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You searched for subject:(cantata). Showing records 1 – 30 of 60 total matches.

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Universidad de Chile

1. Karmy Bolton, Eileen. Ecos de un tiempo distante — La Cantata Popular Santa María de Iquique (Luis Advis – Quilapayún) y sus resignificaciones sociales a 40 años de su estreno .

Degree: 2011, Universidad de Chile

 El enfoque con que se desarrolla esta investigación pretende combinar elementos de la musicología con los de otras disciplinas de las ciencias sociales y humanidades,… (more)

Subjects/Keywords: Cantata popular

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APA (6th Edition):

Karmy Bolton, E. (2011). Ecos de un tiempo distante — La Cantata Popular Santa María de Iquique (Luis Advis – Quilapayún) y sus resignificaciones sociales a 40 años de su estreno . (Thesis). Universidad de Chile. Retrieved from http://www.tesis.uchile.cl/tesis/uchile/2011/ar-karmy_e/html/index-frames.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Karmy Bolton, Eileen. “Ecos de un tiempo distante — La Cantata Popular Santa María de Iquique (Luis Advis – Quilapayún) y sus resignificaciones sociales a 40 años de su estreno .” 2011. Thesis, Universidad de Chile. Accessed November 16, 2019. http://www.tesis.uchile.cl/tesis/uchile/2011/ar-karmy_e/html/index-frames.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Karmy Bolton, Eileen. “Ecos de un tiempo distante — La Cantata Popular Santa María de Iquique (Luis Advis – Quilapayún) y sus resignificaciones sociales a 40 años de su estreno .” 2011. Web. 16 Nov 2019.

Vancouver:

Karmy Bolton E. Ecos de un tiempo distante — La Cantata Popular Santa María de Iquique (Luis Advis – Quilapayún) y sus resignificaciones sociales a 40 años de su estreno . [Internet] [Thesis]. Universidad de Chile; 2011. [cited 2019 Nov 16]. Available from: http://www.tesis.uchile.cl/tesis/uchile/2011/ar-karmy_e/html/index-frames.html.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Karmy Bolton E. Ecos de un tiempo distante — La Cantata Popular Santa María de Iquique (Luis Advis – Quilapayún) y sus resignificaciones sociales a 40 años de su estreno . [Thesis]. Universidad de Chile; 2011. Available from: http://www.tesis.uchile.cl/tesis/uchile/2011/ar-karmy_e/html/index-frames.html

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

2. Griffiths, Sarah Abigail. Luigi Rossi: Early Baroque Italian Cantatas for the Modern Singer, with Modern Editions of Selected Works.

Degree: 2011, University of North Texas

 The early baroque songs, or cantatas, of Luigi Rossi (1597-1653) are largely absent from the canon of standard Italian vocal repertory utilized by young singers… (more)

Subjects/Keywords: Luigi Rossi; cantata; Parisotti

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APA (6th Edition):

Griffiths, S. A. (2011). Luigi Rossi: Early Baroque Italian Cantatas for the Modern Singer, with Modern Editions of Selected Works. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc84209/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Griffiths, Sarah Abigail. “Luigi Rossi: Early Baroque Italian Cantatas for the Modern Singer, with Modern Editions of Selected Works.” 2011. Thesis, University of North Texas. Accessed November 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc84209/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Griffiths, Sarah Abigail. “Luigi Rossi: Early Baroque Italian Cantatas for the Modern Singer, with Modern Editions of Selected Works.” 2011. Web. 16 Nov 2019.

Vancouver:

Griffiths SA. Luigi Rossi: Early Baroque Italian Cantatas for the Modern Singer, with Modern Editions of Selected Works. [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Nov 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc84209/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Griffiths SA. Luigi Rossi: Early Baroque Italian Cantatas for the Modern Singer, with Modern Editions of Selected Works. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc84209/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Chile

3. Díaz Lobos, Juan Pablo. Cantata Víctor Jara, fragmentos de la vida del cantor (Homenaje) : basada en las obras de Luis Advis: Cantata Santa María de Iquique (1970) y Canto para una Semilla (1972) .

Degree: 2018, Universidad de Chile

 El presente trabajo de investigación, composición y análisis ha surgido de la inquietud por conocer el sendero que inició Luis Advis como compositor, centrándome en… (more)

Subjects/Keywords: Cantata; Música popular chilena

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APA (6th Edition):

Díaz Lobos, J. P. (2018). Cantata Víctor Jara, fragmentos de la vida del cantor (Homenaje) : basada en las obras de Luis Advis: Cantata Santa María de Iquique (1970) y Canto para una Semilla (1972) . (Thesis). Universidad de Chile. Retrieved from http://repositorio.uchile.cl/handle/2250/168417

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Díaz Lobos, Juan Pablo. “Cantata Víctor Jara, fragmentos de la vida del cantor (Homenaje) : basada en las obras de Luis Advis: Cantata Santa María de Iquique (1970) y Canto para una Semilla (1972) .” 2018. Thesis, Universidad de Chile. Accessed November 16, 2019. http://repositorio.uchile.cl/handle/2250/168417.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Díaz Lobos, Juan Pablo. “Cantata Víctor Jara, fragmentos de la vida del cantor (Homenaje) : basada en las obras de Luis Advis: Cantata Santa María de Iquique (1970) y Canto para una Semilla (1972) .” 2018. Web. 16 Nov 2019.

Vancouver:

Díaz Lobos JP. Cantata Víctor Jara, fragmentos de la vida del cantor (Homenaje) : basada en las obras de Luis Advis: Cantata Santa María de Iquique (1970) y Canto para una Semilla (1972) . [Internet] [Thesis]. Universidad de Chile; 2018. [cited 2019 Nov 16]. Available from: http://repositorio.uchile.cl/handle/2250/168417.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Díaz Lobos JP. Cantata Víctor Jara, fragmentos de la vida del cantor (Homenaje) : basada en las obras de Luis Advis: Cantata Santa María de Iquique (1970) y Canto para una Semilla (1972) . [Thesis]. Universidad de Chile; 2018. Available from: http://repositorio.uchile.cl/handle/2250/168417

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Chile

4. Valenzuela Olmos, Danielo. Cantata El Cobre : 28 de marzo de 1965 .

Degree: 2016, Universidad de Chile

 El presente trabajo es la concreción de mi proyecto de tesis para el Magister en Artes con mención en Composición Musical, del programa de Post… (more)

Subjects/Keywords: Músicos – Chile – Relatos personales; Cantata

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APA (6th Edition):

Valenzuela Olmos, D. (2016). Cantata El Cobre : 28 de marzo de 1965 . (Thesis). Universidad de Chile. Retrieved from http://repositorio.uchile.cl/handle/2250/144093

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Valenzuela Olmos, Danielo. “Cantata El Cobre : 28 de marzo de 1965 .” 2016. Thesis, Universidad de Chile. Accessed November 16, 2019. http://repositorio.uchile.cl/handle/2250/144093.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Valenzuela Olmos, Danielo. “Cantata El Cobre : 28 de marzo de 1965 .” 2016. Web. 16 Nov 2019.

Vancouver:

Valenzuela Olmos D. Cantata El Cobre : 28 de marzo de 1965 . [Internet] [Thesis]. Universidad de Chile; 2016. [cited 2019 Nov 16]. Available from: http://repositorio.uchile.cl/handle/2250/144093.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Valenzuela Olmos D. Cantata El Cobre : 28 de marzo de 1965 . [Thesis]. Universidad de Chile; 2016. Available from: http://repositorio.uchile.cl/handle/2250/144093

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

5. Spriggs, Olga A. A Choral Conductor’s Guide to Pyotr Ilyich Tchaikovsky’s “Moscow” Coronation Cantata.

Degree: DMA, College-Conservatory of Music: Conducting, Choral Emphasis, 2015, University of Cincinnati

 This document provides a guide to the rarely performed “Moscow” Coronation Cantata of Pyotr Ilyich Tchaikovsky (1840-93) as well as a new choral score with… (more)

Subjects/Keywords: Music; Tchaikovsky; Moscow Cantata; choral; Transliteration; Coronation Cantata

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APA (6th Edition):

Spriggs, O. A. (2015). A Choral Conductor’s Guide to Pyotr Ilyich Tchaikovsky’s “Moscow” Coronation Cantata. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439307279

Chicago Manual of Style (16th Edition):

Spriggs, Olga A. “A Choral Conductor’s Guide to Pyotr Ilyich Tchaikovsky’s “Moscow” Coronation Cantata.” 2015. Doctoral Dissertation, University of Cincinnati. Accessed November 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439307279.

MLA Handbook (7th Edition):

Spriggs, Olga A. “A Choral Conductor’s Guide to Pyotr Ilyich Tchaikovsky’s “Moscow” Coronation Cantata.” 2015. Web. 16 Nov 2019.

Vancouver:

Spriggs OA. A Choral Conductor’s Guide to Pyotr Ilyich Tchaikovsky’s “Moscow” Coronation Cantata. [Internet] [Doctoral dissertation]. University of Cincinnati; 2015. [cited 2019 Nov 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439307279.

Council of Science Editors:

Spriggs OA. A Choral Conductor’s Guide to Pyotr Ilyich Tchaikovsky’s “Moscow” Coronation Cantata. [Doctoral Dissertation]. University of Cincinnati; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439307279


University of Kansas

6. Wilcken, Geoffrey. Righteousness and Peace: A Cantata of Reconciliation.

Degree: DMA, Music, 2018, University of Kansas

 Righteousness and Peace, a new cantata, uses the composer’s own assemblage of Christian biblical texts to illustrate the meeting and reconciliation between moral law and… (more)

Subjects/Keywords: Music; Cantata; Choral; Music; Orchestra; Organ; Sacred

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APA (6th Edition):

Wilcken, G. (2018). Righteousness and Peace: A Cantata of Reconciliation. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/27090

Chicago Manual of Style (16th Edition):

Wilcken, Geoffrey. “Righteousness and Peace: A Cantata of Reconciliation.” 2018. Doctoral Dissertation, University of Kansas. Accessed November 16, 2019. http://hdl.handle.net/1808/27090.

MLA Handbook (7th Edition):

Wilcken, Geoffrey. “Righteousness and Peace: A Cantata of Reconciliation.” 2018. Web. 16 Nov 2019.

Vancouver:

Wilcken G. Righteousness and Peace: A Cantata of Reconciliation. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/1808/27090.

Council of Science Editors:

Wilcken G. Righteousness and Peace: A Cantata of Reconciliation. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/27090


Cornell University

7. Cortens, Evan. The Sacred Cantatas Of Christoph Graupner: Music At The Intersection Of Opera And Theology .

Degree: 2014, Cornell University

Subjects/Keywords: cantata; opera; graupner

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APA (6th Edition):

Cortens, E. (2014). The Sacred Cantatas Of Christoph Graupner: Music At The Intersection Of Opera And Theology . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/38807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cortens, Evan. “The Sacred Cantatas Of Christoph Graupner: Music At The Intersection Of Opera And Theology .” 2014. Thesis, Cornell University. Accessed November 16, 2019. http://hdl.handle.net/1813/38807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cortens, Evan. “The Sacred Cantatas Of Christoph Graupner: Music At The Intersection Of Opera And Theology .” 2014. Web. 16 Nov 2019.

Vancouver:

Cortens E. The Sacred Cantatas Of Christoph Graupner: Music At The Intersection Of Opera And Theology . [Internet] [Thesis]. Cornell University; 2014. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/1813/38807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cortens E. The Sacred Cantatas Of Christoph Graupner: Music At The Intersection Of Opera And Theology . [Thesis]. Cornell University; 2014. Available from: http://hdl.handle.net/1813/38807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oklahoma

8. Peck, Jennifer R. UNLOCKING THE AFFECTIONS IN J.S. BACH’S FLUTE SONATA IN E MINOR, BWV 1034.

Degree: DMA, 2011, University of Oklahoma

 This document explores the affects of—or the use of emotions in—J. S. Bach’s Sonata for Flute in E minor, BWV 1034, by examining for potential… (more)

Subjects/Keywords: Bach; Flute; Sonata; E minor; Cantata

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APA (6th Edition):

Peck, J. R. (2011). UNLOCKING THE AFFECTIONS IN J.S. BACH’S FLUTE SONATA IN E MINOR, BWV 1034. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/50433

Chicago Manual of Style (16th Edition):

Peck, Jennifer R. “UNLOCKING THE AFFECTIONS IN J.S. BACH’S FLUTE SONATA IN E MINOR, BWV 1034.” 2011. Doctoral Dissertation, University of Oklahoma. Accessed November 16, 2019. http://hdl.handle.net/11244/50433.

MLA Handbook (7th Edition):

Peck, Jennifer R. “UNLOCKING THE AFFECTIONS IN J.S. BACH’S FLUTE SONATA IN E MINOR, BWV 1034.” 2011. Web. 16 Nov 2019.

Vancouver:

Peck JR. UNLOCKING THE AFFECTIONS IN J.S. BACH’S FLUTE SONATA IN E MINOR, BWV 1034. [Internet] [Doctoral dissertation]. University of Oklahoma; 2011. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/11244/50433.

Council of Science Editors:

Peck JR. UNLOCKING THE AFFECTIONS IN J.S. BACH’S FLUTE SONATA IN E MINOR, BWV 1034. [Doctoral Dissertation]. University of Oklahoma; 2011. Available from: http://hdl.handle.net/11244/50433


University of Southern California

9. Brown, David Asher. The empress of many tongues.

Degree: DMA, Composition, 2014, University of Southern California

This is a collaborative project with music by David Asher Brown and text by Jessica Piazza. Advisors/Committee Members: Lauridsen, Morten (Committee Chair), Crockett, Donald (Committee Member), Ticheli, Frank (Committee Member).

Subjects/Keywords: opera; cantata; score

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APA (6th Edition):

Brown, D. A. (2014). The empress of many tongues. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/478103/rec/6679

Chicago Manual of Style (16th Edition):

Brown, David Asher. “The empress of many tongues.” 2014. Doctoral Dissertation, University of Southern California. Accessed November 16, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/478103/rec/6679.

MLA Handbook (7th Edition):

Brown, David Asher. “The empress of many tongues.” 2014. Web. 16 Nov 2019.

Vancouver:

Brown DA. The empress of many tongues. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2019 Nov 16]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/478103/rec/6679.

Council of Science Editors:

Brown DA. The empress of many tongues. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/478103/rec/6679

10. McConnell, James W., 1917-. An Original Composition, "Peace".

Degree: 1947, North Texas State Teachers College

 The composition which follows is a sacred cantata entitled Peace. It is a musical composition utilizing soprano, tenor, and baritone soli and mixed chorus with… (more)

Subjects/Keywords: original composition; cantata

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APA (6th Edition):

McConnell, James W., 1. (1947). An Original Composition, "Peace". (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1038834/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McConnell, James W., 1917-. “An Original Composition, "Peace".” 1947. Thesis, North Texas State Teachers College. Accessed November 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc1038834/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McConnell, James W., 1917-. “An Original Composition, "Peace".” 1947. Web. 16 Nov 2019.

Vancouver:

McConnell, James W. 1. An Original Composition, "Peace". [Internet] [Thesis]. North Texas State Teachers College; 1947. [cited 2019 Nov 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038834/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McConnell, James W. 1. An Original Composition, "Peace". [Thesis]. North Texas State Teachers College; 1947. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038834/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Jones, Wilma Katherine. In Morte Nobilis.

Degree: 1983, North Texas State University

 In Morte Nobilis is a cantata for chamber orchestra and three vocal soloists, and is approximately seventeen minutes in duration. Each of the three movements… (more)

Subjects/Keywords: cantata; chamber orchestra

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APA (6th Edition):

Jones, W. K. (1983). In Morte Nobilis. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1038793/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jones, Wilma Katherine. “In Morte Nobilis.” 1983. Thesis, North Texas State University. Accessed November 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc1038793/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jones, Wilma Katherine. “In Morte Nobilis.” 1983. Web. 16 Nov 2019.

Vancouver:

Jones WK. In Morte Nobilis. [Internet] [Thesis]. North Texas State University; 1983. [cited 2019 Nov 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038793/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jones WK. In Morte Nobilis. [Thesis]. North Texas State University; 1983. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038793/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Arizona State University

12. Wahlquist, Robert Michael. Redeemed from the Fall For Double Choir & Soloists with Violin, Bass Clarinet, Marimba & Organ.

Degree: Music, 2017, Arizona State University

 Redeemed from the Fall is a cantata in five movements for double choir SSAATTBB with Soprano and Baritone soloists and violin, bass clarinet, marimba, and… (more)

Subjects/Keywords: Music; cantata; choir; composition; sacred; scriptures

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APA (6th Edition):

Wahlquist, R. M. (2017). Redeemed from the Fall For Double Choir & Soloists with Violin, Bass Clarinet, Marimba & Organ. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/44109

Chicago Manual of Style (16th Edition):

Wahlquist, Robert Michael. “Redeemed from the Fall For Double Choir & Soloists with Violin, Bass Clarinet, Marimba & Organ.” 2017. Doctoral Dissertation, Arizona State University. Accessed November 16, 2019. http://repository.asu.edu/items/44109.

MLA Handbook (7th Edition):

Wahlquist, Robert Michael. “Redeemed from the Fall For Double Choir & Soloists with Violin, Bass Clarinet, Marimba & Organ.” 2017. Web. 16 Nov 2019.

Vancouver:

Wahlquist RM. Redeemed from the Fall For Double Choir & Soloists with Violin, Bass Clarinet, Marimba & Organ. [Internet] [Doctoral dissertation]. Arizona State University; 2017. [cited 2019 Nov 16]. Available from: http://repository.asu.edu/items/44109.

Council of Science Editors:

Wahlquist RM. Redeemed from the Fall For Double Choir & Soloists with Violin, Bass Clarinet, Marimba & Organ. [Doctoral Dissertation]. Arizona State University; 2017. Available from: http://repository.asu.edu/items/44109


University of Arizona

13. Aprahamian, Lucik. Darius Milhuad's "Cantate pour l'inauguration du Musee de l'Homme," op. 164: An Examination of Performance Practices and Contemporary Solutions .

Degree: 2010, University of Arizona

 The purpose of this study is to demonstrate that Cantate pour l'inauguration du Musee de l'Homme, op. 164, Darius Milhaud's musical setting of a poem… (more)

Subjects/Keywords: Cantata; Cantate; Darius; l'Homme; Milhaud; Museum

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APA (6th Edition):

Aprahamian, L. (2010). Darius Milhuad's "Cantate pour l'inauguration du Musee de l'Homme," op. 164: An Examination of Performance Practices and Contemporary Solutions . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/195792

Chicago Manual of Style (16th Edition):

Aprahamian, Lucik. “Darius Milhuad's "Cantate pour l'inauguration du Musee de l'Homme," op. 164: An Examination of Performance Practices and Contemporary Solutions .” 2010. Doctoral Dissertation, University of Arizona. Accessed November 16, 2019. http://hdl.handle.net/10150/195792.

MLA Handbook (7th Edition):

Aprahamian, Lucik. “Darius Milhuad's "Cantate pour l'inauguration du Musee de l'Homme," op. 164: An Examination of Performance Practices and Contemporary Solutions .” 2010. Web. 16 Nov 2019.

Vancouver:

Aprahamian L. Darius Milhuad's "Cantate pour l'inauguration du Musee de l'Homme," op. 164: An Examination of Performance Practices and Contemporary Solutions . [Internet] [Doctoral dissertation]. University of Arizona; 2010. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/10150/195792.

Council of Science Editors:

Aprahamian L. Darius Milhuad's "Cantate pour l'inauguration du Musee de l'Homme," op. 164: An Examination of Performance Practices and Contemporary Solutions . [Doctoral Dissertation]. University of Arizona; 2010. Available from: http://hdl.handle.net/10150/195792

14. Anjo, Vítor Marcelo Nunes Martins. Realização de uma cantata em contexto de 2º ciclo.

Degree: 2015, RCAAP

Este projeto centra-se na realização de uma cantata original, composta pelo presente autor denominada “À procura das Índias”, cantada e tocada pelas crianças com uma… (more)

Subjects/Keywords: Aprendizagens musicais, sociais, culturais; Interdisciplinaridade; Cantata; Cantata; Relatório de projeto de investigação; Relatório de estágio; Musical, social, cultural learning; Interdisciplinarity

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APA (6th Edition):

Anjo, V. M. N. M. (2015). Realização de uma cantata em contexto de 2º ciclo. (Thesis). RCAAP. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:comum.rcaap.pt:10400.26/9128

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anjo, Vítor Marcelo Nunes Martins. “Realização de uma cantata em contexto de 2º ciclo.” 2015. Thesis, RCAAP. Accessed November 16, 2019. https://www.rcaap.pt/detail.jsp?id=oai:comum.rcaap.pt:10400.26/9128.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anjo, Vítor Marcelo Nunes Martins. “Realização de uma cantata em contexto de 2º ciclo.” 2015. Web. 16 Nov 2019.

Vancouver:

Anjo VMNM. Realização de uma cantata em contexto de 2º ciclo. [Internet] [Thesis]. RCAAP; 2015. [cited 2019 Nov 16]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:comum.rcaap.pt:10400.26/9128.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anjo VMNM. Realização de uma cantata em contexto de 2º ciclo. [Thesis]. RCAAP; 2015. Available from: https://www.rcaap.pt/detail.jsp?id=oai:comum.rcaap.pt:10400.26/9128

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

15. Sun, Chia-Lu. An Interpretation of Bach's Cantata Jauchzet Gott in allen Landen , BWV 51.

Degree: Master, Music, 2017, NSYSU

 Abstract Johann Sebastian Bach (1685- 1750) is one of the most important composers in Baroque period whose work covers all kinds of music including Cantata,… (more)

Subjects/Keywords: Cantata; BWV 51; Baroque; Jauchzet Gott in allen Landen; Bach

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APA (6th Edition):

Sun, C. (2017). An Interpretation of Bach's Cantata Jauchzet Gott in allen Landen , BWV 51. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0023117-205312

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sun, Chia-Lu. “An Interpretation of Bach's Cantata Jauchzet Gott in allen Landen , BWV 51.” 2017. Thesis, NSYSU. Accessed November 16, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0023117-205312.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sun, Chia-Lu. “An Interpretation of Bach's Cantata Jauchzet Gott in allen Landen , BWV 51.” 2017. Web. 16 Nov 2019.

Vancouver:

Sun C. An Interpretation of Bach's Cantata Jauchzet Gott in allen Landen , BWV 51. [Internet] [Thesis]. NSYSU; 2017. [cited 2019 Nov 16]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0023117-205312.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sun C. An Interpretation of Bach's Cantata Jauchzet Gott in allen Landen , BWV 51. [Thesis]. NSYSU; 2017. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0023117-205312

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

16. Wang, Yuh-En. Tyzen Hsiao's Cantata: The Prodigal Son.

Degree: Master, Music, 2005, NSYSU

 Tyzen Hsiao (1938- ) is one of the prominent Taiwanese composers of recent years. His compositions include many different musical genres. Among them, choral music… (more)

Subjects/Keywords: cantata; Tyzen Hsiao; sacred chorous

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APA (6th Edition):

Wang, Y. (2005). Tyzen Hsiao's Cantata: The Prodigal Son. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0817105-080004

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wang, Yuh-En. “Tyzen Hsiao's Cantata: The Prodigal Son.” 2005. Thesis, NSYSU. Accessed November 16, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0817105-080004.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wang, Yuh-En. “Tyzen Hsiao's Cantata: The Prodigal Son.” 2005. Web. 16 Nov 2019.

Vancouver:

Wang Y. Tyzen Hsiao's Cantata: The Prodigal Son. [Internet] [Thesis]. NSYSU; 2005. [cited 2019 Nov 16]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0817105-080004.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang Y. Tyzen Hsiao's Cantata: The Prodigal Son. [Thesis]. NSYSU; 2005. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0817105-080004

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

17. Inirio, Zuly Elizabeth. A performance guide to Jean-Yves Malmasson's Opus 6 : Trois poémes de Charles Baudelaire and Opus 30: Les fleurs du désir.

Degree: DMA, Music, 2013, Louisiana State University

 This document is a performance guide of Jean-Yves Malmasson’s Opus 6: Trois poèmes de Charles Baudelaire for medium voice and piano and Opus 30: Les… (more)

Subjects/Keywords: chamber cantata; mélodie; Jean-Yves Malmasson; French song

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APA (6th Edition):

Inirio, Z. E. (2013). A performance guide to Jean-Yves Malmasson's Opus 6 : Trois poémes de Charles Baudelaire and Opus 30: Les fleurs du désir. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-11072013-150706 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3845

Chicago Manual of Style (16th Edition):

Inirio, Zuly Elizabeth. “A performance guide to Jean-Yves Malmasson's Opus 6 : Trois poémes de Charles Baudelaire and Opus 30: Les fleurs du désir.” 2013. Doctoral Dissertation, Louisiana State University. Accessed November 16, 2019. etd-11072013-150706 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3845.

MLA Handbook (7th Edition):

Inirio, Zuly Elizabeth. “A performance guide to Jean-Yves Malmasson's Opus 6 : Trois poémes de Charles Baudelaire and Opus 30: Les fleurs du désir.” 2013. Web. 16 Nov 2019.

Vancouver:

Inirio ZE. A performance guide to Jean-Yves Malmasson's Opus 6 : Trois poémes de Charles Baudelaire and Opus 30: Les fleurs du désir. [Internet] [Doctoral dissertation]. Louisiana State University; 2013. [cited 2019 Nov 16]. Available from: etd-11072013-150706 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3845.

Council of Science Editors:

Inirio ZE. A performance guide to Jean-Yves Malmasson's Opus 6 : Trois poémes de Charles Baudelaire and Opus 30: Les fleurs du désir. [Doctoral Dissertation]. Louisiana State University; 2013. Available from: etd-11072013-150706 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3845


Louisiana State University

18. Ewing, Rosella Lucille. Herminie a performer's guide to Hector Berlioz's Prix de Rome cantata.

Degree: DMA, Music, 2009, Louisiana State University

 Herminie (1828) is a secular cantata which Hector Berlioz composed for the Prix de Rome competition on a libretto by Pierre-Ange Vieillard de Boismartin. This… (more)

Subjects/Keywords: lyric scena; Berlioz; Herminie; Prix de Rome; solo cantata

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APA (6th Edition):

Ewing, R. L. (2009). Herminie a performer's guide to Hector Berlioz's Prix de Rome cantata. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-11122009-085042 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2043

Chicago Manual of Style (16th Edition):

Ewing, Rosella Lucille. “Herminie a performer's guide to Hector Berlioz's Prix de Rome cantata.” 2009. Doctoral Dissertation, Louisiana State University. Accessed November 16, 2019. etd-11122009-085042 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2043.

MLA Handbook (7th Edition):

Ewing, Rosella Lucille. “Herminie a performer's guide to Hector Berlioz's Prix de Rome cantata.” 2009. Web. 16 Nov 2019.

Vancouver:

Ewing RL. Herminie a performer's guide to Hector Berlioz's Prix de Rome cantata. [Internet] [Doctoral dissertation]. Louisiana State University; 2009. [cited 2019 Nov 16]. Available from: etd-11122009-085042 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2043.

Council of Science Editors:

Ewing RL. Herminie a performer's guide to Hector Berlioz's Prix de Rome cantata. [Doctoral Dissertation]. Louisiana State University; 2009. Available from: etd-11122009-085042 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2043

19. Parrotta, Justus. Cantata on "Conditor Alme Siderum" for Choir, Soloists, Orchestra, and Organ.

Degree: 2017, The Catholic University of America

Cantata on “Conditor Alme Siderum”Justus Frank Parrotta, DMA Director: Andrew Simpson, DMCantata on “Conditor Alme Siderum” contains six movements while using the plainsong hymn with… (more)

Subjects/Keywords: Cantata; Choral; Gregorian Chant; Organ; Plainsong; Sacred Music

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APA (6th Edition):

Parrotta, J. (2017). Cantata on "Conditor Alme Siderum" for Choir, Soloists, Orchestra, and Organ. (Thesis). The Catholic University of America. Retrieved from http://hdl.handle.net/1961/cuislandora:64715

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Parrotta, Justus. “Cantata on "Conditor Alme Siderum" for Choir, Soloists, Orchestra, and Organ.” 2017. Thesis, The Catholic University of America. Accessed November 16, 2019. http://hdl.handle.net/1961/cuislandora:64715.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Parrotta, Justus. “Cantata on "Conditor Alme Siderum" for Choir, Soloists, Orchestra, and Organ.” 2017. Web. 16 Nov 2019.

Vancouver:

Parrotta J. Cantata on "Conditor Alme Siderum" for Choir, Soloists, Orchestra, and Organ. [Internet] [Thesis]. The Catholic University of America; 2017. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/1961/cuislandora:64715.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Parrotta J. Cantata on "Conditor Alme Siderum" for Choir, Soloists, Orchestra, and Organ. [Thesis]. The Catholic University of America; 2017. Available from: http://hdl.handle.net/1961/cuislandora:64715

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

20. Wuchner, Emily M. The Tonkünstler-Societät and the oratorio in Vienna, 1771–1798.

Degree: PhD, Musicology, 2017, University of Illinois – Urbana-Champaign

 Vienna’s Tonkünstler-Societät (Musician's Society) was established in 1771 with the primary goal of cultivating a pension fund to financially assist the widows and orphans of… (more)

Subjects/Keywords: Tonkünstler-Societät; Vienna; Oratorio; Cantata; Pension society; Social welfare; Concerts

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APA (6th Edition):

Wuchner, E. M. (2017). The Tonkünstler-Societät and the oratorio in Vienna, 1771–1798. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/97296

Chicago Manual of Style (16th Edition):

Wuchner, Emily M. “The Tonkünstler-Societät and the oratorio in Vienna, 1771–1798.” 2017. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed November 16, 2019. http://hdl.handle.net/2142/97296.

MLA Handbook (7th Edition):

Wuchner, Emily M. “The Tonkünstler-Societät and the oratorio in Vienna, 1771–1798.” 2017. Web. 16 Nov 2019.

Vancouver:

Wuchner EM. The Tonkünstler-Societät and the oratorio in Vienna, 1771–1798. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2017. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/2142/97296.

Council of Science Editors:

Wuchner EM. The Tonkünstler-Societät and the oratorio in Vienna, 1771–1798. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2017. Available from: http://hdl.handle.net/2142/97296


University of New Mexico

21. Bakken, Jeremy. Salvation Triptych.

Degree: Department of Music, 2013, University of New Mexico

 Salvation Triptych is a three movement composition for choir, winds, strings, and percussion. The texts include the traditional Kyrie and two Christian texts from the… (more)

Subjects/Keywords: salvation; triptych; kyrie; cross; jesu; labantes; respice; paulinus; ambrose; cantata

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APA (6th Edition):

Bakken, J. (2013). Salvation Triptych. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/23253

Chicago Manual of Style (16th Edition):

Bakken, Jeremy. “Salvation Triptych.” 2013. Masters Thesis, University of New Mexico. Accessed November 16, 2019. http://hdl.handle.net/1928/23253.

MLA Handbook (7th Edition):

Bakken, Jeremy. “Salvation Triptych.” 2013. Web. 16 Nov 2019.

Vancouver:

Bakken J. Salvation Triptych. [Internet] [Masters thesis]. University of New Mexico; 2013. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/1928/23253.

Council of Science Editors:

Bakken J. Salvation Triptych. [Masters Thesis]. University of New Mexico; 2013. Available from: http://hdl.handle.net/1928/23253


University of South Carolina

22. Walker, Keith Harry. Conrad Susa's Discovery and Praises: A Conductor'S Guide to Performance Considerations.

Degree: DMA, School of Music, 2013, University of South Carolina

  Conrad Susa (b. 1935) is an American composer who has contributed over thirty choral works that are of high quality incorporating texts written by… (more)

Subjects/Keywords: Arts and Humanities; Music; Music Performance; Cantata; Choral Work

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APA (6th Edition):

Walker, K. H. (2013). Conrad Susa's Discovery and Praises: A Conductor'S Guide to Performance Considerations. (Doctoral Dissertation). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/1661

Chicago Manual of Style (16th Edition):

Walker, Keith Harry. “Conrad Susa's Discovery and Praises: A Conductor'S Guide to Performance Considerations.” 2013. Doctoral Dissertation, University of South Carolina. Accessed November 16, 2019. https://scholarcommons.sc.edu/etd/1661.

MLA Handbook (7th Edition):

Walker, Keith Harry. “Conrad Susa's Discovery and Praises: A Conductor'S Guide to Performance Considerations.” 2013. Web. 16 Nov 2019.

Vancouver:

Walker KH. Conrad Susa's Discovery and Praises: A Conductor'S Guide to Performance Considerations. [Internet] [Doctoral dissertation]. University of South Carolina; 2013. [cited 2019 Nov 16]. Available from: https://scholarcommons.sc.edu/etd/1661.

Council of Science Editors:

Walker KH. Conrad Susa's Discovery and Praises: A Conductor'S Guide to Performance Considerations. [Doctoral Dissertation]. University of South Carolina; 2013. Available from: https://scholarcommons.sc.edu/etd/1661


University of Missouri – Columbia

23. Strobel, Robert. Songs from the Golden Gate.

Degree: 2014, University of Missouri – Columbia

 [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This musical score, presented as a thesis, uses selections from the book of poetry, Songs… (more)

Subjects/Keywords: Author supplied: cantata; Ina Coolbrith; songs from the golden gate

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APA (6th Edition):

Strobel, R. (2014). Songs from the Golden Gate. (Thesis). University of Missouri – Columbia. Retrieved from http://hdl.handle.net/10355/44371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Strobel, Robert. “Songs from the Golden Gate.” 2014. Thesis, University of Missouri – Columbia. Accessed November 16, 2019. http://hdl.handle.net/10355/44371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Strobel, Robert. “Songs from the Golden Gate.” 2014. Web. 16 Nov 2019.

Vancouver:

Strobel R. Songs from the Golden Gate. [Internet] [Thesis]. University of Missouri – Columbia; 2014. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/10355/44371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Strobel R. Songs from the Golden Gate. [Thesis]. University of Missouri – Columbia; 2014. Available from: http://hdl.handle.net/10355/44371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. McCain, Eula Louise. A Psalm Fantasy.

Degree: 1963, North Texas State University

 A Psalm Fantasy is a cantata in three movements for mezzo-soprano or baritone soloist, chorus of mixed voices and orchestra. The orchestra comprises two flutes,… (more)

Subjects/Keywords: cantata; choral music; original composition

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APA (6th Edition):

McCain, E. L. (1963). A Psalm Fantasy. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1038900/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McCain, Eula Louise. “A Psalm Fantasy.” 1963. Thesis, North Texas State University. Accessed November 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc1038900/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McCain, Eula Louise. “A Psalm Fantasy.” 1963. Web. 16 Nov 2019.

Vancouver:

McCain EL. A Psalm Fantasy. [Internet] [Thesis]. North Texas State University; 1963. [cited 2019 Nov 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038900/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McCain EL. A Psalm Fantasy. [Thesis]. North Texas State University; 1963. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038900/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

25. Rivera, Jr., Guadalupe. Making An Unknown Choral-Orchestral Work Accessible: Performing Choruses From Brahms' Cantata Rinaldo .

Degree: 2010, University of Arizona

 Of Brahms' choral output, a few works seem to be studied, performed, recorded more or, in general, more popular than others. Brahms' cantata Rinaldo, composed… (more)

Subjects/Keywords: Auf dem Meere; Cantata; Johannes Brahms; Rinaldo; Schlusschor; Zuruck nur

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APA (6th Edition):

Rivera, Jr., G. (2010). Making An Unknown Choral-Orchestral Work Accessible: Performing Choruses From Brahms' Cantata Rinaldo . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/194462

Chicago Manual of Style (16th Edition):

Rivera, Jr., Guadalupe. “Making An Unknown Choral-Orchestral Work Accessible: Performing Choruses From Brahms' Cantata Rinaldo .” 2010. Doctoral Dissertation, University of Arizona. Accessed November 16, 2019. http://hdl.handle.net/10150/194462.

MLA Handbook (7th Edition):

Rivera, Jr., Guadalupe. “Making An Unknown Choral-Orchestral Work Accessible: Performing Choruses From Brahms' Cantata Rinaldo .” 2010. Web. 16 Nov 2019.

Vancouver:

Rivera, Jr. G. Making An Unknown Choral-Orchestral Work Accessible: Performing Choruses From Brahms' Cantata Rinaldo . [Internet] [Doctoral dissertation]. University of Arizona; 2010. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/10150/194462.

Council of Science Editors:

Rivera, Jr. G. Making An Unknown Choral-Orchestral Work Accessible: Performing Choruses From Brahms' Cantata Rinaldo . [Doctoral Dissertation]. University of Arizona; 2010. Available from: http://hdl.handle.net/10150/194462


Uniwersytet im. Adama Mickiewicza w Poznaniu

26. Franaszek, Małgorzata. „Mickiewicz w interpretacjach dramatyczno- muzycznych” .

Degree: 2012, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Skomplikowane relacje muzyczno- literackie w kulturze XIX i XX wieku w kontekście twórczości poetyckiej Adama Mickiewicza stanowią podstawowy problem badawczy niniejszej pracy. Autorkę interesują przede… (more)

Subjects/Keywords: Mickiewicz; poezja; poetry; opera; kantata; cantata; adaptacja; adaptation

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APA (6th Edition):

Franaszek, M. (2012). „Mickiewicz w interpretacjach dramatyczno- muzycznych” . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/2286

Chicago Manual of Style (16th Edition):

Franaszek, Małgorzata. “„Mickiewicz w interpretacjach dramatyczno- muzycznych” .” 2012. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed November 16, 2019. http://hdl.handle.net/10593/2286.

MLA Handbook (7th Edition):

Franaszek, Małgorzata. “„Mickiewicz w interpretacjach dramatyczno- muzycznych” .” 2012. Web. 16 Nov 2019.

Vancouver:

Franaszek M. „Mickiewicz w interpretacjach dramatyczno- muzycznych” . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2012. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/10593/2286.

Council of Science Editors:

Franaszek M. „Mickiewicz w interpretacjach dramatyczno- muzycznych” . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2012. Available from: http://hdl.handle.net/10593/2286


University of Illinois – Urbana-Champaign

27. Hong, Xiangtang. Performing the Yellow River Cantata.

Degree: A.Mus.D., 0265, 2010, University of Illinois – Urbana-Champaign

 Since its composition in 1939, Xian Xinghai???s (1905-1945) Yellow River Cantata has nearly exclusively remained the province of Chinese choral groups. In large measure, the… (more)

Subjects/Keywords: Yellow River Cantata; Xian Xinghai; Chinese choral work; Yellow River; Chinese music; IPA Chinese; IPA Mandarin; Chinese choral score; Yellow River Cantata score; Hsien Hsing-hai

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APA (6th Edition):

Hong, X. (2010). Performing the Yellow River Cantata. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/14552

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hong, Xiangtang. “Performing the Yellow River Cantata.” 2010. Thesis, University of Illinois – Urbana-Champaign. Accessed November 16, 2019. http://hdl.handle.net/2142/14552.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hong, Xiangtang. “Performing the Yellow River Cantata.” 2010. Web. 16 Nov 2019.

Vancouver:

Hong X. Performing the Yellow River Cantata. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2010. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/2142/14552.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hong X. Performing the Yellow River Cantata. [Thesis]. University of Illinois – Urbana-Champaign; 2010. Available from: http://hdl.handle.net/2142/14552

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Lorraine

28. Montaigu, Ginette. La Vision du Christ, l'Un de la Trinité, et du Dieu trinitaire chez Jean-Sébastien Bach : The vsion of Christ, the Oneness of the Trinity, and the of the Triune God in Johann Sebastian Bach.

Degree: Docteur es, Théologie, 2013, Université de Lorraine

Une première partie, après l’introduction, est consacrée aux deux passions de Jean-Sébastien Bach, la musique et la théologie-à l’héritage européen du compositeur, tant au point… (more)

Subjects/Keywords: J.S Bach; Théologie; Musique; Cantate BWV4; Cantate BWV21; Œuvres profanes; Johann Sebastian Bach; Theology; Music; Cantata BWV4; Cantata BWV 21; Works profane

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APA (6th Edition):

Montaigu, G. (2013). La Vision du Christ, l'Un de la Trinité, et du Dieu trinitaire chez Jean-Sébastien Bach : The vsion of Christ, the Oneness of the Trinity, and the of the Triune God in Johann Sebastian Bach. (Doctoral Dissertation). Université de Lorraine. Retrieved from http://www.theses.fr/2013LORR0324

Chicago Manual of Style (16th Edition):

Montaigu, Ginette. “La Vision du Christ, l'Un de la Trinité, et du Dieu trinitaire chez Jean-Sébastien Bach : The vsion of Christ, the Oneness of the Trinity, and the of the Triune God in Johann Sebastian Bach.” 2013. Doctoral Dissertation, Université de Lorraine. Accessed November 16, 2019. http://www.theses.fr/2013LORR0324.

MLA Handbook (7th Edition):

Montaigu, Ginette. “La Vision du Christ, l'Un de la Trinité, et du Dieu trinitaire chez Jean-Sébastien Bach : The vsion of Christ, the Oneness of the Trinity, and the of the Triune God in Johann Sebastian Bach.” 2013. Web. 16 Nov 2019.

Vancouver:

Montaigu G. La Vision du Christ, l'Un de la Trinité, et du Dieu trinitaire chez Jean-Sébastien Bach : The vsion of Christ, the Oneness of the Trinity, and the of the Triune God in Johann Sebastian Bach. [Internet] [Doctoral dissertation]. Université de Lorraine; 2013. [cited 2019 Nov 16]. Available from: http://www.theses.fr/2013LORR0324.

Council of Science Editors:

Montaigu G. La Vision du Christ, l'Un de la Trinité, et du Dieu trinitaire chez Jean-Sébastien Bach : The vsion of Christ, the Oneness of the Trinity, and the of the Triune God in Johann Sebastian Bach. [Doctoral Dissertation]. Université de Lorraine; 2013. Available from: http://www.theses.fr/2013LORR0324


University of Arizona

29. Park, Chungwon. CONSIDERATIONS FOR CHOOSING AND COMBINING INSTRUMENTS IN BASSO CONTINUO GROUP AND OBBLIGATO INSTRUMENTAL FORCES FOR PERFORMANCE OF SELECTED SACRED CANTATAS OF JOHANN SEBASTIAN BACH .

Degree: 2010, University of Arizona

 As the core of virtually all vocal and instrumental composition in the Baroque music, the basso continuo group had an extremely important role in the… (more)

Subjects/Keywords: Bach Cantata; Baroque Basso Continuo Practice; Basso Continuo; Conductor's Preparation; Johann Sebastina Bach; Performance Practice

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Park, C. (2010). CONSIDERATIONS FOR CHOOSING AND COMBINING INSTRUMENTS IN BASSO CONTINUO GROUP AND OBBLIGATO INSTRUMENTAL FORCES FOR PERFORMANCE OF SELECTED SACRED CANTATAS OF JOHANN SEBASTIAN BACH . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/194278

Chicago Manual of Style (16th Edition):

Park, Chungwon. “CONSIDERATIONS FOR CHOOSING AND COMBINING INSTRUMENTS IN BASSO CONTINUO GROUP AND OBBLIGATO INSTRUMENTAL FORCES FOR PERFORMANCE OF SELECTED SACRED CANTATAS OF JOHANN SEBASTIAN BACH .” 2010. Doctoral Dissertation, University of Arizona. Accessed November 16, 2019. http://hdl.handle.net/10150/194278.

MLA Handbook (7th Edition):

Park, Chungwon. “CONSIDERATIONS FOR CHOOSING AND COMBINING INSTRUMENTS IN BASSO CONTINUO GROUP AND OBBLIGATO INSTRUMENTAL FORCES FOR PERFORMANCE OF SELECTED SACRED CANTATAS OF JOHANN SEBASTIAN BACH .” 2010. Web. 16 Nov 2019.

Vancouver:

Park C. CONSIDERATIONS FOR CHOOSING AND COMBINING INSTRUMENTS IN BASSO CONTINUO GROUP AND OBBLIGATO INSTRUMENTAL FORCES FOR PERFORMANCE OF SELECTED SACRED CANTATAS OF JOHANN SEBASTIAN BACH . [Internet] [Doctoral dissertation]. University of Arizona; 2010. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/10150/194278.

Council of Science Editors:

Park C. CONSIDERATIONS FOR CHOOSING AND COMBINING INSTRUMENTS IN BASSO CONTINUO GROUP AND OBBLIGATO INSTRUMENTAL FORCES FOR PERFORMANCE OF SELECTED SACRED CANTATAS OF JOHANN SEBASTIAN BACH . [Doctoral Dissertation]. University of Arizona; 2010. Available from: http://hdl.handle.net/10150/194278


University of Texas – Austin

30. Harder, Lane, 1976-. From the American Enlightenment : (cantata for soprano, mezzo-soprano, tenor, baritone and piano quintet on texts of Philip Freneau).

Degree: DMA, Music, 2012, University of Texas – Austin

 From the American Enlightenment is a secular chamber cantata for soprano, mezzo-soprano, tenor, baritone, and piano quintet, and it is based on the poetry of… (more)

Subjects/Keywords: Music; Composition; Philip Freneau; American Enlightenment; Poetry; Revolutionary War; Cantata; Piano quintet

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Harder, Lane, 1. (2012). From the American Enlightenment : (cantata for soprano, mezzo-soprano, tenor, baritone and piano quintet on texts of Philip Freneau). (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/45864

Chicago Manual of Style (16th Edition):

Harder, Lane, 1976-. “From the American Enlightenment : (cantata for soprano, mezzo-soprano, tenor, baritone and piano quintet on texts of Philip Freneau).” 2012. Doctoral Dissertation, University of Texas – Austin. Accessed November 16, 2019. http://hdl.handle.net/2152/45864.

MLA Handbook (7th Edition):

Harder, Lane, 1976-. “From the American Enlightenment : (cantata for soprano, mezzo-soprano, tenor, baritone and piano quintet on texts of Philip Freneau).” 2012. Web. 16 Nov 2019.

Vancouver:

Harder, Lane 1. From the American Enlightenment : (cantata for soprano, mezzo-soprano, tenor, baritone and piano quintet on texts of Philip Freneau). [Internet] [Doctoral dissertation]. University of Texas – Austin; 2012. [cited 2019 Nov 16]. Available from: http://hdl.handle.net/2152/45864.

Council of Science Editors:

Harder, Lane 1. From the American Enlightenment : (cantata for soprano, mezzo-soprano, tenor, baritone and piano quintet on texts of Philip Freneau). [Doctoral Dissertation]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/45864

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