Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(Work of art). Showing records 1 – 30 of 108 total matches.

[1] [2] [3] [4]

Search Limiters

Last 2 Years | English Only

Degrees

Levels

Languages

Country

▼ Search Limiters

1. Larissa Sousa Fernandes. Verdade em obra: arte e poesia na filosofia de Martin Heidegger.

Degree: 2011, Universidade Federal da Paraíba

A presente dissertação busca compreender de que modo se articula o pensamento acerca da arte e da poesia na filosofia de Martin Heidegger (1889-1976), mediante… (more)

Subjects/Keywords: obra de arte; verdade; poesia; arte; Heidegger; FILOSOFIA; Heidegger; art; poetry; truth; work of art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fernandes, L. S. (2011). Verdade em obra: arte e poesia na filosofia de Martin Heidegger. (Thesis). Universidade Federal da Paraíba. Retrieved from http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=2452

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fernandes, Larissa Sousa. “Verdade em obra: arte e poesia na filosofia de Martin Heidegger.” 2011. Thesis, Universidade Federal da Paraíba. Accessed July 10, 2020. http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=2452.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fernandes, Larissa Sousa. “Verdade em obra: arte e poesia na filosofia de Martin Heidegger.” 2011. Web. 10 Jul 2020.

Vancouver:

Fernandes LS. Verdade em obra: arte e poesia na filosofia de Martin Heidegger. [Internet] [Thesis]. Universidade Federal da Paraíba; 2011. [cited 2020 Jul 10]. Available from: http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=2452.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fernandes LS. Verdade em obra: arte e poesia na filosofia de Martin Heidegger. [Thesis]. Universidade Federal da Paraíba; 2011. Available from: http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=2452

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vilnius Pedagogical University

2. Šumskaitė, Jurgita. Interpretavimo reikšmė XI - XII kl. mokinių kritinio mąstymo ugdymui.

Degree: Master, Educology, 2009, Vilnius Pedagogical University

Problema: Meno formų, vizualinių ženklų gausa šiandien liete užliejusi mūsų kultūrinę ir socialinę erdvę. Ji tampa natūralia, įprasta erdve šiuolaikiniams jaunuoliams, kurie jos dėka formuojasi… (more)

Subjects/Keywords: Interpretacija; Kritinis mąstymas; Kūrinys; Interpretation; Critical thinking; Work of art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Šumskaitė, Jurgita. (2009). Interpretavimo reikšmė XI - XII kl. mokinių kritinio mąstymo ugdymui. (Masters Thesis). Vilnius Pedagogical University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090629_114658-38740 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

Šumskaitė, Jurgita. “Interpretavimo reikšmė XI - XII kl. mokinių kritinio mąstymo ugdymui.” 2009. Masters Thesis, Vilnius Pedagogical University. Accessed July 10, 2020. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090629_114658-38740 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

Šumskaitė, Jurgita. “Interpretavimo reikšmė XI - XII kl. mokinių kritinio mąstymo ugdymui.” 2009. Web. 10 Jul 2020.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Šumskaitė, Jurgita. Interpretavimo reikšmė XI - XII kl. mokinių kritinio mąstymo ugdymui. [Internet] [Masters thesis]. Vilnius Pedagogical University; 2009. [cited 2020 Jul 10]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090629_114658-38740 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

Šumskaitė, Jurgita. Interpretavimo reikšmė XI - XII kl. mokinių kritinio mąstymo ugdymui. [Masters Thesis]. Vilnius Pedagogical University; 2009. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090629_114658-38740 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


Université Paris-Sorbonne – Paris IV

3. Garelli, Céline. L’oeuvre d’art comme expression et comme langage dans l'Esthétique de Benedetto Croce : The work of art identified to expression and language, in the Aesthetics of Benedetto Croce.

Degree: Docteur es, Philosophie, 2014, Université Paris-Sorbonne – Paris IV

L’objectif principal de ce travail est d’établir le sens attribué à la science de l’expression et de préciser comment elle est identifiée à la linguistique… (more)

Subjects/Keywords: Croce; Expression; Intuition; Langage; Art abstrait; Oeuvre d'art; Kandinsky; Croce; Expression; Intuition; Language; Abstract art; Work of art; Kandinsky; 195; 701.17

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garelli, C. (2014). L’oeuvre d’art comme expression et comme langage dans l'Esthétique de Benedetto Croce : The work of art identified to expression and language, in the Aesthetics of Benedetto Croce. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2014PA040092

Chicago Manual of Style (16th Edition):

Garelli, Céline. “L’oeuvre d’art comme expression et comme langage dans l'Esthétique de Benedetto Croce : The work of art identified to expression and language, in the Aesthetics of Benedetto Croce.” 2014. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed July 10, 2020. http://www.theses.fr/2014PA040092.

MLA Handbook (7th Edition):

Garelli, Céline. “L’oeuvre d’art comme expression et comme langage dans l'Esthétique de Benedetto Croce : The work of art identified to expression and language, in the Aesthetics of Benedetto Croce.” 2014. Web. 10 Jul 2020.

Vancouver:

Garelli C. L’oeuvre d’art comme expression et comme langage dans l'Esthétique de Benedetto Croce : The work of art identified to expression and language, in the Aesthetics of Benedetto Croce. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2014. [cited 2020 Jul 10]. Available from: http://www.theses.fr/2014PA040092.

Council of Science Editors:

Garelli C. L’oeuvre d’art comme expression et comme langage dans l'Esthétique de Benedetto Croce : The work of art identified to expression and language, in the Aesthetics of Benedetto Croce. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2014. Available from: http://www.theses.fr/2014PA040092


Univerzitet u Beogradu

4. Pavlović, Marija M. 1976-. Улога ликовног дела у васпитању и образовању деце предшколског и основношколског узраста.

Degree: Učiteljski fakultet, 2016, Univerzitet u Beogradu

Дидактичко-методичке науке - Методика наставе ликовне културе / Didactic and methodological sciences - Methodology of Teaching The Fine Arts Culture

бразовању са идејом да учење… (more)

Subjects/Keywords: fine art work; teacher; developmental competence of children; educational approaches and strategies; art museums and galleries

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pavlović, M. M. 1. (2016). Улога ликовног дела у васпитању и образовању деце предшколског и основношколског узраста. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:10459/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pavlović, Marija M 1976-. “Улога ликовног дела у васпитању и образовању деце предшколског и основношколског узраста.” 2016. Thesis, Univerzitet u Beogradu. Accessed July 10, 2020. https://fedorabg.bg.ac.rs/fedora/get/o:10459/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pavlović, Marija M 1976-. “Улога ликовног дела у васпитању и образовању деце предшколског и основношколског узраста.” 2016. Web. 10 Jul 2020.

Vancouver:

Pavlović MM1. Улога ликовног дела у васпитању и образовању деце предшколског и основношколског узраста. [Internet] [Thesis]. Univerzitet u Beogradu; 2016. [cited 2020 Jul 10]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:10459/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pavlović MM1. Улога ликовног дела у васпитању и образовању деце предшколског и основношколског узраста. [Thesis]. Univerzitet u Beogradu; 2016. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:10459/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Extremadura

5. Pasquale, Flavia de. El arte figurativo: modelo de inteligencia emotiva .

Degree: 2017, Universidad de Extremadura

 El objetivo de la tesis es demonstrar que: el arte figurativa del ‘900, en el ámbito de retratos femeninos, observados rigurosamente en un contexto museístico,… (more)

Subjects/Keywords: Obra de arte; Arte figurativa; Neuroestetica; Retrato; Artistas del 900; Work of art; Figurative art; Portrait; Artistic avant-garde; Neuroestetica

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pasquale, F. d. (2017). El arte figurativo: modelo de inteligencia emotiva . (Thesis). Universidad de Extremadura. Retrieved from http://hdl.handle.net/10662/6492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pasquale, Flavia de. “El arte figurativo: modelo de inteligencia emotiva .” 2017. Thesis, Universidad de Extremadura. Accessed July 10, 2020. http://hdl.handle.net/10662/6492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pasquale, Flavia de. “El arte figurativo: modelo de inteligencia emotiva .” 2017. Web. 10 Jul 2020.

Vancouver:

Pasquale Fd. El arte figurativo: modelo de inteligencia emotiva . [Internet] [Thesis]. Universidad de Extremadura; 2017. [cited 2020 Jul 10]. Available from: http://hdl.handle.net/10662/6492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pasquale Fd. El arte figurativo: modelo de inteligencia emotiva . [Thesis]. Universidad de Extremadura; 2017. Available from: http://hdl.handle.net/10662/6492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Hannart-Marmor, Yona. Des pouvoirs de l’ekphrasis : L’objet auratique dans l’oeuvre de Claude Simon : On Ekphrasis : Auratic Objects in Claude Simon’s writings.

Degree: Docteur es, Lettres, 2013, Université Sorbonne Nouvelle – Paris III

Notre travail consiste en une étude de l’ekphrasis dans l’écriture de Claude Simon. Il part de l’hypothèse selon laquelle la compréhension de sa nature et… (more)

Subjects/Keywords: Description; Narration; Oeuvre d'art; Peinture; Temps; Ekphrasis; Description; Narration; Work of art; Painting; Time; Ekphrasis

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hannart-Marmor, Y. (2013). Des pouvoirs de l’ekphrasis : L’objet auratique dans l’oeuvre de Claude Simon : On Ekphrasis : Auratic Objects in Claude Simon’s writings. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2013PA030026

Chicago Manual of Style (16th Edition):

Hannart-Marmor, Yona. “Des pouvoirs de l’ekphrasis : L’objet auratique dans l’oeuvre de Claude Simon : On Ekphrasis : Auratic Objects in Claude Simon’s writings.” 2013. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed July 10, 2020. http://www.theses.fr/2013PA030026.

MLA Handbook (7th Edition):

Hannart-Marmor, Yona. “Des pouvoirs de l’ekphrasis : L’objet auratique dans l’oeuvre de Claude Simon : On Ekphrasis : Auratic Objects in Claude Simon’s writings.” 2013. Web. 10 Jul 2020.

Vancouver:

Hannart-Marmor Y. Des pouvoirs de l’ekphrasis : L’objet auratique dans l’oeuvre de Claude Simon : On Ekphrasis : Auratic Objects in Claude Simon’s writings. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2013. [cited 2020 Jul 10]. Available from: http://www.theses.fr/2013PA030026.

Council of Science Editors:

Hannart-Marmor Y. Des pouvoirs de l’ekphrasis : L’objet auratique dans l’oeuvre de Claude Simon : On Ekphrasis : Auratic Objects in Claude Simon’s writings. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2013. Available from: http://www.theses.fr/2013PA030026

7. Albertim, Roberta Calábria. Waltercio Caldas: arquitetura da hospitalidade.

Degree: Mestrado, Projeto, Espaço e Cultura, 2012, University of São Paulo

Esta dissertação é uma proposta de reflexão acerca do pensamento plástico de Waltercio Caldas, sob a inscrição do problema teórico da hospitalidade absoluta, segundo Jacques… (more)

Subjects/Keywords: Hospitalidade; Hospitality; Lugar; Obra de arte; Place; Waltercio Caldas; Waltercio Caldas; Work of art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Albertim, R. C. (2012). Waltercio Caldas: arquitetura da hospitalidade. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/16/16136/tde-14022013-154323/ ;

Chicago Manual of Style (16th Edition):

Albertim, Roberta Calábria. “Waltercio Caldas: arquitetura da hospitalidade.” 2012. Masters Thesis, University of São Paulo. Accessed July 10, 2020. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-14022013-154323/ ;.

MLA Handbook (7th Edition):

Albertim, Roberta Calábria. “Waltercio Caldas: arquitetura da hospitalidade.” 2012. Web. 10 Jul 2020.

Vancouver:

Albertim RC. Waltercio Caldas: arquitetura da hospitalidade. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2020 Jul 10]. Available from: http://www.teses.usp.br/teses/disponiveis/16/16136/tde-14022013-154323/ ;.

Council of Science Editors:

Albertim RC. Waltercio Caldas: arquitetura da hospitalidade. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/16/16136/tde-14022013-154323/ ;


Université Toulouse II – Le Mirail

8. Biedma, Sabine. Une production polygraphique, creuset d’expérimentation critique ? : l'"Œuvre" de Guillaume Colletet (1616-1658) : A polygraphic production, melting-pot of critical experimentation ? : the "Work" of Guillaume Colletet (1616-1658).

Degree: Docteur es, Lettres modernes, 2012, Université Toulouse II – Le Mirail

Cette étude montre comment une production polygraphique du début du XVIIe siècle (celle de Guillaume Colletet, 1616-1658), dont la forme résulte de contraintes extérieures à… (more)

Subjects/Keywords: Polygraphie; Expérimentation; Oeuvre; Critique; Histoire littéraire; Polygraphy; Experimentation; Work of art; Criticism; Literary history

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Biedma, S. (2012). Une production polygraphique, creuset d’expérimentation critique ? : l'"Œuvre" de Guillaume Colletet (1616-1658) : A polygraphic production, melting-pot of critical experimentation ? : the "Work" of Guillaume Colletet (1616-1658). (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2012TOU20089

Chicago Manual of Style (16th Edition):

Biedma, Sabine. “Une production polygraphique, creuset d’expérimentation critique ? : l'"Œuvre" de Guillaume Colletet (1616-1658) : A polygraphic production, melting-pot of critical experimentation ? : the "Work" of Guillaume Colletet (1616-1658).” 2012. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed July 10, 2020. http://www.theses.fr/2012TOU20089.

MLA Handbook (7th Edition):

Biedma, Sabine. “Une production polygraphique, creuset d’expérimentation critique ? : l'"Œuvre" de Guillaume Colletet (1616-1658) : A polygraphic production, melting-pot of critical experimentation ? : the "Work" of Guillaume Colletet (1616-1658).” 2012. Web. 10 Jul 2020.

Vancouver:

Biedma S. Une production polygraphique, creuset d’expérimentation critique ? : l'"Œuvre" de Guillaume Colletet (1616-1658) : A polygraphic production, melting-pot of critical experimentation ? : the "Work" of Guillaume Colletet (1616-1658). [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2012. [cited 2020 Jul 10]. Available from: http://www.theses.fr/2012TOU20089.

Council of Science Editors:

Biedma S. Une production polygraphique, creuset d’expérimentation critique ? : l'"Œuvre" de Guillaume Colletet (1616-1658) : A polygraphic production, melting-pot of critical experimentation ? : the "Work" of Guillaume Colletet (1616-1658). [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2012. Available from: http://www.theses.fr/2012TOU20089


Vanderbilt University

9. Shaw, Samuel Clayton. Off Center: Art Careers in Peripheral Places.

Degree: PhD, Sociology, 2014, Vanderbilt University

 Visual artists benefit from resources historically concentrated in few urban âcenters.â This dissertation uses ethnographic observation and 76 in-depth interviews with visual artists and related… (more)

Subjects/Keywords: Sociology of Art; Urban Sociology; Cultural Production; Place; Work and Occupations; Fields

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shaw, S. C. (2014). Off Center: Art Careers in Peripheral Places. (Doctoral Dissertation). Vanderbilt University. Retrieved from http://etd.library.vanderbilt.edu//available/etd-03132014-173603/ ;

Chicago Manual of Style (16th Edition):

Shaw, Samuel Clayton. “Off Center: Art Careers in Peripheral Places.” 2014. Doctoral Dissertation, Vanderbilt University. Accessed July 10, 2020. http://etd.library.vanderbilt.edu//available/etd-03132014-173603/ ;.

MLA Handbook (7th Edition):

Shaw, Samuel Clayton. “Off Center: Art Careers in Peripheral Places.” 2014. Web. 10 Jul 2020.

Vancouver:

Shaw SC. Off Center: Art Careers in Peripheral Places. [Internet] [Doctoral dissertation]. Vanderbilt University; 2014. [cited 2020 Jul 10]. Available from: http://etd.library.vanderbilt.edu//available/etd-03132014-173603/ ;.

Council of Science Editors:

Shaw SC. Off Center: Art Careers in Peripheral Places. [Doctoral Dissertation]. Vanderbilt University; 2014. Available from: http://etd.library.vanderbilt.edu//available/etd-03132014-173603/ ;


KTH

10. Rehn, Amanda. Miniature.

Degree: Architecture, 2018, KTH

  This thesis investigates a typology of interiors that evoke the sensation of containing the whole world in miniature. It explores the reverie of something… (more)

Subjects/Keywords: miniature; mental space; unified work of art; pattern; corner; wallpaper; complexity; Architecture; Arkitektur

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rehn, A. (2018). Miniature. (Thesis). KTH. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223468

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rehn, Amanda. “Miniature.” 2018. Thesis, KTH. Accessed July 10, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223468.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rehn, Amanda. “Miniature.” 2018. Web. 10 Jul 2020.

Vancouver:

Rehn A. Miniature. [Internet] [Thesis]. KTH; 2018. [cited 2020 Jul 10]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223468.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rehn A. Miniature. [Thesis]. KTH; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223468

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Pedrosa, Nuno. Raison pratique et création réflexive : l'artéfact au-delà du champ étendu de l'art : Practical reason and reflexive practice : the artefact beyond the expanded field of art.

Degree: Docteur es, Arts et sciences de l'art, 2015, Paris 1

Cette thèse, qui met en relation réflexion théorique et création artistique, entend comprendre pourquoi au cours de la contemplation d’une oeuvre d’art notre attention dépasse… (more)

Subjects/Keywords: Art et technologie; Champ élargi; Dessin contemporain; Sculpture; Artéfact; Instrument; Objet d'art frontière; Expression; Art and technology; Expanded field; Contemporary drawing; Sculpture; Artefact; Instrument; Work of art border; Expression; 700.1

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pedrosa, N. (2015). Raison pratique et création réflexive : l'artéfact au-delà du champ étendu de l'art : Practical reason and reflexive practice : the artefact beyond the expanded field of art. (Doctoral Dissertation). Paris 1. Retrieved from http://www.theses.fr/2015PA010563

Chicago Manual of Style (16th Edition):

Pedrosa, Nuno. “Raison pratique et création réflexive : l'artéfact au-delà du champ étendu de l'art : Practical reason and reflexive practice : the artefact beyond the expanded field of art.” 2015. Doctoral Dissertation, Paris 1. Accessed July 10, 2020. http://www.theses.fr/2015PA010563.

MLA Handbook (7th Edition):

Pedrosa, Nuno. “Raison pratique et création réflexive : l'artéfact au-delà du champ étendu de l'art : Practical reason and reflexive practice : the artefact beyond the expanded field of art.” 2015. Web. 10 Jul 2020.

Vancouver:

Pedrosa N. Raison pratique et création réflexive : l'artéfact au-delà du champ étendu de l'art : Practical reason and reflexive practice : the artefact beyond the expanded field of art. [Internet] [Doctoral dissertation]. Paris 1; 2015. [cited 2020 Jul 10]. Available from: http://www.theses.fr/2015PA010563.

Council of Science Editors:

Pedrosa N. Raison pratique et création réflexive : l'artéfact au-delà du champ étendu de l'art : Practical reason and reflexive practice : the artefact beyond the expanded field of art. [Doctoral Dissertation]. Paris 1; 2015. Available from: http://www.theses.fr/2015PA010563

12. Keller, Phillip Wilhelm. Estrutura da obra de arte na filosofia de Hegel - análise da estrutura da arte nos cursos de Berlim com relação aos conceitos de organismo, ação e conceito.

Degree: PhD, Filosofia, 2012, University of São Paulo

Esta tese investiga a Ideia e o modo como ela se realiza na obra de arte segundo a Estética de Hegel. No primeiro capítulo, o… (more)

Subjects/Keywords: Ação; Action; Arte clássica; Arte romântica; Classical art; Conceito; Concept; Hegel; Hegel; Idea; Ideia; Obra de arte; Organism; Organismo; Romantic art; Work of art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Keller, P. W. (2012). Estrutura da obra de arte na filosofia de Hegel - análise da estrutura da arte nos cursos de Berlim com relação aos conceitos de organismo, ação e conceito. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8133/tde-17082012-104854/ ;

Chicago Manual of Style (16th Edition):

Keller, Phillip Wilhelm. “Estrutura da obra de arte na filosofia de Hegel - análise da estrutura da arte nos cursos de Berlim com relação aos conceitos de organismo, ação e conceito.” 2012. Doctoral Dissertation, University of São Paulo. Accessed July 10, 2020. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-17082012-104854/ ;.

MLA Handbook (7th Edition):

Keller, Phillip Wilhelm. “Estrutura da obra de arte na filosofia de Hegel - análise da estrutura da arte nos cursos de Berlim com relação aos conceitos de organismo, ação e conceito.” 2012. Web. 10 Jul 2020.

Vancouver:

Keller PW. Estrutura da obra de arte na filosofia de Hegel - análise da estrutura da arte nos cursos de Berlim com relação aos conceitos de organismo, ação e conceito. [Internet] [Doctoral dissertation]. University of São Paulo; 2012. [cited 2020 Jul 10]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8133/tde-17082012-104854/ ;.

Council of Science Editors:

Keller PW. Estrutura da obra de arte na filosofia de Hegel - análise da estrutura da arte nos cursos de Berlim com relação aos conceitos de organismo, ação e conceito. [Doctoral Dissertation]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/8/8133/tde-17082012-104854/ ;


University of Melbourne

13. Lovell, Jonathan Paul. Mystic Media: A Historical Account of Technological Transcendentalism within the Immersive Multimedia Environments of the 1960-70s.

Degree: 2019, University of Melbourne

 Throughout history, there has been a recurring impulse for artists to create Immersive Multimedia Environments (IMEs), which through the combined force of multiple artistic and… (more)

Subjects/Keywords: Immersive Multimedia Environments; Expanded Cinema; Labyrinth; Cerebrum; Pulsa; Marshall McLuhan; Gene Youngblood; Media Theory; Counterculture; Transcendentalism; Psychedelia; Cybernetics; Architecture; Media Art; Performance Art; Total Work of Art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lovell, J. P. (2019). Mystic Media: A Historical Account of Technological Transcendentalism within the Immersive Multimedia Environments of the 1960-70s. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/233225

Chicago Manual of Style (16th Edition):

Lovell, Jonathan Paul. “Mystic Media: A Historical Account of Technological Transcendentalism within the Immersive Multimedia Environments of the 1960-70s.” 2019. Doctoral Dissertation, University of Melbourne. Accessed July 10, 2020. http://hdl.handle.net/11343/233225.

MLA Handbook (7th Edition):

Lovell, Jonathan Paul. “Mystic Media: A Historical Account of Technological Transcendentalism within the Immersive Multimedia Environments of the 1960-70s.” 2019. Web. 10 Jul 2020.

Vancouver:

Lovell JP. Mystic Media: A Historical Account of Technological Transcendentalism within the Immersive Multimedia Environments of the 1960-70s. [Internet] [Doctoral dissertation]. University of Melbourne; 2019. [cited 2020 Jul 10]. Available from: http://hdl.handle.net/11343/233225.

Council of Science Editors:

Lovell JP. Mystic Media: A Historical Account of Technological Transcendentalism within the Immersive Multimedia Environments of the 1960-70s. [Doctoral Dissertation]. University of Melbourne; 2019. Available from: http://hdl.handle.net/11343/233225


Michigan Technological University

14. Schneider, Daniel. WOOD TYPE ARCHAEOLOGY: AN INQUIRY INTO WORKER SKILL IN WOOD PRINTING TYPE MANUFACTURE.

Degree: MS, Department of Social Sciences, 2015, Michigan Technological University

  Wood Type Archaeology uses the concept of industrial skill to frame an inquiry into the nature of workers’ agency within the processes of wood… (more)

Subjects/Keywords: Anthropology of Work; Embodied Skill; Graphic Design; Manual Engagement; Printing History; Worker Skill; History of Art, Architecture, and Archaeology

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schneider, D. (2015). WOOD TYPE ARCHAEOLOGY: AN INQUIRY INTO WORKER SKILL IN WOOD PRINTING TYPE MANUFACTURE. (Masters Thesis). Michigan Technological University. Retrieved from http://digitalcommons.mtu.edu/etds/1007

Chicago Manual of Style (16th Edition):

Schneider, Daniel. “WOOD TYPE ARCHAEOLOGY: AN INQUIRY INTO WORKER SKILL IN WOOD PRINTING TYPE MANUFACTURE.” 2015. Masters Thesis, Michigan Technological University. Accessed July 10, 2020. http://digitalcommons.mtu.edu/etds/1007.

MLA Handbook (7th Edition):

Schneider, Daniel. “WOOD TYPE ARCHAEOLOGY: AN INQUIRY INTO WORKER SKILL IN WOOD PRINTING TYPE MANUFACTURE.” 2015. Web. 10 Jul 2020.

Vancouver:

Schneider D. WOOD TYPE ARCHAEOLOGY: AN INQUIRY INTO WORKER SKILL IN WOOD PRINTING TYPE MANUFACTURE. [Internet] [Masters thesis]. Michigan Technological University; 2015. [cited 2020 Jul 10]. Available from: http://digitalcommons.mtu.edu/etds/1007.

Council of Science Editors:

Schneider D. WOOD TYPE ARCHAEOLOGY: AN INQUIRY INTO WORKER SKILL IN WOOD PRINTING TYPE MANUFACTURE. [Masters Thesis]. Michigan Technological University; 2015. Available from: http://digitalcommons.mtu.edu/etds/1007


Universidade Federal de Santa Maria

15. Mónica Herrera Noguera. THE JUDGMENT OF TASTE AS THE GROUND OF INTERPRETATION FOR NATURAL AND ARTISTIC BEAUTY IN THE CRITIQUE OF THE POWER OF JUDGMENT OF IMMANUEL KANT.

Degree: 2006, Universidade Federal de Santa Maria

Probably the fundamental issue about the relation between art and beauty in the Critique of the Power of Judgment, of 1790, is the difficulty to… (more)

Subjects/Keywords: exemplar; juízo de gosto; FILOSOFIA; work of art; exemplar; obra de arte; gênio; beleza; judgment of taste; beauty; genius

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Noguera, M. H. (2006). THE JUDGMENT OF TASTE AS THE GROUND OF INTERPRETATION FOR NATURAL AND ARTISTIC BEAUTY IN THE CRITIQUE OF THE POWER OF JUDGMENT OF IMMANUEL KANT. (Thesis). Universidade Federal de Santa Maria. Retrieved from http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=1622

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Noguera, Mónica Herrera. “THE JUDGMENT OF TASTE AS THE GROUND OF INTERPRETATION FOR NATURAL AND ARTISTIC BEAUTY IN THE CRITIQUE OF THE POWER OF JUDGMENT OF IMMANUEL KANT.” 2006. Thesis, Universidade Federal de Santa Maria. Accessed July 10, 2020. http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=1622.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Noguera, Mónica Herrera. “THE JUDGMENT OF TASTE AS THE GROUND OF INTERPRETATION FOR NATURAL AND ARTISTIC BEAUTY IN THE CRITIQUE OF THE POWER OF JUDGMENT OF IMMANUEL KANT.” 2006. Web. 10 Jul 2020.

Vancouver:

Noguera MH. THE JUDGMENT OF TASTE AS THE GROUND OF INTERPRETATION FOR NATURAL AND ARTISTIC BEAUTY IN THE CRITIQUE OF THE POWER OF JUDGMENT OF IMMANUEL KANT. [Internet] [Thesis]. Universidade Federal de Santa Maria; 2006. [cited 2020 Jul 10]. Available from: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=1622.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Noguera MH. THE JUDGMENT OF TASTE AS THE GROUND OF INTERPRETATION FOR NATURAL AND ARTISTIC BEAUTY IN THE CRITIQUE OF THE POWER OF JUDGMENT OF IMMANUEL KANT. [Thesis]. Universidade Federal de Santa Maria; 2006. Available from: http://coralx.ufsm.br/tede/tde_busca/arquivo.php?codArquivo=1622

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Univerzitet u Beogradu

16. Petrović-Filipović, Mirjana P., 1976-. Естетика недовршеног и поетски поступак у делу Сергеја Завјалова.

Degree: Filološki fakultet, 2017, Univerzitet u Beogradu

Наука о књижевности - Руска књижевност, теорија књижевности / Literature studies - Russian literature, theory of literature

Предмет ове докторске дисертације је истраживање принципа естетске… (more)

Subjects/Keywords: principal of the aesthetic of unfinished; unfinished work of art; poetry of Sergey Zavyalov; phenomenological analysis; procedure; metaphysical qualities; recipient; horizon of expectations; blank spaces/vague places

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Petrović-Filipović, Mirjana P., 1. (2017). Естетика недовршеног и поетски поступак у делу Сергеја Завјалова. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:16843/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Petrović-Filipović, Mirjana P., 1976-. “Естетика недовршеног и поетски поступак у делу Сергеја Завјалова.” 2017. Thesis, Univerzitet u Beogradu. Accessed July 10, 2020. https://fedorabg.bg.ac.rs/fedora/get/o:16843/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Petrović-Filipović, Mirjana P., 1976-. “Естетика недовршеног и поетски поступак у делу Сергеја Завјалова.” 2017. Web. 10 Jul 2020.

Vancouver:

Petrović-Filipović, Mirjana P. 1. Естетика недовршеног и поетски поступак у делу Сергеја Завјалова. [Internet] [Thesis]. Univerzitet u Beogradu; 2017. [cited 2020 Jul 10]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:16843/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Petrović-Filipović, Mirjana P. 1. Естетика недовршеног и поетски поступак у делу Сергеја Завјалова. [Thesis]. Univerzitet u Beogradu; 2017. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:16843/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Hoffman, Sheila K. L'histoire de la documentation des oeuvres d' art du 17e au 21e siècle : les impacts des technologies optiques et numériques sur les pratiques documentaires des galeries nationales à Londres, Ottawa et Washington D.C. : The history of documentation of works of art from the 17th to the 21st century : the impact of optical and digital technologies on documentary practices in the National galleries of London, Ottawa and Washington DC.

Degree: Docteur es, Histoire de l'art. Muséologie, médiation, patrimoine, 2017, Paris 1; Université du Québec à Montréal

Cette thèse examine les convergences et divergences le long de l'histoire de la documentation muséale dans trois galeries nationales en Angleterre, au Canada et aux… (more)

Subjects/Keywords: Documentation; Numérisation; Muséologie; Musée; Galerie; Beaux-arts; Oeuvre d'art; Documentation; Digitalisation; Museology; Museum; Gallery; Fine arts; Work of art; 700

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hoffman, S. K. (2017). L'histoire de la documentation des oeuvres d' art du 17e au 21e siècle : les impacts des technologies optiques et numériques sur les pratiques documentaires des galeries nationales à Londres, Ottawa et Washington D.C. : The history of documentation of works of art from the 17th to the 21st century : the impact of optical and digital technologies on documentary practices in the National galleries of London, Ottawa and Washington DC. (Doctoral Dissertation). Paris 1; Université du Québec à Montréal. Retrieved from http://www.theses.fr/2017PA01H014

Chicago Manual of Style (16th Edition):

Hoffman, Sheila K. “L'histoire de la documentation des oeuvres d' art du 17e au 21e siècle : les impacts des technologies optiques et numériques sur les pratiques documentaires des galeries nationales à Londres, Ottawa et Washington D.C. : The history of documentation of works of art from the 17th to the 21st century : the impact of optical and digital technologies on documentary practices in the National galleries of London, Ottawa and Washington DC.” 2017. Doctoral Dissertation, Paris 1; Université du Québec à Montréal. Accessed July 10, 2020. http://www.theses.fr/2017PA01H014.

MLA Handbook (7th Edition):

Hoffman, Sheila K. “L'histoire de la documentation des oeuvres d' art du 17e au 21e siècle : les impacts des technologies optiques et numériques sur les pratiques documentaires des galeries nationales à Londres, Ottawa et Washington D.C. : The history of documentation of works of art from the 17th to the 21st century : the impact of optical and digital technologies on documentary practices in the National galleries of London, Ottawa and Washington DC.” 2017. Web. 10 Jul 2020.

Vancouver:

Hoffman SK. L'histoire de la documentation des oeuvres d' art du 17e au 21e siècle : les impacts des technologies optiques et numériques sur les pratiques documentaires des galeries nationales à Londres, Ottawa et Washington D.C. : The history of documentation of works of art from the 17th to the 21st century : the impact of optical and digital technologies on documentary practices in the National galleries of London, Ottawa and Washington DC. [Internet] [Doctoral dissertation]. Paris 1; Université du Québec à Montréal; 2017. [cited 2020 Jul 10]. Available from: http://www.theses.fr/2017PA01H014.

Council of Science Editors:

Hoffman SK. L'histoire de la documentation des oeuvres d' art du 17e au 21e siècle : les impacts des technologies optiques et numériques sur les pratiques documentaires des galeries nationales à Londres, Ottawa et Washington D.C. : The history of documentation of works of art from the 17th to the 21st century : the impact of optical and digital technologies on documentary practices in the National galleries of London, Ottawa and Washington DC. [Doctoral Dissertation]. Paris 1; Université du Québec à Montréal; 2017. Available from: http://www.theses.fr/2017PA01H014

18. Santos, Pedro Augusto Vieira. Preservação e restauro das obras de Mary Vieira em espaços públicos no Brasil.

Degree: Mestrado, História e Fundamentos da Arquitetura e do Urbanismo, 2015, University of São Paulo

A preservação e o restauro de obras de arte de períodos recentes em espaços públicos conformam o tema da pesquisa, que tem como objetos as… (more)

Subjects/Keywords: Conservation; Espaço público; Mary Vieira; Obras de arte; Preservação; Preservation; Public space; Restauração; Work of art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Santos, P. A. V. (2015). Preservação e restauro das obras de Mary Vieira em espaços públicos no Brasil. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/16/16133/tde-09092015-105553/ ;

Chicago Manual of Style (16th Edition):

Santos, Pedro Augusto Vieira. “Preservação e restauro das obras de Mary Vieira em espaços públicos no Brasil.” 2015. Masters Thesis, University of São Paulo. Accessed July 10, 2020. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-09092015-105553/ ;.

MLA Handbook (7th Edition):

Santos, Pedro Augusto Vieira. “Preservação e restauro das obras de Mary Vieira em espaços públicos no Brasil.” 2015. Web. 10 Jul 2020.

Vancouver:

Santos PAV. Preservação e restauro das obras de Mary Vieira em espaços públicos no Brasil. [Internet] [Masters thesis]. University of São Paulo; 2015. [cited 2020 Jul 10]. Available from: http://www.teses.usp.br/teses/disponiveis/16/16133/tde-09092015-105553/ ;.

Council of Science Editors:

Santos PAV. Preservação e restauro das obras de Mary Vieira em espaços públicos no Brasil. [Masters Thesis]. University of São Paulo; 2015. Available from: http://www.teses.usp.br/teses/disponiveis/16/16133/tde-09092015-105553/ ;

19. Edmilson Vitória de Vasconcelos. Obrassistema = obra de arte + sistema: três casos.

Degree: 2007, Universidade do Estado de Santa Catarina

This research has as a goal to think about the work of art as a complex system and, from this approach, supported by the General… (more)

Subjects/Keywords: Complexity; Sistema; complexidade; Work of art; Artes; Obra de arte; Teoria dos sistemas; ARTES PLASTICAS; System

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vasconcelos, E. V. d. (2007). Obrassistema = obra de arte + sistema: três casos. (Thesis). Universidade do Estado de Santa Catarina. Retrieved from http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=1190

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vasconcelos, Edmilson Vitória de. “Obrassistema = obra de arte + sistema: três casos.” 2007. Thesis, Universidade do Estado de Santa Catarina. Accessed July 10, 2020. http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=1190.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vasconcelos, Edmilson Vitória de. “Obrassistema = obra de arte + sistema: três casos.” 2007. Web. 10 Jul 2020.

Vancouver:

Vasconcelos EVd. Obrassistema = obra de arte + sistema: três casos. [Internet] [Thesis]. Universidade do Estado de Santa Catarina; 2007. [cited 2020 Jul 10]. Available from: http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=1190.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vasconcelos EVd. Obrassistema = obra de arte + sistema: três casos. [Thesis]. Universidade do Estado de Santa Catarina; 2007. Available from: http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=1190

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Antonio Carlos de Oliveira. PAINÉIS RELIGIOSOS EM GOIÂNIA: A ARTE DE WILSON JORGE.

Degree: 2012, Pontifícia Universidade Católica de Goiás

Entre os temas que envolvem a arte, a questão da produção artística, valorizada e segregada nos templos católicos tem sido objeto de estudo de vários… (more)

Subjects/Keywords: obra de arte religiosa; segregação; análise iconográfica e iconológica; HISTORIA; work of religious art; segregation; and iconographic analysis and iconological analyses

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Oliveira, A. C. d. (2012). PAINÉIS RELIGIOSOS EM GOIÂNIA: A ARTE DE WILSON JORGE. (Thesis). Pontifícia Universidade Católica de Goiás. Retrieved from http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=1479

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oliveira, Antonio Carlos de. “PAINÉIS RELIGIOSOS EM GOIÂNIA: A ARTE DE WILSON JORGE.” 2012. Thesis, Pontifícia Universidade Católica de Goiás. Accessed July 10, 2020. http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=1479.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oliveira, Antonio Carlos de. “PAINÉIS RELIGIOSOS EM GOIÂNIA: A ARTE DE WILSON JORGE.” 2012. Web. 10 Jul 2020.

Vancouver:

Oliveira ACd. PAINÉIS RELIGIOSOS EM GOIÂNIA: A ARTE DE WILSON JORGE. [Internet] [Thesis]. Pontifícia Universidade Católica de Goiás; 2012. [cited 2020 Jul 10]. Available from: http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=1479.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oliveira ACd. PAINÉIS RELIGIOSOS EM GOIÂNIA: A ARTE DE WILSON JORGE. [Thesis]. Pontifícia Universidade Católica de Goiás; 2012. Available from: http://tede.biblioteca.ucg.br/tde_busca/arquivo.php?codArquivo=1479

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Puidoyeux, Claude. La notion d'oeuvre aujourd'hui : entre bibliothèque patrimoniale et bibliothèque multimodale : The concept of a work of art today : between patrimonial library and multimodal library.

Degree: Docteur es, Littératures française, francophones et comparée, 2017, Université Michel de Montaigne – Bordeaux III

Cette recherche porte sur le bouleversement épistémologique qui affecte la littérature patrimoniale, à l’ère du numérique et du multimédia. La première partie s’intéresse à la… (more)

Subjects/Keywords: Bibliothèque; Œuvre patrimoniale; Objets seconds; Sujet-lecteur; Sémiosphère; Library; Patrimonial work of art; Spin-offs; “Reader subject”; Semiosphere

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Puidoyeux, C. (2017). La notion d'oeuvre aujourd'hui : entre bibliothèque patrimoniale et bibliothèque multimodale : The concept of a work of art today : between patrimonial library and multimodal library. (Doctoral Dissertation). Université Michel de Montaigne – Bordeaux III. Retrieved from http://www.theses.fr/2017BOR30047

Chicago Manual of Style (16th Edition):

Puidoyeux, Claude. “La notion d'oeuvre aujourd'hui : entre bibliothèque patrimoniale et bibliothèque multimodale : The concept of a work of art today : between patrimonial library and multimodal library.” 2017. Doctoral Dissertation, Université Michel de Montaigne – Bordeaux III. Accessed July 10, 2020. http://www.theses.fr/2017BOR30047.

MLA Handbook (7th Edition):

Puidoyeux, Claude. “La notion d'oeuvre aujourd'hui : entre bibliothèque patrimoniale et bibliothèque multimodale : The concept of a work of art today : between patrimonial library and multimodal library.” 2017. Web. 10 Jul 2020.

Vancouver:

Puidoyeux C. La notion d'oeuvre aujourd'hui : entre bibliothèque patrimoniale et bibliothèque multimodale : The concept of a work of art today : between patrimonial library and multimodal library. [Internet] [Doctoral dissertation]. Université Michel de Montaigne – Bordeaux III; 2017. [cited 2020 Jul 10]. Available from: http://www.theses.fr/2017BOR30047.

Council of Science Editors:

Puidoyeux C. La notion d'oeuvre aujourd'hui : entre bibliothèque patrimoniale et bibliothèque multimodale : The concept of a work of art today : between patrimonial library and multimodal library. [Doctoral Dissertation]. Université Michel de Montaigne – Bordeaux III; 2017. Available from: http://www.theses.fr/2017BOR30047

22. Neves, Eduardo Miguel Quaresma. Projeto de obra de arte pré-fabricada: passagem superior de 3 vãos.

Degree: 2013, Repositório Científico do Instituto Politécnico de Lisboa

Trabalho de Projeto de Natureza Científica para obtenção do grau de Mestre em Engenharia Civil

Este documento tem como objectivo descrever, segundo uma memória descritiva… (more)

Subjects/Keywords: Betão armado; Pré-esforço; Obra de arte; Vigas pré-fabricadas; Passagem superior; Reinforced concrete; Prestressing; Work of art; Overpass; Prefabricated bays

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Neves, E. M. Q. (2013). Projeto de obra de arte pré-fabricada: passagem superior de 3 vãos. (Thesis). Repositório Científico do Instituto Politécnico de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/3741

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Neves, Eduardo Miguel Quaresma. “Projeto de obra de arte pré-fabricada: passagem superior de 3 vãos.” 2013. Thesis, Repositório Científico do Instituto Politécnico de Lisboa. Accessed July 10, 2020. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/3741.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Neves, Eduardo Miguel Quaresma. “Projeto de obra de arte pré-fabricada: passagem superior de 3 vãos.” 2013. Web. 10 Jul 2020.

Vancouver:

Neves EMQ. Projeto de obra de arte pré-fabricada: passagem superior de 3 vãos. [Internet] [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2013. [cited 2020 Jul 10]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/3741.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Neves EMQ. Projeto de obra de arte pré-fabricada: passagem superior de 3 vãos. [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2013. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/3741

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Nova

23. Vilela, Maria Joana. A Obra de Arte como Verdade Poética.

Degree: 2014, Universidade Nova

 Tomando como referência o texto A Origem da Obra de Arte de Heidegger, o objectivo desta dissertação é a análise da questão da obra de… (more)

Subjects/Keywords: Conhecimento; Heidegger; Linguagem; Natureza; Técnica; Poesia; Obra de Arte; Heidegger; Knowledge; Language; Nature; Poetry; Technology; Truth; Work of Art

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vilela, M. J. (2014). A Obra de Arte como Verdade Poética. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14322

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vilela, Maria Joana. “A Obra de Arte como Verdade Poética.” 2014. Thesis, Universidade Nova. Accessed July 10, 2020. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14322.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vilela, Maria Joana. “A Obra de Arte como Verdade Poética.” 2014. Web. 10 Jul 2020.

Vancouver:

Vilela MJ. A Obra de Arte como Verdade Poética. [Internet] [Thesis]. Universidade Nova; 2014. [cited 2020 Jul 10]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14322.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vilela MJ. A Obra de Arte como Verdade Poética. [Thesis]. Universidade Nova; 2014. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14322

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Nova

24. Pereira, Severino António Ribeiro. Acerca da Obra-de-Arte.

Degree: 2015, Universidade Nova

 A dissertação é sobre a obra-de-arte. Com vista ao bom esclarecimento do que está aí em causa, o termo é tomado em exclusividade. A indagação… (more)

Subjects/Keywords: Artificação; Estética; Mimese; Obra de arte; Ontologia; Ready-made; Aesthetics; Artification; Artwork; Mimesis; Ontology; Work of art; Ready-made

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pereira, S. A. R. (2015). Acerca da Obra-de-Arte. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/15276

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pereira, Severino António Ribeiro. “Acerca da Obra-de-Arte.” 2015. Thesis, Universidade Nova. Accessed July 10, 2020. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/15276.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pereira, Severino António Ribeiro. “Acerca da Obra-de-Arte.” 2015. Web. 10 Jul 2020.

Vancouver:

Pereira SAR. Acerca da Obra-de-Arte. [Internet] [Thesis]. Universidade Nova; 2015. [cited 2020 Jul 10]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/15276.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pereira SAR. Acerca da Obra-de-Arte. [Thesis]. Universidade Nova; 2015. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/15276

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Lascault, Michel. Œuvre(s) du pluriel : vers une esthétique du dispersé : Work(s) in the plural : towards an aesthetics of dispersion.

Degree: Docteur es, Arts plastiques, 2017, Université de Strasbourg

La pluridisciplinarité artistique contemporaine, qui remonte à l’humanisme et au romantisme, est-elle encore liée à un désir de connaissance et de totalité, ou s’inscrit-elle dans un spectre de fragmentation ? Les défaillances reconnues du savoir, du sujet et de l’œuvre forment une résistance à la puissance des technostructures. La sphère de l’art, détachée de la division du travail artistique, s’inscrit dans une négativité non dialectique. Par la sape méthodique des référents et des maîtrises, l’œuvre s’ouvre au désordre et au manque. Poursuivant simultanément plusieurs démarches distinctes dans les arts visuels, la musique et l’écriture, passant de l’art populaire à l’art intellectualisé, étant autant témoin qu’acteur de mon travail, je propose une approche de l’art qui se définit plus par l’errance et la pluralité que par un projet unitaire. La position mineure et dispersée se ressource dans une poïétique prolifique : simultanéité divergente, transposition négative, hétérogénéité, confusion des temps, présence du vide et du fantomatique…

Is artistic pluridisciplinarity, which goes back to Humanism and Romanticism, still connected to a desire for knowledge and for holistic apprehension, or does it reveal the prospect of fragmentation? The known shortcomings of knowledge, of the subject, and of the work of art resist the power of techno-structures. Once the artistic sphere gets disconnected from the division of artistic labor, it is amenable to a non-dialectical negativity. As the work of art methodically subverts referents, mastery and know-hows, it becomes accessible to loss and disorder. Being as much the witness as the agent of the work I produce, I propose an approach to art conceived as wandering and plural—an approach based on various forms of practice in visual arts, music, and writing, which shift from popular to intellectual art. This artistic stance, minor and scattered, draws its strength from a prolific poietics: divergent simultaneity, negative transposition, heterogeneity, confusion of temporalities, void, and haunting presences…

Advisors/Committee Members: Roesz, Germain (thesis director).

Subjects/Keywords: Amateurisme; Défaillance; Dispersion; Divergence; Mineur; Négativité; Œuvre; Pluralité; Scepticisme; Amateurism; Shortcomings; Dispersion; Divergence; Minor; Negativity; Work of art; Plurality; Skepticism; 709.05

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lascault, M. (2017). Œuvre(s) du pluriel : vers une esthétique du dispersé : Work(s) in the plural : towards an aesthetics of dispersion. (Doctoral Dissertation). Université de Strasbourg. Retrieved from http://www.theses.fr/2017STRAC032

Chicago Manual of Style (16th Edition):

Lascault, Michel. “Œuvre(s) du pluriel : vers une esthétique du dispersé : Work(s) in the plural : towards an aesthetics of dispersion.” 2017. Doctoral Dissertation, Université de Strasbourg. Accessed July 10, 2020. http://www.theses.fr/2017STRAC032.

MLA Handbook (7th Edition):

Lascault, Michel. “Œuvre(s) du pluriel : vers une esthétique du dispersé : Work(s) in the plural : towards an aesthetics of dispersion.” 2017. Web. 10 Jul 2020.

Vancouver:

Lascault M. Œuvre(s) du pluriel : vers une esthétique du dispersé : Work(s) in the plural : towards an aesthetics of dispersion. [Internet] [Doctoral dissertation]. Université de Strasbourg; 2017. [cited 2020 Jul 10]. Available from: http://www.theses.fr/2017STRAC032.

Council of Science Editors:

Lascault M. Œuvre(s) du pluriel : vers une esthétique du dispersé : Work(s) in the plural : towards an aesthetics of dispersion. [Doctoral Dissertation]. Université de Strasbourg; 2017. Available from: http://www.theses.fr/2017STRAC032

26. Ljungberg, Molly Carnestedt. Vem får ställa ut på den samtida konstscenen? : Betydelsen av kön.

Degree: Social Sciences, 2014, Södertörn University

This examination studies the gender balance of contemporary art exhibitions in Sweden. To what extent genders are equally represented assumes to be based on… (more)

Subjects/Keywords: Curating; art; exhibition; gender balance; equality work; institutional theory; logic of appropriateness; utställningsproduktion; konst; könsfördelning; jämställdhetsarbete; institutionellteori; lämplighetslogiken

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ljungberg, M. C. (2014). Vem får ställa ut på den samtida konstscenen? : Betydelsen av kön. (Thesis). Södertörn University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-24328

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ljungberg, Molly Carnestedt. “Vem får ställa ut på den samtida konstscenen? : Betydelsen av kön.” 2014. Thesis, Södertörn University. Accessed July 10, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-24328.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ljungberg, Molly Carnestedt. “Vem får ställa ut på den samtida konstscenen? : Betydelsen av kön.” 2014. Web. 10 Jul 2020.

Vancouver:

Ljungberg MC. Vem får ställa ut på den samtida konstscenen? : Betydelsen av kön. [Internet] [Thesis]. Södertörn University; 2014. [cited 2020 Jul 10]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-24328.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ljungberg MC. Vem får ställa ut på den samtida konstscenen? : Betydelsen av kön. [Thesis]. Södertörn University; 2014. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-24328

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Indiana State University

27. Mesker, M. Winifrid, Sister, O.S.B. An experiment in copper repousse of the stations of the cross .

Degree: 2013, Indiana State University

Subjects/Keywords: Art metal-work.; Stations of the Cross.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mesker, M. Winifrid, Sister, O. S. B. (2013). An experiment in copper repousse of the stations of the cross . (Thesis). Indiana State University. Retrieved from http://hdl.handle.net/10484/5042

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mesker, M. Winifrid, Sister, O S B. “An experiment in copper repousse of the stations of the cross .” 2013. Thesis, Indiana State University. Accessed July 10, 2020. http://hdl.handle.net/10484/5042.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mesker, M. Winifrid, Sister, O S B. “An experiment in copper repousse of the stations of the cross .” 2013. Web. 10 Jul 2020.

Vancouver:

Mesker, M. Winifrid, Sister OSB. An experiment in copper repousse of the stations of the cross . [Internet] [Thesis]. Indiana State University; 2013. [cited 2020 Jul 10]. Available from: http://hdl.handle.net/10484/5042.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mesker, M. Winifrid, Sister OSB. An experiment in copper repousse of the stations of the cross . [Thesis]. Indiana State University; 2013. Available from: http://hdl.handle.net/10484/5042

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Dubois, François-Ronan. L'Appropriation de l'œuvre : Instances et visées de l'attribution des œuvres à leur auteur dans la France de l'Ancien Régime (1645-1777) : One's Own Book : Actors and motives of literary works attribution in Ancien Régime France from 1645 to 1777.

Degree: Docteur es, Lettres et arts spécialité littératures française et francophone, 2017, Université Grenoble Alpes (ComUE)

Le système de la propriété littéraire dans la France de l’Ancien Régime est souvent examiné de manière rétrospective à l’aune du droit d’auteur contemporain :… (more)

Subjects/Keywords: Propriété intellectuelle; Attribution; Auctorialité; Bibliographie; Droit d'auteur; Oeuvre; Intellectual property; Attribution; Authorship; Bibliography; Author's rights; Work of art; 800

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dubois, F. (2017). L'Appropriation de l'œuvre : Instances et visées de l'attribution des œuvres à leur auteur dans la France de l'Ancien Régime (1645-1777) : One's Own Book : Actors and motives of literary works attribution in Ancien Régime France from 1645 to 1777. (Doctoral Dissertation). Université Grenoble Alpes (ComUE). Retrieved from http://www.theses.fr/2017GREAL038

Chicago Manual of Style (16th Edition):

Dubois, François-Ronan. “L'Appropriation de l'œuvre : Instances et visées de l'attribution des œuvres à leur auteur dans la France de l'Ancien Régime (1645-1777) : One's Own Book : Actors and motives of literary works attribution in Ancien Régime France from 1645 to 1777.” 2017. Doctoral Dissertation, Université Grenoble Alpes (ComUE). Accessed July 10, 2020. http://www.theses.fr/2017GREAL038.

MLA Handbook (7th Edition):

Dubois, François-Ronan. “L'Appropriation de l'œuvre : Instances et visées de l'attribution des œuvres à leur auteur dans la France de l'Ancien Régime (1645-1777) : One's Own Book : Actors and motives of literary works attribution in Ancien Régime France from 1645 to 1777.” 2017. Web. 10 Jul 2020.

Vancouver:

Dubois F. L'Appropriation de l'œuvre : Instances et visées de l'attribution des œuvres à leur auteur dans la France de l'Ancien Régime (1645-1777) : One's Own Book : Actors and motives of literary works attribution in Ancien Régime France from 1645 to 1777. [Internet] [Doctoral dissertation]. Université Grenoble Alpes (ComUE); 2017. [cited 2020 Jul 10]. Available from: http://www.theses.fr/2017GREAL038.

Council of Science Editors:

Dubois F. L'Appropriation de l'œuvre : Instances et visées de l'attribution des œuvres à leur auteur dans la France de l'Ancien Régime (1645-1777) : One's Own Book : Actors and motives of literary works attribution in Ancien Régime France from 1645 to 1777. [Doctoral Dissertation]. Université Grenoble Alpes (ComUE); 2017. Available from: http://www.theses.fr/2017GREAL038


University of Lund

29. Capelan Köhler, Annika. Fibre Formations : Wool as an anthropological site.

Degree: 2017, University of Lund

 Contemporary debates on sustainability usually relies on standardised and normative categories, such as ‘social’ and ‘nature’, and on linear notions of time. This study explores… (more)

Subjects/Keywords: Social Anthropology; Social Sciences; Anthropology; Southern Cone; South American grasslands; fieldwork; Merino wool; formations; classifications; work of art; relationality; material-semiotics

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Capelan Köhler, A. (2017). Fibre Formations : Wool as an anthropological site. (Doctoral Dissertation). University of Lund. Retrieved from https://lup.lub.lu.se/record/fc183635-4bf3-4ff3-ad15-9c7b004208c6 ; https://portal.research.lu.se/ws/files/23645117/Capelan_Ko_hler_2017_Fibre_Formations_Wool_as_an_Anthropological_site._.pdf

Chicago Manual of Style (16th Edition):

Capelan Köhler, Annika. “Fibre Formations : Wool as an anthropological site.” 2017. Doctoral Dissertation, University of Lund. Accessed July 10, 2020. https://lup.lub.lu.se/record/fc183635-4bf3-4ff3-ad15-9c7b004208c6 ; https://portal.research.lu.se/ws/files/23645117/Capelan_Ko_hler_2017_Fibre_Formations_Wool_as_an_Anthropological_site._.pdf.

MLA Handbook (7th Edition):

Capelan Köhler, Annika. “Fibre Formations : Wool as an anthropological site.” 2017. Web. 10 Jul 2020.

Vancouver:

Capelan Köhler A. Fibre Formations : Wool as an anthropological site. [Internet] [Doctoral dissertation]. University of Lund; 2017. [cited 2020 Jul 10]. Available from: https://lup.lub.lu.se/record/fc183635-4bf3-4ff3-ad15-9c7b004208c6 ; https://portal.research.lu.se/ws/files/23645117/Capelan_Ko_hler_2017_Fibre_Formations_Wool_as_an_Anthropological_site._.pdf.

Council of Science Editors:

Capelan Köhler A. Fibre Formations : Wool as an anthropological site. [Doctoral Dissertation]. University of Lund; 2017. Available from: https://lup.lub.lu.se/record/fc183635-4bf3-4ff3-ad15-9c7b004208c6 ; https://portal.research.lu.se/ws/files/23645117/Capelan_Ko_hler_2017_Fibre_Formations_Wool_as_an_Anthropological_site._.pdf


Uniwersytet im. Adama Mickiewicza w Poznaniu

30. Habdas, Danuta. Recepcja utworów literackich Janoscha (Horsta Eckerta) w kontekście autobiograficznych i regionalnych aspektów jego twórczości .

Degree: 2014, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Celem dysertacji było dokonanie analizy recepcji twórczości Janoscha, a w szczególności jego powieści dla dorosłych. Określenie interakcji między czytelnikiem a tekstem literackim stanowiło podstawę do… (more)

Subjects/Keywords: Janosch; Reception; die Rezeption; Dzieło; Literary work of art; das Werk; Czytelnik; Reader; der Leser; Metoda badawcza; Research method; die Forschungsmethode

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Habdas, D. (2014). Recepcja utworów literackich Janoscha (Horsta Eckerta) w kontekście autobiograficznych i regionalnych aspektów jego twórczości . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/10946

Chicago Manual of Style (16th Edition):

Habdas, Danuta. “Recepcja utworów literackich Janoscha (Horsta Eckerta) w kontekście autobiograficznych i regionalnych aspektów jego twórczości .” 2014. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed July 10, 2020. http://hdl.handle.net/10593/10946.

MLA Handbook (7th Edition):

Habdas, Danuta. “Recepcja utworów literackich Janoscha (Horsta Eckerta) w kontekście autobiograficznych i regionalnych aspektów jego twórczości .” 2014. Web. 10 Jul 2020.

Vancouver:

Habdas D. Recepcja utworów literackich Janoscha (Horsta Eckerta) w kontekście autobiograficznych i regionalnych aspektów jego twórczości . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2014. [cited 2020 Jul 10]. Available from: http://hdl.handle.net/10593/10946.

Council of Science Editors:

Habdas D. Recepcja utworów literackich Janoscha (Horsta Eckerta) w kontekście autobiograficznych i regionalnych aspektów jego twórczości . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2014. Available from: http://hdl.handle.net/10593/10946

[1] [2] [3] [4]

.