Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(acoustic music). Showing records 1 – 30 of 89 total matches.

[1] [2] [3]

Search Limiters

Last 2 Years | English Only

Levels

▼ Search Limiters


University of Newcastle

1. Tracy, David. Acoustic phenomena as a model for music composition: representing acoustic phenomena in musical composition through the extrapolative and interpolative modelling of the phenomena's characteristics and behaviour.

Degree: MPhil, 2014, University of Newcastle

Masters Research - Master of Philosophy (MPhil)

The purpose of this research is to explore the relationship between acoustic phenomena and their incorporation into musical… (more)

Subjects/Keywords: acoustic phenomena; acoustic phenomenon; music; composition; acoustics

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tracy, D. (2014). Acoustic phenomena as a model for music composition: representing acoustic phenomena in musical composition through the extrapolative and interpolative modelling of the phenomena's characteristics and behaviour. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1041443

Chicago Manual of Style (16th Edition):

Tracy, David. “Acoustic phenomena as a model for music composition: representing acoustic phenomena in musical composition through the extrapolative and interpolative modelling of the phenomena's characteristics and behaviour.” 2014. Masters Thesis, University of Newcastle. Accessed January 20, 2020. http://hdl.handle.net/1959.13/1041443.

MLA Handbook (7th Edition):

Tracy, David. “Acoustic phenomena as a model for music composition: representing acoustic phenomena in musical composition through the extrapolative and interpolative modelling of the phenomena's characteristics and behaviour.” 2014. Web. 20 Jan 2020.

Vancouver:

Tracy D. Acoustic phenomena as a model for music composition: representing acoustic phenomena in musical composition through the extrapolative and interpolative modelling of the phenomena's characteristics and behaviour. [Internet] [Masters thesis]. University of Newcastle; 2014. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1959.13/1041443.

Council of Science Editors:

Tracy D. Acoustic phenomena as a model for music composition: representing acoustic phenomena in musical composition through the extrapolative and interpolative modelling of the phenomena's characteristics and behaviour. [Masters Thesis]. University of Newcastle; 2014. Available from: http://hdl.handle.net/1959.13/1041443


University of California – Berkeley

2. Ficarra, Evelyn Jacqueline. Vagues / Fenêtres for String Trio and Electronic Sounds.

Degree: Music, 2010, University of California – Berkeley

 AbstractVagues / Fenêtres for String Trio and Electronic SoundsbyEvelyn Jacqueline FicarraDoctor of Philosophy in MusicUniversity of California, BerkeleyProfessor Edmund Campion, ChairThis research begins with close… (more)

Subjects/Keywords: Music; Chamber; Composition; Electro-Acoustic; Electronic

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ficarra, E. J. (2010). Vagues / Fenêtres for String Trio and Electronic Sounds. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/6jf071v1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ficarra, Evelyn Jacqueline. “Vagues / Fenêtres for String Trio and Electronic Sounds.” 2010. Thesis, University of California – Berkeley. Accessed January 20, 2020. http://www.escholarship.org/uc/item/6jf071v1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ficarra, Evelyn Jacqueline. “Vagues / Fenêtres for String Trio and Electronic Sounds.” 2010. Web. 20 Jan 2020.

Vancouver:

Ficarra EJ. Vagues / Fenêtres for String Trio and Electronic Sounds. [Internet] [Thesis]. University of California – Berkeley; 2010. [cited 2020 Jan 20]. Available from: http://www.escholarship.org/uc/item/6jf071v1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ficarra EJ. Vagues / Fenêtres for String Trio and Electronic Sounds. [Thesis]. University of California – Berkeley; 2010. Available from: http://www.escholarship.org/uc/item/6jf071v1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Ottawa

3. Michael, Carlucci. The Development of New Electronic Percussion Instruments in Popular Music of the 1980s: A Technical Study .

Degree: 2014, University of Ottawa

 The influence of electronic percussion (in particular, the Simmons Drum Company’s innovations) on the compositions and evolution of 1980s Pop music can be examined through… (more)

Subjects/Keywords: Pop Music; Electronic Percussion; History; Acoustic Percussion

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Michael, C. (2014). The Development of New Electronic Percussion Instruments in Popular Music of the 1980s: A Technical Study . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/31376

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Michael, Carlucci. “The Development of New Electronic Percussion Instruments in Popular Music of the 1980s: A Technical Study .” 2014. Thesis, University of Ottawa. Accessed January 20, 2020. http://hdl.handle.net/10393/31376.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Michael, Carlucci. “The Development of New Electronic Percussion Instruments in Popular Music of the 1980s: A Technical Study .” 2014. Web. 20 Jan 2020.

Vancouver:

Michael C. The Development of New Electronic Percussion Instruments in Popular Music of the 1980s: A Technical Study . [Internet] [Thesis]. University of Ottawa; 2014. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10393/31376.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Michael C. The Development of New Electronic Percussion Instruments in Popular Music of the 1980s: A Technical Study . [Thesis]. University of Ottawa; 2014. Available from: http://hdl.handle.net/10393/31376

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Whiteley, Benjamin David Manney. Modern Folk Music Composition: A Self-reflexive Exploration.

Degree: MA -MA, Music, 2018, York University

 This thesis is comprised of two parts: six recorded original compositions and this paper, which includes an autobiographical survey of my musical influences and an… (more)

Subjects/Keywords: Music; Folk; Bluegrass; Composition; Acoustic; American; Instrumental

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Whiteley, B. D. M. (2018). Modern Folk Music Composition: A Self-reflexive Exploration. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/35475

Chicago Manual of Style (16th Edition):

Whiteley, Benjamin David Manney. “Modern Folk Music Composition: A Self-reflexive Exploration.” 2018. Masters Thesis, York University. Accessed January 20, 2020. http://hdl.handle.net/10315/35475.

MLA Handbook (7th Edition):

Whiteley, Benjamin David Manney. “Modern Folk Music Composition: A Self-reflexive Exploration.” 2018. Web. 20 Jan 2020.

Vancouver:

Whiteley BDM. Modern Folk Music Composition: A Self-reflexive Exploration. [Internet] [Masters thesis]. York University; 2018. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10315/35475.

Council of Science Editors:

Whiteley BDM. Modern Folk Music Composition: A Self-reflexive Exploration. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/35475


University of Cincinnati

5. BARNHART, MICHAEL ROBERT. THE SINGING BRIDGE.

Degree: DMA, College-Conservatory of Music : Composition, 2007, University of Cincinnati

 The Singing Bridge is a piece for percussion trio with recorded electro-acoustic music inspired by and utilizing samples from the sonic environment surrounding the Cincinnati-Covington… (more)

Subjects/Keywords: Music; Singing Bridge; music; Roebling Bridge; music composition; percussion; computer music; electro-acoustic; Cincinnati

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

BARNHART, M. R. (2007). THE SINGING BRIDGE. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195667467

Chicago Manual of Style (16th Edition):

BARNHART, MICHAEL ROBERT. “THE SINGING BRIDGE.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed January 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195667467.

MLA Handbook (7th Edition):

BARNHART, MICHAEL ROBERT. “THE SINGING BRIDGE.” 2007. Web. 20 Jan 2020.

Vancouver:

BARNHART MR. THE SINGING BRIDGE. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2020 Jan 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195667467.

Council of Science Editors:

BARNHART MR. THE SINGING BRIDGE. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1195667467

6. Sousa Bittencourt, Pedro. Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones.

Degree: Docteur es, Musique, 2015, Paris 8

Étude sur la collaboration et la participation active d’un saxophoniste-chercheur avec plusieurs compositeurs dans la création musicale mixte. Les musiques mixtes combinent un performeur jouant… (more)

Subjects/Keywords: Saxophone; Mixed electro acoustic music (saxophone); Saxophone; Interpretation - music; Composition (music); Music with computers

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sousa Bittencourt, P. (2015). Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones. (Doctoral Dissertation). Paris 8. Retrieved from http://www.theses.fr/2015PA080075

Chicago Manual of Style (16th Edition):

Sousa Bittencourt, Pedro. “Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones.” 2015. Doctoral Dissertation, Paris 8. Accessed January 20, 2020. http://www.theses.fr/2015PA080075.

MLA Handbook (7th Edition):

Sousa Bittencourt, Pedro. “Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones.” 2015. Web. 20 Jan 2020.

Vancouver:

Sousa Bittencourt P. Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones. [Internet] [Doctoral dissertation]. Paris 8; 2015. [cited 2020 Jan 20]. Available from: http://www.theses.fr/2015PA080075.

Council of Science Editors:

Sousa Bittencourt P. Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones. [Doctoral Dissertation]. Paris 8; 2015. Available from: http://www.theses.fr/2015PA080075


NSYSU

7. Chen, Yu-tang. Music Retrieval by Learning from Automated Logs with Semantic Features.

Degree: Master, Computer Science and Engineering, 2017, NSYSU

 Along with the quick development of new technology in the modern digital era, music has become inevitable media in our life. Much attention has been… (more)

Subjects/Keywords: acoustic features; music content; navigation path; semantic features; music retrieval

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chen, Y. (2017). Music Retrieval by Learning from Automated Logs with Semantic Features. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0728117-131233

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chen, Yu-tang. “Music Retrieval by Learning from Automated Logs with Semantic Features.” 2017. Thesis, NSYSU. Accessed January 20, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0728117-131233.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chen, Yu-tang. “Music Retrieval by Learning from Automated Logs with Semantic Features.” 2017. Web. 20 Jan 2020.

Vancouver:

Chen Y. Music Retrieval by Learning from Automated Logs with Semantic Features. [Internet] [Thesis]. NSYSU; 2017. [cited 2020 Jan 20]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0728117-131233.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen Y. Music Retrieval by Learning from Automated Logs with Semantic Features. [Thesis]. NSYSU; 2017. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0728117-131233

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Carolina

8. Reeves, Richard Shane. The Eccentric Compositional Style of Mark Applebaum: An Analysis of his Acoustic Percussion Works.

Degree: DMA, School of Music, 2017, University of South Carolina

  Mark Applebaum is an American composer and Professor of Composition at Stanford University who has made significant contributions to contemporary music. His music has… (more)

Subjects/Keywords: Arts and Humanities; Music; Music Performance; Mark Applebaum; Acoustic

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Reeves, R. S. (2017). The Eccentric Compositional Style of Mark Applebaum: An Analysis of his Acoustic Percussion Works. (Doctoral Dissertation). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/4359

Chicago Manual of Style (16th Edition):

Reeves, Richard Shane. “The Eccentric Compositional Style of Mark Applebaum: An Analysis of his Acoustic Percussion Works.” 2017. Doctoral Dissertation, University of South Carolina. Accessed January 20, 2020. https://scholarcommons.sc.edu/etd/4359.

MLA Handbook (7th Edition):

Reeves, Richard Shane. “The Eccentric Compositional Style of Mark Applebaum: An Analysis of his Acoustic Percussion Works.” 2017. Web. 20 Jan 2020.

Vancouver:

Reeves RS. The Eccentric Compositional Style of Mark Applebaum: An Analysis of his Acoustic Percussion Works. [Internet] [Doctoral dissertation]. University of South Carolina; 2017. [cited 2020 Jan 20]. Available from: https://scholarcommons.sc.edu/etd/4359.

Council of Science Editors:

Reeves RS. The Eccentric Compositional Style of Mark Applebaum: An Analysis of his Acoustic Percussion Works. [Doctoral Dissertation]. University of South Carolina; 2017. Available from: https://scholarcommons.sc.edu/etd/4359


University of Waikato

9. Yue, Bo. Composition portfolio .

Degree: 2011, University of Waikato

 This portfolio of original compositions includes two acoustic works and four electroacoustic works. Surrounded in the dark is a trio for clarinet, violin and violoncello… (more)

Subjects/Keywords: acoustic music; electroacoustic music; Robert Frost; orchestral work; New Zealand; trio

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yue, B. (2011). Composition portfolio . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/5612

Chicago Manual of Style (16th Edition):

Yue, Bo. “Composition portfolio .” 2011. Masters Thesis, University of Waikato. Accessed January 20, 2020. http://hdl.handle.net/10289/5612.

MLA Handbook (7th Edition):

Yue, Bo. “Composition portfolio .” 2011. Web. 20 Jan 2020.

Vancouver:

Yue B. Composition portfolio . [Internet] [Masters thesis]. University of Waikato; 2011. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10289/5612.

Council of Science Editors:

Yue B. Composition portfolio . [Masters Thesis]. University of Waikato; 2011. Available from: http://hdl.handle.net/10289/5612


University of Michigan

10. Ellis, Jennifer. Summary of Dissertation Recitals Three Programs of Harp Music.

Degree: AMU, Music: Performance, 2015, University of Michigan

 Three harp recitals were given in lieu of a written dissertation. My dissertation traced innovation on the harp. In particular, I focused on extended techniques.… (more)

Subjects/Keywords: harp; extended techniques; music; social networks; electro-acoustic; new music; Music and Dance; Arts

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ellis, J. (2015). Summary of Dissertation Recitals Three Programs of Harp Music. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/147592

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ellis, Jennifer. “Summary of Dissertation Recitals Three Programs of Harp Music.” 2015. Thesis, University of Michigan. Accessed January 20, 2020. http://hdl.handle.net/2027.42/147592.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ellis, Jennifer. “Summary of Dissertation Recitals Three Programs of Harp Music.” 2015. Web. 20 Jan 2020.

Vancouver:

Ellis J. Summary of Dissertation Recitals Three Programs of Harp Music. [Internet] [Thesis]. University of Michigan; 2015. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/2027.42/147592.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ellis J. Summary of Dissertation Recitals Three Programs of Harp Music. [Thesis]. University of Michigan; 2015. Available from: http://hdl.handle.net/2027.42/147592

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Swilley, Daniel. Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963).

Degree: A.Mus.D., 0265, 2014, University of Illinois – Urbana-Champaign

 This dissertation is an investigation of electro-acoustic music analysis; it highlights the difficulties of analysis, explains some of the prevailing analysis methodologies, and demonstrates the… (more)

Subjects/Keywords: Electro-acoustic Music; Electro-acoustic Music Analysis

…concerning the analysis of electro-acoustic music, (3) a review of current electro… …acoustic music analysis methodologies, and (4) an analytical case study of the work… …acoustic music analysis and current analytical methodologies is essential to adequately analyze… …laboratory for engaging the difficulties and utilizing the methods of electro-acoustic music… …electro-acoustic music analysis. The study made use of methodologies based on listening and also… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Swilley, D. (2014). Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963). (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/49416

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Swilley, Daniel. “Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963).” 2014. Thesis, University of Illinois – Urbana-Champaign. Accessed January 20, 2020. http://hdl.handle.net/2142/49416.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Swilley, Daniel. “Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963).” 2014. Web. 20 Jan 2020.

Vancouver:

Swilley D. Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963). [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2014. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/2142/49416.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Swilley D. Problems, current methodologies, and an analytical case study in electro-acoustic music analysis: Lejaren Hiller's Vocalise from seven electronic studies for two-channel tape recorder (1963). [Thesis]. University of Illinois – Urbana-Champaign; 2014. Available from: http://hdl.handle.net/2142/49416

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

12. Borden, Stacy R. Work for Five-String Electronic Violin and Tape (Torn Edges).

Degree: MM, Music Composition, 2008, Bowling Green State University

 Torn Edges, a Work for Five-String Electronic Violin and Tape, was written in partial fulfillment of the requirements for the degree of Master of Music(more)

Subjects/Keywords: Music; Tape and Instruments; Electro-acoustic, Electronic Violin; Five-string Violin; Music Technology

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Borden, S. R. (2008). Work for Five-String Electronic Violin and Tape (Torn Edges). (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1213920863

Chicago Manual of Style (16th Edition):

Borden, Stacy R. “Work for Five-String Electronic Violin and Tape (Torn Edges).” 2008. Masters Thesis, Bowling Green State University. Accessed January 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1213920863.

MLA Handbook (7th Edition):

Borden, Stacy R. “Work for Five-String Electronic Violin and Tape (Torn Edges).” 2008. Web. 20 Jan 2020.

Vancouver:

Borden SR. Work for Five-String Electronic Violin and Tape (Torn Edges). [Internet] [Masters thesis]. Bowling Green State University; 2008. [cited 2020 Jan 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1213920863.

Council of Science Editors:

Borden SR. Work for Five-String Electronic Violin and Tape (Torn Edges). [Masters Thesis]. Bowling Green State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1213920863

13. Esquef, Paulo A. A. Model-Based Analysis of Noisy Musical Recordings with Application to Audio Restoration.

Degree: 2004, Helsinki University of Technology

This thesis proposes digital signal processing algorithms for noise reduction and enhancement of audio signals. Approximately half of the work concerns signal modeling techniques for… (more)

Subjects/Keywords: acoustic signal processing; computer music; audio restoration; spectral analysis

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Esquef, P. A. A. (2004). Model-Based Analysis of Noisy Musical Recordings with Application to Audio Restoration. (Thesis). Helsinki University of Technology. Retrieved from http://lib.tkk.fi/Diss/2004/isbn9512269503/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Esquef, Paulo A A. “Model-Based Analysis of Noisy Musical Recordings with Application to Audio Restoration.” 2004. Thesis, Helsinki University of Technology. Accessed January 20, 2020. http://lib.tkk.fi/Diss/2004/isbn9512269503/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Esquef, Paulo A A. “Model-Based Analysis of Noisy Musical Recordings with Application to Audio Restoration.” 2004. Web. 20 Jan 2020.

Vancouver:

Esquef PAA. Model-Based Analysis of Noisy Musical Recordings with Application to Audio Restoration. [Internet] [Thesis]. Helsinki University of Technology; 2004. [cited 2020 Jan 20]. Available from: http://lib.tkk.fi/Diss/2004/isbn9512269503/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Esquef PAA. Model-Based Analysis of Noisy Musical Recordings with Application to Audio Restoration. [Thesis]. Helsinki University of Technology; 2004. Available from: http://lib.tkk.fi/Diss/2004/isbn9512269503/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Rauhala, Jukka. Physics-Based Parametric Synthesis of Inharmonic Piano Tones.

Degree: 2008, Helsinki University of Technology

This dissertation studies methods for developing a parametric piano synthesis model using the physics-based approach. The goal is to develop a model that can be… (more)

Subjects/Keywords: acoustic signal processing; digital signal processing; music; akustinen signaalinkäsittely; signaalinkäsittely; musiikki

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rauhala, J. (2008). Physics-Based Parametric Synthesis of Inharmonic Piano Tones. (Thesis). Helsinki University of Technology. Retrieved from http://lib.tkk.fi/Diss/2007/isbn9789512290666/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rauhala, Jukka. “Physics-Based Parametric Synthesis of Inharmonic Piano Tones.” 2008. Thesis, Helsinki University of Technology. Accessed January 20, 2020. http://lib.tkk.fi/Diss/2007/isbn9789512290666/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rauhala, Jukka. “Physics-Based Parametric Synthesis of Inharmonic Piano Tones.” 2008. Web. 20 Jan 2020.

Vancouver:

Rauhala J. Physics-Based Parametric Synthesis of Inharmonic Piano Tones. [Internet] [Thesis]. Helsinki University of Technology; 2008. [cited 2020 Jan 20]. Available from: http://lib.tkk.fi/Diss/2007/isbn9789512290666/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rauhala J. Physics-Based Parametric Synthesis of Inharmonic Piano Tones. [Thesis]. Helsinki University of Technology; 2008. Available from: http://lib.tkk.fi/Diss/2007/isbn9789512290666/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

15. Kasprzyk, Cory Ryan. Found Composition: Ecological Awareness and its Impact on Compositional Authority in Music Employing Electronics.

Degree: DMA, Contemporary Music, 2017, Bowling Green State University

 A body of music exists that to varying degrees surrenders compositional decisions to environmental observation. Many composers utilizing electronics allow an increasing awareness of climate… (more)

Subjects/Keywords: Music; Found Composition; Field Recording; Acoustic Ecology; Soundscape Composition; Ecoacoustics

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kasprzyk, C. R. (2017). Found Composition: Ecological Awareness and its Impact on Compositional Authority in Music Employing Electronics. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1510572689037113

Chicago Manual of Style (16th Edition):

Kasprzyk, Cory Ryan. “Found Composition: Ecological Awareness and its Impact on Compositional Authority in Music Employing Electronics.” 2017. Doctoral Dissertation, Bowling Green State University. Accessed January 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1510572689037113.

MLA Handbook (7th Edition):

Kasprzyk, Cory Ryan. “Found Composition: Ecological Awareness and its Impact on Compositional Authority in Music Employing Electronics.” 2017. Web. 20 Jan 2020.

Vancouver:

Kasprzyk CR. Found Composition: Ecological Awareness and its Impact on Compositional Authority in Music Employing Electronics. [Internet] [Doctoral dissertation]. Bowling Green State University; 2017. [cited 2020 Jan 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1510572689037113.

Council of Science Editors:

Kasprzyk CR. Found Composition: Ecological Awareness and its Impact on Compositional Authority in Music Employing Electronics. [Doctoral Dissertation]. Bowling Green State University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1510572689037113


University of Tasmania

16. Arnold, G. Writing songs and writing a record: Inside the composition of an Acoustic Pop Album.

Degree: 2013, University of Tasmania

 This project is a study of the author’s creative practice as a songwriter, record producer and performer of mostly (but not exclusively) acoustic pop music.… (more)

Subjects/Keywords: songwriting; record production; acoustic-pop; music performance and composition

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Arnold, G. (2013). Writing songs and writing a record: Inside the composition of an Acoustic Pop Album. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/17481/1/Whole-Arnold-_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Arnold, G. “Writing songs and writing a record: Inside the composition of an Acoustic Pop Album.” 2013. Thesis, University of Tasmania. Accessed January 20, 2020. https://eprints.utas.edu.au/17481/1/Whole-Arnold-_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Arnold, G. “Writing songs and writing a record: Inside the composition of an Acoustic Pop Album.” 2013. Web. 20 Jan 2020.

Vancouver:

Arnold G. Writing songs and writing a record: Inside the composition of an Acoustic Pop Album. [Internet] [Thesis]. University of Tasmania; 2013. [cited 2020 Jan 20]. Available from: https://eprints.utas.edu.au/17481/1/Whole-Arnold-_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Arnold G. Writing songs and writing a record: Inside the composition of an Acoustic Pop Album. [Thesis]. University of Tasmania; 2013. Available from: https://eprints.utas.edu.au/17481/1/Whole-Arnold-_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University of Wellington

17. Mauvan, John. Shoe Box: An Analysis of the Concert Hall and its Adaption to Small-Scale Music Performance Space.

Degree: 2011, Victoria University of Wellington

 In the first 150 years after 1600, western music was traditionally performed in palace ballrooms which were mostly rectangular in shape. In the following two… (more)

Subjects/Keywords: Acoustic design; NZSM; New Zealand School of Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mauvan, J. (2011). Shoe Box: An Analysis of the Concert Hall and its Adaption to Small-Scale Music Performance Space. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/2121

Chicago Manual of Style (16th Edition):

Mauvan, John. “Shoe Box: An Analysis of the Concert Hall and its Adaption to Small-Scale Music Performance Space.” 2011. Masters Thesis, Victoria University of Wellington. Accessed January 20, 2020. http://hdl.handle.net/10063/2121.

MLA Handbook (7th Edition):

Mauvan, John. “Shoe Box: An Analysis of the Concert Hall and its Adaption to Small-Scale Music Performance Space.” 2011. Web. 20 Jan 2020.

Vancouver:

Mauvan J. Shoe Box: An Analysis of the Concert Hall and its Adaption to Small-Scale Music Performance Space. [Internet] [Masters thesis]. Victoria University of Wellington; 2011. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10063/2121.

Council of Science Editors:

Mauvan J. Shoe Box: An Analysis of the Concert Hall and its Adaption to Small-Scale Music Performance Space. [Masters Thesis]. Victoria University of Wellington; 2011. Available from: http://hdl.handle.net/10063/2121


University of Kansas

18. Perez, Francisco. A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3.

Degree: DMA, Music Education & Music Therapy, 2015, University of Kansas

 Electro-acoustic music for wind band is an emerging genre among contemporary composers that incorporates and blends an electronic soundtrack and cues with traditional wind nstruments.… (more)

Subjects/Keywords: Music; Band; Electroacoustic; Electro-acoustic; Electronics; Wind Band

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Perez, F. (2015). A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/19440

Chicago Manual of Style (16th Edition):

Perez, Francisco. “A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3.” 2015. Doctoral Dissertation, University of Kansas. Accessed January 20, 2020. http://hdl.handle.net/1808/19440.

MLA Handbook (7th Edition):

Perez, Francisco. “A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3.” 2015. Web. 20 Jan 2020.

Vancouver:

Perez F. A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3. [Internet] [Doctoral dissertation]. University of Kansas; 2015. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1808/19440.

Council of Science Editors:

Perez F. A SURVEY OF PERFORMANCE PRACTICE OF ELECTROACOUSTIC MUSIC FOR WIND BAND GRADES 2-3. [Doctoral Dissertation]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/19440


University of California – Berkeley

19. MacCallum, John Andrew. El Árbol de la noche triste.

Degree: Music, 2010, University of California – Berkeley

 El Árbol de la noche triste is a composition for solo scordatura violaand electronicsounds which are generated algorithmically in real-time during the performance.In the work… (more)

Subjects/Keywords: Music; Algorithmic; Composition; Electro-acoustic; Harmonic Series; Stochastic; Viola

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

MacCallum, J. A. (2010). El Árbol de la noche triste. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/5z77z44j

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

MacCallum, John Andrew. “El Árbol de la noche triste.” 2010. Thesis, University of California – Berkeley. Accessed January 20, 2020. http://www.escholarship.org/uc/item/5z77z44j.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

MacCallum, John Andrew. “El Árbol de la noche triste.” 2010. Web. 20 Jan 2020.

Vancouver:

MacCallum JA. El Árbol de la noche triste. [Internet] [Thesis]. University of California – Berkeley; 2010. [cited 2020 Jan 20]. Available from: http://www.escholarship.org/uc/item/5z77z44j.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MacCallum JA. El Árbol de la noche triste. [Thesis]. University of California – Berkeley; 2010. Available from: http://www.escholarship.org/uc/item/5z77z44j

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Tech

20. Santos, Sharon Marie. Tactile and Visual Sound: A Music Cooperative for the Adams Morgan Community.

Degree: M. Arch., Architecture, 2005, Virginia Tech

Tactile and visual sound:Experiencing the aural through the use of material and form to direct, create and control sound. Advisors/Committee Members: Piedmont-Palladino, Susan C. (committeechair), Yglesias, Caren L. (committee member), Emmons, Paul F. (committee member).

Subjects/Keywords: sound; acoustic properties; cooperative; music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Santos, S. M. (2005). Tactile and Visual Sound: A Music Cooperative for the Adams Morgan Community. (Masters Thesis). Virginia Tech. Retrieved from http://hdl.handle.net/10919/36480

Chicago Manual of Style (16th Edition):

Santos, Sharon Marie. “Tactile and Visual Sound: A Music Cooperative for the Adams Morgan Community.” 2005. Masters Thesis, Virginia Tech. Accessed January 20, 2020. http://hdl.handle.net/10919/36480.

MLA Handbook (7th Edition):

Santos, Sharon Marie. “Tactile and Visual Sound: A Music Cooperative for the Adams Morgan Community.” 2005. Web. 20 Jan 2020.

Vancouver:

Santos SM. Tactile and Visual Sound: A Music Cooperative for the Adams Morgan Community. [Internet] [Masters thesis]. Virginia Tech; 2005. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10919/36480.

Council of Science Editors:

Santos SM. Tactile and Visual Sound: A Music Cooperative for the Adams Morgan Community. [Masters Thesis]. Virginia Tech; 2005. Available from: http://hdl.handle.net/10919/36480


Drexel University

21. Deak, Margaret. Toning: Definition and usage in music therapy.

Degree: 1990, Drexel University

This study was undertaken in an attempt to define toning more clearly and establish a theoretical basis for future research. The acoustic, physiologic, and psychologic… (more)

Subjects/Keywords: Acoustic Stimulation; Music Therapy; Sound

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Deak, M. (1990). Toning: Definition and usage in music therapy. (Thesis). Drexel University. Retrieved from http://hdl.handle.net/1860/1094

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Deak, Margaret. “Toning: Definition and usage in music therapy.” 1990. Thesis, Drexel University. Accessed January 20, 2020. http://hdl.handle.net/1860/1094.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Deak, Margaret. “Toning: Definition and usage in music therapy.” 1990. Web. 20 Jan 2020.

Vancouver:

Deak M. Toning: Definition and usage in music therapy. [Internet] [Thesis]. Drexel University; 1990. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1860/1094.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Deak M. Toning: Definition and usage in music therapy. [Thesis]. Drexel University; 1990. Available from: http://hdl.handle.net/1860/1094

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University College Cork

22. Molloy, Richard. Transfunctionality: a compositional approach for expanding the horizons of acoustic instruments.

Degree: 2019, University College Cork

 This PhD in music composition explores a compositional approach referred to as 'Transfunctionality', where traditional acoustic instruments were paired with 'Expanded Instrument Systems' (EIS). These… (more)

Subjects/Keywords: Music; Composition; Expanded instrument systems; Live electronics; Acoustic instruments

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Molloy, R. (2019). Transfunctionality: a compositional approach for expanding the horizons of acoustic instruments. (Thesis). University College Cork. Retrieved from http://hdl.handle.net/10468/8607

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Molloy, Richard. “Transfunctionality: a compositional approach for expanding the horizons of acoustic instruments.” 2019. Thesis, University College Cork. Accessed January 20, 2020. http://hdl.handle.net/10468/8607.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Molloy, Richard. “Transfunctionality: a compositional approach for expanding the horizons of acoustic instruments.” 2019. Web. 20 Jan 2020.

Vancouver:

Molloy R. Transfunctionality: a compositional approach for expanding the horizons of acoustic instruments. [Internet] [Thesis]. University College Cork; 2019. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10468/8607.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Molloy R. Transfunctionality: a compositional approach for expanding the horizons of acoustic instruments. [Thesis]. University College Cork; 2019. Available from: http://hdl.handle.net/10468/8607

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas State University – San Marcos

23. Fuentes, Evangelina Liza. Música Tejana and the Transition from Traditional to Modern: Manuel “Cowboy” Donley and the Austin Music Scene.

Degree: MA, History, 2019, Texas State University – San Marcos

 Texans of Mexican descent represent an indivisible component of Texas history, culture and music. Their vibrant musical heritage holds a central position in the Texas… (more)

Subjects/Keywords: Música Tejana; Tejano music; Texas-Mexican music; Traditional acoustic; Modern electric; Donley, Manuel "Cowboy"; Austin music scene; Tejano music – Texas – Austin; Popular music – Texas – Austin

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fuentes, E. L. (2019). Música Tejana and the Transition from Traditional to Modern: Manuel “Cowboy” Donley and the Austin Music Scene. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/8142

Chicago Manual of Style (16th Edition):

Fuentes, Evangelina Liza. “Música Tejana and the Transition from Traditional to Modern: Manuel “Cowboy” Donley and the Austin Music Scene.” 2019. Masters Thesis, Texas State University – San Marcos. Accessed January 20, 2020. https://digital.library.txstate.edu/handle/10877/8142.

MLA Handbook (7th Edition):

Fuentes, Evangelina Liza. “Música Tejana and the Transition from Traditional to Modern: Manuel “Cowboy” Donley and the Austin Music Scene.” 2019. Web. 20 Jan 2020.

Vancouver:

Fuentes EL. Música Tejana and the Transition from Traditional to Modern: Manuel “Cowboy” Donley and the Austin Music Scene. [Internet] [Masters thesis]. Texas State University – San Marcos; 2019. [cited 2020 Jan 20]. Available from: https://digital.library.txstate.edu/handle/10877/8142.

Council of Science Editors:

Fuentes EL. Música Tejana and the Transition from Traditional to Modern: Manuel “Cowboy” Donley and the Austin Music Scene. [Masters Thesis]. Texas State University – San Marcos; 2019. Available from: https://digital.library.txstate.edu/handle/10877/8142


Technical University of Lisbon

24. Mira, Filipa Isabel Marques. Estudo preliminar da influência da música nos mecanismos fisiológicos dos sistemas cardiovascular, respiratório e nervoso central em indivíduos da espécie Felis catus sob anestesia geral.

Degree: 2014, Technical University of Lisbon

Dissertação de Mestrado Integrado em Medicina Veterinária

Vários estudos em medicina humana têm sido publicados sobre a efetividade da música na melhoria do doente no… (more)

Subjects/Keywords: Anestesia; Monitorização; Género musical; Estimulação auditiva; Felis catus; Anaesthesia; Monitoring; Music genre; Sensory acoustic stimuli

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mira, F. I. M. (2014). Estudo preliminar da influência da música nos mecanismos fisiológicos dos sistemas cardiovascular, respiratório e nervoso central em indivíduos da espécie Felis catus sob anestesia geral. (Thesis). Technical University of Lisbon. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:www.repository.utl.pt:10400.5/6670

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mira, Filipa Isabel Marques. “Estudo preliminar da influência da música nos mecanismos fisiológicos dos sistemas cardiovascular, respiratório e nervoso central em indivíduos da espécie Felis catus sob anestesia geral.” 2014. Thesis, Technical University of Lisbon. Accessed January 20, 2020. http://www.rcaap.pt/detail.jsp?id=oai:www.repository.utl.pt:10400.5/6670.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mira, Filipa Isabel Marques. “Estudo preliminar da influência da música nos mecanismos fisiológicos dos sistemas cardiovascular, respiratório e nervoso central em indivíduos da espécie Felis catus sob anestesia geral.” 2014. Web. 20 Jan 2020.

Vancouver:

Mira FIM. Estudo preliminar da influência da música nos mecanismos fisiológicos dos sistemas cardiovascular, respiratório e nervoso central em indivíduos da espécie Felis catus sob anestesia geral. [Internet] [Thesis]. Technical University of Lisbon; 2014. [cited 2020 Jan 20]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:www.repository.utl.pt:10400.5/6670.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mira FIM. Estudo preliminar da influência da música nos mecanismos fisiológicos dos sistemas cardiovascular, respiratório e nervoso central em indivíduos da espécie Felis catus sob anestesia geral. [Thesis]. Technical University of Lisbon; 2014. Available from: http://www.rcaap.pt/detail.jsp?id=oai:www.repository.utl.pt:10400.5/6670

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queen Mary, University of London

25. Sigtia, Siddharth. Neural networks for analysing music and environmental audio.

Degree: PhD, 2017, Queen Mary, University of London

 In this thesis, we consider the analysis of music and environmental audio recordings with neural networks. Recently, neural networks have been shown to be an… (more)

Subjects/Keywords: Electronic Engineering and Computer Science; neural networks; music signal analysis; acoustic event detection

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sigtia, S. (2017). Neural networks for analysing music and environmental audio. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/24741 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.765914

Chicago Manual of Style (16th Edition):

Sigtia, Siddharth. “Neural networks for analysing music and environmental audio.” 2017. Doctoral Dissertation, Queen Mary, University of London. Accessed January 20, 2020. http://qmro.qmul.ac.uk/xmlui/handle/123456789/24741 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.765914.

MLA Handbook (7th Edition):

Sigtia, Siddharth. “Neural networks for analysing music and environmental audio.” 2017. Web. 20 Jan 2020.

Vancouver:

Sigtia S. Neural networks for analysing music and environmental audio. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2017. [cited 2020 Jan 20]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/24741 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.765914.

Council of Science Editors:

Sigtia S. Neural networks for analysing music and environmental audio. [Doctoral Dissertation]. Queen Mary, University of London; 2017. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/24741 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.765914


University of Cincinnati

26. Ding, Shiau-Uen. Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

Music reflects the society and technology of its age. For 21st century pianists, in addition to mastering traditional solo piano and chamber repertoire, cultivating skills… (more)

Subjects/Keywords: Music; Education, Music; contemporary music; computer music; electroacoustic; electro-acoustic; piano; tape; Christopher Bailey; Balladei; Luigi Nono; sofferte onde serene; Mario Davidovsky; Synchronisms; Jonathan Harvey; Tombeau de Messiaen; James Mobberley

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ding, S. (2007). Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001

Chicago Manual of Style (16th Edition):

Ding, Shiau-Uen. “Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed January 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001.

MLA Handbook (7th Edition):

Ding, Shiau-Uen. “Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”.” 2007. Web. 20 Jan 2020.

Vancouver:

Ding S. Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2020 Jan 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001.

Council of Science Editors:

Ding S. Sitting at the Piano, Cradled by Speakers: Developing a Rhythmic Performance Practice in Music for Piano and “Tape”. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179467001


University of North Texas

27. Rostovtsev, Ilya Y. Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements.

Degree: 2010, University of North Texas

 Understatements for two-channel fixed media is a four-movement study of the sonic potential of acoustic instruments within the practice of electroacoustic studio composition. The musical… (more)

Subjects/Keywords: Electroacoustic music; compositional aesthetics; composition; faktura; singing bowl; accordion; percussion; violin; clarinet; acoustic instruments; fixed media; Rostov︠t︡sev, Ilya Y. Understatements.; Composition (Music); Electronic music  – History and criticism.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rostovtsev, I. Y. (2010). Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc33198/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rostovtsev, Ilya Y. “Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements.” 2010. Thesis, University of North Texas. Accessed January 20, 2020. https://digital.library.unt.edu/ark:/67531/metadc33198/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rostovtsev, Ilya Y. “Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements.” 2010. Web. 20 Jan 2020.

Vancouver:

Rostovtsev IY. Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements. [Internet] [Thesis]. University of North Texas; 2010. [cited 2020 Jan 20]. Available from: https://digital.library.unt.edu/ark:/67531/metadc33198/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rostovtsev IY. Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc33198/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Sydney

28. Hewitt, Donna Gai. Compositions for voice and technology.

Degree: 2006, University of Western Sydney

 The PhD consists of a portfolio of electric-acoustic compositions and is accompanied by a scholarly dissertation. The portfolio of works explores the development of real… (more)

Subjects/Keywords: Doctor of Philosophy (PhD); music; electronic music; computer music; electric-acoustic compositions

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hewitt, D. G. (2006). Compositions for voice and technology. (Thesis). University of Western Sydney. Retrieved from http://handle.uws.edu.au:8081/1959.7/12944

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hewitt, Donna Gai. “Compositions for voice and technology.” 2006. Thesis, University of Western Sydney. Accessed January 20, 2020. http://handle.uws.edu.au:8081/1959.7/12944.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hewitt, Donna Gai. “Compositions for voice and technology.” 2006. Web. 20 Jan 2020.

Vancouver:

Hewitt DG. Compositions for voice and technology. [Internet] [Thesis]. University of Western Sydney; 2006. [cited 2020 Jan 20]. Available from: http://handle.uws.edu.au:8081/1959.7/12944.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hewitt DG. Compositions for voice and technology. [Thesis]. University of Western Sydney; 2006. Available from: http://handle.uws.edu.au:8081/1959.7/12944

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas A&M University

29. Han, Je Heon. Investigation on Wave Propagation Characteristics in Plates and Pipes for Identification of Structural Defect Locations.

Degree: 2013, Texas A&M University

 For successful identification of structural defects in plates and pipes, it is essential to understand structural wave propagation characteristics such as dispersion relations. Analytical approaches… (more)

Subjects/Keywords: Non-destructive evaluation (NDE); Acoustic Transfer Function Approach; Dispersion Curves; Hybrid Analytical Finite Element Method (HAFEM); Multiple Signal Classification (MUSIC)

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Han, J. H. (2013). Investigation on Wave Propagation Characteristics in Plates and Pipes for Identification of Structural Defect Locations. (Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/151345

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Han, Je Heon. “Investigation on Wave Propagation Characteristics in Plates and Pipes for Identification of Structural Defect Locations.” 2013. Thesis, Texas A&M University. Accessed January 20, 2020. http://hdl.handle.net/1969.1/151345.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Han, Je Heon. “Investigation on Wave Propagation Characteristics in Plates and Pipes for Identification of Structural Defect Locations.” 2013. Web. 20 Jan 2020.

Vancouver:

Han JH. Investigation on Wave Propagation Characteristics in Plates and Pipes for Identification of Structural Defect Locations. [Internet] [Thesis]. Texas A&M University; 2013. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1969.1/151345.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Han JH. Investigation on Wave Propagation Characteristics in Plates and Pipes for Identification of Structural Defect Locations. [Thesis]. Texas A&M University; 2013. Available from: http://hdl.handle.net/1969.1/151345

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Federal de Santa Maria

30. Cristhian Moreira Brum. SIMULAÇÃO ACÚSTICA DE SALAS DE AULA EM ESCOLAS DE EDUCAÇÃO BÁSICA: UMA PROPOSTA TIPOLÓGICA PARA PRÁTICA MUSICAL.

Degree: 2012, Universidade Federal de Santa Maria

O estudo da acústica de salas está vinculado à importância do som dentro de um recinto, logo, as características arquitetônicas do espaço interno determinam seu… (more)

Subjects/Keywords: acústica de salas; ensino da música; simulação acústica; ENGENHARIA CIVIL; Acoustic simulation; Music school; Room acoustics

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brum, C. M. (2012). SIMULAÇÃO ACÚSTICA DE SALAS DE AULA EM ESCOLAS DE EDUCAÇÃO BÁSICA: UMA PROPOSTA TIPOLÓGICA PARA PRÁTICA MUSICAL. (Thesis). Universidade Federal de Santa Maria. Retrieved from http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=5316

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brum, Cristhian Moreira. “SIMULAÇÃO ACÚSTICA DE SALAS DE AULA EM ESCOLAS DE EDUCAÇÃO BÁSICA: UMA PROPOSTA TIPOLÓGICA PARA PRÁTICA MUSICAL.” 2012. Thesis, Universidade Federal de Santa Maria. Accessed January 20, 2020. http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=5316.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brum, Cristhian Moreira. “SIMULAÇÃO ACÚSTICA DE SALAS DE AULA EM ESCOLAS DE EDUCAÇÃO BÁSICA: UMA PROPOSTA TIPOLÓGICA PARA PRÁTICA MUSICAL.” 2012. Web. 20 Jan 2020.

Vancouver:

Brum CM. SIMULAÇÃO ACÚSTICA DE SALAS DE AULA EM ESCOLAS DE EDUCAÇÃO BÁSICA: UMA PROPOSTA TIPOLÓGICA PARA PRÁTICA MUSICAL. [Internet] [Thesis]. Universidade Federal de Santa Maria; 2012. [cited 2020 Jan 20]. Available from: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=5316.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brum CM. SIMULAÇÃO ACÚSTICA DE SALAS DE AULA EM ESCOLAS DE EDUCAÇÃO BÁSICA: UMA PROPOSTA TIPOLÓGICA PARA PRÁTICA MUSICAL. [Thesis]. Universidade Federal de Santa Maria; 2012. Available from: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=5316

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2] [3]

.