 2021. http://handle.unsw.edu.au/1959.4/53737 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12432/SOURCE02?view=true.

MLA Handbook (7^th Edition):

Angyal, Chloe. “Gender, sex, and power in the postfeminist romantic comedy.” 2014. Web. 27 Jan 2021.

Vancouver:

Angyal C. Gender, sex, and power in the postfeminist romantic comedy. [Internet] [Doctoral dissertation]. University of New South Wales; 2014. [cited 2021 Jan 27]. Available from: http://handle.unsw.edu.au/1959.4/53737 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12432/SOURCE02?view=true.

Council of Science Editors:

Angyal C. Gender, sex, and power in the postfeminist romantic comedy. [Doctoral Dissertation]. University of New South Wales; 2014. Available from: http://handle.unsw.edu.au/1959.4/53737 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12432/SOURCE02?view=true

University of British Columbia

14. Thorne, W. Barry. Folk entertainment and ritual in Shakespeare's early comedies.

Degree: MA- MA, English, 1961, University of British Columbia

URL: http://hdl.handle.net/2429/40140

► The purpose of this thesis is to examine the elements of folk entertainment, pastime, and ritual in four of Shakespeare's early comedies, The Taming of… (more)

▼ The purpose of this thesis is to examine the elements of folk entertainment, pastime, and ritual in four of Shakespeare's early comedies, The Taming of the Shrew, The Two Gentlemen of Verona, Love's Labor's Lost, and A Midsummer Night's Dream, with a view to determining the pattern into which the playwright's use of these elements evolved, and to demonstrate their importance in the development of the sophisticated comedies. This investigation considers these elements in their significance to the Elizabethan society and in their relation to the play in which they appear. The introduction defines those elements of social ritual and play which are later elaborated upon in their order of appearance in the plays examined. The significance of the evidence derived from such a detailed examination is cumulative, and the reappearance of certain elements in the four plays examined lends weight to the conclusions drawn in each chapter. These conclusions evaluate the role which ritual and entertainment play in each comedy, and the concluding chapter bases on the results of the entire study a more general account of this influence and its significance to Shakespeare's later career. The frequency of references to traditional folk-drama and the structural use of its formal elements indicates the extent of Shakespeare's debt to the popular culture of his time and to a dramatic tradition which derives ultimately from primitive pagan ritual. The basic elements of the traditional folk-drama most frequently met with in the early comedies centre on the motifs the Maying theme, the "flight to the woods", misrule, and the celebration of the rebirth of the year. In The Taming of the Shrew, situations analogous to those of the Mummers' Wooing sequences further the main action, and The Two Gentlemen of Verona weds the courtly and popular tradition in its use of the "flight to the woods" theme. Maying themes become thematic and structural in Love's Labor's Lost and A Midsummer Night's Dream, where they supply the pattern of the action. In these, as in later plays, Shakespeare uses polarity, e.g. everyday-holiday, to provide a dramatic perspective for the examination or revaluation of actions, concepts, or ideals. The use of misrule or holiday allows the dramatist to create an action, apart from the ordinary, in which to limit his approach at his discretion. I have used the term "fertility" to indicate a state of ordered harmony in both macrocosm and microcosm which, in the Elizabethan view of nature, was considered favourable to life. This investigation corroborates previous studies indicating that Elizabethan drama is a hybrid growth blending the more consciously artistic elements of the classical drama with the mimetic aspects of a long standing popular tradition. The vitality as well as the universality of Shakespeare's comedy may owe, perhaps, a great deal to the extent of his use of such traditional themes and rituals.

Subjects/Keywords: Shakespeare; William; 1564-1616 – Comedies

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APA (6^th Edition):

Thorne, W. B. (1961). Folk entertainment and ritual in Shakespeare's early comedies. (Masters Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/40140

Chicago Manual of Style (16^th Edition):

Thorne, W Barry. “Folk entertainment and ritual in Shakespeare's early comedies.” 1961. Masters Thesis, University of British Columbia. Accessed January 27, 2021. http://hdl.handle.net/2429/40140.

MLA Handbook (7^th Edition):

Thorne, W Barry. “Folk entertainment and ritual in Shakespeare's early comedies.” 1961. Web. 27 Jan 2021.

Vancouver:

Thorne WB. Folk entertainment and ritual in Shakespeare's early comedies. [Internet] [Masters thesis]. University of British Columbia; 1961. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/2429/40140.

Council of Science Editors:

Thorne WB. Folk entertainment and ritual in Shakespeare's early comedies. [Masters Thesis]. University of British Columbia; 1961. Available from: http://hdl.handle.net/2429/40140

Michigan State University

15. Hiramatsu, Tetsuji. Vision and reality : Shakespeare's method in four comedies.

Degree: MA, Dept. of English, 1974, Michigan State University

URL: http://etd.lib.msu.edu/islandora/object/etd:15436

Subjects/Keywords: Shakespeare; William; 1564-1616 – Comedies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hiramatsu, T. (1974). Vision and reality : Shakespeare's method in four comedies. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:15436

Chicago Manual of Style (16^th Edition):

Hiramatsu, Tetsuji. “Vision and reality : Shakespeare's method in four comedies.” 1974. Masters Thesis, Michigan State University. Accessed January 27, 2021. http://etd.lib.msu.edu/islandora/object/etd:15436.

MLA Handbook (7^th Edition):

Hiramatsu, Tetsuji. “Vision and reality : Shakespeare's method in four comedies.” 1974. Web. 27 Jan 2021.

Vancouver:

Hiramatsu T. Vision and reality : Shakespeare's method in four comedies. [Internet] [Masters thesis]. Michigan State University; 1974. [cited 2021 Jan 27]. Available from: http://etd.lib.msu.edu/islandora/object/etd:15436.

Council of Science Editors:

Hiramatsu T. Vision and reality : Shakespeare's method in four comedies. [Masters Thesis]. Michigan State University; 1974. Available from: http://etd.lib.msu.edu/islandora/object/etd:15436

Ryerson University

16. Goldstein, Alanna. Awkward comedy and performative anxiety:.

Degree: 2011, Ryerson University

URL: https://digital.library.ryerson.ca/islandora/object/RULA%3A2925

► "As more and more of our daily social interactions are mediated and experienced through the screens of communication technologies, face-to-face moments of unmediated sociality has… (more)

Subjects/Keywords: – Television comedies – History and criticism – Clumsiness – Online social networks – Psychological aspects; – Television comedies – History and criticism – Clumsiness – Online social networks – Psychological aspects – -

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APA (6^th Edition):

Goldstein, A. (2011). Awkward comedy and performative anxiety:. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A2925

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Goldstein, Alanna. “Awkward comedy and performative anxiety:.” 2011. Thesis, Ryerson University. Accessed January 27, 2021. https://digital.library.ryerson.ca/islandora/object/RULA%3A2925.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Goldstein, Alanna. “Awkward comedy and performative anxiety:.” 2011. Web. 27 Jan 2021.

Vancouver:

Goldstein A. Awkward comedy and performative anxiety:. [Internet] [Thesis]. Ryerson University; 2011. [cited 2021 Jan 27]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A2925.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goldstein A. Awkward comedy and performative anxiety:. [Thesis]. Ryerson University; 2011. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A2925

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Penn State University

17. Bednarz, Catherine Marie. "The Melissa McCarthy Effect": Feminism, Body Representation and Women-Centered Comedies.

Degree: 2020, Penn State University

URL: https://submit-etda.libraries.psu.edu/catalog/17481cmb558

► Immediately following its release in 2011, Bridesmaids was met with enormous critical praise as a woman-centered and feminist comedy. This praise was due to the… (more)

▼ Immediately following its release in 2011, Bridesmaids was met with enormous critical praise as a woman-centered and feminist comedy. This praise was due to the largely female cast of characters in a major film comedy, a rarity in Hollywood. Women face sexism at every level of Hollywood, especially in comedy, so the success of a woman-led movie within the comedy genre was significant. Reviewers described the triumph of Bridesmaids as a game changer, claiming it would open the door to other woman-fronted comedies. This potential was labeled the “Bridesmaids Effect” (Friendly, 2011) by reviewers. However, while some comediennes may have benefitted from the success, I argue that the influence may be more accurately described as a “Melissa McCarthy” effect. This is particularly significant because though there have been several notable and successful female comedians before Melissa McCarthy, very few would be considered fat and feminist. The presence of fat women is not accurately reflected in mass media (Henerson, 2001). Though the visibility of actresses like McCarthy is a notable trend, McCarthy’s representation is still ideologically complicated through her slapstick and gross-out comedy and the masculine roles that she plays. This dissertation examines Melissa McCarthy as a “text” in the circulation of meanings that is the Hollywood movie comedy genre, the economic incentives of such films and their future in the industry, feminist and post-feminist debates and discourse, and representations of the body in the films and other supplemental texts. Melissa McCarthy provides an illustrative case study for understanding the impact and importance of a film not just by critically engaging the potential cinematic meanings in the film itself, but also its political economic significance as illustrated in paratexts such as marketing and reviews. I analyze McCarthy’s popular comedy career from Gilmore Girls to Ghostbusters, as well as paratexts including promotional literature, fan and anti-fan material, critic reviews and industry interviews. I argue in part that McCarthy’s role in Bridesmaids was informed and enabled by a particular mix of her own professional background and the industrial context of the film. Her later work in films such as Identity Thief and Spy often fragmented the “Megan” character into more crass or more mainstream versions. In addition, the resulting impact that Bridesmaids and McCarthy has had, as of this writing, on the opening of new gendered roles and portrayals in film comedy is mixed. Advisors/Committee Members: Matthew Paul Mcallister, Dissertation Advisor/Co-Advisor, Matthew Paul Mcallister, Committee Chair/Co-Chair, Michelle Lyn Rodino, Committee Chair/Co-Chair, Kevin J Hagopian, Committee Member, Lee A Ahern, Outside Member, Matthew Paul Mcallister, Program Head/Chair.

Subjects/Keywords: Melissa McCarthy; Bridesmaids; women in Hollywood; fat representation; women-centered comedies; feminist comedy

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APA (6^th Edition):

Bednarz, C. M. (2020). "The Melissa McCarthy Effect": Feminism, Body Representation and Women-Centered Comedies. (Thesis). Penn State University. Retrieved from https://submit-etda.libraries.psu.edu/catalog/17481cmb558

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bednarz, Catherine Marie. “"The Melissa McCarthy Effect": Feminism, Body Representation and Women-Centered Comedies.” 2020. Thesis, Penn State University. Accessed January 27, 2021. https://submit-etda.libraries.psu.edu/catalog/17481cmb558.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bednarz, Catherine Marie. “"The Melissa McCarthy Effect": Feminism, Body Representation and Women-Centered Comedies.” 2020. Web. 27 Jan 2021.

Vancouver:

Bednarz CM. "The Melissa McCarthy Effect": Feminism, Body Representation and Women-Centered Comedies. [Internet] [Thesis]. Penn State University; 2020. [cited 2021 Jan 27]. Available from: https://submit-etda.libraries.psu.edu/catalog/17481cmb558.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bednarz CM. "The Melissa McCarthy Effect": Feminism, Body Representation and Women-Centered Comedies. [Thesis]. Penn State University; 2020. Available from: https://submit-etda.libraries.psu.edu/catalog/17481cmb558

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Iowa State University

18. Xia, Yin. Is it funny because it's not true? Chinese people's perceptions of aggressive female characters in Asian comedies.

Degree: 2016, Iowa State University

URL: https://lib.dr.iastate.edu/etd/15177

► Scholars and cultural critics have criticized the mass media for underrepresenting women. Feminist media theory, which focuses on how women are depicted in the media… (more)

Subjects/Keywords: Journalism and Mass Communication; Asian; Audience; Comedies; Perception; Women; Asian Studies; Mass Communication; Women's Studies

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APA (6^th Edition):

Xia, Y. (2016). Is it funny because it's not true? Chinese people's perceptions of aggressive female characters in Asian comedies. (Thesis). Iowa State University. Retrieved from https://lib.dr.iastate.edu/etd/15177

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Xia, Yin. “Is it funny because it's not true? Chinese people's perceptions of aggressive female characters in Asian comedies.” 2016. Thesis, Iowa State University. Accessed January 27, 2021. https://lib.dr.iastate.edu/etd/15177.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Xia, Yin. “Is it funny because it's not true? Chinese people's perceptions of aggressive female characters in Asian comedies.” 2016. Web. 27 Jan 2021.

Vancouver:

Xia Y. Is it funny because it's not true? Chinese people's perceptions of aggressive female characters in Asian comedies. [Internet] [Thesis]. Iowa State University; 2016. [cited 2021 Jan 27]. Available from: https://lib.dr.iastate.edu/etd/15177.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Xia Y. Is it funny because it's not true? Chinese people's perceptions of aggressive female characters in Asian comedies. [Thesis]. Iowa State University; 2016. Available from: https://lib.dr.iastate.edu/etd/15177

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Toronto

19. Sutton, Violetta Alexandra. Society, Language, and Carnival in the Comedies of Ludovico Ariosto.

Degree: 2013, University of Toronto

URL: http://hdl.handle.net/1807/68969

►

Through a comprehensive analysis of Ludovico Ariosto’s comedies carried out in line with Mikhail Bakhtin’s theory of carnival and with a careful eye to the… (more)

▼

Through a comprehensive analysis of Ludovico Ariosto’s comedies carried out in line with Mikhail Bakhtin’s theory of carnival and with a careful eye to the socio-historical context in which Ariosto lived and worked, this dissertation brings to light several new reasons to explain why these plays were so successful that they quickly replaced the production of ancient Roman comedies in sixteenth-century Ferrara. The first chapter reconstructs all recorded sixteenth-century performances and printings of Ariosto’s plays. It then provides a summary of the plays and examines the stylistic and structural changes Ariosto wrought to earlier versions of his plays. It also focuses on a chronological survey of the critical fortunes of Ariosto’s comedies throughout the centuries. The second chapter provides with a summary of Bakhtin’s theory of carnival. It then identifies and defines the elements of carnivalesque subversion and grotesque realism in the depiction of the relationship between servants and masters and in the interaction between the marginalised and wealthy sectors of sixteenth-century Ferrarese society in Ariosto’s plays. The third chapter examines the language in Ariosto’s plays by applying Bakhtin’s theory of billingsgate speech as a type of carnival subversion. The extensive use of abusive, insulting, and cursing words and indecent or obscene expressions in Ariosto’s plays suggests that Ariosto purposefully filled his plays with billingsgate speech in order to align them with the carnival spirit that was part of the temporal context of their première performances. The close examination of Ariosto’s comedies through the prism of Bakhtin’s theory of carnival reveals that Ariosto purposefully enriched his plays with elements of carnivalesque subversion, grotesque realism, and billingsgate speech in an effort to free his plays from classical imitation and to mark a transition between two worlds, ancient Rome and sixteenth-century Ferrara. Most importantly, this analysis shows that Ariosto used his plays as a means not only to entertain his audience, but also to critique and reform contemporary Italian society. In so doing, this dissertation reveals the presence of a social commitment that, previously, had not been fully appreciated.

PhD

Advisors/Committee Members: Eisenbichler, Konrad, Italian Studies.

Subjects/Keywords: Renaissance drama; Ariosto's comedies; carnivalesque subversion; billingsgate speech; grotesque realism; carnival; 0679

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APA (6^th Edition):

Sutton, V. A. (2013). Society, Language, and Carnival in the Comedies of Ludovico Ariosto. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/68969

Chicago Manual of Style (16^th Edition):

Sutton, Violetta Alexandra. “Society, Language, and Carnival in the Comedies of Ludovico Ariosto.” 2013. Doctoral Dissertation, University of Toronto. Accessed January 27, 2021. http://hdl.handle.net/1807/68969.

MLA Handbook (7^th Edition):

Sutton, Violetta Alexandra. “Society, Language, and Carnival in the Comedies of Ludovico Ariosto.” 2013. Web. 27 Jan 2021.

Vancouver:

Sutton VA. Society, Language, and Carnival in the Comedies of Ludovico Ariosto. [Internet] [Doctoral dissertation]. University of Toronto; 2013. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/1807/68969.

Council of Science Editors:

Sutton VA. Society, Language, and Carnival in the Comedies of Ludovico Ariosto. [Doctoral Dissertation]. University of Toronto; 2013. Available from: http://hdl.handle.net/1807/68969

Lehigh University

20. Gamallo Tur, Marcela B. Breeches Roles Revisited: Negotiating Recognition in Renaissance and Restoration Comedies.

Degree: PhD, English, 2013, Lehigh University

URL: https://preserve.lehigh.edu/etd/1489

► This project examines thirteen transvestite female characters featured in nine Renaissance comedies and romances (1598-1611) and in two Restoration plays (1677-1679) spanning roughly eight decades… (more)

Subjects/Keywords: comedies; female cross-dressing; recognition; Renaissance; Arts and Humanities; English Language and Literature

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APA (6^th Edition):

Gamallo Tur, M. B. (2013). Breeches Roles Revisited: Negotiating Recognition in Renaissance and Restoration Comedies. (Doctoral Dissertation). Lehigh University. Retrieved from https://preserve.lehigh.edu/etd/1489

Chicago Manual of Style (16^th Edition):

Gamallo Tur, Marcela B. “Breeches Roles Revisited: Negotiating Recognition in Renaissance and Restoration Comedies.” 2013. Doctoral Dissertation, Lehigh University. Accessed January 27, 2021. https://preserve.lehigh.edu/etd/1489.

MLA Handbook (7^th Edition):

Gamallo Tur, Marcela B. “Breeches Roles Revisited: Negotiating Recognition in Renaissance and Restoration Comedies.” 2013. Web. 27 Jan 2021.

Vancouver:

Gamallo Tur MB. Breeches Roles Revisited: Negotiating Recognition in Renaissance and Restoration Comedies. [Internet] [Doctoral dissertation]. Lehigh University; 2013. [cited 2021 Jan 27]. Available from: https://preserve.lehigh.edu/etd/1489.

Council of Science Editors:

Gamallo Tur MB. Breeches Roles Revisited: Negotiating Recognition in Renaissance and Restoration Comedies. [Doctoral Dissertation]. Lehigh University; 2013. Available from: https://preserve.lehigh.edu/etd/1489

21. Hanicak, Helen W. The Satirical Elements in the Works of Sir John Vanbrugh.

Degree: 1967, North Texas State University

URL: https://digital.library.unt.edu/ark:/67531/metadc130779/

► The purpose of this paper is to demonstrate through an examination of the satirical elements in Sir John Vanbrugh's eight complete plays and his fragmentary… (more)

Subjects/Keywords: Sir John Vanbrugh; satire; plays; comedies

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APA (6^th Edition):

Hanicak, H. W. (1967). The Satirical Elements in the Works of Sir John Vanbrugh. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc130779/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hanicak, Helen W. “The Satirical Elements in the Works of Sir John Vanbrugh.” 1967. Thesis, North Texas State University. Accessed January 27, 2021. https://digital.library.unt.edu/ark:/67531/metadc130779/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hanicak, Helen W. “The Satirical Elements in the Works of Sir John Vanbrugh.” 1967. Web. 27 Jan 2021.

Vancouver:

Hanicak HW. The Satirical Elements in the Works of Sir John Vanbrugh. [Internet] [Thesis]. North Texas State University; 1967. [cited 2021 Jan 27]. Available from: https://digital.library.unt.edu/ark:/67531/metadc130779/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hanicak HW. The Satirical Elements in the Works of Sir John Vanbrugh. [Thesis]. North Texas State University; 1967. Available from: https://digital.library.unt.edu/ark:/67531/metadc130779/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rutgers University

22. Watts, Caroline, 1979-. The portrayal of African Americans in situation comedies.

Degree: MA, Liberal Studies, 2015, Rutgers University

URL: https://rucore.libraries.rutgers.edu/rutgers-lib/47127/

► While one might ordinarily hypothesize that the portrayal of African Americans on television has positively progressed over the years, this study sets out to determine… (more)

Subjects/Keywords: African Americans on television; Comedy programs – United States – History and criticism.; Television comedies

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APA (6^th Edition):

Watts, Caroline, 1. (2015). The portrayal of African Americans in situation comedies. (Masters Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/47127/

Chicago Manual of Style (16^th Edition):

Watts, Caroline, 1979-. “The portrayal of African Americans in situation comedies.” 2015. Masters Thesis, Rutgers University. Accessed January 27, 2021. https://rucore.libraries.rutgers.edu/rutgers-lib/47127/.

MLA Handbook (7^th Edition):

Watts, Caroline, 1979-. “The portrayal of African Americans in situation comedies.” 2015. Web. 27 Jan 2021.

Vancouver:

Watts, Caroline 1. The portrayal of African Americans in situation comedies. [Internet] [Masters thesis]. Rutgers University; 2015. [cited 2021 Jan 27]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47127/.

Council of Science Editors:

Watts, Caroline 1. The portrayal of African Americans in situation comedies. [Masters Thesis]. Rutgers University; 2015. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47127/

Stellenbosch University

23. Hattingh, Maria Susanna. Finding balance : a study of the text and context of two Afrikaans festival comedy scripts.

Degree: MDram, Drama, 2018, Stellenbosch University

URL: http://hdl.handle.net/10019.1/103790

►

ENGLISH ABSTRACT: This study explores two critically acclaimed Afrikaans festival comedies, which are situational and predominantly located in a specific time and place, and the… (more)

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ENGLISH ABSTRACT: This study explores two critically acclaimed Afrikaans festival comedies, which are situational and predominantly located in a specific time and place, and the question how they can gain continuity in the wider theatre realm. Central to this investigation is the context in which these spectral productions have been formed and performed. Through a close analysis of the comedy texts that have enjoyed great success on recent festival circuits, this thesis seeks to identify aspects of these comedies that may account for their unusual endurance and acclaim within the festival context. A correlative aim of this research is to contribute towards creating an afterlife for the chosen scripts by making them available to other researchers. To this end, the two original scripts, N is vir Neurose (2012) by Christiaan Olwagen and Amper, Vrystaat (2015) by Nico Scheepers, are included as addenda to this thesis. These texts are analysed within their respective original performance contexts. Given the context in which these productions have been formed, the festival space in general and the respective physical performance space in particular, have a powerful impact on the potential afterlives of the productions: these spaces are as transitory as the plays themselves. Comedy as a genre appears inherently ghost-like in this distinctly localised situation. A contextual as well as thematic analysis of these two plays show a subtle balance between wit and taboo, as well as comedy and drama. The plays adhere to generic comedy characteristics as well as combining various techniques of humour to create refreshingly local dark comedy. These comic techniques, along with the inherent dark comedy qualities of the plays, transcend language and culture, thus increasing the potential for their continuity beyond the festival context.

AFRIKAANSE OPSOMMING: Hierdie studie ondersoek hoe twee krities aangeskrewe Afrikaanse feeskomedies, wat omstandigheidsgedrewe en meestal aan ʼn bepaalde tyd en plek gebonde is, daarin kan slaag om kontinuïteit te verkry binne die wyer Suid-Afrikaanse teateropset. Sentraal tot hierdie ondersoek is die konteks waarin hierdie teaterproduksies gevorm en opgevoer word. Deur ʼn noukeurige ontleding van twee komedietekste wat groot welslae behaal het tydens onlangse feeste, beoog hierdie tesis om aspekte van dié komedies te identifiseer wat hul ongewone uithouvermoë binne hierdie konteks kan verklaar. ʼn Verbandhoudende doel van hierdie navorsing is om die rakleeftyd van die gekose tekste te verleng, deurdat die twee tekste hiermee beskikbaar gestel word aan ander navorsers. Vir hierdie doel word die twee oorspronklike toneeltekste, N is vir Neurose (2012) deur Christiaan Olwagen en Amper, Vrystaat (2015) deur Nico Scheepers, ingesluit as addenda by hierdie tesis. Hierdie tekste word ontleed binne hul onderskeie oorspronklike opvoeringskontekste. Die gegewe kontekste waarin hierdie produksies gevorm is, naamlik die feesruimte oor die algemeen en die fisiese opvoeringsruimtes in die besonder, het 'n…

Advisors/Committee Members: Pieterse, Annel, Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of Drama..

Subjects/Keywords: Afrikaans festival comedies; Olwagen, Christiaan – N is vir neurose – Criticism and interpretation; Scheepers, Nico – Amper, Vrystaat – Criticism and interpretation; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hattingh, M. S. (2018). Finding balance : a study of the text and context of two Afrikaans festival comedy scripts. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/103790

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hattingh, Maria Susanna. “Finding balance : a study of the text and context of two Afrikaans festival comedy scripts.” 2018. Thesis, Stellenbosch University. Accessed January 27, 2021. http://hdl.handle.net/10019.1/103790.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hattingh, Maria Susanna. “Finding balance : a study of the text and context of two Afrikaans festival comedy scripts.” 2018. Web. 27 Jan 2021.

Vancouver:

Hattingh MS. Finding balance : a study of the text and context of two Afrikaans festival comedy scripts. [Internet] [Thesis]. Stellenbosch University; 2018. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10019.1/103790.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hattingh MS. Finding balance : a study of the text and context of two Afrikaans festival comedy scripts. [Thesis]. Stellenbosch University; 2018. Available from: http://hdl.handle.net/10019.1/103790

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Vienna

24. Makarava, Darya. Interlinguale Untertitelung.

Degree: 2017, University of Vienna

URL: http://othes.univie.ac.at/46040/

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Diese Masterarbeit beschäftigt sich mit der Problematik der Übertragung von kulturspezifischen Dimensionen im Fall der interlingualen Untertitelung und geht der Frage der Unübersetzbarkeit von sogenannten… (more)

Subjects/Keywords: 17.45 Übersetzungswissenschaft; interlinguale Untertitelung / Kulturspezifika / russische Komödien / Sowjetzeit; interlingual subtitling / culture-specific elements / Russian comedies / soviet era

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APA (6^th Edition):

Makarava, D. (2017). Interlinguale Untertitelung. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/46040/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Makarava, Darya. “Interlinguale Untertitelung.” 2017. Thesis, University of Vienna. Accessed January 27, 2021. http://othes.univie.ac.at/46040/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Makarava, Darya. “Interlinguale Untertitelung.” 2017. Web. 27 Jan 2021.

Vancouver:

Makarava D. Interlinguale Untertitelung. [Internet] [Thesis]. University of Vienna; 2017. [cited 2021 Jan 27]. Available from: http://othes.univie.ac.at/46040/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Makarava D. Interlinguale Untertitelung. [Thesis]. University of Vienna; 2017. Available from: http://othes.univie.ac.at/46040/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Mulawka, Natalia. Representation of Marriage and Relationships in Romantic Comedies from 2010 .

Degree: 2013, University of Ottawa

URL: http://hdl.handle.net/10393/23626

► The mass media portrays traditional forms of marital status in contemporary films despite changing demographics. This thesis argues that romantic relationships are presented as a… (more)

Subjects/Keywords: marriage; singles; singlims; romantic comedies; mass media

…This study investigates nine romantic comedies that were released in 2010. A content analysis…

4 more images…

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APA (6^th Edition):

Mulawka, N. (2013). Representation of Marriage and Relationships in Romantic Comedies from 2010 . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/23626

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Mulawka, Natalia. “Representation of Marriage and Relationships in Romantic Comedies from 2010 .” 2013. Thesis, University of Ottawa. Accessed January 27, 2021. http://hdl.handle.net/10393/23626.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Mulawka, Natalia. “Representation of Marriage and Relationships in Romantic Comedies from 2010 .” 2013. Web. 27 Jan 2021.

Vancouver:

Mulawka N. Representation of Marriage and Relationships in Romantic Comedies from 2010 . [Internet] [Thesis]. University of Ottawa; 2013. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10393/23626.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mulawka N. Representation of Marriage and Relationships in Romantic Comedies from 2010 . [Thesis]. University of Ottawa; 2013. Available from: http://hdl.handle.net/10393/23626

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Karlstad University

26. Stankovic, Aurora. Romantiska komedier på DVD-omslag.

Degree: Faculty of Arts and Social Sciences (starting 2013), 2013, Karlstad University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-28248

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The purpose of this thesis is to analyze DVD covers for the genre romantic comedy from the 2000s as a way to obtain patterns… (more)

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The purpose of this thesis is to analyze DVD covers for the genre romantic comedy from the 2000s as a way to obtain patterns and codes provided by the genre. The theoretical framework consists of previous research that analyzed various posters, theories about semiotics, genre, and visual rhetoric. These theories will help answer the main question and help with the analysis. The objects for observation are ten DVD covers from the genre romantic comedy and a qualitative content analysis is used for this thesis. The movies are from the US and they are all high in Box Office. Box Office stands for how many tickets were sold and how much money a film has earned. The use of numbers from Box Office shows that the movie had a successful marketing prior coming out as DVD. The analysis focuses also on movies from the year 2003 – 2012 as a way to get a ten years gap and also get the contemporary movies. The results show that there are codes and patterns provided from various DVD covers. Visual expressions as clothing, angles, perspectives, postures, facial expressions and colors say a lot about how the genre is visualized. It's also important for these visual expressions to work together – as they tell a story about the relationships and the characters, and also what the movie is going to be about. The main conclusion is that the woman is usually the one who is in focus and she is the active one. This doesn't necessary mean that the woman is in a higher position when it comes to the society or that she'll always have the upper hand in the relationship, but she is the one that has the upper hand right now. It's also clear that the DVD covers show when the couples aren't happily ever after.

Syftet med uppsatsen är att analysera DVD-omslag för genren romantisk komedi från 2000-talet för att få fram mönster och koder som ges från genren. Det teoretiska ramverket består av tidigare forskning som analyserat olika affischer - samt teorier om semiotik, genre och visuell retorik. Dessa teorier används för att svara på frågeställningen och för att hjälpa till vid analysen. En kvalitativ innehållsanalys har analyserat tio olika DVD-omslag för genren romantisk komedi. Filmerna som analyserats är från USA och anses som höga inom Box Office. Begreppet Box Office står för hur många biljetter som har sålts och hur mycket pengar en film tjänat in. Användingen av siffor från Box Office visar att filmen hade en lyckad marknadsföring innan den kom ut på DVD, vilket gör att den används för denna analys. Analysen fokuserar sig också bara på filmer från år 2003 – 2012 då man får ett mellanrum på tio år och filmerna blir samtida. Resultatet från den kvalitativa metoden visar att det finns koder och mönster som ges från olika DVD-omslag. Visuella uttryck som kläder, vinklar, perspektiv, kroppshållning, ansiktsuttryck och färger påverkar mycket hur ett DVD-omslag uppfattas och säger mycket om hur genren visualiserats. Det är också viktigt att dessa visuella uttryck arbetar ihop då de tillsammans berättar något om…

Subjects/Keywords: visual rhetoric; semiotics; romantic comedies; DVD covers; genre; visuell retorik; semiotik; romantiska komedier; DVD-omslag; genre

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Stankovic, A. (2013). Romantiska komedier på DVD-omslag. (Thesis). Karlstad University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-28248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Stankovic, Aurora. “Romantiska komedier på DVD-omslag.” 2013. Thesis, Karlstad University. Accessed January 27, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-28248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Stankovic, Aurora. “Romantiska komedier på DVD-omslag.” 2013. Web. 27 Jan 2021.

Vancouver:

Stankovic A. Romantiska komedier på DVD-omslag. [Internet] [Thesis]. Karlstad University; 2013. [cited 2021 Jan 27]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-28248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stankovic A. Romantiska komedier på DVD-omslag. [Thesis]. Karlstad University; 2013. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-28248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Frampton, Jessica R. Setting the Mood: An Examination of the Roles of Romance-Related Mood, Situational Similarity, and Character Attribute Similarity in Selective Exposure to Romantic Comedies.

Degree: MA, Communication, Technology, and Society, 2015, Clemson University

URL: https://tigerprints.clemson.edu/all_theses/2133

► Two studies were conducted in order to explore how romance-related mood, situational similarity, and character attribute similarity affect selective exposure to romantic comedies. Eight… (more)

Subjects/Keywords: mood management; romantic comedies; selective exposure

…x28;Potter, 2011). Researchers have noted that audiences for romantic comedies have… …saturated audience of romantic comedies, the phrase “chick flick” has emerged as a colloquial… …romantic comedies feature female protagonists, the popularity of romantic comedy films among… …Though research suggests these theoretical predictions apply to traditional romantic comedies… …romantic comedies also depict different characters than romantic comedies of the past…

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Frampton, J. R. (2015). Setting the Mood: An Examination of the Roles of Romance-Related Mood, Situational Similarity, and Character Attribute Similarity in Selective Exposure to Romantic Comedies. (Masters Thesis). Clemson University. Retrieved from https://tigerprints.clemson.edu/all_theses/2133

Chicago Manual of Style (16^th Edition):

Frampton, Jessica R. “Setting the Mood: An Examination of the Roles of Romance-Related Mood, Situational Similarity, and Character Attribute Similarity in Selective Exposure to Romantic Comedies.” 2015. Masters Thesis, Clemson University. Accessed January 27, 2021. https://tigerprints.clemson.edu/all_theses/2133.

MLA Handbook (7^th Edition):

Frampton, Jessica R. “Setting the Mood: An Examination of the Roles of Romance-Related Mood, Situational Similarity, and Character Attribute Similarity in Selective Exposure to Romantic Comedies.” 2015. Web. 27 Jan 2021.

Vancouver:

Frampton JR. Setting the Mood: An Examination of the Roles of Romance-Related Mood, Situational Similarity, and Character Attribute Similarity in Selective Exposure to Romantic Comedies. [Internet] [Masters thesis]. Clemson University; 2015. [cited 2021 Jan 27]. Available from: https://tigerprints.clemson.edu/all_theses/2133.

Council of Science Editors:

Frampton JR. Setting the Mood: An Examination of the Roles of Romance-Related Mood, Situational Similarity, and Character Attribute Similarity in Selective Exposure to Romantic Comedies. [Masters Thesis]. Clemson University; 2015. Available from: https://tigerprints.clemson.edu/all_theses/2133

University of Montana

28. Johnson, Janaira Paige. Mating in the bushes| A study of sexual aggression and desire in Shakespeare's comedy.

Degree: MA, 2002, University of Montana

URL: https://scholarworks.umt.edu/etd/2942

Subjects/Keywords: Shakespeare; William; 1564-1616 Comedies; Sex in literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Johnson, J. P. (2002). Mating in the bushes| A study of sexual aggression and desire in Shakespeare's comedy. (Masters Thesis). University of Montana. Retrieved from https://scholarworks.umt.edu/etd/2942

Chicago Manual of Style (16^th Edition):

Johnson, Janaira Paige. “Mating in the bushes| A study of sexual aggression and desire in Shakespeare's comedy.” 2002. Masters Thesis, University of Montana. Accessed January 27, 2021. https://scholarworks.umt.edu/etd/2942.

MLA Handbook (7^th Edition):

Johnson, Janaira Paige. “Mating in the bushes| A study of sexual aggression and desire in Shakespeare's comedy.” 2002. Web. 27 Jan 2021.

Vancouver:

Johnson JP. Mating in the bushes| A study of sexual aggression and desire in Shakespeare's comedy. [Internet] [Masters thesis]. University of Montana; 2002. [cited 2021 Jan 27]. Available from: https://scholarworks.umt.edu/etd/2942.

Council of Science Editors:

Johnson JP. Mating in the bushes| A study of sexual aggression and desire in Shakespeare's comedy. [Masters Thesis]. University of Montana; 2002. Available from: https://scholarworks.umt.edu/etd/2942

University of Alberta

29. Jacobs, Dale. Playing for keeps: urban competition and game in Middleton's city comedies.

Degree: MA, Department of English, 1993, University of Alberta

URL: https://era.library.ualberta.ca/files/kh04dr57x

Subjects/Keywords: Middleton, Thomas, -1627 – Comedies.; English drama (Comedy) – History and criticism.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Jacobs, D. (1993). Playing for keeps: urban competition and game in Middleton's city comedies. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/kh04dr57x

Chicago Manual of Style (16^th Edition):

Jacobs, Dale. “Playing for keeps: urban competition and game in Middleton's city comedies.” 1993. Masters Thesis, University of Alberta. Accessed January 27, 2021. https://era.library.ualberta.ca/files/kh04dr57x.

MLA Handbook (7^th Edition):

Jacobs, Dale. “Playing for keeps: urban competition and game in Middleton's city comedies.” 1993. Web. 27 Jan 2021.

Vancouver:

Jacobs D. Playing for keeps: urban competition and game in Middleton's city comedies. [Internet] [Masters thesis]. University of Alberta; 1993. [cited 2021 Jan 27]. Available from: https://era.library.ualberta.ca/files/kh04dr57x.

Council of Science Editors:

Jacobs D. Playing for keeps: urban competition and game in Middleton's city comedies. [Masters Thesis]. University of Alberta; 1993. Available from: https://era.library.ualberta.ca/files/kh04dr57x

University of Alberta

30. Kooistra, Frank. Comedy and the comic antagonist: blocking characters in Shakespeare's comedies.

Degree: PhD, Department of English, 1989, University of Alberta

URL: https://era.library.ualberta.ca/files/3j333428z

Subjects/Keywords: Shakespeare, William, 1564-1616 – Characters – Comic characters.; Shakespeare, William, 1564-1616 – Comedies.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Kooistra, F. (1989). Comedy and the comic antagonist: blocking characters in Shakespeare's comedies. (Doctoral Dissertation). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/3j333428z

Chicago Manual of Style (16^th Edition):

Kooistra, Frank. “Comedy and the comic antagonist: blocking characters in Shakespeare's comedies.” 1989. Doctoral Dissertation, University of Alberta. Accessed January 27, 2021. https://era.library.ualberta.ca/files/3j333428z.

MLA Handbook (7^th Edition):

Kooistra, Frank. “Comedy and the comic antagonist: blocking characters in Shakespeare's comedies.” 1989. Web. 27 Jan 2021.

Vancouver:

Kooistra F. Comedy and the comic antagonist: blocking characters in Shakespeare's comedies. [Internet] [Doctoral dissertation]. University of Alberta; 1989. [cited 2021 Jan 27]. Available from: https://era.library.ualberta.ca/files/3j333428z.

Council of Science Editors:

Kooistra F. Comedy and the comic antagonist: blocking characters in Shakespeare's comedies. [Doctoral Dissertation]. University of Alberta; 1989. Available from: https://era.library.ualberta.ca/files/3j333428z

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