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You searched for subject:(burlesque). Showing records 1 – 30 of 58 total matches.

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University of New Orleans

1. Cure, Barbie. Baring It All.

Degree: MA, English, 2014, University of New Orleans

  This collection of creative nonfiction encapsulates the author’s career as a burlesque performer in New Orleans. The goal of this thesis is to tell… (more)

Subjects/Keywords: memoir; burlesque; nonfiction; Nonfiction

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APA (6th Edition):

Cure, B. (2014). Baring It All. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/1909

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cure, Barbie. “Baring It All.” 2014. Thesis, University of New Orleans. Accessed April 15, 2021. https://scholarworks.uno.edu/td/1909.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cure, Barbie. “Baring It All.” 2014. Web. 15 Apr 2021.

Vancouver:

Cure B. Baring It All. [Internet] [Thesis]. University of New Orleans; 2014. [cited 2021 Apr 15]. Available from: https://scholarworks.uno.edu/td/1909.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cure B. Baring It All. [Thesis]. University of New Orleans; 2014. Available from: https://scholarworks.uno.edu/td/1909

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

2. Blake, Iris Sandjette. Burlesque : music, minstrelsy, and mimetic resistance.

Degree: MM, Music, 2013, University of Texas – Austin

 My project can be read as an intervention that aims to disrupt the "innocence" of burlesque's dominant historical narratives, where burlesque is fashioned as related… (more)

Subjects/Keywords: Burlesque; Music; Minstrelsy; Disidentification; Mimesis

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APA (6th Edition):

Blake, I. S. (2013). Burlesque : music, minstrelsy, and mimetic resistance. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/22731

Chicago Manual of Style (16th Edition):

Blake, Iris Sandjette. “Burlesque : music, minstrelsy, and mimetic resistance.” 2013. Masters Thesis, University of Texas – Austin. Accessed April 15, 2021. http://hdl.handle.net/2152/22731.

MLA Handbook (7th Edition):

Blake, Iris Sandjette. “Burlesque : music, minstrelsy, and mimetic resistance.” 2013. Web. 15 Apr 2021.

Vancouver:

Blake IS. Burlesque : music, minstrelsy, and mimetic resistance. [Internet] [Masters thesis]. University of Texas – Austin; 2013. [cited 2021 Apr 15]. Available from: http://hdl.handle.net/2152/22731.

Council of Science Editors:

Blake IS. Burlesque : music, minstrelsy, and mimetic resistance. [Masters Thesis]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/22731


University of New South Wales

3. Vassallo, Lauren. Burlesque: redefining the representation of women.

Degree: Design Studies, 2015, University of New South Wales

 This thesis explores the expression of women’s social roles in burlesque subculture in Sydney, Australia, between 2010 and 2015. The analysis reflects on the gender… (more)

Subjects/Keywords: Costume design; Burlesque; Subcultural style

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APA (6th Edition):

Vassallo, L. (2015). Burlesque: redefining the representation of women. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/54899 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36148/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Vassallo, Lauren. “Burlesque: redefining the representation of women.” 2015. Masters Thesis, University of New South Wales. Accessed April 15, 2021. http://handle.unsw.edu.au/1959.4/54899 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36148/SOURCE02?view=true.

MLA Handbook (7th Edition):

Vassallo, Lauren. “Burlesque: redefining the representation of women.” 2015. Web. 15 Apr 2021.

Vancouver:

Vassallo L. Burlesque: redefining the representation of women. [Internet] [Masters thesis]. University of New South Wales; 2015. [cited 2021 Apr 15]. Available from: http://handle.unsw.edu.au/1959.4/54899 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36148/SOURCE02?view=true.

Council of Science Editors:

Vassallo L. Burlesque: redefining the representation of women. [Masters Thesis]. University of New South Wales; 2015. Available from: http://handle.unsw.edu.au/1959.4/54899 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36148/SOURCE02?view=true

4. Ruimi, Claudine. La nourriture dans l'oeuvre d'Albert Cohen, un mariage miraculeux des contraires : Food in Albert Cohen’s Works, A Miraculous Marriage of Contraries.

Degree: Docteur es, Littératures française et comparée, 2013, Université Sorbonne Nouvelle – Paris III

L’étude du thème de la nourriture conduit à analyser trois fonctions de l’alimentation dans l’œuvre de Cohen. La première, indissociable du cadre de la diégèse,… (more)

Subjects/Keywords: Imaginaire; Poétique; Burlesque; Biblique; Nourriture; Imaginary; Poetics; Burlesque; Biblical; Food

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APA (6th Edition):

Ruimi, C. (2013). La nourriture dans l'oeuvre d'Albert Cohen, un mariage miraculeux des contraires : Food in Albert Cohen’s Works, A Miraculous Marriage of Contraries. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2013PA030100

Chicago Manual of Style (16th Edition):

Ruimi, Claudine. “La nourriture dans l'oeuvre d'Albert Cohen, un mariage miraculeux des contraires : Food in Albert Cohen’s Works, A Miraculous Marriage of Contraries.” 2013. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed April 15, 2021. http://www.theses.fr/2013PA030100.

MLA Handbook (7th Edition):

Ruimi, Claudine. “La nourriture dans l'oeuvre d'Albert Cohen, un mariage miraculeux des contraires : Food in Albert Cohen’s Works, A Miraculous Marriage of Contraries.” 2013. Web. 15 Apr 2021.

Vancouver:

Ruimi C. La nourriture dans l'oeuvre d'Albert Cohen, un mariage miraculeux des contraires : Food in Albert Cohen’s Works, A Miraculous Marriage of Contraries. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2013. [cited 2021 Apr 15]. Available from: http://www.theses.fr/2013PA030100.

Council of Science Editors:

Ruimi C. La nourriture dans l'oeuvre d'Albert Cohen, un mariage miraculeux des contraires : Food in Albert Cohen’s Works, A Miraculous Marriage of Contraries. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2013. Available from: http://www.theses.fr/2013PA030100

5. Abdessalem, Mouna. Le héros picaresque dans l'oeuvre de Charles Coypeau d'Assoucy : The picaresque hero in the work of Charles Coypeau Dassoucy.

Degree: Docteur es, Litterature francaise, 2017, Lyon; Université de la Manouba (Tunisie)

Dassoucy a fait de ses Aventures burlesques un plaidoyer « historique ». Il se présente comme un personnage en quête de son existence, d'une cohérence… (more)

Subjects/Keywords: Héroisme; Modernité; Picaresque Hero; Libertinism; Burlesque literature

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APA (6th Edition):

Abdessalem, M. (2017). Le héros picaresque dans l'oeuvre de Charles Coypeau d'Assoucy : The picaresque hero in the work of Charles Coypeau Dassoucy. (Doctoral Dissertation). Lyon; Université de la Manouba (Tunisie). Retrieved from http://www.theses.fr/2017LYSES041

Chicago Manual of Style (16th Edition):

Abdessalem, Mouna. “Le héros picaresque dans l'oeuvre de Charles Coypeau d'Assoucy : The picaresque hero in the work of Charles Coypeau Dassoucy.” 2017. Doctoral Dissertation, Lyon; Université de la Manouba (Tunisie). Accessed April 15, 2021. http://www.theses.fr/2017LYSES041.

MLA Handbook (7th Edition):

Abdessalem, Mouna. “Le héros picaresque dans l'oeuvre de Charles Coypeau d'Assoucy : The picaresque hero in the work of Charles Coypeau Dassoucy.” 2017. Web. 15 Apr 2021.

Vancouver:

Abdessalem M. Le héros picaresque dans l'oeuvre de Charles Coypeau d'Assoucy : The picaresque hero in the work of Charles Coypeau Dassoucy. [Internet] [Doctoral dissertation]. Lyon; Université de la Manouba (Tunisie); 2017. [cited 2021 Apr 15]. Available from: http://www.theses.fr/2017LYSES041.

Council of Science Editors:

Abdessalem M. Le héros picaresque dans l'oeuvre de Charles Coypeau d'Assoucy : The picaresque hero in the work of Charles Coypeau Dassoucy. [Doctoral Dissertation]. Lyon; Université de la Manouba (Tunisie); 2017. Available from: http://www.theses.fr/2017LYSES041


University of Illinois – Urbana-Champaign

6. Prendergast, Ryan Michael. A hero's work of peace: Richard Strauss's Friedenstag.

Degree: M.Mus., Music, 2015, University of Illinois – Urbana-Champaign

 Richard Strauss’s one-act opera FRIEDENSTAG (DAY OF PEACE) has received staunch criticism regarding its overt militaristic content and compositional merits. The opera is one of… (more)

Subjects/Keywords: Strauss, Richard; Friedenstag; opera; Third Reich; burlesque

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APA (6th Edition):

Prendergast, R. M. (2015). A hero's work of peace: Richard Strauss's Friedenstag. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/78675

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Prendergast, Ryan Michael. “A hero's work of peace: Richard Strauss's Friedenstag.” 2015. Thesis, University of Illinois – Urbana-Champaign. Accessed April 15, 2021. http://hdl.handle.net/2142/78675.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Prendergast, Ryan Michael. “A hero's work of peace: Richard Strauss's Friedenstag.” 2015. Web. 15 Apr 2021.

Vancouver:

Prendergast RM. A hero's work of peace: Richard Strauss's Friedenstag. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2015. [cited 2021 Apr 15]. Available from: http://hdl.handle.net/2142/78675.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Prendergast RM. A hero's work of peace: Richard Strauss's Friedenstag. [Thesis]. University of Illinois – Urbana-Champaign; 2015. Available from: http://hdl.handle.net/2142/78675

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boise State University

7. Tigert, Merin Leigh. The Grotesque Menagerie.

Degree: 2011, Boise State University

 The Grotesque Menagerie is an exploration of domestic and gender roles of the American West. The burlesque and the grotesque are used as the dissection… (more)

Subjects/Keywords: Poetry; Grotesque; Burlesque; Domesticity; Creative Writing

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APA (6th Edition):

Tigert, M. L. (2011). The Grotesque Menagerie. (Thesis). Boise State University. Retrieved from https://scholarworks.boisestate.edu/td/167

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tigert, Merin Leigh. “The Grotesque Menagerie.” 2011. Thesis, Boise State University. Accessed April 15, 2021. https://scholarworks.boisestate.edu/td/167.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tigert, Merin Leigh. “The Grotesque Menagerie.” 2011. Web. 15 Apr 2021.

Vancouver:

Tigert ML. The Grotesque Menagerie. [Internet] [Thesis]. Boise State University; 2011. [cited 2021 Apr 15]. Available from: https://scholarworks.boisestate.edu/td/167.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tigert ML. The Grotesque Menagerie. [Thesis]. Boise State University; 2011. Available from: https://scholarworks.boisestate.edu/td/167

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

8. Coan, Casely Emma. Kai(e)rotic Moments: Resistance and Alternate Futures in Burlesque Performance .

Degree: 2019, University of Arizona

 This dissertation examines the ways performance offers opportunities to resist sexist, racist, homophobic, transphobic, fat phobic, and ableist narratives. Through ethnographic research with the Tucson… (more)

Subjects/Keywords: burlesque; desire; erotic; performance; rhetoric; sexuality

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APA (6th Edition):

Coan, C. E. (2019). Kai(e)rotic Moments: Resistance and Alternate Futures in Burlesque Performance . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/634414

Chicago Manual of Style (16th Edition):

Coan, Casely Emma. “Kai(e)rotic Moments: Resistance and Alternate Futures in Burlesque Performance .” 2019. Doctoral Dissertation, University of Arizona. Accessed April 15, 2021. http://hdl.handle.net/10150/634414.

MLA Handbook (7th Edition):

Coan, Casely Emma. “Kai(e)rotic Moments: Resistance and Alternate Futures in Burlesque Performance .” 2019. Web. 15 Apr 2021.

Vancouver:

Coan CE. Kai(e)rotic Moments: Resistance and Alternate Futures in Burlesque Performance . [Internet] [Doctoral dissertation]. University of Arizona; 2019. [cited 2021 Apr 15]. Available from: http://hdl.handle.net/10150/634414.

Council of Science Editors:

Coan CE. Kai(e)rotic Moments: Resistance and Alternate Futures in Burlesque Performance . [Doctoral Dissertation]. University of Arizona; 2019. Available from: http://hdl.handle.net/10150/634414


University of Canterbury

9. McCusker, Nicole Catherine. Performance, Art and the Female Nude at Dr Sketchy's Anti-Art School.

Degree: MA, Anthropology, 2012, University of Canterbury

 My thesis examines the event of Dr Sketchy's Anti-Art School, which has branches in over 120 cities worldwide. Dr Sketchy's combines the format of a… (more)

Subjects/Keywords: performance; art; burlesque; life drawing; the nude

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APA (6th Edition):

McCusker, N. C. (2012). Performance, Art and the Female Nude at Dr Sketchy's Anti-Art School. (Masters Thesis). University of Canterbury. Retrieved from http://dx.doi.org/10.26021/4996

Chicago Manual of Style (16th Edition):

McCusker, Nicole Catherine. “Performance, Art and the Female Nude at Dr Sketchy's Anti-Art School.” 2012. Masters Thesis, University of Canterbury. Accessed April 15, 2021. http://dx.doi.org/10.26021/4996.

MLA Handbook (7th Edition):

McCusker, Nicole Catherine. “Performance, Art and the Female Nude at Dr Sketchy's Anti-Art School.” 2012. Web. 15 Apr 2021.

Vancouver:

McCusker NC. Performance, Art and the Female Nude at Dr Sketchy's Anti-Art School. [Internet] [Masters thesis]. University of Canterbury; 2012. [cited 2021 Apr 15]. Available from: http://dx.doi.org/10.26021/4996.

Council of Science Editors:

McCusker NC. Performance, Art and the Female Nude at Dr Sketchy's Anti-Art School. [Masters Thesis]. University of Canterbury; 2012. Available from: http://dx.doi.org/10.26021/4996


University of Minnesota

10. Giusti, Jessica. "Burlesque Female Behemoths": transgressions of fat, Femme Burlesque.

Degree: PhD, Feminist Studies, 2012, University of Minnesota

Burlesque Female Behemoths analyzes the rebirth of the American burlesque scene over the past two decades and considers the political and cultural landscapes that have… (more)

Subjects/Keywords: Burlesque; Corporeal epistemologies; Fat studies; Femme identity; Neo-Burlesque; Queer studies; Feminist studies

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APA (6th Edition):

Giusti, J. (2012). "Burlesque Female Behemoths": transgressions of fat, Femme Burlesque. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/168202

Chicago Manual of Style (16th Edition):

Giusti, Jessica. “"Burlesque Female Behemoths": transgressions of fat, Femme Burlesque.” 2012. Doctoral Dissertation, University of Minnesota. Accessed April 15, 2021. http://hdl.handle.net/11299/168202.

MLA Handbook (7th Edition):

Giusti, Jessica. “"Burlesque Female Behemoths": transgressions of fat, Femme Burlesque.” 2012. Web. 15 Apr 2021.

Vancouver:

Giusti J. "Burlesque Female Behemoths": transgressions of fat, Femme Burlesque. [Internet] [Doctoral dissertation]. University of Minnesota; 2012. [cited 2021 Apr 15]. Available from: http://hdl.handle.net/11299/168202.

Council of Science Editors:

Giusti J. "Burlesque Female Behemoths": transgressions of fat, Femme Burlesque. [Doctoral Dissertation]. University of Minnesota; 2012. Available from: http://hdl.handle.net/11299/168202

11. Menand, Julie. Le père jésuite François Garasse : un écrivain engagé du premier dix-septième siècle : Father Garasse (1585-1631) : a committed writer in the first 17th century.

Degree: Docteur es, Lettres et Arts, 2016, Lyon

Le Père Jésuite François Garasse reste un écrivain du premier XVIIe siècle assez connu et peu étudié en dépit de son abondante production polémique, publiée… (more)

Subjects/Keywords: Compagnie de jésus; Polémique; Satire; Burlesque; Littérature religieuse; Libertinage; Jansénisme; Society of Jesus; Polemic; Satire; Burlesque; Religious literature; Libertinism; Jansenism

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APA (6th Edition):

Menand, J. (2016). Le père jésuite François Garasse : un écrivain engagé du premier dix-septième siècle : Father Garasse (1585-1631) : a committed writer in the first 17th century. (Doctoral Dissertation). Lyon. Retrieved from http://www.theses.fr/2016LYSE2128

Chicago Manual of Style (16th Edition):

Menand, Julie. “Le père jésuite François Garasse : un écrivain engagé du premier dix-septième siècle : Father Garasse (1585-1631) : a committed writer in the first 17th century.” 2016. Doctoral Dissertation, Lyon. Accessed April 15, 2021. http://www.theses.fr/2016LYSE2128.

MLA Handbook (7th Edition):

Menand, Julie. “Le père jésuite François Garasse : un écrivain engagé du premier dix-septième siècle : Father Garasse (1585-1631) : a committed writer in the first 17th century.” 2016. Web. 15 Apr 2021.

Vancouver:

Menand J. Le père jésuite François Garasse : un écrivain engagé du premier dix-septième siècle : Father Garasse (1585-1631) : a committed writer in the first 17th century. [Internet] [Doctoral dissertation]. Lyon; 2016. [cited 2021 Apr 15]. Available from: http://www.theses.fr/2016LYSE2128.

Council of Science Editors:

Menand J. Le père jésuite François Garasse : un écrivain engagé du premier dix-septième siècle : Father Garasse (1585-1631) : a committed writer in the first 17th century. [Doctoral Dissertation]. Lyon; 2016. Available from: http://www.theses.fr/2016LYSE2128


University of Newcastle

12. Wye, Stephen. An extravgagant burlesque: 19th century blackface minstrelsy and its contemporary revival.

Degree: PhD, 2018, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

This project investigates the contextual and aesthetic frameworks for a creative work inspired by the practice and reception… (more)

Subjects/Keywords: burlesque; neo-burlesque; blackface minstrelsy; ethnic tranvestism; musical composition; composition; G.W. Rusden; Ned Faning; Hunter Valley, (NSW)

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APA (6th Edition):

Wye, S. (2018). An extravgagant burlesque: 19th century blackface minstrelsy and its contemporary revival. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1385312

Chicago Manual of Style (16th Edition):

Wye, Stephen. “An extravgagant burlesque: 19th century blackface minstrelsy and its contemporary revival.” 2018. Doctoral Dissertation, University of Newcastle. Accessed April 15, 2021. http://hdl.handle.net/1959.13/1385312.

MLA Handbook (7th Edition):

Wye, Stephen. “An extravgagant burlesque: 19th century blackface minstrelsy and its contemporary revival.” 2018. Web. 15 Apr 2021.

Vancouver:

Wye S. An extravgagant burlesque: 19th century blackface minstrelsy and its contemporary revival. [Internet] [Doctoral dissertation]. University of Newcastle; 2018. [cited 2021 Apr 15]. Available from: http://hdl.handle.net/1959.13/1385312.

Council of Science Editors:

Wye S. An extravgagant burlesque: 19th century blackface minstrelsy and its contemporary revival. [Doctoral Dissertation]. University of Newcastle; 2018. Available from: http://hdl.handle.net/1959.13/1385312


Boston University

13. Dixon, Dustin W. Myth-making in Greek and Roman comedy.

Degree: PhD, Classical Studies, 2015, Boston University

 Challenging the common notion that mythological comedies simply burlesque stories found in epic and tragedy, this dissertation shows that comic poets were active participants in… (more)

Subjects/Keywords: Classical literature; Burlesque; Comedy; Drama; Greek; Mythology; Tragedy

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APA (6th Edition):

Dixon, D. W. (2015). Myth-making in Greek and Roman comedy. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/16320

Chicago Manual of Style (16th Edition):

Dixon, Dustin W. “Myth-making in Greek and Roman comedy.” 2015. Doctoral Dissertation, Boston University. Accessed April 15, 2021. http://hdl.handle.net/2144/16320.

MLA Handbook (7th Edition):

Dixon, Dustin W. “Myth-making in Greek and Roman comedy.” 2015. Web. 15 Apr 2021.

Vancouver:

Dixon DW. Myth-making in Greek and Roman comedy. [Internet] [Doctoral dissertation]. Boston University; 2015. [cited 2021 Apr 15]. Available from: http://hdl.handle.net/2144/16320.

Council of Science Editors:

Dixon DW. Myth-making in Greek and Roman comedy. [Doctoral Dissertation]. Boston University; 2015. Available from: http://hdl.handle.net/2144/16320


Colorado State University

14. Murti, Desideria Cempaka Wijaya. New Atheist Movement in the blogosphere: burlesque and carnivalesque as rhetorical strategies in visual productions, The.

Degree: MA, Communication Studies, 2013, Colorado State University

 This thesis examines the visual production of the New Atheist Movement in the Blogosphere. I argue that the images of New Atheism use burlesque and… (more)

Subjects/Keywords: blogs; burlesque; carnivalesque; New Atheist Movement; rhetoric; visual

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APA (6th Edition):

Murti, D. C. W. (2013). New Atheist Movement in the blogosphere: burlesque and carnivalesque as rhetorical strategies in visual productions, The. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/80277

Chicago Manual of Style (16th Edition):

Murti, Desideria Cempaka Wijaya. “New Atheist Movement in the blogosphere: burlesque and carnivalesque as rhetorical strategies in visual productions, The.” 2013. Masters Thesis, Colorado State University. Accessed April 15, 2021. http://hdl.handle.net/10217/80277.

MLA Handbook (7th Edition):

Murti, Desideria Cempaka Wijaya. “New Atheist Movement in the blogosphere: burlesque and carnivalesque as rhetorical strategies in visual productions, The.” 2013. Web. 15 Apr 2021.

Vancouver:

Murti DCW. New Atheist Movement in the blogosphere: burlesque and carnivalesque as rhetorical strategies in visual productions, The. [Internet] [Masters thesis]. Colorado State University; 2013. [cited 2021 Apr 15]. Available from: http://hdl.handle.net/10217/80277.

Council of Science Editors:

Murti DCW. New Atheist Movement in the blogosphere: burlesque and carnivalesque as rhetorical strategies in visual productions, The. [Masters Thesis]. Colorado State University; 2013. Available from: http://hdl.handle.net/10217/80277


University of Maryland

15. Walker, Jonelle. THE IRRECONCILABLE VOLATILITY OF BLOODY BETTY & THE ONLINE ARCHIVE.

Degree: Theatre, 2017, University of Maryland

 This project investigates volatile portrayals of rape and sexualized violence in gorelesque performances by Vancouver-based troupe Bloody Betty and the Deadly Sins, as well as… (more)

Subjects/Keywords: Performing arts; Women's studies; Bloody Betty; burlesque; gorelesque; online archive

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Walker, J. (2017). THE IRRECONCILABLE VOLATILITY OF BLOODY BETTY & THE ONLINE ARCHIVE. (Thesis). University of Maryland. Retrieved from http://hdl.handle.net/1903/19515

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walker, Jonelle. “THE IRRECONCILABLE VOLATILITY OF BLOODY BETTY & THE ONLINE ARCHIVE.” 2017. Thesis, University of Maryland. Accessed April 15, 2021. http://hdl.handle.net/1903/19515.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walker, Jonelle. “THE IRRECONCILABLE VOLATILITY OF BLOODY BETTY & THE ONLINE ARCHIVE.” 2017. Web. 15 Apr 2021.

Vancouver:

Walker J. THE IRRECONCILABLE VOLATILITY OF BLOODY BETTY & THE ONLINE ARCHIVE. [Internet] [Thesis]. University of Maryland; 2017. [cited 2021 Apr 15]. Available from: http://hdl.handle.net/1903/19515.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walker J. THE IRRECONCILABLE VOLATILITY OF BLOODY BETTY & THE ONLINE ARCHIVE. [Thesis]. University of Maryland; 2017. Available from: http://hdl.handle.net/1903/19515

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

16. Glenum, Lara. Maximum gaga with a critical introduction on Gurlesque poetics.

Degree: 2014, University of Georgia

 The Gurlesque describes an emerging field of female poets and who, taking a page form the burlesque, perform their femininity in a campy or overtly… (more)

Subjects/Keywords: Poetry; poetics; creative writing; Gurlesque; avant-garde; burlesque; camp; kitsch; grotesque

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Glenum, L. (2014). Maximum gaga with a critical introduction on Gurlesque poetics. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/25454

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Glenum, Lara. “Maximum gaga with a critical introduction on Gurlesque poetics.” 2014. Thesis, University of Georgia. Accessed April 15, 2021. http://hdl.handle.net/10724/25454.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Glenum, Lara. “Maximum gaga with a critical introduction on Gurlesque poetics.” 2014. Web. 15 Apr 2021.

Vancouver:

Glenum L. Maximum gaga with a critical introduction on Gurlesque poetics. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Apr 15]. Available from: http://hdl.handle.net/10724/25454.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Glenum L. Maximum gaga with a critical introduction on Gurlesque poetics. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/25454

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

17. Gibson, Emma. WOMANIFESTO: Sacred Satirist Spectacle and The Invention of Betty Grumble.

Degree: Art, 2015, University of New South Wales

 Womanifesto is a kaleidoscopic conversion of multiple woman hoods into a singular performance based entity, Betty Grumble. My research poesies tracks the cacophony of my… (more)

Subjects/Keywords: drag; feminism; performance art; betty; grumble; sex clown; ecosexual; burlesque

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APA (6th Edition):

Gibson, E. (2015). WOMANIFESTO: Sacred Satirist Spectacle and The Invention of Betty Grumble. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/54952 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36244/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Gibson, Emma. “WOMANIFESTO: Sacred Satirist Spectacle and The Invention of Betty Grumble.” 2015. Masters Thesis, University of New South Wales. Accessed April 15, 2021. http://handle.unsw.edu.au/1959.4/54952 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36244/SOURCE02?view=true.

MLA Handbook (7th Edition):

Gibson, Emma. “WOMANIFESTO: Sacred Satirist Spectacle and The Invention of Betty Grumble.” 2015. Web. 15 Apr 2021.

Vancouver:

Gibson E. WOMANIFESTO: Sacred Satirist Spectacle and The Invention of Betty Grumble. [Internet] [Masters thesis]. University of New South Wales; 2015. [cited 2021 Apr 15]. Available from: http://handle.unsw.edu.au/1959.4/54952 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36244/SOURCE02?view=true.

Council of Science Editors:

Gibson E. WOMANIFESTO: Sacred Satirist Spectacle and The Invention of Betty Grumble. [Masters Thesis]. University of New South Wales; 2015. Available from: http://handle.unsw.edu.au/1959.4/54952 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:36244/SOURCE02?view=true


The Ohio State University

18. Over, William Earl. The rehearsal and its place in the development of English burlesque drama in the seventeenth century.

Degree: PhD, Graduate School, 1975, The Ohio State University

Subjects/Keywords: Theater; Buckingham; Burlesque; English drama

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APA (6th Edition):

Over, W. E. (1975). The rehearsal and its place in the development of English burlesque drama in the seventeenth century. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486996174507967

Chicago Manual of Style (16th Edition):

Over, William Earl. “The rehearsal and its place in the development of English burlesque drama in the seventeenth century.” 1975. Doctoral Dissertation, The Ohio State University. Accessed April 15, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486996174507967.

MLA Handbook (7th Edition):

Over, William Earl. “The rehearsal and its place in the development of English burlesque drama in the seventeenth century.” 1975. Web. 15 Apr 2021.

Vancouver:

Over WE. The rehearsal and its place in the development of English burlesque drama in the seventeenth century. [Internet] [Doctoral dissertation]. The Ohio State University; 1975. [cited 2021 Apr 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486996174507967.

Council of Science Editors:

Over WE. The rehearsal and its place in the development of English burlesque drama in the seventeenth century. [Doctoral Dissertation]. The Ohio State University; 1975. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486996174507967

19. Perez, Mirela Silva. A semiótica do burlesco: o figurino e a construção da personagem.

Degree: 2020, Pontifical Catholic University of São Paulo

Submitted by Filipe dos Santos ([email protected]) on 2020-08-25T11:11:46Z No. of bitstreams: 1 Mirela Silva Perez.pdf: 7676567 bytes, checksum: 539952e0f00e6cc7b9f282265a6e668a (MD5)

Made available in DSpace on… (more)

Subjects/Keywords: Burlesco; Figurino; Feminino; Burlesque; Costume; Feminine; CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO

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APA (6th Edition):

Perez, M. S. (2020). A semiótica do burlesco: o figurino e a construção da personagem. (Masters Thesis). Pontifical Catholic University of São Paulo. Retrieved from https://tede2.pucsp.br/handle/handle/23218

Chicago Manual of Style (16th Edition):

Perez, Mirela Silva. “A semiótica do burlesco: o figurino e a construção da personagem.” 2020. Masters Thesis, Pontifical Catholic University of São Paulo. Accessed April 15, 2021. https://tede2.pucsp.br/handle/handle/23218.

MLA Handbook (7th Edition):

Perez, Mirela Silva. “A semiótica do burlesco: o figurino e a construção da personagem.” 2020. Web. 15 Apr 2021.

Vancouver:

Perez MS. A semiótica do burlesco: o figurino e a construção da personagem. [Internet] [Masters thesis]. Pontifical Catholic University of São Paulo; 2020. [cited 2021 Apr 15]. Available from: https://tede2.pucsp.br/handle/handle/23218.

Council of Science Editors:

Perez MS. A semiótica do burlesco: o figurino e a construção da personagem. [Masters Thesis]. Pontifical Catholic University of São Paulo; 2020. Available from: https://tede2.pucsp.br/handle/handle/23218

20. Haney, Alyssa McNeil. Stripping (away) the stereotype: race, culture, and gender in neo-burlesque performance.

Degree: 2015, NC Docks

 This project explores issues of performing the "exotic Other" in neo-burlesque dance. Using the examples of performers Dita Von Teese's "Opium Den," Jett Adore's "Zorro,"… (more)

Subjects/Keywords: Burlesque (Theater) $x Social aspects; Striptease $x Social aspects

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APA (6th Edition):

Haney, A. M. (2015). Stripping (away) the stereotype: race, culture, and gender in neo-burlesque performance. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Haney_uncg_0154M_11726.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Haney, Alyssa McNeil. “Stripping (away) the stereotype: race, culture, and gender in neo-burlesque performance.” 2015. Thesis, NC Docks. Accessed April 15, 2021. http://libres.uncg.edu/ir/uncg/f/Haney_uncg_0154M_11726.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Haney, Alyssa McNeil. “Stripping (away) the stereotype: race, culture, and gender in neo-burlesque performance.” 2015. Web. 15 Apr 2021.

Vancouver:

Haney AM. Stripping (away) the stereotype: race, culture, and gender in neo-burlesque performance. [Internet] [Thesis]. NC Docks; 2015. [cited 2021 Apr 15]. Available from: http://libres.uncg.edu/ir/uncg/f/Haney_uncg_0154M_11726.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Haney AM. Stripping (away) the stereotype: race, culture, and gender in neo-burlesque performance. [Thesis]. NC Docks; 2015. Available from: http://libres.uncg.edu/ir/uncg/f/Haney_uncg_0154M_11726.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Lorraine

21. Blanchemanche, Valérie. Espace graphique et oralités vivaces : lecture ethnocritique des premiers romans de Marcel Aymé : Graphic space and tenacious oralities : an ethnocritical reading of the early fiction of Marcel Aymé.

Degree: Docteur es, Langues, Littératures et Civilisations, 2019, Université de Lorraine

Cette étude propose de questionner les correspondances entre l’architecture apparente ou non des premiers romans de Marcel Aymé (1902-1967) et la présence des nombreux «… (more)

Subjects/Keywords: Premiers romans; Raison graphique; Oralités; Roman parlant; Langages romanesques; Ethnocritique; Belligérances culturelles; Burlesque; Acculturation urbaine; First novels; Orality; Fictional styles; Ethnocriticsm; Cultural conflicts; Burlesque; Urban acculturation; 843.91

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APA (6th Edition):

Blanchemanche, V. (2019). Espace graphique et oralités vivaces : lecture ethnocritique des premiers romans de Marcel Aymé : Graphic space and tenacious oralities : an ethnocritical reading of the early fiction of Marcel Aymé. (Doctoral Dissertation). Université de Lorraine. Retrieved from http://www.theses.fr/2019LORR0222

Chicago Manual of Style (16th Edition):

Blanchemanche, Valérie. “Espace graphique et oralités vivaces : lecture ethnocritique des premiers romans de Marcel Aymé : Graphic space and tenacious oralities : an ethnocritical reading of the early fiction of Marcel Aymé.” 2019. Doctoral Dissertation, Université de Lorraine. Accessed April 15, 2021. http://www.theses.fr/2019LORR0222.

MLA Handbook (7th Edition):

Blanchemanche, Valérie. “Espace graphique et oralités vivaces : lecture ethnocritique des premiers romans de Marcel Aymé : Graphic space and tenacious oralities : an ethnocritical reading of the early fiction of Marcel Aymé.” 2019. Web. 15 Apr 2021.

Vancouver:

Blanchemanche V. Espace graphique et oralités vivaces : lecture ethnocritique des premiers romans de Marcel Aymé : Graphic space and tenacious oralities : an ethnocritical reading of the early fiction of Marcel Aymé. [Internet] [Doctoral dissertation]. Université de Lorraine; 2019. [cited 2021 Apr 15]. Available from: http://www.theses.fr/2019LORR0222.

Council of Science Editors:

Blanchemanche V. Espace graphique et oralités vivaces : lecture ethnocritique des premiers romans de Marcel Aymé : Graphic space and tenacious oralities : an ethnocritical reading of the early fiction of Marcel Aymé. [Doctoral Dissertation]. Université de Lorraine; 2019. Available from: http://www.theses.fr/2019LORR0222


Université Paris-Sorbonne – Paris IV

22. Garnier, Sylvain. Érato et Melpomène ou les sœurs ennemies : langage poétique et poétique dramatique dans le théâtre français de Jodelle à Scarron (1553-1653) : Erato and Melpomene or the enemy sisters : poetic language and dramatic poetics in french theater from Jodelle to Scarron (1553-1653).

Degree: Docteur es, Littérature et civilisation française, 2017, Université Paris-Sorbonne – Paris IV

L'expression poétique semble inhérente au théâtre classique. Pourtant, les pièces de la seconde moitié du XVIIe siècle, en particulier les tragédies, sont le fruit de… (more)

Subjects/Keywords: Poésie dramatique; Poésie lyrique; Élocution lyrique; Tragédie humaniste; Tragi-Comédie; Pastorale; Comédie burlesque; Dramatic poesy; Lyric poesy; Elocutio; Humanist tragedy; Tragi-Comédy; Pastoral; Burlesque comedy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garnier, S. (2017). Érato et Melpomène ou les sœurs ennemies : langage poétique et poétique dramatique dans le théâtre français de Jodelle à Scarron (1553-1653) : Erato and Melpomene or the enemy sisters : poetic language and dramatic poetics in french theater from Jodelle to Scarron (1553-1653). (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2017PA040148

Chicago Manual of Style (16th Edition):

Garnier, Sylvain. “Érato et Melpomène ou les sœurs ennemies : langage poétique et poétique dramatique dans le théâtre français de Jodelle à Scarron (1553-1653) : Erato and Melpomene or the enemy sisters : poetic language and dramatic poetics in french theater from Jodelle to Scarron (1553-1653).” 2017. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed April 15, 2021. http://www.theses.fr/2017PA040148.

MLA Handbook (7th Edition):

Garnier, Sylvain. “Érato et Melpomène ou les sœurs ennemies : langage poétique et poétique dramatique dans le théâtre français de Jodelle à Scarron (1553-1653) : Erato and Melpomene or the enemy sisters : poetic language and dramatic poetics in french theater from Jodelle to Scarron (1553-1653).” 2017. Web. 15 Apr 2021.

Vancouver:

Garnier S. Érato et Melpomène ou les sœurs ennemies : langage poétique et poétique dramatique dans le théâtre français de Jodelle à Scarron (1553-1653) : Erato and Melpomene or the enemy sisters : poetic language and dramatic poetics in french theater from Jodelle to Scarron (1553-1653). [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2017. [cited 2021 Apr 15]. Available from: http://www.theses.fr/2017PA040148.

Council of Science Editors:

Garnier S. Érato et Melpomène ou les sœurs ennemies : langage poétique et poétique dramatique dans le théâtre français de Jodelle à Scarron (1553-1653) : Erato and Melpomene or the enemy sisters : poetic language and dramatic poetics in french theater from Jodelle to Scarron (1553-1653). [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2017. Available from: http://www.theses.fr/2017PA040148


University of Alabama

23. Landis, Ryan. Opera on the prairie: a biographical and musical analysis of Felix Vinatieri and the American volunteer.

Degree: 2015, University of Alabama

 Felix Vinatieri (1834-1891), an Italian composer, immigrated to the United States in 1859 and eventually settled in Yankton, South Dakota. His service as bandmaster with… (more)

Subjects/Keywords: Electronic Thesis or Dissertation;  – thesis; Music; Performing arts; Theater history; American; Burlesque; Opera; Vinatieri

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APA (6th Edition):

Landis, R. (2015). Opera on the prairie: a biographical and musical analysis of Felix Vinatieri and the American volunteer. (Thesis). University of Alabama. Retrieved from http://purl.lib.ua.edu/125671

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Landis, Ryan. “Opera on the prairie: a biographical and musical analysis of Felix Vinatieri and the American volunteer.” 2015. Thesis, University of Alabama. Accessed April 15, 2021. http://purl.lib.ua.edu/125671.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Landis, Ryan. “Opera on the prairie: a biographical and musical analysis of Felix Vinatieri and the American volunteer.” 2015. Web. 15 Apr 2021.

Vancouver:

Landis R. Opera on the prairie: a biographical and musical analysis of Felix Vinatieri and the American volunteer. [Internet] [Thesis]. University of Alabama; 2015. [cited 2021 Apr 15]. Available from: http://purl.lib.ua.edu/125671.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Landis R. Opera on the prairie: a biographical and musical analysis of Felix Vinatieri and the American volunteer. [Thesis]. University of Alabama; 2015. Available from: http://purl.lib.ua.edu/125671

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas A&M University

24. Persky, Julia Christine. Self-Authoring and Performance: Classroom Burlesque as a Strategy for Cultural and Identity Affirmation.

Degree: PhD, Curriculum and Instruction, 2018, Texas A&M University

 Children in early childhood and elementary classrooms are often marginalized due to a variety of identity markers, which create borders within learning spaces and limit… (more)

Subjects/Keywords: Burlesque; Postcolonial Theory; Border Theory; Resistance; Identity; Cultural Relevance; Diversity; Early Childhood Education; Elementary Education

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APA (6th Edition):

Persky, J. C. (2018). Self-Authoring and Performance: Classroom Burlesque as a Strategy for Cultural and Identity Affirmation. (Doctoral Dissertation). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/192050

Chicago Manual of Style (16th Edition):

Persky, Julia Christine. “Self-Authoring and Performance: Classroom Burlesque as a Strategy for Cultural and Identity Affirmation.” 2018. Doctoral Dissertation, Texas A&M University. Accessed April 15, 2021. http://hdl.handle.net/1969.1/192050.

MLA Handbook (7th Edition):

Persky, Julia Christine. “Self-Authoring and Performance: Classroom Burlesque as a Strategy for Cultural and Identity Affirmation.” 2018. Web. 15 Apr 2021.

Vancouver:

Persky JC. Self-Authoring and Performance: Classroom Burlesque as a Strategy for Cultural and Identity Affirmation. [Internet] [Doctoral dissertation]. Texas A&M University; 2018. [cited 2021 Apr 15]. Available from: http://hdl.handle.net/1969.1/192050.

Council of Science Editors:

Persky JC. Self-Authoring and Performance: Classroom Burlesque as a Strategy for Cultural and Identity Affirmation. [Doctoral Dissertation]. Texas A&M University; 2018. Available from: http://hdl.handle.net/1969.1/192050


The Ohio State University

25. Wellman, Elizabeth Joanne. Taught It to the Trade: Rose La Rose and the Re-ownership of American Burlesque, 1935-1972.

Degree: PhD, Theatre, 2015, The Ohio State University

 Declaring burlesque dead has been a habit of the twentieth century. Robert C. Allen quoted an 1890s letter from the first burlesque star of the… (more)

Subjects/Keywords: Theater; Theater History; Theater Studies; Performing Arts; Dance; Womens Studies; burlesque; striptease; stripping; strippers; exotic dance; Rose La Rose; Toledo, Ohio; popular entertainment; burlesque circuit; American burlesque; popular culture; women; performance; cultural studies

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APA (6th Edition):

Wellman, E. J. (2015). Taught It to the Trade: Rose La Rose and the Re-ownership of American Burlesque, 1935-1972. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1439764548

Chicago Manual of Style (16th Edition):

Wellman, Elizabeth Joanne. “Taught It to the Trade: Rose La Rose and the Re-ownership of American Burlesque, 1935-1972.” 2015. Doctoral Dissertation, The Ohio State University. Accessed April 15, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1439764548.

MLA Handbook (7th Edition):

Wellman, Elizabeth Joanne. “Taught It to the Trade: Rose La Rose and the Re-ownership of American Burlesque, 1935-1972.” 2015. Web. 15 Apr 2021.

Vancouver:

Wellman EJ. Taught It to the Trade: Rose La Rose and the Re-ownership of American Burlesque, 1935-1972. [Internet] [Doctoral dissertation]. The Ohio State University; 2015. [cited 2021 Apr 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1439764548.

Council of Science Editors:

Wellman EJ. Taught It to the Trade: Rose La Rose and the Re-ownership of American Burlesque, 1935-1972. [Doctoral Dissertation]. The Ohio State University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1439764548

26. Κίτσου, Σταματία. Χαρίτιον (P.Oxy. 413 recto) : Εισαγωγή - κείμενο και μετάφραση, ερμηνευτικό υπόμνημα.

Degree: 2014, University of Patras

Στόχος της μετά χείρας εργασίας είναι η παρουσίαση του Μίμου της Χαριτίου (εισαγωγή, κείμενο -κριτικό υπόμνημα, μετάφραση, ερμηνευτικό υπόμνημα) και η εστίαση στα προβλήματα που… (more)

Subjects/Keywords: Μίμος; Αυτοκρατορική περίοδος; Κωμωδία; Χαρίτιον; Ινδική γλώσσα; 882.02; Μime; Comedy; Imperial era; Charition; Indian dialect; Burlesque; Vaudeville; P.Oxy. 413 recto

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APA (6th Edition):

Κίτσου, . (2014). Χαρίτιον (P.Oxy. 413 recto) : Εισαγωγή - κείμενο και μετάφραση, ερμηνευτικό υπόμνημα. (Masters Thesis). University of Patras. Retrieved from http://hdl.handle.net/10889/7656

Chicago Manual of Style (16th Edition):

Κίτσου, Σταματία. “Χαρίτιον (P.Oxy. 413 recto) : Εισαγωγή - κείμενο και μετάφραση, ερμηνευτικό υπόμνημα.” 2014. Masters Thesis, University of Patras. Accessed April 15, 2021. http://hdl.handle.net/10889/7656.

MLA Handbook (7th Edition):

Κίτσου, Σταματία. “Χαρίτιον (P.Oxy. 413 recto) : Εισαγωγή - κείμενο και μετάφραση, ερμηνευτικό υπόμνημα.” 2014. Web. 15 Apr 2021.

Vancouver:

Κίτσου . Χαρίτιον (P.Oxy. 413 recto) : Εισαγωγή - κείμενο και μετάφραση, ερμηνευτικό υπόμνημα. [Internet] [Masters thesis]. University of Patras; 2014. [cited 2021 Apr 15]. Available from: http://hdl.handle.net/10889/7656.

Council of Science Editors:

Κίτσου . Χαρίτιον (P.Oxy. 413 recto) : Εισαγωγή - κείμενο και μετάφραση, ερμηνευτικό υπόμνημα. [Masters Thesis]. University of Patras; 2014. Available from: http://hdl.handle.net/10889/7656


University of South Africa

27. Van der Westhuizen, Pieter Christoffel. Parodie en pastiche in die (post)modernistiese drama/teater .

Degree: 1997, University of South Africa

 The concepts of parody and pastiche are oftell employed by leading theoreticians to offer definitions of the elusive term "Postmodernism". One is led to conclude… (more)

Subjects/Keywords: Postmodernism; Parody; Satire; Irony; Burlesque; Anachronism; Fictionality; Theatre; Drama

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APA (6th Edition):

Van der Westhuizen, P. C. (1997). Parodie en pastiche in die (post)modernistiese drama/teater . (Doctoral Dissertation). University of South Africa. Retrieved from http://hdl.handle.net/10500/3432

Chicago Manual of Style (16th Edition):

Van der Westhuizen, Pieter Christoffel. “Parodie en pastiche in die (post)modernistiese drama/teater .” 1997. Doctoral Dissertation, University of South Africa. Accessed April 15, 2021. http://hdl.handle.net/10500/3432.

MLA Handbook (7th Edition):

Van der Westhuizen, Pieter Christoffel. “Parodie en pastiche in die (post)modernistiese drama/teater .” 1997. Web. 15 Apr 2021.

Vancouver:

Van der Westhuizen PC. Parodie en pastiche in die (post)modernistiese drama/teater . [Internet] [Doctoral dissertation]. University of South Africa; 1997. [cited 2021 Apr 15]. Available from: http://hdl.handle.net/10500/3432.

Council of Science Editors:

Van der Westhuizen PC. Parodie en pastiche in die (post)modernistiese drama/teater . [Doctoral Dissertation]. University of South Africa; 1997. Available from: http://hdl.handle.net/10500/3432


University of New Mexico

28. Davis, Samantha. Mixing the Roman miles: Character Development in Terence's Eunuchus.

Degree: Department of Foreign Languages and Literatures, 2016, University of New Mexico

 In my thesis I explore Terences innovative development of three stock characters: Chaerea, the adulescens amator, Thraso, the miles gloriosus, and Gnatho, the parasitus. In… (more)

Subjects/Keywords: Terence; stock characters; Roman social history; Eunuchus; New Comedy; Mythological Burlesque; Mythology; Soldiers; Mid-Republican Rome

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APA (6th Edition):

Davis, S. (2016). Mixing the Roman miles: Character Development in Terence's Eunuchus. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/32236

Chicago Manual of Style (16th Edition):

Davis, Samantha. “Mixing the Roman miles: Character Development in Terence's Eunuchus.” 2016. Masters Thesis, University of New Mexico. Accessed April 15, 2021. http://hdl.handle.net/1928/32236.

MLA Handbook (7th Edition):

Davis, Samantha. “Mixing the Roman miles: Character Development in Terence's Eunuchus.” 2016. Web. 15 Apr 2021.

Vancouver:

Davis S. Mixing the Roman miles: Character Development in Terence's Eunuchus. [Internet] [Masters thesis]. University of New Mexico; 2016. [cited 2021 Apr 15]. Available from: http://hdl.handle.net/1928/32236.

Council of Science Editors:

Davis S. Mixing the Roman miles: Character Development in Terence's Eunuchus. [Masters Thesis]. University of New Mexico; 2016. Available from: http://hdl.handle.net/1928/32236


Texas Tech University

29. Shipley, Martha Sue. Dramatic functions of burlesque in representative Renaissance plays.

Degree: Engineering Science and Mechanics, 1971, Texas Tech University

Subjects/Keywords: English drama  – Early modern and Elizabethan; Burlesque (Literature)

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APA (6th Edition):

Shipley, M. S. (1971). Dramatic functions of burlesque in representative Renaissance plays. (Thesis). Texas Tech University. Retrieved from http://hdl.handle.net/2346/19751

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shipley, Martha Sue. “Dramatic functions of burlesque in representative Renaissance plays.” 1971. Thesis, Texas Tech University. Accessed April 15, 2021. http://hdl.handle.net/2346/19751.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shipley, Martha Sue. “Dramatic functions of burlesque in representative Renaissance plays.” 1971. Web. 15 Apr 2021.

Vancouver:

Shipley MS. Dramatic functions of burlesque in representative Renaissance plays. [Internet] [Thesis]. Texas Tech University; 1971. [cited 2021 Apr 15]. Available from: http://hdl.handle.net/2346/19751.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shipley MS. Dramatic functions of burlesque in representative Renaissance plays. [Thesis]. Texas Tech University; 1971. Available from: http://hdl.handle.net/2346/19751

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. King, Portia Jane. Shake it hard : feminist identity and the burly-Q.

Degree: 2008, University of Missouri – Columbia

 Can a woman remove her clothes knowing about the gaze of the other and still maintain feminist ideals? Can she legitimately use her body to… (more)

Subjects/Keywords: Burlesque (Theater); Feminism and theater; Social movements

…sexualized body. There are many differences between the burlesque of the mid to late nineteenth… …century and the burlesque of the twenty-first; however, the traditional burlesque roots are… …clearly exhibited. I will examine the historical rise, fall, and revival of burlesque in the… …United States and how burlesque has been both reinvented and reinforced by the neo-burlesque… …social activism and feminism can and do lineup with historical burlesque ideals. Historical… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

King, P. J. (2008). Shake it hard : feminist identity and the burly-Q. (Thesis). University of Missouri – Columbia. Retrieved from http://hdl.handle.net/10355/5798

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

King, Portia Jane. “Shake it hard : feminist identity and the burly-Q.” 2008. Thesis, University of Missouri – Columbia. Accessed April 15, 2021. http://hdl.handle.net/10355/5798.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

King, Portia Jane. “Shake it hard : feminist identity and the burly-Q.” 2008. Web. 15 Apr 2021.

Vancouver:

King PJ. Shake it hard : feminist identity and the burly-Q. [Internet] [Thesis]. University of Missouri – Columbia; 2008. [cited 2021 Apr 15]. Available from: http://hdl.handle.net/10355/5798.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

King PJ. Shake it hard : feminist identity and the burly-Q. [Thesis]. University of Missouri – Columbia; 2008. Available from: http://hdl.handle.net/10355/5798

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

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