You searched for subject:(World War One planning)
.
Showing records 1 – 30 of
50710 total matches.
◁ [1] [2] [3] [4] [5] … [1691] ▶

Victoria University of Wellington
1.
Sippel, Rebekka.
The letters of French and German soldiers in World War One.
Degree: 2015, Victoria University of Wellington
URL: http://hdl.handle.net/10063/4153
► This thesis uses letters written by French and German soldiers to investigate the mobilization of masculinity during World War One 1914-1918. Through the letters of…
(more)
▼ This thesis uses letters written by French and German soldiers to investigate the mobilization of masculinity during
World War One 1914-1918.
Through the letters of French and German soldiers of
World War One, the thesis discusses the initial ways the soldiers were encouraged to enlist, which includes discussions on patriotism. The work also discusses the concepts of brotherhood and equality, and the idea of protecting women. While masculinity in these two societies was highly militarized, the soldiers took their role as domesticated men very serious and rarely followed instructions from censors as to what to write to their families. Although soldiers were separated from their loved ones and relationships were truly strained by separation, they never forgot their role at home.
A comparative framework has been employed to highlight significant differences in French and German ideals of masculinity. This includes an emphasis on religion among French soldiers and the concept of Heldentod in German letters.
The analysis of hundreds of letters in published or digitized collections complicates the image of French and German soldiers portrayed in both official propaganda and historians’ work. For example, French and German soldiers had different ideas concerning thoughts on the enemy and equality within the army took on different forms as well. Yet the soldiers from both nations had similar notions regarding goals of personal survival and the defence of the country.
Studies of
World War One soldiers’ letters have overwhelmingly focused on English language sources. Therefore, an overall aim of this thesis is to contribute to existing research in the English language by using French and German sources. The aim of translating these letters is to facilitate the availability of foreign language sources for English-language historians.
Advisors/Committee Members: Hunter, Kate.
Subjects/Keywords: French; German; World War One
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Sippel, R. (2015). The letters of French and German soldiers in World War One. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/4153
Chicago Manual of Style (16th Edition):
Sippel, Rebekka. “The letters of French and German soldiers in World War One.” 2015. Masters Thesis, Victoria University of Wellington. Accessed January 23, 2021.
http://hdl.handle.net/10063/4153.
MLA Handbook (7th Edition):
Sippel, Rebekka. “The letters of French and German soldiers in World War One.” 2015. Web. 23 Jan 2021.
Vancouver:
Sippel R. The letters of French and German soldiers in World War One. [Internet] [Masters thesis]. Victoria University of Wellington; 2015. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/10063/4153.
Council of Science Editors:
Sippel R. The letters of French and German soldiers in World War One. [Masters Thesis]. Victoria University of Wellington; 2015. Available from: http://hdl.handle.net/10063/4153

University of New South Wales
2.
Lee, Roger.
British Battle Planning in 1916 and the Battle of Fromelles: a Case Study of an Evolving Skill.
Degree: Humanities & Social Sciences, 2013, University of New South Wales
URL: http://handle.unsw.edu.au/1959.4/53030
;
https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11708/SOURCE01?view=true
► Bad planning has become a standard explanation in the historiography of World War Ifor poor British battlefield performance. Often, poor planning is explicitly charged with…
(more)
▼ Bad
planning has become a standard explanation in the historiography of
World War Ifor poor British battlefield performance. Often, poor
planning is explicitly charged with being the cause of high casualties and tactical defeats. Rarely though are the failures of the plan identified in detail or with precision and even more rarely do the critics place the alleged failure of the plan into the context of what the plan was, what the limitations on the planners were and why elements of the plan allegedly failed.This thesis examines the process by which a military plan was developed and implemented by the British Expeditionary Force on the Western Front in 1916. A battle plan was nothing more than a blueprint for bringing together at the right time and in the right place all the combat elements needed in order to give the attacking infantry the greatest chance of success. British battle
planning had no doctrine and no Standard Operating Procedures (SOPs) to guide it. At each level of headquarters,
planning was driven by different perspectives and requirements, factors seldom exposed in analyses of why battles unfolded the way they did. This study examines the battle
planning process vertically, in that it follows the progress of a battle plan from its inception in the strategic designs of the supreme commander down through the various intermediate level commands at operational and tactical headquarters until it becomes the orders that sent the infantry forward into the attack. It does so by analysing the following in the context of a case study of the Battle of Fromelles, 19 July 1916:- Composition and nature of the specialist
planning staff;- The strategic level concept and its strategic context;- The operational level plan in the context of the Somme campaign;- The higher or grand tactical plan at the Corps headquarters;- Conversion of the grand tactical plan into a Divisional plan; and- The detail of the Brigade plan to guide the attack.The Battle of Fromelles provided the structure of the study as its small scale enabled the process of the evolution of the plan to be followed, the factors that influenced and occasionally changed the intention or the explicit orders from superior headquarters to be identified and the clear separation of the original intentions and objectives from the eventualoutcomes.
Advisors/Committee Members: Grey, Jeffrey, Humanities & Social Sciences, UNSW Canberra, UNSW, Dennis, Peter, Humanities & Social Sciences, UNSW Canberra, UNSW.
Subjects/Keywords: British battle planning; Battle planning 1916; World War One planning; Fromelles; Command and control; Battle staff system
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Lee, R. (2013). British Battle Planning in 1916 and the Battle of Fromelles: a Case Study of an Evolving Skill. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/53030 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11708/SOURCE01?view=true
Chicago Manual of Style (16th Edition):
Lee, Roger. “British Battle Planning in 1916 and the Battle of Fromelles: a Case Study of an Evolving Skill.” 2013. Doctoral Dissertation, University of New South Wales. Accessed January 23, 2021.
http://handle.unsw.edu.au/1959.4/53030 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11708/SOURCE01?view=true.
MLA Handbook (7th Edition):
Lee, Roger. “British Battle Planning in 1916 and the Battle of Fromelles: a Case Study of an Evolving Skill.” 2013. Web. 23 Jan 2021.
Vancouver:
Lee R. British Battle Planning in 1916 and the Battle of Fromelles: a Case Study of an Evolving Skill. [Internet] [Doctoral dissertation]. University of New South Wales; 2013. [cited 2021 Jan 23].
Available from: http://handle.unsw.edu.au/1959.4/53030 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11708/SOURCE01?view=true.
Council of Science Editors:
Lee R. British Battle Planning in 1916 and the Battle of Fromelles: a Case Study of an Evolving Skill. [Doctoral Dissertation]. University of New South Wales; 2013. Available from: http://handle.unsw.edu.au/1959.4/53030 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11708/SOURCE01?view=true

Victoria University of Wellington
3.
Loveridge, Steven.
Sentimental Equipment: New Zealand, the Great War and Cultural Mobilisation.
Degree: 2013, Victoria University of Wellington
URL: http://hdl.handle.net/10063/2675
► During the First World War, New Zealand society was dominated by messages stressing the paramount importance of the war effort to which the country was…
(more)
▼ During the First
World War, New Zealand society was dominated by messages stressing the paramount importance of the
war effort to which the country was so heavily committed. Reflecting the total nature of the conflict, these exhortations regularly linked individual duties to the
war effort and associated that effort with larger, or higher, purposes. It is often perceived, or presumed, that the dominance of this material arose from general wartime hysteria or was the result of imposed propaganda - with all the manipulative trickery that term connotes. Either way, such perceptions dovetail with notions that the
war represents a historical rupture and that wartime discourse might be characterised as insincere, inauthentic and abnormal.
Challenging this interpretation, this thesis considers wartime messages as emblematic of deeper cultural sentiments and wider social forces. Specifically, it argues that they represented the results of a cultural mobilisation; a phenomenon whereby cultural resources were mobilised alongside material resources. Consequently many pre-existing social dynamics, debates, orientations, mythologies, values, stereotypes and motifs were retained, but repurposed, in response to the
war. A range of subjects illustrating this phenomenon are surveyed, including collective identity, anti-Germanism, gender archetypes, gender antitypes and social cohesion.
This study highlights two major dimensions of the phenomenon: firstly, the relationship between the pre-
war social/cultural landscape and the mobilised results; and, secondly, how the ideological
war effort operated by layering meanings upon wartime developments. Analysing these aspects of cultural mobilisation sets New Zealand‘s military involvement in a broader context and enriches our historical understanding of the society which entered and fought the Great
War.
Advisors/Committee Members: Belich, James, Rabel, Rob.
Subjects/Keywords: World War One; New Zealand; Home front
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Loveridge, S. (2013). Sentimental Equipment: New Zealand, the Great War and Cultural Mobilisation. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/2675
Chicago Manual of Style (16th Edition):
Loveridge, Steven. “Sentimental Equipment: New Zealand, the Great War and Cultural Mobilisation.” 2013. Doctoral Dissertation, Victoria University of Wellington. Accessed January 23, 2021.
http://hdl.handle.net/10063/2675.
MLA Handbook (7th Edition):
Loveridge, Steven. “Sentimental Equipment: New Zealand, the Great War and Cultural Mobilisation.” 2013. Web. 23 Jan 2021.
Vancouver:
Loveridge S. Sentimental Equipment: New Zealand, the Great War and Cultural Mobilisation. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2013. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/10063/2675.
Council of Science Editors:
Loveridge S. Sentimental Equipment: New Zealand, the Great War and Cultural Mobilisation. [Doctoral Dissertation]. Victoria University of Wellington; 2013. Available from: http://hdl.handle.net/10063/2675

Boston University
4.
Delaney, Nora Kathleen.
A study of the endnotes to David Jones's In Parenthesis.
Degree: PhD, Editorial Studies, 2014, Boston University
URL: http://hdl.handle.net/2144/14294
► This dissertation is a study of the endnotes to David Jones's In Parenthesis. Jones is a 20th-century Welsh-English author and visual artist who provides semi-extensive…
(more)
▼ This dissertation is a study of the endnotes to David Jones's In Parenthesis. Jones is a 20th-century Welsh-English author and visual artist who provides semi-extensive annotations to his work in the form of footnotes, endnotes, or prefaces. This study examines Jones's editorial practice with focus on In Parenthesis. The bulk of the work is a critical edition of his notes (which could be followed in the future by a critical edition of the whole of In Parenthesis). Manuscript notes are collated and compared with the published text in order to examine Jones's working methods and use of annotation. Editorial commentary clarifies allusions and indicates where Jones has used similar material in his other writings (The Anathemata and a number of independently published essays) and art (engravings, paintings, and letterings; in particular the illustrations for an edition of S.T. Coleridge's "The Rime of the Ancient Mariner"). Further editorial annotation is included where Jones does not explain allusions and references in the body of In Parenthesis. Because there is evidence that Jones is an inconsistent editor of his own work, his omission of these annotations may be accidental rather than deliberate. An initial discussion preceding the collated notes provides personal and historical context for Jones's practice. To provide further context, a chronology and bibliographical description are included, as is a list of key sources and frequency of use, as well as illustrations and facsimile drafts. This study draws attention to the key works and themes that appear not only in In Parenthesis, but again in The Anathemata, Jones's artwork, essays, and other writings.
Subjects/Keywords: Literature; Jones, David; World War One
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Delaney, N. K. (2014). A study of the endnotes to David Jones's In Parenthesis. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/14294
Chicago Manual of Style (16th Edition):
Delaney, Nora Kathleen. “A study of the endnotes to David Jones's In Parenthesis.” 2014. Doctoral Dissertation, Boston University. Accessed January 23, 2021.
http://hdl.handle.net/2144/14294.
MLA Handbook (7th Edition):
Delaney, Nora Kathleen. “A study of the endnotes to David Jones's In Parenthesis.” 2014. Web. 23 Jan 2021.
Vancouver:
Delaney NK. A study of the endnotes to David Jones's In Parenthesis. [Internet] [Doctoral dissertation]. Boston University; 2014. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/2144/14294.
Council of Science Editors:
Delaney NK. A study of the endnotes to David Jones's In Parenthesis. [Doctoral Dissertation]. Boston University; 2014. Available from: http://hdl.handle.net/2144/14294

Victoria University of Wellington
5.
Clarkson, Coralie.
The Reality of Return: Exploring the Experiences of World War One Soldiers after Their Return to New Zealand.
Degree: 2011, Victoria University of Wellington
URL: http://hdl.handle.net/10063/2072
► The focus of this thesis is the lives of New Zealand's returned Great War soldiers. This thesis explores the experiences of men who did not…
(more)
▼ The focus of this thesis is the lives of New Zealand's returned Great
War soldiers. This thesis explores the experiences of men who did not successfully repatriate as a counterpoint to the experiences of those who did, and argues that men's return to New Zealand and their post
war lives were shaped by many factors including access to employment and good health. Many returned soldiers were able to resume their lives on return and led relatively happy and successful lives. For these men, their success seems to have come from the ability to find or resume employment, good health, family support, and financial support. For those who did not,
one or more of these factors was often missing, and this could lead to short or long term struggle.
The 1920s form the backdrop of this thesis, and were a time of uncertainty and anxiety for returned men and their families. The disillusionment of the 1920s was exacerbated by men's nostalgia for New Zealand which they built up during the
war. Tens of thousands of men returned to New Zealand from
war with dreams and hopes for the future. The horrors of
war had given men an idealistic view of peaceful New Zealand, and dreams of home comforts and loved ones had sustained these men through their long absence. For those who returned to find life difficult, the idealistic view of New Zealand as a land of simplicity and happiness would have been hard to maintain.
Chapter 1 demonstrates the idealisation of New Zealand and 'home' built up by soldiers and their families during the
war. Chapters 2, 3 and 4 use the lenses of employment, illness – specifically tuberculosis – and alcoholism to argue that for many men and their families, the 1920s were an extension of the anxieties and separation of the Great
War years. Sadly, for some, their lives were forever marred by the spectre of
war and what their absence from home cost them.
Advisors/Committee Members: Hunter, Kate.
Subjects/Keywords: World War One; WWI; Returned soldiers
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Clarkson, C. (2011). The Reality of Return: Exploring the Experiences of World War One Soldiers after Their Return to New Zealand. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/2072
Chicago Manual of Style (16th Edition):
Clarkson, Coralie. “The Reality of Return: Exploring the Experiences of World War One Soldiers after Their Return to New Zealand.” 2011. Masters Thesis, Victoria University of Wellington. Accessed January 23, 2021.
http://hdl.handle.net/10063/2072.
MLA Handbook (7th Edition):
Clarkson, Coralie. “The Reality of Return: Exploring the Experiences of World War One Soldiers after Their Return to New Zealand.” 2011. Web. 23 Jan 2021.
Vancouver:
Clarkson C. The Reality of Return: Exploring the Experiences of World War One Soldiers after Their Return to New Zealand. [Internet] [Masters thesis]. Victoria University of Wellington; 2011. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/10063/2072.
Council of Science Editors:
Clarkson C. The Reality of Return: Exploring the Experiences of World War One Soldiers after Their Return to New Zealand. [Masters Thesis]. Victoria University of Wellington; 2011. Available from: http://hdl.handle.net/10063/2072

University of Melbourne
6.
HOUWEN, ANNIKA.
The soldier and the sleuth: death and the detective novel after the First World War.
Degree: 2014, University of Melbourne
URL: http://hdl.handle.net/11343/40834
► The First World War was a confrontation with death as well as with the enemy, and this confrontation continued in the British detective novels that…
(more)
▼ The First World War was a confrontation with death as well as with the enemy, and this confrontation continued in the British detective novels that were so popular in the interwar period. Both the war and the detective novel revealed the importance of death and its associated rituals to the correct functioning of society. As society and its needs changed, so did the appropriate responses to death, and we see these changes occurring in the postwar novels of Agatha Christie and Dorothy L. Sayers, two of the most popular authors of the period. The effects of individual death on the community are explored in detail in the detective novel, as each mourner must perform the correct emotional display in order to prove their innocence. The rituals surrounding death are also revealed in the novels’ depiction of the inheritance of property, which is a common motive for murder, underlining its importance in the social structure. The First World War had transformed the role of the transmission of property, and it also deeply affected the position of the scientific community, which came under suspicion for its role in the war’s brutality. In the years after the First World War, the memory and legacy of the conflict shifted in response to upheaval in the present, in particular to the threat of a new war. The detective novels’ depiction of violent death recalls and rewrites the experience of war, and through social responses to violence, the dead body is made safe again.
Subjects/Keywords: detective fiction; World War One; mourning; death
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
HOUWEN, A. (2014). The soldier and the sleuth: death and the detective novel after the First World War. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/40834
Chicago Manual of Style (16th Edition):
HOUWEN, ANNIKA. “The soldier and the sleuth: death and the detective novel after the First World War.” 2014. Masters Thesis, University of Melbourne. Accessed January 23, 2021.
http://hdl.handle.net/11343/40834.
MLA Handbook (7th Edition):
HOUWEN, ANNIKA. “The soldier and the sleuth: death and the detective novel after the First World War.” 2014. Web. 23 Jan 2021.
Vancouver:
HOUWEN A. The soldier and the sleuth: death and the detective novel after the First World War. [Internet] [Masters thesis]. University of Melbourne; 2014. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/11343/40834.
Council of Science Editors:
HOUWEN A. The soldier and the sleuth: death and the detective novel after the First World War. [Masters Thesis]. University of Melbourne; 2014. Available from: http://hdl.handle.net/11343/40834

Victoria University of Wellington
7.
Patrick, Rachel.
An unbroken connection? New Zealand families, duty, and the First World War.
Degree: 2014, Victoria University of Wellington
URL: http://hdl.handle.net/10063/3669
► This thesis explores the topic of families during the First World War through a single New Zealand family and its social networks. The family at…
(more)
▼ This thesis explores the topic of families during the First
World War through a single New Zealand family and its social networks. The family at the core of the thesis, the Stewarts, were a well-to-do Dunedin family who moved in the most exclusive circles of colonial society. As members of the elite, and as prominent figures in the leadership of wartime patriotic organisations, they conceived of their wartime role as
one of public benevolence and modelling patriotic virtue for others. Yet, like countless other families, their personal lives were shattered by the
war. Drawing upon the extensive records left behind by the Stewart family, as well as associated archives, the thesis advances a number of larger arguments.
It is the overarching claim of this study that families – in their emotional, material and symbolic manifestations – formed an integral part of the
war experience and provide a significant way of understanding this global event and its devastating human consequences. The Stewart family’s extensive surviving archive of personal correspondence provides a window into the innermost emotions, beliefs and values of the family’s individual members. Episodes in their wartime lives shape the wider thesis themes: the impact of family separations, grief and bereavement, religious faith, duty and patriotism, philanthropy, the lingering shadow of
war disability – and the inflection of all of these by gender and class. Analysing the letters that the family exchanged with other correspondents demonstrates the embeddedness of family in larger networks of association, as well as identifying the aspects of their
world view they shared with others in their predominantly middle- and upper-class circles. The records of patriotic organisations members of the family were associated with provide a means of examining how they translated their private beliefs into public influence.
The continual interplay between mobility and distance forms another of the study’s substantive themes. The distance created by the geographical separation between battlefronts and homefronts was a defining feature of the
war for families in far-flung dominions such as New Zealand. But distance could be overcome by mobility: through the flow of things, money and people. Such movements, the thesis argues, blurred the boundaries between home and front. Thus, the correspondence members of the Stewart family exchanged during the
war enabled them to sustain intimate ties across distance and helped them to mediate their own particular experience of wartime bereavement. The informal personal and kinship networks sustained by the female members of the family formed an important constituent of wartime benevolence, providing a conduit for the flow of information, goods and financial aid across national boundaries. During the
war, the leadership of women’s patriotic organisations promoted an essentialised vision of feminine nature to justify their organisations’ separate existence and to stake a claim for women’s wider participation in the
war effort. In doing…
Advisors/Committee Members: Hunter, Kate, McAloon, Jim.
Subjects/Keywords: First World War; World War One; WWI; Families; History
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Patrick, R. (2014). An unbroken connection? New Zealand families, duty, and the First World War. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/3669
Chicago Manual of Style (16th Edition):
Patrick, Rachel. “An unbroken connection? New Zealand families, duty, and the First World War.” 2014. Doctoral Dissertation, Victoria University of Wellington. Accessed January 23, 2021.
http://hdl.handle.net/10063/3669.
MLA Handbook (7th Edition):
Patrick, Rachel. “An unbroken connection? New Zealand families, duty, and the First World War.” 2014. Web. 23 Jan 2021.
Vancouver:
Patrick R. An unbroken connection? New Zealand families, duty, and the First World War. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2014. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/10063/3669.
Council of Science Editors:
Patrick R. An unbroken connection? New Zealand families, duty, and the First World War. [Doctoral Dissertation]. Victoria University of Wellington; 2014. Available from: http://hdl.handle.net/10063/3669

Macquarie University
8.
Finger, Nathan Gregory.
The First World War in British theatre.
Degree: 2016, Macquarie University
URL: http://hdl.handle.net/1959.14/1150547
► Theoretical thesis.
Bibliography: pages 223-233.
Introduction – The war in context – Chapter I. The mythical war, 1914-1918 – Chapter II. Myth under siege, 1919-1938…
(more)
▼ Theoretical thesis.
Bibliography: pages 223-233.
Introduction – The war in context – Chapter I. The mythical war, 1914-1918 – Chapter II. Myth under siege, 1919-1938 – Chapter III., War from within, 1960-1980 – Chapter IV. Celebration of friendship, 1981-2013 – Conclusion.
More than a century since its declaration, the First World War is universally accepted as one of the defining events of the twentieth century. Socially, politically, economically and culturally the war is viewed as having been a watershed and marks the boundary between all facets of the nineteenth and twentieth centuries. Unsurprisingly, it has been depicted in every artistic medium, from novels, memoirs, poems, theatre, film and the visual arts. Yet, while extensive scholarship exists for the majority of these forms, the war’s portrayal in theatre has been largely overlooked as a subject for study. The present project aims to redress this gap through an analysis of the most influential and commercially successful plays to be staged in Britain, set against the social atmosphere present at their time of production. What will become apparent is that the manner in which the war has been portrayed has never settled, but has remained in a constant state of flux.
The project will cover four distinct periods, beginning with the war’s enactment, (1914-18). During this time the public’s understanding of the war was predicated on mythic constructions. This was the result of former Victorian and Romantic literary traditions and the widespread circulation of propaganda. The second period, (1919-38), denotes a time when those who had served and returned home came to see the mythic and romantic portrayals as inaccurate representations of their experiences. Works produced during this period reveal a conscious effort to counter former traditions by taking focus away from ennobled abstractions and placing them on the object of experience. During the third period, (1960-80), new, revisionist historians began to produce critiques of the conflict that cast the commanders and national leaders as the true villains. They were seen as having been out of touch with the realities of frontline conditions and overly reliant on out dated tactics. As a direct result, the war came to be seen as progressively devoid of meaning. Since the 1980s it has been accepted that the First World War was a meaningless conflict. However, contemporary works bring focus to bear on a celebration of the male friendships that formed during the war. In the face of a meaningless conflict soldiers are shown to devote themselves to one another as a means of psychological survival. This final period will reveal that a return to romantic traditions has occurred, albeit of a different variety from that seen during and at the beginning of the century, bringing portrayals of the war full circle.
Today there no longer remain any living persons with first-hand experience of the war, and so the manner through which society constructs an understanding of the event must come from texts…
Advisors/Committee Members: Macquarie University. Department of English.
Subjects/Keywords: World War, 1914-1918 – In literature; theatre; World War One
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Finger, N. G. (2016). The First World War in British theatre. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/1150547
Chicago Manual of Style (16th Edition):
Finger, Nathan Gregory. “The First World War in British theatre.” 2016. Doctoral Dissertation, Macquarie University. Accessed January 23, 2021.
http://hdl.handle.net/1959.14/1150547.
MLA Handbook (7th Edition):
Finger, Nathan Gregory. “The First World War in British theatre.” 2016. Web. 23 Jan 2021.
Vancouver:
Finger NG. The First World War in British theatre. [Internet] [Doctoral dissertation]. Macquarie University; 2016. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/1959.14/1150547.
Council of Science Editors:
Finger NG. The First World War in British theatre. [Doctoral Dissertation]. Macquarie University; 2016. Available from: http://hdl.handle.net/1959.14/1150547

University of Ottawa
9.
Milne-Walasek, Nicholas.
The History/Literature Problem in First World War Studies
.
Degree: 2016, University of Ottawa
URL: http://hdl.handle.net/10393/35162
► In a cultural context, the First World War has come to occupy an unusual existential point half-way between history and art. Modris Eksteins has described…
(more)
▼ In a cultural context, the First World War has come to occupy an unusual existential point half-way between history and art. Modris Eksteins has described it as being “more a matter of art than of history;” Samuel Hynes calls it “a gap in history;” Paul Fussell has exclaimed “Oh what a literary war!” and placed it outside of the bounds of conventional history. The primary artistic mode through which the war continues to be encountered and remembered is that of literature—and yet the war is also a fact of history, an event, a happening. Because of this complex and often confounding mixture of history and literature, the joint roles of historiography and literary scholarship in understanding both the war and the literature it occasioned demand to be acknowledged. Novels, poems, and memoirs may be understood as engagements with and accounts of history as much as they may be understood as literary artifacts; the war and its culture have in turn generated an idiosyncratic poetics.
It has conventionally been argued that the dawn of the war's modern literary scholarship and historiography can be traced back to the late 1960s and early 1970s—a period which the cultural historian Jay Winter has described as the “Vietnam Generation” of scholarship. This period was marked by an emphatic turn away from the records of cultural elites and towards an oral history preserved and delivered by those who fought the war “on the ground,” so to speak. Adrian Gregory has affirmed this period's status as the originating point for the war's modern historiography, while James Campbell similarly has placed the origins of the war's literary scholarship around the same time.
I argue instead that this “turn” to the oral and the subaltern is in fact somewhat overstated, and that the fully recognizable origins of what we would consider a “modern” approach to the war can be found being developed both during the war and in its aftermath. Authors writing on the home front developed an effective language of “war writing” that then inspired the reaction of the “War Books Boom” of 1922-1939, and this boom in turn provided the tropes and concerns that have so animated modern scholarship. Through it all, from 1914 to the current era, there has been a consistent recognition of both the literariness of the war's history and the historiographical quality of its literature; this has helped shape an unbroken line of scholarship—and of literary production—from the war's earliest days to the present day.
Subjects/Keywords: First World War;
Propaganda;
Literature;
History;
Historiography;
Modern;
War;
World War One;
WWI;
British
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Milne-Walasek, N. (2016). The History/Literature Problem in First World War Studies
. (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/35162
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Milne-Walasek, Nicholas. “The History/Literature Problem in First World War Studies
.” 2016. Thesis, University of Ottawa. Accessed January 23, 2021.
http://hdl.handle.net/10393/35162.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Milne-Walasek, Nicholas. “The History/Literature Problem in First World War Studies
.” 2016. Web. 23 Jan 2021.
Vancouver:
Milne-Walasek N. The History/Literature Problem in First World War Studies
. [Internet] [Thesis]. University of Ottawa; 2016. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/10393/35162.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Milne-Walasek N. The History/Literature Problem in First World War Studies
. [Thesis]. University of Ottawa; 2016. Available from: http://hdl.handle.net/10393/35162
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Utah
10.
Meredith-Dunlop, Amanda Leigh.
Body and mind: a comparison of photographic depictions of physically and mentally wounded British soldiers during The Great War.
Degree: MA, History, 2011, University of Utah
URL: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/35/rec/369
► Perhaps the most heart wrenching legacy of the First World War is the profound, lasting impact the conflict had on its participants. Hundreds of thousands…
(more)
▼ Perhaps the most heart wrenching legacy of the First World War is the profound, lasting impact the conflict had on its participants. Hundreds of thousands of British men returned home from the Western Front with bodies and minds torn by the new weapons of industrialized warfare. While both severely physically and mentally wounded men were left debilitated by their experiences in the trenches, and were thus dependent on government pensions for survival, these two groups of wounded veterans were not represented in a similar manner to the British civilians at home. This thesis examines the photographs of physically wounded men and soldiers suffering from shell shock from the Great War. Using masculinity and disabilities studies as tools of analysis, the positive regard surrounding newly disabled veterans becomes clear. The images of wounded men deliberately paint a picture of plucky, stoic, and independent individuals: the defining characteristics of a true man in this historical moment. These positive presentations of physically disabled men were created to be widely circulated to the British public, often as fundraising tools for the hospitals where they received care. Other pictures of the disabled tell a slightly different narrative, that of broken men being restored to their role as potential breadwinners through the healing treatments administered by the British government. In this manner, the government that sent these men to their dismemberment is also responsible for making them whole again.
Subjects/Keywords: Disability studies; Great war; Shell shock; World war one; Wounded
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Meredith-Dunlop, A. L. (2011). Body and mind: a comparison of photographic depictions of physically and mentally wounded British soldiers during The Great War. (Masters Thesis). University of Utah. Retrieved from http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/35/rec/369
Chicago Manual of Style (16th Edition):
Meredith-Dunlop, Amanda Leigh. “Body and mind: a comparison of photographic depictions of physically and mentally wounded British soldiers during The Great War.” 2011. Masters Thesis, University of Utah. Accessed January 23, 2021.
http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/35/rec/369.
MLA Handbook (7th Edition):
Meredith-Dunlop, Amanda Leigh. “Body and mind: a comparison of photographic depictions of physically and mentally wounded British soldiers during The Great War.” 2011. Web. 23 Jan 2021.
Vancouver:
Meredith-Dunlop AL. Body and mind: a comparison of photographic depictions of physically and mentally wounded British soldiers during The Great War. [Internet] [Masters thesis]. University of Utah; 2011. [cited 2021 Jan 23].
Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/35/rec/369.
Council of Science Editors:
Meredith-Dunlop AL. Body and mind: a comparison of photographic depictions of physically and mentally wounded British soldiers during The Great War. [Masters Thesis]. University of Utah; 2011. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd3/id/35/rec/369

University of Edinburgh
11.
Cuzman, Miruna Sinziana.
Trench modernism : William Orpen's career as war artist.
Degree: PhD, 2015, University of Edinburgh
URL: http://hdl.handle.net/1842/25698
► In response to growing German propaganda during the First World War, the British Government formed a special Propaganda Department, which used visual art as a…
(more)
▼ In response to growing German propaganda during the First World War, the British Government formed a special Propaganda Department, which used visual art as a means of boosting up the morale of civilians and British soldiers on the Front. The War Artists‟ Scheme brought into being under the auspices of the Propaganda Department in 1914 allowed some of the most promising British artists to produce memorable paintings. The works documented the numerous sites of the Western and Eastern Front. In addition, the artists employed under the scheme presented the nation with portraits of notable military and political figures engaged in the war effort. This thesis investigates how William Orpen, an established society portraitist and A.R.A., fits into the War Artists‟ Scheme. His position was problematic: as a painter working in an early twentieth-century descriptive vein and older than other artists at the Front, how did he fare in this troubled context? Orpen‟s work on the Western Front (France and Flanders) has been so far neglected and considered to be of little relevance in comparison to what other avant-garde artists produced during the same time span. The thesis investigates how Orpen, although painting in an early twentieth-century representational style considered slightly passé, embedded in his works innovative means of expression, creating vivid, haunting imagery, adding to a body of work which was supposed to be documentary a depth reminiscent of ecclesiastic artistic practice. The thesis attempts to re-evaluate Orpen‟s war oeuvre, an aspect of the artist‟s rich imagery hitherto left to oblivion.
Subjects/Keywords: 759.29; war artists; Britain; Propaganda Department; World War One; William Orpen
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Cuzman, M. S. (2015). Trench modernism : William Orpen's career as war artist. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/25698
Chicago Manual of Style (16th Edition):
Cuzman, Miruna Sinziana. “Trench modernism : William Orpen's career as war artist.” 2015. Doctoral Dissertation, University of Edinburgh. Accessed January 23, 2021.
http://hdl.handle.net/1842/25698.
MLA Handbook (7th Edition):
Cuzman, Miruna Sinziana. “Trench modernism : William Orpen's career as war artist.” 2015. Web. 23 Jan 2021.
Vancouver:
Cuzman MS. Trench modernism : William Orpen's career as war artist. [Internet] [Doctoral dissertation]. University of Edinburgh; 2015. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/1842/25698.
Council of Science Editors:
Cuzman MS. Trench modernism : William Orpen's career as war artist. [Doctoral Dissertation]. University of Edinburgh; 2015. Available from: http://hdl.handle.net/1842/25698

Iowa State University
12.
Wright, Christopher James.
The impact of anti-German hysteria in New Ulm, Minnesota and Kitchener, Ontario: a comparative study.
Degree: 2011, Iowa State University
URL: https://lib.dr.iastate.edu/etd/12043
► This comparative study analyzes the impact of anti-German hysteria on the towns of New Ulm, Minnesota and Kitchener, Ontario during First World War. These two…
(more)
▼ This comparative study analyzes the impact of anti-German hysteria on the towns of New Ulm, Minnesota and Kitchener, Ontario during First World War. These two towns maintained a proportionately German population prior to the war. Though each town suffered from anti-German hysteria, New Ulm and Kitchener faced different forms, which resulted in the towns diverging from similar paths existing prior to the war. This thesis argues that the differing trajectories resulted in the ethnic divesting of Kitchener, Ontario while allowing New Ulm, Minnesota to maintain its ethnic roots.
Subjects/Keywords: anti-German; Berlin; hysteria; Kitchener; New Ulm; World War One; History
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Wright, C. J. (2011). The impact of anti-German hysteria in New Ulm, Minnesota and Kitchener, Ontario: a comparative study. (Thesis). Iowa State University. Retrieved from https://lib.dr.iastate.edu/etd/12043
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Wright, Christopher James. “The impact of anti-German hysteria in New Ulm, Minnesota and Kitchener, Ontario: a comparative study.” 2011. Thesis, Iowa State University. Accessed January 23, 2021.
https://lib.dr.iastate.edu/etd/12043.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Wright, Christopher James. “The impact of anti-German hysteria in New Ulm, Minnesota and Kitchener, Ontario: a comparative study.” 2011. Web. 23 Jan 2021.
Vancouver:
Wright CJ. The impact of anti-German hysteria in New Ulm, Minnesota and Kitchener, Ontario: a comparative study. [Internet] [Thesis]. Iowa State University; 2011. [cited 2021 Jan 23].
Available from: https://lib.dr.iastate.edu/etd/12043.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Wright CJ. The impact of anti-German hysteria in New Ulm, Minnesota and Kitchener, Ontario: a comparative study. [Thesis]. Iowa State University; 2011. Available from: https://lib.dr.iastate.edu/etd/12043
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of New South Wales
13.
Crawley, Rhys.
Our Second Great [Mis]Adventure A Critical Re-Evaluation Of The August Offensive, Gallipoli, 1915.
Degree: Humanities & Social Sciences, 2011, University of New South Wales
URL: http://handle.unsw.edu.au/1959.4/52146
;
https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10816/SOURCE01?view=true
► In the historiography of the Gallipoli Campaign, the August Offensive the largestand last major effort to break the deadlock and defeat the Ottoman Empire…
(more)
▼ In the historiography of the Gallipoli Campaign, the August Offensive the largestand last major effort to break the deadlock and defeat the Ottoman Empire at Gallipoli is invariably portrayed as a near miss, or near success. Victory was assured, thestory goes, if only the Allies had pushed a little harder, or had been the recipients ofsome simple good luck. This view of history is problematic. Apart from glossing overthe fact that the August Offensive was an utter failure, it has prevented, largelythrough the enduring strength of the Anzac myth, an objective analysis of theoffensive. This thesis aims to address this historical imbalance by re-examining theoperational capabilities of the Mediterranean Expeditionary Force (MEF), and indeed,the true potential for success in a prolonged offensive operation at Gallipoli in 1915.In this sense, the August Offensive must be viewed within the wider contextof Allied operations during the First
World War. Despite its differences in location,scale, and enemy, the
war fought at Gallipoli was very similar to that fought on theWestern Front. In 1915, both the MEF at Gallipoli and the British ExpeditionaryForce on the Western Front were trying to adapt to a new form of warfare onewhere static defence had replaced the manoeuvre and offensive warfare that formedpre-
war British doctrine. The August Offensive, like the battles at Neuve Chapelleand Loos, was another example of this adjustment. All three aimed for too much, andall three failed. By focusing on the operational level of
war, and examining aspectssuch as
planning, command, mobility, fire-support, inter-service co-operation, andlogistics, this thesis contends that the August Offensive was not a near success, or,indeed, even a viable operation. It never approached success, nor could it.
Advisors/Committee Members: Stockings, Craig, Humanities & Social Sciences, Australian Defence Force Academy, UNSW, Steel, Nigel, Humanities & Social Sciences, Australian Defence Force Academy, UNSW, Prior, Robin, Humanities & Social Sciences, Australian Defence Force Academy, UNSW.
Subjects/Keywords: World War One; Mediterranean Expeditionary Force; Gallipoli Campaign; ANZAC; August Offensive
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Crawley, R. (2011). Our Second Great [Mis]Adventure A Critical Re-Evaluation Of The August Offensive, Gallipoli, 1915. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/52146 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10816/SOURCE01?view=true
Chicago Manual of Style (16th Edition):
Crawley, Rhys. “Our Second Great [Mis]Adventure A Critical Re-Evaluation Of The August Offensive, Gallipoli, 1915.” 2011. Doctoral Dissertation, University of New South Wales. Accessed January 23, 2021.
http://handle.unsw.edu.au/1959.4/52146 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10816/SOURCE01?view=true.
MLA Handbook (7th Edition):
Crawley, Rhys. “Our Second Great [Mis]Adventure A Critical Re-Evaluation Of The August Offensive, Gallipoli, 1915.” 2011. Web. 23 Jan 2021.
Vancouver:
Crawley R. Our Second Great [Mis]Adventure A Critical Re-Evaluation Of The August Offensive, Gallipoli, 1915. [Internet] [Doctoral dissertation]. University of New South Wales; 2011. [cited 2021 Jan 23].
Available from: http://handle.unsw.edu.au/1959.4/52146 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10816/SOURCE01?view=true.
Council of Science Editors:
Crawley R. Our Second Great [Mis]Adventure A Critical Re-Evaluation Of The August Offensive, Gallipoli, 1915. [Doctoral Dissertation]. University of New South Wales; 2011. Available from: http://handle.unsw.edu.au/1959.4/52146 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10816/SOURCE01?view=true

Leiden University
14.
Winter, Richard de.
The Consequences of World War Zero. How the Russo-Japanese War of 1904-1905 played a role in World War One 1914-1918.
Degree: 2020, Leiden University
URL: http://hdl.handle.net/1887/133461
The Consequences of World War Zero. How the
Russo-Japanese War of 1904-1905 played a role in World
War One 1914-1918.
Advisors/Committee Members: Kern, Henk (advisor).
Subjects/Keywords: Russia; Japan; Russo-Japanese War; World War Zero; World War One; 1914-1918; 1904-1905; Hamilton; Pershing; Hoffmann; Caviglia
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Winter, R. d. (2020). The Consequences of World War Zero. How the Russo-Japanese War of 1904-1905 played a role in World War One 1914-1918. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/133461
Chicago Manual of Style (16th Edition):
Winter, Richard de. “The Consequences of World War Zero. How the Russo-Japanese War of 1904-1905 played a role in World War One 1914-1918.” 2020. Masters Thesis, Leiden University. Accessed January 23, 2021.
http://hdl.handle.net/1887/133461.
MLA Handbook (7th Edition):
Winter, Richard de. “The Consequences of World War Zero. How the Russo-Japanese War of 1904-1905 played a role in World War One 1914-1918.” 2020. Web. 23 Jan 2021.
Vancouver:
Winter Rd. The Consequences of World War Zero. How the Russo-Japanese War of 1904-1905 played a role in World War One 1914-1918. [Internet] [Masters thesis]. Leiden University; 2020. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/1887/133461.
Council of Science Editors:
Winter Rd. The Consequences of World War Zero. How the Russo-Japanese War of 1904-1905 played a role in World War One 1914-1918. [Masters Thesis]. Leiden University; 2020. Available from: http://hdl.handle.net/1887/133461

University of Melbourne
15.
Noonan, David Colin.
Those we forget: recounting Australian casualties of the First World War.
Degree: 2014, University of Melbourne
URL: http://hdl.handle.net/11343/39777
► The publication of the official Australian casualty figures of the First World War began with C E W Bean in 1921. It finished with the…
(more)
▼ The publication of the official Australian casualty figures of the First World War began with C E W Bean in 1921. It finished with the less celebrated largely forgotten A G Butler, a physician and official medical historian, who in 1942 published the last of three volumes covering the medical services and causality analysis and statistics of the Australian Imperial Forces (AIF). By subjecting this hitherto unquestioned historiography to rigorous quantitative analysis, this thesis claims a new role for the statistical analysis of historical data of, but not limited to, Australian casualty figures of the First World War. In so doing, it seeks to challenge the prevailing understandings of these casualty figures and as such the understandings of the medical and statistical basis upon which they were built, which in turn exist in historical research publications since the end of this conflict. The methodology was to initially assess over 1000 soldier Attestation Papers in a pilot study whereby the data collection methods were defined and refined for the major research program of an analysis of nearly 11,000 individual randomly selected Attestation Papers, or war service records, of men of the AIF.
The thesis firstly aims to quantify the deaths and total war hospitalisations of these men, punctuated by examples of the experience of individuals so as not to forget these numbers represent brothers, husbands, sons and fathers. Secondly it aims to produce for the first time a quantitative assessment of the post war impact this conflict had on the health and lives of those who returned. In combining these findings it seeks to provide a unique measure of the total human cost suffered by the men of the AIF in the First World War. The end result will significantly modify the current official inaccurate and inadequate underestimated record of the War’s casualty statistics, and produce a more reflective measure of the real extent of death and suffering of all of the men of the AIF; lest we forget.
Subjects/Keywords: Australia casualties First World War; World War One; WW1; statistical analysis of First World War casualties; post war casualties; methodology of sampling from large data base
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Noonan, D. C. (2014). Those we forget: recounting Australian casualties of the First World War. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/39777
Chicago Manual of Style (16th Edition):
Noonan, David Colin. “Those we forget: recounting Australian casualties of the First World War.” 2014. Doctoral Dissertation, University of Melbourne. Accessed January 23, 2021.
http://hdl.handle.net/11343/39777.
MLA Handbook (7th Edition):
Noonan, David Colin. “Those we forget: recounting Australian casualties of the First World War.” 2014. Web. 23 Jan 2021.
Vancouver:
Noonan DC. Those we forget: recounting Australian casualties of the First World War. [Internet] [Doctoral dissertation]. University of Melbourne; 2014. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/11343/39777.
Council of Science Editors:
Noonan DC. Those we forget: recounting Australian casualties of the First World War. [Doctoral Dissertation]. University of Melbourne; 2014. Available from: http://hdl.handle.net/11343/39777

Massey University
16.
Sutcliffe, Devon.
Sustained effort : the life of Sir Leonard Isitt.
Degree: PhD, Defence Studies, 2011, Massey University
URL: http://hdl.handle.net/10179/3677
► This thesis examines the life of Sir Leonard Isitt, and his contribution to New Zealand aviation, first from a service perspective, and then considers his…
(more)
▼ This thesis examines the life of Sir Leonard Isitt, and his contribution to New
Zealand aviation, first from a service perspective, and then considers his
involvement with commercial aviation. Isitt commenced his military career
as a foot soldier, serving first in Egypt during 1915, and then on the Somme,
where he was seriously wounded in September 1916. While convalescing he
arranged a transfer to the Royal Flying Corps, where he trained as a pilot,
before undertaking two tours of duty on the Western Front. After the War
Isitt remained in the United Kingdom undertaking various courses, before
returning in late 1919 to join the embryo New Zealand Air Force. He became
the first Commanding Officer at Wigram, and then took command of the
operational station at Hobsonville. When the Royal New Zealand Air Force
was created in 1937, he became the first Air Member for Personnel on the
Air Board, and oversaw the build-up of personnel in anticipation of the
Second World War. With the declaration of war, Isitt was posted to Canada
to monitor New Zealand’s contribution to the Empire Air Training Scheme,
and was subsequently posted to Washington and London before returning to
New Zealand as Deputy Chief of the Air Staff in early 1943. In mid-1943 he
was appointed Chief of the Air Staff, the first New Zealander to hold this
position, and saw the RNZAF build its strength to 20 active squadrons,
equipped with over 1300 aircraft and supported by 45,000 staff. At the end
of the War, Isitt was chosen to sign the Japanese Surrender Document on
behalf of New Zealand at a ceremony on USS Missouri in Tokyo Bay. Isitt was
knighted in 1946 and retired from the RNZAF to become Chairman of
Directors of the nationalised airline New Zealand National Airways
Corporation. He also became Chairman of Tasman Empire Airways Ltd and
served as New Zealand nominee on the Board of British Commonwealth
Airways Ltd.
Isitt finally retired in 1963, after spending over forty years in the forefront
of New Zealand aviation, and during this period arguably had a greater
influence in this sector than any other person.
Subjects/Keywords: Leonard Isitt, Sir;
New Zealand aviation;
Chief of air staff biography;
Military career;
New Zealand Air Force;
World War One;
World War Two;
First World War;
Second World War;
New Zealand National Airways Corporation;
NAC;
Tasman Empire Airways;
National Airways Corporation;
World War I;
World War II
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Sutcliffe, D. (2011). Sustained effort : the life of Sir Leonard Isitt. (Doctoral Dissertation). Massey University. Retrieved from http://hdl.handle.net/10179/3677
Chicago Manual of Style (16th Edition):
Sutcliffe, Devon. “Sustained effort : the life of Sir Leonard Isitt.” 2011. Doctoral Dissertation, Massey University. Accessed January 23, 2021.
http://hdl.handle.net/10179/3677.
MLA Handbook (7th Edition):
Sutcliffe, Devon. “Sustained effort : the life of Sir Leonard Isitt.” 2011. Web. 23 Jan 2021.
Vancouver:
Sutcliffe D. Sustained effort : the life of Sir Leonard Isitt. [Internet] [Doctoral dissertation]. Massey University; 2011. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/10179/3677.
Council of Science Editors:
Sutcliffe D. Sustained effort : the life of Sir Leonard Isitt. [Doctoral Dissertation]. Massey University; 2011. Available from: http://hdl.handle.net/10179/3677

Massey University
17.
Carr, Carolyn Jane.
'A most creditable production' : Chronicles of the N.Z.E.F. (New Zealand Expeditionary Force), 1916-1919 : their publication and utility for historical research.
Degree: M. Phil., Defence and Strategic Studies, 2011, Massey University
URL: http://hdl.handle.net/10179/2774
► This thesis examines the Chronicles of the N.Z.E.F. (New Zealand Expeditionary Force) that were published during World War I from August 1916 until January 1919,…
(more)
▼ This thesis examines the Chronicles of the N.Z.E.F. (New Zealand Expeditionary Force) that were published during World War I from August 1916 until January 1919, and their usefulness for historical research. The thesis explores how they were published, their purpose and the role of the editor Clutha Mackenzie. The content for a sample of issues that cover New Zealand’s participation in the First Battle of the Somme (1916) and the Third Battle of Ypres (1917), also known as Passchendaele, is analysed and the contributors and correspondents identified. The same sample of issues are studied in detail and compared and contrasted to ascertain how these battles are written about in the Chronicles and how useful this material might be for historical research.
The thesis finds that the Chronicles mostly succeeded in meeting its three aims. These were to be a means of communicating with the New Zealand troops in all theatres of the war and in the United Kingdom as well as with the people back in New Zealand, to provide a record of how the money raised in New Zealand to support the troops was being spent, and to be a medium for the literary efforts of the troops. Assisted by some influential supporters, both civilian and to a lesser extent the military authorities, the editor played a key role in starting the Chronicles and in all aspects of their production, including funding, content and distribution, which ensured their continuous publication for more than two years.
As a source for historical research the thesis finds that they do not add to the existing battle narratives about the New Zealanders’ part in the Somme and Passchendaele. However the variety of detail on army organisation and everyday life at the front provides a rich and largely under-utilised source of material for social and cultural studies. They also offer a window through which to view the thoughts and feelings of the New Zealand soldier in the First World War.
Subjects/Keywords: Chronicles of the N.Z.E.F.;
Clutha N. Mackenzie;
New Zealand Expeditionary Force;
New Zealand soldiers' writings;
World War I;
Historiography;
History;
New Zealand periodicals;
First World War;
World War One
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Carr, C. J. (2011). 'A most creditable production' : Chronicles of the N.Z.E.F. (New Zealand Expeditionary Force), 1916-1919 : their publication and utility for historical research. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/2774
Chicago Manual of Style (16th Edition):
Carr, Carolyn Jane. “'A most creditable production' : Chronicles of the N.Z.E.F. (New Zealand Expeditionary Force), 1916-1919 : their publication and utility for historical research.” 2011. Masters Thesis, Massey University. Accessed January 23, 2021.
http://hdl.handle.net/10179/2774.
MLA Handbook (7th Edition):
Carr, Carolyn Jane. “'A most creditable production' : Chronicles of the N.Z.E.F. (New Zealand Expeditionary Force), 1916-1919 : their publication and utility for historical research.” 2011. Web. 23 Jan 2021.
Vancouver:
Carr CJ. 'A most creditable production' : Chronicles of the N.Z.E.F. (New Zealand Expeditionary Force), 1916-1919 : their publication and utility for historical research. [Internet] [Masters thesis]. Massey University; 2011. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/10179/2774.
Council of Science Editors:
Carr CJ. 'A most creditable production' : Chronicles of the N.Z.E.F. (New Zealand Expeditionary Force), 1916-1919 : their publication and utility for historical research. [Masters Thesis]. Massey University; 2011. Available from: http://hdl.handle.net/10179/2774

University of Waikato
18.
Delan, Handren.
The Plight of Kurdish Natinonalism: Critical Analysis of the Kurds in Turkey, Iran, Iran, and Syria around First World War.
Degree: 2006, University of Waikato
URL: http://hdl.handle.net/10289/8738
► During recent years the Kurdish question has reappeared, more intensely than before, on the international agenda. For years, this questino has been of fundamental concern…
(more)
▼ During recent years the Kurdish question has reappeared, more intensely than before, on the international agenda. For years, this questino has been of fundamental concern to the countries of region,and it has led to intense internal controversies and economic and social crisis. The number of Kurds in fourt parts of Kurdistan and within the four borders of countries that have divided it up between themselves totals about 35 million.This makes the Kurds, after Arabs, the Turks, and Persians,the fourth largest nation in the middle east.
Kurds are, together with the Arabs,Persians and Armenians,
one of the most ancient peoples of the near east. The country they inhabit is called Kurdistan. The Kurds have thier own language,Kurdish. Kurdish is a member of the Indo-European family of languages. Like Persian,Afghan and Bakuchi, it is
one of the Iranian languages. Kurdish is unrelated to Arabic or Turkish languages.
Kurds have played a signoficant role in the history of this region since it's early epoches. A great deal of information can be found in numerous Greek, Arabs, Rokan , and Armenian.According to them, Kurds founded several important states druing early Islamic epoch between teenth and thirteenth centuries such as Salahadin, Merwandidis, and Ayubiat as well as in the distant past. Sultan Salahadin, the founder of the Ayubiad state, which included Egypt, Syria and Kurdistan, played a particularly significant role in history.
This thesis attempts to examine the main charecteristics of Kurdish natuionalism. In order to do that, the thesis analyses the social structure of Kurdish scoiety. The thesis thorougly explains the agitation of Kurds against the Ottoman Empire durng nineteenth century and beyond. This thesis examines Kurdish reactions in the course of the First
World War against the Empires of Ottoman and Persia, which divided the Kurdish land between themselves. The thesis analyses the stunning obtacles in the face of the Kurds in formatinon of their national state in aftermath of the Ottoman Empire. This study can be a cornerstone to understand the inherent weakness of Kurdish nationalism in integrating all social and sectarian groups within the Kurdish society.
Advisors/Committee Members: Bing, Dov (advisor).
Subjects/Keywords: Kurdish Nationalism;
Kurds;
World War One
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Delan, H. (2006). The Plight of Kurdish Natinonalism: Critical Analysis of the Kurds in Turkey, Iran, Iran, and Syria around First World War.
(Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/8738
Chicago Manual of Style (16th Edition):
Delan, Handren. “The Plight of Kurdish Natinonalism: Critical Analysis of the Kurds in Turkey, Iran, Iran, and Syria around First World War.
” 2006. Masters Thesis, University of Waikato. Accessed January 23, 2021.
http://hdl.handle.net/10289/8738.
MLA Handbook (7th Edition):
Delan, Handren. “The Plight of Kurdish Natinonalism: Critical Analysis of the Kurds in Turkey, Iran, Iran, and Syria around First World War.
” 2006. Web. 23 Jan 2021.
Vancouver:
Delan H. The Plight of Kurdish Natinonalism: Critical Analysis of the Kurds in Turkey, Iran, Iran, and Syria around First World War.
[Internet] [Masters thesis]. University of Waikato; 2006. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/10289/8738.
Council of Science Editors:
Delan H. The Plight of Kurdish Natinonalism: Critical Analysis of the Kurds in Turkey, Iran, Iran, and Syria around First World War.
[Masters Thesis]. University of Waikato; 2006. Available from: http://hdl.handle.net/10289/8738

King's College London (University of London)
19.
Foley, Robert T.
Attrition : its theory and application in German strategy, 1880-1916.
Degree: PhD, 1999, King's College London (University of London)
URL: https://kclpure.kcl.ac.uk/portal/en/theses/attrition –
its-theory-and-application-in-german-strategy-18801916(77e8e7aa-f459-4e7e-8acc-81561dbf48e2).html
;
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322708
Subjects/Keywords: 900; Strategiestreit : Verdun : World War One
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Foley, R. T. (1999). Attrition : its theory and application in German strategy, 1880-1916. (Doctoral Dissertation). King's College London (University of London). Retrieved from https://kclpure.kcl.ac.uk/portal/en/theses/attrition – its-theory-and-application-in-german-strategy-18801916(77e8e7aa-f459-4e7e-8acc-81561dbf48e2).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322708
Chicago Manual of Style (16th Edition):
Foley, Robert T. “Attrition : its theory and application in German strategy, 1880-1916.” 1999. Doctoral Dissertation, King's College London (University of London). Accessed January 23, 2021.
https://kclpure.kcl.ac.uk/portal/en/theses/attrition – its-theory-and-application-in-german-strategy-18801916(77e8e7aa-f459-4e7e-8acc-81561dbf48e2).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322708.
MLA Handbook (7th Edition):
Foley, Robert T. “Attrition : its theory and application in German strategy, 1880-1916.” 1999. Web. 23 Jan 2021.
Vancouver:
Foley RT. Attrition : its theory and application in German strategy, 1880-1916. [Internet] [Doctoral dissertation]. King's College London (University of London); 1999. [cited 2021 Jan 23].
Available from: https://kclpure.kcl.ac.uk/portal/en/theses/attrition – its-theory-and-application-in-german-strategy-18801916(77e8e7aa-f459-4e7e-8acc-81561dbf48e2).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322708.
Council of Science Editors:
Foley RT. Attrition : its theory and application in German strategy, 1880-1916. [Doctoral Dissertation]. King's College London (University of London); 1999. Available from: https://kclpure.kcl.ac.uk/portal/en/theses/attrition – its-theory-and-application-in-german-strategy-18801916(77e8e7aa-f459-4e7e-8acc-81561dbf48e2).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322708

University of Dundee
20.
Petrie, Ann.
Scottish culture and the First World War, 1914-1939.
Degree: PhD, 2006, University of Dundee
URL: https://discovery.dundee.ac.uk/en/studentTheses/81590025-1776-49af-8754-7b4b0c351f5c
;
https://discovery.dundee.ac.uk/en/studentTheses/87371b2a-e1b2-4e4f-9c91-9ca15685e9f2
;
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.561298
► The First World War was a key factor in the development of Scottish art and culture in the first half of the twentieth century. Yet…
(more)
▼ The First World War was a key factor in the development of Scottish art and culture in the first half of the twentieth century. Yet historians concentrating on Scotland have been slow to recognise its potential as an area of research. This thesis aims to provide a broad-ranging perspective by exploring the responses to the war of seven of Scotland's leading cultural personalities, including the poet Christopher Murray Grieve, the dramatists, James Matthew Barrie and Osborne Henry Mavor, the painters Eric Harald Macbeth Robertson and William McCance, the architect Robert Stodart Lorimer and the aristocrat, the 8th Duke of Atholl. In addition to consideration of their personal experiences of the war, however, attention will be given to the varied and many cultural productions created by these men both during and in the aftermath of the First World War to assess the nature of the war's impact on Scottish culture. The Scottish Renaissance movement of the 1920s will be discussed in light of the fury and disillusionment felt by Grieve as a result of his active service in Salonika; the pervading influence of the war in the plays of Mavor and Barrie will be shown to owe much to their subjective impressions of the war, and the curtailment and containment of the careers of Robertson and McCance viewed in the context of their conscientious objection to military service. Finally, the Scottish National War Memorial at Edinburgh Castle will be attributed to the determination and passion imbued by the war in Lorimer and Atholl. In achieving these aims this thesis will demonstrate that the First World War should be held up as a central component in the history of Scottish art and society, and by dOing so hopes to widen the horizon of Scottish cultural studies beyond the current fixation with typicality within the United Kingdom in order to emphasise the range of Scottish cultures.
Subjects/Keywords: 941.1; Scottish culture; World War One
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Petrie, A. (2006). Scottish culture and the First World War, 1914-1939. (Doctoral Dissertation). University of Dundee. Retrieved from https://discovery.dundee.ac.uk/en/studentTheses/81590025-1776-49af-8754-7b4b0c351f5c ; https://discovery.dundee.ac.uk/en/studentTheses/87371b2a-e1b2-4e4f-9c91-9ca15685e9f2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.561298
Chicago Manual of Style (16th Edition):
Petrie, Ann. “Scottish culture and the First World War, 1914-1939.” 2006. Doctoral Dissertation, University of Dundee. Accessed January 23, 2021.
https://discovery.dundee.ac.uk/en/studentTheses/81590025-1776-49af-8754-7b4b0c351f5c ; https://discovery.dundee.ac.uk/en/studentTheses/87371b2a-e1b2-4e4f-9c91-9ca15685e9f2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.561298.
MLA Handbook (7th Edition):
Petrie, Ann. “Scottish culture and the First World War, 1914-1939.” 2006. Web. 23 Jan 2021.
Vancouver:
Petrie A. Scottish culture and the First World War, 1914-1939. [Internet] [Doctoral dissertation]. University of Dundee; 2006. [cited 2021 Jan 23].
Available from: https://discovery.dundee.ac.uk/en/studentTheses/81590025-1776-49af-8754-7b4b0c351f5c ; https://discovery.dundee.ac.uk/en/studentTheses/87371b2a-e1b2-4e4f-9c91-9ca15685e9f2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.561298.
Council of Science Editors:
Petrie A. Scottish culture and the First World War, 1914-1939. [Doctoral Dissertation]. University of Dundee; 2006. Available from: https://discovery.dundee.ac.uk/en/studentTheses/81590025-1776-49af-8754-7b4b0c351f5c ; https://discovery.dundee.ac.uk/en/studentTheses/87371b2a-e1b2-4e4f-9c91-9ca15685e9f2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.561298

University of Pennsylvania
21.
Hobbs, Arabella Leonie.
Calvary Or Catastrophe? French Catholicism's First World War.
Degree: 2016, University of Pennsylvania
URL: https://repository.upenn.edu/edissertations/2341
► CALVARY OR CATASTROPHE? FRENCH CATHOLICISM’S FIRST WORLD WAR Arabella L. Hobbs Professor Gerald Prince The battlefield crucifixes that lined the Western Front powerfully connected industrialized…
(more)
▼ CALVARY OR CATASTROPHE? FRENCH CATHOLICISM’S FIRST WORLD WAR
Arabella L. Hobbs
Professor Gerald Prince
The battlefield crucifixes that lined the Western Front powerfully connected industrialized warfare with the Christian past. This elision of the bloody corporeality of the crucifixion with the bodily suffering wrought by industrial warfare forged a connection between religious belief and modern reality that lies at the heart of my dissertation. Through the poignancy of Christ’s suffering, French Catholics found an explanatory tool for the devastation of the Great War, affirming that the blood of the French dead would soon blossom in rich harvest. This dissertation argues that the story of French Catholicism and the Great War uncovers a complex and often dissonant understanding of the conflict that has become obscured in the uniform narrative of disillusionment and vain sacrifice to emerge in the last century. Considering the thought to emerge from the French renouveau catholique from 1910 up to 1920, I argue that far from symbolizing the modernist era of nihilism, the war in fact created meaning in a world that had lost touch with its God. At the same time, my reasoning is sensitive to the manner in which the application of Catholic dogma to modern war constituted a form of resistance to the encroaching secularization of French society following the separation of the French state and the Catholic Church in 1905. Through a survey of the major authors associated with the French Catholic revival – Ernest Psichari, Francois Mauriac, L�on Bloy, Paul Claudel and Henri Massis to name but a few – this dissertation aims to recover a different account of the war in the French tradition than the now canonical visions of the conflict inspired by the novels of Barbusse, Cendrars and C�line. In particular, this study aims to question why the major players of the French Catholic revival have fallen so dramatically from the canon given the radical nature of their postulations at the beginning of the twentieth century. More broadly, it seeks to probe the persistence of the vision of the Great War held in the collective imaginary, asking why this myth repeatedly rejects alternative narratives of the conflict. In foregrounding the resurgence of faith, I suggest that French Catholicism allows us to climb out of the trenches to see an altogether different war.
Subjects/Keywords: Catholic; Redemption; Sacrifice; World War One; European History; Other Languages, Societies, and Cultures; Religion
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Hobbs, A. L. (2016). Calvary Or Catastrophe? French Catholicism's First World War. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2341
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Hobbs, Arabella Leonie. “Calvary Or Catastrophe? French Catholicism's First World War.” 2016. Thesis, University of Pennsylvania. Accessed January 23, 2021.
https://repository.upenn.edu/edissertations/2341.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Hobbs, Arabella Leonie. “Calvary Or Catastrophe? French Catholicism's First World War.” 2016. Web. 23 Jan 2021.
Vancouver:
Hobbs AL. Calvary Or Catastrophe? French Catholicism's First World War. [Internet] [Thesis]. University of Pennsylvania; 2016. [cited 2021 Jan 23].
Available from: https://repository.upenn.edu/edissertations/2341.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Hobbs AL. Calvary Or Catastrophe? French Catholicism's First World War. [Thesis]. University of Pennsylvania; 2016. Available from: https://repository.upenn.edu/edissertations/2341
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Harvard University
22.
Weil, Abigail.
Man Is Indestructible: Legend and Legitimacy in the Worlds of Jaroslav Hašek.
Degree: PhD, 2019, Harvard University
URL: http://nrs.harvard.edu/urn-3:HUL.InstRepos:42013078
► Czech author Jaroslav Hašek (1883-1923) is internationally renowned for his novel The Fates of the Good Soldier Švejk in the World War. During his lifetime,…
(more)
▼ Czech author Jaroslav Hašek (1883-1923) is internationally renowned for his novel The Fates of the Good Soldier Švejk in the World War. During his lifetime, despite publishing prolifically, Hašek was primarily known as a notorious prankster. Anecdotes grew into a legend which depicts Hašek as a larger-than-life bon vivant. This image, however, has historically been in tension with the high esteem he ultimately earned with his great novel. My reading of Hašek proposes an anti-authority theory of authorship as the unifying force between the two seemingly incompatible aspects of his oeuvre. I understand the Hašek legend as a constructed literary text, improvised like the rest of his work. I argue that his original pranks and their preservation as anecdotes express a disdain for institutions of political and cultural authority. At the same time, Hašek encoded self-referential material into his later literary works, drawing attention to the already potent legend and championing authorship as an ungovernable refuge.
The introduction presents a theory of authorial legend, followed by a brief biography. Chapter One, “The Bugulma Tales: Improvisation and Autobiographical Experiment,” discusses Hašek’s service in the Red Army and the satirical, pseudo-autobiographical stories he published upon returning to Prague. Chapters Two and Three are both devoted to the Švejk novel. Chapter Two, “Authorship as a Challenge to Authority: Storytelling in Osudy dobrého vojáka Švejka,” analyzes the codes of self-censorship in Hašek’s depiction of wartime Prague and finds that oral storytelling exists as a bastion of self-expression for the low-class characters the novel champions. Chapter Three, “History as Fodder” discusses Hašek’s irreverent and skeptical treatment of historical discourse and, by extension, all supposedly non-fiction genres. Chapter Four, “My Friend Hašek: Memoirs Beyond Fact and Fiction,” explores how Hašek’s legacy came to be defined through a series of memoirs written after his death by friends and collaborators. In the conclusion, I propose reexamining Hašek’s role in global literary culture, paying particular attention to Russia. Hašek’s time in the Red Army legitimized him for a soviet readership, with the effect that his writings were never censored under the communist regime. Among Russian readers, Hašek remains the most popular Czech author, yet his appeal is paradoxically in conflict with his success.
I find that Hašek created and managed his own authorial legend while remaining intentionally outside of, indeed antagonistic to, normative political and literary institutions. Taking seriously both Hašek’s writing and his celebrity invites a new understanding of the dynamic relationship between authorship and authority, a model that allows for both the essentially chaotic nature of Hašek’s work, and his virtuosity. Hašek was unique among the major writers of interwar Europe in that his genius appears not in spite of but in concert with his anti-intellectualism.
Slavic Languages and Literatures
Advisors/Committee Members: Bolton, Jonathan (advisor), Tuckerova, Veronika (committee member), Todd, William M. (committee member), Weir, Justin (committee member), Toman, Jindrich (committee member).
Subjects/Keywords: Jaroslav Hašek; Czech literature; authorship; authority; mystifications; World War One; Russian Civil War; history; biography; autobiography
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Weil, A. (2019). Man Is Indestructible: Legend and Legitimacy in the Worlds of Jaroslav Hašek. (Doctoral Dissertation). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:42013078
Chicago Manual of Style (16th Edition):
Weil, Abigail. “Man Is Indestructible: Legend and Legitimacy in the Worlds of Jaroslav Hašek.” 2019. Doctoral Dissertation, Harvard University. Accessed January 23, 2021.
http://nrs.harvard.edu/urn-3:HUL.InstRepos:42013078.
MLA Handbook (7th Edition):
Weil, Abigail. “Man Is Indestructible: Legend and Legitimacy in the Worlds of Jaroslav Hašek.” 2019. Web. 23 Jan 2021.
Vancouver:
Weil A. Man Is Indestructible: Legend and Legitimacy in the Worlds of Jaroslav Hašek. [Internet] [Doctoral dissertation]. Harvard University; 2019. [cited 2021 Jan 23].
Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:42013078.
Council of Science Editors:
Weil A. Man Is Indestructible: Legend and Legitimacy in the Worlds of Jaroslav Hašek. [Doctoral Dissertation]. Harvard University; 2019. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:42013078

University of Oxford
23.
Hodges, Elizabeth Violet.
An exploration of sight, and its relationship with reality, in literature from both world wars.
Degree: PhD, 2013, University of Oxford
URL: http://ora.ox.ac.uk/objects/uuid:de3c749e-b7b2-49bc-a25e-4c3f28eea47d
;
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604453
► Writers from both world wars, concerned with the representation of war, wrestled with the predicament of partial sight. Their work reveals the problematic dichotomy that…
(more)
▼ Writers from both world wars, concerned with the representation of war, wrestled with the predicament of partial sight. Their work reveals the problematic dichotomy that exists between the individual’s selective range of vision and the immense scale of conflict. Central to this authorial dilemma is the question of the visual frame: how do you contain – within the written word – sight that resists containment and expression? The scale of the two world wars accentuated the representative problem of warfare. This thesis, by examining a wide range of World War One and World War Two literature, explores the varied literary responses to the topical relationship between sight and reality in wartime. It examines the war poetry of Wilfred Owen, Ford Madox Ford’s tetralogy Parade’s End, The Return of the Soldier by Rebecca West, Elizabeth Bowen’s The Heat of the Day, and Virginia Woolf’s novels Mrs Dalloway and Between the Acts alongside less well-known works such as David Jones’s prose-poem In Parenthesis, the two short stories ‘The Soldier Looks for His Family’ by John Prebble and ‘The Blind Man’ by D.H. Lawrence, as well as William Sansom’s collection of short stories Fireman Flower, and Louis Simpson’s war poetry. This thesis, by focussing on the inherent difficulties of reconciling perception and representation in war, interrogates the boundaries of sight and the limits of representation. The changing place of sight in writing from the two world wars is examined and the extent to which discourses of vision were shaped and developed, in the early decades of the twentieth century, by war experience is explored. The critical containment and categorisation of sight that often dominates readings of sight in texts from both world wars is questioned suggesting the need for a more flexible understanding of, and approach towards, sight.
Subjects/Keywords: 820.9; English Language and Literature; Modern Britain and Europe; History of War; English and Old English literature; sight; world war one literature; world war two literature; eye sight
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Hodges, E. V. (2013). An exploration of sight, and its relationship with reality, in literature from both world wars. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:de3c749e-b7b2-49bc-a25e-4c3f28eea47d ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604453
Chicago Manual of Style (16th Edition):
Hodges, Elizabeth Violet. “An exploration of sight, and its relationship with reality, in literature from both world wars.” 2013. Doctoral Dissertation, University of Oxford. Accessed January 23, 2021.
http://ora.ox.ac.uk/objects/uuid:de3c749e-b7b2-49bc-a25e-4c3f28eea47d ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604453.
MLA Handbook (7th Edition):
Hodges, Elizabeth Violet. “An exploration of sight, and its relationship with reality, in literature from both world wars.” 2013. Web. 23 Jan 2021.
Vancouver:
Hodges EV. An exploration of sight, and its relationship with reality, in literature from both world wars. [Internet] [Doctoral dissertation]. University of Oxford; 2013. [cited 2021 Jan 23].
Available from: http://ora.ox.ac.uk/objects/uuid:de3c749e-b7b2-49bc-a25e-4c3f28eea47d ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604453.
Council of Science Editors:
Hodges EV. An exploration of sight, and its relationship with reality, in literature from both world wars. [Doctoral Dissertation]. University of Oxford; 2013. Available from: http://ora.ox.ac.uk/objects/uuid:de3c749e-b7b2-49bc-a25e-4c3f28eea47d ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604453

University of Western Ontario
24.
Habkirk, Evan Joseph.
Charting Continuation: Understanding Post-Traditional Six Nations Militarism, 1814-1930.
Degree: 2018, University of Western Ontario
URL: https://ir.lib.uwo.ca/etd/5960
► Until recently, military historians failed to consider First Nations military participation beyond the settlement of a particular region, including the end War of 1812 in…
(more)
▼ Until recently, military historians failed to consider First Nations military participation beyond the settlement of a particular region, including the end War of 1812 in Ontario and Quebec, and the post-Northwest Rebellion era in the Western Provinces. Current historiography of Six Nations military between the end of the War of 1812 and the First World War has also neglected the evolution of First Nations militarism and the voice of First Nations peoples, with most military histories including First Nations participation as contributions to the larger non-First Nations narrative of Canada. By charting the military participation of one First Nation community, namely the Six Nations of the Grand River Territory, it will be shown that a dynamic post-traditional military tradition continued to develop from the end of the War of 1812 to the First World War based on the treaty relationship they had developed with the British Crown, family genealogies, and their organized recruitment into state militaries. This study will also show that the Grand River Six Nations not only understood the traditional and post-traditional reasons they fought in various conflicts during the interwar period, but they did so as active agents with clear understandings that their participation was different than the non-Six Nations communities that surrounded them.
Subjects/Keywords: Haudenosaunee; Six Nations; Iroquois; War of 1812; First World War; World War One; Canada; Indigenous; Military; Militarism; Canadian History; Cultural History; Military History; Political History
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Habkirk, E. J. (2018). Charting Continuation: Understanding Post-Traditional Six Nations Militarism, 1814-1930. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5960
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Habkirk, Evan Joseph. “Charting Continuation: Understanding Post-Traditional Six Nations Militarism, 1814-1930.” 2018. Thesis, University of Western Ontario. Accessed January 23, 2021.
https://ir.lib.uwo.ca/etd/5960.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Habkirk, Evan Joseph. “Charting Continuation: Understanding Post-Traditional Six Nations Militarism, 1814-1930.” 2018. Web. 23 Jan 2021.
Vancouver:
Habkirk EJ. Charting Continuation: Understanding Post-Traditional Six Nations Militarism, 1814-1930. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2021 Jan 23].
Available from: https://ir.lib.uwo.ca/etd/5960.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Habkirk EJ. Charting Continuation: Understanding Post-Traditional Six Nations Militarism, 1814-1930. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5960
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Illinois – Urbana-Champaign
25.
Salerno, Michelle R.
Playing American: race and citizenship in American theatre and performance during the Great War, 1917-1919.
Degree: PhD, Theatre, 2016, University of Illinois – Urbana-Champaign
URL: http://hdl.handle.net/2142/93029
► This dissertation explores the intersection of race and citizenship in American theatre and performance during US active engagement in the Great War through focusing on…
(more)
▼ This dissertation explores the intersection of race and citizenship in American theatre and performance during US active engagement in the Great
War through focusing on performances by and about German immigrants and African American soldiers. Quickly after President Woodrow Wilson requested a declaration of
war against Germany, the American homefront became a site of coercive patriotism supported by an extreme nationalistic rhetoric. A vital aspect of military preparedness would be the conformity of opinion, political expression, and outward signs of loyalty. Those who could or would not fit into the newly defined narrow view of proper American citizenship expression found themselves in the dangerous position of being outsiders. Those of German descent and recent German immigrants were suspected of disloyalty. Through a racialized process of enemization, Germans lost their access to the safety and security provided by White privilege. The performances examine in this dissertation derive from this brief period where the construction of race, and in particular the instability of Whiteness, stands out precisely because Germans are now considered White. Wartime German enemy construction was created through the modes and means of American anti-Black racism connecting xenophobic suspicions with deep-rooted racial of ideologies of White supremacy. The First
World War was a ferocious conflict but rather than focus on the brutality of the battlefield this study centers on the often-overshadowed violence of the homefront. Against the backdrop of the striking spectacle of violence that was the Great
War there were more intimate performances of violence that linked the minority
subject to the nation.
Through an interdisciplinary analysis rooted in theatre history, performance studies, critical race/ethnic theory, American studies, and utilizing archival research these chapters foreground how performed acts of violence constructed and circulated notions of race and citizenship on the theatrical stage and in everyday performance. The chapters of this dissertation discuss and analyze a theatrical event and a performative event for both German immigrants and African American soldiers including (1) an analysis the play Friendly Enemies (1918) by Aaron Hoffman and Samuel Shipman and its production and critical history, (2) the lynching of German immigrant Robert Prager in Collinsville, IL, (3) the African American soldiers charged for mutiny and murder for their participation in the Houston Riot, and (4) an analysis of the play Mine Eyes Have Seen (1918) by Alice Dunbar Nelson and its production history. Taken together, these chapters demonstrate that the hyper-patriotic wartime American landscape offers a productive site for examining the role of violence in racial and citizenship formation.
Advisors/Committee Members: Robinson, Valleri (advisor), Robinson, Valleri (Committee Chair), Davis, Peter A. (committee member), Ruiz, Sandra (committee member), Chambers-Letson, Joshua (committee member).
Subjects/Keywords: theatre history; performance studies; critical race studies; First World War; Great War; World War One; Robert Prager; Mine Eyes Have Seen; Alice Dunbar Nelson; Houston Riot
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Salerno, M. R. (2016). Playing American: race and citizenship in American theatre and performance during the Great War, 1917-1919. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/93029
Chicago Manual of Style (16th Edition):
Salerno, Michelle R. “Playing American: race and citizenship in American theatre and performance during the Great War, 1917-1919.” 2016. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed January 23, 2021.
http://hdl.handle.net/2142/93029.
MLA Handbook (7th Edition):
Salerno, Michelle R. “Playing American: race and citizenship in American theatre and performance during the Great War, 1917-1919.” 2016. Web. 23 Jan 2021.
Vancouver:
Salerno MR. Playing American: race and citizenship in American theatre and performance during the Great War, 1917-1919. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2016. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/2142/93029.
Council of Science Editors:
Salerno MR. Playing American: race and citizenship in American theatre and performance during the Great War, 1917-1919. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2016. Available from: http://hdl.handle.net/2142/93029

University of New South Wales
26.
Millar, John Dermot.
A study in the limitations of command : General Sir William Birdwood and the A.I.F., 1914-1918.
Degree: History, 1993, University of New South Wales
URL: http://handle.unsw.edu.au/1959.4/38742
;
https://unsworks.unsw.edu.au/fapi/datastream/unsworks:3250/SOURCE01?view=true
► Military command is the single most important factor in the conduct of warfare. To understand war and military success and failure, historians need to explore…
(more)
▼ Military command is the single most important factor in the conduct of warfare. To understand war and military success and failure, historians need to explore command structures and the relationships between commanders. In World War I, a new level of higher command had emerged: the corps commander. Between 1914 and 1918, the role of corps commanders and the demands placed upon them constantly changed as experiences brought illumination and insight. Yet the men who occupied these positions were sometimes unable to cope with the changing circumstances and the many significant limitations which were imposed upon them. Of the World War I corps commanders, William Birdwood was one of the longest serving. From the time of his appointment in December 1914 until May 1918, Birdwood acquired an experience of corps command which was perhaps more diverse than his contemporaries during this time. He is, then, an ideal subject for a prolonged assessment of this level of command. This thesis has two principal objectives. The first is to identify and assess those factors which limited Birdwood’s capacity and ability to command. The second is to explore the institutional constraints placed on corps commanders during the 1914-1918 war. Surprisingly, this is a comparatively barren area of research. Because very few officers spent much time as corps commanders on their way to higher command appointments and because the role of the corps commanders in military planning and in the conduct of operations was not immediately apparent, their role has been practically ignored. Historians have tended to concentrate on the Army and divisional levels creating a deficient view of higher military command in World War I. However, corps commanders could and did play an important part in planning operations and in military affairs generally. Birdwood’s experience at Gallipoli and in France reflect some of the changes to command structures that were prompted by the successes and failures of operations directed at the corps level. In as much as these two theatres of war were vastly different and Birdwood was confronted with dissimilar problems, it is possible to draw some general conclusions about the evolution of higher command after 1914. Using a wide range of primary and secondary sources located in Australian and British archives, this thesis traces Birdwood’s career as a corps commander at Gallipoli and on the Western Front. It also examines his tenure as G.O.C. of the A.I.F.
Subjects/Keywords: General William Birdwood; military command; command structures; officers; World War I; World War One; World War 1; 1914-1918; military planning; operations; Army; Gallipoli; Western Front; France; Australian Imperial Force (A.I.F.) corp command; corps commanders
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Millar, J. D. (1993). A study in the limitations of command : General Sir William Birdwood and the A.I.F., 1914-1918. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/38742 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:3250/SOURCE01?view=true
Chicago Manual of Style (16th Edition):
Millar, John Dermot. “A study in the limitations of command : General Sir William Birdwood and the A.I.F., 1914-1918.” 1993. Doctoral Dissertation, University of New South Wales. Accessed January 23, 2021.
http://handle.unsw.edu.au/1959.4/38742 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:3250/SOURCE01?view=true.
MLA Handbook (7th Edition):
Millar, John Dermot. “A study in the limitations of command : General Sir William Birdwood and the A.I.F., 1914-1918.” 1993. Web. 23 Jan 2021.
Vancouver:
Millar JD. A study in the limitations of command : General Sir William Birdwood and the A.I.F., 1914-1918. [Internet] [Doctoral dissertation]. University of New South Wales; 1993. [cited 2021 Jan 23].
Available from: http://handle.unsw.edu.au/1959.4/38742 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:3250/SOURCE01?view=true.
Council of Science Editors:
Millar JD. A study in the limitations of command : General Sir William Birdwood and the A.I.F., 1914-1918. [Doctoral Dissertation]. University of New South Wales; 1993. Available from: http://handle.unsw.edu.au/1959.4/38742 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:3250/SOURCE01?view=true

Massey University
27.
Shaw, Christopher James Michael.
Between barons and wolves : British and German tactical command in the first air war, 1914-1918.
Degree: MA, Defence and Strategic Studies, 2012, Massey University
URL: http://hdl.handle.net/10179/3845
► This thesis outlines the experience of tactical command in the British and German fighter aviation branches in the First World War. It is based on…
(more)
▼ This thesis outlines the experience of tactical command in the British and German
fighter aviation branches in the First World War. It is based on primary and secondary
accounts, as well as modern leadership scholarship to guide the study of command.
The study considers the assessment of an official historian of the American
Expeditionary Force, William Sherman, that ‘patrol leading became the most important
factor in determining air supremacy’ and that tactical command was the decisive factor
in British dominance in fighter aviation in late 1918. It considers the qualities of success
and the systems of command between the German and British air forces, and
determines that they were orientated towards very different goals. It argues that the
German system elevated expert pilots into command as part of a defensive aerial effort
that created a specialised, elitist organisation, while the British undertook an offensive
strategy that necessitated the growth of a large conventional force. While the systems
of command were very different, some traits were shared amongst the successful
commanders regardless of nationality. Neither system can be determined superior as
they served different purposes in pursuit of different ends. The British prioritised
strategy at the expense of tactics, while the Germans prioritised tactics at the expense
of strategy. While the air war developed and expanded through 1915, 1916 and 1917,
the Germans were able to use their more agile and efficient organisation to retain a
level of competitive parity against the Allies, even as their forces were increasingly
outnumbered. By 1918 the tides had dramatically shifted and the British had managed
to improve the quality of their fighter force without compromising on their over-arching
policy of expansion. It is concluded that while the standards of patrol leadership
differed between the British and German air forces, neither was clearly superior and
that tactical command was only one of many essential elements that determined the
final balance of British superiority in the air.
Subjects/Keywords: First air war;
First World War;
World War One;
Tactical command;
British air power;
German air power;
Air warfare;
Air war tactics;
British air forces;
German air forces;
Air supremacy;
World War I
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Shaw, C. J. M. (2012). Between barons and wolves : British and German tactical command in the first air war, 1914-1918. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/3845
Chicago Manual of Style (16th Edition):
Shaw, Christopher James Michael. “Between barons and wolves : British and German tactical command in the first air war, 1914-1918.” 2012. Masters Thesis, Massey University. Accessed January 23, 2021.
http://hdl.handle.net/10179/3845.
MLA Handbook (7th Edition):
Shaw, Christopher James Michael. “Between barons and wolves : British and German tactical command in the first air war, 1914-1918.” 2012. Web. 23 Jan 2021.
Vancouver:
Shaw CJM. Between barons and wolves : British and German tactical command in the first air war, 1914-1918. [Internet] [Masters thesis]. Massey University; 2012. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/10179/3845.
Council of Science Editors:
Shaw CJM. Between barons and wolves : British and German tactical command in the first air war, 1914-1918. [Masters Thesis]. Massey University; 2012. Available from: http://hdl.handle.net/10179/3845
28.
Kempling, James S.
Birth of a Regiment, Princess Patricia's Canadian Light Infantry 1914-1919.
Degree: Dept. of History, 2011, www.birthofaregiment.com
URL: http://hdl.handle.net/1828/3826
► This thesis uses a web site as its primary format. Readers are invited to visit www.birthofaregiment.com. Financed by a wealthy Montreal businessman, the original regiment…
(more)
▼ This thesis uses a web site as its primary format. Readers are invited to visit www.birthofaregiment.com.
Financed by a wealthy Montreal businessman, the original regiment was very British in its make-up. The Patricia’s were recruited and trained separate from the Canadian Expeditionary Force. For the first year of the
war, they fought in a British brigade, under British officers using British weapons. By 1919, the PPCLI were distinctly Canadian. The Patricia’s became the best known Canadian regiment and
one of three retained in the permanent force. This thesis examines that remarkable transition, the changes wrought by the
war and the mechanisms used to reinforce the unique image of the Patricia’s. It also tests several myths embodied in the histories of the Regiment against a database of over five thousand files of soldiers who served with the Patricia’s during the First
World War.
Advisors/Committee Members: Zimmerman, David (supervisor).
Subjects/Keywords: Princess Patricia's Canadian Light Infantry; PPCLI; World War One; First World War; Canada; Hamilton Gault; Farquhar; Frezenberg; Mount Sorrel; Vimy Ridge; Passchendaele; Canal du Nord; Weapons
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Kempling, J. S. (2011). Birth of a Regiment, Princess Patricia's Canadian Light Infantry 1914-1919. (Masters Thesis). www.birthofaregiment.com. Retrieved from http://hdl.handle.net/1828/3826
Chicago Manual of Style (16th Edition):
Kempling, James S. “Birth of a Regiment, Princess Patricia's Canadian Light Infantry 1914-1919.” 2011. Masters Thesis, www.birthofaregiment.com. Accessed January 23, 2021.
http://hdl.handle.net/1828/3826.
MLA Handbook (7th Edition):
Kempling, James S. “Birth of a Regiment, Princess Patricia's Canadian Light Infantry 1914-1919.” 2011. Web. 23 Jan 2021.
Vancouver:
Kempling JS. Birth of a Regiment, Princess Patricia's Canadian Light Infantry 1914-1919. [Internet] [Masters thesis]. www.birthofaregiment.com; 2011. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/1828/3826.
Council of Science Editors:
Kempling JS. Birth of a Regiment, Princess Patricia's Canadian Light Infantry 1914-1919. [Masters Thesis]. www.birthofaregiment.com; 2011. Available from: http://hdl.handle.net/1828/3826

Massey University
29.
Carruthers, Stephen James Stiūbhart.
Duty to serve?: the role of secondary schools in preparing New Zealand soldiers for enlistment in the First World War.
Degree: MA (Defence Studies), 2015, Massey University
URL: http://hdl.handle.net/10179/7760
► It is over a century since World War One impacted on the lives of those who taught at or attended both Otago High School and…
(more)
▼ It is over a century since World War One impacted on the lives of those who taught at or
attended both Otago High School and Waitaki Boys’ High School. The war lasted from1914-
1918, yet for many of those who participated their schooling occurred before the declaration
of hostilities. It is mainly this pre-war period that this thesis will concentrate on.
This thesis examines how Otago High School and Waitaki Boys’ High School encouraged
their students to lead lives that were based in duty and service. It focuses on the period
1890 through until the early 1920s and looks at how both schools approached the issue of
student development for life beyond the classroom.
They did this by using local and international events, especially those that were Empire and
nationally focused, to encourage their students to lead dutiful lives. Students were taken on
excursions to visit public shows of loyalty or, in some cases, teacher-led discussions guided
students towards adopting values that fitted into societal expectations. The promotion of
sport was another method used to encourage students to lead a dutiful life and, along with
military training, it gave a practical application to the concepts of duty and service.
As World War One unfolded both schools used this event to encourage their current and
former students to ’do their bit’. It is at this point that the thesis examines five former
students of Otago High School and Waitaki Boys’ High School and determines that there
was some influence from their former school on the decision to enlist. In the main this was
as a result of the schooling these Old Boys had received.
The study of how schools influenced their students over the period of this thesis is an area
seldom trod by historians. This thesis highlights the need to explore this area further,
because war is not just about generals and army’s, it is also about communities, values and
beliefs.
Subjects/Keywords: New Zealand Armed Forces;
Recruiting, enlistment, etc;
History;
High schools;
Social aspects;
Boys;
Education (Secondary);
World War, 1914-1918;
World War One;
Social aspects;
New Zealand
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Carruthers, S. J. S. (2015). Duty to serve?: the role of secondary schools in preparing New Zealand soldiers for enlistment in the First World War. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/7760
Chicago Manual of Style (16th Edition):
Carruthers, Stephen James Stiūbhart. “Duty to serve?: the role of secondary schools in preparing New Zealand soldiers for enlistment in the First World War.” 2015. Masters Thesis, Massey University. Accessed January 23, 2021.
http://hdl.handle.net/10179/7760.
MLA Handbook (7th Edition):
Carruthers, Stephen James Stiūbhart. “Duty to serve?: the role of secondary schools in preparing New Zealand soldiers for enlistment in the First World War.” 2015. Web. 23 Jan 2021.
Vancouver:
Carruthers SJS. Duty to serve?: the role of secondary schools in preparing New Zealand soldiers for enlistment in the First World War. [Internet] [Masters thesis]. Massey University; 2015. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/10179/7760.
Council of Science Editors:
Carruthers SJS. Duty to serve?: the role of secondary schools in preparing New Zealand soldiers for enlistment in the First World War. [Masters Thesis]. Massey University; 2015. Available from: http://hdl.handle.net/10179/7760

Massey University
30.
Johnson, Simon.
The Home Front : aspects of civilian patriotism in New Zealand during the First World War.
Degree: MA, history, 1975, Massey University
URL: http://hdl.handle.net/10179/5482
► As yet, little concerted research appears to have been done on New Zealand society during the Great War. Some topics concerned with the period have…
(more)
▼ As yet, little concerted research appears to have been done on New Zealand society during the Great War. Some topics concerned with the period have either been covered in books on more general topics, theses, or historical articles, The position of the Labour movement during the war, for instance, is dealt with in Bruce Brown's The Rise of New Zealand Labour, B.S. Gustafson's thesis The Advent of the New Zealand Labour Party, and more closely examined in O.J. Gager's The New Zealand Labour Movement and the War, 1914-1918. However, no New Zealand equivalent of Britain's Arthur Marwick has emerged to provide a more comprehensive social history of the war. This thesis must, unfortunately, follow the former practice, and deal with only certain aspects of the effect of the Great War on New Zealand society. Hopefully this limitation will be partially compensated for by the fact that the themes explored in the following chapters are fundamental to an understanding of civilian behaviour during the First World War. As contemporary observers such as H.G. Wells (particularly in his novel Mr Britling Sees it Through) and the patriot/sociologist W. Trotter noted, many civilians, denied any active participation in the war, felt a desperate need to be of service. Although no corresponding New Zealand intellectuals appear to have commented on the subject, there is every reason to believe that New Zealanders felt a similar need, since they responded in virtually the same fashion. These effects were magnified by the gravity of the war, coupled with a propaganda campaign felt in New Zealand equally as in Britain, and this ensured a high level of emotional involvement on the part of civilians.
Subjects/Keywords: Patriotism;
New Zealand;
The Great War;
World War One;
World War I;
First World War
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share





❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Johnson, S. (1975). The Home Front : aspects of civilian patriotism in New Zealand during the First World War. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/5482
Chicago Manual of Style (16th Edition):
Johnson, Simon. “The Home Front : aspects of civilian patriotism in New Zealand during the First World War.” 1975. Masters Thesis, Massey University. Accessed January 23, 2021.
http://hdl.handle.net/10179/5482.
MLA Handbook (7th Edition):
Johnson, Simon. “The Home Front : aspects of civilian patriotism in New Zealand during the First World War.” 1975. Web. 23 Jan 2021.
Vancouver:
Johnson S. The Home Front : aspects of civilian patriotism in New Zealand during the First World War. [Internet] [Masters thesis]. Massey University; 1975. [cited 2021 Jan 23].
Available from: http://hdl.handle.net/10179/5482.
Council of Science Editors:
Johnson S. The Home Front : aspects of civilian patriotism in New Zealand during the First World War. [Masters Thesis]. Massey University; 1975. Available from: http://hdl.handle.net/10179/5482
◁ [1] [2] [3] [4] [5] … [1691] ▶
.