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You searched for subject:(classical Hollywood cinema). Showing records 1 – 14 of 14 total matches.

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1. Gomes, Carlos Alberto Monteiro Domingues. O cinema ibérico e os óscares: razões para a não selecção dos filmes portugueses ao óscar de melhor filme em língua estrangeira, através da análise comparativa entre as cinematografias de Espanha, Portugal e o modelo de produção de Hollywood.

Degree: 2011, Repositório Científico do Instituto Politécnico de Lisboa

Dissertação apresentada à Escola Superior de Comunicação Social como parte dos requisitos para obtenção de grau de mestre em Audiovisual e Multimédia.

Desde 1980 que… (more)

Subjects/Keywords: Cinema; Filmes; Óscares; Paradigma clássico; Cinema comercial; Cinema de autor; Portugal; Espanha; Hollywood; Cinema; Movies; Oscars; Classical paradigma; Mainstream cinema; Auteur cinema; Portugal; Spain; Hollywood

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APA (6th Edition):

Gomes, C. A. M. D. (2011). O cinema ibérico e os óscares: razões para a não selecção dos filmes portugueses ao óscar de melhor filme em língua estrangeira, através da análise comparativa entre as cinematografias de Espanha, Portugal e o modelo de produção de Hollywood. (Thesis). Repositório Científico do Instituto Politécnico de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/6172

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gomes, Carlos Alberto Monteiro Domingues. “O cinema ibérico e os óscares: razões para a não selecção dos filmes portugueses ao óscar de melhor filme em língua estrangeira, através da análise comparativa entre as cinematografias de Espanha, Portugal e o modelo de produção de Hollywood.” 2011. Thesis, Repositório Científico do Instituto Politécnico de Lisboa. Accessed April 10, 2021. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/6172.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gomes, Carlos Alberto Monteiro Domingues. “O cinema ibérico e os óscares: razões para a não selecção dos filmes portugueses ao óscar de melhor filme em língua estrangeira, através da análise comparativa entre as cinematografias de Espanha, Portugal e o modelo de produção de Hollywood.” 2011. Web. 10 Apr 2021.

Vancouver:

Gomes CAMD. O cinema ibérico e os óscares: razões para a não selecção dos filmes portugueses ao óscar de melhor filme em língua estrangeira, através da análise comparativa entre as cinematografias de Espanha, Portugal e o modelo de produção de Hollywood. [Internet] [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2011. [cited 2021 Apr 10]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/6172.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gomes CAMD. O cinema ibérico e os óscares: razões para a não selecção dos filmes portugueses ao óscar de melhor filme em língua estrangeira, através da análise comparativa entre as cinematografias de Espanha, Portugal e o modelo de produção de Hollywood. [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2011. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/6172

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vanderbilt University

2. Oxner, Alexandra Louise. "She was Out in Eternity": Dorothy Richardson's Feminist Revision of Classical Hollywood Cinema in Dawn's Left Hand.

Degree: MA, English, 2015, Vanderbilt University

 Under the title “Continuous Performance,” Dorothy Richardson’s contributions to the avant-garde little magazine Close Up advance a new theory of film that, consonant with the… (more)

Subjects/Keywords: classical Hollywood cinema; film studies; modernism; twentieth-century literature; Dorothy Richardson; feminism

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APA (6th Edition):

Oxner, A. L. (2015). "She was Out in Eternity": Dorothy Richardson's Feminist Revision of Classical Hollywood Cinema in Dawn's Left Hand. (Thesis). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/14536

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oxner, Alexandra Louise. “"She was Out in Eternity": Dorothy Richardson's Feminist Revision of Classical Hollywood Cinema in Dawn's Left Hand.” 2015. Thesis, Vanderbilt University. Accessed April 10, 2021. http://hdl.handle.net/1803/14536.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oxner, Alexandra Louise. “"She was Out in Eternity": Dorothy Richardson's Feminist Revision of Classical Hollywood Cinema in Dawn's Left Hand.” 2015. Web. 10 Apr 2021.

Vancouver:

Oxner AL. "She was Out in Eternity": Dorothy Richardson's Feminist Revision of Classical Hollywood Cinema in Dawn's Left Hand. [Internet] [Thesis]. Vanderbilt University; 2015. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1803/14536.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oxner AL. "She was Out in Eternity": Dorothy Richardson's Feminist Revision of Classical Hollywood Cinema in Dawn's Left Hand. [Thesis]. Vanderbilt University; 2015. Available from: http://hdl.handle.net/1803/14536

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

3. Tang, Funing. Acting as Being: Ingrid Bergman's Performances.

Degree: PhD, Communication Studies (Communication), 2013, University of Miami

 Starting her acting career in Sweden, Ingrid Bergman was one of Hollywood’s greatest stars of the 1940s. She went on to act in countries like… (more)

Subjects/Keywords: Ingrid Bergman; Star Studies; Screen Performance; Film Theory and Criticism; Classical Hollywood Cinema; European Cinemas

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APA (6th Edition):

Tang, F. (2013). Acting as Being: Ingrid Bergman's Performances. (Doctoral Dissertation). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1120

Chicago Manual of Style (16th Edition):

Tang, Funing. “Acting as Being: Ingrid Bergman's Performances.” 2013. Doctoral Dissertation, University of Miami. Accessed April 10, 2021. https://scholarlyrepository.miami.edu/oa_dissertations/1120.

MLA Handbook (7th Edition):

Tang, Funing. “Acting as Being: Ingrid Bergman's Performances.” 2013. Web. 10 Apr 2021.

Vancouver:

Tang F. Acting as Being: Ingrid Bergman's Performances. [Internet] [Doctoral dissertation]. University of Miami; 2013. [cited 2021 Apr 10]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1120.

Council of Science Editors:

Tang F. Acting as Being: Ingrid Bergman's Performances. [Doctoral Dissertation]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1120

4. Gruffman, Mathias. Alternativ Hollywoodestetik : En studie över fyra filmers förhållande till Classical Hollywood Cinema.

Degree: Humanities, 2007, Örebro University

  This essay studies stylistic differences as well as homage’s between four films produced in two different contexts, New Hollywood and alternative aesthetics today in… (more)

Subjects/Keywords: Film; Hollywood; Alternativt; Estetik; New Hollywood; Independent; Classical Hollywood Cinema; Studies on Film; Filmvetenskap

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APA (6th Edition):

Gruffman, M. (2007). Alternativ Hollywoodestetik : En studie över fyra filmers förhållande till Classical Hollywood Cinema. (Thesis). Örebro University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-1555

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gruffman, Mathias. “Alternativ Hollywoodestetik : En studie över fyra filmers förhållande till Classical Hollywood Cinema.” 2007. Thesis, Örebro University. Accessed April 10, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-1555.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gruffman, Mathias. “Alternativ Hollywoodestetik : En studie över fyra filmers förhållande till Classical Hollywood Cinema.” 2007. Web. 10 Apr 2021.

Vancouver:

Gruffman M. Alternativ Hollywoodestetik : En studie över fyra filmers förhållande till Classical Hollywood Cinema. [Internet] [Thesis]. Örebro University; 2007. [cited 2021 Apr 10]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-1555.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gruffman M. Alternativ Hollywoodestetik : En studie över fyra filmers förhållande till Classical Hollywood Cinema. [Thesis]. Örebro University; 2007. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-1555

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Università Cattolica del Sacro Cuore

5. CHIARULLI, RAFFAELE ROSARIO. Strutture drammaturgiche e tecniche di scrittura del cinema americano classico : casi di intertestualità tra teatro e cinema.

Degree: 2012, Università Cattolica del Sacro Cuore

Questa tesi è un’esplorazione dei rapporti tra il segno teatrale e il segno cinematografico attraverso la prospettiva degli sceneggiatori e della sceneggiatura nel cinema hollywoodiano… (more)

Subjects/Keywords: L-ART/05: DISCIPLINE DELLO SPETTACOLO; L-ART/06: CINEMA, FOTOGRAFIA E TELEVISIONE; M-FIL/05: FILOSOFIA E TEORIA DEI LINGUAGGI; Sceneggiatura americana, autorialità, cinema hollywodiano classico, sceneggiatori americani, teatro e cinema, American Screenwriters, authorship, classical Hollywood cinema, American screenwriters

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APA (6th Edition):

CHIARULLI, R. R. (2012). Strutture drammaturgiche e tecniche di scrittura del cinema americano classico : casi di intertestualità tra teatro e cinema. (Doctoral Dissertation). Università Cattolica del Sacro Cuore. Retrieved from http://hdl.handle.net/10280/1533

Chicago Manual of Style (16th Edition):

CHIARULLI, RAFFAELE ROSARIO. “Strutture drammaturgiche e tecniche di scrittura del cinema americano classico : casi di intertestualità tra teatro e cinema.” 2012. Doctoral Dissertation, Università Cattolica del Sacro Cuore. Accessed April 10, 2021. http://hdl.handle.net/10280/1533.

MLA Handbook (7th Edition):

CHIARULLI, RAFFAELE ROSARIO. “Strutture drammaturgiche e tecniche di scrittura del cinema americano classico : casi di intertestualità tra teatro e cinema.” 2012. Web. 10 Apr 2021.

Vancouver:

CHIARULLI RR. Strutture drammaturgiche e tecniche di scrittura del cinema americano classico : casi di intertestualità tra teatro e cinema. [Internet] [Doctoral dissertation]. Università Cattolica del Sacro Cuore; 2012. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/10280/1533.

Council of Science Editors:

CHIARULLI RR. Strutture drammaturgiche e tecniche di scrittura del cinema americano classico : casi di intertestualità tra teatro e cinema. [Doctoral Dissertation]. Università Cattolica del Sacro Cuore; 2012. Available from: http://hdl.handle.net/10280/1533


Vanderbilt University

6. Krause, Jennifer A. From Classical to Postmodern: Madness in Inter-American Narrative.

Degree: PhD, English, 2009, Vanderbilt University

 The advent of the popular culture phenomenon allowed the definition and therefore the confinement and treatment of madmen, in the literary sense, to change, evolving… (more)

Subjects/Keywords: classical Hollywood cinema; Inter-American; postmodernism; madness; science fiction; culture industry; popular culture

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APA (6th Edition):

Krause, J. A. (2009). From Classical to Postmodern: Madness in Inter-American Narrative. (Doctoral Dissertation). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/13058

Chicago Manual of Style (16th Edition):

Krause, Jennifer A. “From Classical to Postmodern: Madness in Inter-American Narrative.” 2009. Doctoral Dissertation, Vanderbilt University. Accessed April 10, 2021. http://hdl.handle.net/1803/13058.

MLA Handbook (7th Edition):

Krause, Jennifer A. “From Classical to Postmodern: Madness in Inter-American Narrative.” 2009. Web. 10 Apr 2021.

Vancouver:

Krause JA. From Classical to Postmodern: Madness in Inter-American Narrative. [Internet] [Doctoral dissertation]. Vanderbilt University; 2009. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1803/13058.

Council of Science Editors:

Krause JA. From Classical to Postmodern: Madness in Inter-American Narrative. [Doctoral Dissertation]. Vanderbilt University; 2009. Available from: http://hdl.handle.net/1803/13058

7. Bas, Pierre. Les interrelations entre le monde réel et le monde du fantasme dans le classicisme hollywoodien : Inter-relationships between the world of reality and the world of fantasy in classical Hollywood cinema.

Degree: Docteur es, Études cinématographiques et audiovisuelles, 2018, Sorbonne Paris Cité

Le classicisme hollywoodien permet d’explorer la variété des sens que revêt au cinéma le concept de réalité à partir de fragments de réalité matérielle enregistrés,… (more)

Subjects/Keywords: Classicisme hollywoodien; Cinéma; Fantasme; Fiction; Imaginaire; Littérature; Mythes; Psychanalyse; Réalité; Rêve; Classical Hollywood; Cinema; Fantasy; Fiction; Imagination; Literature; Myths; Psychoanalysis; Reality.; Dream

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APA (6th Edition):

Bas, P. (2018). Les interrelations entre le monde réel et le monde du fantasme dans le classicisme hollywoodien : Inter-relationships between the world of reality and the world of fantasy in classical Hollywood cinema. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2018USPCA088

Chicago Manual of Style (16th Edition):

Bas, Pierre. “Les interrelations entre le monde réel et le monde du fantasme dans le classicisme hollywoodien : Inter-relationships between the world of reality and the world of fantasy in classical Hollywood cinema.” 2018. Doctoral Dissertation, Sorbonne Paris Cité. Accessed April 10, 2021. http://www.theses.fr/2018USPCA088.

MLA Handbook (7th Edition):

Bas, Pierre. “Les interrelations entre le monde réel et le monde du fantasme dans le classicisme hollywoodien : Inter-relationships between the world of reality and the world of fantasy in classical Hollywood cinema.” 2018. Web. 10 Apr 2021.

Vancouver:

Bas P. Les interrelations entre le monde réel et le monde du fantasme dans le classicisme hollywoodien : Inter-relationships between the world of reality and the world of fantasy in classical Hollywood cinema. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2018. [cited 2021 Apr 10]. Available from: http://www.theses.fr/2018USPCA088.

Council of Science Editors:

Bas P. Les interrelations entre le monde réel et le monde du fantasme dans le classicisme hollywoodien : Inter-relationships between the world of reality and the world of fantasy in classical Hollywood cinema. [Doctoral Dissertation]. Sorbonne Paris Cité; 2018. Available from: http://www.theses.fr/2018USPCA088

8. Smith, Kevin. Digital Film Art and the Persistence of the Classical Hollywood Style.

Degree: 2014, University of Illinois – Chicago

 The beginning of the 21st Century saw many pronouncements within Film Studies of the decline of the traditional narrative paradigm in cinema due to recent… (more)

Subjects/Keywords: digital visual effects; narrative; classical Hollywood cinema; machinima; digital revolution; cinema of attractions; perceptual realism

…for these effects, mainstream cinema continues to rely on the classical Hollywood style of… …overturning the classical storytelling traditions Hollywood form was founded on in the early decades… …storytelling. The period heard claims of a new “post-classical” era in Hollywood brought about by a… …Hollywood cinema “purports to be realistic” (Bordwell, Staiger, and Thompson 3). Stephen… …changes have been, they have had little effect on the basic conventions of classical Hollywood… 

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APA (6th Edition):

Smith, K. (2014). Digital Film Art and the Persistence of the Classical Hollywood Style. (Thesis). University of Illinois – Chicago. Retrieved from http://hdl.handle.net/10027/11230

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Kevin. “Digital Film Art and the Persistence of the Classical Hollywood Style.” 2014. Thesis, University of Illinois – Chicago. Accessed April 10, 2021. http://hdl.handle.net/10027/11230.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Kevin. “Digital Film Art and the Persistence of the Classical Hollywood Style.” 2014. Web. 10 Apr 2021.

Vancouver:

Smith K. Digital Film Art and the Persistence of the Classical Hollywood Style. [Internet] [Thesis]. University of Illinois – Chicago; 2014. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/10027/11230.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith K. Digital Film Art and the Persistence of the Classical Hollywood Style. [Thesis]. University of Illinois – Chicago; 2014. Available from: http://hdl.handle.net/10027/11230

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

9. Triantafyllidou, Despoina. Το βιογραφικό φιλμ στην ελληνική κινηματογραφική παραγωγή (1926-2018): μια θεωρητική και ιστορική μελέτη.

Degree: 2019, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

The present thesis aims at constructing the Greek biographical film genre, employing the theory and methodology of fiction film genres. The academic research into Greek… (more)

Subjects/Keywords: Ελληνικός κινηματογράφος (1926-2018); Ελληνικές βιογραφικές ταινίες; Κλασικός κινηματογράφος του Χόλιγουντ; Θεωρία των κινηματογραφικών ειδών; Συμβάσεις είδους; Νέα κινηματογραφική ιστορία: κειμενική-συγκειμενική ανάλυση; Greek cinema (1926-2018); Greek biographical films; Classical Hollywood cinema; Film genre theory; Genre conventions; New film history: textual-contextual analysis

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APA (6th Edition):

Triantafyllidou, D. (2019). Το βιογραφικό φιλμ στην ελληνική κινηματογραφική παραγωγή (1926-2018): μια θεωρητική και ιστορική μελέτη. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/46841

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Triantafyllidou, Despoina. “Το βιογραφικό φιλμ στην ελληνική κινηματογραφική παραγωγή (1926-2018): μια θεωρητική και ιστορική μελέτη.” 2019. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed April 10, 2021. http://hdl.handle.net/10442/hedi/46841.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Triantafyllidou, Despoina. “Το βιογραφικό φιλμ στην ελληνική κινηματογραφική παραγωγή (1926-2018): μια θεωρητική και ιστορική μελέτη.” 2019. Web. 10 Apr 2021.

Vancouver:

Triantafyllidou D. Το βιογραφικό φιλμ στην ελληνική κινηματογραφική παραγωγή (1926-2018): μια θεωρητική και ιστορική μελέτη. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2019. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/10442/hedi/46841.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Triantafyllidou D. Το βιογραφικό φιλμ στην ελληνική κινηματογραφική παραγωγή (1926-2018): μια θεωρητική και ιστορική μελέτη. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2019. Available from: http://hdl.handle.net/10442/hedi/46841

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Olivero, Massimo. Figures de l'extase. Une esthétique des limites de la représentation filmique de Serguei M. Eisenstein à Orson Welles : Figures of Ecstasy. An Aesthetics of the Limits of Cinematic Representation, from Sergei Eisenstein to Orson Welles.

Degree: Docteur es, Études cinématographiques, 2014, Université Sorbonne Nouvelle – Paris III

Ce travail se propose d'interroger le problème des limites de la représentation du cinéma de l'âge classique (1920-1960) à partir de l'esthétique organique-pathétique conçue par… (more)

Subjects/Keywords: Extase; Pathos; Dialectique; Eisenstein; Welles; Cinéma classique hollywoodien; Cinéma soviétique; Limites de la représentation; Avant-Garde; Ecstasy; Pathos; Dialectic; Eisenstein; Welles; Classical Hollywood Cinema; Soviet Cinema; Limits of representation; Avant-Garde

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Olivero, M. (2014). Figures de l'extase. Une esthétique des limites de la représentation filmique de Serguei M. Eisenstein à Orson Welles : Figures of Ecstasy. An Aesthetics of the Limits of Cinematic Representation, from Sergei Eisenstein to Orson Welles. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2014PA030092

Chicago Manual of Style (16th Edition):

Olivero, Massimo. “Figures de l'extase. Une esthétique des limites de la représentation filmique de Serguei M. Eisenstein à Orson Welles : Figures of Ecstasy. An Aesthetics of the Limits of Cinematic Representation, from Sergei Eisenstein to Orson Welles.” 2014. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed April 10, 2021. http://www.theses.fr/2014PA030092.

MLA Handbook (7th Edition):

Olivero, Massimo. “Figures de l'extase. Une esthétique des limites de la représentation filmique de Serguei M. Eisenstein à Orson Welles : Figures of Ecstasy. An Aesthetics of the Limits of Cinematic Representation, from Sergei Eisenstein to Orson Welles.” 2014. Web. 10 Apr 2021.

Vancouver:

Olivero M. Figures de l'extase. Une esthétique des limites de la représentation filmique de Serguei M. Eisenstein à Orson Welles : Figures of Ecstasy. An Aesthetics of the Limits of Cinematic Representation, from Sergei Eisenstein to Orson Welles. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2014. [cited 2021 Apr 10]. Available from: http://www.theses.fr/2014PA030092.

Council of Science Editors:

Olivero M. Figures de l'extase. Une esthétique des limites de la représentation filmique de Serguei M. Eisenstein à Orson Welles : Figures of Ecstasy. An Aesthetics of the Limits of Cinematic Representation, from Sergei Eisenstein to Orson Welles. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2014. Available from: http://www.theses.fr/2014PA030092


Université de Montréal

11. Ly, Hieu-Thong. Le plan-séquence chez Kenji Mizoguchi.

Degree: 2013, Université de Montréal

Subjects/Keywords: plan-séquence; langage cinématographique; Hollywood classical style; réalisme; théâtralité; sequence-shot; film language; Hollywood classical style; realism; theatrics; Communications and the Arts - Cinema / Communications et les arts - Cinéma (UMI : 0900)

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APA (6th Edition):

Ly, H. (2013). Le plan-séquence chez Kenji Mizoguchi. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/9151

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ly, Hieu-Thong. “Le plan-séquence chez Kenji Mizoguchi.” 2013. Thesis, Université de Montréal. Accessed April 10, 2021. http://hdl.handle.net/1866/9151.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ly, Hieu-Thong. “Le plan-séquence chez Kenji Mizoguchi.” 2013. Web. 10 Apr 2021.

Vancouver:

Ly H. Le plan-séquence chez Kenji Mizoguchi. [Internet] [Thesis]. Université de Montréal; 2013. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/1866/9151.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ly H. Le plan-séquence chez Kenji Mizoguchi. [Thesis]. Université de Montréal; 2013. Available from: http://hdl.handle.net/1866/9151

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

12. Harper, Rowena. Frontier mythology in the American teen film.

Degree: 2009, University of Adelaide

 This thesis examines representations of youth in the American “teen film”. As a critical category, the teen film is still developing, but it has been… (more)

Subjects/Keywords: film; cinema; youth; teen; teen film; youth in film; American film; classical Hollywood narrative; American frontier; Teen films United States History and criticism.; Teenagers in motion pictures; United States Civilization 1945-

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Harper, R. (2009). Frontier mythology in the American teen film. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/56952

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harper, Rowena. “Frontier mythology in the American teen film.” 2009. Thesis, University of Adelaide. Accessed April 10, 2021. http://hdl.handle.net/2440/56952.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harper, Rowena. “Frontier mythology in the American teen film.” 2009. Web. 10 Apr 2021.

Vancouver:

Harper R. Frontier mythology in the American teen film. [Internet] [Thesis]. University of Adelaide; 2009. [cited 2021 Apr 10]. Available from: http://hdl.handle.net/2440/56952.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harper R. Frontier mythology in the American teen film. [Thesis]. University of Adelaide; 2009. Available from: http://hdl.handle.net/2440/56952

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Ekenberg, Jonatan. Olika leka bäst : En studie i samspel mellan olika berättarmodeller och element från slow cinema.

Degree: Film and Literature, 2015, Linnaeus University

  Uppsatsens syfte ligger i att undersöka huruvida filmteoretikern David Bordwells två inflytelserika berättarmodeller från 1980-talet fortfarande återfinns inom samtida filmproduktion. Jag fördjupar mig i… (more)

Subjects/Keywords: narration; art-cinema narration; David Bordwell; Slow cinema; Matthew Flanagan; Gravity; Alfonso Cuarón; classical narration; Hollywood; Berättarmodeller; David Bordwell; Slow cinema; Matthew Flanagan; Gravity; Alfonso Cuarón; klassiskt berättande; Hollywoodfilm; konstfilmsberättande; konstfilm; konventioner; normer; samspel; film; hybridfilm; dramaturgi; Studies on Film; Filmvetenskap

…slow cinema och 18 “Slow Cinema has been the clear alternative to Hollywood for some time… …formatet slow cinema inom olika områden (konstfilm eller kommersiella produktioner). En… …uppfylla mitt syfta utgår jag ifrån följande frågeställning. 1. Vad innebär slow cinema i dagens… …filmklimat? 2. Hur fungerar typiska element från slow cinema i ett klassisk- respektive… …fördjupar mig inte i att problematisera definitionen av formatet slow cinema, utan grundar min… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ekenberg, J. (2015). Olika leka bäst : En studie i samspel mellan olika berättarmodeller och element från slow cinema. (Thesis). Linnaeus University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-40289

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ekenberg, Jonatan. “Olika leka bäst : En studie i samspel mellan olika berättarmodeller och element från slow cinema.” 2015. Thesis, Linnaeus University. Accessed April 10, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-40289.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ekenberg, Jonatan. “Olika leka bäst : En studie i samspel mellan olika berättarmodeller och element från slow cinema.” 2015. Web. 10 Apr 2021.

Vancouver:

Ekenberg J. Olika leka bäst : En studie i samspel mellan olika berättarmodeller och element från slow cinema. [Internet] [Thesis]. Linnaeus University; 2015. [cited 2021 Apr 10]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-40289.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ekenberg J. Olika leka bäst : En studie i samspel mellan olika berättarmodeller och element från slow cinema. [Thesis]. Linnaeus University; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-40289

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhode Island College

14. Dubois, Derek. Silent Subversions.

Degree: MA, 2009, Rhode Island College

Four images in the public domain have been used in this thesis. Advisors/Committee Members: Kalinak, Kathryn.

Subjects/Keywords: Art, Culture, Entertainment industry, Motion pictures, Performing arts; American Film Studies; Cultural History; Feminist, Gender, and Sexuality Studies; Film and Media Studies; Social and Cultural Anthropology; Social History; Women's History; Women's Studies; silent cinema; female spectatorship; feminist film theory; classical Hollywood cinema; motion pictures; film viewing; film history; film posters; fandom; feminism and motion pictures; exotic male stars; primitive cinema; Kinetoscope films; Eugen Sandow; Rudolph Valentino; 1920s American culture; The Sheik; The Son of the Sheik

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dubois, D. (2009). Silent Subversions. (Masters Thesis). Rhode Island College. Retrieved from https://digitalcommons.ric.edu/etd/32

Chicago Manual of Style (16th Edition):

Dubois, Derek. “Silent Subversions.” 2009. Masters Thesis, Rhode Island College. Accessed April 10, 2021. https://digitalcommons.ric.edu/etd/32.

MLA Handbook (7th Edition):

Dubois, Derek. “Silent Subversions.” 2009. Web. 10 Apr 2021.

Vancouver:

Dubois D. Silent Subversions. [Internet] [Masters thesis]. Rhode Island College; 2009. [cited 2021 Apr 10]. Available from: https://digitalcommons.ric.edu/etd/32.

Council of Science Editors:

Dubois D. Silent Subversions. [Masters Thesis]. Rhode Island College; 2009. Available from: https://digitalcommons.ric.edu/etd/32

.