Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(blues). Showing records 1 – 30 of 135 total matches.

[1] [2] [3] [4] [5]

Search Limiters

Last 2 Years | English Only

Department

Degrees

Levels

Country

▼ Search Limiters


Arizona State University

1. Cordeiro, Annemarie Youell. Geechie Wiley: An Exploration of Enigmatic Virtuosity.

Degree: MA, Music, 2011, Arizona State University

 The name of Geechie Wiley has surfaced only rarely since 1931, when she recorded her second session with the Paramount Company in Grafton, WI. A… (more)

Subjects/Keywords: Music; blues; female blues musicians; songsters

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cordeiro, A. Y. (2011). Geechie Wiley: An Exploration of Enigmatic Virtuosity. (Masters Thesis). Arizona State University. Retrieved from http://repository.asu.edu/items/9138

Chicago Manual of Style (16th Edition):

Cordeiro, Annemarie Youell. “Geechie Wiley: An Exploration of Enigmatic Virtuosity.” 2011. Masters Thesis, Arizona State University. Accessed January 24, 2020. http://repository.asu.edu/items/9138.

MLA Handbook (7th Edition):

Cordeiro, Annemarie Youell. “Geechie Wiley: An Exploration of Enigmatic Virtuosity.” 2011. Web. 24 Jan 2020.

Vancouver:

Cordeiro AY. Geechie Wiley: An Exploration of Enigmatic Virtuosity. [Internet] [Masters thesis]. Arizona State University; 2011. [cited 2020 Jan 24]. Available from: http://repository.asu.edu/items/9138.

Council of Science Editors:

Cordeiro AY. Geechie Wiley: An Exploration of Enigmatic Virtuosity. [Masters Thesis]. Arizona State University; 2011. Available from: http://repository.asu.edu/items/9138


University of Cincinnati

2. Meyerson-Knox, Saul. "African Blues": The Sound and History of a Transatlantic Discourse.

Degree: MM, College-Conservatory of Music: Music History, 2013, University of Cincinnati

 This thesis explores the musical style known as "African Blues" in terms of its historical and social implications. Contemporary West African music sold as "African… (more)

Subjects/Keywords: Music; African Blues; blues; African music; Roots of the Blues; Ali Farka Toure; Kulanjan

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Meyerson-Knox, S. (2013). "African Blues": The Sound and History of a Transatlantic Discourse. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378194952

Chicago Manual of Style (16th Edition):

Meyerson-Knox, Saul. “"African Blues": The Sound and History of a Transatlantic Discourse.” 2013. Masters Thesis, University of Cincinnati. Accessed January 24, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378194952.

MLA Handbook (7th Edition):

Meyerson-Knox, Saul. “"African Blues": The Sound and History of a Transatlantic Discourse.” 2013. Web. 24 Jan 2020.

Vancouver:

Meyerson-Knox S. "African Blues": The Sound and History of a Transatlantic Discourse. [Internet] [Masters thesis]. University of Cincinnati; 2013. [cited 2020 Jan 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378194952.

Council of Science Editors:

Meyerson-Knox S. "African Blues": The Sound and History of a Transatlantic Discourse. [Masters Thesis]. University of Cincinnati; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1378194952


Baylor University

3. Kelly, Patrick T. (Patrick Thomas), 1965-. The blending of African-American and European aesthetics in the guitar performance of British blues from 1965 to 1967.

Degree: Music., 2010, Baylor University

 British blues guitarists emerging in the mid-1960s incorporated a musical vocabulary which borrowed heavily from recordings of the modern blues' African-American, postwar originators. Crucial differences… (more)

Subjects/Keywords: Performance.; Guitar.; Blues.; Aesthetics.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kelly, Patrick T. (Patrick Thomas), 1. (2010). The blending of African-American and European aesthetics in the guitar performance of British blues from 1965 to 1967. (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/5526

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kelly, Patrick T. (Patrick Thomas), 1965-. “The blending of African-American and European aesthetics in the guitar performance of British blues from 1965 to 1967. ” 2010. Thesis, Baylor University. Accessed January 24, 2020. http://hdl.handle.net/2104/5526.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kelly, Patrick T. (Patrick Thomas), 1965-. “The blending of African-American and European aesthetics in the guitar performance of British blues from 1965 to 1967. ” 2010. Web. 24 Jan 2020.

Vancouver:

Kelly, Patrick T. (Patrick Thomas) 1. The blending of African-American and European aesthetics in the guitar performance of British blues from 1965 to 1967. [Internet] [Thesis]. Baylor University; 2010. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/2104/5526.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kelly, Patrick T. (Patrick Thomas) 1. The blending of African-American and European aesthetics in the guitar performance of British blues from 1965 to 1967. [Thesis]. Baylor University; 2010. Available from: http://hdl.handle.net/2104/5526

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


North Carolina State University

4. Rutter, Emily. Blues-Inspired Poetry: Jean Toomer, Sterling Brown and the BLKARTSOUTH Collective.

Degree: MA, English, 2008, North Carolina State University

Subjects/Keywords: blues poetry

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rutter, E. (2008). Blues-Inspired Poetry: Jean Toomer, Sterling Brown and the BLKARTSOUTH Collective. (Thesis). North Carolina State University. Retrieved from http://www.lib.ncsu.edu/resolver/1840.16/2048

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rutter, Emily. “Blues-Inspired Poetry: Jean Toomer, Sterling Brown and the BLKARTSOUTH Collective.” 2008. Thesis, North Carolina State University. Accessed January 24, 2020. http://www.lib.ncsu.edu/resolver/1840.16/2048.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rutter, Emily. “Blues-Inspired Poetry: Jean Toomer, Sterling Brown and the BLKARTSOUTH Collective.” 2008. Web. 24 Jan 2020.

Vancouver:

Rutter E. Blues-Inspired Poetry: Jean Toomer, Sterling Brown and the BLKARTSOUTH Collective. [Internet] [Thesis]. North Carolina State University; 2008. [cited 2020 Jan 24]. Available from: http://www.lib.ncsu.edu/resolver/1840.16/2048.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rutter E. Blues-Inspired Poetry: Jean Toomer, Sterling Brown and the BLKARTSOUTH Collective. [Thesis]. North Carolina State University; 2008. Available from: http://www.lib.ncsu.edu/resolver/1840.16/2048

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

5. Guidry, Justin. Grinning with the devil: the use of humor in race record advertisments.

Degree: MA, History, 2007, Louisiana State University

 The advertisements that appeared in black newspapers for race records in the 1920s were employed to interest the buying public in a new mode of… (more)

Subjects/Keywords: blues music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Guidry, J. (2007). Grinning with the devil: the use of humor in race record advertisments. (Masters Thesis). Louisiana State University. Retrieved from etd-04122007-113729 ; https://digitalcommons.lsu.edu/gradschool_theses/4121

Chicago Manual of Style (16th Edition):

Guidry, Justin. “Grinning with the devil: the use of humor in race record advertisments.” 2007. Masters Thesis, Louisiana State University. Accessed January 24, 2020. etd-04122007-113729 ; https://digitalcommons.lsu.edu/gradschool_theses/4121.

MLA Handbook (7th Edition):

Guidry, Justin. “Grinning with the devil: the use of humor in race record advertisments.” 2007. Web. 24 Jan 2020.

Vancouver:

Guidry J. Grinning with the devil: the use of humor in race record advertisments. [Internet] [Masters thesis]. Louisiana State University; 2007. [cited 2020 Jan 24]. Available from: etd-04122007-113729 ; https://digitalcommons.lsu.edu/gradschool_theses/4121.

Council of Science Editors:

Guidry J. Grinning with the devil: the use of humor in race record advertisments. [Masters Thesis]. Louisiana State University; 2007. Available from: etd-04122007-113729 ; https://digitalcommons.lsu.edu/gradschool_theses/4121


University of Debrecen

6. Berkes, Márta. Negro Vernacular Expression of Pain and Relief in a Selection of Blues Pieces .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 The blues is a typical and indigenous African American genre which is meant to express everyday individual pain and relief. The Negro performance of the… (more)

Subjects/Keywords: blues; Zora Neale Hurston; vernacular

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Berkes, M. (2013). Negro Vernacular Expression of Pain and Relief in a Selection of Blues Pieces . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/164443

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Berkes, Márta. “Negro Vernacular Expression of Pain and Relief in a Selection of Blues Pieces .” 2013. Thesis, University of Debrecen. Accessed January 24, 2020. http://hdl.handle.net/2437/164443.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Berkes, Márta. “Negro Vernacular Expression of Pain and Relief in a Selection of Blues Pieces .” 2013. Web. 24 Jan 2020.

Vancouver:

Berkes M. Negro Vernacular Expression of Pain and Relief in a Selection of Blues Pieces . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/2437/164443.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Berkes M. Negro Vernacular Expression of Pain and Relief in a Selection of Blues Pieces . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/164443

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Colorado State University

7. Bowers, Detine L. Rhetorical operatives in selected blues lyrics of Bessie Smith.

Degree: MA, Speech and Theatre Arts, 2007, Colorado State University

 A joint study of music and rhetoric allows for the expansion of the function and scope of both disciplines. This study is concerned with the… (more)

Subjects/Keywords: Blues (Music)

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bowers, D. L. (2007). Rhetorical operatives in selected blues lyrics of Bessie Smith. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/87201

Chicago Manual of Style (16th Edition):

Bowers, Detine L. “Rhetorical operatives in selected blues lyrics of Bessie Smith.” 2007. Masters Thesis, Colorado State University. Accessed January 24, 2020. http://hdl.handle.net/10217/87201.

MLA Handbook (7th Edition):

Bowers, Detine L. “Rhetorical operatives in selected blues lyrics of Bessie Smith.” 2007. Web. 24 Jan 2020.

Vancouver:

Bowers DL. Rhetorical operatives in selected blues lyrics of Bessie Smith. [Internet] [Masters thesis]. Colorado State University; 2007. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/10217/87201.

Council of Science Editors:

Bowers DL. Rhetorical operatives in selected blues lyrics of Bessie Smith. [Masters Thesis]. Colorado State University; 2007. Available from: http://hdl.handle.net/10217/87201


Western Michigan University

8. Berghoef, Michael D. At The Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians.

Degree: PhD, Sociology, 2019, Western Michigan University

  This dissertation explores the impact the rapid evolution and implementation of technology has had on blues musicians and the music they created and shared… (more)

Subjects/Keywords: Blues musicians; Blues history and criticism; music and technology; Blues music; digital sociology; music and technology-social aspects; Race and Ethnicity

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Berghoef, M. D. (2019). At The Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians. (Doctoral Dissertation). Western Michigan University. Retrieved from https://scholarworks.wmich.edu/dissertations/3424

Chicago Manual of Style (16th Edition):

Berghoef, Michael D. “At The Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians.” 2019. Doctoral Dissertation, Western Michigan University. Accessed January 24, 2020. https://scholarworks.wmich.edu/dissertations/3424.

MLA Handbook (7th Edition):

Berghoef, Michael D. “At The Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians.” 2019. Web. 24 Jan 2020.

Vancouver:

Berghoef MD. At The Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians. [Internet] [Doctoral dissertation]. Western Michigan University; 2019. [cited 2020 Jan 24]. Available from: https://scholarworks.wmich.edu/dissertations/3424.

Council of Science Editors:

Berghoef MD. At The Crossroads of Race, Class and Culture: Identifying the Unintended Consequences of Technology on the Agency of Blues Musicians. [Doctoral Dissertation]. Western Michigan University; 2019. Available from: https://scholarworks.wmich.edu/dissertations/3424


University of Edinburgh

9. McMurchie, Will. Beating the Blues : Computerised Cognitive Behaviour Therapy for the treatment of depression and anxiety with older people.

Degree: Thesis (D.Clin.Psy.), 2011, University of Edinburgh

 Introduction: With increasing longevity the population of the world is becoming older and there are growing numbers of people over the age of 65 years.… (more)

Subjects/Keywords: 618.97; Beating the blues; Computerised CBT

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McMurchie, W. (2011). Beating the Blues : Computerised Cognitive Behaviour Therapy for the treatment of depression and anxiety with older people. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/9793

Chicago Manual of Style (16th Edition):

McMurchie, Will. “Beating the Blues : Computerised Cognitive Behaviour Therapy for the treatment of depression and anxiety with older people.” 2011. Doctoral Dissertation, University of Edinburgh. Accessed January 24, 2020. http://hdl.handle.net/1842/9793.

MLA Handbook (7th Edition):

McMurchie, Will. “Beating the Blues : Computerised Cognitive Behaviour Therapy for the treatment of depression and anxiety with older people.” 2011. Web. 24 Jan 2020.

Vancouver:

McMurchie W. Beating the Blues : Computerised Cognitive Behaviour Therapy for the treatment of depression and anxiety with older people. [Internet] [Doctoral dissertation]. University of Edinburgh; 2011. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/1842/9793.

Council of Science Editors:

McMurchie W. Beating the Blues : Computerised Cognitive Behaviour Therapy for the treatment of depression and anxiety with older people. [Doctoral Dissertation]. University of Edinburgh; 2011. Available from: http://hdl.handle.net/1842/9793


Duquesne University

10. Burnett, Rufus, Jr. Decolonizing Revelation: A Spatial Reading of the Blues.

Degree: PhD, Theology, 2016, Duquesne University

  Decolonizing Revelation: A Spatial Reading of the Blues demonstrates that the cultural phenomenon of the blues is an indigenous way of knowing that offsets… (more)

Subjects/Keywords: Blues; Coloniality; Decolonial Thought; Theology of Revelation

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Burnett, Rufus, J. (2016). Decolonizing Revelation: A Spatial Reading of the Blues. (Doctoral Dissertation). Duquesne University. Retrieved from https://dsc.duq.edu/etd/368

Chicago Manual of Style (16th Edition):

Burnett, Rufus, Jr. “Decolonizing Revelation: A Spatial Reading of the Blues.” 2016. Doctoral Dissertation, Duquesne University. Accessed January 24, 2020. https://dsc.duq.edu/etd/368.

MLA Handbook (7th Edition):

Burnett, Rufus, Jr. “Decolonizing Revelation: A Spatial Reading of the Blues.” 2016. Web. 24 Jan 2020.

Vancouver:

Burnett, Rufus J. Decolonizing Revelation: A Spatial Reading of the Blues. [Internet] [Doctoral dissertation]. Duquesne University; 2016. [cited 2020 Jan 24]. Available from: https://dsc.duq.edu/etd/368.

Council of Science Editors:

Burnett, Rufus J. Decolonizing Revelation: A Spatial Reading of the Blues. [Doctoral Dissertation]. Duquesne University; 2016. Available from: https://dsc.duq.edu/etd/368


University of New Mexico

11. Balagurchik, James. A Comprehensive Approach to Teaching the Blues in the Music Classroom.

Degree: Department of Music, 2012, University of New Mexico

 The purpose of this thesis is to provide music educators with suggestions of how to make the blues a part of their instruction and present… (more)

Subjects/Keywords: Blues (Music) – Instruction and study; Multicultural education

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Balagurchik, J. (2012). A Comprehensive Approach to Teaching the Blues in the Music Classroom. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/20752

Chicago Manual of Style (16th Edition):

Balagurchik, James. “A Comprehensive Approach to Teaching the Blues in the Music Classroom.” 2012. Masters Thesis, University of New Mexico. Accessed January 24, 2020. http://hdl.handle.net/1928/20752.

MLA Handbook (7th Edition):

Balagurchik, James. “A Comprehensive Approach to Teaching the Blues in the Music Classroom.” 2012. Web. 24 Jan 2020.

Vancouver:

Balagurchik J. A Comprehensive Approach to Teaching the Blues in the Music Classroom. [Internet] [Masters thesis]. University of New Mexico; 2012. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/1928/20752.

Council of Science Editors:

Balagurchik J. A Comprehensive Approach to Teaching the Blues in the Music Classroom. [Masters Thesis]. University of New Mexico; 2012. Available from: http://hdl.handle.net/1928/20752


University of Cincinnati

12. Griffith, Dana Gregory. Collected Toons of the Blues Buddha.

Degree: PhD, Arts and Sciences : English and Comparative Literature, 2008, University of Cincinnati

 This dissertation consists of an original collection of poetry by D. Gregory Griffith and an essay on the role of imagination in poetry written in… (more)

Subjects/Keywords: Literature; Music; Religion; Buddhism; blues; jazz; poetry

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Griffith, D. G. (2008). Collected Toons of the Blues Buddha. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1214920403

Chicago Manual of Style (16th Edition):

Griffith, Dana Gregory. “Collected Toons of the Blues Buddha.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed January 24, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1214920403.

MLA Handbook (7th Edition):

Griffith, Dana Gregory. “Collected Toons of the Blues Buddha.” 2008. Web. 24 Jan 2020.

Vancouver:

Griffith DG. Collected Toons of the Blues Buddha. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2020 Jan 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1214920403.

Council of Science Editors:

Griffith DG. Collected Toons of the Blues Buddha. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1214920403


Louisiana State University

13. Robvais, Raquel M. To speak as a human, a modern and as an American : blues rhetoric in Cornel West's prophetic pragmatism.

Degree: MA, Communication, 2013, Louisiana State University

 This thesis examines Cornel West’s description of the human condition and the works of art produced in three particular ways. First, there is being human… (more)

Subjects/Keywords: Cornel West; blues rhetoric; prophetic pragmatism

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Robvais, R. M. (2013). To speak as a human, a modern and as an American : blues rhetoric in Cornel West's prophetic pragmatism. (Masters Thesis). Louisiana State University. Retrieved from etd-04152013-091643 ; https://digitalcommons.lsu.edu/gradschool_theses/1731

Chicago Manual of Style (16th Edition):

Robvais, Raquel M. “To speak as a human, a modern and as an American : blues rhetoric in Cornel West's prophetic pragmatism.” 2013. Masters Thesis, Louisiana State University. Accessed January 24, 2020. etd-04152013-091643 ; https://digitalcommons.lsu.edu/gradschool_theses/1731.

MLA Handbook (7th Edition):

Robvais, Raquel M. “To speak as a human, a modern and as an American : blues rhetoric in Cornel West's prophetic pragmatism.” 2013. Web. 24 Jan 2020.

Vancouver:

Robvais RM. To speak as a human, a modern and as an American : blues rhetoric in Cornel West's prophetic pragmatism. [Internet] [Masters thesis]. Louisiana State University; 2013. [cited 2020 Jan 24]. Available from: etd-04152013-091643 ; https://digitalcommons.lsu.edu/gradschool_theses/1731.

Council of Science Editors:

Robvais RM. To speak as a human, a modern and as an American : blues rhetoric in Cornel West's prophetic pragmatism. [Masters Thesis]. Louisiana State University; 2013. Available from: etd-04152013-091643 ; https://digitalcommons.lsu.edu/gradschool_theses/1731

14. Cole, Ross. Ballads, blues, and alterity.

Degree: PhD, 2015, University of Cambridge

 Focusing on interactions between Britain and the US in the field of popular song, this thesis explores the constitutive relationship between discourse, performance, and identity… (more)

Subjects/Keywords: 780; twentieth-century cultural history; blues; folksong

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cole, R. (2015). Ballads, blues, and alterity. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/252639 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675902

Chicago Manual of Style (16th Edition):

Cole, Ross. “Ballads, blues, and alterity.” 2015. Doctoral Dissertation, University of Cambridge. Accessed January 24, 2020. https://www.repository.cam.ac.uk/handle/1810/252639 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675902.

MLA Handbook (7th Edition):

Cole, Ross. “Ballads, blues, and alterity.” 2015. Web. 24 Jan 2020.

Vancouver:

Cole R. Ballads, blues, and alterity. [Internet] [Doctoral dissertation]. University of Cambridge; 2015. [cited 2020 Jan 24]. Available from: https://www.repository.cam.ac.uk/handle/1810/252639 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675902.

Council of Science Editors:

Cole R. Ballads, blues, and alterity. [Doctoral Dissertation]. University of Cambridge; 2015. Available from: https://www.repository.cam.ac.uk/handle/1810/252639 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675902


University of Cambridge

15. Cole, Ross. Ballads, blues, and alterity.

Degree: PhD, 2015, University of Cambridge

 Focusing on interactions between Britain and the US in the field of popular song, this thesis explores the constitutive relationship between discourse, performance, and identity… (more)

Subjects/Keywords: twentieth-century cultural history; blues; folksong

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cole, R. (2015). Ballads, blues, and alterity. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/252639https://www.repository.cam.ac.uk/bitstream/1810/252639/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/3/license_rdf ; https://www.repository.cam.ac.uk/bitstream/1810/252639/4/PhD.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/5/PhD.pdf.jpg

Chicago Manual of Style (16th Edition):

Cole, Ross. “Ballads, blues, and alterity.” 2015. Doctoral Dissertation, University of Cambridge. Accessed January 24, 2020. https://www.repository.cam.ac.uk/handle/1810/252639https://www.repository.cam.ac.uk/bitstream/1810/252639/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/3/license_rdf ; https://www.repository.cam.ac.uk/bitstream/1810/252639/4/PhD.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/5/PhD.pdf.jpg.

MLA Handbook (7th Edition):

Cole, Ross. “Ballads, blues, and alterity.” 2015. Web. 24 Jan 2020.

Vancouver:

Cole R. Ballads, blues, and alterity. [Internet] [Doctoral dissertation]. University of Cambridge; 2015. [cited 2020 Jan 24]. Available from: https://www.repository.cam.ac.uk/handle/1810/252639https://www.repository.cam.ac.uk/bitstream/1810/252639/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/3/license_rdf ; https://www.repository.cam.ac.uk/bitstream/1810/252639/4/PhD.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/5/PhD.pdf.jpg.

Council of Science Editors:

Cole R. Ballads, blues, and alterity. [Doctoral Dissertation]. University of Cambridge; 2015. Available from: https://www.repository.cam.ac.uk/handle/1810/252639https://www.repository.cam.ac.uk/bitstream/1810/252639/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/3/license_rdf ; https://www.repository.cam.ac.uk/bitstream/1810/252639/4/PhD.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/252639/5/PhD.pdf.jpg


University of North Texas

16. Vermilyea, Carl P. The Otha Turner Family Picnic: Occupying Musical and Social Space In-Between Saturday Night and Sunday Morning.

Degree: 2011, University of North Texas

 This thesis concerns African-American fife and drum band music, a pre-blues genre that was a fixture at summer picnics in the Mississippi hill country from… (more)

Subjects/Keywords: Otha Turner; blues; fife and drum

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vermilyea, C. P. (2011). The Otha Turner Family Picnic: Occupying Musical and Social Space In-Between Saturday Night and Sunday Morning. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc68058/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vermilyea, Carl P. “The Otha Turner Family Picnic: Occupying Musical and Social Space In-Between Saturday Night and Sunday Morning.” 2011. Thesis, University of North Texas. Accessed January 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc68058/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vermilyea, Carl P. “The Otha Turner Family Picnic: Occupying Musical and Social Space In-Between Saturday Night and Sunday Morning.” 2011. Web. 24 Jan 2020.

Vancouver:

Vermilyea CP. The Otha Turner Family Picnic: Occupying Musical and Social Space In-Between Saturday Night and Sunday Morning. [Internet] [Thesis]. University of North Texas; 2011. [cited 2020 Jan 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc68058/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vermilyea CP. The Otha Turner Family Picnic: Occupying Musical and Social Space In-Between Saturday Night and Sunday Morning. [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc68058/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

17. Johnston, Bruce Hurley. Concerto Blue, for Classical Guitar.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Concerto Blue is a three-movement concerto for classical guitar and medium-sized orchestra. Aesthetic considerations of this piece involve taking essential ingredients that define the… (more)

Subjects/Keywords: Classical Guitar; Concerto; Blues Guitar; Postmodern

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Johnston, B. H. (2012). Concerto Blue, for Classical Guitar. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/734

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnston, Bruce Hurley. “Concerto Blue, for Classical Guitar.” 2012. Thesis, University of Miami. Accessed January 24, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/734.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnston, Bruce Hurley. “Concerto Blue, for Classical Guitar.” 2012. Web. 24 Jan 2020.

Vancouver:

Johnston BH. Concerto Blue, for Classical Guitar. [Internet] [Thesis]. University of Miami; 2012. [cited 2020 Jan 24]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/734.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnston BH. Concerto Blue, for Classical Guitar. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/734

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Daniela Tavares Ferreira de Assis. O TRABALHO EM UMA BANDA DE BLUES: uma abordagem psicodinâmica.

Degree: 2008, Universidade Católica de Goiás

O presente trabalho apresenta dados de uma pesquisa que abordou as vivências de prazer e de sofrimento de cinco componentes de uma banda de blues(more)

Subjects/Keywords: blues e trabalho; blues and work; psychodynamics at workplace; PSICOLOGIA; music; música; psicodinâmica do trabalho

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Assis, D. T. F. d. (2008). O TRABALHO EM UMA BANDA DE BLUES: uma abordagem psicodinâmica. (Thesis). Universidade Católica de Goiás. Retrieved from http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=473

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Assis, Daniela Tavares Ferreira de. “O TRABALHO EM UMA BANDA DE BLUES: uma abordagem psicodinâmica.” 2008. Thesis, Universidade Católica de Goiás. Accessed January 24, 2020. http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=473.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Assis, Daniela Tavares Ferreira de. “O TRABALHO EM UMA BANDA DE BLUES: uma abordagem psicodinâmica.” 2008. Web. 24 Jan 2020.

Vancouver:

Assis DTFd. O TRABALHO EM UMA BANDA DE BLUES: uma abordagem psicodinâmica. [Internet] [Thesis]. Universidade Católica de Goiás; 2008. [cited 2020 Jan 24]. Available from: http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=473.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Assis DTFd. O TRABALHO EM UMA BANDA DE BLUES: uma abordagem psicodinâmica. [Thesis]. Universidade Católica de Goiás; 2008. Available from: http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=473

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Miami University

19. McLoughlin, Shirley J. A Pedagogy of the Blues.

Degree: PhD, Educational Leadership, 2006, Miami University

 This dissertation presents the conceptualization of a pedagogy of the blues as an alternative to the techno-rational approach to education. The conceptualization is derived from… (more)

Subjects/Keywords: Pedagogy of the blues; Blues; Reconceptualist; Blues metaphor; Curricular theory

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McLoughlin, S. J. (2006). A Pedagogy of the Blues. (Doctoral Dissertation). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1153938154

Chicago Manual of Style (16th Edition):

McLoughlin, Shirley J. “A Pedagogy of the Blues.” 2006. Doctoral Dissertation, Miami University. Accessed January 24, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=miami1153938154.

MLA Handbook (7th Edition):

McLoughlin, Shirley J. “A Pedagogy of the Blues.” 2006. Web. 24 Jan 2020.

Vancouver:

McLoughlin SJ. A Pedagogy of the Blues. [Internet] [Doctoral dissertation]. Miami University; 2006. [cited 2020 Jan 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1153938154.

Council of Science Editors:

McLoughlin SJ. A Pedagogy of the Blues. [Doctoral Dissertation]. Miami University; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1153938154


Macquarie University

20. Pleffer, Andrew James. Blues down under the covers: canonisation and reinterpretive practices in Australia's blues music culture.

Degree: 2008, Macquarie University

Bibliography: pages 332-359.

PART I: Canonisation and reinterpretive practices  – 1. Literature review and definitions of blues music  – 2. Canonisation of the bluesman  –… (more)

Subjects/Keywords: Blues (Music); Blues (Music)  – Australia; Blues music; covers; reinterpretation; Australian music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pleffer, A. J. (2008). Blues down under the covers: canonisation and reinterpretive practices in Australia's blues music culture. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/265153

Chicago Manual of Style (16th Edition):

Pleffer, Andrew James. “Blues down under the covers: canonisation and reinterpretive practices in Australia's blues music culture.” 2008. Doctoral Dissertation, Macquarie University. Accessed January 24, 2020. http://hdl.handle.net/1959.14/265153.

MLA Handbook (7th Edition):

Pleffer, Andrew James. “Blues down under the covers: canonisation and reinterpretive practices in Australia's blues music culture.” 2008. Web. 24 Jan 2020.

Vancouver:

Pleffer AJ. Blues down under the covers: canonisation and reinterpretive practices in Australia's blues music culture. [Internet] [Doctoral dissertation]. Macquarie University; 2008. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/1959.14/265153.

Council of Science Editors:

Pleffer AJ. Blues down under the covers: canonisation and reinterpretive practices in Australia's blues music culture. [Doctoral Dissertation]. Macquarie University; 2008. Available from: http://hdl.handle.net/1959.14/265153

21. Salgado, Heloisa de Oliveira. A experiência da cesárea indesejada: perspectivas das mulheres sobre decisões e suas implicações no parto e nascimento.

Degree: Mestrado, Saúde, Ciclos de Vida e Sociedade, 2012, University of São Paulo

Introdução De acordo com a literatura, 70 a 80 por cento das mulheres que sofreram uma cesárea desejavam um parto normal no início da gravidez.… (more)

Subjects/Keywords: Amamentação; Blues Puerperal; Breastfeeding; Cesárea Indesejada; Delivery; Maternal Blues; Motherbaby; Obstetric Violence; Parto; Relação Mãe-Bebê; Unwanted Cesarean Section; Violência Obstétrica

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Salgado, H. d. O. (2012). A experiência da cesárea indesejada: perspectivas das mulheres sobre decisões e suas implicações no parto e nascimento. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/6/6136/tde-28012013-160810/ ;

Chicago Manual of Style (16th Edition):

Salgado, Heloisa de Oliveira. “A experiência da cesárea indesejada: perspectivas das mulheres sobre decisões e suas implicações no parto e nascimento.” 2012. Masters Thesis, University of São Paulo. Accessed January 24, 2020. http://www.teses.usp.br/teses/disponiveis/6/6136/tde-28012013-160810/ ;.

MLA Handbook (7th Edition):

Salgado, Heloisa de Oliveira. “A experiência da cesárea indesejada: perspectivas das mulheres sobre decisões e suas implicações no parto e nascimento.” 2012. Web. 24 Jan 2020.

Vancouver:

Salgado HdO. A experiência da cesárea indesejada: perspectivas das mulheres sobre decisões e suas implicações no parto e nascimento. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2020 Jan 24]. Available from: http://www.teses.usp.br/teses/disponiveis/6/6136/tde-28012013-160810/ ;.

Council of Science Editors:

Salgado HdO. A experiência da cesárea indesejada: perspectivas das mulheres sobre decisões e suas implicações no parto e nascimento. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/6/6136/tde-28012013-160810/ ;


University of Pennsylvania

22. Malone, Evelyn Levingston. Swamp Blues: Race And Vinyl From Southwest Louisiana.

Degree: 2016, University of Pennsylvania

 The swamp blues have lain in the margins of music history despite foundational, if brief, contributions to 1960s popular music broadly and British blues-rock specifically.… (more)

Subjects/Keywords: blues; British blues revival; Louisiana; race; r&b; record industry; African American Studies; American Studies; Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Malone, E. L. (2016). Swamp Blues: Race And Vinyl From Southwest Louisiana. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2457

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Malone, Evelyn Levingston. “Swamp Blues: Race And Vinyl From Southwest Louisiana.” 2016. Thesis, University of Pennsylvania. Accessed January 24, 2020. https://repository.upenn.edu/edissertations/2457.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Malone, Evelyn Levingston. “Swamp Blues: Race And Vinyl From Southwest Louisiana.” 2016. Web. 24 Jan 2020.

Vancouver:

Malone EL. Swamp Blues: Race And Vinyl From Southwest Louisiana. [Internet] [Thesis]. University of Pennsylvania; 2016. [cited 2020 Jan 24]. Available from: https://repository.upenn.edu/edissertations/2457.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Malone EL. Swamp Blues: Race And Vinyl From Southwest Louisiana. [Thesis]. University of Pennsylvania; 2016. Available from: https://repository.upenn.edu/edissertations/2457

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

23. Grassy, Elsa. Le lieu musical : du texte à l’espace, un itinéraire sémantique. Poétique des catégories géographiques dans les musiques populaires américaines (1920-2007) : The Musical Place : from words to space, a semantic itinerary. Towards a poetics of geographical categories in American popular music (1920-2007).

Degree: Docteur es, Études anglophones, 2010, Université Paris-Sorbonne – Paris IV

Il existe dans le discours de la presse musicale américaine de nombreux de termes géographiques, dont la fonction n’est pas uniquement de localiser l’origine des… (more)

Subjects/Keywords: Musique; Lieu; États-Unis; Géographie; Presse; Nouvelle-Orléans; Jazz; Rock; Blues; Soul; Authenticité; Discours; Music; United States; Jazz; Rock; Blues

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Grassy, E. (2010). Le lieu musical : du texte à l’espace, un itinéraire sémantique. Poétique des catégories géographiques dans les musiques populaires américaines (1920-2007) : The Musical Place : from words to space, a semantic itinerary. Towards a poetics of geographical categories in American popular music (1920-2007). (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2010PA040118

Chicago Manual of Style (16th Edition):

Grassy, Elsa. “Le lieu musical : du texte à l’espace, un itinéraire sémantique. Poétique des catégories géographiques dans les musiques populaires américaines (1920-2007) : The Musical Place : from words to space, a semantic itinerary. Towards a poetics of geographical categories in American popular music (1920-2007).” 2010. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed January 24, 2020. http://www.theses.fr/2010PA040118.

MLA Handbook (7th Edition):

Grassy, Elsa. “Le lieu musical : du texte à l’espace, un itinéraire sémantique. Poétique des catégories géographiques dans les musiques populaires américaines (1920-2007) : The Musical Place : from words to space, a semantic itinerary. Towards a poetics of geographical categories in American popular music (1920-2007).” 2010. Web. 24 Jan 2020.

Vancouver:

Grassy E. Le lieu musical : du texte à l’espace, un itinéraire sémantique. Poétique des catégories géographiques dans les musiques populaires américaines (1920-2007) : The Musical Place : from words to space, a semantic itinerary. Towards a poetics of geographical categories in American popular music (1920-2007). [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2010. [cited 2020 Jan 24]. Available from: http://www.theses.fr/2010PA040118.

Council of Science Editors:

Grassy E. Le lieu musical : du texte à l’espace, un itinéraire sémantique. Poétique des catégories géographiques dans les musiques populaires américaines (1920-2007) : The Musical Place : from words to space, a semantic itinerary. Towards a poetics of geographical categories in American popular music (1920-2007). [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2010. Available from: http://www.theses.fr/2010PA040118


University of North Carolina – Greensboro

24. Greene, Kevin D. "Just a dream": community, identity, and the blues of Big Bill Broonzy.

Degree: 2011, University of North Carolina – Greensboro

 This dissertation investigates the development of African American identity and blues culture in the United States and Europe from the 1920s to the 1950s through… (more)

Subjects/Keywords: African Americans – Music; Broonzy, Big Bill, – 1893-1958; Blues (Music); Blues musicians – History – 20th century; African American musicians

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Greene, K. D. (2011). "Just a dream": community, identity, and the blues of Big Bill Broonzy. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=7421

Chicago Manual of Style (16th Edition):

Greene, Kevin D. “"Just a dream": community, identity, and the blues of Big Bill Broonzy.” 2011. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed January 24, 2020. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=7421.

MLA Handbook (7th Edition):

Greene, Kevin D. “"Just a dream": community, identity, and the blues of Big Bill Broonzy.” 2011. Web. 24 Jan 2020.

Vancouver:

Greene KD. "Just a dream": community, identity, and the blues of Big Bill Broonzy. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2011. [cited 2020 Jan 24]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=7421.

Council of Science Editors:

Greene KD. "Just a dream": community, identity, and the blues of Big Bill Broonzy. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2011. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=7421


Wayne State University

25. Murphy, Michael Duggan. Detroit blues women.

Degree: PhD, History, 2011, Wayne State University

  ABSTRACT DETROIT BLUES WOMEN by Michael Duggan Murphy August 2011 Advisor: Dr. John J. Bukowczyk Major: History Degree: Doctor of Philosophy "Detroit Blues Women"… (more)

Subjects/Keywords: Alberta Adams; detroit blues women; detroit history; Motown; Sippie Wallace; women and blues; African American Studies; Music; United States History

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Murphy, M. D. (2011). Detroit blues women. (Doctoral Dissertation). Wayne State University. Retrieved from https://digitalcommons.wayne.edu/oa_dissertations/286

Chicago Manual of Style (16th Edition):

Murphy, Michael Duggan. “Detroit blues women.” 2011. Doctoral Dissertation, Wayne State University. Accessed January 24, 2020. https://digitalcommons.wayne.edu/oa_dissertations/286.

MLA Handbook (7th Edition):

Murphy, Michael Duggan. “Detroit blues women.” 2011. Web. 24 Jan 2020.

Vancouver:

Murphy MD. Detroit blues women. [Internet] [Doctoral dissertation]. Wayne State University; 2011. [cited 2020 Jan 24]. Available from: https://digitalcommons.wayne.edu/oa_dissertations/286.

Council of Science Editors:

Murphy MD. Detroit blues women. [Doctoral Dissertation]. Wayne State University; 2011. Available from: https://digitalcommons.wayne.edu/oa_dissertations/286

26. NC DOCKS at The University of North Carolina at Greensboro; Zimmerman, Katherine Anne. The sounds of Zora Neale Hurston's Their eyes were watching God: blues rhythm, rhyme, and repetition.

Degree: 2013, NC Docks

 Although many critics have noted the blues themes, characters, and settings in Zora Neale Hurston's Their Eyes Were Watching God, none addresses the way Hurston… (more)

Subjects/Keywords: Hurston, Zora Neale. $t Their eyes were watching God $x Criticism and interpretation; Blues (Music) in literature; Blues (Music) $x Influence

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Zimmerman, K. A. (2013). The sounds of Zora Neale Hurston's Their eyes were watching God: blues rhythm, rhyme, and repetition. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Zimmerman_uncg_0154M_11177.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Zimmerman, Katherine Anne. “The sounds of Zora Neale Hurston's Their eyes were watching God: blues rhythm, rhyme, and repetition.” 2013. Thesis, NC Docks. Accessed January 24, 2020. http://libres.uncg.edu/ir/uncg/f/Zimmerman_uncg_0154M_11177.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

NC DOCKS at The University of North Carolina at Greensboro; Zimmerman, Katherine Anne. “The sounds of Zora Neale Hurston's Their eyes were watching God: blues rhythm, rhyme, and repetition.” 2013. Web. 24 Jan 2020.

Vancouver:

NC DOCKS at The University of North Carolina at Greensboro; Zimmerman KA. The sounds of Zora Neale Hurston's Their eyes were watching God: blues rhythm, rhyme, and repetition. [Internet] [Thesis]. NC Docks; 2013. [cited 2020 Jan 24]. Available from: http://libres.uncg.edu/ir/uncg/f/Zimmerman_uncg_0154M_11177.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

NC DOCKS at The University of North Carolina at Greensboro; Zimmerman KA. The sounds of Zora Neale Hurston's Their eyes were watching God: blues rhythm, rhyme, and repetition. [Thesis]. NC Docks; 2013. Available from: http://libres.uncg.edu/ir/uncg/f/Zimmerman_uncg_0154M_11177.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

27. Ballenger, Hank D. Everything and Nothing at the Same Time.

Degree: 1999, University of North Texas

This paradoxically titled collection of poems explores what the blues and blindness has come to mean to the author. Advisors/Committee Members: Ross, John Robert, Hummell, Austin, Wright, Eugene.

Subjects/Keywords: Blindness  – Poetry.; Blues (Music)  – Poetry.; poetry; blues; blindness

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ballenger, H. D. (1999). Everything and Nothing at the Same Time. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2168/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ballenger, Hank D. “Everything and Nothing at the Same Time.” 1999. Thesis, University of North Texas. Accessed January 24, 2020. https://digital.library.unt.edu/ark:/67531/metadc2168/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ballenger, Hank D. “Everything and Nothing at the Same Time.” 1999. Web. 24 Jan 2020.

Vancouver:

Ballenger HD. Everything and Nothing at the Same Time. [Internet] [Thesis]. University of North Texas; 1999. [cited 2020 Jan 24]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2168/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ballenger HD. Everything and Nothing at the Same Time. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc2168/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

28. Kelly, DeSha Tolar. The Blues in Three Parts: A Collection of Poetry, Short Stories, and a Screenplay.

Degree: MFA, Creative Writing, 2002, Louisiana State University

 This thesis is entitled, “The Blues in Three Parts: A Collection of Poetry, Short Stories, and a Screenplay.” The first part, a collection of poetry,… (more)

Subjects/Keywords: screenplay; short stories; poetry; blues

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kelly, D. T. (2002). The Blues in Three Parts: A Collection of Poetry, Short Stories, and a Screenplay. (Masters Thesis). Louisiana State University. Retrieved from etd-0411102-194709 ; https://digitalcommons.lsu.edu/gradschool_theses/1039

Chicago Manual of Style (16th Edition):

Kelly, DeSha Tolar. “The Blues in Three Parts: A Collection of Poetry, Short Stories, and a Screenplay.” 2002. Masters Thesis, Louisiana State University. Accessed January 24, 2020. etd-0411102-194709 ; https://digitalcommons.lsu.edu/gradschool_theses/1039.

MLA Handbook (7th Edition):

Kelly, DeSha Tolar. “The Blues in Three Parts: A Collection of Poetry, Short Stories, and a Screenplay.” 2002. Web. 24 Jan 2020.

Vancouver:

Kelly DT. The Blues in Three Parts: A Collection of Poetry, Short Stories, and a Screenplay. [Internet] [Masters thesis]. Louisiana State University; 2002. [cited 2020 Jan 24]. Available from: etd-0411102-194709 ; https://digitalcommons.lsu.edu/gradschool_theses/1039.

Council of Science Editors:

Kelly DT. The Blues in Three Parts: A Collection of Poetry, Short Stories, and a Screenplay. [Masters Thesis]. Louisiana State University; 2002. Available from: etd-0411102-194709 ; https://digitalcommons.lsu.edu/gradschool_theses/1039


Louisiana State University

29. Gulyas, Sandor. Creating a blues playground: a comparison of Beale Street in Memphis, Tennessee, and Farish Street in Jackson, Mississippi.

Degree: MA, Social and Behavioral Sciences, 2008, Louisiana State University

 Are tourists looking for something resembling the landscape described in the music they listen to or are the cities creating a false front to entice… (more)

Subjects/Keywords: Jackson; Memphis; authenticity; tourists; blues

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gulyas, S. (2008). Creating a blues playground: a comparison of Beale Street in Memphis, Tennessee, and Farish Street in Jackson, Mississippi. (Masters Thesis). Louisiana State University. Retrieved from etd-06112008-122621 ; https://digitalcommons.lsu.edu/gradschool_theses/3244

Chicago Manual of Style (16th Edition):

Gulyas, Sandor. “Creating a blues playground: a comparison of Beale Street in Memphis, Tennessee, and Farish Street in Jackson, Mississippi.” 2008. Masters Thesis, Louisiana State University. Accessed January 24, 2020. etd-06112008-122621 ; https://digitalcommons.lsu.edu/gradschool_theses/3244.

MLA Handbook (7th Edition):

Gulyas, Sandor. “Creating a blues playground: a comparison of Beale Street in Memphis, Tennessee, and Farish Street in Jackson, Mississippi.” 2008. Web. 24 Jan 2020.

Vancouver:

Gulyas S. Creating a blues playground: a comparison of Beale Street in Memphis, Tennessee, and Farish Street in Jackson, Mississippi. [Internet] [Masters thesis]. Louisiana State University; 2008. [cited 2020 Jan 24]. Available from: etd-06112008-122621 ; https://digitalcommons.lsu.edu/gradschool_theses/3244.

Council of Science Editors:

Gulyas S. Creating a blues playground: a comparison of Beale Street in Memphis, Tennessee, and Farish Street in Jackson, Mississippi. [Masters Thesis]. Louisiana State University; 2008. Available from: etd-06112008-122621 ; https://digitalcommons.lsu.edu/gradschool_theses/3244


Massey University

30. Page, Susan. An investigation into the presence of seasonal symptoms in a sample treated for depression : a thesis presented in partial fulfillment of the requirements for a degree of Doctorate of Clinical Psychology at Massey University, Albany, New Zealand .

Degree: 2011, Massey University

 The “winter blues” would appear to be a global concept. This thesis examined features of depression, seasonal change and meteorological data in relation to theories… (more)

Subjects/Keywords: Seasonal Affective Disorder; SAD; Depression; CBT; Cognitive Behaviour Therapy; Winter blues

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Page, S. (2011). An investigation into the presence of seasonal symptoms in a sample treated for depression : a thesis presented in partial fulfillment of the requirements for a degree of Doctorate of Clinical Psychology at Massey University, Albany, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/3048

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Page, Susan. “An investigation into the presence of seasonal symptoms in a sample treated for depression : a thesis presented in partial fulfillment of the requirements for a degree of Doctorate of Clinical Psychology at Massey University, Albany, New Zealand .” 2011. Thesis, Massey University. Accessed January 24, 2020. http://hdl.handle.net/10179/3048.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Page, Susan. “An investigation into the presence of seasonal symptoms in a sample treated for depression : a thesis presented in partial fulfillment of the requirements for a degree of Doctorate of Clinical Psychology at Massey University, Albany, New Zealand .” 2011. Web. 24 Jan 2020.

Vancouver:

Page S. An investigation into the presence of seasonal symptoms in a sample treated for depression : a thesis presented in partial fulfillment of the requirements for a degree of Doctorate of Clinical Psychology at Massey University, Albany, New Zealand . [Internet] [Thesis]. Massey University; 2011. [cited 2020 Jan 24]. Available from: http://hdl.handle.net/10179/3048.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Page S. An investigation into the presence of seasonal symptoms in a sample treated for depression : a thesis presented in partial fulfillment of the requirements for a degree of Doctorate of Clinical Psychology at Massey University, Albany, New Zealand . [Thesis]. Massey University; 2011. Available from: http://hdl.handle.net/10179/3048

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2] [3] [4] [5]

.