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Degree: Image

You searched for subject:(Woodwind Quartet music composed). Showing records 1 – 30 of 94 total matches.

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University of Cape Town

1. Alkema, Sjoerd. Conductors of the Cape Town Municipal Orchestra, 1914-1965 a historical perspective.

Degree: Image, College of Music, 2012, University of Cape Town

 This thesis profiles the conductors of the Cape Municipal Orchestra since its inception in 1914 until the resignation of David Tidboald in 1965. After the… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Alkema, S. (2012). Conductors of the Cape Town Municipal Orchestra, 1914-1965 a historical perspective. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/10057

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alkema, Sjoerd. “Conductors of the Cape Town Municipal Orchestra, 1914-1965 a historical perspective.” 2012. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/10057.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alkema, Sjoerd. “Conductors of the Cape Town Municipal Orchestra, 1914-1965 a historical perspective.” 2012. Web. 21 Oct 2019.

Vancouver:

Alkema S. Conductors of the Cape Town Municipal Orchestra, 1914-1965 a historical perspective. [Internet] [Thesis]. University of Cape Town; 2012. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/10057.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alkema S. Conductors of the Cape Town Municipal Orchestra, 1914-1965 a historical perspective. [Thesis]. University of Cape Town; 2012. Available from: http://hdl.handle.net/11427/10057

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

2. Miller, Robyn Lee. The role of the saxophone embouchure in the production of the South African jazz sound : a study of nine jazz saxophone players.

Degree: Image, College of Music, 2011, University of Cape Town

 South Africa is known for having its own distinctive jazz music sound of which the saxophone is a significant feature. The saxophone has often been… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Miller, R. L. (2011). The role of the saxophone embouchure in the production of the South African jazz sound : a study of nine jazz saxophone players. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/11118

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miller, Robyn Lee. “The role of the saxophone embouchure in the production of the South African jazz sound : a study of nine jazz saxophone players.” 2011. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/11118.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miller, Robyn Lee. “The role of the saxophone embouchure in the production of the South African jazz sound : a study of nine jazz saxophone players.” 2011. Web. 21 Oct 2019.

Vancouver:

Miller RL. The role of the saxophone embouchure in the production of the South African jazz sound : a study of nine jazz saxophone players. [Internet] [Thesis]. University of Cape Town; 2011. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/11118.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miller RL. The role of the saxophone embouchure in the production of the South African jazz sound : a study of nine jazz saxophone players. [Thesis]. University of Cape Town; 2011. Available from: http://hdl.handle.net/11427/11118

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

3. Kruger, David. Wagner's Meistersinger and the tradition of comic opera.

Degree: Image, College of Music, 2010, University of Cape Town

 Wagner's avowed aim in his music-dramas was to create a new type of artwork that had little in common with conventional opera. However, in his… (more)

Subjects/Keywords: Music

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APA (6th Edition):

Kruger, D. (2010). Wagner's Meistersinger and the tradition of comic opera. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/12798

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kruger, David. “Wagner's Meistersinger and the tradition of comic opera.” 2010. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/12798.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kruger, David. “Wagner's Meistersinger and the tradition of comic opera.” 2010. Web. 21 Oct 2019.

Vancouver:

Kruger D. Wagner's Meistersinger and the tradition of comic opera. [Internet] [Thesis]. University of Cape Town; 2010. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/12798.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kruger D. Wagner's Meistersinger and the tradition of comic opera. [Thesis]. University of Cape Town; 2010. Available from: http://hdl.handle.net/11427/12798

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

4. Thorn, Michael. The effectiveness of a transcription system within the context of learning West African jembe drumming ensemble pieces.

Degree: Image, College of Music, 2010, University of Cape Town

 The jembe drum is a goblet shaped hand drum from West Africa. This dissertation addresses the need for a memory tool to assist jembe drumming… (more)

Subjects/Keywords: Music

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APA (6th Edition):

Thorn, M. (2010). The effectiveness of a transcription system within the context of learning West African jembe drumming ensemble pieces. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/11557

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thorn, Michael. “The effectiveness of a transcription system within the context of learning West African jembe drumming ensemble pieces.” 2010. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/11557.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thorn, Michael. “The effectiveness of a transcription system within the context of learning West African jembe drumming ensemble pieces.” 2010. Web. 21 Oct 2019.

Vancouver:

Thorn M. The effectiveness of a transcription system within the context of learning West African jembe drumming ensemble pieces. [Internet] [Thesis]. University of Cape Town; 2010. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/11557.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thorn M. The effectiveness of a transcription system within the context of learning West African jembe drumming ensemble pieces. [Thesis]. University of Cape Town; 2010. Available from: http://hdl.handle.net/11427/11557

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

5. Johannes, Shaun. Bassists of iKapa (the Cape) : a brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of Cape Town's most prolific bassists, Spencer Mbadu and Gary Kriel.

Degree: Image, College of Music, 2010, University of Cape Town

 As a bassist from Cape Town, I feel the necessity to investigate, analyze and document the bassists of years gone by who have been major… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Johannes, S. (2010). Bassists of iKapa (the Cape) : a brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of Cape Town's most prolific bassists, Spencer Mbadu and Gary Kriel. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/14739

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johannes, Shaun. “Bassists of iKapa (the Cape) : a brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of Cape Town's most prolific bassists, Spencer Mbadu and Gary Kriel.” 2010. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/14739.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johannes, Shaun. “Bassists of iKapa (the Cape) : a brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of Cape Town's most prolific bassists, Spencer Mbadu and Gary Kriel.” 2010. Web. 21 Oct 2019.

Vancouver:

Johannes S. Bassists of iKapa (the Cape) : a brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of Cape Town's most prolific bassists, Spencer Mbadu and Gary Kriel. [Internet] [Thesis]. University of Cape Town; 2010. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/14739.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johannes S. Bassists of iKapa (the Cape) : a brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of Cape Town's most prolific bassists, Spencer Mbadu and Gary Kriel. [Thesis]. University of Cape Town; 2010. Available from: http://hdl.handle.net/11427/14739

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

6. Warrington, Miles. The composer as technologist : an investigation into compositional process.

Degree: Image, College of Music, 2016, University of Cape Town

 This work presents an investigation into compositional process. This is undertaken where a study of musical gesture, certain areas of cognitive musicology, computer vision technologies… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Warrington, M. (2016). The composer as technologist : an investigation into compositional process. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/20787

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Warrington, Miles. “The composer as technologist : an investigation into compositional process.” 2016. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/20787.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Warrington, Miles. “The composer as technologist : an investigation into compositional process.” 2016. Web. 21 Oct 2019.

Vancouver:

Warrington M. The composer as technologist : an investigation into compositional process. [Internet] [Thesis]. University of Cape Town; 2016. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/20787.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Warrington M. The composer as technologist : an investigation into compositional process. [Thesis]. University of Cape Town; 2016. Available from: http://hdl.handle.net/11427/20787

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

7. Holden, Carolyn. Flamenco in South Africa: outsider in two places.

Degree: Image, School of Dance, 2012, University of Cape Town

 This dissertation interrogates the notion of flamenco identity in order to establish a case for the existence of a legitimate flamenco identity outside of Spain,… (more)

Subjects/Keywords: Music

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APA (6th Edition):

Holden, C. (2012). Flamenco in South Africa: outsider in two places. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/11440

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Holden, Carolyn. “Flamenco in South Africa: outsider in two places.” 2012. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/11440.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Holden, Carolyn. “Flamenco in South Africa: outsider in two places.” 2012. Web. 21 Oct 2019.

Vancouver:

Holden C. Flamenco in South Africa: outsider in two places. [Internet] [Thesis]. University of Cape Town; 2012. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/11440.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Holden C. Flamenco in South Africa: outsider in two places. [Thesis]. University of Cape Town; 2012. Available from: http://hdl.handle.net/11427/11440

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

8. Blyth, Antoinette Elizabeth. Perspectives on straight-tone singing in Western Classical music.

Degree: Image, College of Music, 2013, University of Cape Town

 Straight-tone singing in Western Classical music is a highly controversial subject. The primary objective of this study was to determine whether singing with a straight-tone… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Blyth, A. E. (2013). Perspectives on straight-tone singing in Western Classical music. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/9907

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Blyth, Antoinette Elizabeth. “Perspectives on straight-tone singing in Western Classical music.” 2013. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/9907.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Blyth, Antoinette Elizabeth. “Perspectives on straight-tone singing in Western Classical music.” 2013. Web. 21 Oct 2019.

Vancouver:

Blyth AE. Perspectives on straight-tone singing in Western Classical music. [Internet] [Thesis]. University of Cape Town; 2013. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/9907.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Blyth AE. Perspectives on straight-tone singing in Western Classical music. [Thesis]. University of Cape Town; 2013. Available from: http://hdl.handle.net/11427/9907

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

9. Fouché, Jacques Abraham. Crafting the commons : modern approaches to music as product.

Degree: Image, College of Music, 2015, University of Cape Town

 In this dissertation, modern approaches to record labels, music as product, and copyright in the music industry were investigated. The possibility of successfully creating, implementing,… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fouché, J. A. (2015). Crafting the commons : modern approaches to music as product. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/20036

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fouché, Jacques Abraham. “Crafting the commons : modern approaches to music as product.” 2015. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/20036.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fouché, Jacques Abraham. “Crafting the commons : modern approaches to music as product.” 2015. Web. 21 Oct 2019.

Vancouver:

Fouché JA. Crafting the commons : modern approaches to music as product. [Internet] [Thesis]. University of Cape Town; 2015. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/20036.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fouché JA. Crafting the commons : modern approaches to music as product. [Thesis]. University of Cape Town; 2015. Available from: http://hdl.handle.net/11427/20036

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

10. Spiegel, Paula. Anthroposophy's etheric forces : exploring the relation between music and plant-growth.

Degree: Image, College of Music, 2010, University of Cape Town

 In practices of non-modern, non-Western agriculture, music making has played various roles in crop growing. Contemporary modern experimentation and practice point to a modern Western… (more)

Subjects/Keywords: Music

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APA (6th Edition):

Spiegel, P. (2010). Anthroposophy's etheric forces : exploring the relation between music and plant-growth. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/11718

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Spiegel, Paula. “Anthroposophy's etheric forces : exploring the relation between music and plant-growth.” 2010. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/11718.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Spiegel, Paula. “Anthroposophy's etheric forces : exploring the relation between music and plant-growth.” 2010. Web. 21 Oct 2019.

Vancouver:

Spiegel P. Anthroposophy's etheric forces : exploring the relation between music and plant-growth. [Internet] [Thesis]. University of Cape Town; 2010. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/11718.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Spiegel P. Anthroposophy's etheric forces : exploring the relation between music and plant-growth. [Thesis]. University of Cape Town; 2010. Available from: http://hdl.handle.net/11427/11718

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

11. Van der Walt, Karen. The mezzo-soprano as representation of 'the other' in nineteenth century opera.

Degree: Image, College of Music, 2013, University of Cape Town

 The author continues by arguing that mezzo-soprano and contralto voices resemble the male voice and therefore composers often cast women in this fach as the… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Van der Walt, K. (2013). The mezzo-soprano as representation of 'the other' in nineteenth century opera. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/12317

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Van der Walt, Karen. “The mezzo-soprano as representation of 'the other' in nineteenth century opera.” 2013. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/12317.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Van der Walt, Karen. “The mezzo-soprano as representation of 'the other' in nineteenth century opera.” 2013. Web. 21 Oct 2019.

Vancouver:

Van der Walt K. The mezzo-soprano as representation of 'the other' in nineteenth century opera. [Internet] [Thesis]. University of Cape Town; 2013. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/12317.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Van der Walt K. The mezzo-soprano as representation of 'the other' in nineteenth century opera. [Thesis]. University of Cape Town; 2013. Available from: http://hdl.handle.net/11427/12317

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Katzke, Cecilia Johanna. Probing the politics of the female body: Robyn Orlin's deconstruction of the Classical Ballet canon.

Degree: Image, College of Music, 2014, University of Cape Town

 This qualititative, interdisciplinary study predominantly focuses on the South African choreographer Robyn Orlin and her deconstructions of classical ballet. To inform a gender-centred investigation of… (more)

Subjects/Keywords: Music

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APA (6th Edition):

Katzke, C. J. (2014). Probing the politics of the female body: Robyn Orlin's deconstruction of the Classical Ballet canon. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/12878

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Katzke, Cecilia Johanna. “Probing the politics of the female body: Robyn Orlin's deconstruction of the Classical Ballet canon.” 2014. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/12878.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Katzke, Cecilia Johanna. “Probing the politics of the female body: Robyn Orlin's deconstruction of the Classical Ballet canon.” 2014. Web. 21 Oct 2019.

Vancouver:

Katzke CJ. Probing the politics of the female body: Robyn Orlin's deconstruction of the Classical Ballet canon. [Internet] [Thesis]. University of Cape Town; 2014. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/12878.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Katzke CJ. Probing the politics of the female body: Robyn Orlin's deconstruction of the Classical Ballet canon. [Thesis]. University of Cape Town; 2014. Available from: http://hdl.handle.net/11427/12878

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

13. Wei, Yu-Chi. The historical development of the clarinet with special reference to its musical repertoire.

Degree: Image, College of Music, 2010, University of Cape Town

The dissertation investigates the mechanical development of the clarinet from the eighteenth century to the end of the nineteenth century. Advisors/Committee Members: May, James (advisor).

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wei, Y. (2010). The historical development of the clarinet with special reference to its musical repertoire. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/12355

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wei, Yu-Chi. “The historical development of the clarinet with special reference to its musical repertoire.” 2010. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/12355.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wei, Yu-Chi. “The historical development of the clarinet with special reference to its musical repertoire.” 2010. Web. 21 Oct 2019.

Vancouver:

Wei Y. The historical development of the clarinet with special reference to its musical repertoire. [Internet] [Thesis]. University of Cape Town; 2010. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/12355.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wei Y. The historical development of the clarinet with special reference to its musical repertoire. [Thesis]. University of Cape Town; 2010. Available from: http://hdl.handle.net/11427/12355

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

14. Saayman, Jasper Jacobus. The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers.

Degree: Image, College of Music, 2011, University of Cape Town

 This dissertation is concerned with a comparative study of the relationships between the contrapuntal language of J.S. Bach, as evinced in the Well-Tempered Clavier, and… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Saayman, J. J. (2011). The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/10636

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Saayman, Jasper Jacobus. “The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers.” 2011. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/10636.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Saayman, Jasper Jacobus. “The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers.” 2011. Web. 21 Oct 2019.

Vancouver:

Saayman JJ. The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers. [Internet] [Thesis]. University of Cape Town; 2011. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/10636.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Saayman JJ. The influence of J.S. Bach's contrapuntal style in the 'Well-tempered clavier' on selected piano fugues by Romantic composers. [Thesis]. University of Cape Town; 2011. Available from: http://hdl.handle.net/11427/10636

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

15. Bauer, Lisa. Holistic influence on contemporary jazz vocal improvisation with reference to the works of Gloria Cooper and Kitty Margolis.

Degree: Image, College of Music, 2011, University of Cape Town

 Through the analysis of aspects such as experience, vocal expression, improvisatory techniques and teaching approach of two jazz vocalists from different social, educational and musical… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bauer, L. (2011). Holistic influence on contemporary jazz vocal improvisation with reference to the works of Gloria Cooper and Kitty Margolis. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/10144

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bauer, Lisa. “Holistic influence on contemporary jazz vocal improvisation with reference to the works of Gloria Cooper and Kitty Margolis.” 2011. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/10144.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bauer, Lisa. “Holistic influence on contemporary jazz vocal improvisation with reference to the works of Gloria Cooper and Kitty Margolis.” 2011. Web. 21 Oct 2019.

Vancouver:

Bauer L. Holistic influence on contemporary jazz vocal improvisation with reference to the works of Gloria Cooper and Kitty Margolis. [Internet] [Thesis]. University of Cape Town; 2011. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/10144.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bauer L. Holistic influence on contemporary jazz vocal improvisation with reference to the works of Gloria Cooper and Kitty Margolis. [Thesis]. University of Cape Town; 2011. Available from: http://hdl.handle.net/11427/10144

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

16. Thaele, Tatiana. The prevalence of playing-related musculoskeletal disorders in selected Western classical music students at the South African College of Music, University of Cape Town.

Degree: Image, College of Music, 2016, University of Cape Town

 The study aimed to ascertain the prevalence of playing-related musculoskeletal disorders (PRMDs) among Western classical instrumentalists at the South African College of Music. Seventy-two undergraduate… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Thaele, T. (2016). The prevalence of playing-related musculoskeletal disorders in selected Western classical music students at the South African College of Music, University of Cape Town. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/20584

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thaele, Tatiana. “The prevalence of playing-related musculoskeletal disorders in selected Western classical music students at the South African College of Music, University of Cape Town.” 2016. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/20584.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thaele, Tatiana. “The prevalence of playing-related musculoskeletal disorders in selected Western classical music students at the South African College of Music, University of Cape Town.” 2016. Web. 21 Oct 2019.

Vancouver:

Thaele T. The prevalence of playing-related musculoskeletal disorders in selected Western classical music students at the South African College of Music, University of Cape Town. [Internet] [Thesis]. University of Cape Town; 2016. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/20584.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thaele T. The prevalence of playing-related musculoskeletal disorders in selected Western classical music students at the South African College of Music, University of Cape Town. [Thesis]. University of Cape Town; 2016. Available from: http://hdl.handle.net/11427/20584

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

17. Mohr, Claudia. Music to move the masses : protest music of the 1980s as a facilitator for social change in South Africa.

Degree: Image, College of Music, 2011, University of Cape Town

 In this research project I will endeavour to show how protest music, specifically during the 1980s, became an instrument with which musicians and the public… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mohr, C. (2011). Music to move the masses : protest music of the 1980s as a facilitator for social change in South Africa. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/11016

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mohr, Claudia. “Music to move the masses : protest music of the 1980s as a facilitator for social change in South Africa.” 2011. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/11016.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mohr, Claudia. “Music to move the masses : protest music of the 1980s as a facilitator for social change in South Africa.” 2011. Web. 21 Oct 2019.

Vancouver:

Mohr C. Music to move the masses : protest music of the 1980s as a facilitator for social change in South Africa. [Internet] [Thesis]. University of Cape Town; 2011. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/11016.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mohr C. Music to move the masses : protest music of the 1980s as a facilitator for social change in South Africa. [Thesis]. University of Cape Town; 2011. Available from: http://hdl.handle.net/11427/11016

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Steltzner, Becky L. The history of the clarinet in South Africa.

Degree: Image, College of Music, 2016, University of Cape Town

 This thesis explores and traces the history of the clarinet in South Africa. After discussing the problems of researching western European music history in South… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Steltzner, B. L. (2016). The history of the clarinet in South Africa. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/20332

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Steltzner, Becky L. “The history of the clarinet in South Africa.” 2016. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/20332.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Steltzner, Becky L. “The history of the clarinet in South Africa.” 2016. Web. 21 Oct 2019.

Vancouver:

Steltzner BL. The history of the clarinet in South Africa. [Internet] [Thesis]. University of Cape Town; 2016. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/20332.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Steltzner BL. The history of the clarinet in South Africa. [Thesis]. University of Cape Town; 2016. Available from: http://hdl.handle.net/11427/20332

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

19. Petterson, Jill. Extended flute techniques in three culturally different solo flute pieces.

Degree: Image, College of Music, 2011, University of Cape Town

 Extended playing techniques on the flute have long since captured the interest of flute players and composers alike. Whilst the physical development of instruments from… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Petterson, J. (2011). Extended flute techniques in three culturally different solo flute pieces. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/12652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Petterson, Jill. “Extended flute techniques in three culturally different solo flute pieces.” 2011. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/12652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Petterson, Jill. “Extended flute techniques in three culturally different solo flute pieces.” 2011. Web. 21 Oct 2019.

Vancouver:

Petterson J. Extended flute techniques in three culturally different solo flute pieces. [Internet] [Thesis]. University of Cape Town; 2011. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/12652.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Petterson J. Extended flute techniques in three culturally different solo flute pieces. [Thesis]. University of Cape Town; 2011. Available from: http://hdl.handle.net/11427/12652

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

20. Oxtoby, Colleen Joy. Aspects of George Philipp Telemann's Nouvelaux quatuors, in particular their possible influence on the conversations galantes of Louis-Gabriel Guillemain.

Degree: Image, College of Music, 2013, University of Cape Town

 The two quartet-collections under consideration appeared within five years of each other, in the same city and, most significantly, for the same new combination of… (more)

Subjects/Keywords: Music

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APA (6th Edition):

Oxtoby, C. J. (2013). Aspects of George Philipp Telemann's Nouvelaux quatuors, in particular their possible influence on the conversations galantes of Louis-Gabriel Guillemain. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/13987

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oxtoby, Colleen Joy. “Aspects of George Philipp Telemann's Nouvelaux quatuors, in particular their possible influence on the conversations galantes of Louis-Gabriel Guillemain.” 2013. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/13987.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oxtoby, Colleen Joy. “Aspects of George Philipp Telemann's Nouvelaux quatuors, in particular their possible influence on the conversations galantes of Louis-Gabriel Guillemain.” 2013. Web. 21 Oct 2019.

Vancouver:

Oxtoby CJ. Aspects of George Philipp Telemann's Nouvelaux quatuors, in particular their possible influence on the conversations galantes of Louis-Gabriel Guillemain. [Internet] [Thesis]. University of Cape Town; 2013. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/13987.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oxtoby CJ. Aspects of George Philipp Telemann's Nouvelaux quatuors, in particular their possible influence on the conversations galantes of Louis-Gabriel Guillemain. [Thesis]. University of Cape Town; 2013. Available from: http://hdl.handle.net/11427/13987

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

21. Eriksen, Kirstie. The structures, playing techniques and teaching methods of four community brass bands in the Cape Peninsula.

Degree: Image, College of Music, 2012, University of Cape Town

 The objectives of this study are to investigate the teaching methods embedded in the oral transmission of music knowledge, the musicians’ playing technique, the cultural… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Eriksen, K. (2012). The structures, playing techniques and teaching methods of four community brass bands in the Cape Peninsula. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/12003

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Eriksen, Kirstie. “The structures, playing techniques and teaching methods of four community brass bands in the Cape Peninsula.” 2012. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/12003.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Eriksen, Kirstie. “The structures, playing techniques and teaching methods of four community brass bands in the Cape Peninsula.” 2012. Web. 21 Oct 2019.

Vancouver:

Eriksen K. The structures, playing techniques and teaching methods of four community brass bands in the Cape Peninsula. [Internet] [Thesis]. University of Cape Town; 2012. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/12003.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Eriksen K. The structures, playing techniques and teaching methods of four community brass bands in the Cape Peninsula. [Thesis]. University of Cape Town; 2012. Available from: http://hdl.handle.net/11427/12003

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

22. Stoltz, Liesl. A study and catalogue of French flute music written between 1945 and 2008.

Degree: Image, College of Music, 2010, University of Cape Town

 French contemporary flute works are seldom performed outside France, and most of the composers are relatively unknown to the rest of the world. These works… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stoltz, L. (2010). A study and catalogue of French flute music written between 1945 and 2008. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/11119

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stoltz, Liesl. “A study and catalogue of French flute music written between 1945 and 2008.” 2010. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/11119.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stoltz, Liesl. “A study and catalogue of French flute music written between 1945 and 2008.” 2010. Web. 21 Oct 2019.

Vancouver:

Stoltz L. A study and catalogue of French flute music written between 1945 and 2008. [Internet] [Thesis]. University of Cape Town; 2010. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/11119.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stoltz L. A study and catalogue of French flute music written between 1945 and 2008. [Thesis]. University of Cape Town; 2010. Available from: http://hdl.handle.net/11427/11119

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

23. Isaacs, Azra. A performance guide of J.S. Bach's viola da Gama sonatas transcribed for viola.

Degree: Image, College of Music, 2014, University of Cape Town

 As a viola player who is currently learning the viola da gamba sonatas, I have noted a significant dearth of literature in this focal area.… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Isaacs, A. (2014). A performance guide of J.S. Bach's viola da Gama sonatas transcribed for viola. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/13253

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Isaacs, Azra. “A performance guide of J.S. Bach's viola da Gama sonatas transcribed for viola.” 2014. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/13253.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Isaacs, Azra. “A performance guide of J.S. Bach's viola da Gama sonatas transcribed for viola.” 2014. Web. 21 Oct 2019.

Vancouver:

Isaacs A. A performance guide of J.S. Bach's viola da Gama sonatas transcribed for viola. [Internet] [Thesis]. University of Cape Town; 2014. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/13253.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Isaacs A. A performance guide of J.S. Bach's viola da Gama sonatas transcribed for viola. [Thesis]. University of Cape Town; 2014. Available from: http://hdl.handle.net/11427/13253

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

24. Du Plessis, Harm. Lyotard's subline : its manifestation in the musical aesthetic of Toru Takemitsu and Leo Brouwer.

Degree: Image, College of Music, 2016, University of Cape Town

 The research question stems from a desire to discover what makes the guitar music of Leo Brouwer and Toru Takemitsu so conducive to aesthetic investigation,… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Du Plessis, H. (2016). Lyotard's subline : its manifestation in the musical aesthetic of Toru Takemitsu and Leo Brouwer. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/20718

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Du Plessis, Harm. “Lyotard's subline : its manifestation in the musical aesthetic of Toru Takemitsu and Leo Brouwer.” 2016. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/20718.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Du Plessis, Harm. “Lyotard's subline : its manifestation in the musical aesthetic of Toru Takemitsu and Leo Brouwer.” 2016. Web. 21 Oct 2019.

Vancouver:

Du Plessis H. Lyotard's subline : its manifestation in the musical aesthetic of Toru Takemitsu and Leo Brouwer. [Internet] [Thesis]. University of Cape Town; 2016. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/20718.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Du Plessis H. Lyotard's subline : its manifestation in the musical aesthetic of Toru Takemitsu and Leo Brouwer. [Thesis]. University of Cape Town; 2016. Available from: http://hdl.handle.net/11427/20718

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

25. Lubbe, Michelle Hester. Samuel Pepys' reception and perception of vocal music in seventeenth-century England : an analysis of selected diary entries from 1660 until 1669.

Degree: Image, College of Music, 2013, University of Cape Town

 Samuel Pepys (1633-1703) was a late seventeenth-century diarist with a deep love of music, which he often compared to his love of women, as expressed… (more)

Subjects/Keywords: Music

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APA (6th Edition):

Lubbe, M. H. (2013). Samuel Pepys' reception and perception of vocal music in seventeenth-century England : an analysis of selected diary entries from 1660 until 1669. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/14088

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lubbe, Michelle Hester. “Samuel Pepys' reception and perception of vocal music in seventeenth-century England : an analysis of selected diary entries from 1660 until 1669.” 2013. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/14088.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lubbe, Michelle Hester. “Samuel Pepys' reception and perception of vocal music in seventeenth-century England : an analysis of selected diary entries from 1660 until 1669.” 2013. Web. 21 Oct 2019.

Vancouver:

Lubbe MH. Samuel Pepys' reception and perception of vocal music in seventeenth-century England : an analysis of selected diary entries from 1660 until 1669. [Internet] [Thesis]. University of Cape Town; 2013. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/14088.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lubbe MH. Samuel Pepys' reception and perception of vocal music in seventeenth-century England : an analysis of selected diary entries from 1660 until 1669. [Thesis]. University of Cape Town; 2013. Available from: http://hdl.handle.net/11427/14088

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

26. Crankshaw, Amy Jane. Hendrik Hofmeyr: the harmonic language of a theorist and composer theorist.

Degree: Image, College of Music, 2015, University of Cape Town

 This dissertation seeks to investigate an aspect of Hendrik Hofmeyr's engagement with music through his theories of harmonic analysis and his use of expanded tonality… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Crankshaw, A. J. (2015). Hendrik Hofmeyr: the harmonic language of a theorist and composer theorist. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/20035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crankshaw, Amy Jane. “Hendrik Hofmeyr: the harmonic language of a theorist and composer theorist.” 2015. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/20035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crankshaw, Amy Jane. “Hendrik Hofmeyr: the harmonic language of a theorist and composer theorist.” 2015. Web. 21 Oct 2019.

Vancouver:

Crankshaw AJ. Hendrik Hofmeyr: the harmonic language of a theorist and composer theorist. [Internet] [Thesis]. University of Cape Town; 2015. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/20035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crankshaw AJ. Hendrik Hofmeyr: the harmonic language of a theorist and composer theorist. [Thesis]. University of Cape Town; 2015. Available from: http://hdl.handle.net/11427/20035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

27. Harper, Elizabeth. Musical learning, development and mediation: A case study of the Delta Langbroek Band in the Music van de Caab project in the Western Cape.

Degree: Image, College of Music, 2017, University of Cape Town

 Musical learning, development and mediation: A case study of the Delta Langbroek Band in the Music van de Caab project in the Western Cape The… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Harper, E. (2017). Musical learning, development and mediation: A case study of the Delta Langbroek Band in the Music van de Caab project in the Western Cape. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/24894

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harper, Elizabeth. “Musical learning, development and mediation: A case study of the Delta Langbroek Band in the Music van de Caab project in the Western Cape.” 2017. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/24894.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harper, Elizabeth. “Musical learning, development and mediation: A case study of the Delta Langbroek Band in the Music van de Caab project in the Western Cape.” 2017. Web. 21 Oct 2019.

Vancouver:

Harper E. Musical learning, development and mediation: A case study of the Delta Langbroek Band in the Music van de Caab project in the Western Cape. [Internet] [Thesis]. University of Cape Town; 2017. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/24894.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harper E. Musical learning, development and mediation: A case study of the Delta Langbroek Band in the Music van de Caab project in the Western Cape. [Thesis]. University of Cape Town; 2017. Available from: http://hdl.handle.net/11427/24894

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

28. Jeffery, Christopher. South African film music: representation of racial, cultural and national identities, 1931-1969.

Degree: Image, College of Music, 2017, University of Cape Town

 The thesis examines the role of music in South African film pertaining to representation of identity of South African peoples and cultures, from the country's… (more)

Subjects/Keywords: Composition; Music History; Film Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jeffery, C. (2017). South African film music: representation of racial, cultural and national identities, 1931-1969. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/27459

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jeffery, Christopher. “South African film music: representation of racial, cultural and national identities, 1931-1969.” 2017. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/27459.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jeffery, Christopher. “South African film music: representation of racial, cultural and national identities, 1931-1969.” 2017. Web. 21 Oct 2019.

Vancouver:

Jeffery C. South African film music: representation of racial, cultural and national identities, 1931-1969. [Internet] [Thesis]. University of Cape Town; 2017. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/27459.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jeffery C. South African film music: representation of racial, cultural and national identities, 1931-1969. [Thesis]. University of Cape Town; 2017. Available from: http://hdl.handle.net/11427/27459

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

29. Gripper, Derek. The margin and the mainstream : positioning Harry Partch's theories within the broader discourse of musical aesthetics.

Degree: Image, College of Music, 2002, University of Cape Town

 The dissertation examines the broader musical value of microtonal composer Harry Partch's musical theories by locating his critique of abstract music within mainstream compositional theory… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gripper, D. (2002). The margin and the mainstream : positioning Harry Partch's theories within the broader discourse of musical aesthetics. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/8792

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gripper, Derek. “The margin and the mainstream : positioning Harry Partch's theories within the broader discourse of musical aesthetics.” 2002. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/8792.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gripper, Derek. “The margin and the mainstream : positioning Harry Partch's theories within the broader discourse of musical aesthetics.” 2002. Web. 21 Oct 2019.

Vancouver:

Gripper D. The margin and the mainstream : positioning Harry Partch's theories within the broader discourse of musical aesthetics. [Internet] [Thesis]. University of Cape Town; 2002. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/8792.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gripper D. The margin and the mainstream : positioning Harry Partch's theories within the broader discourse of musical aesthetics. [Thesis]. University of Cape Town; 2002. Available from: http://hdl.handle.net/11427/8792

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cape Town

30. Xaluva, Nomfundo. An analysis of the musical style of Miriam Makeba.

Degree: Image, College of Music, 2009, University of Cape Town

 The motivation behind this study is to explore the musical style of the late Miriam Makeba. The intention is that it will add a valuable… (more)

Subjects/Keywords: Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Xaluva, N. (2009). An analysis of the musical style of Miriam Makeba. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/8249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Xaluva, Nomfundo. “An analysis of the musical style of Miriam Makeba.” 2009. Thesis, University of Cape Town. Accessed October 21, 2019. http://hdl.handle.net/11427/8249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Xaluva, Nomfundo. “An analysis of the musical style of Miriam Makeba.” 2009. Web. 21 Oct 2019.

Vancouver:

Xaluva N. An analysis of the musical style of Miriam Makeba. [Internet] [Thesis]. University of Cape Town; 2009. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11427/8249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Xaluva N. An analysis of the musical style of Miriam Makeba. [Thesis]. University of Cape Town; 2009. Available from: http://hdl.handle.net/11427/8249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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