Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(a world of tragedy AND a of comedy). Showing records 1 – 16 of 16 total matches.

Search Limiters

Last 2 Years | English Only

No search limiters apply to these results.

▼ Search Limiters


Brno University of Technology

1. Hýl, Petr. Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana.

Degree: 2019, Brno University of Technology

SLOVENE NATIONAL THEATRE IN LJUBLJANA Author Report Of The Diploma Work Author: Bc. Petr Hýl Supervisor: doc. ing. arch. Zdeněk Makovský Advisors/Committee Members: Makovský, Zdeněk (advisor), Svoboda, Lukáš (referee).

Subjects/Keywords: DIVADLO Divadelní umění je staré jako lidstvo samo. Za dobu své existence prošlo dlouhým a barvitým vývojem; z něhož jsme zmapovali zřejmě jen malou část. Požadavek činoherního divadla a přítomnost dalších klasických divadel ve městě vedlo k inspiraci divadlem řeckým; japonským; středověkým; alžbětinským; totálním; osvobozeným; arénovým. Moderní budova činohry národního divadla se nemůže spoléhat pouze na klasická schémata; i když i ta mohou být požadována. Návrh reflektuje divadlo především jako místo střetnutí dvou protichůdných světů; světa reálného; v němž žijeme; a světa zidealizovaného; přetvořeného; který vídáme na jevišti; světa skutečnosti a jejího obrazu; světa tragédie a komedie; světa skutečných tváří herců a jejich masek; jejich skutečných osobností a jejich rolí; světa skutečných věcí a kulis; světa prostorového a plošně zjednodušeného. Také dva základní protichůdné pohledy na divadelní umění jako na svět ideální; pompézní; výchovný; poučný a zábavný a na divadlo jako nemilosrdné zrcadlo našeho života; subjektivní; věrné či sarkastické; i rozpor těchto dvou chápání divadla můžeme zahrnout mezi divadelní dvojakosti. BUDOVA Nová budova divadla chce být zhmotněním dialogu; základního stavebního prvku divadelní tvorby; kterým Aischylos povýšil do té doby všeplatné zpěvné a taneční rituály na skutečné drama. Dialog spolu vedou dvě protichůdné formy – budova divadla a její prázdný otisk – veřejné prostranství. Klasifikace dialog a monolog se stává subjektivní; uvažujeme-li za druhý subjekt prázdno. Tato představa dodává úvaze existenciální náboj. Samotné dvě formy – plná a prázdná – mají kromě parafráze divadelní protichůdnosti; pověstného rozhraní dvou světů; přesah do mnoha dalších oblastí života – podobně jako samotné divadlo. Tvar budovy - zužující a zvyšující se hmota - vznikl spolu s prostranstvím spontánně jako asociace doplňkovosti. Tento tvar však reaguje kromě urbanistických a provozních návazností také na ideu moderního divadla; které by mělo být proměnlivé a dynamické. Vzletný tvar budovy zhmotňuje nejen tuto abstraktní dynamiku; ale je také intuitivním přepisem dynamiky hereckého projevu; přetlaku energie sršící z člověka; nepostradatelné nejen k hereckému výkonu; ale také ke všem lidským tvůrčím činnostem.; THEATRE Dramatic art is as old as human society. During its existence it has passed through long and colourful evolution which we charted probably only really partially. Requierement of a drama theatre and presence of another classical thetre buildings in the town caused an inspiration by Greek; Japonese; medieval; Elizabethan; Total; Exempt or arena theatre. A modern bulding of national drama theatre can´t depend of only calssical schemes; though even those could be reguired. The project reflect theatre first of all as a place of a battle of two contradictory worlds; a real world which we live in it; and an ideal; transformated world which we use to see on a stage; a world of reality and a world of its reflex; a world of tragedy and a of comedy; a world of existing faces of actors and a world of their masks; their real personalities and their parts; a world of true things and a world od scenes; a three-dimensional world and a 2D-simplified world. Also the two contradictory views of dramatic art; the first one as an ideal world; pompous; educational; instructive and funy and the second as a merciless mirror of our own lifes; subjective; authentic or caustic; so even this discrepancy of those two different opinions of theatre we could add in the theatre duplicity. BUILDING The new theatre building wants to be an objectification of a dialog; which is the basic structural element of dramatic production; whith which Aischylos sublimated singing and dancig rituals which were of binding force in that times to a real drama. This dialog is runned by two antagonistic forms – the theatre building and its empty impression – a public space. Established classification of dialog and monolog becomes subjective; if we suppose an emptiness as the second object. This idea gives our meditation an existencial character a bit. The two forms by themselves – the full one and the empty one –except of an imitation of theatre dialectics; a proverbial boundery-line of two worlds; also transcend into many other spheres of human life – analogous to a theatre. The shape of the building – a diminished and raising mass – has arised within the open space spontaneously as an association of complementing. But this shape – except other urbanistic and functional sequences - also reacts to an ide of modern theatre; which should be variable and dynamic. The poetic shape of the building not only materializes thist abstract dynamism but it is also an intuitive transscription of dynamism of an actor´s manifestation; an overpressure of human energy which is indispensable not only for a performance but also for all human creative activities.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hýl, P. (2019). Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana. (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/3455

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hýl, Petr. “Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana.” 2019. Thesis, Brno University of Technology. Accessed January 20, 2021. http://hdl.handle.net/11012/3455.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hýl, Petr. “Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana.” 2019. Web. 20 Jan 2021.

Vancouver:

Hýl P. Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana. [Internet] [Thesis]. Brno University of Technology; 2019. [cited 2021 Jan 20]. Available from: http://hdl.handle.net/11012/3455.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hýl P. Slovinské národní divadlo v Lublani: Slovene National Theatre in Ljubljana. [Thesis]. Brno University of Technology; 2019. Available from: http://hdl.handle.net/11012/3455

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

2. Wang, Chiu-hsiang. A Study on the Imagery of Twelve Beauties in A Dream of the Red Mansions.

Degree: PhD, Chinese Literature, 2013, NSYSU

 Abstract This study aims to explore the imagery of twelve beauties and elevate the ideology of aesthetic by analyzing the images of characters and generalizing… (more)

Subjects/Keywords: myth; symbol; A Dream of Red Mansions; the twelve beauties; imagery; tragedy; metaphor

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wang, C. (2013). A Study on the Imagery of Twelve Beauties in A Dream of the Red Mansions. (Doctoral Dissertation). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0131113-133546

Chicago Manual of Style (16th Edition):

Wang, Chiu-hsiang. “A Study on the Imagery of Twelve Beauties in A Dream of the Red Mansions.” 2013. Doctoral Dissertation, NSYSU. Accessed January 20, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0131113-133546.

MLA Handbook (7th Edition):

Wang, Chiu-hsiang. “A Study on the Imagery of Twelve Beauties in A Dream of the Red Mansions.” 2013. Web. 20 Jan 2021.

Vancouver:

Wang C. A Study on the Imagery of Twelve Beauties in A Dream of the Red Mansions. [Internet] [Doctoral dissertation]. NSYSU; 2013. [cited 2021 Jan 20]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0131113-133546.

Council of Science Editors:

Wang C. A Study on the Imagery of Twelve Beauties in A Dream of the Red Mansions. [Doctoral Dissertation]. NSYSU; 2013. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0131113-133546


Univerzitet u Beogradu

3. Šijaković, Đurđina, 1985-. Патња жене у Еурипидовим трагедијама.

Degree: Filozofski fakultet, 2016, Univerzitet u Beogradu

Класичне науке - Класична грчка књижевност: грчка трагедија: Еурипид / Classics - Classical Greek literature: Greek tragedy: Euripides

На основу искуства истраживања ове теме наметнуо… (more)

Subjects/Keywords: suffering of a woman; Euripides; tragedy; phenomenology of suffering; woman in ancient Greece; otherness; lamentation; motherhood; revenge; Dionysiac

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Šijaković, Đurđina, 1. (2016). Патња жене у Еурипидовим трагедијама. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:11631/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Šijaković, Đurđina, 1985-. “Патња жене у Еурипидовим трагедијама.” 2016. Thesis, Univerzitet u Beogradu. Accessed January 20, 2021. https://fedorabg.bg.ac.rs/fedora/get/o:11631/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Šijaković, Đurđina, 1985-. “Патња жене у Еурипидовим трагедијама.” 2016. Web. 20 Jan 2021.

Vancouver:

Šijaković, Đurđina 1. Патња жене у Еурипидовим трагедијама. [Internet] [Thesis]. Univerzitet u Beogradu; 2016. [cited 2021 Jan 20]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:11631/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Šijaković, Đurđina 1. Патња жене у Еурипидовим трагедијама. [Thesis]. Univerzitet u Beogradu; 2016. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:11631/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Estado do Rio de Janeiro

4. Daniel Silva de Malafaia. Sob a máscara de Dioniso: a filosofia de Camus em O Estrangeiro e A Morte feliz.

Degree: Master, 2009, Universidade do Estado do Rio de Janeiro

Assim como Sócrates representa a filosofia de Platão em seus diálogos e Zaratustra encarna os conceitos da filosofia nietzschiana, também o Meursault de Albert Camus… (more)

Subjects/Keywords: HISTORIA DA FILOSOFIA; Camus; O estrangeiro; A morte feliz; Meursault; Zagreus; Dioniso; tragédia; Nietzsche; o nascimento da tragédia; dionisíaco; amor fati; amor ao destino; amor ao mundo; abertura ao mundo; terna indiferença; eterno presente ; Camus; Létranger; La mort heureuse; Meursault; Zagreus; Dionysos; tragedy; Nietzsche; the birth of tragedy; dionysian; amor fati; love of destiny; love of the world; opening towards the world; tendre indifférence; eternal present; Dinísio (Divindade grega); Camus, Albert, 1930-1960 - Crítica e interpretação; Filosofia francesa

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Malafaia, D. S. d. (2009). Sob a máscara de Dioniso: a filosofia de Camus em O Estrangeiro e A Morte feliz. (Masters Thesis). Universidade do Estado do Rio de Janeiro. Retrieved from http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=830 ;

Chicago Manual of Style (16th Edition):

Malafaia, Daniel Silva de. “Sob a máscara de Dioniso: a filosofia de Camus em O Estrangeiro e A Morte feliz.” 2009. Masters Thesis, Universidade do Estado do Rio de Janeiro. Accessed January 20, 2021. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=830 ;.

MLA Handbook (7th Edition):

Malafaia, Daniel Silva de. “Sob a máscara de Dioniso: a filosofia de Camus em O Estrangeiro e A Morte feliz.” 2009. Web. 20 Jan 2021.

Vancouver:

Malafaia DSd. Sob a máscara de Dioniso: a filosofia de Camus em O Estrangeiro e A Morte feliz. [Internet] [Masters thesis]. Universidade do Estado do Rio de Janeiro; 2009. [cited 2021 Jan 20]. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=830 ;.

Council of Science Editors:

Malafaia DSd. Sob a máscara de Dioniso: a filosofia de Camus em O Estrangeiro e A Morte feliz. [Masters Thesis]. Universidade do Estado do Rio de Janeiro; 2009. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=830 ;


Harvard University

5. Pasion, Adam Matthew. New Woman as Agent of Evolutionary Change in Theodore Dreiser’s Hey Rub-a-Dub-Dub: A Book of the Mystery and Terror and Wonder of Life and A Gallery of Women.

Degree: 2019, Harvard University

This study examines Theodore Dreiser’s unique concept of evolutionary change as expounded in his 1920 collection of philosophical essays entitled Hey Rub-A-Dub-Dub: A Book of… (more)

Subjects/Keywords: Dreiser; Theodore Dreiser; A Gallery of Women; Hey Rub-a-dub-dub; Charles Darwin; Herbert Spencer; Charles Fort; Gender; Gender Roles; Female Agency; Feminism; Naturalism; Realism; Evolution; Sister Carrie; Jennie Gerhardt; The Financier; An American Tragedy; Mona Caird; Sarah Grand

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pasion, A. M. (2019). New Woman as Agent of Evolutionary Change in Theodore Dreiser’s Hey Rub-a-Dub-Dub: A Book of the Mystery and Terror and Wonder of Life and A Gallery of Women. (Thesis). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004180

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pasion, Adam Matthew. “New Woman as Agent of Evolutionary Change in Theodore Dreiser’s Hey Rub-a-Dub-Dub: A Book of the Mystery and Terror and Wonder of Life and A Gallery of Women.” 2019. Thesis, Harvard University. Accessed January 20, 2021. http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004180.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pasion, Adam Matthew. “New Woman as Agent of Evolutionary Change in Theodore Dreiser’s Hey Rub-a-Dub-Dub: A Book of the Mystery and Terror and Wonder of Life and A Gallery of Women.” 2019. Web. 20 Jan 2021.

Vancouver:

Pasion AM. New Woman as Agent of Evolutionary Change in Theodore Dreiser’s Hey Rub-a-Dub-Dub: A Book of the Mystery and Terror and Wonder of Life and A Gallery of Women. [Internet] [Thesis]. Harvard University; 2019. [cited 2021 Jan 20]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004180.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pasion AM. New Woman as Agent of Evolutionary Change in Theodore Dreiser’s Hey Rub-a-Dub-Dub: A Book of the Mystery and Terror and Wonder of Life and A Gallery of Women. [Thesis]. Harvard University; 2019. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004180

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas A&M University

6. Haris, Muhammad. Four facets of the relation of tragedy to dialectic and the theme of crisis of expectations.

Degree: PhD, Philosophy, 2009, Texas A&M University

 As a whole, this work serves to illuminate the tragic as a fundamental human phenomenon and an objective fact that is distinct not only from… (more)

Subjects/Keywords: Tragedy; Dialectic; Szondi; Hegel; Nietsche; Death of a Salesman; King Lear; Diremption; Alienation; Culture; Self Deception; Failure of expectations

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Haris, M. (2009). Four facets of the relation of tragedy to dialectic and the theme of crisis of expectations. (Doctoral Dissertation). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/ETD-TAMU-2810

Chicago Manual of Style (16th Edition):

Haris, Muhammad. “Four facets of the relation of tragedy to dialectic and the theme of crisis of expectations.” 2009. Doctoral Dissertation, Texas A&M University. Accessed January 20, 2021. http://hdl.handle.net/1969.1/ETD-TAMU-2810.

MLA Handbook (7th Edition):

Haris, Muhammad. “Four facets of the relation of tragedy to dialectic and the theme of crisis of expectations.” 2009. Web. 20 Jan 2021.

Vancouver:

Haris M. Four facets of the relation of tragedy to dialectic and the theme of crisis of expectations. [Internet] [Doctoral dissertation]. Texas A&M University; 2009. [cited 2021 Jan 20]. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2810.

Council of Science Editors:

Haris M. Four facets of the relation of tragedy to dialectic and the theme of crisis of expectations. [Doctoral Dissertation]. Texas A&M University; 2009. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2810


Louisiana State University

7. Dawes, Joshua Ryan. Finding inspiration in Invitation to a Beheading: a thesis on the creation and development of a one-person play.

Degree: MFA, Theatre and Performance Studies, 2011, Louisiana State University

 Writing and performing a one-person play was selected as the basis for a thesis project in the spring semester of 2010 to be presented to… (more)

Subjects/Keywords: devising original script; art; tragedy; prison; adaptation from a novel

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dawes, J. R. (2011). Finding inspiration in Invitation to a Beheading: a thesis on the creation and development of a one-person play. (Masters Thesis). Louisiana State University. Retrieved from etd-04262011-225831 ; https://digitalcommons.lsu.edu/gradschool_theses/1049

Chicago Manual of Style (16th Edition):

Dawes, Joshua Ryan. “Finding inspiration in Invitation to a Beheading: a thesis on the creation and development of a one-person play.” 2011. Masters Thesis, Louisiana State University. Accessed January 20, 2021. etd-04262011-225831 ; https://digitalcommons.lsu.edu/gradschool_theses/1049.

MLA Handbook (7th Edition):

Dawes, Joshua Ryan. “Finding inspiration in Invitation to a Beheading: a thesis on the creation and development of a one-person play.” 2011. Web. 20 Jan 2021.

Vancouver:

Dawes JR. Finding inspiration in Invitation to a Beheading: a thesis on the creation and development of a one-person play. [Internet] [Masters thesis]. Louisiana State University; 2011. [cited 2021 Jan 20]. Available from: etd-04262011-225831 ; https://digitalcommons.lsu.edu/gradschool_theses/1049.

Council of Science Editors:

Dawes JR. Finding inspiration in Invitation to a Beheading: a thesis on the creation and development of a one-person play. [Masters Thesis]. Louisiana State University; 2011. Available from: etd-04262011-225831 ; https://digitalcommons.lsu.edu/gradschool_theses/1049


Stockholm University

8. Weber, Minon. Rediscovering Beatrice and Bianca: A Study of Oscar Wilde’s Tragedies The Duchess of Padua (1883) and A Florentine Tragedy (1894).

Degree: English, 2020, Stockholm University

  Towards the end of the 19th century Oscar Wilde wrote the four society plays that would become his most famous dramatical works: Lady Windermere’s Fan (1892), A… (more)

Subjects/Keywords: Oscar Wilde; Victorian Literature; Drama; Theatre; 19th Century Literature; Renaissance Drama; Theatre; Elizabethan Drama; Jacobean Drama; A Florentine Tragedy; The Duchess of Padua; Wilde; Wilde Studies; Transgression; Feminist Criticism; Historicist Criticism; Genetic Criticism; Specific Languages; Studier av enskilda språk

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Weber, M. (2020). Rediscovering Beatrice and Bianca: A Study of Oscar Wilde’s Tragedies The Duchess of Padua (1883) and A Florentine Tragedy (1894). (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184574

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weber, Minon. “Rediscovering Beatrice and Bianca: A Study of Oscar Wilde’s Tragedies The Duchess of Padua (1883) and A Florentine Tragedy (1894).” 2020. Thesis, Stockholm University. Accessed January 20, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184574.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weber, Minon. “Rediscovering Beatrice and Bianca: A Study of Oscar Wilde’s Tragedies The Duchess of Padua (1883) and A Florentine Tragedy (1894).” 2020. Web. 20 Jan 2021.

Vancouver:

Weber M. Rediscovering Beatrice and Bianca: A Study of Oscar Wilde’s Tragedies The Duchess of Padua (1883) and A Florentine Tragedy (1894). [Internet] [Thesis]. Stockholm University; 2020. [cited 2021 Jan 20]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184574.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weber M. Rediscovering Beatrice and Bianca: A Study of Oscar Wilde’s Tragedies The Duchess of Padua (1883) and A Florentine Tragedy (1894). [Thesis]. Stockholm University; 2020. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184574

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

9. Ling, Tsai. A Study on Cheng Ching-wen's Novel.

Degree: Master, Chinese Literature, 2009, NSYSU

 Cheng Ching-wen has a wide variety of interests in writing, including novel, short story, fairy tale, literature, political review, miscellaneous writing and translation of Western… (more)

Subjects/Keywords: A Study on Cheng Ching-wen's Novel; Topic; Cheng Ching-wen; Tragedy; Novel

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ling, T. (2009). A Study on Cheng Ching-wen's Novel. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0728109-145211

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ling, Tsai. “A Study on Cheng Ching-wen's Novel.” 2009. Thesis, NSYSU. Accessed January 20, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0728109-145211.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ling, Tsai. “A Study on Cheng Ching-wen's Novel.” 2009. Web. 20 Jan 2021.

Vancouver:

Ling T. A Study on Cheng Ching-wen's Novel. [Internet] [Thesis]. NSYSU; 2009. [cited 2021 Jan 20]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0728109-145211.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ling T. A Study on Cheng Ching-wen's Novel. [Thesis]. NSYSU; 2009. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0728109-145211

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. McGraw, Martha Gail. Tragedy Viewed from a Kohlberg Stage.

Degree: 1984, North Texas State University

 This thesis evaluates tragic characters from three representative tragedies, Macbeth, Antigone, and Death of a Salesman, in terms of Lawrence Kohlberg's six stage theory of… (more)

Subjects/Keywords: tragic characters; Kohlberg, Lawrence, 1927-1987.; Shakespeare, William, 1564-1616  – Macbeth.; Sophocles  – Antigone.; Miller, Arthur, 1915-2005  – Death of a salesman.; Tragedy.; Kohlberg's six stage theory of moral development

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McGraw, M. G. (1984). Tragedy Viewed from a Kohlberg Stage. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc504581/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McGraw, Martha Gail. “Tragedy Viewed from a Kohlberg Stage.” 1984. Thesis, North Texas State University. Accessed January 20, 2021. https://digital.library.unt.edu/ark:/67531/metadc504581/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McGraw, Martha Gail. “Tragedy Viewed from a Kohlberg Stage.” 1984. Web. 20 Jan 2021.

Vancouver:

McGraw MG. Tragedy Viewed from a Kohlberg Stage. [Internet] [Thesis]. North Texas State University; 1984. [cited 2021 Jan 20]. Available from: https://digital.library.unt.edu/ark:/67531/metadc504581/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McGraw MG. Tragedy Viewed from a Kohlberg Stage. [Thesis]. North Texas State University; 1984. Available from: https://digital.library.unt.edu/ark:/67531/metadc504581/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Exeter

11. Templeman, Sally Jane. Cooks, cooking, and food on the early modern stage.

Degree: PhD, 2013, University of Exeter

 This project aims to take the investigation of food in early modern drama, in itself a relatively new field, in a new direction. It does… (more)

Subjects/Keywords: 822.009; Food; food stage properties; cookery books; dietaries; dietetics; cooking; cook characters; water; early modern performance spaces; mutton; gingerbread; martyr fires; cooking fires; fire properties; sotelties; alchemy; coloured food; gold; marchpane; William Shakespeare; Ben Jonson; Christopher Marlowe; Philip Massinger; John Fletcher; inn-yard playhouses; martyrs; Galen; Hippocratic doctrine; Arab cookery; corpse therapy; transubstantiation;

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Templeman, S. J. (2013). Cooks, cooking, and food on the early modern stage. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10871/9824

Chicago Manual of Style (16th Edition):

Templeman, Sally Jane. “Cooks, cooking, and food on the early modern stage.” 2013. Doctoral Dissertation, University of Exeter. Accessed January 20, 2021. http://hdl.handle.net/10871/9824.

MLA Handbook (7th Edition):

Templeman, Sally Jane. “Cooks, cooking, and food on the early modern stage.” 2013. Web. 20 Jan 2021.

Vancouver:

Templeman SJ. Cooks, cooking, and food on the early modern stage. [Internet] [Doctoral dissertation]. University of Exeter; 2013. [cited 2021 Jan 20]. Available from: http://hdl.handle.net/10871/9824.

Council of Science Editors:

Templeman SJ. Cooks, cooking, and food on the early modern stage. [Doctoral Dissertation]. University of Exeter; 2013. Available from: http://hdl.handle.net/10871/9824

12. Pasion, Adam Matthew. New Woman as Agent of Evolutionary Change in Theodore Dreiser’s Hey Rub-a-Dub-Dub: A Book of the Mystery and Terror and Wonder of Life and A Gallery of Women.

Degree: ALM, 2019, Harvard University

This study examines Theodore Dreiser’s unique concept of evolutionary change as expounded in his 1920 collection of philosophical essays entitled Hey Rub-A-Dub-Dub: A Book of… (more)

Subjects/Keywords: Dreiser; Theodore Dreiser; A Gallery of Women; Hey Rub-a-dub-dub; Charles Darwin; Herbert Spencer; Charles Fort; Gender; Gender Roles; Female Agency; Feminism; Naturalism; Realism; Evolution; Sister Carrie; Jennie Gerhardt; The Financier; An American Tragedy; Mona Caird; Sarah Grand

…the world and the universe. It became a pervasive concept of reality in American culture… …meager wages he is paid for his work. The laborer narrator lives in a world of “Huge, misshapen… …are evidence of a recognizable philosophical shift and the assertion that reality is as much… …Thought and Work of Theodore Dreiser. Mechanistic philosophy posits the universe as a… …philosophical framework in Hey Rub reflects what Zanine calls Dreiser’s “intuitive perception of a… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pasion, A. M. (2019). New Woman as Agent of Evolutionary Change in Theodore Dreiser’s Hey Rub-a-Dub-Dub: A Book of the Mystery and Terror and Wonder of Life and A Gallery of Women. (Masters Thesis). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004223

Chicago Manual of Style (16th Edition):

Pasion, Adam Matthew. “New Woman as Agent of Evolutionary Change in Theodore Dreiser’s Hey Rub-a-Dub-Dub: A Book of the Mystery and Terror and Wonder of Life and A Gallery of Women.” 2019. Masters Thesis, Harvard University. Accessed January 20, 2021. http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004223.

MLA Handbook (7th Edition):

Pasion, Adam Matthew. “New Woman as Agent of Evolutionary Change in Theodore Dreiser’s Hey Rub-a-Dub-Dub: A Book of the Mystery and Terror and Wonder of Life and A Gallery of Women.” 2019. Web. 20 Jan 2021.

Vancouver:

Pasion AM. New Woman as Agent of Evolutionary Change in Theodore Dreiser’s Hey Rub-a-Dub-Dub: A Book of the Mystery and Terror and Wonder of Life and A Gallery of Women. [Internet] [Masters thesis]. Harvard University; 2019. [cited 2021 Jan 20]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004223.

Council of Science Editors:

Pasion AM. New Woman as Agent of Evolutionary Change in Theodore Dreiser’s Hey Rub-a-Dub-Dub: A Book of the Mystery and Terror and Wonder of Life and A Gallery of Women. [Masters Thesis]. Harvard University; 2019. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004223


Universidade do Estado do Rio de Janeiro

13. Ana Claudia de Lemos Monteiro. Não se pode amar e ser feliz ao mesmo tempo: casamento e tragédia em Otelo, de William Shakespeare, e A mulher sem pecado, de Nelson Rodrigues.

Degree: Master, 2009, Universidade do Estado do Rio de Janeiro

Este trabalho realiza uma leitura comparativa entre as peças Otelo, de William Shakespeare, e A mulher sem pecado, de Nelson Rodrigues. A hipótese que se… (more)

Subjects/Keywords: LITERATURAS ESTRANGEIRAS MODERNAS; William Shakespeare; Nelson Rodrigues; Misoginia; Tragédia e casamento; William Shakespeare; Nelson Rodrigues; Misogyny; Tragedy and marriage; Literatura comparada; Shakespeare, William, 1564-1616. Romeu e Julieta; Rodrigues, Nelson, 1912-1980. A mulher sem pecado; Casamento na literatura; Tragédias; Misoginia na literatura

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Monteiro, A. C. d. L. (2009). Não se pode amar e ser feliz ao mesmo tempo: casamento e tragédia em Otelo, de William Shakespeare, e A mulher sem pecado, de Nelson Rodrigues. (Masters Thesis). Universidade do Estado do Rio de Janeiro. Retrieved from http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=962 ;

Chicago Manual of Style (16th Edition):

Monteiro, Ana Claudia de Lemos. “Não se pode amar e ser feliz ao mesmo tempo: casamento e tragédia em Otelo, de William Shakespeare, e A mulher sem pecado, de Nelson Rodrigues.” 2009. Masters Thesis, Universidade do Estado do Rio de Janeiro. Accessed January 20, 2021. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=962 ;.

MLA Handbook (7th Edition):

Monteiro, Ana Claudia de Lemos. “Não se pode amar e ser feliz ao mesmo tempo: casamento e tragédia em Otelo, de William Shakespeare, e A mulher sem pecado, de Nelson Rodrigues.” 2009. Web. 20 Jan 2021.

Vancouver:

Monteiro ACdL. Não se pode amar e ser feliz ao mesmo tempo: casamento e tragédia em Otelo, de William Shakespeare, e A mulher sem pecado, de Nelson Rodrigues. [Internet] [Masters thesis]. Universidade do Estado do Rio de Janeiro; 2009. [cited 2021 Jan 20]. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=962 ;.

Council of Science Editors:

Monteiro ACdL. Não se pode amar e ser feliz ao mesmo tempo: casamento e tragédia em Otelo, de William Shakespeare, e A mulher sem pecado, de Nelson Rodrigues. [Masters Thesis]. Universidade do Estado do Rio de Janeiro; 2009. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=962 ;


University of Arizona

14. Wood, Theresa Whelan, 1898-. The application of Bradley's theory of reconciliation to certain of Shakespeare's plays .

Degree: 1935, University of Arizona

Subjects/Keywords: Bradley, A. C. (Andrew Cecil), 1851-1935.  – Shakespearean tragedy.; Shakespeare, William, 1564-1616  – Criticism and interpretation.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wood, Theresa Whelan, 1. (1935). The application of Bradley's theory of reconciliation to certain of Shakespeare's plays . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/553247

Chicago Manual of Style (16th Edition):

Wood, Theresa Whelan, 1898-. “The application of Bradley's theory of reconciliation to certain of Shakespeare's plays .” 1935. Masters Thesis, University of Arizona. Accessed January 20, 2021. http://hdl.handle.net/10150/553247.

MLA Handbook (7th Edition):

Wood, Theresa Whelan, 1898-. “The application of Bradley's theory of reconciliation to certain of Shakespeare's plays .” 1935. Web. 20 Jan 2021.

Vancouver:

Wood, Theresa Whelan 1. The application of Bradley's theory of reconciliation to certain of Shakespeare's plays . [Internet] [Masters thesis]. University of Arizona; 1935. [cited 2021 Jan 20]. Available from: http://hdl.handle.net/10150/553247.

Council of Science Editors:

Wood, Theresa Whelan 1. The application of Bradley's theory of reconciliation to certain of Shakespeare's plays . [Masters Thesis]. University of Arizona; 1935. Available from: http://hdl.handle.net/10150/553247


University of North Texas

15. Ponce, Timothy Matthew. The Hybrid Hero in Early Modern English Literature: A Synthesis of Classical and Contemplative Heroism.

Degree: 2017, University of North Texas

 In his Book of the Courtier, Castiglione appeals to the Renaissance notion of self-fashioning, the idea that individuals could shape their identity rather than relying… (more)

Subjects/Keywords: Heroism; Early Modern; Renaissance; Literary Synthesis; William Shakespeare; Thomas Kyd; Edmund Spenser; John Milton; Adaptation; Source Study; The Spanish Tragedy; The Faerie Queene; Titus Andronicus; A Mask Presented at Ludlow Castle

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ponce, T. M. (2017). The Hybrid Hero in Early Modern English Literature: A Synthesis of Classical and Contemplative Heroism. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1062882/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ponce, Timothy Matthew. “The Hybrid Hero in Early Modern English Literature: A Synthesis of Classical and Contemplative Heroism.” 2017. Thesis, University of North Texas. Accessed January 20, 2021. https://digital.library.unt.edu/ark:/67531/metadc1062882/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ponce, Timothy Matthew. “The Hybrid Hero in Early Modern English Literature: A Synthesis of Classical and Contemplative Heroism.” 2017. Web. 20 Jan 2021.

Vancouver:

Ponce TM. The Hybrid Hero in Early Modern English Literature: A Synthesis of Classical and Contemplative Heroism. [Internet] [Thesis]. University of North Texas; 2017. [cited 2021 Jan 20]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1062882/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ponce TM. The Hybrid Hero in Early Modern English Literature: A Synthesis of Classical and Contemplative Heroism. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1062882/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Χάλκου, Κατερίνα. Αρχαιόθεμη νεοελληνική δραματουργία και τεχνικές του θεάτρου εν θεάτρω. "Η βουή" του Παύλου Μάτεσι, "Η τελευταία πράξη" του Ιάκωβου Καμπανέλλη και "Οι ηθοποιοί" του Γιώργου Σκούρτη.

Degree: 2014, University of Patras

Την εργασία απασχολούν οι τεχνικές του θεάτρου εν θεάτρω στη νεοελληνική δραματουργία που χρησιμοποιεί τον αρχαίο μύθο ως ανακλαστικό καθρέπτη, ο οποίος τέμνει τις πλοκές… (more)

Subjects/Keywords: Θέατρο εν θεάτρω; Θέατρο; Δράμα; Μεταθέατρο; Έργο μέσα στο έργο; Μεταδράμα; Μεταδραματικό θέατρο; Αρχαίος μύθος; Αρχαιόθεμη δραματουργία; Αρχαιόμυθη δραματουργία; Νεοελληνική δραματουργία; Παύλος Μάτεσις; Ιάκωβος Καμπανέλλης; Γιώργος Σκούρτης; 889.234 090 15; Theater in theater; Theatre; Drama; Metatheater; Play within a play; Metadrama; Postdramatic theatre; Ancient tragedy; Myth; Modern Greek drama; Pavlos Matesis; Iakovos Kambanellis; Giorgos Skourtis

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Χάλκου, . (2014). Αρχαιόθεμη νεοελληνική δραματουργία και τεχνικές του θεάτρου εν θεάτρω. "Η βουή" του Παύλου Μάτεσι, "Η τελευταία πράξη" του Ιάκωβου Καμπανέλλη και "Οι ηθοποιοί" του Γιώργου Σκούρτη. (Masters Thesis). University of Patras. Retrieved from http://hdl.handle.net/10889/7657

Chicago Manual of Style (16th Edition):

Χάλκου, Κατερίνα. “Αρχαιόθεμη νεοελληνική δραματουργία και τεχνικές του θεάτρου εν θεάτρω. "Η βουή" του Παύλου Μάτεσι, "Η τελευταία πράξη" του Ιάκωβου Καμπανέλλη και "Οι ηθοποιοί" του Γιώργου Σκούρτη.” 2014. Masters Thesis, University of Patras. Accessed January 20, 2021. http://hdl.handle.net/10889/7657.

MLA Handbook (7th Edition):

Χάλκου, Κατερίνα. “Αρχαιόθεμη νεοελληνική δραματουργία και τεχνικές του θεάτρου εν θεάτρω. "Η βουή" του Παύλου Μάτεσι, "Η τελευταία πράξη" του Ιάκωβου Καμπανέλλη και "Οι ηθοποιοί" του Γιώργου Σκούρτη.” 2014. Web. 20 Jan 2021.

Vancouver:

Χάλκου . Αρχαιόθεμη νεοελληνική δραματουργία και τεχνικές του θεάτρου εν θεάτρω. "Η βουή" του Παύλου Μάτεσι, "Η τελευταία πράξη" του Ιάκωβου Καμπανέλλη και "Οι ηθοποιοί" του Γιώργου Σκούρτη. [Internet] [Masters thesis]. University of Patras; 2014. [cited 2021 Jan 20]. Available from: http://hdl.handle.net/10889/7657.

Council of Science Editors:

Χάλκου . Αρχαιόθεμη νεοελληνική δραματουργία και τεχνικές του θεάτρου εν θεάτρω. "Η βουή" του Παύλου Μάτεσι, "Η τελευταία πράξη" του Ιάκωβου Καμπανέλλη και "Οι ηθοποιοί" του Γιώργου Σκούρτη. [Masters Thesis]. University of Patras; 2014. Available from: http://hdl.handle.net/10889/7657

.