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Dates: 2015 – 2019

You searched for subject:(Women in motion pictures). Showing records 1 – 30 of 28167 total matches.

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University of Stirling

1. Tiller, Elizabeth. Women Walking: The Flâneuse and Urban Tourist in Cinema.

Degree: M. Phil., 2015, University of Stirling

 This thesis looks at representations of female mobility and the female gaze in films set in Paris and Tuscany. It primarily looks at these representations… (more)

Subjects/Keywords: Flaneurs in motion pictures; Women in motion pictures; Women tourists; Gaze in motion pictures

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APA (6th Edition):

Tiller, E. (2015). Women Walking: The Flâneuse and Urban Tourist in Cinema. (Masters Thesis). University of Stirling. Retrieved from http://hdl.handle.net/1893/25096

Chicago Manual of Style (16th Edition):

Tiller, Elizabeth. “Women Walking: The Flâneuse and Urban Tourist in Cinema.” 2015. Masters Thesis, University of Stirling. Accessed November 12, 2019. http://hdl.handle.net/1893/25096.

MLA Handbook (7th Edition):

Tiller, Elizabeth. “Women Walking: The Flâneuse and Urban Tourist in Cinema.” 2015. Web. 12 Nov 2019.

Vancouver:

Tiller E. Women Walking: The Flâneuse and Urban Tourist in Cinema. [Internet] [Masters thesis]. University of Stirling; 2015. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/1893/25096.

Council of Science Editors:

Tiller E. Women Walking: The Flâneuse and Urban Tourist in Cinema. [Masters Thesis]. University of Stirling; 2015. Available from: http://hdl.handle.net/1893/25096


Ryerson University

2. Ciccone, Vanessa. Rated M for misogyny: reimagining gender assessments for film.

Degree: 2017, Ryerson University

 The Bechdel Test is effective at raising awareness about biased gender portrayals in media, yet it has been criticized for being an inaccurate assessment of… (more)

Subjects/Keywords: Stereotypes (Social psychology) in motion pictures.; Women in motion pictures.; Feminism and motion pictures.; Sex role in motion pictures.

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APA (6th Edition):

Ciccone, V. (2017). Rated M for misogyny: reimagining gender assessments for film. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A6808

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ciccone, Vanessa. “Rated M for misogyny: reimagining gender assessments for film.” 2017. Thesis, Ryerson University. Accessed November 12, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A6808.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ciccone, Vanessa. “Rated M for misogyny: reimagining gender assessments for film.” 2017. Web. 12 Nov 2019.

Vancouver:

Ciccone V. Rated M for misogyny: reimagining gender assessments for film. [Internet] [Thesis]. Ryerson University; 2017. [cited 2019 Nov 12]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A6808.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ciccone V. Rated M for misogyny: reimagining gender assessments for film. [Thesis]. Ryerson University; 2017. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A6808

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Carolina – Greensboro

3. Brown, Sherronda J. The haunted ground we walk on: (un)knowable gendered and racialized subjects.

Degree: 2015, University of North Carolina – Greensboro

 The purpose of this work is to analyze haunting narratives in cinematic texts, exploring the significance of gendered and racialized violences on the screen while… (more)

Subjects/Keywords: Horror films – History and criticism; Violence in motion pictures; Race in motion pictures; Ghosts in motion pictures; Women in motion pictures; Sex role in motion pictures

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APA (6th Edition):

Brown, S. J. (2015). The haunted ground we walk on: (un)knowable gendered and racialized subjects. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067

Chicago Manual of Style (16th Edition):

Brown, Sherronda J. “The haunted ground we walk on: (un)knowable gendered and racialized subjects.” 2015. Masters Thesis, University of North Carolina – Greensboro. Accessed November 12, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067.

MLA Handbook (7th Edition):

Brown, Sherronda J. “The haunted ground we walk on: (un)knowable gendered and racialized subjects.” 2015. Web. 12 Nov 2019.

Vancouver:

Brown SJ. The haunted ground we walk on: (un)knowable gendered and racialized subjects. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2015. [cited 2019 Nov 12]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067.

Council of Science Editors:

Brown SJ. The haunted ground we walk on: (un)knowable gendered and racialized subjects. [Masters Thesis]. University of North Carolina – Greensboro; 2015. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067


Massey University

4. Dillon, Sarah M. The future is female : gynoidian skins and prosthetic experience.

Degree: MA, Media Studies, 2017, Massey University

 The female cyborg, or ‘gynoid’, has historically recurred in cinema as a trope by which the female form magnetises anxieties about new experiences proffered by… (more)

Subjects/Keywords: Cyborgs in motion pictures; Women in motion pictures; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Film

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APA (6th Edition):

Dillon, S. M. (2017). The future is female : gynoidian skins and prosthetic experience. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/12488

Chicago Manual of Style (16th Edition):

Dillon, Sarah M. “The future is female : gynoidian skins and prosthetic experience.” 2017. Masters Thesis, Massey University. Accessed November 12, 2019. http://hdl.handle.net/10179/12488.

MLA Handbook (7th Edition):

Dillon, Sarah M. “The future is female : gynoidian skins and prosthetic experience.” 2017. Web. 12 Nov 2019.

Vancouver:

Dillon SM. The future is female : gynoidian skins and prosthetic experience. [Internet] [Masters thesis]. Massey University; 2017. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10179/12488.

Council of Science Editors:

Dillon SM. The future is female : gynoidian skins and prosthetic experience. [Masters Thesis]. Massey University; 2017. Available from: http://hdl.handle.net/10179/12488


University of Hong Kong

5. Waller, Kathleen Clare. Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong.

Degree: PhD, 2015, University of Hong Kong

At the turn of the century, two major traumas have linked New York City and Hong Kong from opposite sides of the globe. Hong Kong’s… (more)

Subjects/Keywords: Immigrants in motion pictures

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APA (6th Edition):

Waller, K. C. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Doctoral Dissertation). University of Hong Kong. Retrieved from Waller, K. C.. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760950 ; http://hdl.handle.net/10722/226750

Chicago Manual of Style (16th Edition):

Waller, Kathleen Clare. “Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong.” 2015. Doctoral Dissertation, University of Hong Kong. Accessed November 12, 2019. Waller, K. C.. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760950 ; http://hdl.handle.net/10722/226750.

MLA Handbook (7th Edition):

Waller, Kathleen Clare. “Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong.” 2015. Web. 12 Nov 2019.

Vancouver:

Waller KC. Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. [Internet] [Doctoral dissertation]. University of Hong Kong; 2015. [cited 2019 Nov 12]. Available from: Waller, K. C.. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760950 ; http://hdl.handle.net/10722/226750.

Council of Science Editors:

Waller KC. Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. [Doctoral Dissertation]. University of Hong Kong; 2015. Available from: Waller, K. C.. (2015). Immigrant imaginaries in the filmic apartment ellipsis : a study of New York and Hong Kong. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760950 ; http://hdl.handle.net/10722/226750


University of Hong Kong

6. Beaumont, James Andrew. The public and the private body : representing disability in world cinema.

Degree: MA, 2016, University of Hong Kong

This dissertation aims to provide new readings of Jacques Audiard’s Rust and Bone and Lee Chang-dong’s Oasis, showing how the films draw attention to the… (more)

Subjects/Keywords: Disabilities in motion pictures

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APA (6th Edition):

Beaumont, J. A. (2016). The public and the private body : representing disability in world cinema. (Masters Thesis). University of Hong Kong. Retrieved from Beaumont, J. A.. (2016). The public and the private body : representing disability in world cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5813908. ; http://dx.doi.org/10.5353/th_b5813908 ; http://hdl.handle.net/10722/237479

Chicago Manual of Style (16th Edition):

Beaumont, James Andrew. “The public and the private body : representing disability in world cinema.” 2016. Masters Thesis, University of Hong Kong. Accessed November 12, 2019. Beaumont, J. A.. (2016). The public and the private body : representing disability in world cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5813908. ; http://dx.doi.org/10.5353/th_b5813908 ; http://hdl.handle.net/10722/237479.

MLA Handbook (7th Edition):

Beaumont, James Andrew. “The public and the private body : representing disability in world cinema.” 2016. Web. 12 Nov 2019.

Vancouver:

Beaumont JA. The public and the private body : representing disability in world cinema. [Internet] [Masters thesis]. University of Hong Kong; 2016. [cited 2019 Nov 12]. Available from: Beaumont, J. A.. (2016). The public and the private body : representing disability in world cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5813908. ; http://dx.doi.org/10.5353/th_b5813908 ; http://hdl.handle.net/10722/237479.

Council of Science Editors:

Beaumont JA. The public and the private body : representing disability in world cinema. [Masters Thesis]. University of Hong Kong; 2016. Available from: Beaumont, J. A.. (2016). The public and the private body : representing disability in world cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5813908. ; http://dx.doi.org/10.5353/th_b5813908 ; http://hdl.handle.net/10722/237479


Durban University of Technology

7. Heath, Alistair. Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers.

Degree: 2015, Durban University of Technology

Submitted in partial fulfillment in compliance with the requirements for the Masters Degree in Technology: Fine Art, Durban University of Technology. Durban. South Africa, 2014.… (more)

Subjects/Keywords: Motion pictures and history; Motion pictures – Influence; Psychoanalysis in motion pictures; Aversion therapy – South Africa

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APA (6th Edition):

Heath, A. (2015). Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers. (Thesis). Durban University of Technology. Retrieved from http://hdl.handle.net/10321/1549

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Heath, Alistair. “Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers.” 2015. Thesis, Durban University of Technology. Accessed November 12, 2019. http://hdl.handle.net/10321/1549.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Heath, Alistair. “Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers.” 2015. Web. 12 Nov 2019.

Vancouver:

Heath A. Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers. [Internet] [Thesis]. Durban University of Technology; 2015. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10321/1549.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Heath A. Truth and entertainment : historical film as a representation of the past in the works of selected filmmakers. [Thesis]. Durban University of Technology; 2015. Available from: http://hdl.handle.net/10321/1549

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

8. Palanti, Alessia. Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema.

Degree: 2019, Columbia University

 At the crossroads of Italian studies; film studies; and women’s, gender, and sexuality studies, my dissertation investigates a group of films by Italian women filmmakers… (more)

Subjects/Keywords: Sexual minorities; Motion pictures, Italian; Lesbianism in motion pictures; Feminism

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APA (6th Edition):

Palanti, A. (2019). Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/d8-azvp-1793

Chicago Manual of Style (16th Edition):

Palanti, Alessia. “Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema.” 2019. Doctoral Dissertation, Columbia University. Accessed November 12, 2019. https://doi.org/10.7916/d8-azvp-1793.

MLA Handbook (7th Edition):

Palanti, Alessia. “Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema.” 2019. Web. 12 Nov 2019.

Vancouver:

Palanti A. Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema. [Internet] [Doctoral dissertation]. Columbia University; 2019. [cited 2019 Nov 12]. Available from: https://doi.org/10.7916/d8-azvp-1793.

Council of Science Editors:

Palanti A. Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema. [Doctoral Dissertation]. Columbia University; 2019. Available from: https://doi.org/10.7916/d8-azvp-1793


Michigan State University

9. Schwartz, Danielle Brooke. Teen representations from the brat pack to hip-hop : subjectivity and identity in a neoliberal age.

Degree: 2016, Michigan State University

Thesis M.A. Michigan State University. Literature in English 2016

The teen film provides endless possibilities for identification for young audiences. They ask spectators to identify… (more)

Subjects/Keywords: Teenagers in motion pictures; Subjectivity in motion pictures; Race awareness in motion pictures; Neoliberalism; Film studies; Black studies; Women's studies

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APA (6th Edition):

Schwartz, D. B. (2016). Teen representations from the brat pack to hip-hop : subjectivity and identity in a neoliberal age. (Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:3923

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schwartz, Danielle Brooke. “Teen representations from the brat pack to hip-hop : subjectivity and identity in a neoliberal age.” 2016. Thesis, Michigan State University. Accessed November 12, 2019. http://etd.lib.msu.edu/islandora/object/etd:3923.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schwartz, Danielle Brooke. “Teen representations from the brat pack to hip-hop : subjectivity and identity in a neoliberal age.” 2016. Web. 12 Nov 2019.

Vancouver:

Schwartz DB. Teen representations from the brat pack to hip-hop : subjectivity and identity in a neoliberal age. [Internet] [Thesis]. Michigan State University; 2016. [cited 2019 Nov 12]. Available from: http://etd.lib.msu.edu/islandora/object/etd:3923.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schwartz DB. Teen representations from the brat pack to hip-hop : subjectivity and identity in a neoliberal age. [Thesis]. Michigan State University; 2016. Available from: http://etd.lib.msu.edu/islandora/object/etd:3923

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

10. Lee, Yi-yan. Imagining identity with food : a study of cultural translation in Ang Lee's Eat drink man woman and documentary A bite of China.

Degree: MA, 2016, University of Hong Kong

The representation of food is also the representation of hunger. In the modern societies, food is more than a necessity for survival, or a cultural… (more)

Subjects/Keywords: Food on television; Food in motion pictures

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APA (6th Edition):

Lee, Y. (2016). Imagining identity with food : a study of cultural translation in Ang Lee's Eat drink man woman and documentary A bite of China. (Masters Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/236289

Chicago Manual of Style (16th Edition):

Lee, Yi-yan. “Imagining identity with food : a study of cultural translation in Ang Lee's Eat drink man woman and documentary A bite of China.” 2016. Masters Thesis, University of Hong Kong. Accessed November 12, 2019. http://hdl.handle.net/10722/236289.

MLA Handbook (7th Edition):

Lee, Yi-yan. “Imagining identity with food : a study of cultural translation in Ang Lee's Eat drink man woman and documentary A bite of China.” 2016. Web. 12 Nov 2019.

Vancouver:

Lee Y. Imagining identity with food : a study of cultural translation in Ang Lee's Eat drink man woman and documentary A bite of China. [Internet] [Masters thesis]. University of Hong Kong; 2016. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10722/236289.

Council of Science Editors:

Lee Y. Imagining identity with food : a study of cultural translation in Ang Lee's Eat drink man woman and documentary A bite of China. [Masters Thesis]. University of Hong Kong; 2016. Available from: http://hdl.handle.net/10722/236289


Colorado State University

11. Richards, Joseph P. Dangerous message : the material effects of Enough, A.

Degree: MA, Speech Communication, 2018, Colorado State University

 Domestic violence is a cultural epidemic in U.S. society. How we define, perceive, and treat domestic violence is a product of the material rhetorics about… (more)

Subjects/Keywords: Violence in motion pictures; Abused wives

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APA (6th Edition):

Richards, J. P. (2018). Dangerous message : the material effects of Enough, A. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/192935

Chicago Manual of Style (16th Edition):

Richards, Joseph P. “Dangerous message : the material effects of Enough, A.” 2018. Masters Thesis, Colorado State University. Accessed November 12, 2019. http://hdl.handle.net/10217/192935.

MLA Handbook (7th Edition):

Richards, Joseph P. “Dangerous message : the material effects of Enough, A.” 2018. Web. 12 Nov 2019.

Vancouver:

Richards JP. Dangerous message : the material effects of Enough, A. [Internet] [Masters thesis]. Colorado State University; 2018. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10217/192935.

Council of Science Editors:

Richards JP. Dangerous message : the material effects of Enough, A. [Masters Thesis]. Colorado State University; 2018. Available from: http://hdl.handle.net/10217/192935


University of Missouri – Columbia

12. Havey, Max. Stripped down and flawed: demystifying journalism heroes and villains film in the 1970s and 2010s.

Degree: 2017, University of Missouri – Columbia

 [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Since the early days of film, the journalist has been a stalwart character, embodying either… (more)

Subjects/Keywords: Journalism – Public opinion; Archetype (Psychology) on television; Heroes in motion pictures; Villains in motion pictures

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APA (6th Edition):

Havey, M. (2017). Stripped down and flawed: demystifying journalism heroes and villains film in the 1970s and 2010s. (Thesis). University of Missouri – Columbia. Retrieved from http://hdl.handle.net/10355/62102

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Havey, Max. “Stripped down and flawed: demystifying journalism heroes and villains film in the 1970s and 2010s.” 2017. Thesis, University of Missouri – Columbia. Accessed November 12, 2019. http://hdl.handle.net/10355/62102.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Havey, Max. “Stripped down and flawed: demystifying journalism heroes and villains film in the 1970s and 2010s.” 2017. Web. 12 Nov 2019.

Vancouver:

Havey M. Stripped down and flawed: demystifying journalism heroes and villains film in the 1970s and 2010s. [Internet] [Thesis]. University of Missouri – Columbia; 2017. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10355/62102.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Havey M. Stripped down and flawed: demystifying journalism heroes and villains film in the 1970s and 2010s. [Thesis]. University of Missouri – Columbia; 2017. Available from: http://hdl.handle.net/10355/62102

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

13. Zurba, Zorianna Ulana. Funny feelings: taking love to the cinema with Woody Allen.

Degree: 2015, Ryerson University

 This dissertation utilizes the films of Woody Allen in order to position the cinema as a site where realizing and practicing an embodied experience of… (more)

Subjects/Keywords: Allen, Woody  – Criticism and interpretation; Motion pictures  – Appreciation; Love in motion pictures; Romance films; Motion pictures  – Philosophy; Love  – Philosophy

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APA (6th Edition):

Zurba, Z. U. (2015). Funny feelings: taking love to the cinema with Woody Allen. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A4151

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zurba, Zorianna Ulana. “Funny feelings: taking love to the cinema with Woody Allen.” 2015. Thesis, Ryerson University. Accessed November 12, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A4151.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zurba, Zorianna Ulana. “Funny feelings: taking love to the cinema with Woody Allen.” 2015. Web. 12 Nov 2019.

Vancouver:

Zurba ZU. Funny feelings: taking love to the cinema with Woody Allen. [Internet] [Thesis]. Ryerson University; 2015. [cited 2019 Nov 12]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A4151.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zurba ZU. Funny feelings: taking love to the cinema with Woody Allen. [Thesis]. Ryerson University; 2015. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A4151

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Johannesburg

14. Nell, Lauren. A girl, a vampire and a werewolf : an audience ethnography of romance and gender representations in the films Twilight (2008) and New moon (2009).

Degree: 2015, University of Johannesburg

M.A (Audiovisual Communication)

In 2008 a film about a Gothic Romance between a teenage girl and a vampire became a pop culture phenomenon (Edwards, 2009:26).… (more)

Subjects/Keywords: Twilight (Motion picture : 2008); New moon (Motion picture : 2009); Sex role in motion pictures; Sex in motion pictures; Vampire films

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APA (6th Edition):

Nell, L. (2015). A girl, a vampire and a werewolf : an audience ethnography of romance and gender representations in the films Twilight (2008) and New moon (2009). (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/14046

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nell, Lauren. “A girl, a vampire and a werewolf : an audience ethnography of romance and gender representations in the films Twilight (2008) and New moon (2009).” 2015. Thesis, University of Johannesburg. Accessed November 12, 2019. http://hdl.handle.net/10210/14046.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nell, Lauren. “A girl, a vampire and a werewolf : an audience ethnography of romance and gender representations in the films Twilight (2008) and New moon (2009).” 2015. Web. 12 Nov 2019.

Vancouver:

Nell L. A girl, a vampire and a werewolf : an audience ethnography of romance and gender representations in the films Twilight (2008) and New moon (2009). [Internet] [Thesis]. University of Johannesburg; 2015. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10210/14046.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nell L. A girl, a vampire and a werewolf : an audience ethnography of romance and gender representations in the films Twilight (2008) and New moon (2009). [Thesis]. University of Johannesburg; 2015. Available from: http://hdl.handle.net/10210/14046

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Stirling

15. Moffat, Katie Louise. Crisis Politics in Contemporary Nordic Film Culture: Representing Race and Ethnicity in a Transforming Europe.

Degree: PhD, 2018, University of Stirling

 Identity politics in the Nordic region, that is, Sweden, Denmark, Finland, Iceland and Norway, is in crisis. While these five small nations have garnered a… (more)

Subjects/Keywords: Nordic cinema; immigration; multiculturalism; welfare state; crisis; Motion pictures Scandinavia; Motion pictures Scandinavia History and criticism; Racism in motion pictures; Ethnicity in motion pictures

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APA (6th Edition):

Moffat, K. L. (2018). Crisis Politics in Contemporary Nordic Film Culture: Representing Race and Ethnicity in a Transforming Europe. (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/29975

Chicago Manual of Style (16th Edition):

Moffat, Katie Louise. “Crisis Politics in Contemporary Nordic Film Culture: Representing Race and Ethnicity in a Transforming Europe.” 2018. Doctoral Dissertation, University of Stirling. Accessed November 12, 2019. http://hdl.handle.net/1893/29975.

MLA Handbook (7th Edition):

Moffat, Katie Louise. “Crisis Politics in Contemporary Nordic Film Culture: Representing Race and Ethnicity in a Transforming Europe.” 2018. Web. 12 Nov 2019.

Vancouver:

Moffat KL. Crisis Politics in Contemporary Nordic Film Culture: Representing Race and Ethnicity in a Transforming Europe. [Internet] [Doctoral dissertation]. University of Stirling; 2018. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/1893/29975.

Council of Science Editors:

Moffat KL. Crisis Politics in Contemporary Nordic Film Culture: Representing Race and Ethnicity in a Transforming Europe. [Doctoral Dissertation]. University of Stirling; 2018. Available from: http://hdl.handle.net/1893/29975


Michigan State University

16. Ryan, Connor O'Neill. Lagos never spoils : the aesthetics, affect, and politics of the city in Nigerian screen media.

Degree: 2015, Michigan State University

LAGOS NEVER SPOILS: THE AESTHETICS, AFFECT, AND POLITICS OF THE CITY IN NIGERIAN SCREEN MEDIAByConnor O’Neill RyanStudies of cinema and urban modernity in Europe and… (more)

Subjects/Keywords: Motion pictures – Social aspects – Nigeria; Motion pictures – Political aspects – Nigeria; Motion pictures – Nigeria – History and criticism; City and town life in motion pictures; Aesthetics; Film studies; African studies

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APA (6th Edition):

Ryan, C. O. (2015). Lagos never spoils : the aesthetics, affect, and politics of the city in Nigerian screen media. (Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:3656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ryan, Connor O'Neill. “Lagos never spoils : the aesthetics, affect, and politics of the city in Nigerian screen media.” 2015. Thesis, Michigan State University. Accessed November 12, 2019. http://etd.lib.msu.edu/islandora/object/etd:3656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ryan, Connor O'Neill. “Lagos never spoils : the aesthetics, affect, and politics of the city in Nigerian screen media.” 2015. Web. 12 Nov 2019.

Vancouver:

Ryan CO. Lagos never spoils : the aesthetics, affect, and politics of the city in Nigerian screen media. [Internet] [Thesis]. Michigan State University; 2015. [cited 2019 Nov 12]. Available from: http://etd.lib.msu.edu/islandora/object/etd:3656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ryan CO. Lagos never spoils : the aesthetics, affect, and politics of the city in Nigerian screen media. [Thesis]. Michigan State University; 2015. Available from: http://etd.lib.msu.edu/islandora/object/etd:3656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

17. Damiani, Julian, 1991-. Same-sex desire, hedonism, and struggling identity in Johann Wolfing Von Goethe's Faust: a Tragedy (1806) and Oscar Wilde's the Picture of Dorian Gray (1891).

Degree: MA, English, 2016, Rutgers University

 Oscar Wilde’s The Picture of Dorian Gray remains emblematic of queer literary studies given its unique position of juxtaposing coded same-sex desire with the blatant… (more)

Subjects/Keywords: Picture of Dorian Gray (Motion picture); Homosexuality in motion pictures; Hedonism

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APA (6th Edition):

Damiani, Julian, 1. (2016). Same-sex desire, hedonism, and struggling identity in Johann Wolfing Von Goethe's Faust: a Tragedy (1806) and Oscar Wilde's the Picture of Dorian Gray (1891). (Masters Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/49754/

Chicago Manual of Style (16th Edition):

Damiani, Julian, 1991-. “Same-sex desire, hedonism, and struggling identity in Johann Wolfing Von Goethe's Faust: a Tragedy (1806) and Oscar Wilde's the Picture of Dorian Gray (1891).” 2016. Masters Thesis, Rutgers University. Accessed November 12, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/49754/.

MLA Handbook (7th Edition):

Damiani, Julian, 1991-. “Same-sex desire, hedonism, and struggling identity in Johann Wolfing Von Goethe's Faust: a Tragedy (1806) and Oscar Wilde's the Picture of Dorian Gray (1891).” 2016. Web. 12 Nov 2019.

Vancouver:

Damiani, Julian 1. Same-sex desire, hedonism, and struggling identity in Johann Wolfing Von Goethe's Faust: a Tragedy (1806) and Oscar Wilde's the Picture of Dorian Gray (1891). [Internet] [Masters thesis]. Rutgers University; 2016. [cited 2019 Nov 12]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/49754/.

Council of Science Editors:

Damiani, Julian 1. Same-sex desire, hedonism, and struggling identity in Johann Wolfing Von Goethe's Faust: a Tragedy (1806) and Oscar Wilde's the Picture of Dorian Gray (1891). [Masters Thesis]. Rutgers University; 2016. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/49754/


Michigan State University

18. Lee, Eunah. The sensibility of the adopted : trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora.

Degree: 2016, Michigan State University

Thesis Ph. D. Michigan State University. English 2016

"[This] study delineates the persistence of a predominant nostalgic mode and the affect of orphanhood, in the… (more)

Subjects/Keywords: Psychic trauma; Motion pictures – East Asia – History; East Asian literature – History and criticism; Children in literature; Children in motion pictures; Orphans in literature; Orphans in motion pictures; Nostalgia in literature; Nostalgia in motion pictures; English literature; Asian American studies; Film studies; East Asian motion pictures

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APA (6th Edition):

Lee, E. (2016). The sensibility of the adopted : trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora. (Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:4096

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Eunah. “The sensibility of the adopted : trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora.” 2016. Thesis, Michigan State University. Accessed November 12, 2019. http://etd.lib.msu.edu/islandora/object/etd:4096.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Eunah. “The sensibility of the adopted : trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora.” 2016. Web. 12 Nov 2019.

Vancouver:

Lee E. The sensibility of the adopted : trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora. [Internet] [Thesis]. Michigan State University; 2016. [cited 2019 Nov 12]. Available from: http://etd.lib.msu.edu/islandora/object/etd:4096.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee E. The sensibility of the adopted : trauma and childhood in the contemporary literature and cinema of East Asia and its Diaspora. [Thesis]. Michigan State University; 2016. Available from: http://etd.lib.msu.edu/islandora/object/etd:4096

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

19. Schaub, Kayla. Representations of Minority Women in Banlieue Cinema: Divines and Bande de filles.

Degree: MA, Arts and Sciences: French, 2019, University of Cincinnati

 In recent decades, women and women’s issues are becoming increasingly visible in cinematic works. Female subjectivities are being showcased on the screen in addition to… (more)

Subjects/Keywords: Motion Pictures; banlieue; cinema; space; gender stereotypes; minority women

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APA (6th Edition):

Schaub, K. (2019). Representations of Minority Women in Banlieue Cinema: Divines and Bande de filles. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554215562826029

Chicago Manual of Style (16th Edition):

Schaub, Kayla. “Representations of Minority Women in Banlieue Cinema: Divines and Bande de filles.” 2019. Masters Thesis, University of Cincinnati. Accessed November 12, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554215562826029.

MLA Handbook (7th Edition):

Schaub, Kayla. “Representations of Minority Women in Banlieue Cinema: Divines and Bande de filles.” 2019. Web. 12 Nov 2019.

Vancouver:

Schaub K. Representations of Minority Women in Banlieue Cinema: Divines and Bande de filles. [Internet] [Masters thesis]. University of Cincinnati; 2019. [cited 2019 Nov 12]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554215562826029.

Council of Science Editors:

Schaub K. Representations of Minority Women in Banlieue Cinema: Divines and Bande de filles. [Masters Thesis]. University of Cincinnati; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554215562826029


Ryerson University

20. Del Giacco, Laura. Le sommeil d’un mannequin: exploring material memory through film.

Degree: 2016, Ryerson University

 Le Sommeil d’un mannequin is a practice-based research project that examines the relationship between the female body and the body of the mannequin through creative… (more)

Subjects/Keywords: Material culture  – Social aspects.; Plaster casts in motion pictures.; Experimental films  – Canada.; Memory in motion pictures.; Mannequins (Figures); Body, Human in motion pictures.

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APA (6th Edition):

Del Giacco, L. (2016). Le sommeil d’un mannequin: exploring material memory through film. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A5380

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Del Giacco, Laura. “Le sommeil d’un mannequin: exploring material memory through film.” 2016. Thesis, Ryerson University. Accessed November 12, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A5380.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Del Giacco, Laura. “Le sommeil d’un mannequin: exploring material memory through film.” 2016. Web. 12 Nov 2019.

Vancouver:

Del Giacco L. Le sommeil d’un mannequin: exploring material memory through film. [Internet] [Thesis]. Ryerson University; 2016. [cited 2019 Nov 12]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A5380.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Del Giacco L. Le sommeil d’un mannequin: exploring material memory through film. [Thesis]. Ryerson University; 2016. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A5380

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

21. Betancourt, Manuel, 1984-. Being in the picture: the movie fan and queer literature.

Degree: PhD, Literatures in English, 2015, Rutgers University

Studying twentieth-century literature through the lens of film studies and queer theory, “Being in the Picture” stages an interdisciplinary conversation that posits queer film fandom… (more)

Subjects/Keywords: Homosexuality in motion pictures; Homosexuality in literature; Fans (Persons)

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APA (6th Edition):

Betancourt, Manuel, 1. (2015). Being in the picture: the movie fan and queer literature. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/47259/

Chicago Manual of Style (16th Edition):

Betancourt, Manuel, 1984-. “Being in the picture: the movie fan and queer literature.” 2015. Doctoral Dissertation, Rutgers University. Accessed November 12, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/47259/.

MLA Handbook (7th Edition):

Betancourt, Manuel, 1984-. “Being in the picture: the movie fan and queer literature.” 2015. Web. 12 Nov 2019.

Vancouver:

Betancourt, Manuel 1. Being in the picture: the movie fan and queer literature. [Internet] [Doctoral dissertation]. Rutgers University; 2015. [cited 2019 Nov 12]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47259/.

Council of Science Editors:

Betancourt, Manuel 1. Being in the picture: the movie fan and queer literature. [Doctoral Dissertation]. Rutgers University; 2015. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47259/


Durban University of Technology

22. Akal, Shari Tamar. Costuming gender : an investigation into the construction and perception of drag costume in mainstream film.

Degree: 2015, Durban University of Technology

Submitted in fulfilment of the requirements of the Degree of the Master of Technology in Fashion, Durban University of Technology, Durban, South Africa, 2015.

The… (more)

Subjects/Keywords: Gender identity in motion pictures; Transgender people – Clothing; Female impersonators – Clothing; Female impersonators in motion pictures; Female impersonators – Public opinion

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APA (6th Edition):

Akal, S. T. (2015). Costuming gender : an investigation into the construction and perception of drag costume in mainstream film. (Thesis). Durban University of Technology. Retrieved from http://hdl.handle.net/10321/2423

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Akal, Shari Tamar. “Costuming gender : an investigation into the construction and perception of drag costume in mainstream film.” 2015. Thesis, Durban University of Technology. Accessed November 12, 2019. http://hdl.handle.net/10321/2423.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Akal, Shari Tamar. “Costuming gender : an investigation into the construction and perception of drag costume in mainstream film.” 2015. Web. 12 Nov 2019.

Vancouver:

Akal ST. Costuming gender : an investigation into the construction and perception of drag costume in mainstream film. [Internet] [Thesis]. Durban University of Technology; 2015. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10321/2423.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Akal ST. Costuming gender : an investigation into the construction and perception of drag costume in mainstream film. [Thesis]. Durban University of Technology; 2015. Available from: http://hdl.handle.net/10321/2423

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Macquarie University

23. Barnett, Chelsea Meredith. Masculinity in Australian film, 1949-1962.

Degree: 2015, Macquarie University

1. The interval that wasn't? The Australian film industry, 1927-1963  – 2. 'Australia upon those foundations'. Cinematic representations of national identity  – 3. 'The mail… (more)

Subjects/Keywords: Motion pictures, Australian; Masculinity in motion pictures; Masculinity in popular culture  – Australia; masculinity; Australian history; film; fifties; postwar

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APA (6th Edition):

Barnett, C. M. (2015). Masculinity in Australian film, 1949-1962. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/1074183

Chicago Manual of Style (16th Edition):

Barnett, Chelsea Meredith. “Masculinity in Australian film, 1949-1962.” 2015. Doctoral Dissertation, Macquarie University. Accessed November 12, 2019. http://hdl.handle.net/1959.14/1074183.

MLA Handbook (7th Edition):

Barnett, Chelsea Meredith. “Masculinity in Australian film, 1949-1962.” 2015. Web. 12 Nov 2019.

Vancouver:

Barnett CM. Masculinity in Australian film, 1949-1962. [Internet] [Doctoral dissertation]. Macquarie University; 2015. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/1959.14/1074183.

Council of Science Editors:

Barnett CM. Masculinity in Australian film, 1949-1962. [Doctoral Dissertation]. Macquarie University; 2015. Available from: http://hdl.handle.net/1959.14/1074183


University of Aberdeen

24. Noble, Fiona. Post-transition transitions : childhood, performance and immigration in post-Franco Spanish cinema.

Degree: PhD, 2015, University of Aberdeen

Subjects/Keywords: Motion pictures; Children in motion pictures; Immigrants in motion pictures

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APA (6th Edition):

Noble, F. (2015). Post-transition transitions : childhood, performance and immigration in post-Franco Spanish cinema. (Doctoral Dissertation). University of Aberdeen. Retrieved from http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=227226 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.665357

Chicago Manual of Style (16th Edition):

Noble, Fiona. “Post-transition transitions : childhood, performance and immigration in post-Franco Spanish cinema.” 2015. Doctoral Dissertation, University of Aberdeen. Accessed November 12, 2019. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=227226 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.665357.

MLA Handbook (7th Edition):

Noble, Fiona. “Post-transition transitions : childhood, performance and immigration in post-Franco Spanish cinema.” 2015. Web. 12 Nov 2019.

Vancouver:

Noble F. Post-transition transitions : childhood, performance and immigration in post-Franco Spanish cinema. [Internet] [Doctoral dissertation]. University of Aberdeen; 2015. [cited 2019 Nov 12]. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=227226 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.665357.

Council of Science Editors:

Noble F. Post-transition transitions : childhood, performance and immigration in post-Franco Spanish cinema. [Doctoral Dissertation]. University of Aberdeen; 2015. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=227226 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.665357


University of Aberdeen

25. Noble, Fiona.; University of Aberdeen.Dept. of Hispanic Studies.; University of Aberdeen.Dept. of Film and Visual Culture. Post-transition transitions.

Degree: Dept. of Hispanic Studies., 2015, University of Aberdeen

Subjects/Keywords: Motion pictures; Children in motion pictures; Immigrants in motion pictures

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APA (6th Edition):

Noble, F. ;. U. o. A. D. o. H. S. ;. U. o. A. D. o. F. a. V. C. (2015). Post-transition transitions. (Doctoral Dissertation). University of Aberdeen. Retrieved from http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=227226 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=227226&custom_att_2=simple_viewer

Chicago Manual of Style (16th Edition):

Noble, Fiona ; University of Aberdeen Dept of Hispanic Studies ; University of Aberdeen Dept of Film and Visual Culture. “Post-transition transitions.” 2015. Doctoral Dissertation, University of Aberdeen. Accessed November 12, 2019. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=227226 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=227226&custom_att_2=simple_viewer.

MLA Handbook (7th Edition):

Noble, Fiona ; University of Aberdeen Dept of Hispanic Studies ; University of Aberdeen Dept of Film and Visual Culture. “Post-transition transitions.” 2015. Web. 12 Nov 2019.

Vancouver:

Noble F;UoADoHS;UoADoFaVC. Post-transition transitions. [Internet] [Doctoral dissertation]. University of Aberdeen; 2015. [cited 2019 Nov 12]. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=227226 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=227226&custom_att_2=simple_viewer.

Council of Science Editors:

Noble F;UoADoHS;UoADoFaVC. Post-transition transitions. [Doctoral Dissertation]. University of Aberdeen; 2015. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=227226 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=227226&custom_att_2=simple_viewer


Uniwersytet im. Adama Mickiewicza w Poznaniu

26. Domalewski, Adam. Obrazy islamu. Młodzi muzułmanie w kinie europejskim po roku 1989 .

Degree: 2018, Uniwersytet im. Adama Mickiewicza w Poznaniu

 W rozprawie, która metodologicznie sytuuje się w obrębie kulturowych badań nad filmem i religią, przedstawiam sposoby portretowania islamu w kinie europejskim po roku 1989. Wyjściową… (more)

Subjects/Keywords: kino europejskie; kino – 1990; religia – w kinie; postacie filmowe; islam i kultura; Motion pictures – Europe; Cinema – 1990; Religion in motion pictures; Characters and characteristics in motion pictures; Islam and culture

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APA (6th Edition):

Domalewski, A. (2018). Obrazy islamu. Młodzi muzułmanie w kinie europejskim po roku 1989 . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/23736

Chicago Manual of Style (16th Edition):

Domalewski, Adam. “Obrazy islamu. Młodzi muzułmanie w kinie europejskim po roku 1989 .” 2018. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed November 12, 2019. http://hdl.handle.net/10593/23736.

MLA Handbook (7th Edition):

Domalewski, Adam. “Obrazy islamu. Młodzi muzułmanie w kinie europejskim po roku 1989 .” 2018. Web. 12 Nov 2019.

Vancouver:

Domalewski A. Obrazy islamu. Młodzi muzułmanie w kinie europejskim po roku 1989 . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2018. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10593/23736.

Council of Science Editors:

Domalewski A. Obrazy islamu. Młodzi muzułmanie w kinie europejskim po roku 1989 . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2018. Available from: http://hdl.handle.net/10593/23736


University of Hong Kong

27. Vázquez Vázquez, Mariá Mercedes. The question of class in contemporary Latin American cinema.

Degree: PhD, 2015, University of Hong Kong

published_or_final_version

Comparative Literature

Doctoral

Doctor of Philosophy

Advisors/Committee Members: Marchetti, G.

Subjects/Keywords: Motion pictures - Latin America; Social classes in motion pictures

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APA (6th Edition):

Vázquez Vázquez, M. M. (2015). The question of class in contemporary Latin American cinema. (Doctoral Dissertation). University of Hong Kong. Retrieved from Vázquez Vázquez, M. M.. (2015). The question of class in contemporary Latin American cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5758789 ; http://hdl.handle.net/10722/226666

Chicago Manual of Style (16th Edition):

Vázquez Vázquez, Mariá Mercedes. “The question of class in contemporary Latin American cinema.” 2015. Doctoral Dissertation, University of Hong Kong. Accessed November 12, 2019. Vázquez Vázquez, M. M.. (2015). The question of class in contemporary Latin American cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5758789 ; http://hdl.handle.net/10722/226666.

MLA Handbook (7th Edition):

Vázquez Vázquez, Mariá Mercedes. “The question of class in contemporary Latin American cinema.” 2015. Web. 12 Nov 2019.

Vancouver:

Vázquez Vázquez MM. The question of class in contemporary Latin American cinema. [Internet] [Doctoral dissertation]. University of Hong Kong; 2015. [cited 2019 Nov 12]. Available from: Vázquez Vázquez, M. M.. (2015). The question of class in contemporary Latin American cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5758789 ; http://hdl.handle.net/10722/226666.

Council of Science Editors:

Vázquez Vázquez MM. The question of class in contemporary Latin American cinema. [Doctoral Dissertation]. University of Hong Kong; 2015. Available from: Vázquez Vázquez, M. M.. (2015). The question of class in contemporary Latin American cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5758789 ; http://hdl.handle.net/10722/226666


University of Oxford

28. Morrison, Benedict. Complicating articulation in narrative film : tracing the relationship between inarticulate form and character.

Degree: PhD, 2016, University of Oxford

 This thesis explores the relationship between film form and character expression, both of which are seen as articulated structures, that is utterances in which separable… (more)

Subjects/Keywords: 791.43; Characters and characteristics in motion pictures; Expression (Philosophy); Meaning (Philosophy); Narration (Rhetoric); Motion pictures – History – 20th century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Morrison, B. (2016). Complicating articulation in narrative film : tracing the relationship between inarticulate form and character. (Doctoral Dissertation). University of Oxford. Retrieved from https://ora.ox.ac.uk/objects/uuid:4c58ecf8-e330-4206-82ea-62451b8d2e84 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.729022

Chicago Manual of Style (16th Edition):

Morrison, Benedict. “Complicating articulation in narrative film : tracing the relationship between inarticulate form and character.” 2016. Doctoral Dissertation, University of Oxford. Accessed November 12, 2019. https://ora.ox.ac.uk/objects/uuid:4c58ecf8-e330-4206-82ea-62451b8d2e84 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.729022.

MLA Handbook (7th Edition):

Morrison, Benedict. “Complicating articulation in narrative film : tracing the relationship between inarticulate form and character.” 2016. Web. 12 Nov 2019.

Vancouver:

Morrison B. Complicating articulation in narrative film : tracing the relationship between inarticulate form and character. [Internet] [Doctoral dissertation]. University of Oxford; 2016. [cited 2019 Nov 12]. Available from: https://ora.ox.ac.uk/objects/uuid:4c58ecf8-e330-4206-82ea-62451b8d2e84 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.729022.

Council of Science Editors:

Morrison B. Complicating articulation in narrative film : tracing the relationship between inarticulate form and character. [Doctoral Dissertation]. University of Oxford; 2016. Available from: https://ora.ox.ac.uk/objects/uuid:4c58ecf8-e330-4206-82ea-62451b8d2e84 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.729022


University of Hong Kong

29. Lam, Chun-yu. Imagined immunities and politics of incorporation : mutating borders and interiors in recent Hong Kong cinema.

Degree: M. Phil., 2016, University of Hong Kong

 This thesis offers a two-pronged critique of the problematic communal imaginaries within, but also beyond, recent Hong Kong cinema. The year 1979 – which marks… (more)

Subjects/Keywords: Immigrants - Cultural assimilation - China - Hong Kong; Immigrants in motion pictures

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lam, C. (2016). Imagined immunities and politics of incorporation : mutating borders and interiors in recent Hong Kong cinema. (Masters Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/231062

Chicago Manual of Style (16th Edition):

Lam, Chun-yu. “Imagined immunities and politics of incorporation : mutating borders and interiors in recent Hong Kong cinema.” 2016. Masters Thesis, University of Hong Kong. Accessed November 12, 2019. http://hdl.handle.net/10722/231062.

MLA Handbook (7th Edition):

Lam, Chun-yu. “Imagined immunities and politics of incorporation : mutating borders and interiors in recent Hong Kong cinema.” 2016. Web. 12 Nov 2019.

Vancouver:

Lam C. Imagined immunities and politics of incorporation : mutating borders and interiors in recent Hong Kong cinema. [Internet] [Masters thesis]. University of Hong Kong; 2016. [cited 2019 Nov 12]. Available from: http://hdl.handle.net/10722/231062.

Council of Science Editors:

Lam C. Imagined immunities and politics of incorporation : mutating borders and interiors in recent Hong Kong cinema. [Masters Thesis]. University of Hong Kong; 2016. Available from: http://hdl.handle.net/10722/231062


Columbia University

30. Schaub, Christoph. Weimar Contact Zones: Modernism, Workers' Movement Literature, and Urban Imaginaries.

Degree: 2015, Columbia University

 Located at the intersections of new modernism, urban, and minority studies, Weimar Contact Zones examines the interplay between modernism, urban imaginaries, and the cultural production… (more)

Subjects/Keywords: Labor movement; Labor movement in literature; German literature; Motion pictures; Kuhle Wampe (Motion picture)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schaub, C. (2015). Weimar Contact Zones: Modernism, Workers' Movement Literature, and Urban Imaginaries. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D84F1PNX

Chicago Manual of Style (16th Edition):

Schaub, Christoph. “Weimar Contact Zones: Modernism, Workers' Movement Literature, and Urban Imaginaries.” 2015. Doctoral Dissertation, Columbia University. Accessed November 12, 2019. https://doi.org/10.7916/D84F1PNX.

MLA Handbook (7th Edition):

Schaub, Christoph. “Weimar Contact Zones: Modernism, Workers' Movement Literature, and Urban Imaginaries.” 2015. Web. 12 Nov 2019.

Vancouver:

Schaub C. Weimar Contact Zones: Modernism, Workers' Movement Literature, and Urban Imaginaries. [Internet] [Doctoral dissertation]. Columbia University; 2015. [cited 2019 Nov 12]. Available from: https://doi.org/10.7916/D84F1PNX.

Council of Science Editors:

Schaub C. Weimar Contact Zones: Modernism, Workers' Movement Literature, and Urban Imaginaries. [Doctoral Dissertation]. Columbia University; 2015. Available from: https://doi.org/10.7916/D84F1PNX

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