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You searched for subject:(Work of art). Showing records 1 – 30 of 98 total matches.

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1. Larissa Sousa Fernandes. Verdade em obra: arte e poesia na filosofia de Martin Heidegger.

Degree: 2011, Universidade Federal da Paraíba

A presente dissertação busca compreender de que modo se articula o pensamento acerca da arte e da poesia na filosofia de Martin Heidegger (1889-1976), mediante… (more)

Subjects/Keywords: obra de arte; verdade; poesia; arte; Heidegger; FILOSOFIA; Heidegger; art; poetry; truth; work of art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fernandes, L. S. (2011). Verdade em obra: arte e poesia na filosofia de Martin Heidegger. (Thesis). Universidade Federal da Paraíba. Retrieved from http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=2452

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fernandes, Larissa Sousa. “Verdade em obra: arte e poesia na filosofia de Martin Heidegger.” 2011. Thesis, Universidade Federal da Paraíba. Accessed June 18, 2019. http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=2452.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fernandes, Larissa Sousa. “Verdade em obra: arte e poesia na filosofia de Martin Heidegger.” 2011. Web. 18 Jun 2019.

Vancouver:

Fernandes LS. Verdade em obra: arte e poesia na filosofia de Martin Heidegger. [Internet] [Thesis]. Universidade Federal da Paraíba; 2011. [cited 2019 Jun 18]. Available from: http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=2452.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fernandes LS. Verdade em obra: arte e poesia na filosofia de Martin Heidegger. [Thesis]. Universidade Federal da Paraíba; 2011. Available from: http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=2452

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vilnius Pedagogical University

2. Šumskaitė, Jurgita. Interpretavimo reikšmė XI - XII kl. mokinių kritinio mąstymo ugdymui.

Degree: Master, Educology, 2009, Vilnius Pedagogical University

Problema: Meno formų, vizualinių ženklų gausa šiandien liete užliejusi mūsų kultūrinę ir socialinę erdvę. Ji tampa natūralia, įprasta erdve šiuolaikiniams jaunuoliams, kurie jos dėka formuojasi… (more)

Subjects/Keywords: Interpretacija; Kritinis mąstymas; Kūrinys; Interpretation; Critical thinking; Work of art

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APA (6th Edition):

Šumskaitė, Jurgita. (2009). Interpretavimo reikšmė XI - XII kl. mokinių kritinio mąstymo ugdymui. (Masters Thesis). Vilnius Pedagogical University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090629_114658-38740 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

Šumskaitė, Jurgita. “Interpretavimo reikšmė XI - XII kl. mokinių kritinio mąstymo ugdymui.” 2009. Masters Thesis, Vilnius Pedagogical University. Accessed June 18, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090629_114658-38740 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

Šumskaitė, Jurgita. “Interpretavimo reikšmė XI - XII kl. mokinių kritinio mąstymo ugdymui.” 2009. Web. 18 Jun 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Šumskaitė, Jurgita. Interpretavimo reikšmė XI - XII kl. mokinių kritinio mąstymo ugdymui. [Internet] [Masters thesis]. Vilnius Pedagogical University; 2009. [cited 2019 Jun 18]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090629_114658-38740 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

Šumskaitė, Jurgita. Interpretavimo reikšmė XI - XII kl. mokinių kritinio mąstymo ugdymui. [Masters Thesis]. Vilnius Pedagogical University; 2009. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090629_114658-38740 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


Université Paris-Sorbonne – Paris IV

3. Garelli, Céline. L’oeuvre d’art comme expression et comme langage dans l'Esthétique de Benedetto Croce : The work of art identified to expression and language, in the Aesthetics of Benedetto Croce.

Degree: Docteur es, Philosophie, 2014, Université Paris-Sorbonne – Paris IV

L’objectif principal de ce travail est d’établir le sens attribué à la science de l’expression et de préciser comment elle est identifiée à la linguistique… (more)

Subjects/Keywords: Croce; Expression; Intuition; Langage; Art abstrait; Oeuvre d'art; Kandinsky; Croce; Expression; Intuition; Language; Abstract art; Work of art; Kandinsky; 195; 701.17

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APA (6th Edition):

Garelli, C. (2014). L’oeuvre d’art comme expression et comme langage dans l'Esthétique de Benedetto Croce : The work of art identified to expression and language, in the Aesthetics of Benedetto Croce. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2014PA040092

Chicago Manual of Style (16th Edition):

Garelli, Céline. “L’oeuvre d’art comme expression et comme langage dans l'Esthétique de Benedetto Croce : The work of art identified to expression and language, in the Aesthetics of Benedetto Croce.” 2014. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed June 18, 2019. http://www.theses.fr/2014PA040092.

MLA Handbook (7th Edition):

Garelli, Céline. “L’oeuvre d’art comme expression et comme langage dans l'Esthétique de Benedetto Croce : The work of art identified to expression and language, in the Aesthetics of Benedetto Croce.” 2014. Web. 18 Jun 2019.

Vancouver:

Garelli C. L’oeuvre d’art comme expression et comme langage dans l'Esthétique de Benedetto Croce : The work of art identified to expression and language, in the Aesthetics of Benedetto Croce. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2014. [cited 2019 Jun 18]. Available from: http://www.theses.fr/2014PA040092.

Council of Science Editors:

Garelli C. L’oeuvre d’art comme expression et comme langage dans l'Esthétique de Benedetto Croce : The work of art identified to expression and language, in the Aesthetics of Benedetto Croce. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2014. Available from: http://www.theses.fr/2014PA040092


Univerzitet u Beogradu

4. Pavlović, Marija M. 1976-. Улога ликовног дела у васпитању и образовању деце предшколског и основношколског узраста.

Degree: Učiteljski fakultet, 2016, Univerzitet u Beogradu

Дидактичко-методичке науке - Методика наставе ликовне културе / Didactic and methodological sciences - Methodology of Teaching The Fine Arts Culture

бразовању са идејом да учење… (more)

Subjects/Keywords: fine art work; teacher; developmental competence of children; educational approaches and strategies; art museums and galleries

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APA (6th Edition):

Pavlović, M. M. 1. (2016). Улога ликовног дела у васпитању и образовању деце предшколског и основношколског узраста. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:10459/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pavlović, Marija M 1976-. “Улога ликовног дела у васпитању и образовању деце предшколског и основношколског узраста.” 2016. Thesis, Univerzitet u Beogradu. Accessed June 18, 2019. https://fedorabg.bg.ac.rs/fedora/get/o:10459/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pavlović, Marija M 1976-. “Улога ликовног дела у васпитању и образовању деце предшколског и основношколског узраста.” 2016. Web. 18 Jun 2019.

Vancouver:

Pavlović MM1. Улога ликовног дела у васпитању и образовању деце предшколског и основношколског узраста. [Internet] [Thesis]. Univerzitet u Beogradu; 2016. [cited 2019 Jun 18]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:10459/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pavlović MM1. Улога ликовног дела у васпитању и образовању деце предшколског и основношколског узраста. [Thesis]. Univerzitet u Beogradu; 2016. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:10459/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Hannart-Marmor, Yona. Des pouvoirs de l’ekphrasis : L’objet auratique dans l’oeuvre de Claude Simon : On Ekphrasis : Auratic Objects in Claude Simon’s writings.

Degree: Docteur es, Lettres, 2013, Université Sorbonne Nouvelle – Paris III

Notre travail consiste en une étude de l’ekphrasis dans l’écriture de Claude Simon. Il part de l’hypothèse selon laquelle la compréhension de sa nature et… (more)

Subjects/Keywords: Description; Narration; Oeuvre d'art; Peinture; Temps; Ekphrasis; Description; Narration; Work of art; Painting; Time; Ekphrasis

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APA (6th Edition):

Hannart-Marmor, Y. (2013). Des pouvoirs de l’ekphrasis : L’objet auratique dans l’oeuvre de Claude Simon : On Ekphrasis : Auratic Objects in Claude Simon’s writings. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2013PA030026

Chicago Manual of Style (16th Edition):

Hannart-Marmor, Yona. “Des pouvoirs de l’ekphrasis : L’objet auratique dans l’oeuvre de Claude Simon : On Ekphrasis : Auratic Objects in Claude Simon’s writings.” 2013. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed June 18, 2019. http://www.theses.fr/2013PA030026.

MLA Handbook (7th Edition):

Hannart-Marmor, Yona. “Des pouvoirs de l’ekphrasis : L’objet auratique dans l’oeuvre de Claude Simon : On Ekphrasis : Auratic Objects in Claude Simon’s writings.” 2013. Web. 18 Jun 2019.

Vancouver:

Hannart-Marmor Y. Des pouvoirs de l’ekphrasis : L’objet auratique dans l’oeuvre de Claude Simon : On Ekphrasis : Auratic Objects in Claude Simon’s writings. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2013. [cited 2019 Jun 18]. Available from: http://www.theses.fr/2013PA030026.

Council of Science Editors:

Hannart-Marmor Y. Des pouvoirs de l’ekphrasis : L’objet auratique dans l’oeuvre de Claude Simon : On Ekphrasis : Auratic Objects in Claude Simon’s writings. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2013. Available from: http://www.theses.fr/2013PA030026

6. Albertim, Roberta Calábria. Waltercio Caldas: arquitetura da hospitalidade.

Degree: Mestrado, Projeto, Espaço e Cultura, 2012, University of São Paulo

Esta dissertação é uma proposta de reflexão acerca do pensamento plástico de Waltercio Caldas, sob a inscrição do problema teórico da hospitalidade absoluta, segundo Jacques… (more)

Subjects/Keywords: Hospitalidade; Hospitality; Lugar; Obra de arte; Place; Waltercio Caldas; Waltercio Caldas; Work of art

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APA (6th Edition):

Albertim, R. C. (2012). Waltercio Caldas: arquitetura da hospitalidade. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/16/16136/tde-14022013-154323/ ;

Chicago Manual of Style (16th Edition):

Albertim, Roberta Calábria. “Waltercio Caldas: arquitetura da hospitalidade.” 2012. Masters Thesis, University of São Paulo. Accessed June 18, 2019. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-14022013-154323/ ;.

MLA Handbook (7th Edition):

Albertim, Roberta Calábria. “Waltercio Caldas: arquitetura da hospitalidade.” 2012. Web. 18 Jun 2019.

Vancouver:

Albertim RC. Waltercio Caldas: arquitetura da hospitalidade. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2019 Jun 18]. Available from: http://www.teses.usp.br/teses/disponiveis/16/16136/tde-14022013-154323/ ;.

Council of Science Editors:

Albertim RC. Waltercio Caldas: arquitetura da hospitalidade. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/16/16136/tde-14022013-154323/ ;


Université Toulouse II – Le Mirail

7. Biedma, Sabine. Une production polygraphique, creuset d’expérimentation critique ? : l'"Œuvre" de Guillaume Colletet (1616-1658) : A polygraphic production, melting-pot of critical experimentation ? : the "Work" of Guillaume Colletet (1616-1658).

Degree: Docteur es, Lettres modernes, 2012, Université Toulouse II – Le Mirail

Cette étude montre comment une production polygraphique du début du XVIIe siècle (celle de Guillaume Colletet, 1616-1658), dont la forme résulte de contraintes extérieures à… (more)

Subjects/Keywords: Polygraphie; Expérimentation; Oeuvre; Critique; Histoire littéraire; Polygraphy; Experimentation; Work of art; Criticism; Literary history

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APA (6th Edition):

Biedma, S. (2012). Une production polygraphique, creuset d’expérimentation critique ? : l'"Œuvre" de Guillaume Colletet (1616-1658) : A polygraphic production, melting-pot of critical experimentation ? : the "Work" of Guillaume Colletet (1616-1658). (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2012TOU20089

Chicago Manual of Style (16th Edition):

Biedma, Sabine. “Une production polygraphique, creuset d’expérimentation critique ? : l'"Œuvre" de Guillaume Colletet (1616-1658) : A polygraphic production, melting-pot of critical experimentation ? : the "Work" of Guillaume Colletet (1616-1658).” 2012. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed June 18, 2019. http://www.theses.fr/2012TOU20089.

MLA Handbook (7th Edition):

Biedma, Sabine. “Une production polygraphique, creuset d’expérimentation critique ? : l'"Œuvre" de Guillaume Colletet (1616-1658) : A polygraphic production, melting-pot of critical experimentation ? : the "Work" of Guillaume Colletet (1616-1658).” 2012. Web. 18 Jun 2019.

Vancouver:

Biedma S. Une production polygraphique, creuset d’expérimentation critique ? : l'"Œuvre" de Guillaume Colletet (1616-1658) : A polygraphic production, melting-pot of critical experimentation ? : the "Work" of Guillaume Colletet (1616-1658). [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2012. [cited 2019 Jun 18]. Available from: http://www.theses.fr/2012TOU20089.

Council of Science Editors:

Biedma S. Une production polygraphique, creuset d’expérimentation critique ? : l'"Œuvre" de Guillaume Colletet (1616-1658) : A polygraphic production, melting-pot of critical experimentation ? : the "Work" of Guillaume Colletet (1616-1658). [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2012. Available from: http://www.theses.fr/2012TOU20089


KTH

8. Rehn, Amanda. Miniature.

Degree: Architecture, 2018, KTH

  This thesis investigates a typology of interiors that evoke the sensation of containing the whole world in miniature. It explores the reverie of something… (more)

Subjects/Keywords: miniature; mental space; unified work of art; pattern; corner; wallpaper; complexity; Architecture; Arkitektur

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APA (6th Edition):

Rehn, A. (2018). Miniature. (Thesis). KTH. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223468

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rehn, Amanda. “Miniature.” 2018. Thesis, KTH. Accessed June 18, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223468.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rehn, Amanda. “Miniature.” 2018. Web. 18 Jun 2019.

Vancouver:

Rehn A. Miniature. [Internet] [Thesis]. KTH; 2018. [cited 2019 Jun 18]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223468.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rehn A. Miniature. [Thesis]. KTH; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223468

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vanderbilt University

9. Shaw, Samuel Clayton. Off Center: Art Careers in Peripheral Places.

Degree: PhD, Sociology, 2014, Vanderbilt University

 Visual artists benefit from resources historically concentrated in few urban âcenters.â This dissertation uses ethnographic observation and 76 in-depth interviews with visual artists and related… (more)

Subjects/Keywords: Sociology of Art; Urban Sociology; Cultural Production; Place; Work and Occupations; Fields

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APA (6th Edition):

Shaw, S. C. (2014). Off Center: Art Careers in Peripheral Places. (Doctoral Dissertation). Vanderbilt University. Retrieved from http://etd.library.vanderbilt.edu//available/etd-03132014-173603/ ;

Chicago Manual of Style (16th Edition):

Shaw, Samuel Clayton. “Off Center: Art Careers in Peripheral Places.” 2014. Doctoral Dissertation, Vanderbilt University. Accessed June 18, 2019. http://etd.library.vanderbilt.edu//available/etd-03132014-173603/ ;.

MLA Handbook (7th Edition):

Shaw, Samuel Clayton. “Off Center: Art Careers in Peripheral Places.” 2014. Web. 18 Jun 2019.

Vancouver:

Shaw SC. Off Center: Art Careers in Peripheral Places. [Internet] [Doctoral dissertation]. Vanderbilt University; 2014. [cited 2019 Jun 18]. Available from: http://etd.library.vanderbilt.edu//available/etd-03132014-173603/ ;.

Council of Science Editors:

Shaw SC. Off Center: Art Careers in Peripheral Places. [Doctoral Dissertation]. Vanderbilt University; 2014. Available from: http://etd.library.vanderbilt.edu//available/etd-03132014-173603/ ;

10. Pedrosa, Nuno. Raison pratique et création réflexive : l'artéfact au-delà du champ étendu de l'art : Practical reason and reflexive practice : the artefact beyond the expanded field of art.

Degree: Docteur es, Arts et sciences de l'art, 2015, Paris 1

Cette thèse, qui met en relation réflexion théorique et création artistique, entend comprendre pourquoi au cours de la contemplation d’une oeuvre d’art notre attention dépasse… (more)

Subjects/Keywords: Art et technologie; Champ élargi; Dessin contemporain; Sculpture; Artéfact; Instrument; Objet d'art frontière; Expression; Art and technology; Expanded field; Contemporary drawing; Sculpture; Artefact; Instrument; Work of art border; Expression; 700.1

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APA (6th Edition):

Pedrosa, N. (2015). Raison pratique et création réflexive : l'artéfact au-delà du champ étendu de l'art : Practical reason and reflexive practice : the artefact beyond the expanded field of art. (Doctoral Dissertation). Paris 1. Retrieved from http://www.theses.fr/2015PA010563

Chicago Manual of Style (16th Edition):

Pedrosa, Nuno. “Raison pratique et création réflexive : l'artéfact au-delà du champ étendu de l'art : Practical reason and reflexive practice : the artefact beyond the expanded field of art.” 2015. Doctoral Dissertation, Paris 1. Accessed June 18, 2019. http://www.theses.fr/2015PA010563.

MLA Handbook (7th Edition):

Pedrosa, Nuno. “Raison pratique et création réflexive : l'artéfact au-delà du champ étendu de l'art : Practical reason and reflexive practice : the artefact beyond the expanded field of art.” 2015. Web. 18 Jun 2019.

Vancouver:

Pedrosa N. Raison pratique et création réflexive : l'artéfact au-delà du champ étendu de l'art : Practical reason and reflexive practice : the artefact beyond the expanded field of art. [Internet] [Doctoral dissertation]. Paris 1; 2015. [cited 2019 Jun 18]. Available from: http://www.theses.fr/2015PA010563.

Council of Science Editors:

Pedrosa N. Raison pratique et création réflexive : l'artéfact au-delà du champ étendu de l'art : Practical reason and reflexive practice : the artefact beyond the expanded field of art. [Doctoral Dissertation]. Paris 1; 2015. Available from: http://www.theses.fr/2015PA010563

11. Keller, Phillip Wilhelm. Estrutura da obra de arte na filosofia de Hegel - análise da estrutura da arte nos cursos de Berlim com relação aos conceitos de organismo, ação e conceito.

Degree: PhD, Filosofia, 2012, University of São Paulo

Esta tese investiga a Ideia e o modo como ela se realiza na obra de arte segundo a Estética de Hegel. No primeiro capítulo, o… (more)

Subjects/Keywords: Ação; Action; Arte clássica; Arte romântica; Classical art; Conceito; Concept; Hegel; Hegel; Idea; Ideia; Obra de arte; Organism; Organismo; Romantic art; Work of art

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APA (6th Edition):

Keller, P. W. (2012). Estrutura da obra de arte na filosofia de Hegel - análise da estrutura da arte nos cursos de Berlim com relação aos conceitos de organismo, ação e conceito. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8133/tde-17082012-104854/ ;

Chicago Manual of Style (16th Edition):

Keller, Phillip Wilhelm. “Estrutura da obra de arte na filosofia de Hegel - análise da estrutura da arte nos cursos de Berlim com relação aos conceitos de organismo, ação e conceito.” 2012. Doctoral Dissertation, University of São Paulo. Accessed June 18, 2019. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-17082012-104854/ ;.

MLA Handbook (7th Edition):

Keller, Phillip Wilhelm. “Estrutura da obra de arte na filosofia de Hegel - análise da estrutura da arte nos cursos de Berlim com relação aos conceitos de organismo, ação e conceito.” 2012. Web. 18 Jun 2019.

Vancouver:

Keller PW. Estrutura da obra de arte na filosofia de Hegel - análise da estrutura da arte nos cursos de Berlim com relação aos conceitos de organismo, ação e conceito. [Internet] [Doctoral dissertation]. University of São Paulo; 2012. [cited 2019 Jun 18]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8133/tde-17082012-104854/ ;.

Council of Science Editors:

Keller PW. Estrutura da obra de arte na filosofia de Hegel - análise da estrutura da arte nos cursos de Berlim com relação aos conceitos de organismo, ação e conceito. [Doctoral Dissertation]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/8/8133/tde-17082012-104854/ ;


Universidade Federal de Santa Maria

12. Mónica Herrera Noguera. THE JUDGMENT OF TASTE AS THE GROUND OF INTERPRETATION FOR NATURAL AND ARTISTIC BEAUTY IN THE CRITIQUE OF THE POWER OF JUDGMENT OF IMMANUEL KANT.

Degree: 2006, Universidade Federal de Santa Maria

Probably the fundamental issue about the relation between art and beauty in the Critique of the Power of Judgment, of 1790, is the difficulty to… (more)

Subjects/Keywords: exemplar; juízo de gosto; FILOSOFIA; work of art; exemplar; obra de arte; gênio; beleza; judgment of taste; beauty; genius

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Noguera, M. H. (2006). THE JUDGMENT OF TASTE AS THE GROUND OF INTERPRETATION FOR NATURAL AND ARTISTIC BEAUTY IN THE CRITIQUE OF THE POWER OF JUDGMENT OF IMMANUEL KANT. (Thesis). Universidade Federal de Santa Maria. Retrieved from http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=1622

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Noguera, Mónica Herrera. “THE JUDGMENT OF TASTE AS THE GROUND OF INTERPRETATION FOR NATURAL AND ARTISTIC BEAUTY IN THE CRITIQUE OF THE POWER OF JUDGMENT OF IMMANUEL KANT.” 2006. Thesis, Universidade Federal de Santa Maria. Accessed June 18, 2019. http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=1622.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Noguera, Mónica Herrera. “THE JUDGMENT OF TASTE AS THE GROUND OF INTERPRETATION FOR NATURAL AND ARTISTIC BEAUTY IN THE CRITIQUE OF THE POWER OF JUDGMENT OF IMMANUEL KANT.” 2006. Web. 18 Jun 2019.

Vancouver:

Noguera MH. THE JUDGMENT OF TASTE AS THE GROUND OF INTERPRETATION FOR NATURAL AND ARTISTIC BEAUTY IN THE CRITIQUE OF THE POWER OF JUDGMENT OF IMMANUEL KANT. [Internet] [Thesis]. Universidade Federal de Santa Maria; 2006. [cited 2019 Jun 18]. Available from: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=1622.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Noguera MH. THE JUDGMENT OF TASTE AS THE GROUND OF INTERPRETATION FOR NATURAL AND ARTISTIC BEAUTY IN THE CRITIQUE OF THE POWER OF JUDGMENT OF IMMANUEL KANT. [Thesis]. Universidade Federal de Santa Maria; 2006. Available from: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=1622

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan Technological University

13. Schneider, Daniel. WOOD TYPE ARCHAEOLOGY: AN INQUIRY INTO WORKER SKILL IN WOOD PRINTING TYPE MANUFACTURE.

Degree: MS, Department of Social Sciences, 2015, Michigan Technological University

  Wood Type Archaeology uses the concept of industrial skill to frame an inquiry into the nature of workers’ agency within the processes of wood… (more)

Subjects/Keywords: Anthropology of Work; Embodied Skill; Graphic Design; Manual Engagement; Printing History; Worker Skill; History of Art, Architecture, and Archaeology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schneider, D. (2015). WOOD TYPE ARCHAEOLOGY: AN INQUIRY INTO WORKER SKILL IN WOOD PRINTING TYPE MANUFACTURE. (Masters Thesis). Michigan Technological University. Retrieved from http://digitalcommons.mtu.edu/etds/1007

Chicago Manual of Style (16th Edition):

Schneider, Daniel. “WOOD TYPE ARCHAEOLOGY: AN INQUIRY INTO WORKER SKILL IN WOOD PRINTING TYPE MANUFACTURE.” 2015. Masters Thesis, Michigan Technological University. Accessed June 18, 2019. http://digitalcommons.mtu.edu/etds/1007.

MLA Handbook (7th Edition):

Schneider, Daniel. “WOOD TYPE ARCHAEOLOGY: AN INQUIRY INTO WORKER SKILL IN WOOD PRINTING TYPE MANUFACTURE.” 2015. Web. 18 Jun 2019.

Vancouver:

Schneider D. WOOD TYPE ARCHAEOLOGY: AN INQUIRY INTO WORKER SKILL IN WOOD PRINTING TYPE MANUFACTURE. [Internet] [Masters thesis]. Michigan Technological University; 2015. [cited 2019 Jun 18]. Available from: http://digitalcommons.mtu.edu/etds/1007.

Council of Science Editors:

Schneider D. WOOD TYPE ARCHAEOLOGY: AN INQUIRY INTO WORKER SKILL IN WOOD PRINTING TYPE MANUFACTURE. [Masters Thesis]. Michigan Technological University; 2015. Available from: http://digitalcommons.mtu.edu/etds/1007


Univerzitet u Beogradu

14. Petrović-Filipović, Mirjana P., 1976-. Естетика недовршеног и поетски поступак у делу Сергеја Завјалова.

Degree: Filološki fakultet, 2017, Univerzitet u Beogradu

Наука о књижевности - Руска књижевност, теорија књижевности / Literature studies - Russian literature, theory of literature

Предмет ове докторске дисертације је истраживање принципа естетске… (more)

Subjects/Keywords: principal of the aesthetic of unfinished; unfinished work of art; poetry of Sergey Zavyalov; phenomenological analysis; procedure; metaphysical qualities; recipient; horizon of expectations; blank spaces/vague places

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APA (6th Edition):

Petrović-Filipović, Mirjana P., 1. (2017). Естетика недовршеног и поетски поступак у делу Сергеја Завјалова. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:16843/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Petrović-Filipović, Mirjana P., 1976-. “Естетика недовршеног и поетски поступак у делу Сергеја Завјалова.” 2017. Thesis, Univerzitet u Beogradu. Accessed June 18, 2019. https://fedorabg.bg.ac.rs/fedora/get/o:16843/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Petrović-Filipović, Mirjana P., 1976-. “Естетика недовршеног и поетски поступак у делу Сергеја Завјалова.” 2017. Web. 18 Jun 2019.

Vancouver:

Petrović-Filipović, Mirjana P. 1. Естетика недовршеног и поетски поступак у делу Сергеја Завјалова. [Internet] [Thesis]. Univerzitet u Beogradu; 2017. [cited 2019 Jun 18]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:16843/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Petrović-Filipović, Mirjana P. 1. Естетика недовршеног и поетски поступак у делу Сергеја Завјалова. [Thesis]. Univerzitet u Beogradu; 2017. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:16843/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Santos, Pedro Augusto Vieira. Preservação e restauro das obras de Mary Vieira em espaços públicos no Brasil.

Degree: Mestrado, História e Fundamentos da Arquitetura e do Urbanismo, 2015, University of São Paulo

A preservação e o restauro de obras de arte de períodos recentes em espaços públicos conformam o tema da pesquisa, que tem como objetos as… (more)

Subjects/Keywords: Conservation; Espaço público; Mary Vieira; Obras de arte; Preservação; Preservation; Public space; Restauração; Work of art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Santos, P. A. V. (2015). Preservação e restauro das obras de Mary Vieira em espaços públicos no Brasil. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/16/16133/tde-09092015-105553/ ;

Chicago Manual of Style (16th Edition):

Santos, Pedro Augusto Vieira. “Preservação e restauro das obras de Mary Vieira em espaços públicos no Brasil.” 2015. Masters Thesis, University of São Paulo. Accessed June 18, 2019. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-09092015-105553/ ;.

MLA Handbook (7th Edition):

Santos, Pedro Augusto Vieira. “Preservação e restauro das obras de Mary Vieira em espaços públicos no Brasil.” 2015. Web. 18 Jun 2019.

Vancouver:

Santos PAV. Preservação e restauro das obras de Mary Vieira em espaços públicos no Brasil. [Internet] [Masters thesis]. University of São Paulo; 2015. [cited 2019 Jun 18]. Available from: http://www.teses.usp.br/teses/disponiveis/16/16133/tde-09092015-105553/ ;.

Council of Science Editors:

Santos PAV. Preservação e restauro das obras de Mary Vieira em espaços públicos no Brasil. [Masters Thesis]. University of São Paulo; 2015. Available from: http://www.teses.usp.br/teses/disponiveis/16/16133/tde-09092015-105553/ ;

16. Edmilson Vitória de Vasconcelos. Obrassistema = obra de arte + sistema: três casos.

Degree: 2007, Universidade do Estado de Santa Catarina

This research has as a goal to think about the work of art as a complex system and, from this approach, supported by the General… (more)

Subjects/Keywords: Complexity; Sistema; complexidade; Work of art; Artes; Obra de arte; Teoria dos sistemas; ARTES PLASTICAS; System

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vasconcelos, E. V. d. (2007). Obrassistema = obra de arte + sistema: três casos. (Thesis). Universidade do Estado de Santa Catarina. Retrieved from http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=1190

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vasconcelos, Edmilson Vitória de. “Obrassistema = obra de arte + sistema: três casos.” 2007. Thesis, Universidade do Estado de Santa Catarina. Accessed June 18, 2019. http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=1190.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vasconcelos, Edmilson Vitória de. “Obrassistema = obra de arte + sistema: três casos.” 2007. Web. 18 Jun 2019.

Vancouver:

Vasconcelos EVd. Obrassistema = obra de arte + sistema: três casos. [Internet] [Thesis]. Universidade do Estado de Santa Catarina; 2007. [cited 2019 Jun 18]. Available from: http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=1190.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vasconcelos EVd. Obrassistema = obra de arte + sistema: três casos. [Thesis]. Universidade do Estado de Santa Catarina; 2007. Available from: http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=1190

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Antonio Carlos de Oliveira. PAINÉIS RELIGIOSOS EM GOIÂNIA: A ARTE DE WILSON JORGE.

Degree: 2012, Pontifícia Universidade Católica de Goiás

Entre os temas que envolvem a arte, a questão da produção artística, valorizada e segregada nos templos católicos tem sido objeto de estudo de vários… (more)

Subjects/Keywords: obra de arte religiosa; segregação; análise iconográfica e iconológica; HISTORIA; work of religious art; segregation; and iconographic analysis and iconological analyses

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Oliveira, A. C. d. (2012). PAINÉIS RELIGIOSOS EM GOIÂNIA: A ARTE DE WILSON JORGE. (Thesis). Pontifícia Universidade Católica de Goiás. Retrieved from http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=1479

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oliveira, Antonio Carlos de. “PAINÉIS RELIGIOSOS EM GOIÂNIA: A ARTE DE WILSON JORGE.” 2012. Thesis, Pontifícia Universidade Católica de Goiás. Accessed June 18, 2019. http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=1479.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oliveira, Antonio Carlos de. “PAINÉIS RELIGIOSOS EM GOIÂNIA: A ARTE DE WILSON JORGE.” 2012. Web. 18 Jun 2019.

Vancouver:

Oliveira ACd. PAINÉIS RELIGIOSOS EM GOIÂNIA: A ARTE DE WILSON JORGE. [Internet] [Thesis]. Pontifícia Universidade Católica de Goiás; 2012. [cited 2019 Jun 18]. Available from: http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=1479.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oliveira ACd. PAINÉIS RELIGIOSOS EM GOIÂNIA: A ARTE DE WILSON JORGE. [Thesis]. Pontifícia Universidade Católica de Goiás; 2012. Available from: http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=1479

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Indiana State University

18. Mesker, M. Winifrid, Sister, O.S.B. An experiment in copper repousse of the stations of the cross .

Degree: 2013, Indiana State University

Subjects/Keywords: Art metal-work.; Stations of the Cross.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mesker, M. Winifrid, Sister, O. S. B. (2013). An experiment in copper repousse of the stations of the cross . (Thesis). Indiana State University. Retrieved from http://hdl.handle.net/10484/5042

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mesker, M. Winifrid, Sister, O S B. “An experiment in copper repousse of the stations of the cross .” 2013. Thesis, Indiana State University. Accessed June 18, 2019. http://hdl.handle.net/10484/5042.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mesker, M. Winifrid, Sister, O S B. “An experiment in copper repousse of the stations of the cross .” 2013. Web. 18 Jun 2019.

Vancouver:

Mesker, M. Winifrid, Sister OSB. An experiment in copper repousse of the stations of the cross . [Internet] [Thesis]. Indiana State University; 2013. [cited 2019 Jun 18]. Available from: http://hdl.handle.net/10484/5042.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mesker, M. Winifrid, Sister OSB. An experiment in copper repousse of the stations of the cross . [Thesis]. Indiana State University; 2013. Available from: http://hdl.handle.net/10484/5042

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Puidoyeux, Claude. La notion d'oeuvre aujourd'hui : entre bibliothèque patrimoniale et bibliothèque multimodale : The concept of a work of art today : between patrimonial library and multimodal library.

Degree: Docteur es, Littératures française, francophones et comparée, 2017, Université Michel de Montaigne – Bordeaux III

Cette recherche porte sur le bouleversement épistémologique qui affecte la littérature patrimoniale, à l’ère du numérique et du multimédia. La première partie s’intéresse à la… (more)

Subjects/Keywords: Bibliothèque; Œuvre patrimoniale; Objets seconds; Sujet-lecteur; Sémiosphère; Library; Patrimonial work of art; Spin-offs; “Reader subject”; Semiosphere

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Puidoyeux, C. (2017). La notion d'oeuvre aujourd'hui : entre bibliothèque patrimoniale et bibliothèque multimodale : The concept of a work of art today : between patrimonial library and multimodal library. (Doctoral Dissertation). Université Michel de Montaigne – Bordeaux III. Retrieved from http://www.theses.fr/2017BOR30047

Chicago Manual of Style (16th Edition):

Puidoyeux, Claude. “La notion d'oeuvre aujourd'hui : entre bibliothèque patrimoniale et bibliothèque multimodale : The concept of a work of art today : between patrimonial library and multimodal library.” 2017. Doctoral Dissertation, Université Michel de Montaigne – Bordeaux III. Accessed June 18, 2019. http://www.theses.fr/2017BOR30047.

MLA Handbook (7th Edition):

Puidoyeux, Claude. “La notion d'oeuvre aujourd'hui : entre bibliothèque patrimoniale et bibliothèque multimodale : The concept of a work of art today : between patrimonial library and multimodal library.” 2017. Web. 18 Jun 2019.

Vancouver:

Puidoyeux C. La notion d'oeuvre aujourd'hui : entre bibliothèque patrimoniale et bibliothèque multimodale : The concept of a work of art today : between patrimonial library and multimodal library. [Internet] [Doctoral dissertation]. Université Michel de Montaigne – Bordeaux III; 2017. [cited 2019 Jun 18]. Available from: http://www.theses.fr/2017BOR30047.

Council of Science Editors:

Puidoyeux C. La notion d'oeuvre aujourd'hui : entre bibliothèque patrimoniale et bibliothèque multimodale : The concept of a work of art today : between patrimonial library and multimodal library. [Doctoral Dissertation]. Université Michel de Montaigne – Bordeaux III; 2017. Available from: http://www.theses.fr/2017BOR30047


Uniwersytet im. Adama Mickiewicza w Poznaniu

20. Habdas, Danuta. Recepcja utworów literackich Janoscha (Horsta Eckerta) w kontekście autobiograficznych i regionalnych aspektów jego twórczości .

Degree: 2014, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Celem dysertacji było dokonanie analizy recepcji twórczości Janoscha, a w szczególności jego powieści dla dorosłych. Określenie interakcji między czytelnikiem a tekstem literackim stanowiło podstawę do… (more)

Subjects/Keywords: Janosch; Reception; die Rezeption; Dzieło; Literary work of art; das Werk; Czytelnik; Reader; der Leser; Metoda badawcza; Research method; die Forschungsmethode

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Habdas, D. (2014). Recepcja utworów literackich Janoscha (Horsta Eckerta) w kontekście autobiograficznych i regionalnych aspektów jego twórczości . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/10946

Chicago Manual of Style (16th Edition):

Habdas, Danuta. “Recepcja utworów literackich Janoscha (Horsta Eckerta) w kontekście autobiograficznych i regionalnych aspektów jego twórczości .” 2014. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed June 18, 2019. http://hdl.handle.net/10593/10946.

MLA Handbook (7th Edition):

Habdas, Danuta. “Recepcja utworów literackich Janoscha (Horsta Eckerta) w kontekście autobiograficznych i regionalnych aspektów jego twórczości .” 2014. Web. 18 Jun 2019.

Vancouver:

Habdas D. Recepcja utworów literackich Janoscha (Horsta Eckerta) w kontekście autobiograficznych i regionalnych aspektów jego twórczości . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2014. [cited 2019 Jun 18]. Available from: http://hdl.handle.net/10593/10946.

Council of Science Editors:

Habdas D. Recepcja utworów literackich Janoscha (Horsta Eckerta) w kontekście autobiograficznych i regionalnych aspektów jego twórczości . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2014. Available from: http://hdl.handle.net/10593/10946

21. Hoffman, Sheila K. L'histoire de la documentation des oeuvres d' art du 17e au 21e siècle : les impacts des technologies optiques et numériques sur les pratiques documentaires des galeries nationales à Londres, Ottawa et Washington D.C. : The history of documentation of works of art from the 17th to the 21st century : the impact of optical and digital technologies on documentary practices in the National galleries of London, Ottawa and Washington DC.

Degree: Docteur es, Histoire de l'art. Muséologie, médiation, patrimoine, 2017, Paris 1; Université du Québec à Montréal

Cette thèse examine les convergences et divergences le long de l'histoire de la documentation muséale dans trois galeries nationales en Angleterre, au Canada et aux… (more)

Subjects/Keywords: Documentation; Numérisation; Muséologie; Musée; Galerie; Beaux-arts; Oeuvre d'art; Documentation; Digitalisation; Museology; Museum; Gallery; Fine arts; Work of art; 700

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hoffman, S. K. (2017). L'histoire de la documentation des oeuvres d' art du 17e au 21e siècle : les impacts des technologies optiques et numériques sur les pratiques documentaires des galeries nationales à Londres, Ottawa et Washington D.C. : The history of documentation of works of art from the 17th to the 21st century : the impact of optical and digital technologies on documentary practices in the National galleries of London, Ottawa and Washington DC. (Doctoral Dissertation). Paris 1; Université du Québec à Montréal. Retrieved from http://www.theses.fr/2017PA01H014

Chicago Manual of Style (16th Edition):

Hoffman, Sheila K. “L'histoire de la documentation des oeuvres d' art du 17e au 21e siècle : les impacts des technologies optiques et numériques sur les pratiques documentaires des galeries nationales à Londres, Ottawa et Washington D.C. : The history of documentation of works of art from the 17th to the 21st century : the impact of optical and digital technologies on documentary practices in the National galleries of London, Ottawa and Washington DC.” 2017. Doctoral Dissertation, Paris 1; Université du Québec à Montréal. Accessed June 18, 2019. http://www.theses.fr/2017PA01H014.

MLA Handbook (7th Edition):

Hoffman, Sheila K. “L'histoire de la documentation des oeuvres d' art du 17e au 21e siècle : les impacts des technologies optiques et numériques sur les pratiques documentaires des galeries nationales à Londres, Ottawa et Washington D.C. : The history of documentation of works of art from the 17th to the 21st century : the impact of optical and digital technologies on documentary practices in the National galleries of London, Ottawa and Washington DC.” 2017. Web. 18 Jun 2019.

Vancouver:

Hoffman SK. L'histoire de la documentation des oeuvres d' art du 17e au 21e siècle : les impacts des technologies optiques et numériques sur les pratiques documentaires des galeries nationales à Londres, Ottawa et Washington D.C. : The history of documentation of works of art from the 17th to the 21st century : the impact of optical and digital technologies on documentary practices in the National galleries of London, Ottawa and Washington DC. [Internet] [Doctoral dissertation]. Paris 1; Université du Québec à Montréal; 2017. [cited 2019 Jun 18]. Available from: http://www.theses.fr/2017PA01H014.

Council of Science Editors:

Hoffman SK. L'histoire de la documentation des oeuvres d' art du 17e au 21e siècle : les impacts des technologies optiques et numériques sur les pratiques documentaires des galeries nationales à Londres, Ottawa et Washington D.C. : The history of documentation of works of art from the 17th to the 21st century : the impact of optical and digital technologies on documentary practices in the National galleries of London, Ottawa and Washington DC. [Doctoral Dissertation]. Paris 1; Université du Québec à Montréal; 2017. Available from: http://www.theses.fr/2017PA01H014

22. Neves, Eduardo Miguel Quaresma. Projeto de obra de arte pré-fabricada: passagem superior de 3 vãos.

Degree: 2013, Repositório Científico do Instituto Politécnico de Lisboa

Trabalho de Projeto de Natureza Científica para obtenção do grau de Mestre em Engenharia Civil

Este documento tem como objectivo descrever, segundo uma memória descritiva… (more)

Subjects/Keywords: Betão armado; Pré-esforço; Obra de arte; Vigas pré-fabricadas; Passagem superior; Reinforced concrete; Prestressing; Work of art; Overpass; Prefabricated bays

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Neves, E. M. Q. (2013). Projeto de obra de arte pré-fabricada: passagem superior de 3 vãos. (Thesis). Repositório Científico do Instituto Politécnico de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/3741

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Neves, Eduardo Miguel Quaresma. “Projeto de obra de arte pré-fabricada: passagem superior de 3 vãos.” 2013. Thesis, Repositório Científico do Instituto Politécnico de Lisboa. Accessed June 18, 2019. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/3741.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Neves, Eduardo Miguel Quaresma. “Projeto de obra de arte pré-fabricada: passagem superior de 3 vãos.” 2013. Web. 18 Jun 2019.

Vancouver:

Neves EMQ. Projeto de obra de arte pré-fabricada: passagem superior de 3 vãos. [Internet] [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2013. [cited 2019 Jun 18]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/3741.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Neves EMQ. Projeto de obra de arte pré-fabricada: passagem superior de 3 vãos. [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2013. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/3741

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Nova

23. Vilela, Maria Joana. A Obra de Arte como Verdade Poética.

Degree: 2014, Universidade Nova

 Tomando como referência o texto A Origem da Obra de Arte de Heidegger, o objectivo desta dissertação é a análise da questão da obra de… (more)

Subjects/Keywords: Conhecimento; Heidegger; Linguagem; Natureza; Técnica; Poesia; Obra de Arte; Heidegger; Knowledge; Language; Nature; Poetry; Technology; Truth; Work of Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vilela, M. J. (2014). A Obra de Arte como Verdade Poética. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14322

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vilela, Maria Joana. “A Obra de Arte como Verdade Poética.” 2014. Thesis, Universidade Nova. Accessed June 18, 2019. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14322.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vilela, Maria Joana. “A Obra de Arte como Verdade Poética.” 2014. Web. 18 Jun 2019.

Vancouver:

Vilela MJ. A Obra de Arte como Verdade Poética. [Internet] [Thesis]. Universidade Nova; 2014. [cited 2019 Jun 18]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14322.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vilela MJ. A Obra de Arte como Verdade Poética. [Thesis]. Universidade Nova; 2014. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14322

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Nova

24. Pereira, Severino António Ribeiro. Acerca da Obra-de-Arte.

Degree: 2015, Universidade Nova

 A dissertação é sobre a obra-de-arte. Com vista ao bom esclarecimento do que está aí em causa, o termo é tomado em exclusividade. A indagação… (more)

Subjects/Keywords: Artificação; Estética; Mimese; Obra de arte; Ontologia; Ready-made; Aesthetics; Artification; Artwork; Mimesis; Ontology; Work of art; Ready-made

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pereira, S. A. R. (2015). Acerca da Obra-de-Arte. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/15276

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pereira, Severino António Ribeiro. “Acerca da Obra-de-Arte.” 2015. Thesis, Universidade Nova. Accessed June 18, 2019. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/15276.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pereira, Severino António Ribeiro. “Acerca da Obra-de-Arte.” 2015. Web. 18 Jun 2019.

Vancouver:

Pereira SAR. Acerca da Obra-de-Arte. [Internet] [Thesis]. Universidade Nova; 2015. [cited 2019 Jun 18]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/15276.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pereira SAR. Acerca da Obra-de-Arte. [Thesis]. Universidade Nova; 2015. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/15276

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Lund

25. Capelan Köhler, Annika. Fibre Formations : Wool as an anthropological site.

Degree: 2017, University of Lund

 Contemporary debates on sustainability usually relies on standardised and normative categories, such as ‘social’ and ‘nature’, and on linear notions of time. This study explores… (more)

Subjects/Keywords: Socialantropologi; Samhällsvetenskap; Anthropology; Southern Cone; South American grasslands; fieldwork; Merino wool; formations; classifications; work of art; relationality; material-semiotics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Capelan Köhler, A. (2017). Fibre Formations : Wool as an anthropological site. (Doctoral Dissertation). University of Lund. Retrieved from http://lup.lub.lu.se/record/fc183635-4bf3-4ff3-ad15-9c7b004208c6 ; http://portal.research.lu.se/ws/files/23645117/Capelan_Ko_hler_2017_Fibre_Formations_Wool_as_an_Anthropological_site._.pdf

Chicago Manual of Style (16th Edition):

Capelan Köhler, Annika. “Fibre Formations : Wool as an anthropological site.” 2017. Doctoral Dissertation, University of Lund. Accessed June 18, 2019. http://lup.lub.lu.se/record/fc183635-4bf3-4ff3-ad15-9c7b004208c6 ; http://portal.research.lu.se/ws/files/23645117/Capelan_Ko_hler_2017_Fibre_Formations_Wool_as_an_Anthropological_site._.pdf.

MLA Handbook (7th Edition):

Capelan Köhler, Annika. “Fibre Formations : Wool as an anthropological site.” 2017. Web. 18 Jun 2019.

Vancouver:

Capelan Köhler A. Fibre Formations : Wool as an anthropological site. [Internet] [Doctoral dissertation]. University of Lund; 2017. [cited 2019 Jun 18]. Available from: http://lup.lub.lu.se/record/fc183635-4bf3-4ff3-ad15-9c7b004208c6 ; http://portal.research.lu.se/ws/files/23645117/Capelan_Ko_hler_2017_Fibre_Formations_Wool_as_an_Anthropological_site._.pdf.

Council of Science Editors:

Capelan Köhler A. Fibre Formations : Wool as an anthropological site. [Doctoral Dissertation]. University of Lund; 2017. Available from: http://lup.lub.lu.se/record/fc183635-4bf3-4ff3-ad15-9c7b004208c6 ; http://portal.research.lu.se/ws/files/23645117/Capelan_Ko_hler_2017_Fibre_Formations_Wool_as_an_Anthropological_site._.pdf

26. Ljungberg, Molly Carnestedt. Vem får ställa ut på den samtida konstscenen? : Betydelsen av kön.

Degree: Social Sciences, 2014, Södertörn University

This examination studies the gender balance of contemporary art exhibitions in Sweden. To what extent genders are equally represented assumes to be based on… (more)

Subjects/Keywords: Curating; art; exhibition; gender balance; equality work; institutional theory; logic of appropriateness; utställningsproduktion; konst; könsfördelning; jämställdhetsarbete; institutionellteori; lämplighetslogiken

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ljungberg, M. C. (2014). Vem får ställa ut på den samtida konstscenen? : Betydelsen av kön. (Thesis). Södertörn University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-24328

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ljungberg, Molly Carnestedt. “Vem får ställa ut på den samtida konstscenen? : Betydelsen av kön.” 2014. Thesis, Södertörn University. Accessed June 18, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-24328.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ljungberg, Molly Carnestedt. “Vem får ställa ut på den samtida konstscenen? : Betydelsen av kön.” 2014. Web. 18 Jun 2019.

Vancouver:

Ljungberg MC. Vem får ställa ut på den samtida konstscenen? : Betydelsen av kön. [Internet] [Thesis]. Södertörn University; 2014. [cited 2019 Jun 18]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-24328.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ljungberg MC. Vem får ställa ut på den samtida konstscenen? : Betydelsen av kön. [Thesis]. Södertörn University; 2014. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-24328

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Dubois, François-Ronan. L'Appropriation de l'œuvre : Instances et visées de l'attribution des œuvres à leur auteur dans la France de l'Ancien Régime (1645-1777) : One's Own Book : Actors and motives of literary works attribution in Ancien Régime France from 1645 to 1777.

Degree: Docteur es, Lettres et arts spécialité littératures française et francophone, 2017, Grenoble Alpes

Le système de la propriété littéraire dans la France de l’Ancien Régime est souvent examiné de manière rétrospective à l’aune du droit d’auteur contemporain :… (more)

Subjects/Keywords: Propriété intellectuelle; Attribution; Auctorialité; Bibliographie; Droit d'auteur; Oeuvre; Intellectual property; Attribution; Authorship; Bibliography; Author's rights; Work of art; 800

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dubois, F. (2017). L'Appropriation de l'œuvre : Instances et visées de l'attribution des œuvres à leur auteur dans la France de l'Ancien Régime (1645-1777) : One's Own Book : Actors and motives of literary works attribution in Ancien Régime France from 1645 to 1777. (Doctoral Dissertation). Grenoble Alpes. Retrieved from http://www.theses.fr/2017GREAL038

Chicago Manual of Style (16th Edition):

Dubois, François-Ronan. “L'Appropriation de l'œuvre : Instances et visées de l'attribution des œuvres à leur auteur dans la France de l'Ancien Régime (1645-1777) : One's Own Book : Actors and motives of literary works attribution in Ancien Régime France from 1645 to 1777.” 2017. Doctoral Dissertation, Grenoble Alpes. Accessed June 18, 2019. http://www.theses.fr/2017GREAL038.

MLA Handbook (7th Edition):

Dubois, François-Ronan. “L'Appropriation de l'œuvre : Instances et visées de l'attribution des œuvres à leur auteur dans la France de l'Ancien Régime (1645-1777) : One's Own Book : Actors and motives of literary works attribution in Ancien Régime France from 1645 to 1777.” 2017. Web. 18 Jun 2019.

Vancouver:

Dubois F. L'Appropriation de l'œuvre : Instances et visées de l'attribution des œuvres à leur auteur dans la France de l'Ancien Régime (1645-1777) : One's Own Book : Actors and motives of literary works attribution in Ancien Régime France from 1645 to 1777. [Internet] [Doctoral dissertation]. Grenoble Alpes; 2017. [cited 2019 Jun 18]. Available from: http://www.theses.fr/2017GREAL038.

Council of Science Editors:

Dubois F. L'Appropriation de l'œuvre : Instances et visées de l'attribution des œuvres à leur auteur dans la France de l'Ancien Régime (1645-1777) : One's Own Book : Actors and motives of literary works attribution in Ancien Régime France from 1645 to 1777. [Doctoral Dissertation]. Grenoble Alpes; 2017. Available from: http://www.theses.fr/2017GREAL038

28. Lascault, Michel. Œuvre(s) du pluriel : vers une esthétique du dispersé : Work(s) in the plural : towards an aesthetics of dispersion.

Degree: Docteur es, Arts plastiques, 2017, Université de Strasbourg

La pluridisciplinarité artistique contemporaine, qui remonte à l’humanisme et au romantisme, est-elle encore liée à un désir de connaissance et de totalité, ou s’inscrit-elle dans un spectre de fragmentation ? Les défaillances reconnues du savoir, du sujet et de l’œuvre forment une résistance à la puissance des technostructures. La sphère de l’art, détachée de la division du travail artistique, s’inscrit dans une négativité non dialectique. Par la sape méthodique des référents et des maîtrises, l’œuvre s’ouvre au désordre et au manque. Poursuivant simultanément plusieurs démarches distinctes dans les arts visuels, la musique et l’écriture, passant de l’art populaire à l’art intellectualisé, étant autant témoin qu’acteur de mon travail, je propose une approche de l’art qui se définit plus par l’errance et la pluralité que par un projet unitaire. La position mineure et dispersée se ressource dans une poïétique prolifique : simultanéité divergente, transposition négative, hétérogénéité, confusion des temps, présence du vide et du fantomatique…

Is artistic pluridisciplinarity, which goes back to Humanism and Romanticism, still connected to a desire for knowledge and for holistic apprehension, or does it reveal the prospect of fragmentation? The known shortcomings of knowledge, of the subject, and of the work of art resist the power of techno-structures. Once the artistic sphere gets disconnected from the division of artistic labor, it is amenable to a non-dialectical negativity. As the work of art methodically subverts referents, mastery and know-hows, it becomes accessible to loss and disorder. Being as much the witness as the agent of the work I produce, I propose an approach to art conceived as wandering and plural—an approach based on various forms of practice in visual arts, music, and writing, which shift from popular to intellectual art. This artistic stance, minor and scattered, draws its strength from a prolific poietics: divergent simultaneity, negative transposition, heterogeneity, confusion of temporalities, void, and haunting presences…

Advisors/Committee Members: Roesz, Germain (thesis director).

Subjects/Keywords: Amateurisme; Défaillance; Dispersion; Divergence; Mineur; Négativité; Œuvre; Pluralité; Scepticisme; Amateurism; Shortcomings; Dispersion; Divergence; Minor; Negativity; Work of art; Plurality; Skepticism; 709.05

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lascault, M. (2017). Œuvre(s) du pluriel : vers une esthétique du dispersé : Work(s) in the plural : towards an aesthetics of dispersion. (Doctoral Dissertation). Université de Strasbourg. Retrieved from http://www.theses.fr/2017STRAC032

Chicago Manual of Style (16th Edition):

Lascault, Michel. “Œuvre(s) du pluriel : vers une esthétique du dispersé : Work(s) in the plural : towards an aesthetics of dispersion.” 2017. Doctoral Dissertation, Université de Strasbourg. Accessed June 18, 2019. http://www.theses.fr/2017STRAC032.

MLA Handbook (7th Edition):

Lascault, Michel. “Œuvre(s) du pluriel : vers une esthétique du dispersé : Work(s) in the plural : towards an aesthetics of dispersion.” 2017. Web. 18 Jun 2019.

Vancouver:

Lascault M. Œuvre(s) du pluriel : vers une esthétique du dispersé : Work(s) in the plural : towards an aesthetics of dispersion. [Internet] [Doctoral dissertation]. Université de Strasbourg; 2017. [cited 2019 Jun 18]. Available from: http://www.theses.fr/2017STRAC032.

Council of Science Editors:

Lascault M. Œuvre(s) du pluriel : vers une esthétique du dispersé : Work(s) in the plural : towards an aesthetics of dispersion. [Doctoral Dissertation]. Université de Strasbourg; 2017. Available from: http://www.theses.fr/2017STRAC032


RMIT University

29. Sellbach, A. Tessellation: exploring pathways and partitions.

Degree: 2011, RMIT University

 Tessellation: Exploring Pathways and Partitions is a research project exploring the potential variations, distortions and visual pathways inherent within the context of the ‘tessellated, geometric,… (more)

Subjects/Keywords: Fields of Research; Geometric Abstraction; Wall Art; Floor Piece; Tessellation; Architecture; Modular; Art; Intuitive practice modes; Seriality; Work on Paper; Mosaic; Installation; Diagrams

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sellbach, A. (2011). Tessellation: exploring pathways and partitions. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:11535

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sellbach, A. “Tessellation: exploring pathways and partitions.” 2011. Thesis, RMIT University. Accessed June 18, 2019. http://researchbank.rmit.edu.au/view/rmit:11535.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sellbach, A. “Tessellation: exploring pathways and partitions.” 2011. Web. 18 Jun 2019.

Vancouver:

Sellbach A. Tessellation: exploring pathways and partitions. [Internet] [Thesis]. RMIT University; 2011. [cited 2019 Jun 18]. Available from: http://researchbank.rmit.edu.au/view/rmit:11535.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sellbach A. Tessellation: exploring pathways and partitions. [Thesis]. RMIT University; 2011. Available from: http://researchbank.rmit.edu.au/view/rmit:11535

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Uppsala University

30. Lidman, Charlotte. Konstes fria studie : En undersökning av förändringarna i avgångselevernas examensutställningar vid Kungliga Konsthögskolan 1962-2011.

Degree: Art History, 2013, Uppsala University

  The aim of the essay is to examine how the student exhibitions of the Royal University college of Fine Arts in Stockholm has changed… (more)

Subjects/Keywords: Royal University college of Fine Arts; Student exhibition; Graduate student; Exhibition catalog; Master students; The Royal Art Academy; Examination work; Art History; Konstvetenskap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lidman, C. (2013). Konstes fria studie : En undersökning av förändringarna i avgångselevernas examensutställningar vid Kungliga Konsthögskolan 1962-2011. (Thesis). Uppsala University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-276865

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lidman, Charlotte. “Konstes fria studie : En undersökning av förändringarna i avgångselevernas examensutställningar vid Kungliga Konsthögskolan 1962-2011.” 2013. Thesis, Uppsala University. Accessed June 18, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-276865.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lidman, Charlotte. “Konstes fria studie : En undersökning av förändringarna i avgångselevernas examensutställningar vid Kungliga Konsthögskolan 1962-2011.” 2013. Web. 18 Jun 2019.

Vancouver:

Lidman C. Konstes fria studie : En undersökning av förändringarna i avgångselevernas examensutställningar vid Kungliga Konsthögskolan 1962-2011. [Internet] [Thesis]. Uppsala University; 2013. [cited 2019 Jun 18]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-276865.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lidman C. Konstes fria studie : En undersökning av förändringarna i avgångselevernas examensutställningar vid Kungliga Konsthögskolan 1962-2011. [Thesis]. Uppsala University; 2013. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-276865

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2] [3] [4]

.