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You searched for subject:(algorithmic composition). Showing records 1 – 30 of 51 total matches.

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University of Sydney

1. Koenders, Michael. FROM MUSIC INFORMATION RETRIEVAL (MIR) TO INFORMATION RETRIEVAL FOR MUSIC (IRM) .

Degree: 2016, University of Sydney

 This thesis reviews and discusses certain techniques from the domain of (Music) Information Retrieval, in particular some general data mining algorithms. It also describes their… (more)

Subjects/Keywords: Information Retrieval; data mining; Algorithmic composition

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Koenders, M. (2016). FROM MUSIC INFORMATION RETRIEVAL (MIR) TO INFORMATION RETRIEVAL FOR MUSIC (IRM) . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/16914

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Koenders, Michael. “FROM MUSIC INFORMATION RETRIEVAL (MIR) TO INFORMATION RETRIEVAL FOR MUSIC (IRM) .” 2016. Thesis, University of Sydney. Accessed April 08, 2020. http://hdl.handle.net/2123/16914.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Koenders, Michael. “FROM MUSIC INFORMATION RETRIEVAL (MIR) TO INFORMATION RETRIEVAL FOR MUSIC (IRM) .” 2016. Web. 08 Apr 2020.

Vancouver:

Koenders M. FROM MUSIC INFORMATION RETRIEVAL (MIR) TO INFORMATION RETRIEVAL FOR MUSIC (IRM) . [Internet] [Thesis]. University of Sydney; 2016. [cited 2020 Apr 08]. Available from: http://hdl.handle.net/2123/16914.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Koenders M. FROM MUSIC INFORMATION RETRIEVAL (MIR) TO INFORMATION RETRIEVAL FOR MUSIC (IRM) . [Thesis]. University of Sydney; 2016. Available from: http://hdl.handle.net/2123/16914

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Minnesota

2. Walker, Marcus. The Amazing Composobot: Music Information Retrieval and Algorithmic Composition.

Degree: MS, Mathematics, 2019, University of Minnesota

 Music has powerful and inscrutable effects on the human mind, and we are far from fully understanding how that magic works. But music is not… (more)

Subjects/Keywords: Algorithmic Composition; Markov; Music Information Retrieval

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APA (6th Edition):

Walker, M. (2019). The Amazing Composobot: Music Information Retrieval and Algorithmic Composition. (Masters Thesis). University of Minnesota. Retrieved from http://hdl.handle.net/11299/208967

Chicago Manual of Style (16th Edition):

Walker, Marcus. “The Amazing Composobot: Music Information Retrieval and Algorithmic Composition.” 2019. Masters Thesis, University of Minnesota. Accessed April 08, 2020. http://hdl.handle.net/11299/208967.

MLA Handbook (7th Edition):

Walker, Marcus. “The Amazing Composobot: Music Information Retrieval and Algorithmic Composition.” 2019. Web. 08 Apr 2020.

Vancouver:

Walker M. The Amazing Composobot: Music Information Retrieval and Algorithmic Composition. [Internet] [Masters thesis]. University of Minnesota; 2019. [cited 2020 Apr 08]. Available from: http://hdl.handle.net/11299/208967.

Council of Science Editors:

Walker M. The Amazing Composobot: Music Information Retrieval and Algorithmic Composition. [Masters Thesis]. University of Minnesota; 2019. Available from: http://hdl.handle.net/11299/208967


University of Adelaide

3. Pitman, Daniel James. Developing methods for predicting affect in algorithmic composition.

Degree: 2015, University of Adelaide

 Affective Algorithmic Composition (AAC) is a field that focuses on the algorithmic generation of music specifically to affect its audience in a targeted way. This… (more)

Subjects/Keywords: algorithmic composition; affective algorithmic composition; AAC; neural network; machine learning; computer music

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APA (6th Edition):

Pitman, D. J. (2015). Developing methods for predicting affect in algorithmic composition. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/102800

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pitman, Daniel James. “Developing methods for predicting affect in algorithmic composition.” 2015. Thesis, University of Adelaide. Accessed April 08, 2020. http://hdl.handle.net/2440/102800.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pitman, Daniel James. “Developing methods for predicting affect in algorithmic composition.” 2015. Web. 08 Apr 2020.

Vancouver:

Pitman DJ. Developing methods for predicting affect in algorithmic composition. [Internet] [Thesis]. University of Adelaide; 2015. [cited 2020 Apr 08]. Available from: http://hdl.handle.net/2440/102800.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pitman DJ. Developing methods for predicting affect in algorithmic composition. [Thesis]. University of Adelaide; 2015. Available from: http://hdl.handle.net/2440/102800

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

4. Choi, Jongmoon. Symphony No. 1.

Degree: 2001, University of North Texas

 Symphony No. 1 is an orchestral composition for twenty-four instrumental groups without percussion instruments. It was composed with Algorithmic Composition System software, which gives driving… (more)

Subjects/Keywords: Symphonies  – Scores.; musical composition; algorithmic composition; Algorithmic Composition System

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APA (6th Edition):

Choi, J. (2001). Symphony No. 1. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2815/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Choi, Jongmoon. “Symphony No. 1.” 2001. Thesis, University of North Texas. Accessed April 08, 2020. https://digital.library.unt.edu/ark:/67531/metadc2815/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Choi, Jongmoon. “Symphony No. 1.” 2001. Web. 08 Apr 2020.

Vancouver:

Choi J. Symphony No. 1. [Internet] [Thesis]. University of North Texas; 2001. [cited 2020 Apr 08]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2815/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Choi J. Symphony No. 1. [Thesis]. University of North Texas; 2001. Available from: https://digital.library.unt.edu/ark:/67531/metadc2815/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Plymouth

5. Kirke, Alexis. Application of intermediate multi-agent systems to integrated algorithmic composition and expressive performance of music.

Degree: PhD, 2011, University of Plymouth

 We investigate the properties of a new Multi-Agent Systems (MAS) for computer-aided composition called IPCS (pronounced “ipp-siss”) the Intermediate Performance Composition System which generates expressive… (more)

Subjects/Keywords: 780; Computer Music, Algorithmic Composition, Expressive Performance, Multi-Agent Systems

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APA (6th Edition):

Kirke, A. (2011). Application of intermediate multi-agent systems to integrated algorithmic composition and expressive performance of music. (Doctoral Dissertation). University of Plymouth. Retrieved from http://hdl.handle.net/10026.1/895

Chicago Manual of Style (16th Edition):

Kirke, Alexis. “Application of intermediate multi-agent systems to integrated algorithmic composition and expressive performance of music.” 2011. Doctoral Dissertation, University of Plymouth. Accessed April 08, 2020. http://hdl.handle.net/10026.1/895.

MLA Handbook (7th Edition):

Kirke, Alexis. “Application of intermediate multi-agent systems to integrated algorithmic composition and expressive performance of music.” 2011. Web. 08 Apr 2020.

Vancouver:

Kirke A. Application of intermediate multi-agent systems to integrated algorithmic composition and expressive performance of music. [Internet] [Doctoral dissertation]. University of Plymouth; 2011. [cited 2020 Apr 08]. Available from: http://hdl.handle.net/10026.1/895.

Council of Science Editors:

Kirke A. Application of intermediate multi-agent systems to integrated algorithmic composition and expressive performance of music. [Doctoral Dissertation]. University of Plymouth; 2011. Available from: http://hdl.handle.net/10026.1/895


University of Pretoria

6. Steynberg, Ilse. The applications of fractal geometry and self - similarity to art music.

Degree: MMus, Music, 2014, University of Pretoria

 The aim of this research study is to investigate different practical ways in which fractal geometry and self-similarity can be applied to art music, with… (more)

Subjects/Keywords: Algorithmic composition; 1/f-noise; Fractal geometry; Repetition; Fragmentation; UCTD

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APA (6th Edition):

Steynberg, I. (2014). The applications of fractal geometry and self - similarity to art music. (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/43254

Chicago Manual of Style (16th Edition):

Steynberg, Ilse. “The applications of fractal geometry and self - similarity to art music.” 2014. Masters Thesis, University of Pretoria. Accessed April 08, 2020. http://hdl.handle.net/2263/43254.

MLA Handbook (7th Edition):

Steynberg, Ilse. “The applications of fractal geometry and self - similarity to art music.” 2014. Web. 08 Apr 2020.

Vancouver:

Steynberg I. The applications of fractal geometry and self - similarity to art music. [Internet] [Masters thesis]. University of Pretoria; 2014. [cited 2020 Apr 08]. Available from: http://hdl.handle.net/2263/43254.

Council of Science Editors:

Steynberg I. The applications of fractal geometry and self - similarity to art music. [Masters Thesis]. University of Pretoria; 2014. Available from: http://hdl.handle.net/2263/43254


University of California – Berkeley

7. MacCallum, John Andrew. El Árbol de la noche triste.

Degree: Music, 2010, University of California – Berkeley

 El Árbol de la noche triste is a composition for solo scordatura violaand electronicsounds which are generated algorithmically in real-time during the performance.In the work… (more)

Subjects/Keywords: Music; Algorithmic; Composition; Electro-acoustic; Harmonic Series; Stochastic; Viola

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APA (6th Edition):

MacCallum, J. A. (2010). El Árbol de la noche triste. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/5z77z44j

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

MacCallum, John Andrew. “El Árbol de la noche triste.” 2010. Thesis, University of California – Berkeley. Accessed April 08, 2020. http://www.escholarship.org/uc/item/5z77z44j.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

MacCallum, John Andrew. “El Árbol de la noche triste.” 2010. Web. 08 Apr 2020.

Vancouver:

MacCallum JA. El Árbol de la noche triste. [Internet] [Thesis]. University of California – Berkeley; 2010. [cited 2020 Apr 08]. Available from: http://www.escholarship.org/uc/item/5z77z44j.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MacCallum JA. El Árbol de la noche triste. [Thesis]. University of California – Berkeley; 2010. Available from: http://www.escholarship.org/uc/item/5z77z44j

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

8. Wilson, Adam James. Automatic Improvisation: A Study in Human/Machine Collaboration.

Degree: Music, 2009, University of California – San Diego

 Described herein is a practical experiment in the spontaneous composition of music through real-time interaction between a human composer-performer and a semi-autonomous network of computer… (more)

Subjects/Keywords: Music; algorithmic composition; HCI; human computer interaction; machine improvisation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wilson, A. J. (2009). Automatic Improvisation: A Study in Human/Machine Collaboration. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/1kt0315h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wilson, Adam James. “Automatic Improvisation: A Study in Human/Machine Collaboration.” 2009. Thesis, University of California – San Diego. Accessed April 08, 2020. http://www.escholarship.org/uc/item/1kt0315h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wilson, Adam James. “Automatic Improvisation: A Study in Human/Machine Collaboration.” 2009. Web. 08 Apr 2020.

Vancouver:

Wilson AJ. Automatic Improvisation: A Study in Human/Machine Collaboration. [Internet] [Thesis]. University of California – San Diego; 2009. [cited 2020 Apr 08]. Available from: http://www.escholarship.org/uc/item/1kt0315h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wilson AJ. Automatic Improvisation: A Study in Human/Machine Collaboration. [Thesis]. University of California – San Diego; 2009. Available from: http://www.escholarship.org/uc/item/1kt0315h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

9. Snow, Richard. Mechanisms and Threads.

Degree: Music, 2012, University of California – San Diego

 Mechanisms and Threads is a series of four related compositions. The first project, titled Labyrinth, is a surround sound computer playback composition. The second project,… (more)

Subjects/Keywords: Music; Algorithmic Composition; Alternative Notation; Computer Music; Piano Solo; Surround Sound

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APA (6th Edition):

Snow, R. (2012). Mechanisms and Threads. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/1t24z5f3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Snow, Richard. “Mechanisms and Threads.” 2012. Thesis, University of California – San Diego. Accessed April 08, 2020. http://www.escholarship.org/uc/item/1t24z5f3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Snow, Richard. “Mechanisms and Threads.” 2012. Web. 08 Apr 2020.

Vancouver:

Snow R. Mechanisms and Threads. [Internet] [Thesis]. University of California – San Diego; 2012. [cited 2020 Apr 08]. Available from: http://www.escholarship.org/uc/item/1t24z5f3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Snow R. Mechanisms and Threads. [Thesis]. University of California – San Diego; 2012. Available from: http://www.escholarship.org/uc/item/1t24z5f3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Costa, Gustavo Miguel Beça Rodrigues da. Intervenção humana nos processos de composição algorítmica: estratégias de controlo sobre o indeterminismo.

Degree: 2011, Instituto Politécnico do Porto

Esta tese aborda estratégias composicionais centradas na formalização de processos musicais que envolvam o indeterminismo em vários graus. Partindo da definição de algoritmo e composição… (more)

Subjects/Keywords: Composição algorítmica; Indeterminismo; Sistemas de improvisação; Algorithmic composition; Indeterminism; Improvisation systems

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APA (6th Edition):

Costa, G. M. B. R. d. (2011). Intervenção humana nos processos de composição algorítmica: estratégias de controlo sobre o indeterminismo. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9593

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Costa, Gustavo Miguel Beça Rodrigues da. “Intervenção humana nos processos de composição algorítmica: estratégias de controlo sobre o indeterminismo.” 2011. Thesis, Instituto Politécnico do Porto. Accessed April 08, 2020. https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9593.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Costa, Gustavo Miguel Beça Rodrigues da. “Intervenção humana nos processos de composição algorítmica: estratégias de controlo sobre o indeterminismo.” 2011. Web. 08 Apr 2020.

Vancouver:

Costa GMBRd. Intervenção humana nos processos de composição algorítmica: estratégias de controlo sobre o indeterminismo. [Internet] [Thesis]. Instituto Politécnico do Porto; 2011. [cited 2020 Apr 08]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9593.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Costa GMBRd. Intervenção humana nos processos de composição algorítmica: estratégias de controlo sobre o indeterminismo. [Thesis]. Instituto Politécnico do Porto; 2011. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/9593

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manitoba

11. Nagelberg, Alan. MICA: A Hybrid Method for Corpus-Based Algorithmic Composition of Music Based on Genetic Algorithms, Zipf's Law, and Markov Models.

Degree: Electrical and Computer Engineering, 2014, University of Manitoba

 An algorithm known as the Musical Imitation and Creativity Algorithm (MICA) that composes stylistic music based on a corpus of works in a given style… (more)

Subjects/Keywords: Artificial; Intelligence; Computational; Creativity; Music; Machine; Learning; Algorithmic; Composition

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APA (6th Edition):

Nagelberg, A. (2014). MICA: A Hybrid Method for Corpus-Based Algorithmic Composition of Music Based on Genetic Algorithms, Zipf's Law, and Markov Models. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/23263

Chicago Manual of Style (16th Edition):

Nagelberg, Alan. “MICA: A Hybrid Method for Corpus-Based Algorithmic Composition of Music Based on Genetic Algorithms, Zipf's Law, and Markov Models.” 2014. Masters Thesis, University of Manitoba. Accessed April 08, 2020. http://hdl.handle.net/1993/23263.

MLA Handbook (7th Edition):

Nagelberg, Alan. “MICA: A Hybrid Method for Corpus-Based Algorithmic Composition of Music Based on Genetic Algorithms, Zipf's Law, and Markov Models.” 2014. Web. 08 Apr 2020.

Vancouver:

Nagelberg A. MICA: A Hybrid Method for Corpus-Based Algorithmic Composition of Music Based on Genetic Algorithms, Zipf's Law, and Markov Models. [Internet] [Masters thesis]. University of Manitoba; 2014. [cited 2020 Apr 08]. Available from: http://hdl.handle.net/1993/23263.

Council of Science Editors:

Nagelberg A. MICA: A Hybrid Method for Corpus-Based Algorithmic Composition of Music Based on Genetic Algorithms, Zipf's Law, and Markov Models. [Masters Thesis]. University of Manitoba; 2014. Available from: http://hdl.handle.net/1993/23263

12. Karlsson, Daniel M. Mapping The Valleys of The Uncanny : An investigation into a process and method, colliding with questions relating to what can be known to be real, within the field of algorithmic composition. Or if you prefer: The roles of instrumentation and timbre, as they unwittingly conspire to designate access, power, status, work and ultimately class.

Degree: Composition and Conducting, 2019, Royal College of Music in Stockholm

  We are free, from the shackles of the finite, and of the physical world. Sound now enjoys morphological freedom through a myriad of transformations.… (more)

Subjects/Keywords: Algorithmic Composition; Music; Musik

…working with algorithmic composition in particular. Stretch goals would be to influence people… …my work of organizing sound has led me further and further down the path of algorithmic… …composition, I have grown more and more interested in the role of contexts and of connotations that… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Karlsson, D. M. (2019). Mapping The Valleys of The Uncanny : An investigation into a process and method, colliding with questions relating to what can be known to be real, within the field of algorithmic composition. Or if you prefer: The roles of instrumentation and timbre, as they unwittingly conspire to designate access, power, status, work and ultimately class. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3115

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Karlsson, Daniel M. “Mapping The Valleys of The Uncanny : An investigation into a process and method, colliding with questions relating to what can be known to be real, within the field of algorithmic composition. Or if you prefer: The roles of instrumentation and timbre, as they unwittingly conspire to designate access, power, status, work and ultimately class.” 2019. Thesis, Royal College of Music in Stockholm. Accessed April 08, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3115.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Karlsson, Daniel M. “Mapping The Valleys of The Uncanny : An investigation into a process and method, colliding with questions relating to what can be known to be real, within the field of algorithmic composition. Or if you prefer: The roles of instrumentation and timbre, as they unwittingly conspire to designate access, power, status, work and ultimately class.” 2019. Web. 08 Apr 2020.

Vancouver:

Karlsson DM. Mapping The Valleys of The Uncanny : An investigation into a process and method, colliding with questions relating to what can be known to be real, within the field of algorithmic composition. Or if you prefer: The roles of instrumentation and timbre, as they unwittingly conspire to designate access, power, status, work and ultimately class. [Internet] [Thesis]. Royal College of Music in Stockholm; 2019. [cited 2020 Apr 08]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3115.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Karlsson DM. Mapping The Valleys of The Uncanny : An investigation into a process and method, colliding with questions relating to what can be known to be real, within the field of algorithmic composition. Or if you prefer: The roles of instrumentation and timbre, as they unwittingly conspire to designate access, power, status, work and ultimately class. [Thesis]. Royal College of Music in Stockholm; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3115

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

13. Hembree, Paul James. Ouroboros and Apocryphal Chrysopoeia: Aesthetics and Techniques.

Degree: Music, 2015, University of California – San Diego

 Resources from a variety of disciplines were gathered, compared and woven together to create Ouroboros, an eighteen-minute work for large chamber ensemble and audio-visual media,… (more)

Subjects/Keywords: Music; Algorithmic Composition; Cellular Automata; Music Cognition; Music Composition; Trumpet Extended Techniques; Visual Music

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APA (6th Edition):

Hembree, P. J. (2015). Ouroboros and Apocryphal Chrysopoeia: Aesthetics and Techniques. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/3jf0v775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hembree, Paul James. “Ouroboros and Apocryphal Chrysopoeia: Aesthetics and Techniques.” 2015. Thesis, University of California – San Diego. Accessed April 08, 2020. http://www.escholarship.org/uc/item/3jf0v775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hembree, Paul James. “Ouroboros and Apocryphal Chrysopoeia: Aesthetics and Techniques.” 2015. Web. 08 Apr 2020.

Vancouver:

Hembree PJ. Ouroboros and Apocryphal Chrysopoeia: Aesthetics and Techniques. [Internet] [Thesis]. University of California – San Diego; 2015. [cited 2020 Apr 08]. Available from: http://www.escholarship.org/uc/item/3jf0v775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hembree PJ. Ouroboros and Apocryphal Chrysopoeia: Aesthetics and Techniques. [Thesis]. University of California – San Diego; 2015. Available from: http://www.escholarship.org/uc/item/3jf0v775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oxford

14. Kallionpaa, Maria E. Beyond the piano : the super instrument : widening the instrumental capacities in the context of the piano music of the 21st century.

Degree: PhD, 2014, University of Oxford

 Thanks to the development of new technology, musical instruments are no more tied to their existing acoustic or technical limitations as almost all parameters can… (more)

Subjects/Keywords: 786.2; Music; Composition; Performance; Instruments; super instruments; algorithmic composition techniques; electroacoustic music; piano

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kallionpaa, M. E. (2014). Beyond the piano : the super instrument : widening the instrumental capacities in the context of the piano music of the 21st century. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:1bd51738-543e-4898-8b64-26fe2b17a352 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658468

Chicago Manual of Style (16th Edition):

Kallionpaa, Maria E. “Beyond the piano : the super instrument : widening the instrumental capacities in the context of the piano music of the 21st century.” 2014. Doctoral Dissertation, University of Oxford. Accessed April 08, 2020. http://ora.ox.ac.uk/objects/uuid:1bd51738-543e-4898-8b64-26fe2b17a352 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658468.

MLA Handbook (7th Edition):

Kallionpaa, Maria E. “Beyond the piano : the super instrument : widening the instrumental capacities in the context of the piano music of the 21st century.” 2014. Web. 08 Apr 2020.

Vancouver:

Kallionpaa ME. Beyond the piano : the super instrument : widening the instrumental capacities in the context of the piano music of the 21st century. [Internet] [Doctoral dissertation]. University of Oxford; 2014. [cited 2020 Apr 08]. Available from: http://ora.ox.ac.uk/objects/uuid:1bd51738-543e-4898-8b64-26fe2b17a352 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658468.

Council of Science Editors:

Kallionpaa ME. Beyond the piano : the super instrument : widening the instrumental capacities in the context of the piano music of the 21st century. [Doctoral Dissertation]. University of Oxford; 2014. Available from: http://ora.ox.ac.uk/objects/uuid:1bd51738-543e-4898-8b64-26fe2b17a352 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658468


Cal Poly

15. Adam, Timothey Andrew. PROCEDURAL MUSIC GENERATION AND ADAPTATION BASED ON GAME STATE.

Degree: MS, Computer Science, 2014, Cal Poly

  Video game developers attempt to convey moods to emphasize their game's narrative. Events that occur within the game usually convey success or failure in… (more)

Subjects/Keywords: Games; Procedural Music; Algorithmic Composition; Adaptive Music; Music Mood; Composition; Theory and Algorithms

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Adam, T. A. (2014). PROCEDURAL MUSIC GENERATION AND ADAPTATION BASED ON GAME STATE. (Masters Thesis). Cal Poly. Retrieved from https://digitalcommons.calpoly.edu/theses/1202 ; 10.15368/theses.2014.49

Chicago Manual of Style (16th Edition):

Adam, Timothey Andrew. “PROCEDURAL MUSIC GENERATION AND ADAPTATION BASED ON GAME STATE.” 2014. Masters Thesis, Cal Poly. Accessed April 08, 2020. https://digitalcommons.calpoly.edu/theses/1202 ; 10.15368/theses.2014.49.

MLA Handbook (7th Edition):

Adam, Timothey Andrew. “PROCEDURAL MUSIC GENERATION AND ADAPTATION BASED ON GAME STATE.” 2014. Web. 08 Apr 2020.

Vancouver:

Adam TA. PROCEDURAL MUSIC GENERATION AND ADAPTATION BASED ON GAME STATE. [Internet] [Masters thesis]. Cal Poly; 2014. [cited 2020 Apr 08]. Available from: https://digitalcommons.calpoly.edu/theses/1202 ; 10.15368/theses.2014.49.

Council of Science Editors:

Adam TA. PROCEDURAL MUSIC GENERATION AND ADAPTATION BASED ON GAME STATE. [Masters Thesis]. Cal Poly; 2014. Available from: https://digitalcommons.calpoly.edu/theses/1202 ; 10.15368/theses.2014.49


University of Washington

16. Freire, Joaquim Ribeiro. Consonance A computer generated composition.

Degree: 2017, University of Washington

 Consonance is a computer generated composition using Csound not only to construct the instruments but also to explore some of its innumerous possibilities to modeling… (more)

Subjects/Keywords: algorithmic music composition; composition; computer generated sound; csound; sound synthesis; Music; Computer science; Acoustics; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Freire, J. R. (2017). Consonance A computer generated composition. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/40269

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Freire, Joaquim Ribeiro. “Consonance A computer generated composition.” 2017. Thesis, University of Washington. Accessed April 08, 2020. http://hdl.handle.net/1773/40269.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Freire, Joaquim Ribeiro. “Consonance A computer generated composition.” 2017. Web. 08 Apr 2020.

Vancouver:

Freire JR. Consonance A computer generated composition. [Internet] [Thesis]. University of Washington; 2017. [cited 2020 Apr 08]. Available from: http://hdl.handle.net/1773/40269.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Freire JR. Consonance A computer generated composition. [Thesis]. University of Washington; 2017. Available from: http://hdl.handle.net/1773/40269

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

17. Beck, Estee Natee. Computer Algorithms as Persuasive Agents: The Rhetoricity of Algorithmic Surveillance within the Built Ecological Network.

Degree: PhD, English (Rhetoric and Writing) PhD, 2015, Bowling Green State University

 Each time our students and colleagues participate online, they face invisible tracking technologies that harvest metadata for web customization, targeted advertising, and even state surveillance… (more)

Subjects/Keywords: Composition; Literacy; Pedagogy; Rhetoric; computers and writing; rhetoric; rhetoric and writing; surveillance; tracking technologies; algorithmic surveillance; algorithmic ideology; built ecological network; object oriented rhetoric; persuasive computer algorithms; algorithmic agency

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Beck, E. N. (2015). Computer Algorithms as Persuasive Agents: The Rhetoricity of Algorithmic Surveillance within the Built Ecological Network. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1427314196

Chicago Manual of Style (16th Edition):

Beck, Estee Natee. “Computer Algorithms as Persuasive Agents: The Rhetoricity of Algorithmic Surveillance within the Built Ecological Network.” 2015. Doctoral Dissertation, Bowling Green State University. Accessed April 08, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1427314196.

MLA Handbook (7th Edition):

Beck, Estee Natee. “Computer Algorithms as Persuasive Agents: The Rhetoricity of Algorithmic Surveillance within the Built Ecological Network.” 2015. Web. 08 Apr 2020.

Vancouver:

Beck EN. Computer Algorithms as Persuasive Agents: The Rhetoricity of Algorithmic Surveillance within the Built Ecological Network. [Internet] [Doctoral dissertation]. Bowling Green State University; 2015. [cited 2020 Apr 08]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1427314196.

Council of Science Editors:

Beck EN. Computer Algorithms as Persuasive Agents: The Rhetoricity of Algorithmic Surveillance within the Built Ecological Network. [Doctoral Dissertation]. Bowling Green State University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1427314196


RMIT University

18. Yee, A. Designing an orrery of the universe: the creation of new chamber music through algorithmic composition.

Degree: 2010, RMIT University

 The main focus of my research has been to investigate a number of ways to extend my practice as a composer. In response to a… (more)

Subjects/Keywords: Fields of Research; musical composition; algorithmic composition; computer assisted composition; Openmusic (IRCAM software); chamber music; parametric design; Hebrew language; musical modernism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yee, A. (2010). Designing an orrery of the universe: the creation of new chamber music through algorithmic composition. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:12526

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yee, A. “Designing an orrery of the universe: the creation of new chamber music through algorithmic composition.” 2010. Thesis, RMIT University. Accessed April 08, 2020. http://researchbank.rmit.edu.au/view/rmit:12526.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yee, A. “Designing an orrery of the universe: the creation of new chamber music through algorithmic composition.” 2010. Web. 08 Apr 2020.

Vancouver:

Yee A. Designing an orrery of the universe: the creation of new chamber music through algorithmic composition. [Internet] [Thesis]. RMIT University; 2010. [cited 2020 Apr 08]. Available from: http://researchbank.rmit.edu.au/view/rmit:12526.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yee A. Designing an orrery of the universe: the creation of new chamber music through algorithmic composition. [Thesis]. RMIT University; 2010. Available from: http://researchbank.rmit.edu.au/view/rmit:12526

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Edinburgh

19. Murphy, Michael J. Methodology for the production and delivery of generative music for the personal listener : systems for realtime generative music production.

Degree: PhD, 2013, University of Edinburgh

 This thesis will describe a system for the production of generative music through specific methodology, and provide an approach for the delivery of this material.… (more)

Subjects/Keywords: generative music production; music consumer; contemporary classical music; personal listening audience; composition methodology; algorithmic methods

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Murphy, M. J. (2013). Methodology for the production and delivery of generative music for the personal listener : systems for realtime generative music production. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/9737

Chicago Manual of Style (16th Edition):

Murphy, Michael J. “Methodology for the production and delivery of generative music for the personal listener : systems for realtime generative music production.” 2013. Doctoral Dissertation, University of Edinburgh. Accessed April 08, 2020. http://hdl.handle.net/1842/9737.

MLA Handbook (7th Edition):

Murphy, Michael J. “Methodology for the production and delivery of generative music for the personal listener : systems for realtime generative music production.” 2013. Web. 08 Apr 2020.

Vancouver:

Murphy MJ. Methodology for the production and delivery of generative music for the personal listener : systems for realtime generative music production. [Internet] [Doctoral dissertation]. University of Edinburgh; 2013. [cited 2020 Apr 08]. Available from: http://hdl.handle.net/1842/9737.

Council of Science Editors:

Murphy MJ. Methodology for the production and delivery of generative music for the personal listener : systems for realtime generative music production. [Doctoral Dissertation]. University of Edinburgh; 2013. Available from: http://hdl.handle.net/1842/9737


University of Louisville

20. Yu, Yindong. Low-time-resolution structures in music and its computer applications.

Degree: M. Eng., 2011, University of Louisville

  This thesis proposes a concept called low-time-resolution (LTR) structure in music, and investigates its potential significance and application in music-related computing tasks. The contributions… (more)

Subjects/Keywords: Computer music; Music information retrieval; Large-scale musical structures; Music cognition modeling; Algorithmic composition

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yu, Y. (2011). Low-time-resolution structures in music and its computer applications. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/1628 ; https://ir.library.louisville.edu/etd/1628

Chicago Manual of Style (16th Edition):

Yu, Yindong. “Low-time-resolution structures in music and its computer applications.” 2011. Masters Thesis, University of Louisville. Accessed April 08, 2020. 10.18297/etd/1628 ; https://ir.library.louisville.edu/etd/1628.

MLA Handbook (7th Edition):

Yu, Yindong. “Low-time-resolution structures in music and its computer applications.” 2011. Web. 08 Apr 2020.

Vancouver:

Yu Y. Low-time-resolution structures in music and its computer applications. [Internet] [Masters thesis]. University of Louisville; 2011. [cited 2020 Apr 08]. Available from: 10.18297/etd/1628 ; https://ir.library.louisville.edu/etd/1628.

Council of Science Editors:

Yu Y. Low-time-resolution structures in music and its computer applications. [Masters Thesis]. University of Louisville; 2011. Available from: 10.18297/etd/1628 ; https://ir.library.louisville.edu/etd/1628


University of California – San Diego

21. Surges, Gregory. Generative Audio Systems: Musical Applications of Time-Varying Feedback Networks and Computational Aesthetics.

Degree: Music, 2015, University of California – San Diego

 This dissertation is focused on the development of generative audio systems - a term used describe generative music systems that generate both formal structure and… (more)

Subjects/Keywords: Music; algorithmic composition; all-pass filters; computational aesthetics; digital signal processing; generative music; machine learning

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Surges, G. (2015). Generative Audio Systems: Musical Applications of Time-Varying Feedback Networks and Computational Aesthetics. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/9fk810hq

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Surges, Gregory. “Generative Audio Systems: Musical Applications of Time-Varying Feedback Networks and Computational Aesthetics.” 2015. Thesis, University of California – San Diego. Accessed April 08, 2020. http://www.escholarship.org/uc/item/9fk810hq.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Surges, Gregory. “Generative Audio Systems: Musical Applications of Time-Varying Feedback Networks and Computational Aesthetics.” 2015. Web. 08 Apr 2020.

Vancouver:

Surges G. Generative Audio Systems: Musical Applications of Time-Varying Feedback Networks and Computational Aesthetics. [Internet] [Thesis]. University of California – San Diego; 2015. [cited 2020 Apr 08]. Available from: http://www.escholarship.org/uc/item/9fk810hq.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Surges G. Generative Audio Systems: Musical Applications of Time-Varying Feedback Networks and Computational Aesthetics. [Thesis]. University of California – San Diego; 2015. Available from: http://www.escholarship.org/uc/item/9fk810hq

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Irvine

22. Savery, Richard James. Algorithmic Improvisers.

Degree: Music, 2015, University of California – Irvine

 In this essay I explore the creation of interactive, improvising computer partners. I consider different forms of interaction with computer musical collaborators, be it through… (more)

Subjects/Keywords: Music; Artificial intelligence; Algorithmic; Artificial creativity; Computer Composition; Henon map; Improvisation; Interactivity

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APA (6th Edition):

Savery, R. J. (2015). Algorithmic Improvisers. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/0t55v839

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Savery, Richard James. “Algorithmic Improvisers.” 2015. Thesis, University of California – Irvine. Accessed April 08, 2020. http://www.escholarship.org/uc/item/0t55v839.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Savery, Richard James. “Algorithmic Improvisers.” 2015. Web. 08 Apr 2020.

Vancouver:

Savery RJ. Algorithmic Improvisers. [Internet] [Thesis]. University of California – Irvine; 2015. [cited 2020 Apr 08]. Available from: http://www.escholarship.org/uc/item/0t55v839.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Savery RJ. Algorithmic Improvisers. [Thesis]. University of California – Irvine; 2015. Available from: http://www.escholarship.org/uc/item/0t55v839

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brno University of Technology

23. Novotný, Pavel. Tvorba hudby pomocí celulárních automatů .

Degree: 2011, Brno University of Technology

 Tato práce se zabývá využitím celulárních automatů v oblasti algoritmické kompozice hudby. Text práce obsahuje stručný přehled problematiky algoritmické kompozice s využitím celulárních automatů a… (more)

Subjects/Keywords: celulární automat; algoritmická kompozice; hudba; melodie; cellular automaton; algorithmic composition; music; melodies

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APA (6th Edition):

Novotný, P. (2011). Tvorba hudby pomocí celulárních automatů . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/55874

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Novotný, Pavel. “Tvorba hudby pomocí celulárních automatů .” 2011. Thesis, Brno University of Technology. Accessed April 08, 2020. http://hdl.handle.net/11012/55874.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Novotný, Pavel. “Tvorba hudby pomocí celulárních automatů .” 2011. Web. 08 Apr 2020.

Vancouver:

Novotný P. Tvorba hudby pomocí celulárních automatů . [Internet] [Thesis]. Brno University of Technology; 2011. [cited 2020 Apr 08]. Available from: http://hdl.handle.net/11012/55874.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Novotný P. Tvorba hudby pomocí celulárních automatů . [Thesis]. Brno University of Technology; 2011. Available from: http://hdl.handle.net/11012/55874

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

24. Kerr, Thorin. Performing composition : developing a computer assisted composition system through live coding performance.

Degree: 2009, Queensland University of Technology

 This thesis maps the author's journey from a music composition practice to a composition and performance practice. The work involves the development of a software… (more)

Subjects/Keywords: music; composition; performance; live coding; live programming; computer music; computer assisted composition; algorithmic music; generative art; Impromptu; Csound

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APA (6th Edition):

Kerr, T. (2009). Performing composition : developing a computer assisted composition system through live coding performance. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/32175/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kerr, Thorin. “Performing composition : developing a computer assisted composition system through live coding performance.” 2009. Thesis, Queensland University of Technology. Accessed April 08, 2020. https://eprints.qut.edu.au/32175/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kerr, Thorin. “Performing composition : developing a computer assisted composition system through live coding performance.” 2009. Web. 08 Apr 2020.

Vancouver:

Kerr T. Performing composition : developing a computer assisted composition system through live coding performance. [Internet] [Thesis]. Queensland University of Technology; 2009. [cited 2020 Apr 08]. Available from: https://eprints.qut.edu.au/32175/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kerr T. Performing composition : developing a computer assisted composition system through live coding performance. [Thesis]. Queensland University of Technology; 2009. Available from: https://eprints.qut.edu.au/32175/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Davancens, Joseph. Heave, Sway, Surge.

Degree: Music Composition, 2019, University of California – Santa Cruz

 Heave, Sway, Surge (2014–19) is a musical composition for nine instruments that attempts to evoke the subjectivity of a body in motion by deploying sound-mass… (more)

Subjects/Keywords: Musical composition; algorithmic composition; extended techniques; notation

…is a musical composition for nine instruments that attempts to evoke the subjectivity of a… …development process of the software, and illustrates the decisions involved in the composition of… …is a musical composition for nine instruments that attempts to evoke the subjectivity of a… …the score relied on a suite of software tools that formalizes musical materials, composition… …composition in both systematic and naive ways to explore the possibilities inherent in the… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Davancens, J. (2019). Heave, Sway, Surge. (Thesis). University of California – Santa Cruz. Retrieved from http://www.escholarship.org/uc/item/68c3c1qh

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Davancens, Joseph. “Heave, Sway, Surge.” 2019. Thesis, University of California – Santa Cruz. Accessed April 08, 2020. http://www.escholarship.org/uc/item/68c3c1qh.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Davancens, Joseph. “Heave, Sway, Surge.” 2019. Web. 08 Apr 2020.

Vancouver:

Davancens J. Heave, Sway, Surge. [Internet] [Thesis]. University of California – Santa Cruz; 2019. [cited 2020 Apr 08]. Available from: http://www.escholarship.org/uc/item/68c3c1qh.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Davancens J. Heave, Sway, Surge. [Thesis]. University of California – Santa Cruz; 2019. Available from: http://www.escholarship.org/uc/item/68c3c1qh

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Dickinson, Daniel P. Blue Skies: An Interactive Soundscape Composition.

Degree: DMA, Music Theory and Composition (Music), 2012, University of Miami

  Blue Skies is a site-specific interactive soundscape composition that integrates live musicians and algorithmic improvisation into a sound installation that reacts to changing environmental… (more)

Subjects/Keywords: soundscape composition; interactive composition; algorithmic composition; improvisation; acoustic ecology

…determined based on the particular instance of the composition. Algorithmic Model The algorithmic… …2! Example 1.2. In Blue Skies, we’ve added musicians and algorithmic improvisers to our… …3! Example 2.1. State machine from a simple Blue Skies composition designed for a… …40! vii Chapter 1 INTERACTIVE SOUNDSCAPE COMPOSITION In his book The Soundscape, R… …Murray Schafer announces his intention “to treat the world as a macrocosmic musical composition… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dickinson, D. P. (2012). Blue Skies: An Interactive Soundscape Composition. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/762

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dickinson, Daniel P. “Blue Skies: An Interactive Soundscape Composition.” 2012. Thesis, University of Miami. Accessed April 08, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/762.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dickinson, Daniel P. “Blue Skies: An Interactive Soundscape Composition.” 2012. Web. 08 Apr 2020.

Vancouver:

Dickinson DP. Blue Skies: An Interactive Soundscape Composition. [Internet] [Thesis]. University of Miami; 2012. [cited 2020 Apr 08]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/762.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dickinson DP. Blue Skies: An Interactive Soundscape Composition. [Thesis]. University of Miami; 2012. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/762

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Benavides, Santiago David Davila. Raciocínio de agentes musicais composição algorítmica, vida artificial e interatividade em sistemas multiagentes musicais.

Degree: Mestrado, Ciência da Computação, 2012, University of São Paulo

Os múltiplos trabalhos de sistemas multiagentes musicais realizados nos últimos anos demonstram o interesse crescente na pesquisa de sistemas de composição e de performance musical… (more)

Subjects/Keywords: agent reasoning; algorithmic composition; composição algorítmica; computação musical; computer music; multiagent systems; raciocínio do agente; sistemas multiagentes

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Benavides, S. D. D. (2012). Raciocínio de agentes musicais composição algorítmica, vida artificial e interatividade em sistemas multiagentes musicais. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/45/45134/tde-17082013-154859/ ;

Chicago Manual of Style (16th Edition):

Benavides, Santiago David Davila. “Raciocínio de agentes musicais composição algorítmica, vida artificial e interatividade em sistemas multiagentes musicais.” 2012. Masters Thesis, University of São Paulo. Accessed April 08, 2020. http://www.teses.usp.br/teses/disponiveis/45/45134/tde-17082013-154859/ ;.

MLA Handbook (7th Edition):

Benavides, Santiago David Davila. “Raciocínio de agentes musicais composição algorítmica, vida artificial e interatividade em sistemas multiagentes musicais.” 2012. Web. 08 Apr 2020.

Vancouver:

Benavides SDD. Raciocínio de agentes musicais composição algorítmica, vida artificial e interatividade em sistemas multiagentes musicais. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2020 Apr 08]. Available from: http://www.teses.usp.br/teses/disponiveis/45/45134/tde-17082013-154859/ ;.

Council of Science Editors:

Benavides SDD. Raciocínio de agentes musicais composição algorítmica, vida artificial e interatividade em sistemas multiagentes musicais. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/45/45134/tde-17082013-154859/ ;


University of Cincinnati

28. Kang, Joong-Hoon. Inscape.

Degree: DMA, College-Conservatory of Music : Composition, 2006, University of Cincinnati

 Inscape is an exploration of timbre residing within human sensation and its computer representation. The primary artistic goal of the work is to create a… (more)

Subjects/Keywords: Music; Computer Music; Electronic Music; Algorithmic Composition; Timbre

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kang, J. (2006). Inscape. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163620773

Chicago Manual of Style (16th Edition):

Kang, Joong-Hoon. “Inscape.” 2006. Doctoral Dissertation, University of Cincinnati. Accessed April 08, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163620773.

MLA Handbook (7th Edition):

Kang, Joong-Hoon. “Inscape.” 2006. Web. 08 Apr 2020.

Vancouver:

Kang J. Inscape. [Internet] [Doctoral dissertation]. University of Cincinnati; 2006. [cited 2020 Apr 08]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163620773.

Council of Science Editors:

Kang J. Inscape. [Doctoral Dissertation]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163620773

29. Ransbeeck, Samuel Van. Composition with complex data : a contribution on the mapping problem through practice-based research.

Degree: 2015, RCAAP

Composition with complex data is a field of computer music composition/interactive art that uses extra-musical data from various sources like stock exchange data, weather data… (more)

Subjects/Keywords: Sonification art; Algorithmic composition; Data; Information; Concept; Technology; Sonificação; Composição algorítmica; Dados; Informação; Domínio/Área Científica::Humanidades::Artes

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ransbeeck, S. V. (2015). Composition with complex data : a contribution on the mapping problem through practice-based research. (Thesis). RCAAP. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ucp.pt:10400.14/20510

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ransbeeck, Samuel Van. “Composition with complex data : a contribution on the mapping problem through practice-based research.” 2015. Thesis, RCAAP. Accessed April 08, 2020. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ucp.pt:10400.14/20510.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ransbeeck, Samuel Van. “Composition with complex data : a contribution on the mapping problem through practice-based research.” 2015. Web. 08 Apr 2020.

Vancouver:

Ransbeeck SV. Composition with complex data : a contribution on the mapping problem through practice-based research. [Internet] [Thesis]. RCAAP; 2015. [cited 2020 Apr 08]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ucp.pt:10400.14/20510.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ransbeeck SV. Composition with complex data : a contribution on the mapping problem through practice-based research. [Thesis]. RCAAP; 2015. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ucp.pt:10400.14/20510

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

30. Magnus, Cristyn. Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms.

Degree: Music, 2010, University of California – San Diego

 The goal of this research is to explore the use of genetic algorithms to evolve waveforms. Genetic algorithms are introduced with a simple application that… (more)

Subjects/Keywords: Music; Computer Science; Artificial Intelligence; algorithmic composition; computer music; generative algorithm; generative art; genetic algorithm; music technology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Magnus, C. (2010). Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/0mq5z85r

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Magnus, Cristyn. “Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms.” 2010. Thesis, University of California – San Diego. Accessed April 08, 2020. http://www.escholarship.org/uc/item/0mq5z85r.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Magnus, Cristyn. “Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms.” 2010. Web. 08 Apr 2020.

Vancouver:

Magnus C. Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms. [Internet] [Thesis]. University of California – San Diego; 2010. [cited 2020 Apr 08]. Available from: http://www.escholarship.org/uc/item/0mq5z85r.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Magnus C. Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms. [Thesis]. University of California – San Diego; 2010. Available from: http://www.escholarship.org/uc/item/0mq5z85r

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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