subject:(clarinet)

Universitat de Valencia

1. Beltran Tormo, Juan Ramon. Música per a clarinet i dispositius electrònics. Estudi del repertori a l'àmbit espanyol .

Degree: 2015, Universitat de Valencia

URL: http://hdl.handle.net/10550/50748

► Aquesta tesi s’ocupa de l’estudi del repertori mixt per a clarinet i dispositius electrònics a l’àmbit espanyol. En ella estan contemplats tant els autors nacionals… (more)

▼ Aquesta tesi s’ocupa de l’estudi del repertori mixt per a clarinet i dispositius electrònics a l’àmbit espanyol. En ella estan contemplats tant els autors nacionals i els seus treballs com també tots aquells produïts per estrangers que ha desenvolupat les seues tasques compositives en els centres i estudis electroacústics als quals han acudit per ampliar la formació en aquesta matèria. Primerament es fa una introducció on s’explica el que és la música mixta i on també s’expliquen els motius que justifiquen l’elecció del tema triat. A continuació, se raona el procés metodològic emprat per a la investigació per parlar posteriorment de l’estat de la qüestió en què s’expressa la dificultat de trobar estudis anteriors específics en la matèria. Hi ha abundant bibliografia al voltant de la música electrònica en general però no hi ha pràcticament res fet en música mixta i encara menys en el camp concret del clarinet com a protagonista i solista. Després se contextualitza el període històric fent un recorregut de l’evolució de les dos corrents d’investigació més importants, açò és, el desenvolupament dels mitjans d’enregistrament del so i la creació d’instrumental que produeix els sons mitjançant l’electricitat. Aquest repàs arriba fins als anys 80 en els què ja es produeix el pas des de l’era digital a la analògica. Els autors i les obres són la part més important de l’estudi on es mostra el que s’ha fet, qui ho ha fet, de quina manera i en quines circumstàncies. A continuació, s’estudia la part del repertori que correspon a l’obra mixta per a clarinet d’Andrés Lewin-Richter, una de les figures més rellevants en el segle XX en el camp de la electroacústica. Més tard en ocupem d’examinar quines han sigut les solucions gràfiques que els autors han decidit com les més indicades per mostrar el complex món sonor que és produeix amb la convergència de ambdós camps: el convencional i l’electrònic. Seguidament es proposen noves idees i línies d’investigació relacionades amb el tema de la música mixta i finalment s’exposen les conclusions pertinents a les què hem arribat. Advisors/Committee Members: Ramírez Beneyto, Ramón (advisor).

Subjects/Keywords: clarinet

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Beltran Tormo, J. R. (2015). Música per a clarinet i dispositius electrònics. Estudi del repertori a l'àmbit espanyol . (Doctoral Dissertation). Universitat de Valencia. Retrieved from http://hdl.handle.net/10550/50748

Chicago Manual of Style (16^th Edition):

Beltran Tormo, Juan Ramon. “Música per a clarinet i dispositius electrònics. Estudi del repertori a l'àmbit espanyol .” 2015. Doctoral Dissertation, Universitat de Valencia. Accessed December 05, 2019. http://hdl.handle.net/10550/50748.

MLA Handbook (7^th Edition):

Beltran Tormo, Juan Ramon. “Música per a clarinet i dispositius electrònics. Estudi del repertori a l'àmbit espanyol .” 2015. Web. 05 Dec 2019.

Vancouver:

Beltran Tormo JR. Música per a clarinet i dispositius electrònics. Estudi del repertori a l'àmbit espanyol . [Internet] [Doctoral dissertation]. Universitat de Valencia; 2015. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/10550/50748.

Council of Science Editors:

Beltran Tormo JR. Música per a clarinet i dispositius electrònics. Estudi del repertori a l'àmbit espanyol . [Doctoral Dissertation]. Universitat de Valencia; 2015. Available from: http://hdl.handle.net/10550/50748

2. Wilkinson, Pamela. Master's thesis recital (clarinet).

Degree: MM, Clarinet performance, 2014, University of Texas – Austin

URL: http://hdl.handle.net/2152/24505

Fantasy / Joan Tower – Three vocalises / Ralph Vaughan Williams – Chromatic fantasy / Johann Sebastian Bach – Fantaisie / Philippe Gaubert. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Clarinet music

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APA (6^th Edition):

Wilkinson, P. (2014). Master's thesis recital (clarinet). (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24505

Chicago Manual of Style (16^th Edition):

Wilkinson, Pamela. “Master's thesis recital (clarinet).” 2014. Masters Thesis, University of Texas – Austin. Accessed December 05, 2019. http://hdl.handle.net/2152/24505.

MLA Handbook (7^th Edition):

Wilkinson, Pamela. “Master's thesis recital (clarinet).” 2014. Web. 05 Dec 2019.

Vancouver:

Wilkinson P. Master's thesis recital (clarinet). [Internet] [Masters thesis]. University of Texas – Austin; 2014. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/2152/24505.

Council of Science Editors:

Wilkinson P. Master's thesis recital (clarinet). [Masters Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24505

University of Arizona

3. Becker, Daniel. The Clarinet-Percussion Duo in the 21st Century: A Survey and Discussion of Works from 2000 to July 2015 .

Degree: 2016, University of Arizona

URL: http://hdl.handle.net/10150/613374

► Clarinet-percussion duos, music for one clarinetist and one percussionist, are a relatively new addition to the world of chamber music - the first work for… (more)

Subjects/Keywords: Clarinet-percussion duo; Percussion; Music; Clarinet

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APA (6^th Edition):

Becker, D. (2016). The Clarinet-Percussion Duo in the 21st Century: A Survey and Discussion of Works from 2000 to July 2015 . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/613374

Chicago Manual of Style (16^th Edition):

Becker, Daniel. “The Clarinet-Percussion Duo in the 21st Century: A Survey and Discussion of Works from 2000 to July 2015 .” 2016. Doctoral Dissertation, University of Arizona. Accessed December 05, 2019. http://hdl.handle.net/10150/613374.

MLA Handbook (7^th Edition):

Becker, Daniel. “The Clarinet-Percussion Duo in the 21st Century: A Survey and Discussion of Works from 2000 to July 2015 .” 2016. Web. 05 Dec 2019.

Vancouver:

Becker D. The Clarinet-Percussion Duo in the 21st Century: A Survey and Discussion of Works from 2000 to July 2015 . [Internet] [Doctoral dissertation]. University of Arizona; 2016. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/10150/613374.

Council of Science Editors:

Becker D. The Clarinet-Percussion Duo in the 21st Century: A Survey and Discussion of Works from 2000 to July 2015 . [Doctoral Dissertation]. University of Arizona; 2016. Available from: http://hdl.handle.net/10150/613374

Victoria University of Wellington

4. Rainey, Lucy. The Clarinet as Extension of the Voice and Expressive Conduit of Musical Styles in Diverse Ensembles.

Degree: 2011, Victoria University of Wellington

URL: http://hdl.handle.net/10063/1984

► Original research into the links between vocal and clarinet tone reveals how clarinettists act as expressive conduits of musical styles in diverse ensembles. This research… (more)

Subjects/Keywords: Clarinet; Voice; Ensembles

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APA (6^th Edition):

Rainey, L. (2011). The Clarinet as Extension of the Voice and Expressive Conduit of Musical Styles in Diverse Ensembles. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/1984

Chicago Manual of Style (16^th Edition):

Rainey, Lucy. “The Clarinet as Extension of the Voice and Expressive Conduit of Musical Styles in Diverse Ensembles.” 2011. Masters Thesis, Victoria University of Wellington. Accessed December 05, 2019. http://hdl.handle.net/10063/1984.

MLA Handbook (7^th Edition):

Rainey, Lucy. “The Clarinet as Extension of the Voice and Expressive Conduit of Musical Styles in Diverse Ensembles.” 2011. Web. 05 Dec 2019.

Vancouver:

Rainey L. The Clarinet as Extension of the Voice and Expressive Conduit of Musical Styles in Diverse Ensembles. [Internet] [Masters thesis]. Victoria University of Wellington; 2011. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/10063/1984.

Council of Science Editors:

Rainey L. The Clarinet as Extension of the Voice and Expressive Conduit of Musical Styles in Diverse Ensembles. [Masters Thesis]. Victoria University of Wellington; 2011. Available from: http://hdl.handle.net/10063/1984

University of Cincinnati

5. Danard, Rebecca J. Études in Performing Extended Techniques: Twelve Newly-Commissioned Canadian Works for Solo Clarinet.

Degree: DMA, College-Conservatory of Music: Clarinet, 2011, University of Cincinnati

URL: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321368757

► This document discusses the pedagogical pieces using extended techniques for the clarinet that I have commissioned from Canadian composers. My intention was to develop… (more)

▼ This document discusses the pedagogical pieces using extended techniques for the clarinet that I have commissioned from Canadian composers. My intention was to develop a resource to introduce the undergraduate clarinetist to extended techniques through works intended for performance. While they focus on one technique per piece and minimize the technical challenges, these pieces nevertheless explore diverse techniques and are musically interesting for performers and audiences. The techniques, pieces and composers included in this collection are: timbre trills in “Teco-Teco” by Sylvia Rickard; microtones and vibrato in “A Micro Tale” by Richard Désilets; glissando in “Sometimes Doing Nothing Leads to Something” by Shane Krepakevich; multiphonics in “Speak Out” by Chan Ka Nin; vocalization while playing in “All Good Children” by Lori Freedman; key sounds in “Clap” by Robert Lemay; air sounds in “Almost There” by Don Ross; flutter tonguing in “flutterby” by Joel Hoffman; double tonguing in “VAV” by Jérôme Blais; playing pieces of the clarinet in “Duo for one, (hand)” by Elma Miller; buzzing into the clarinet in “Leaving” by Evan Ware; and moving while playing in “Nimbly” by Melissa Hui. Because it consists of études intended for performance by a diverse group of artists, this collection provides a new approach for students and teachers to study extended techniques. This document provides commentary and context for these new works that will give teachers and students guidelines about how best to use this new resource. In each chapter, the first section considers the composer’s other pieces for clarinet, uses of extended techniques, and pedagogical works as well as the composer’s compositional process. The second section explains the extended technique, including its sound, execution, potential, notation, history, and pedagogy. The third section is a practical guide to learning and teaching the piece in the collection. It also discusses how learning these techniques and playing these pieces may benefit other aspects of technical and musical development. This contextual information will be useful both to students and teachers in not only learning the pieces in this collection, but also investigating other contemporary works and techniques. Advisors/Committee Members: Hoffman, Joel (Committee Chair).

Subjects/Keywords: Music; Clarinet; Clarinet pedagogy; Extended techniques; Canadian music; Clarinet &233; tudes; Contemporary clarinet techniques

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Danard, R. J. (2011). Études in Performing Extended Techniques: Twelve Newly-Commissioned Canadian Works for Solo Clarinet. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321368757

Chicago Manual of Style (16^th Edition):

Danard, Rebecca J. “Études in Performing Extended Techniques: Twelve Newly-Commissioned Canadian Works for Solo Clarinet.” 2011. Doctoral Dissertation, University of Cincinnati. Accessed December 05, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321368757.

MLA Handbook (7^th Edition):

Danard, Rebecca J. “Études in Performing Extended Techniques: Twelve Newly-Commissioned Canadian Works for Solo Clarinet.” 2011. Web. 05 Dec 2019.

Vancouver:

Danard RJ. Études in Performing Extended Techniques: Twelve Newly-Commissioned Canadian Works for Solo Clarinet. [Internet] [Doctoral dissertation]. University of Cincinnati; 2011. [cited 2019 Dec 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321368757.

Council of Science Editors:

Danard RJ. Études in Performing Extended Techniques: Twelve Newly-Commissioned Canadian Works for Solo Clarinet. [Doctoral Dissertation]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1321368757

6. Beltran Tormo, Juan Ramon. Música per a clarinet i dispositius electrònics. Estudi del repertori a l'àmbit espanyol.

Degree: 2018, TDX

URL: http://hdl.handle.net/10803/570649

► Aquesta tesi s’ocupa de l’estudi del repertori mixt per a clarinet i dispositius electrònics a l’àmbit espanyol. En ella estan contemplats tant els autors nacionals… (more)

▼ Aquesta tesi s’ocupa de l’estudi del repertori mixt per a clarinet i dispositius electrònics a l’àmbit espanyol. En ella estan contemplats tant els autors nacionals i els seus treballs com també tots aquells produïts per estrangers que ha desenvolupat les seues tasques compositives en els centres i estudis electroacústics als quals han acudit per ampliar la formació en aquesta matèria. Primerament es fa una introducció on s’explica el que és la música mixta i on també s’expliquen els motius que justifiquen l’elecció del tema triat. A continuació, se raona el procés metodològic emprat per a la investigació per parlar posteriorment de l’estat de la qüestió en què s’expressa la dificultat de trobar estudis anteriors específics en la matèria. Hi ha abundant bibliografia al voltant de la música electrònica en general però no hi ha pràcticament res fet en música mixta i encara menys en el camp concret del clarinet com a protagonista i solista. Després se contextualitza el període històric fent un recorregut de l’evolució de les dos corrents d’investigació més importants, açò és, el desenvolupament dels mitjans d’enregistrament del so i la creació d’instrumental que produeix els sons mitjançant l’electricitat. Aquest repàs arriba fins als anys 80 en els què ja es produeix el pas des de l’era digital a la analògica. Els autors i les obres són la part més important de l’estudi on es mostra el que s’ha fet, qui ho ha fet, de quina manera i en quines circumstàncies. A continuació, s’estudia la part del repertori que correspon a l’obra mixta per a clarinet d’Andrés Lewin-Richter, una de les figures més rellevants en el segle XX en el camp de la electroacústica. Més tard en ocupem d’examinar quines han sigut les solucions gràfiques que els autors han decidit com les més indicades per mostrar el complex món sonor que és produeix amb la convergència de ambdós camps: el convencional i l’electrònic. Seguidament es proposen noves idees i línies d’investigació relacionades amb el tema de la música mixta i finalment s’exposen les conclusions pertinents a les què hem arribat. Advisors/Committee Members: Ramírez Beneyto, Ramón, Huerta, Ricard, Departament de Filosofia.

Subjects/Keywords: clarinet; UNESCO::FILOSOFÍA

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Beltran Tormo, J. R. (2018). Música per a clarinet i dispositius electrònics. Estudi del repertori a l'àmbit espanyol. (Thesis). TDX. Retrieved from http://hdl.handle.net/10803/570649

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Beltran Tormo, Juan Ramon. “Música per a clarinet i dispositius electrònics. Estudi del repertori a l'àmbit espanyol.” 2018. Thesis, TDX. Accessed December 05, 2019. http://hdl.handle.net/10803/570649.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Beltran Tormo, Juan Ramon. “Música per a clarinet i dispositius electrònics. Estudi del repertori a l'àmbit espanyol.” 2018. Web. 05 Dec 2019.

Vancouver:

Beltran Tormo JR. Música per a clarinet i dispositius electrònics. Estudi del repertori a l'àmbit espanyol. [Internet] [Thesis]. TDX; 2018. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/10803/570649.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beltran Tormo JR. Música per a clarinet i dispositius electrònics. Estudi del repertori a l'àmbit espanyol. [Thesis]. TDX; 2018. Available from: http://hdl.handle.net/10803/570649

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of California – San Diego

7. Warren, Ariana. 21st century beginning clarinet method.

Degree: Music, 2014, University of California – San Diego

URL: http://www.escholarship.org/uc/item/0x8743s3

► Following is the concept and content for a holistic clarinet method. Prior research of current in print and available in the United States clarinet methods… (more)

▼ Following is the concept and content for a holistic clarinet method. Prior research of current in print and available in the United States clarinet methods revealed several gaps in the material taught. All of them had a focus on music literacy, while few had a focus on musical creativity, and none of them had a focus on aural skills. As a beginning student, I feel I would have greatly benefitted from my methods and teachers having a greater focus on the creative aspect of music making, and on the ability to play by ear. As a teacher, I want to offer my own students the opportunity to be creative and explore the sonic range of their instrument, both in the conventional western classical clarinet style, and in unconventional avant-garde styles. Students will be encouraged to listen to and play musical styles outside of western classical music. In my studies of contemporary music performance on the clarinet, I have found a great amount of cross over between "extended techniques" and interesting sounds that beginning students accidentally make when playing their instrument. Often, to achieve an unconventional sound on the clarinet, the clarinetist changes their technique in a way that goes against traditional teachings. Variations on air support, finger positions, and embouchure are a few ways to achieve unconventional sounds. These variations are quite similar to the way an untrained beginning clarinetist may approach playing the instrument. This method builds upon this brief prior knowledge of the student and unconventional sounds are explored as opportunities for students to develop a greater understanding of conventional sounds. Unconventional sounds are also used as a way for students to be creative on their instrument and playful with their approach to making music, giving them a sense of ownership and artistry. Through playful interaction, this method will lay the foundation for future deliberate practice through reflective journal entries and reminders to take a break when necessary to combat practice fatigue, and encourage focused practice between breaks

Subjects/Keywords: Clarinet Performance; Clarinet Instruction and study; Clarinet Instruction and study.; Clarinet Performance.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Warren, A. (2014). 21st century beginning clarinet method. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/0x8743s3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Warren, Ariana. “21st century beginning clarinet method.” 2014. Thesis, University of California – San Diego. Accessed December 05, 2019. http://www.escholarship.org/uc/item/0x8743s3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Warren, Ariana. “21st century beginning clarinet method.” 2014. Web. 05 Dec 2019.

Vancouver:

Warren A. 21st century beginning clarinet method. [Internet] [Thesis]. University of California – San Diego; 2014. [cited 2019 Dec 05]. Available from: http://www.escholarship.org/uc/item/0x8743s3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Warren A. 21st century beginning clarinet method. [Thesis]. University of California – San Diego; 2014. Available from: http://www.escholarship.org/uc/item/0x8743s3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

The Ohio State University

8. Rolf, Sheri Lynn, M.D. The Structure and Movement of Clarinet Playing.

Degree: DMA, Music, 2018, The Ohio State University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=osu1523454235538941

► AbstractThe clarinet is a complex instrument that blends wood, metal, and air to create some of the world’s most beautiful sounds. Its most intricate component,… (more)

Subjects/Keywords: Music; Music Education; Health; Occupational Health; clarinet; clarinet playing; clarinet playing posture; clarinet anatomy

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Rolf, Sheri Lynn, M. D. (2018). The Structure and Movement of Clarinet Playing. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1523454235538941

Chicago Manual of Style (16^th Edition):

Rolf, Sheri Lynn, M D. “The Structure and Movement of Clarinet Playing.” 2018. Doctoral Dissertation, The Ohio State University. Accessed December 05, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523454235538941.

MLA Handbook (7^th Edition):

Rolf, Sheri Lynn, M D. “The Structure and Movement of Clarinet Playing.” 2018. Web. 05 Dec 2019.

Vancouver:

Rolf, Sheri Lynn MD. The Structure and Movement of Clarinet Playing. [Internet] [Doctoral dissertation]. The Ohio State University; 2018. [cited 2019 Dec 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1523454235538941.

Council of Science Editors:

Rolf, Sheri Lynn MD. The Structure and Movement of Clarinet Playing. [Doctoral Dissertation]. The Ohio State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1523454235538941

University of Miami

9. Woolery, Danielle Nicole. Correcting Technical Deficiencies in High School Clarinet Sections: A Resource for Band Directors.

Degree: DMA, Instrumental Performance (Music), 2011, University of Miami

URL: https://scholarlyrepository.miami.edu/oa_dissertations/528

► The purpose of this study was to identify the specific advanced clarinet techniques in which further knowledge is required and to provide a resource… (more)

Subjects/Keywords: Clarinet; Clarinet Resource Guide; Clarinet Section Improvement; Band Director Help; High School Clarinet; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Woolery, D. N. (2011). Correcting Technical Deficiencies in High School Clarinet Sections: A Resource for Band Directors. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/528

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Woolery, Danielle Nicole. “Correcting Technical Deficiencies in High School Clarinet Sections: A Resource for Band Directors.” 2011. Thesis, University of Miami. Accessed December 05, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/528.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Woolery, Danielle Nicole. “Correcting Technical Deficiencies in High School Clarinet Sections: A Resource for Band Directors.” 2011. Web. 05 Dec 2019.

Vancouver:

Woolery DN. Correcting Technical Deficiencies in High School Clarinet Sections: A Resource for Band Directors. [Internet] [Thesis]. University of Miami; 2011. [cited 2019 Dec 05]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/528.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Woolery DN. Correcting Technical Deficiencies in High School Clarinet Sections: A Resource for Band Directors. [Thesis]. University of Miami; 2011. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/528

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Massey University

10. Rainey, Lucy. The clarinet as extension of the voice and expressive conduit of musical styles in diverse ensembles : a thesis submitted for [i.e. to] the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Musicology, 2011 : New Zealand School of Music, Wellington, New Zealand .

Degree: 2011, Massey University

URL: http://hdl.handle.net/10179/2984

► Original research into the links between vocal and clarinet tone reveals how clarinettists act as expressive conduits of musical styles in diverse ensembles. This research… (more)

Subjects/Keywords: Clarinet; Clarinet with instrumental ensemble; Songs with clarinet

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Rainey, L. (2011). The clarinet as extension of the voice and expressive conduit of musical styles in diverse ensembles : a thesis submitted for [i.e. to] the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Musicology, 2011 : New Zealand School of Music, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/2984

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Rainey, Lucy. “The clarinet as extension of the voice and expressive conduit of musical styles in diverse ensembles : a thesis submitted for [i.e. to] the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Musicology, 2011 : New Zealand School of Music, Wellington, New Zealand .” 2011. Thesis, Massey University. Accessed December 05, 2019. http://hdl.handle.net/10179/2984.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Rainey, Lucy. “The clarinet as extension of the voice and expressive conduit of musical styles in diverse ensembles : a thesis submitted for [i.e. to] the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Musicology, 2011 : New Zealand School of Music, Wellington, New Zealand .” 2011. Web. 05 Dec 2019.

Vancouver:

Rainey L. The clarinet as extension of the voice and expressive conduit of musical styles in diverse ensembles : a thesis submitted for [i.e. to] the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Musicology, 2011 : New Zealand School of Music, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2011. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/10179/2984.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rainey L. The clarinet as extension of the voice and expressive conduit of musical styles in diverse ensembles : a thesis submitted for [i.e. to] the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Musicology, 2011 : New Zealand School of Music, Wellington, New Zealand . [Thesis]. Massey University; 2011. Available from: http://hdl.handle.net/10179/2984

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Boston University

11. Luttik, Karen. An analysis of Géza Frid’s Concerto for Clarinets, Op. 82 (1972): Rediscovered repertoire by a Hungarian, Jewish, Dutch composer.

Degree: DMA, Clarinet Performance, 2017, Boston University

URL: http://hdl.handle.net/2144/21329

► Géza Frid (1904-1989) was a significant Hungarian-born Dutch composer and pianist of Jewish descent. His compositional style was highly regarded in the Dutch musical scene… (more)

▼ Géza Frid (1904-1989) was a significant Hungarian-born Dutch composer and pianist of Jewish descent. His compositional style was highly regarded in the Dutch musical scene of the 20th century; his music has been programmed on multiple occasions by the Concertgebouw Orchestra and in 1949 and 1954 won the City of Amsterdam Music Award. Major influences on Frid’s musical development started in his native Hungary where he studied with Béla Bartók and Zoltán Kodály before his move to the Netherlands. In 1972, he composed an unusually lovely concerto for Bb, A, Eb and bass clarinets (Op. 82) and dedicated it to George Pieterson, principle clarinet with the Concertgebouw Orchestra. Scholarly discussions of Géza Frid’s clarinet music are not to be found in either the US based International Clarinet Society’s The Clarinet, or in the Dutch based De Klarinet. Intensive World Cat library searches have yielded no recordings of this piece, and currently there is not even one recording of Frid’s Concerto for Clarinets on YouTube or in the Naxos Music Library. The Concerto for Clarinets is a significant addition to the standard clarinet repertoire and needs to be introduced to the world wide clarinet community. Furthermore, save for some short selections on the Géza Frid website set up by his son, Arthur Frid and a Wikipedia article, no translations exist of Géza Frid’s autobiographical material. His life story was exceedingly interesting, having been a Jewish composer during the World War II years who was not allowed to perform or compose for years during the German occupation of the Netherlands. Luckily he survived the war years by going into hiding; he managed as part of the musician’s resistance to find ways to perform and work illegally giving clandestine concerts and falsifying documents. These were exceedingly dangerous risks, yet ones Géza Frid and his fellow musicians were willing to take because of their music. Frid published two autobiographical books and numerous articles for the Dutch music magazine Mens en Melodie, (People and Melody) revealing his deep musical insights; especially those relating to the music of the Concerto need to be summarized and translated to English from Dutch. This paper provides a general overview of the historical aspects of Géza Frid’s life, his WWII experiences, and his position as one of many persecuted Jewish musicians at the time. Géza Frid’s autobiographical information relating to his personal friendships with Bartók and Kodály is of interest when considering his music. Summaries and some translations are made of his two Dutch language autobiographical books, In 80 Jaar de Wereld Rond (Around the World in 80 Years) and Oog in Oog Met… (Eye to Eye With…). A basic analysis of Frid’s Concerto for Clarinets is provided regarding form, the various instrument appearances, and a special feature invented by George Pieterson called the ‘tremolo special’. Since this concerto was specifically composed for the Reformed Boehm system clarinets which George Pieterson used, a discussion…

Subjects/Keywords: Frid, Géza; Frid, Arthur; Wurlitzer clarinet; Lecture recital; Eb clarinet; Bass clarinet; Bb clarinet; A clarinet; Concerto for Clarinets, Op. 82; Pieterson, George; Reformed Boehm; Octatonic; Hexatonic; Tremolo speciale; Clarinet

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Luttik, K. (2017). An analysis of Géza Frid’s Concerto for Clarinets, Op. 82 (1972): Rediscovered repertoire by a Hungarian, Jewish, Dutch composer. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/21329

Chicago Manual of Style (16^th Edition):

Luttik, Karen. “An analysis of Géza Frid’s Concerto for Clarinets, Op. 82 (1972): Rediscovered repertoire by a Hungarian, Jewish, Dutch composer.” 2017. Doctoral Dissertation, Boston University. Accessed December 05, 2019. http://hdl.handle.net/2144/21329.

MLA Handbook (7^th Edition):

Luttik, Karen. “An analysis of Géza Frid’s Concerto for Clarinets, Op. 82 (1972): Rediscovered repertoire by a Hungarian, Jewish, Dutch composer.” 2017. Web. 05 Dec 2019.

Vancouver:

Luttik K. An analysis of Géza Frid’s Concerto for Clarinets, Op. 82 (1972): Rediscovered repertoire by a Hungarian, Jewish, Dutch composer. [Internet] [Doctoral dissertation]. Boston University; 2017. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/2144/21329.

Council of Science Editors:

Luttik K. An analysis of Géza Frid’s Concerto for Clarinets, Op. 82 (1972): Rediscovered repertoire by a Hungarian, Jewish, Dutch composer. [Doctoral Dissertation]. Boston University; 2017. Available from: http://hdl.handle.net/2144/21329

University of Western Australia

12. Smith, Katherine Ann. The virtuoso performer-composer : Brigid Burke's contribution to the clarinet repertoire.

Degree: M. Mus., 2008, University of Western Australia

URL: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=5954&local_base=GEN01-INS01

►

This thesis takes as its broad area of study the solo instrumental music produced since 1960 by the virtuoso performer-composer, and focuses on the works… (more)

▼

This thesis takes as its broad area of study the solo instrumental music produced since 1960 by the virtuoso performer-composer, and focuses on the works of Australian clarinettist and composer Brigid Burke. The 1960's in music was a decade like no other; the effects of serialism and indeterminacy, the rise of electronic music, and the general climate of experimentation resulted in an explosion of new musical ideas and compositional approaches. One development of this period was the growth of a musician type new to the twentieth century: the virtuoso performer-composer. Brigid Burke (1960- ) is a clarinet soloist, visual artist and a composer of over one hundred works. The majority of Burke's compositional output comprises works for clarinet. In writing almost exclusively for the clarinet, the instrument of which she is a national and international performer, Burke can be viewed as continuing the virtuoso performer-composer trend emanating from the 1960's. The aim of this thesis is to investigate the extent to which Burke's clarinet works represent a unique voice in the international and Australian contemporary clarinet repertoire. Four of Burke's works were chosen for study: Three Sounds on Buildings 2 (2005), "Gestures" from Suite for B-flat clarinet and piano (1999) Grey is a Highway (2003), and Where is the Mode (2002). These works were chosen according to the following criteria: 1) The clarinet must play a soloistic role within the piece. Therefore the scope of this study has been limited to works for unaccompanied clarinet and clarinet with small ensemble (i.e. four players or less) Works for clarinet and piano, large ensembles including clarinet, or small ensembles without clarinet have not been considered. 2) The selected pieces must as a whole represent a cross section of Burke's works for clarinet, keeping within the parameters set out in 1). 3) In order to aid the author's analysis with an accurate performance realisation, works were chosen which have been recorded by Burke and her ensembles. A review of the literature pertaining to the post-1960 performer-composer trend, post-1960 clarinet performer-composers, and Brigid Burke, is presented in chapter one. Chapter two presents a survy of the post-1960 virtuoso performer-composer trend, with a focus on clarinettist performer-composers from this period, and provides the context for the later evaluation of Burke's contribution to the clarinet repertoire. Chapter three presents an overview of Burke's life and works, and chapter four provides an overall picture of Burke's contribution to the clarinet repertoire through the analysis of the four chosen works. Chapter five draws on the information presented in the previous chapters to conclude that Burke's clarinet repertoire as a whole does represent a unique contribution to the Australian and international clarinet repertoire through its contribution to the scope and continual development of clarinet multimedia music, and to the repertoire exploring clarinet technique and sound resources.

This thesis…

Subjects/Keywords: Burke, Brigid, 1960-; Clarinet; Clarinet music; Composition (Music); Music; Brigid Burke; Clarinet performance

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APA (6^th Edition):

Smith, K. A. (2008). The virtuoso performer-composer : Brigid Burke's contribution to the clarinet repertoire. (Masters Thesis). University of Western Australia. Retrieved from http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=5954&local_base=GEN01-INS01

Chicago Manual of Style (16^th Edition):

Smith, Katherine Ann. “The virtuoso performer-composer : Brigid Burke's contribution to the clarinet repertoire.” 2008. Masters Thesis, University of Western Australia. Accessed December 05, 2019. http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=5954&local_base=GEN01-INS01.

MLA Handbook (7^th Edition):

Smith, Katherine Ann. “The virtuoso performer-composer : Brigid Burke's contribution to the clarinet repertoire.” 2008. Web. 05 Dec 2019.

Vancouver:

Smith KA. The virtuoso performer-composer : Brigid Burke's contribution to the clarinet repertoire. [Internet] [Masters thesis]. University of Western Australia; 2008. [cited 2019 Dec 05]. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=5954&local_base=GEN01-INS01.

Council of Science Editors:

Smith KA. The virtuoso performer-composer : Brigid Burke's contribution to the clarinet repertoire. [Masters Thesis]. University of Western Australia; 2008. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=5954&local_base=GEN01-INS01

Louisiana State University

13. Coppa, John Anthony. The Life and Work of Mark Jacobi: Clarinet Repair in Philadelphia and the Influence of Hans Moennig.

Degree: DMA, Music, 2014, Louisiana State University

URL: etd-11142014-160036 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3598

► Since the invention of the clarinet there have been instrument repairmen and technicians who have properly maintained and serviced those instruments. This project presents… (more)

Subjects/Keywords: Clarinet; Barrel Dimensions; Clarinet Barrel; Woodwind Repair; Clarinet Repair; Jacobi; Moennig; Hans Moennig; Mark Jacobi

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Coppa, J. A. (2014). The Life and Work of Mark Jacobi: Clarinet Repair in Philadelphia and the Influence of Hans Moennig. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-11142014-160036 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3598

Chicago Manual of Style (16^th Edition):

Coppa, John Anthony. “The Life and Work of Mark Jacobi: Clarinet Repair in Philadelphia and the Influence of Hans Moennig.” 2014. Doctoral Dissertation, Louisiana State University. Accessed December 05, 2019. etd-11142014-160036 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3598.

MLA Handbook (7^th Edition):

Coppa, John Anthony. “The Life and Work of Mark Jacobi: Clarinet Repair in Philadelphia and the Influence of Hans Moennig.” 2014. Web. 05 Dec 2019.

Vancouver:

Coppa JA. The Life and Work of Mark Jacobi: Clarinet Repair in Philadelphia and the Influence of Hans Moennig. [Internet] [Doctoral dissertation]. Louisiana State University; 2014. [cited 2019 Dec 05]. Available from: etd-11142014-160036 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3598.

Council of Science Editors:

Coppa JA. The Life and Work of Mark Jacobi: Clarinet Repair in Philadelphia and the Influence of Hans Moennig. [Doctoral Dissertation]. Louisiana State University; 2014. Available from: etd-11142014-160036 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3598

The Ohio State University

14. Von Gruenigen, Robert John. Programed instruction in clarinet pedagogy : a feasibility study.

Degree: PhD, Graduate School, 1972, The Ohio State University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486735534443683

Subjects/Keywords: Music; Clarinet

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Von Gruenigen, R. J. (1972). Programed instruction in clarinet pedagogy : a feasibility study. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486735534443683

Chicago Manual of Style (16^th Edition):

Von Gruenigen, Robert John. “Programed instruction in clarinet pedagogy : a feasibility study.” 1972. Doctoral Dissertation, The Ohio State University. Accessed December 05, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486735534443683.

MLA Handbook (7^th Edition):

Von Gruenigen, Robert John. “Programed instruction in clarinet pedagogy : a feasibility study.” 1972. Web. 05 Dec 2019.

Vancouver:

Von Gruenigen RJ. Programed instruction in clarinet pedagogy : a feasibility study. [Internet] [Doctoral dissertation]. The Ohio State University; 1972. [cited 2019 Dec 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486735534443683.

Council of Science Editors:

Von Gruenigen RJ. Programed instruction in clarinet pedagogy : a feasibility study. [Doctoral Dissertation]. The Ohio State University; 1972. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486735534443683

15. Cardoso, Frederic da Silva. Da criação à performance: cinco obras de compositores portugueses para clarinete e electrónica.

Degree: 2014, Instituto Politécnico do Porto

URL: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8833

►

O objectivo desta dissertação de Mestrado em Interpretação Artística foi o de fomentar direta e indiretamente a performance da música electroacústica, mais especificamente a música… (more)

▼

O objectivo desta dissertação de Mestrado em Interpretação Artística foi o de fomentar direta e indiretamente a performance da música electroacústica, mais especificamente a música para clarinete e electrónica, bem como a composição de novo reportório para esta formação mista. Um objectivo adicional foi o de contribuir para um conhecimento mais aprofundado de cada uma das obras abordadas nesta dissertação, ao nível das possibilidades técnicas do clarinete soprano (em si bemol) e do clarinete baixo. Assim, na primeira fase procedeu-se à elaboração de uma ficha informativa, para cada uma das obras portuguesas encontradas no trabalho de pesquisa, com informação sobre o compositor e título da obra, observações relativas à instrumentação, à localização ou edição da partitura, à eventual gravação ou à sua estreia. Na segunda fase foram contactados os compositores André Rodrigues, Filipe Lopes, Igor C. Silva, João Ferreira e João Pedro Coimbra, para a composição de cinco novas obras para clarinete e electrónica, os quais acederam ao pedido. Para uma melhor compreensão e fundamentação de cada obra composta, foi feita uma entrevista a cada compositor. Na terceira fase, as obras foram analisadas. Finalmente, as obras foram gravadas. Através do estudo das setes obras analisadas, da sua performance e da estreia das cinco obras compostas para o efeito desta dissertação (Frames87, de Igor C. Silva; Ruah, de André Rodrigues; False Entropy, de João Ferreira; Do Desenho e Do Som, de Filipe Lopes; e Press the Keys, de João Pedro Coimbra), foi possível apresentar uma contribuição efetiva para a divulgação da música portuguesa para clarinete e electrónica e para um conhecimento mais aprofundado dos requisitos que a sua performance comporta.

The aim of this Master’s thesis in Artistic Interpretation was to promote direct and indirectly the performance of electroacoustic music, specifically the music for clarinet and electronics, as well as the composition of new repertoire mixing both. An additional goal was to contribute to a broader knowledge of each work discussed in this dissertation regarding the technical possibilities of the soprano clarinet (in B flat) and bass clarinet. Thus, as the first step, a fact sheet was drawn up with the information of each work of portuguese composers used in the research, regarding the composer’s information and the name of the work, comments on the instrumentation, location or edition of the score, the recording or the piece’s premiere. As second step, the composers André Rodrigues, Filipe Lopes, Igor C. Silva, João Ferreira e João Pedro Coimbra were asked to create five new pieces for clarinet and electronic. Those requests were accepted. For a better understanding and explanation of each composite work, an interview was conducted with each composer. As third step, was made an analyse of each work and, in the end, a recording of all the pieces. Through the study of the seven analysed pieces, the performance and the premiere of the five works specifically composed for this thesis (Frames #87, by…

Advisors/Committee Members: Coimbra, Daniela da Costa, Pinto, Nuno Fernandes.

Subjects/Keywords: Performance; Clarinete; Electrónica; Clarinet; Electronics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Cardoso, F. d. S. (2014). Da criação à performance: cinco obras de compositores portugueses para clarinete e electrónica. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Cardoso, Frederic da Silva. “Da criação à performance: cinco obras de compositores portugueses para clarinete e electrónica.” 2014. Thesis, Instituto Politécnico do Porto. Accessed December 05, 2019. https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Cardoso, Frederic da Silva. “Da criação à performance: cinco obras de compositores portugueses para clarinete e electrónica.” 2014. Web. 05 Dec 2019.

Vancouver:

Cardoso FdS. Da criação à performance: cinco obras de compositores portugueses para clarinete e electrónica. [Internet] [Thesis]. Instituto Politécnico do Porto; 2014. [cited 2019 Dec 05]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cardoso FdS. Da criação à performance: cinco obras de compositores portugueses para clarinete e electrónica. [Thesis]. Instituto Politécnico do Porto; 2014. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

NSYSU

16. Yang, Wan-Chin. A Study and Analysis of Pierre Boulezâs Domains.

Degree: Master, Music, 2014, NSYSU

URL: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0628114-114225

► Pierre Boulez, one of the most important French composer and conductor in the 20th century, composed âDomaineâ for solo clarinet and dedicated it to a… (more)

Subjects/Keywords: Boulez; aleatory music; Domaine; clarinet

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Yang, W. (2014). A Study and Analysis of Pierre Boulezâs Domains. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0628114-114225

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Yang, Wan-Chin. “A Study and Analysis of Pierre Boulezâs Domains.” 2014. Thesis, NSYSU. Accessed December 05, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0628114-114225.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Yang, Wan-Chin. “A Study and Analysis of Pierre Boulezâs Domains.” 2014. Web. 05 Dec 2019.

Vancouver:

Yang W. A Study and Analysis of Pierre Boulezâs Domains. [Internet] [Thesis]. NSYSU; 2014. [cited 2019 Dec 05]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0628114-114225.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yang W. A Study and Analysis of Pierre Boulezâs Domains. [Thesis]. NSYSU; 2014. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0628114-114225

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

NSYSU

17. Chang, Ming-chi. A Study and Analysis on Paul Hindemith's Concerto for Clarinet in A and Orchestra.

Degree: Master, Music, 2014, NSYSU

URL: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0802114-215042

► Paul Hindemith (1895-1963) was one of the most representative German composers during World War I (1914-1918) and World War II (1939-1945). In 1947, he composed… (more)

Subjects/Keywords: Paul Hindemith; Clarinet; Concerto

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APA (6^th Edition):

Chang, M. (2014). A Study and Analysis on Paul Hindemith's Concerto for Clarinet in A and Orchestra. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0802114-215042

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Chang, Ming-chi. “A Study and Analysis on Paul Hindemith's Concerto for Clarinet in A and Orchestra.” 2014. Thesis, NSYSU. Accessed December 05, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0802114-215042.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Chang, Ming-chi. “A Study and Analysis on Paul Hindemith's Concerto for Clarinet in A and Orchestra.” 2014. Web. 05 Dec 2019.

Vancouver:

Chang M. A Study and Analysis on Paul Hindemith's Concerto for Clarinet in A and Orchestra. [Internet] [Thesis]. NSYSU; 2014. [cited 2019 Dec 05]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0802114-215042.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chang M. A Study and Analysis on Paul Hindemith's Concerto for Clarinet in A and Orchestra. [Thesis]. NSYSU; 2014. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0802114-215042

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Penn State University

18. Acquaviva, Andrew Arthur. Developing an Underwater Low-frequency Projector Using Musical Instrument Schema.

Degree: MS, Acoustics, 2014, Penn State University

URL: https://etda.libraries.psu.edu/catalog/22489

► Designing an underwater source of sound that operates at very low frequencies, such that the wavelength is many times the longest source dimension, is often… (more)

▼ Designing an underwater source of sound that operates at very low frequencies, such that the wavelength is many times the longest source dimension, is often challenging. Issues with impractical physical dimensions, highly reactive radiation impedance causing low acoustic output power, and failure limitations from dynamic strain all inhibit low-cost, efficient products. However, a woodwind musical instrument, specifically a clarinet, effectively produces low frequencies despite a highly reactive input impedance. By examining the physical principles of a clarinet, it is feasible to construct an underwater low frequency projector (LFP) that operates on those principles. Specifically, understanding the thermoviscous losses and radiation characteristics of the clarinet bore, the functions of tone holes, and how the standing wave in the bore couples to the reed oscillation in a nonlinear positive-feedback loop allows the designer to create an underwater source that operates on the same positive-feedback coupling between the bore and reed. This thesis explains the relevant clarinet physics, followed by a description of the prototype construction and experimental method for measuring the signal produced by the prototype. A compendium of data are presented which show that the device produces a tonal sound of roughly 250 Hz, corresponding to ka < .001, at a sound pressure level averaging 140 dB re: 1uPa. This tonal source is associated with a secondary broadband source corresponding to a cloud of cavitation bubbles which are present only when the system is oscillating. Spectrogram data show that, despite the complications from cavitation, the tone is stable in frequency and amplitude over periods of a minute or more. From this data, it is concluded that building an underwater sound source which can operate at very low ka is feasible and that further research is justified in improving the power output, removing the issues of cavitation, and improving the sophistication of the design.

Subjects/Keywords: Acoustics; Electroacoustic Projector; Clarinet; Underwater

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Acquaviva, A. A. (2014). Developing an Underwater Low-frequency Projector Using Musical Instrument Schema. (Masters Thesis). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/22489

Chicago Manual of Style (16^th Edition):

Acquaviva, Andrew Arthur. “Developing an Underwater Low-frequency Projector Using Musical Instrument Schema.” 2014. Masters Thesis, Penn State University. Accessed December 05, 2019. https://etda.libraries.psu.edu/catalog/22489.

MLA Handbook (7^th Edition):

Acquaviva, Andrew Arthur. “Developing an Underwater Low-frequency Projector Using Musical Instrument Schema.” 2014. Web. 05 Dec 2019.

Vancouver:

Acquaviva AA. Developing an Underwater Low-frequency Projector Using Musical Instrument Schema. [Internet] [Masters thesis]. Penn State University; 2014. [cited 2019 Dec 05]. Available from: https://etda.libraries.psu.edu/catalog/22489.

Council of Science Editors:

Acquaviva AA. Developing an Underwater Low-frequency Projector Using Musical Instrument Schema. [Masters Thesis]. Penn State University; 2014. Available from: https://etda.libraries.psu.edu/catalog/22489

Louisiana State University

19. Martin, Patricia A. The solo style of jazz clarinetist Johnny Dodds: 1923 - 1938.

Degree: DMA, Music, 2002, Louisiana State University

URL: etd-0118103-203326 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1948

► The purpose of this study is to explore the personality, background, influence and playing style of Johnny Dodds (1892-1940), a New Orleans jazz clarinetist. Jazz… (more)

▼ The purpose of this study is to explore the personality, background, influence and playing style of Johnny Dodds (1892-1940), a New Orleans jazz clarinetist. Jazz is an art form that has been passed down aurally for over a hundred years. Although the development of jazz and the performers who played it have been the subject for numerous jazz historians, there are still scant resources available for a musician to learn jazz clarinet style. The ease with which a musician can emulate an early jazz clarinetist depends on the amount of time devoted to listening and emulating whatever recordings are available. This study is an attempt to shorten this learning process by providing a series of transcriptions and analyses that identify and document specific melodic and harmonic traits that form the solo vocabulary of Johnny Dodds. The infusion of blues-playing techniques that Dodds used gave his sound an emotional intensity and expressiveness uniquely his own. As a member of many of the finest New Orleans style jazz bands, he contributed to the early development of the classical New Orleans ensemble-style jazz. The first chapter contains related prefatory material, including a brief history of jazz and its first recordings, an analysis of the difficulty in assessing particular clarinet jazz styles, and the need to provide written study materials for musicians who wish to learn early jazz clarinet styles. It concludes with reasons for picking Johnny Dodds as the subject of this study and brief descriptions of the pieces that will be transcribed. The second chapter focuses on Johnny Dodds. It describes how he grew up, how music and the clarinet became a part of his life, and the social, economic and educational influences that impacted his development as a musician, The third chapter contains examples from the analyses of each of the six recordings noted chapter one. Each analysis contains details showing how Johnny Dodds gave this piece his own stylistic interpretation. The fourth chapter contains a summary of the preceding three chapters. A transcription of the clarinet part from each analysis is contained in the appendix.

Subjects/Keywords: jazz; clarinet

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APA (6^th Edition):

Martin, P. A. (2002). The solo style of jazz clarinetist Johnny Dodds: 1923 - 1938. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-0118103-203326 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1948

Chicago Manual of Style (16^th Edition):

Martin, Patricia A. “The solo style of jazz clarinetist Johnny Dodds: 1923 - 1938.” 2002. Doctoral Dissertation, Louisiana State University. Accessed December 05, 2019. etd-0118103-203326 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1948.

MLA Handbook (7^th Edition):

Martin, Patricia A. “The solo style of jazz clarinetist Johnny Dodds: 1923 - 1938.” 2002. Web. 05 Dec 2019.

Vancouver:

Martin PA. The solo style of jazz clarinetist Johnny Dodds: 1923 - 1938. [Internet] [Doctoral dissertation]. Louisiana State University; 2002. [cited 2019 Dec 05]. Available from: etd-0118103-203326 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1948.

Council of Science Editors:

Martin PA. The solo style of jazz clarinetist Johnny Dodds: 1923 - 1938. [Doctoral Dissertation]. Louisiana State University; 2002. Available from: etd-0118103-203326 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1948

University of Oklahoma

20. Smith, Stacy. Joseph Eybler: A Forgotten Viennese Master Composer and a History, Analysis, and Performing Edition of the Concerto for Clarinet in B-Flat Major.

Degree: DMA, 2018, University of Oklahoma

URL: http://hdl.handle.net/11244/316753

► ABSTRACT: Joseph Leopold Eybler (1765-1846) is a largely forgotten Viennese master composer of the late eighteenth and early nineteenth centuries. His Concerto for Clarinet and… (more)

▼ ABSTRACT: Joseph Leopold Eybler (1765-1846) is a largely forgotten Viennese master composer of the late eighteenth and early nineteenth centuries. His Concerto for Clarinet and Orchestra in B-flat Major dates from 1798 and is a fine yet obscure masterwork worthy of study and performance. Presently, the concerto is not part of the standard clarinet repertory, and this fact substantiates a significant loss. The Autograph Manuscript is housed at the Wienbibliothek im Rathaus (City Library of Vienna) in Vienna, Austria, and the concerto was published by Eulenburg Zürich (now Edition Kunzelmann) in 1976 in two editions: orchestral score (Nr. 10132), and an arrangement for clarinet and piano (GM 54). The world premiere recording was presented by Dieter Klöcker (1936-2011) in 1990. Eduard Brunner (1939-2017) released a recoding in 1993, and Peter Rabl (b. 1958) released a recording in 2001. Joseph Eybler: A Forgotten Viennese Master Composer and a History, Analysis, and Performing Edition of the Concerto for Clarinet in B-flat Major consists of the following components: 1) the most comprehensive English language biography of Eybler to date; 2) an overview of his compositional output; 3) theoretical analysis of the three movements of the concerto; and 4) an authoritative modern performing edition of the solo part of the concerto developed from an authorized facsimile of the Autograph Manuscript and other sources, including but not limited to modern and period performance-practice treatises and methods. The performing edition also corrects wrong notes that appear in the published versions of the solo part. Additionally, the study includes the composer’s discography, music in print, and compositional output as reported by Schmidt and Herrmann. To date, no other study, intensive or otherwise, exists to illuminate Eybler’s concerto. The analysis, performing edition, and historical insight into this forgotten master’s life, style, and temperament serve to aid performers in interpretations of the concerto. Because Eybler is largely unknown to clarinetists, this study ultimately aims to facilitate the concerto’s rightful and eventual inclusion into the standard clarinet repertory. Advisors/Committee Members: Watts, Valerie (advisor), Swinkin, Jeffrey (committee member), Lee, Michael (committee member), Tirk, Suzanne (committee member), Mortimer, Harold (committee member).

Subjects/Keywords: Joseph Eybler; Clarinet; Concerto

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APA (6^th Edition):

Smith, S. (2018). Joseph Eybler: A Forgotten Viennese Master Composer and a History, Analysis, and Performing Edition of the Concerto for Clarinet in B-Flat Major. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/316753

Chicago Manual of Style (16^th Edition):

Smith, Stacy. “Joseph Eybler: A Forgotten Viennese Master Composer and a History, Analysis, and Performing Edition of the Concerto for Clarinet in B-Flat Major.” 2018. Doctoral Dissertation, University of Oklahoma. Accessed December 05, 2019. http://hdl.handle.net/11244/316753.

MLA Handbook (7^th Edition):

Smith, Stacy. “Joseph Eybler: A Forgotten Viennese Master Composer and a History, Analysis, and Performing Edition of the Concerto for Clarinet in B-Flat Major.” 2018. Web. 05 Dec 2019.

Vancouver:

Smith S. Joseph Eybler: A Forgotten Viennese Master Composer and a History, Analysis, and Performing Edition of the Concerto for Clarinet in B-Flat Major. [Internet] [Doctoral dissertation]. University of Oklahoma; 2018. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/11244/316753.

Council of Science Editors:

Smith S. Joseph Eybler: A Forgotten Viennese Master Composer and a History, Analysis, and Performing Edition of the Concerto for Clarinet in B-Flat Major. [Doctoral Dissertation]. University of Oklahoma; 2018. Available from: http://hdl.handle.net/11244/316753

California State University – Northridge

21. Parkinson, James Taaffe. Inspiration and influence : the role of external forces in the writing of six works for clarinet.

Degree: MA, Department of Music, 2009, California State University – Northridge

URL: http://hdl.handle.net/10211.3/140188

► Since the clarinet was invented in approximately 1692, it has become one of the most important wind instruments in history. Composers quickly and enthusiastically began… (more)

Subjects/Keywords: Clarinet; Dissertations, Academic – CSUN – Music.

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APA (6^th Edition):

Parkinson, J. T. (2009). Inspiration and influence : the role of external forces in the writing of six works for clarinet. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.3/140188

Chicago Manual of Style (16^th Edition):

Parkinson, James Taaffe. “Inspiration and influence : the role of external forces in the writing of six works for clarinet.” 2009. Masters Thesis, California State University – Northridge. Accessed December 05, 2019. http://hdl.handle.net/10211.3/140188.

MLA Handbook (7^th Edition):

Parkinson, James Taaffe. “Inspiration and influence : the role of external forces in the writing of six works for clarinet.” 2009. Web. 05 Dec 2019.

Vancouver:

Parkinson JT. Inspiration and influence : the role of external forces in the writing of six works for clarinet. [Internet] [Masters thesis]. California State University – Northridge; 2009. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/10211.3/140188.

Council of Science Editors:

Parkinson JT. Inspiration and influence : the role of external forces in the writing of six works for clarinet. [Masters Thesis]. California State University – Northridge; 2009. Available from: http://hdl.handle.net/10211.3/140188

Kansas State University

22. Treiber, Susan Ann. A recital.

Degree: 1981, Kansas State University

URL: http://hdl.handle.net/2097/9543

Subjects/Keywords: Clarinet music

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APA (6^th Edition):

Treiber, S. A. (1981). A recital. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/9543

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Treiber, Susan Ann. “A recital.” 1981. Thesis, Kansas State University. Accessed December 05, 2019. http://hdl.handle.net/2097/9543.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Treiber, Susan Ann. “A recital.” 1981. Web. 05 Dec 2019.

Vancouver:

Treiber SA. A recital. [Internet] [Thesis]. Kansas State University; 1981. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/2097/9543.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Treiber SA. A recital. [Thesis]. Kansas State University; 1981. Available from: http://hdl.handle.net/2097/9543

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Oklahoma

23. Cook, David. A Schenkerian-Schoenbergian Analysis of David Maslanka's Concerto for Clarinet and Wind Ensemble and Implications for Performance.

Degree: DMA, 2017, University of Oklahoma

URL: http://hdl.handle.net/11244/51850

► David Maslanka has emerged as one of the most prominent composers of music for wind instruments. His most recent piece for clarinet, the Concerto for… (more)

Subjects/Keywords: Music; Clarinet; Maslanka; Performance

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APA (6^th Edition):

Cook, D. (2017). A Schenkerian-Schoenbergian Analysis of David Maslanka's Concerto for Clarinet and Wind Ensemble and Implications for Performance. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/51850

Chicago Manual of Style (16^th Edition):

Cook, David. “A Schenkerian-Schoenbergian Analysis of David Maslanka's Concerto for Clarinet and Wind Ensemble and Implications for Performance.” 2017. Doctoral Dissertation, University of Oklahoma. Accessed December 05, 2019. http://hdl.handle.net/11244/51850.

MLA Handbook (7^th Edition):

Cook, David. “A Schenkerian-Schoenbergian Analysis of David Maslanka's Concerto for Clarinet and Wind Ensemble and Implications for Performance.” 2017. Web. 05 Dec 2019.

Vancouver:

Cook D. A Schenkerian-Schoenbergian Analysis of David Maslanka's Concerto for Clarinet and Wind Ensemble and Implications for Performance. [Internet] [Doctoral dissertation]. University of Oklahoma; 2017. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/11244/51850.

Council of Science Editors:

Cook D. A Schenkerian-Schoenbergian Analysis of David Maslanka's Concerto for Clarinet and Wind Ensemble and Implications for Performance. [Doctoral Dissertation]. University of Oklahoma; 2017. Available from: http://hdl.handle.net/11244/51850

Brandeis University

24. Chow, Eric. Variations, for bass clarinet and piano.

Degree: 2011, Brandeis University

URL: http://hdl.handle.net/10192/24423

► I approached the writing of Variations in a more focused and directed manner than many of my previous works, by structuring the piece as a… (more)

Subjects/Keywords: Variations; bass clarinet; piano

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APA (6^th Edition):

Chow, E. (2011). Variations, for bass clarinet and piano. (Thesis). Brandeis University. Retrieved from http://hdl.handle.net/10192/24423

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Chow, Eric. “Variations, for bass clarinet and piano.” 2011. Thesis, Brandeis University. Accessed December 05, 2019. http://hdl.handle.net/10192/24423.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Chow, Eric. “Variations, for bass clarinet and piano.” 2011. Web. 05 Dec 2019.

Vancouver:

Chow E. Variations, for bass clarinet and piano. [Internet] [Thesis]. Brandeis University; 2011. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/10192/24423.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chow E. Variations, for bass clarinet and piano. [Thesis]. Brandeis University; 2011. Available from: http://hdl.handle.net/10192/24423

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of New Mexico

25. Shields, James. Use Your Words: For Clarinet and Chamber Orchestra.

Degree: Department of Music, 2010, University of New Mexico

URL: http://hdl.handle.net/1928/11178

► Use Your Words is scored for solo clarinet, flute doubling piccolo, English horn doubling oboe, bass clarinet, two trumpets, two trombones, two percussion, piano doubling… (more)

Subjects/Keywords: Clarinet with chamber orchestra – Scores

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APA (6^th Edition):

Shields, J. (2010). Use Your Words: For Clarinet and Chamber Orchestra. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/11178

Chicago Manual of Style (16^th Edition):

Shields, James. “Use Your Words: For Clarinet and Chamber Orchestra.” 2010. Masters Thesis, University of New Mexico. Accessed December 05, 2019. http://hdl.handle.net/1928/11178.

MLA Handbook (7^th Edition):

Shields, James. “Use Your Words: For Clarinet and Chamber Orchestra.” 2010. Web. 05 Dec 2019.

Vancouver:

Shields J. Use Your Words: For Clarinet and Chamber Orchestra. [Internet] [Masters thesis]. University of New Mexico; 2010. [cited 2019 Dec 05]. Available from: http://hdl.handle.net/1928/11178.

Council of Science Editors:

Shields J. Use Your Words: For Clarinet and Chamber Orchestra. [Masters Thesis]. University of New Mexico; 2010. Available from: http://hdl.handle.net/1928/11178

University of Iowa

26. Turnbull, Amy Alizabeth. Richard stoltzman: defying categorization.

Degree: DMA, Music, 2011, University of Iowa

URL: https://ir.uiowa.edu/etd/2781

Commentary on the playing style of clarinetist Richard Stoltzman. Includes a biography of Richard Stoltzman. Advisors/Committee Members: Mead, Maurita Murphy (supervisor).

Subjects/Keywords: Biography; Clarinet; Richard Stoltzman; Music

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APA (6^th Edition):

Turnbull, A. A. (2011). Richard stoltzman: defying categorization. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/2781

Chicago Manual of Style (16^th Edition):

Turnbull, Amy Alizabeth. “Richard stoltzman: defying categorization.” 2011. Doctoral Dissertation, University of Iowa. Accessed December 05, 2019. https://ir.uiowa.edu/etd/2781.

MLA Handbook (7^th Edition):

Turnbull, Amy Alizabeth. “Richard stoltzman: defying categorization.” 2011. Web. 05 Dec 2019.

Vancouver:

Turnbull AA. Richard stoltzman: defying categorization. [Internet] [Doctoral dissertation]. University of Iowa; 2011. [cited 2019 Dec 05]. Available from: https://ir.uiowa.edu/etd/2781.

Council of Science Editors:

Turnbull AA. Richard stoltzman: defying categorization. [Doctoral Dissertation]. University of Iowa; 2011. Available from: https://ir.uiowa.edu/etd/2781

University of North Texas

27. Wang, Yi-Wen. A Selected List of Music for Solo Clarinet and Clarinet with Piano by Taiwanese Female Composers Composed between 1986 and 2015: The Investigation of a Neglected Repertory with an Annotated Bibliography.

Degree: 2017, University of North Texas

URL: https://digital.library.unt.edu/ark:/67531/metadc984119/

► Clarinet works by Taiwanese female composers are not well researched or catalogued, and to date, and no comprehensive research codifies this subcategory in Taiwan or… (more)

Subjects/Keywords: Clarinet; Taiwanese Female Composers

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APA (6^th Edition):

Wang, Y. (2017). A Selected List of Music for Solo Clarinet and Clarinet with Piano by Taiwanese Female Composers Composed between 1986 and 2015: The Investigation of a Neglected Repertory with an Annotated Bibliography. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc984119/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wang, Yi-Wen. “A Selected List of Music for Solo Clarinet and Clarinet with Piano by Taiwanese Female Composers Composed between 1986 and 2015: The Investigation of a Neglected Repertory with an Annotated Bibliography.” 2017. Thesis, University of North Texas. Accessed December 05, 2019. https://digital.library.unt.edu/ark:/67531/metadc984119/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wang, Yi-Wen. “A Selected List of Music for Solo Clarinet and Clarinet with Piano by Taiwanese Female Composers Composed between 1986 and 2015: The Investigation of a Neglected Repertory with an Annotated Bibliography.” 2017. Web. 05 Dec 2019.

Vancouver:

Wang Y. A Selected List of Music for Solo Clarinet and Clarinet with Piano by Taiwanese Female Composers Composed between 1986 and 2015: The Investigation of a Neglected Repertory with an Annotated Bibliography. [Internet] [Thesis]. University of North Texas; 2017. [cited 2019 Dec 05]. Available from: https://digital.library.unt.edu/ark:/67531/metadc984119/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang Y. A Selected List of Music for Solo Clarinet and Clarinet with Piano by Taiwanese Female Composers Composed between 1986 and 2015: The Investigation of a Neglected Repertory with an Annotated Bibliography. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc984119/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of North Texas

28. Daffinee, Jennifer Mendez. Elsa Ludewig-Verdehr: American Clarinet Performer and Pedagogue.

Degree: 2018, University of North Texas

URL: https://digital.library.unt.edu/ark:/67531/metadc1248466/

► Method books are a major means by which musicians study techniques and performance practices of the past. In addition to being practical tools for learning… (more)

Subjects/Keywords: Clarinet; Pedagogy; Elsa; Ludewig; Verdehr

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APA (6^th Edition):

Daffinee, J. M. (2018). Elsa Ludewig-Verdehr: American Clarinet Performer and Pedagogue. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1248466/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Daffinee, Jennifer Mendez. “Elsa Ludewig-Verdehr: American Clarinet Performer and Pedagogue.” 2018. Thesis, University of North Texas. Accessed December 05, 2019. https://digital.library.unt.edu/ark:/67531/metadc1248466/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Daffinee, Jennifer Mendez. “Elsa Ludewig-Verdehr: American Clarinet Performer and Pedagogue.” 2018. Web. 05 Dec 2019.

Vancouver:

Daffinee JM. Elsa Ludewig-Verdehr: American Clarinet Performer and Pedagogue. [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Dec 05]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248466/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Daffinee JM. Elsa Ludewig-Verdehr: American Clarinet Performer and Pedagogue. [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248466/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of North Texas

29. Liu, Hsing-Fang. The Practice of ‘Adoptive’ Transcription in Selected Works for Clarinet by Eugène Bozza.

Degree: 2015, University of North Texas

URL: https://digital.library.unt.edu/ark:/67531/metadc822842/

► Eugène Bozza is a three-time winner of the Premier Prix from the Paris Conservatory, in violin, conducting, and composition divisions. He earned his reputation as… (more)

Subjects/Keywords: Eugene Bozza; clarinet; self-borrowing

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APA (6^th Edition):

Liu, H. (2015). The Practice of ‘Adoptive’ Transcription in Selected Works for Clarinet by Eugène Bozza. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc822842/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Liu, Hsing-Fang. “The Practice of ‘Adoptive’ Transcription in Selected Works for Clarinet by Eugène Bozza.” 2015. Thesis, University of North Texas. Accessed December 05, 2019. https://digital.library.unt.edu/ark:/67531/metadc822842/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Liu, Hsing-Fang. “The Practice of ‘Adoptive’ Transcription in Selected Works for Clarinet by Eugène Bozza.” 2015. Web. 05 Dec 2019.

Vancouver:

Liu H. The Practice of ‘Adoptive’ Transcription in Selected Works for Clarinet by Eugène Bozza. [Internet] [Thesis]. University of North Texas; 2015. [cited 2019 Dec 05]. Available from: https://digital.library.unt.edu/ark:/67531/metadc822842/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Liu H. The Practice of ‘Adoptive’ Transcription in Selected Works for Clarinet by Eugène Bozza. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc822842/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of North Texas

30. Braun, Lindsay T. The Mystery of the Chalumeau and Its Historical Significance as Revealed Through Selected Works for Chalumeau or Early Clarinet by Antonio Vivaldi.

Degree: 2016, University of North Texas

URL: https://digital.library.unt.edu/ark:/67531/metadc849668/

► Factual evidence concerning the ancestry of the clarinet has been a perpetual topic of debate among musicologists and organologists. Scholars have widely agreed that the… (more)

Subjects/Keywords: clarinet; chalumeau; vivaldi; baroque; Music

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APA (6^th Edition):

Braun, L. T. (2016). The Mystery of the Chalumeau and Its Historical Significance as Revealed Through Selected Works for Chalumeau or Early Clarinet by Antonio Vivaldi. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc849668/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Braun, Lindsay T. “The Mystery of the Chalumeau and Its Historical Significance as Revealed Through Selected Works for Chalumeau or Early Clarinet by Antonio Vivaldi.” 2016. Thesis, University of North Texas. Accessed December 05, 2019. https://digital.library.unt.edu/ark:/67531/metadc849668/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Braun, Lindsay T. “The Mystery of the Chalumeau and Its Historical Significance as Revealed Through Selected Works for Chalumeau or Early Clarinet by Antonio Vivaldi.” 2016. Web. 05 Dec 2019.

Vancouver:

Braun LT. The Mystery of the Chalumeau and Its Historical Significance as Revealed Through Selected Works for Chalumeau or Early Clarinet by Antonio Vivaldi. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Dec 05]. Available from: https://digital.library.unt.edu/ark:/67531/metadc849668/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Braun LT. The Mystery of the Chalumeau and Its Historical Significance as Revealed Through Selected Works for Chalumeau or Early Clarinet by Antonio Vivaldi. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc849668/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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Open Access Theses and Dissertations