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Dates: 2000 – 2004

You searched for subject:(Woodwind Quartet music composed). Showing records 1 – 30 of 1345 total matches.

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University of North Texas

1. Worzbyt, Jason Walter. Music for Solo Bassoon and Bassoon Quartet by Pulitzer Prize Winners: A Guide to Performance.

Degree: 2002, University of North Texas

 The Pulitzer Prize in Music has been associated with excellence in American composition since 1943, when it first honored William Schuman for his Secular Cantata… (more)

Subjects/Keywords: Bassoon music  – History and criticism.; Woodwind quartets (Bassoons (4))  – History and criticism.; Pulitzer Prizes.; Bassoon; Pulitzer; quartet

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Worzbyt, J. W. (2002). Music for Solo Bassoon and Bassoon Quartet by Pulitzer Prize Winners: A Guide to Performance. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc3073/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Worzbyt, Jason Walter. “Music for Solo Bassoon and Bassoon Quartet by Pulitzer Prize Winners: A Guide to Performance.” 2002. Thesis, University of North Texas. Accessed October 22, 2019. https://digital.library.unt.edu/ark:/67531/metadc3073/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Worzbyt, Jason Walter. “Music for Solo Bassoon and Bassoon Quartet by Pulitzer Prize Winners: A Guide to Performance.” 2002. Web. 22 Oct 2019.

Vancouver:

Worzbyt JW. Music for Solo Bassoon and Bassoon Quartet by Pulitzer Prize Winners: A Guide to Performance. [Internet] [Thesis]. University of North Texas; 2002. [cited 2019 Oct 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc3073/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Worzbyt JW. Music for Solo Bassoon and Bassoon Quartet by Pulitzer Prize Winners: A Guide to Performance. [Thesis]. University of North Texas; 2002. Available from: https://digital.library.unt.edu/ark:/67531/metadc3073/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

2. Bell, Jeffrey C. Present Absence: A work for string quintet and live electronics.

Degree: 2001, University of North Texas

 Present Absence is a work that integrates electronic processing and live performance. It is approximately 20 minutes long and is divided into three movements. The… (more)

Subjects/Keywords: Sextets (Electronics, violins (2), viola, violoncello, double bass)  – Scores.; electro-acoustic music; computer music; string quartet

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APA (6th Edition):

Bell, J. C. (2001). Present Absence: A work for string quintet and live electronics. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2822/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bell, Jeffrey C. “Present Absence: A work for string quintet and live electronics.” 2001. Thesis, University of North Texas. Accessed October 22, 2019. https://digital.library.unt.edu/ark:/67531/metadc2822/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bell, Jeffrey C. “Present Absence: A work for string quintet and live electronics.” 2001. Web. 22 Oct 2019.

Vancouver:

Bell JC. Present Absence: A work for string quintet and live electronics. [Internet] [Thesis]. University of North Texas; 2001. [cited 2019 Oct 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2822/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bell JC. Present Absence: A work for string quintet and live electronics. [Thesis]. University of North Texas; 2001. Available from: https://digital.library.unt.edu/ark:/67531/metadc2822/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Australia

3. O'Connor, Jennifer(Jennifer G.); O'Connor, Jennifer(Jennifer G.)Tree of glass; O'Connor, Jennifer(Jennifer G.)Dimensions; O'Connor, Jennifer(Jennifer G.)Night shift; O'Connor, Jennifer(Jennifer G.)Bunch of fives. Black snow by Michael Smetanin : an analysis : and original compositions.

Degree: Mus.M., 2004, University of Western Australia

Black Snow, an orchestral work composed by Michael Smetanin in 1987, was named after the book Black Snow by Mikhael Bulgakov. Newspaper articles, reviews and… (more)

Subjects/Keywords: Smetanin, Michael.; Stockhausen, Karlheinz, 1928-2007; Stockhausen, Karlheinz, 1928-2007; Orchestral music; Concertos (Clarinet, flute with string quartet); String quartets; Orchestral music; Instrumental music; Clarinet and violoncello music

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APA (6th Edition):

O'Connor, Jennifer(Jennifer G.); O'Connor, Jennifer(Jennifer G.)Tree of glass; O'Connor, Jennifer(Jennifer G.)Dimensions; O'Connor, Jennifer(Jennifer G.)Night shift; O'Connor, J. G. ). o. f. (2004). Black snow by Michael Smetanin : an analysis : and original compositions. (Masters Thesis). University of Western Australia. Retrieved from http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=6583&local_base=GEN01-INS01

Chicago Manual of Style (16th Edition):

O'Connor, Jennifer(Jennifer G.); O'Connor, Jennifer(Jennifer G.)Tree of glass; O'Connor, Jennifer(Jennifer G.)Dimensions; O'Connor, Jennifer(Jennifer G.)Night shift; O'Connor, Jennifer(Jennifer G )Bunch of fives. “Black snow by Michael Smetanin : an analysis : and original compositions.” 2004. Masters Thesis, University of Western Australia. Accessed October 22, 2019. http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=6583&local_base=GEN01-INS01.

MLA Handbook (7th Edition):

O'Connor, Jennifer(Jennifer G.); O'Connor, Jennifer(Jennifer G.)Tree of glass; O'Connor, Jennifer(Jennifer G.)Dimensions; O'Connor, Jennifer(Jennifer G.)Night shift; O'Connor, Jennifer(Jennifer G )Bunch of fives. “Black snow by Michael Smetanin : an analysis : and original compositions.” 2004. Web. 22 Oct 2019.

Vancouver:

O'Connor, Jennifer(Jennifer G.); O'Connor, Jennifer(Jennifer G.)Tree of glass; O'Connor, Jennifer(Jennifer G.)Dimensions; O'Connor, Jennifer(Jennifer G.)Night shift; O'Connor JG)of. Black snow by Michael Smetanin : an analysis : and original compositions. [Internet] [Masters thesis]. University of Western Australia; 2004. [cited 2019 Oct 22]. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=6583&local_base=GEN01-INS01.

Council of Science Editors:

O'Connor, Jennifer(Jennifer G.); O'Connor, Jennifer(Jennifer G.)Tree of glass; O'Connor, Jennifer(Jennifer G.)Dimensions; O'Connor, Jennifer(Jennifer G.)Night shift; O'Connor JG)of. Black snow by Michael Smetanin : an analysis : and original compositions. [Masters Thesis]. University of Western Australia; 2004. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=6583&local_base=GEN01-INS01


University of Hong Kong

4. 梅廣釗; Mui, Kwong-chiu. Exploration in new music: portfolio of compositions and analysis.

Degree: M. Phil., 2000, University of Hong Kong

published_or_final_version

Music

Master

Master of Philosophy

Subjects/Keywords: Music - Chinese influences.; Symphonic poems - Scores.; Pi pa with string quartet.; String quartets - Scores.; Instrumental ensembles - China - Scores.; Composition (Music) - 20th century.; Suites (Harmonicas (5) with instrumental ensemble)

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APA (6th Edition):

梅廣釗; Mui, K. (2000). Exploration in new music: portfolio of compositions and analysis. (Masters Thesis). University of Hong Kong. Retrieved from Mui, K. [梅廣釗]. (2000). Exploration in new music : portfolio of compositions and analysis. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389457 ; http://dx.doi.org/10.5353/th_b4389457 ; http://hdl.handle.net/10722/65279

Chicago Manual of Style (16th Edition):

梅廣釗; Mui, Kwong-chiu. “Exploration in new music: portfolio of compositions and analysis.” 2000. Masters Thesis, University of Hong Kong. Accessed October 22, 2019. Mui, K. [梅廣釗]. (2000). Exploration in new music : portfolio of compositions and analysis. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389457 ; http://dx.doi.org/10.5353/th_b4389457 ; http://hdl.handle.net/10722/65279.

MLA Handbook (7th Edition):

梅廣釗; Mui, Kwong-chiu. “Exploration in new music: portfolio of compositions and analysis.” 2000. Web. 22 Oct 2019.

Vancouver:

梅廣釗; Mui K. Exploration in new music: portfolio of compositions and analysis. [Internet] [Masters thesis]. University of Hong Kong; 2000. [cited 2019 Oct 22]. Available from: Mui, K. [梅廣釗]. (2000). Exploration in new music : portfolio of compositions and analysis. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389457 ; http://dx.doi.org/10.5353/th_b4389457 ; http://hdl.handle.net/10722/65279.

Council of Science Editors:

梅廣釗; Mui K. Exploration in new music: portfolio of compositions and analysis. [Masters Thesis]. University of Hong Kong; 2000. Available from: Mui, K. [梅廣釗]. (2000). Exploration in new music : portfolio of compositions and analysis. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389457 ; http://dx.doi.org/10.5353/th_b4389457 ; http://hdl.handle.net/10722/65279


University of North Texas

5. Baker, Jason Colby. The Snare Drum as a Solo Concert Instrument: An In-Depth Study of Works by Milton Babbitt, John Cage, Dan Senn, and Stuart Saunders Smith, Together with Three Recitals of Selected Works by Keiko Abe, Daniel Levitan, Askell Masson, Karlheinz Stockhausen, and Others.

Degree: 2004, University of North Texas

 This dissertation discusses the potential of the snare drum as a solo concert instrument. Four pieces from a collection entitled The Noble Snare are used… (more)

Subjects/Keywords: Snare drum music  – History and criticism.; Babbitt, Milton, 1916- Homily.; Senn, Dan, 1951- Peeping Tom.; Cage, John. c ̳Composed improvisation, snare drum.; Smith, Stuart, 1948- Noble snare.; snare drum; Milton Babbitt; John Cage; Dan Senn; Stuart Saunders Smith

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APA (6th Edition):

Baker, J. C. (2004). The Snare Drum as a Solo Concert Instrument: An In-Depth Study of Works by Milton Babbitt, John Cage, Dan Senn, and Stuart Saunders Smith, Together with Three Recitals of Selected Works by Keiko Abe, Daniel Levitan, Askell Masson, Karlheinz Stockhausen, and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4721/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baker, Jason Colby. “The Snare Drum as a Solo Concert Instrument: An In-Depth Study of Works by Milton Babbitt, John Cage, Dan Senn, and Stuart Saunders Smith, Together with Three Recitals of Selected Works by Keiko Abe, Daniel Levitan, Askell Masson, Karlheinz Stockhausen, and Others.” 2004. Thesis, University of North Texas. Accessed October 22, 2019. https://digital.library.unt.edu/ark:/67531/metadc4721/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baker, Jason Colby. “The Snare Drum as a Solo Concert Instrument: An In-Depth Study of Works by Milton Babbitt, John Cage, Dan Senn, and Stuart Saunders Smith, Together with Three Recitals of Selected Works by Keiko Abe, Daniel Levitan, Askell Masson, Karlheinz Stockhausen, and Others.” 2004. Web. 22 Oct 2019.

Vancouver:

Baker JC. The Snare Drum as a Solo Concert Instrument: An In-Depth Study of Works by Milton Babbitt, John Cage, Dan Senn, and Stuart Saunders Smith, Together with Three Recitals of Selected Works by Keiko Abe, Daniel Levitan, Askell Masson, Karlheinz Stockhausen, and Others. [Internet] [Thesis]. University of North Texas; 2004. [cited 2019 Oct 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4721/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baker JC. The Snare Drum as a Solo Concert Instrument: An In-Depth Study of Works by Milton Babbitt, John Cage, Dan Senn, and Stuart Saunders Smith, Together with Three Recitals of Selected Works by Keiko Abe, Daniel Levitan, Askell Masson, Karlheinz Stockhausen, and Others. [Thesis]. University of North Texas; 2004. Available from: https://digital.library.unt.edu/ark:/67531/metadc4721/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

6. Lin, I-Wen. The String Quartets of Béla Bartók: A Study of Creative Process and Techniques.

Degree: Master, Music, 2002, NSYSU

 The string quartet is one of the most important genre since the Classical period, especially beginning with the works of Joseph Haydn. The abundance of… (more)

Subjects/Keywords: String Quartet; ; la Bartó; k

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APA (6th Edition):

Lin, I. (2002). The String Quartets of Béla Bartók: A Study of Creative Process and Techniques. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0903102-143047

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lin, I-Wen. “The String Quartets of Béla Bartók: A Study of Creative Process and Techniques.” 2002. Thesis, NSYSU. Accessed October 22, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0903102-143047.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lin, I-Wen. “The String Quartets of Béla Bartók: A Study of Creative Process and Techniques.” 2002. Web. 22 Oct 2019.

Vancouver:

Lin I. The String Quartets of Béla Bartók: A Study of Creative Process and Techniques. [Internet] [Thesis]. NSYSU; 2002. [cited 2019 Oct 22]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0903102-143047.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lin I. The String Quartets of Béla Bartók: A Study of Creative Process and Techniques. [Thesis]. NSYSU; 2002. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0903102-143047

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

7. [No author]. Generic style music preferences of urban South African students.

Degree: Music, 2000, University of KwaZulu-Natal

 The purpose of this exploratory study was to measure the music preferences of South African, junior secondary students and to find out what variables had… (more)

Subjects/Keywords: Music.; Music.

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APA (6th Edition):

author], [. (2000). Generic style music preferences of urban South African students. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/9501

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Generic style music preferences of urban South African students. ” 2000. Thesis, University of KwaZulu-Natal. Accessed October 22, 2019. http://hdl.handle.net/10413/9501.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Generic style music preferences of urban South African students. ” 2000. Web. 22 Oct 2019.

Vancouver:

author] [. Generic style music preferences of urban South African students. [Internet] [Thesis]. University of KwaZulu-Natal; 2000. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10413/9501.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Generic style music preferences of urban South African students. [Thesis]. University of KwaZulu-Natal; 2000. Available from: http://hdl.handle.net/10413/9501

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McMaster University

8. Lee, David. The Battle of the Five Spot: Omette Coleman and the New York Jazz Field.

Degree: MA, 2004, McMaster University

In November 1959, Ornette Coleman arrived from Los Angeles to present his quartet at New York's Five Spot Cafe. Coleman's New York debut is… (more)

Subjects/Keywords: Music; Music

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APA (6th Edition):

Lee, D. (2004). The Battle of the Five Spot: Omette Coleman and the New York Jazz Field. (Masters Thesis). McMaster University. Retrieved from http://hdl.handle.net/11375/11148

Chicago Manual of Style (16th Edition):

Lee, David. “The Battle of the Five Spot: Omette Coleman and the New York Jazz Field.” 2004. Masters Thesis, McMaster University. Accessed October 22, 2019. http://hdl.handle.net/11375/11148.

MLA Handbook (7th Edition):

Lee, David. “The Battle of the Five Spot: Omette Coleman and the New York Jazz Field.” 2004. Web. 22 Oct 2019.

Vancouver:

Lee D. The Battle of the Five Spot: Omette Coleman and the New York Jazz Field. [Internet] [Masters thesis]. McMaster University; 2004. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/11375/11148.

Council of Science Editors:

Lee D. The Battle of the Five Spot: Omette Coleman and the New York Jazz Field. [Masters Thesis]. McMaster University; 2004. Available from: http://hdl.handle.net/11375/11148


McMaster University

9. Greco, Nicholas P. David Bowie's 1. Outside: The Creation of a Liminoid Space as a Metaphor for Pre-Millennial Society.

Degree: MA, 2000, McMaster University

The majority of writings on David Bowie have focussed on his early work. Many feel that Bowie's early work has much merit, as has… (more)

Subjects/Keywords: Music; Music

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APA (6th Edition):

Greco, N. P. (2000). David Bowie's 1. Outside: The Creation of a Liminoid Space as a Metaphor for Pre-Millennial Society. (Masters Thesis). McMaster University. Retrieved from http://hdl.handle.net/11375/11530

Chicago Manual of Style (16th Edition):

Greco, Nicholas P. “David Bowie's 1. Outside: The Creation of a Liminoid Space as a Metaphor for Pre-Millennial Society.” 2000. Masters Thesis, McMaster University. Accessed October 22, 2019. http://hdl.handle.net/11375/11530.

MLA Handbook (7th Edition):

Greco, Nicholas P. “David Bowie's 1. Outside: The Creation of a Liminoid Space as a Metaphor for Pre-Millennial Society.” 2000. Web. 22 Oct 2019.

Vancouver:

Greco NP. David Bowie's 1. Outside: The Creation of a Liminoid Space as a Metaphor for Pre-Millennial Society. [Internet] [Masters thesis]. McMaster University; 2000. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/11375/11530.

Council of Science Editors:

Greco NP. David Bowie's 1. Outside: The Creation of a Liminoid Space as a Metaphor for Pre-Millennial Society. [Masters Thesis]. McMaster University; 2000. Available from: http://hdl.handle.net/11375/11530


McMaster University

10. Ramunno, Sandra. TOWARDS A CRITICISM OF THE BODY IN MUSIC: RECOGNIZING AND REVERSING THE MIND-BODY SPLIT IN TRADITIONAL SCHOLARSHIP.

Degree: MA, 2001, McMaster University

Since antiquity, the study of Western classical music has been influenced by widespread beliefs in the mind-body split. Rational and idealistic philosophies, such as… (more)

Subjects/Keywords: Music; Music

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APA (6th Edition):

Ramunno, S. (2001). TOWARDS A CRITICISM OF THE BODY IN MUSIC: RECOGNIZING AND REVERSING THE MIND-BODY SPLIT IN TRADITIONAL SCHOLARSHIP. (Masters Thesis). McMaster University. Retrieved from http://hdl.handle.net/11375/11703

Chicago Manual of Style (16th Edition):

Ramunno, Sandra. “TOWARDS A CRITICISM OF THE BODY IN MUSIC: RECOGNIZING AND REVERSING THE MIND-BODY SPLIT IN TRADITIONAL SCHOLARSHIP.” 2001. Masters Thesis, McMaster University. Accessed October 22, 2019. http://hdl.handle.net/11375/11703.

MLA Handbook (7th Edition):

Ramunno, Sandra. “TOWARDS A CRITICISM OF THE BODY IN MUSIC: RECOGNIZING AND REVERSING THE MIND-BODY SPLIT IN TRADITIONAL SCHOLARSHIP.” 2001. Web. 22 Oct 2019.

Vancouver:

Ramunno S. TOWARDS A CRITICISM OF THE BODY IN MUSIC: RECOGNIZING AND REVERSING THE MIND-BODY SPLIT IN TRADITIONAL SCHOLARSHIP. [Internet] [Masters thesis]. McMaster University; 2001. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/11375/11703.

Council of Science Editors:

Ramunno S. TOWARDS A CRITICISM OF THE BODY IN MUSIC: RECOGNIZING AND REVERSING THE MIND-BODY SPLIT IN TRADITIONAL SCHOLARSHIP. [Masters Thesis]. McMaster University; 2001. Available from: http://hdl.handle.net/11375/11703


McMaster University

11. Burke, J-M. Nadine. Women Making Music in Canada: Issues of Cultural Identity that Influence Compositional Styles and Strategies.

Degree: MA, 2003, McMaster University

It is essential that Canadian ethnic music multiplicities be recognized within intercultural, intracultural and transcultural contexts and to acknowledge that categories of social class,… (more)

Subjects/Keywords: Music; Music

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APA (6th Edition):

Burke, J. N. (2003). Women Making Music in Canada: Issues of Cultural Identity that Influence Compositional Styles and Strategies. (Masters Thesis). McMaster University. Retrieved from http://hdl.handle.net/11375/10914

Chicago Manual of Style (16th Edition):

Burke, J-M Nadine. “Women Making Music in Canada: Issues of Cultural Identity that Influence Compositional Styles and Strategies.” 2003. Masters Thesis, McMaster University. Accessed October 22, 2019. http://hdl.handle.net/11375/10914.

MLA Handbook (7th Edition):

Burke, J-M Nadine. “Women Making Music in Canada: Issues of Cultural Identity that Influence Compositional Styles and Strategies.” 2003. Web. 22 Oct 2019.

Vancouver:

Burke JN. Women Making Music in Canada: Issues of Cultural Identity that Influence Compositional Styles and Strategies. [Internet] [Masters thesis]. McMaster University; 2003. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/11375/10914.

Council of Science Editors:

Burke JN. Women Making Music in Canada: Issues of Cultural Identity that Influence Compositional Styles and Strategies. [Masters Thesis]. McMaster University; 2003. Available from: http://hdl.handle.net/11375/10914


McMaster University

12. Donlevy, Nicholas. The Symbolism of Evil in Berlioz's Symphonie Fantastique.

Degree: MA, 2003, McMaster University

Berlioz's Symphonie fantastique contains a musical representation of evil that is rooted in a long history of the concept of evil in Western culture.… (more)

Subjects/Keywords: Music; Music

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APA (6th Edition):

Donlevy, N. (2003). The Symbolism of Evil in Berlioz's Symphonie Fantastique. (Masters Thesis). McMaster University. Retrieved from http://hdl.handle.net/11375/10932

Chicago Manual of Style (16th Edition):

Donlevy, Nicholas. “The Symbolism of Evil in Berlioz's Symphonie Fantastique.” 2003. Masters Thesis, McMaster University. Accessed October 22, 2019. http://hdl.handle.net/11375/10932.

MLA Handbook (7th Edition):

Donlevy, Nicholas. “The Symbolism of Evil in Berlioz's Symphonie Fantastique.” 2003. Web. 22 Oct 2019.

Vancouver:

Donlevy N. The Symbolism of Evil in Berlioz's Symphonie Fantastique. [Internet] [Masters thesis]. McMaster University; 2003. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/11375/10932.

Council of Science Editors:

Donlevy N. The Symbolism of Evil in Berlioz's Symphonie Fantastique. [Masters Thesis]. McMaster University; 2003. Available from: http://hdl.handle.net/11375/10932


University of Waterloo

13. Hu, Mike. A Collapsing Method for Efficient Recovery of Optimal Edges.

Degree: 2002, University of Waterloo

 In this thesis we present a novel algorithm, <I>HyperCleaning*</I>, for effectively inferring phylogenetic trees. The method is based on the quartet method paradigm and is… (more)

Subjects/Keywords: Computer Science; Phylogenetics; Evolution; Quartet Method; Combinatorial Algorithm; Maximum Likelihood

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APA (6th Edition):

Hu, M. (2002). A Collapsing Method for Efficient Recovery of Optimal Edges. (Thesis). University of Waterloo. Retrieved from http://hdl.handle.net/10012/1144

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hu, Mike. “A Collapsing Method for Efficient Recovery of Optimal Edges.” 2002. Thesis, University of Waterloo. Accessed October 22, 2019. http://hdl.handle.net/10012/1144.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hu, Mike. “A Collapsing Method for Efficient Recovery of Optimal Edges.” 2002. Web. 22 Oct 2019.

Vancouver:

Hu M. A Collapsing Method for Efficient Recovery of Optimal Edges. [Internet] [Thesis]. University of Waterloo; 2002. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10012/1144.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hu M. A Collapsing Method for Efficient Recovery of Optimal Edges. [Thesis]. University of Waterloo; 2002. Available from: http://hdl.handle.net/10012/1144

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of KwaZulu-Natal

14. Rungan, Natalie. A portfolio of compositions and arrangements [music manuscript].

Degree: M.Mus., Music, 2002, University of KwaZulu-Natal

No abstract available.

Subjects/Keywords: Music.

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APA (6th Edition):

Rungan, N. (2002). A portfolio of compositions and arrangements [music manuscript]. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/4817

Chicago Manual of Style (16th Edition):

Rungan, Natalie. “A portfolio of compositions and arrangements [music manuscript].” 2002. Masters Thesis, University of KwaZulu-Natal. Accessed October 22, 2019. http://hdl.handle.net/10413/4817.

MLA Handbook (7th Edition):

Rungan, Natalie. “A portfolio of compositions and arrangements [music manuscript].” 2002. Web. 22 Oct 2019.

Vancouver:

Rungan N. A portfolio of compositions and arrangements [music manuscript]. [Internet] [Masters thesis]. University of KwaZulu-Natal; 2002. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10413/4817.

Council of Science Editors:

Rungan N. A portfolio of compositions and arrangements [music manuscript]. [Masters Thesis]. University of KwaZulu-Natal; 2002. Available from: http://hdl.handle.net/10413/4817


University of KwaZulu-Natal

15. De Jager, Frederick. Frederic Chopin : gender as a factor in reception.

Degree: PhD, Music, 2004, University of KwaZulu-Natal

 Frederic Chopin's contemporaries took note of his preference for a piano with a light escapement. They commented that his method of playing was light in… (more)

Subjects/Keywords: Music.

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APA (6th Edition):

De Jager, F. (2004). Frederic Chopin : gender as a factor in reception. (Doctoral Dissertation). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/5109

Chicago Manual of Style (16th Edition):

De Jager, Frederick. “Frederic Chopin : gender as a factor in reception.” 2004. Doctoral Dissertation, University of KwaZulu-Natal. Accessed October 22, 2019. http://hdl.handle.net/10413/5109.

MLA Handbook (7th Edition):

De Jager, Frederick. “Frederic Chopin : gender as a factor in reception.” 2004. Web. 22 Oct 2019.

Vancouver:

De Jager F. Frederic Chopin : gender as a factor in reception. [Internet] [Doctoral dissertation]. University of KwaZulu-Natal; 2004. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10413/5109.

Council of Science Editors:

De Jager F. Frederic Chopin : gender as a factor in reception. [Doctoral Dissertation]. University of KwaZulu-Natal; 2004. Available from: http://hdl.handle.net/10413/5109


University of KwaZulu-Natal

16. Edwards, John. Portfolio of compositions and arrangements [music manuscript].

Degree: M.Mus., Music, 2003, University of KwaZulu-Natal

No abstract available. Advisors/Committee Members: Brubeck, Darius (advisor).

Subjects/Keywords: Music.

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APA (6th Edition):

Edwards, J. (2003). Portfolio of compositions and arrangements [music manuscript]. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/5124

Chicago Manual of Style (16th Edition):

Edwards, John. “Portfolio of compositions and arrangements [music manuscript].” 2003. Masters Thesis, University of KwaZulu-Natal. Accessed October 22, 2019. http://hdl.handle.net/10413/5124.

MLA Handbook (7th Edition):

Edwards, John. “Portfolio of compositions and arrangements [music manuscript].” 2003. Web. 22 Oct 2019.

Vancouver:

Edwards J. Portfolio of compositions and arrangements [music manuscript]. [Internet] [Masters thesis]. University of KwaZulu-Natal; 2003. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10413/5124.

Council of Science Editors:

Edwards J. Portfolio of compositions and arrangements [music manuscript]. [Masters Thesis]. University of KwaZulu-Natal; 2003. Available from: http://hdl.handle.net/10413/5124


University of KwaZulu-Natal

17. Naidoo, Mageshen. A portfolio of compositions and arrangements [music manuscript].

Degree: M.Mus., Music, 2000, University of KwaZulu-Natal

No abstract available.

Subjects/Keywords: Music.

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APA (6th Edition):

Naidoo, M. (2000). A portfolio of compositions and arrangements [music manuscript]. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/5101

Chicago Manual of Style (16th Edition):

Naidoo, Mageshen. “A portfolio of compositions and arrangements [music manuscript].” 2000. Masters Thesis, University of KwaZulu-Natal. Accessed October 22, 2019. http://hdl.handle.net/10413/5101.

MLA Handbook (7th Edition):

Naidoo, Mageshen. “A portfolio of compositions and arrangements [music manuscript].” 2000. Web. 22 Oct 2019.

Vancouver:

Naidoo M. A portfolio of compositions and arrangements [music manuscript]. [Internet] [Masters thesis]. University of KwaZulu-Natal; 2000. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10413/5101.

Council of Science Editors:

Naidoo M. A portfolio of compositions and arrangements [music manuscript]. [Masters Thesis]. University of KwaZulu-Natal; 2000. Available from: http://hdl.handle.net/10413/5101


University of KwaZulu-Natal

18. Olsen, Kathryn. Politics, production and process : discourses on tradition in contemporary maskanda.

Degree: M.Mus., Music, 2000, University of KwaZulu-Natal

No abstract available. Advisors/Committee Members: Impey, Angela (advisor).

Subjects/Keywords: Music.

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APA (6th Edition):

Olsen, K. (2000). Politics, production and process : discourses on tradition in contemporary maskanda. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/5156

Chicago Manual of Style (16th Edition):

Olsen, Kathryn. “Politics, production and process : discourses on tradition in contemporary maskanda.” 2000. Masters Thesis, University of KwaZulu-Natal. Accessed October 22, 2019. http://hdl.handle.net/10413/5156.

MLA Handbook (7th Edition):

Olsen, Kathryn. “Politics, production and process : discourses on tradition in contemporary maskanda.” 2000. Web. 22 Oct 2019.

Vancouver:

Olsen K. Politics, production and process : discourses on tradition in contemporary maskanda. [Internet] [Masters thesis]. University of KwaZulu-Natal; 2000. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10413/5156.

Council of Science Editors:

Olsen K. Politics, production and process : discourses on tradition in contemporary maskanda. [Masters Thesis]. University of KwaZulu-Natal; 2000. Available from: http://hdl.handle.net/10413/5156


University of KwaZulu-Natal

19. Thusi, Nhlanhla Brian. Jazz education for post-apartheid South Africa.

Degree: M.Mus., Music, 2001, University of KwaZulu-Natal

 This essay has two primary purposes: (1) to make a case for jazz education and (2) to suggest ways in which jazz education can more… (more)

Subjects/Keywords: Music.

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APA (6th Edition):

Thusi, N. B. (2001). Jazz education for post-apartheid South Africa. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/5190

Chicago Manual of Style (16th Edition):

Thusi, Nhlanhla Brian. “Jazz education for post-apartheid South Africa.” 2001. Masters Thesis, University of KwaZulu-Natal. Accessed October 22, 2019. http://hdl.handle.net/10413/5190.

MLA Handbook (7th Edition):

Thusi, Nhlanhla Brian. “Jazz education for post-apartheid South Africa.” 2001. Web. 22 Oct 2019.

Vancouver:

Thusi NB. Jazz education for post-apartheid South Africa. [Internet] [Masters thesis]. University of KwaZulu-Natal; 2001. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10413/5190.

Council of Science Editors:

Thusi NB. Jazz education for post-apartheid South Africa. [Masters Thesis]. University of KwaZulu-Natal; 2001. Available from: http://hdl.handle.net/10413/5190


University of KwaZulu-Natal

20. Dipnarain, Julie Louella. Profiling an intermediate phase music educator in the context of the South African national curriculum and outcomes based education.

Degree: M.Mus., Music, 2004, University of KwaZulu-Natal

 The primary intention of this study is to develop a profile of the kind of educator that is needed for effective music education in the… (more)

Subjects/Keywords: Music.

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APA (6th Edition):

Dipnarain, J. L. (2004). Profiling an intermediate phase music educator in the context of the South African national curriculum and outcomes based education. (Masters Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/5181

Chicago Manual of Style (16th Edition):

Dipnarain, Julie Louella. “Profiling an intermediate phase music educator in the context of the South African national curriculum and outcomes based education.” 2004. Masters Thesis, University of KwaZulu-Natal. Accessed October 22, 2019. http://hdl.handle.net/10413/5181.

MLA Handbook (7th Edition):

Dipnarain, Julie Louella. “Profiling an intermediate phase music educator in the context of the South African national curriculum and outcomes based education.” 2004. Web. 22 Oct 2019.

Vancouver:

Dipnarain JL. Profiling an intermediate phase music educator in the context of the South African national curriculum and outcomes based education. [Internet] [Masters thesis]. University of KwaZulu-Natal; 2004. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10413/5181.

Council of Science Editors:

Dipnarain JL. Profiling an intermediate phase music educator in the context of the South African national curriculum and outcomes based education. [Masters Thesis]. University of KwaZulu-Natal; 2004. Available from: http://hdl.handle.net/10413/5181


The Ohio State University

21. Kinney, Daryl Wayne. The effect of school performing ensemble participation on the ability to perform and perceive expression in music.

Degree: PhD, Graduate School, 2001, The Ohio State University

Subjects/Keywords: Music

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APA (6th Edition):

Kinney, D. W. (2001). The effect of school performing ensemble participation on the ability to perform and perceive expression in music. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486398195327877

Chicago Manual of Style (16th Edition):

Kinney, Daryl Wayne. “The effect of school performing ensemble participation on the ability to perform and perceive expression in music.” 2001. Doctoral Dissertation, The Ohio State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486398195327877.

MLA Handbook (7th Edition):

Kinney, Daryl Wayne. “The effect of school performing ensemble participation on the ability to perform and perceive expression in music.” 2001. Web. 22 Oct 2019.

Vancouver:

Kinney DW. The effect of school performing ensemble participation on the ability to perform and perceive expression in music. [Internet] [Doctoral dissertation]. The Ohio State University; 2001. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486398195327877.

Council of Science Editors:

Kinney DW. The effect of school performing ensemble participation on the ability to perform and perceive expression in music. [Doctoral Dissertation]. The Ohio State University; 2001. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486398195327877


The Ohio State University

22. Knapp, Peter John. An eighteenth-century Pietist theory of music psychology : the \"Brevissima theoriae musicae analysis\" of Johann Fricker and Friedrich Oetinger.

Degree: PhD, Graduate School, 2001, The Ohio State University

Subjects/Keywords: Music

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APA (6th Edition):

Knapp, P. J. (2001). An eighteenth-century Pietist theory of music psychology : the \"Brevissima theoriae musicae analysis\" of Johann Fricker and Friedrich Oetinger. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486398195327956

Chicago Manual of Style (16th Edition):

Knapp, Peter John. “An eighteenth-century Pietist theory of music psychology : the \"Brevissima theoriae musicae analysis\" of Johann Fricker and Friedrich Oetinger.” 2001. Doctoral Dissertation, The Ohio State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486398195327956.

MLA Handbook (7th Edition):

Knapp, Peter John. “An eighteenth-century Pietist theory of music psychology : the \"Brevissima theoriae musicae analysis\" of Johann Fricker and Friedrich Oetinger.” 2001. Web. 22 Oct 2019.

Vancouver:

Knapp PJ. An eighteenth-century Pietist theory of music psychology : the \"Brevissima theoriae musicae analysis\" of Johann Fricker and Friedrich Oetinger. [Internet] [Doctoral dissertation]. The Ohio State University; 2001. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486398195327956.

Council of Science Editors:

Knapp PJ. An eighteenth-century Pietist theory of music psychology : the \"Brevissima theoriae musicae analysis\" of Johann Fricker and Friedrich Oetinger. [Doctoral Dissertation]. The Ohio State University; 2001. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486398195327956


The Ohio State University

23. King, Ronda E. The quality and technical difficulty of repertoire performed by non-auditioned, small college bands and the criteria considered in the selection of this literature.

Degree: PhD, Graduate School, 2001, The Ohio State University

Subjects/Keywords: Music

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APA (6th Edition):

King, R. E. (2001). The quality and technical difficulty of repertoire performed by non-auditioned, small college bands and the criteria considered in the selection of this literature. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu148639945195975

Chicago Manual of Style (16th Edition):

King, Ronda E. “The quality and technical difficulty of repertoire performed by non-auditioned, small college bands and the criteria considered in the selection of this literature.” 2001. Doctoral Dissertation, The Ohio State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu148639945195975.

MLA Handbook (7th Edition):

King, Ronda E. “The quality and technical difficulty of repertoire performed by non-auditioned, small college bands and the criteria considered in the selection of this literature.” 2001. Web. 22 Oct 2019.

Vancouver:

King RE. The quality and technical difficulty of repertoire performed by non-auditioned, small college bands and the criteria considered in the selection of this literature. [Internet] [Doctoral dissertation]. The Ohio State University; 2001. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu148639945195975.

Council of Science Editors:

King RE. The quality and technical difficulty of repertoire performed by non-auditioned, small college bands and the criteria considered in the selection of this literature. [Doctoral Dissertation]. The Ohio State University; 2001. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu148639945195975


The Ohio State University

24. Adrian, Stephanie McClure. The art songs of André Previn with lyrics by Toni Morrison : Honey and Rue and Four Songs for Soprano, Cello and Piano a performer's perspective.

Degree: PhD, Graduate School, 2001, The Ohio State University

Subjects/Keywords: Music

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APA (6th Edition):

Adrian, S. M. (2001). The art songs of André Previn with lyrics by Toni Morrison : Honey and Rue and Four Songs for Soprano, Cello and Piano a performer's perspective. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486400446370597

Chicago Manual of Style (16th Edition):

Adrian, Stephanie McClure. “The art songs of André Previn with lyrics by Toni Morrison : Honey and Rue and Four Songs for Soprano, Cello and Piano a performer's perspective.” 2001. Doctoral Dissertation, The Ohio State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486400446370597.

MLA Handbook (7th Edition):

Adrian, Stephanie McClure. “The art songs of André Previn with lyrics by Toni Morrison : Honey and Rue and Four Songs for Soprano, Cello and Piano a performer's perspective.” 2001. Web. 22 Oct 2019.

Vancouver:

Adrian SM. The art songs of André Previn with lyrics by Toni Morrison : Honey and Rue and Four Songs for Soprano, Cello and Piano a performer's perspective. [Internet] [Doctoral dissertation]. The Ohio State University; 2001. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486400446370597.

Council of Science Editors:

Adrian SM. The art songs of André Previn with lyrics by Toni Morrison : Honey and Rue and Four Songs for Soprano, Cello and Piano a performer's perspective. [Doctoral Dissertation]. The Ohio State University; 2001. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486400446370597


The Ohio State University

25. Yang, Yung-Ching. The variations in B Flat Minor, Opus 3 of Karol Szymanowski : an analysis of performance challenges and solutions.

Degree: PhD, Graduate School, 2002, The Ohio State University

Subjects/Keywords: Music

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APA (6th Edition):

Yang, Y. (2002). The variations in B Flat Minor, Opus 3 of Karol Szymanowski : an analysis of performance challenges and solutions. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486401895210536

Chicago Manual of Style (16th Edition):

Yang, Yung-Ching. “The variations in B Flat Minor, Opus 3 of Karol Szymanowski : an analysis of performance challenges and solutions.” 2002. Doctoral Dissertation, The Ohio State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486401895210536.

MLA Handbook (7th Edition):

Yang, Yung-Ching. “The variations in B Flat Minor, Opus 3 of Karol Szymanowski : an analysis of performance challenges and solutions.” 2002. Web. 22 Oct 2019.

Vancouver:

Yang Y. The variations in B Flat Minor, Opus 3 of Karol Szymanowski : an analysis of performance challenges and solutions. [Internet] [Doctoral dissertation]. The Ohio State University; 2002. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486401895210536.

Council of Science Editors:

Yang Y. The variations in B Flat Minor, Opus 3 of Karol Szymanowski : an analysis of performance challenges and solutions. [Doctoral Dissertation]. The Ohio State University; 2002. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486401895210536


The Ohio State University

26. Chung, Hee. Igor Stravinsky's three movements from Petrushka : an analysis of performance practice.

Degree: PhD, Graduate School, 2002, The Ohio State University

Subjects/Keywords: Music

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APA (6th Edition):

Chung, H. (2002). Igor Stravinsky's three movements from Petrushka : an analysis of performance practice. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486402957195228

Chicago Manual of Style (16th Edition):

Chung, Hee. “Igor Stravinsky's three movements from Petrushka : an analysis of performance practice.” 2002. Doctoral Dissertation, The Ohio State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486402957195228.

MLA Handbook (7th Edition):

Chung, Hee. “Igor Stravinsky's three movements from Petrushka : an analysis of performance practice.” 2002. Web. 22 Oct 2019.

Vancouver:

Chung H. Igor Stravinsky's three movements from Petrushka : an analysis of performance practice. [Internet] [Doctoral dissertation]. The Ohio State University; 2002. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486402957195228.

Council of Science Editors:

Chung H. Igor Stravinsky's three movements from Petrushka : an analysis of performance practice. [Doctoral Dissertation]. The Ohio State University; 2002. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486402957195228


The Ohio State University

27. Gardiner, Kathleen M. An annotated bibliography of twentieth-century solo and chamber literature for the E-flat clarinet.

Degree: PhD, Graduate School, 2002, The Ohio State University

Subjects/Keywords: Music

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APA (6th Edition):

Gardiner, K. M. (2002). An annotated bibliography of twentieth-century solo and chamber literature for the E-flat clarinet. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486402957195307

Chicago Manual of Style (16th Edition):

Gardiner, Kathleen M. “An annotated bibliography of twentieth-century solo and chamber literature for the E-flat clarinet.” 2002. Doctoral Dissertation, The Ohio State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486402957195307.

MLA Handbook (7th Edition):

Gardiner, Kathleen M. “An annotated bibliography of twentieth-century solo and chamber literature for the E-flat clarinet.” 2002. Web. 22 Oct 2019.

Vancouver:

Gardiner KM. An annotated bibliography of twentieth-century solo and chamber literature for the E-flat clarinet. [Internet] [Doctoral dissertation]. The Ohio State University; 2002. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486402957195307.

Council of Science Editors:

Gardiner KM. An annotated bibliography of twentieth-century solo and chamber literature for the E-flat clarinet. [Doctoral Dissertation]. The Ohio State University; 2002. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486402957195307


The Ohio State University

28. Jantsch, Nancy E. Jennings. \"Briefly It Enters\" : a song cycle by William Bolcom from poems by Jane Kenyon.

Degree: PhD, Graduate School, 2001, The Ohio State University

Subjects/Keywords: Music

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APA (6th Edition):

Jantsch, N. E. J. (2001). \"Briefly It Enters\" : a song cycle by William Bolcom from poems by Jane Kenyon. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486394475978614

Chicago Manual of Style (16th Edition):

Jantsch, Nancy E Jennings. “\"Briefly It Enters\" : a song cycle by William Bolcom from poems by Jane Kenyon.” 2001. Doctoral Dissertation, The Ohio State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486394475978614.

MLA Handbook (7th Edition):

Jantsch, Nancy E Jennings. “\"Briefly It Enters\" : a song cycle by William Bolcom from poems by Jane Kenyon.” 2001. Web. 22 Oct 2019.

Vancouver:

Jantsch NEJ. \"Briefly It Enters\" : a song cycle by William Bolcom from poems by Jane Kenyon. [Internet] [Doctoral dissertation]. The Ohio State University; 2001. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486394475978614.

Council of Science Editors:

Jantsch NEJ. \"Briefly It Enters\" : a song cycle by William Bolcom from poems by Jane Kenyon. [Doctoral Dissertation]. The Ohio State University; 2001. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486394475978614


The Ohio State University

29. Teng, Chi-Chuan. \"Xianshi,\" the Viola Concerto by Yi Chen : general analysis and issues of performance interpretation.

Degree: PhD, Graduate School, 2001, The Ohio State University

Subjects/Keywords: Music

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APA (6th Edition):

Teng, C. (2001). \"Xianshi,\" the Viola Concerto by Yi Chen : general analysis and issues of performance interpretation. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486394475978856

Chicago Manual of Style (16th Edition):

Teng, Chi-Chuan. “\"Xianshi,\" the Viola Concerto by Yi Chen : general analysis and issues of performance interpretation.” 2001. Doctoral Dissertation, The Ohio State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486394475978856.

MLA Handbook (7th Edition):

Teng, Chi-Chuan. “\"Xianshi,\" the Viola Concerto by Yi Chen : general analysis and issues of performance interpretation.” 2001. Web. 22 Oct 2019.

Vancouver:

Teng C. \"Xianshi,\" the Viola Concerto by Yi Chen : general analysis and issues of performance interpretation. [Internet] [Doctoral dissertation]. The Ohio State University; 2001. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486394475978856.

Council of Science Editors:

Teng C. \"Xianshi,\" the Viola Concerto by Yi Chen : general analysis and issues of performance interpretation. [Doctoral Dissertation]. The Ohio State University; 2001. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486394475978856


The Ohio State University

30. Jordan, Robert D. Scale, arpeggio, and interval studies for the bassoon .

Degree: PhD, Graduate School, 2001, The Ohio State University

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jordan, R. D. (2001). Scale, arpeggio, and interval studies for the bassoon . (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486397841220445

Chicago Manual of Style (16th Edition):

Jordan, Robert D. “Scale, arpeggio, and interval studies for the bassoon .” 2001. Doctoral Dissertation, The Ohio State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486397841220445.

MLA Handbook (7th Edition):

Jordan, Robert D. “Scale, arpeggio, and interval studies for the bassoon .” 2001. Web. 22 Oct 2019.

Vancouver:

Jordan RD. Scale, arpeggio, and interval studies for the bassoon . [Internet] [Doctoral dissertation]. The Ohio State University; 2001. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486397841220445.

Council of Science Editors:

Jordan RD. Scale, arpeggio, and interval studies for the bassoon . [Doctoral Dissertation]. The Ohio State University; 2001. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486397841220445

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