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You searched for subject:(biblia pauperum). Showing records 1 – 2 of 2 total matches.

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Université Paris-Sorbonne – Paris IV

1. Andreani, Nicola. Bande dessinée et séquentialité : les formes de la narration par images : Comics and sequentiality : the forms of storytelling through images.

Degree: Docteur es, Langue française et Archeologia e Storia Dell'Arte, 2014, Université Paris-Sorbonne – Paris IV

Cette thèse porte sur le principe même de séquentialité d’images fixes, pour comprendre la différence entre la Bande Dessinée et les différentes formes de narration par images fixes, même les autres arts. Cela nous aide à comprendre pourquoi la Bande Dessinée est devenue un art autonome, pourquoi la Bande Dessinée s’est plus developpée que d'autres formes de narration par images, et quelles sont plus précisément les origines de la Bande Dessinée.Analyser la naissance de la Bande Dessinée signifie donc tracer un parcours à travers des oeuvres, des auteurs ou des mouvements fondamentaux, et considérer les thèmes, les poétiques, les technologies qui l'ont définie à telle ou telle époque. Ce travail vise donc à identifier les oeuvres qui forment une ligne de partage entre le Moyen Âge et l'Âge Moderne. Une analyse historique, mais également paradigmatique, aidera à mieux comprendre comment la Bande Dessinée a évolué, quelles influences ont eu les autres formes d'art (comme la peinture, la littérature, la caricature ou le théâtre) mais surtout, quelles techniques et stratégies ont été mises en place et ont fait évoluer la Bande Dessinée vers un système narratif à base iconique.

This thesis focuses to question the very principle of sequentiality of still images, that is to understand how in Sequential Art this dynamic takes different forms, but at the same time, how Sequential Art can be differentiated from other Arts. This help us to understand why it became an autonomous art, why it has developed more than any other sequential art, how and when the Comic was actually created.Analyze the rise of the Comics means tracing a path through the works, authors and the basic movements, considering the new poetics, themes, techonologies, that have defined this. This work aims to identify works which form a connection between the Middle Ages and the Modern Age. A historical analysis, but also paradigmatic one, will help to better understand how Comics evolved, what influences have had other forms of art (such as painting, literature, theater or caricature) but, above all, which techniques and strategies have been implemented and have changed Comics toward a narrative system based on images.

Advisors/Committee Members: Dürrenmatt, Jacques (thesis director), Fabbri, Fabriano (thesis director).

Subjects/Keywords: Bande Dessinée; Illustration; Art Séquentiel; Narration par images; Cycle de fresques; Tapisserie de Bayeux; Biblia Pauperum; Comics; Illustration; Sequential Art; Visual Storytelling; Cycle of Frescoes; Bayeux Tapestry; Biblia Pauperum

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APA (6th Edition):

Andreani, N. (2014). Bande dessinée et séquentialité : les formes de la narration par images : Comics and sequentiality : the forms of storytelling through images. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2014PA040215

Chicago Manual of Style (16th Edition):

Andreani, Nicola. “Bande dessinée et séquentialité : les formes de la narration par images : Comics and sequentiality : the forms of storytelling through images.” 2014. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed October 17, 2019. http://www.theses.fr/2014PA040215.

MLA Handbook (7th Edition):

Andreani, Nicola. “Bande dessinée et séquentialité : les formes de la narration par images : Comics and sequentiality : the forms of storytelling through images.” 2014. Web. 17 Oct 2019.

Vancouver:

Andreani N. Bande dessinée et séquentialité : les formes de la narration par images : Comics and sequentiality : the forms of storytelling through images. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2014. [cited 2019 Oct 17]. Available from: http://www.theses.fr/2014PA040215.

Council of Science Editors:

Andreani N. Bande dessinée et séquentialité : les formes de la narration par images : Comics and sequentiality : the forms of storytelling through images. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2014. Available from: http://www.theses.fr/2014PA040215

2. Nylander, Anna. De medeltida målningarna i Arbrå kyrka : en typologisk tolkning.

Degree: Ämnesavdelningen för kultur- och religionsvetenskap, 2010, University of Gävle

The aim of this essay is to investigate the murals in the church of Arbrå, what they portrait and how they can be linked to medieval typology as described in Biblia Pauperum (BP), the Poor Man’s Bible. The aim is also to find out what the purpose was to paint medieval churches and what the function of the paintings was. Arbrå Church was painted around 1520-1530, and almost all of the motifs from the Old Testament can be directly traced back to BP as can one motif from the New Testament. Together these paintings represent most of the important events which make out the foundation of the Christian Cult. The purpose of painting churches was probably a combination of at least three; People of wealth could pay for different things for their church as a tribute to God, the paintings made people feel closer to God as they became enclosed in the biblical history and the paintings served an educative purpose as people could more easily remember what the priests preached.

Subjects/Keywords: Arbrå church; biblia pauperum; medieval christian art; medieval typology; murals; Arbrå kyrka; muralmålningar; kyrkomålningar; kyrkokonst; medeltiden; medeltida konst; HUMANITIES and RELIGION; HUMANIORA och RELIGIONSVETENSKAP; Religion/Theology; Religionsvetenskap/Teologi; Church history; Kyrkohistoria; Art; Konstvetenskap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nylander, A. (2010). De medeltida målningarna i Arbrå kyrka : en typologisk tolkning. (Thesis). University of Gävle. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-7365

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nylander, Anna. “De medeltida målningarna i Arbrå kyrka : en typologisk tolkning.” 2010. Thesis, University of Gävle. Accessed October 17, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-7365.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nylander, Anna. “De medeltida målningarna i Arbrå kyrka : en typologisk tolkning.” 2010. Web. 17 Oct 2019.

Vancouver:

Nylander A. De medeltida målningarna i Arbrå kyrka : en typologisk tolkning. [Internet] [Thesis]. University of Gävle; 2010. [cited 2019 Oct 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-7365.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nylander A. De medeltida målningarna i Arbrå kyrka : en typologisk tolkning. [Thesis]. University of Gävle; 2010. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-7365

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.