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You searched for subject:(chamber repertoire). Showing records 1 – 5 of 5 total matches.

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Arizona State University

1. Strickland, Kiefer Philip. A Recording Project and Performance Guide for Three New Chamber Works Featuring Bassoon.

Degree: Performance, 2019, Arizona State University

 The main objective of this research project is to expand the bassoon repertoire with the addition of three pieces. The first composition, Rust for bassoon… (more)

Subjects/Keywords: Performing arts; Music; bassoon; chamber repertoire; commission; performance guide; woodwind quartet

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APA (6th Edition):

Strickland, K. P. (2019). A Recording Project and Performance Guide for Three New Chamber Works Featuring Bassoon. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/53575

Chicago Manual of Style (16th Edition):

Strickland, Kiefer Philip. “A Recording Project and Performance Guide for Three New Chamber Works Featuring Bassoon.” 2019. Doctoral Dissertation, Arizona State University. Accessed October 18, 2019. http://repository.asu.edu/items/53575.

MLA Handbook (7th Edition):

Strickland, Kiefer Philip. “A Recording Project and Performance Guide for Three New Chamber Works Featuring Bassoon.” 2019. Web. 18 Oct 2019.

Vancouver:

Strickland KP. A Recording Project and Performance Guide for Three New Chamber Works Featuring Bassoon. [Internet] [Doctoral dissertation]. Arizona State University; 2019. [cited 2019 Oct 18]. Available from: http://repository.asu.edu/items/53575.

Council of Science Editors:

Strickland KP. A Recording Project and Performance Guide for Three New Chamber Works Featuring Bassoon. [Doctoral Dissertation]. Arizona State University; 2019. Available from: http://repository.asu.edu/items/53575


University of Michigan

2. Tackitt, Elliott. Structures in Sound and Word: A Summary of Dissertation Recitals for Winds, Percussion, and Voice.

Degree: AMU, Music: Conducting, 2019, University of Michigan

 Three dissertation recitals were performed in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Music: Conducting) in the University of… (more)

Subjects/Keywords: wind band, wind repertoire, band, chamber music; Music and Dance; Arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tackitt, E. (2019). Structures in Sound and Word: A Summary of Dissertation Recitals for Winds, Percussion, and Voice. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/150035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tackitt, Elliott. “Structures in Sound and Word: A Summary of Dissertation Recitals for Winds, Percussion, and Voice.” 2019. Thesis, University of Michigan. Accessed October 18, 2019. http://hdl.handle.net/2027.42/150035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tackitt, Elliott. “Structures in Sound and Word: A Summary of Dissertation Recitals for Winds, Percussion, and Voice.” 2019. Web. 18 Oct 2019.

Vancouver:

Tackitt E. Structures in Sound and Word: A Summary of Dissertation Recitals for Winds, Percussion, and Voice. [Internet] [Thesis]. University of Michigan; 2019. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/2027.42/150035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tackitt E. Structures in Sound and Word: A Summary of Dissertation Recitals for Winds, Percussion, and Voice. [Thesis]. University of Michigan; 2019. Available from: http://hdl.handle.net/2027.42/150035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Minho

3. Fernandes, Jorge Dinis Ribeiro. A disciplina de Classe de Conjunto no regime de Iniciação: contributo para o repertório da orquestra de sopros .

Degree: 2017, Universidade do Minho

 O presente relatório insere-se no âmbito da realização do estágio profissional do Mestrado em Ensino da Música e pretende documentar o trabalho realizado num projeto… (more)

Subjects/Keywords: Classe de conjunto; Orquestra de sopros; Regime de iniciação; Repertório; Chamber music class; Wind orchestra; Premier level; Repertoire

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APA (6th Edition):

Fernandes, J. D. R. (2017). A disciplina de Classe de Conjunto no regime de Iniciação: contributo para o repertório da orquestra de sopros . (Masters Thesis). Universidade do Minho. Retrieved from http://hdl.handle.net/1822/57213

Chicago Manual of Style (16th Edition):

Fernandes, Jorge Dinis Ribeiro. “A disciplina de Classe de Conjunto no regime de Iniciação: contributo para o repertório da orquestra de sopros .” 2017. Masters Thesis, Universidade do Minho. Accessed October 18, 2019. http://hdl.handle.net/1822/57213.

MLA Handbook (7th Edition):

Fernandes, Jorge Dinis Ribeiro. “A disciplina de Classe de Conjunto no regime de Iniciação: contributo para o repertório da orquestra de sopros .” 2017. Web. 18 Oct 2019.

Vancouver:

Fernandes JDR. A disciplina de Classe de Conjunto no regime de Iniciação: contributo para o repertório da orquestra de sopros . [Internet] [Masters thesis]. Universidade do Minho; 2017. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/1822/57213.

Council of Science Editors:

Fernandes JDR. A disciplina de Classe de Conjunto no regime de Iniciação: contributo para o repertório da orquestra de sopros . [Masters Thesis]. Universidade do Minho; 2017. Available from: http://hdl.handle.net/1822/57213


University of Michigan

4. He, Haotian. Summary of Dissertation Recitals Three Programs of Clarinet Music.

Degree: AMU, Music: Performance, 2016, University of Michigan

 Three clarinet recitals were given in lieu of a written dissertation. The first recital was a lecture recital. The program contained 4 pieces that represented… (more)

Subjects/Keywords: literature that I would teach to my students in a university setting for my first job.; contemporary music with extended clarinet techniques; chamber repertoire for clarinet; Music and Dance; Arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

He, H. (2016). Summary of Dissertation Recitals Three Programs of Clarinet Music. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/147593

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

He, Haotian. “Summary of Dissertation Recitals Three Programs of Clarinet Music.” 2016. Thesis, University of Michigan. Accessed October 18, 2019. http://hdl.handle.net/2027.42/147593.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

He, Haotian. “Summary of Dissertation Recitals Three Programs of Clarinet Music.” 2016. Web. 18 Oct 2019.

Vancouver:

He H. Summary of Dissertation Recitals Three Programs of Clarinet Music. [Internet] [Thesis]. University of Michigan; 2016. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/2027.42/147593.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

He H. Summary of Dissertation Recitals Three Programs of Clarinet Music. [Thesis]. University of Michigan; 2016. Available from: http://hdl.handle.net/2027.42/147593

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

5. Peersen, Hild Breien. Franz Berwald and his quartet for piano and winds: its historical, stylistic, and social context.

Degree: DMA, Music, 2005, The Ohio State University

  The Quartet in E¿ for Piano and Winds by Franz Berwald (1796-1868) was written during a period and in a country that is under-represented… (more)

Subjects/Keywords: Fine Arts; Music; Franz Berwald; 19th century Stockholm; wind chamber music; Henrik Bernard Crusell; Frans Preumayr; Johan Michael Hirschfeld; clarinet repertoire; 19th century chamber music; Scandinavian clarinet music; music criticism; Swedish music history

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Peersen, H. B. (2005). Franz Berwald and his quartet for piano and winds: its historical, stylistic, and social context. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1104257313

Chicago Manual of Style (16th Edition):

Peersen, Hild Breien. “Franz Berwald and his quartet for piano and winds: its historical, stylistic, and social context.” 2005. Doctoral Dissertation, The Ohio State University. Accessed October 18, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1104257313.

MLA Handbook (7th Edition):

Peersen, Hild Breien. “Franz Berwald and his quartet for piano and winds: its historical, stylistic, and social context.” 2005. Web. 18 Oct 2019.

Vancouver:

Peersen HB. Franz Berwald and his quartet for piano and winds: its historical, stylistic, and social context. [Internet] [Doctoral dissertation]. The Ohio State University; 2005. [cited 2019 Oct 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1104257313.

Council of Science Editors:

Peersen HB. Franz Berwald and his quartet for piano and winds: its historical, stylistic, and social context. [Doctoral Dissertation]. The Ohio State University; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1104257313

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