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You searched for subject:(Women in motion pictures). Showing records 1 – 30 of 109258 total matches.

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Nelson Mandela Metropolitan University

1. O'Reilly, Kevin Joseph. Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films.

Degree: Faculty of Arts, 2008, Nelson Mandela Metropolitan University

 The roles that women perform as depicted in African films are often dictated to by the type of society they find themselves in. At first… (more)

Subjects/Keywords: Motion pictures  – Africa; Women in motion pictures

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APA (6th Edition):

O'Reilly, K. J. (2008). Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/789

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

O'Reilly, Kevin Joseph. “Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films.” 2008. Thesis, Nelson Mandela Metropolitan University. Accessed October 23, 2019. http://hdl.handle.net/10948/789.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

O'Reilly, Kevin Joseph. “Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films.” 2008. Web. 23 Oct 2019.

Vancouver:

O'Reilly KJ. Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2008. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10948/789.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

O'Reilly KJ. Between hotel mama and petrol station manager: the represatations of women's realities in a selection of African films. [Thesis]. Nelson Mandela Metropolitan University; 2008. Available from: http://hdl.handle.net/10948/789

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

2. Lo, Po-yee. Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films.

Degree: MA, 2014, University of Hong Kong

In the past decade, Ann Hui as a well-known filmmaker has produced several films concerning women in their middle and older age. My research examines… (more)

Subjects/Keywords: Women in motion pictures

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APA (6th Edition):

Lo, P. (2014). Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. (Masters Thesis). University of Hong Kong. Retrieved from Lo, P. [勞保儀]. (2014). Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5318837 ; http://dx.doi.org/10.5353/th_b5318837 ; http://hdl.handle.net/10722/206613

Chicago Manual of Style (16th Edition):

Lo, Po-yee. “Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films.” 2014. Masters Thesis, University of Hong Kong. Accessed October 23, 2019. Lo, P. [勞保儀]. (2014). Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5318837 ; http://dx.doi.org/10.5353/th_b5318837 ; http://hdl.handle.net/10722/206613.

MLA Handbook (7th Edition):

Lo, Po-yee. “Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films.” 2014. Web. 23 Oct 2019.

Vancouver:

Lo P. Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. [Internet] [Masters thesis]. University of Hong Kong; 2014. [cited 2019 Oct 23]. Available from: Lo, P. [勞保儀]. (2014). Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5318837 ; http://dx.doi.org/10.5353/th_b5318837 ; http://hdl.handle.net/10722/206613.

Council of Science Editors:

Lo P. Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. [Masters Thesis]. University of Hong Kong; 2014. Available from: Lo, P. [勞保儀]. (2014). Middle-aged women in search of female identities and new visions of home : a study of Ann Hui's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5318837 ; http://dx.doi.org/10.5353/th_b5318837 ; http://hdl.handle.net/10722/206613


University of Hong Kong

3. Coe, Jason George. Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films".

Degree: MA, 2012, University of Hong Kong

This dissertation scrutinizes a corpus of films considered to be the stylistic and thematic descendants of Yasujiro Ozu, which I call “feeling of life films.”… (more)

Subjects/Keywords: Women in motion pictures.

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APA (6th Edition):

Coe, J. G. (2012). Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films". (Masters Thesis). University of Hong Kong. Retrieved from Coe, J. G.. (2012). Left behind by history : complicating narrative, modernity in the mundane, and reading history through women in "feeling of life films". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4853953 ; http://dx.doi.org/10.5353/th_b4853953 ; http://hdl.handle.net/10722/180066

Chicago Manual of Style (16th Edition):

Coe, Jason George. “Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films".” 2012. Masters Thesis, University of Hong Kong. Accessed October 23, 2019. Coe, J. G.. (2012). Left behind by history : complicating narrative, modernity in the mundane, and reading history through women in "feeling of life films". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4853953 ; http://dx.doi.org/10.5353/th_b4853953 ; http://hdl.handle.net/10722/180066.

MLA Handbook (7th Edition):

Coe, Jason George. “Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films".” 2012. Web. 23 Oct 2019.

Vancouver:

Coe JG. Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films". [Internet] [Masters thesis]. University of Hong Kong; 2012. [cited 2019 Oct 23]. Available from: Coe, J. G.. (2012). Left behind by history : complicating narrative, modernity in the mundane, and reading history through women in "feeling of life films". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4853953 ; http://dx.doi.org/10.5353/th_b4853953 ; http://hdl.handle.net/10722/180066.

Council of Science Editors:

Coe JG. Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films". [Masters Thesis]. University of Hong Kong; 2012. Available from: Coe, J. G.. (2012). Left behind by history : complicating narrative, modernity in the mundane, and reading history through women in "feeling of life films". (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4853953 ; http://dx.doi.org/10.5353/th_b4853953 ; http://hdl.handle.net/10722/180066


University of Stirling

4. Tiller, Elizabeth. Women Walking: The Flâneuse and Urban Tourist in Cinema.

Degree: M. Phil., 2015, University of Stirling

 This thesis looks at representations of female mobility and the female gaze in films set in Paris and Tuscany. It primarily looks at these representations… (more)

Subjects/Keywords: Flaneurs in motion pictures; Women in motion pictures; Women tourists; Gaze in motion pictures

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APA (6th Edition):

Tiller, E. (2015). Women Walking: The Flâneuse and Urban Tourist in Cinema. (Masters Thesis). University of Stirling. Retrieved from http://hdl.handle.net/1893/25096

Chicago Manual of Style (16th Edition):

Tiller, Elizabeth. “Women Walking: The Flâneuse and Urban Tourist in Cinema.” 2015. Masters Thesis, University of Stirling. Accessed October 23, 2019. http://hdl.handle.net/1893/25096.

MLA Handbook (7th Edition):

Tiller, Elizabeth. “Women Walking: The Flâneuse and Urban Tourist in Cinema.” 2015. Web. 23 Oct 2019.

Vancouver:

Tiller E. Women Walking: The Flâneuse and Urban Tourist in Cinema. [Internet] [Masters thesis]. University of Stirling; 2015. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/1893/25096.

Council of Science Editors:

Tiller E. Women Walking: The Flâneuse and Urban Tourist in Cinema. [Masters Thesis]. University of Stirling; 2015. Available from: http://hdl.handle.net/1893/25096


Rutgers University

5. Pascuzzi, Francesco, 1977-. Reshaping the frame: women, body and identity discourses in Italian and European film.

Degree: PhD, Italian, 2014, Rutgers University

My project applies different theoretical approaches in the field of identity theory to the study of four female characters from two Italian and two European… (more)

Subjects/Keywords: Women in motion pictures; Motion pictures – Italy; Women – Psychology

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APA (6th Edition):

Pascuzzi, Francesco, 1. (2014). Reshaping the frame: women, body and identity discourses in Italian and European film. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/45408/

Chicago Manual of Style (16th Edition):

Pascuzzi, Francesco, 1977-. “Reshaping the frame: women, body and identity discourses in Italian and European film.” 2014. Doctoral Dissertation, Rutgers University. Accessed October 23, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/45408/.

MLA Handbook (7th Edition):

Pascuzzi, Francesco, 1977-. “Reshaping the frame: women, body and identity discourses in Italian and European film.” 2014. Web. 23 Oct 2019.

Vancouver:

Pascuzzi, Francesco 1. Reshaping the frame: women, body and identity discourses in Italian and European film. [Internet] [Doctoral dissertation]. Rutgers University; 2014. [cited 2019 Oct 23]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/45408/.

Council of Science Editors:

Pascuzzi, Francesco 1. Reshaping the frame: women, body and identity discourses in Italian and European film. [Doctoral Dissertation]. Rutgers University; 2014. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/45408/


Ryerson University

6. Ciccone, Vanessa. Rated M for misogyny: reimagining gender assessments for film.

Degree: 2017, Ryerson University

 The Bechdel Test is effective at raising awareness about biased gender portrayals in media, yet it has been criticized for being an inaccurate assessment of… (more)

Subjects/Keywords: Stereotypes (Social psychology) in motion pictures.; Women in motion pictures.; Feminism and motion pictures.; Sex role in motion pictures.

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APA (6th Edition):

Ciccone, V. (2017). Rated M for misogyny: reimagining gender assessments for film. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A6808

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ciccone, Vanessa. “Rated M for misogyny: reimagining gender assessments for film.” 2017. Thesis, Ryerson University. Accessed October 23, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A6808.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ciccone, Vanessa. “Rated M for misogyny: reimagining gender assessments for film.” 2017. Web. 23 Oct 2019.

Vancouver:

Ciccone V. Rated M for misogyny: reimagining gender assessments for film. [Internet] [Thesis]. Ryerson University; 2017. [cited 2019 Oct 23]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A6808.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ciccone V. Rated M for misogyny: reimagining gender assessments for film. [Thesis]. Ryerson University; 2017. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A6808

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida Atlantic University

7. Allerton, Tracy. The Meryl Streep mystique: a study of gender, aging, Hollywood and a female star.

Degree: MA, 2010, Florida Atlantic University

Summary: This thesis employs a star study of Meryl Streep, incorporating pertinent feminist, reception and culture-studies theories, to investigate biases within the Hollywood film industry.… (more)

Subjects/Keywords: Streep, Meryl; Sex role in motion pictures; Women in motion pictures; Middle age in motion pictures; Women in popular culture

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APA (6th Edition):

Allerton, T. (2010). The Meryl Streep mystique: a study of gender, aging, Hollywood and a female star. (Masters Thesis). Florida Atlantic University. Retrieved from http://purl.flvc.org/FAU/2867329

Chicago Manual of Style (16th Edition):

Allerton, Tracy. “The Meryl Streep mystique: a study of gender, aging, Hollywood and a female star.” 2010. Masters Thesis, Florida Atlantic University. Accessed October 23, 2019. http://purl.flvc.org/FAU/2867329.

MLA Handbook (7th Edition):

Allerton, Tracy. “The Meryl Streep mystique: a study of gender, aging, Hollywood and a female star.” 2010. Web. 23 Oct 2019.

Vancouver:

Allerton T. The Meryl Streep mystique: a study of gender, aging, Hollywood and a female star. [Internet] [Masters thesis]. Florida Atlantic University; 2010. [cited 2019 Oct 23]. Available from: http://purl.flvc.org/FAU/2867329.

Council of Science Editors:

Allerton T. The Meryl Streep mystique: a study of gender, aging, Hollywood and a female star. [Masters Thesis]. Florida Atlantic University; 2010. Available from: http://purl.flvc.org/FAU/2867329


University of North Carolina – Greensboro

8. Brown, Sherronda J. The haunted ground we walk on: (un)knowable gendered and racialized subjects.

Degree: 2015, University of North Carolina – Greensboro

 The purpose of this work is to analyze haunting narratives in cinematic texts, exploring the significance of gendered and racialized violences on the screen while… (more)

Subjects/Keywords: Horror films – History and criticism; Violence in motion pictures; Race in motion pictures; Ghosts in motion pictures; Women in motion pictures; Sex role in motion pictures

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APA (6th Edition):

Brown, S. J. (2015). The haunted ground we walk on: (un)knowable gendered and racialized subjects. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067

Chicago Manual of Style (16th Edition):

Brown, Sherronda J. “The haunted ground we walk on: (un)knowable gendered and racialized subjects.” 2015. Masters Thesis, University of North Carolina – Greensboro. Accessed October 23, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067.

MLA Handbook (7th Edition):

Brown, Sherronda J. “The haunted ground we walk on: (un)knowable gendered and racialized subjects.” 2015. Web. 23 Oct 2019.

Vancouver:

Brown SJ. The haunted ground we walk on: (un)knowable gendered and racialized subjects. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2015. [cited 2019 Oct 23]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067.

Council of Science Editors:

Brown SJ. The haunted ground we walk on: (un)knowable gendered and racialized subjects. [Masters Thesis]. University of North Carolina – Greensboro; 2015. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18067


Macquarie University

9. Robertson, Michelle. Female characters in Turkish German cinematic space: an analysis with examples of three recent films.

Degree: 2013, Macquarie University

"20th December 2012"

Bibliography: pages 244-259.

1. Introduction  – 2. Immigration and multiculturalism in Germany  – 3. Nation and gender in German cinema  – 4.… (more)

Subjects/Keywords: Motion pictures  – Germany; Women in motion pictures; Gender identity in motion pictures; Ethnicity in motion pictures; Social change in motion pictures; Motion pictures  – Germany  – History; Motion pictures  – Social aspects  – Germany; Motion pictures  – Political aspects  – Germany; German Turkish cinema film women; Turkish-German films; gender; immigration; multiculturalism; Germany

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APA (6th Edition):

Robertson, M. (2013). Female characters in Turkish German cinematic space: an analysis with examples of three recent films. (Doctoral Dissertation). Macquarie University. Retrieved from http://hdl.handle.net/1959.14/304966

Chicago Manual of Style (16th Edition):

Robertson, Michelle. “Female characters in Turkish German cinematic space: an analysis with examples of three recent films.” 2013. Doctoral Dissertation, Macquarie University. Accessed October 23, 2019. http://hdl.handle.net/1959.14/304966.

MLA Handbook (7th Edition):

Robertson, Michelle. “Female characters in Turkish German cinematic space: an analysis with examples of three recent films.” 2013. Web. 23 Oct 2019.

Vancouver:

Robertson M. Female characters in Turkish German cinematic space: an analysis with examples of three recent films. [Internet] [Doctoral dissertation]. Macquarie University; 2013. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/1959.14/304966.

Council of Science Editors:

Robertson M. Female characters in Turkish German cinematic space: an analysis with examples of three recent films. [Doctoral Dissertation]. Macquarie University; 2013. Available from: http://hdl.handle.net/1959.14/304966


Ryerson University

10. Sapra, Rakhee. What's love got to do with it?: An analysis of the narrative portrayals and ideologies of romantic love in the neo-traditional romantic comedy.

Degree: 2012, Ryerson University

 "Romantic love has been, and continues to be, the subject of diverse discussions in a variety of realms, including but not limited to, philosophy, psychology… (more)

Subjects/Keywords: Romantic comedy films.; Romantic comedy films. – -; Love in motion pictures.; Love in motion pictures. – -; Women in motion pictures.; Women in motion pictures. – -

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APA (6th Edition):

Sapra, R. (2012). What's love got to do with it?: An analysis of the narrative portrayals and ideologies of romantic love in the neo-traditional romantic comedy. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A2949

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sapra, Rakhee. “What's love got to do with it?: An analysis of the narrative portrayals and ideologies of romantic love in the neo-traditional romantic comedy.” 2012. Thesis, Ryerson University. Accessed October 23, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A2949.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sapra, Rakhee. “What's love got to do with it?: An analysis of the narrative portrayals and ideologies of romantic love in the neo-traditional romantic comedy.” 2012. Web. 23 Oct 2019.

Vancouver:

Sapra R. What's love got to do with it?: An analysis of the narrative portrayals and ideologies of romantic love in the neo-traditional romantic comedy. [Internet] [Thesis]. Ryerson University; 2012. [cited 2019 Oct 23]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A2949.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sapra R. What's love got to do with it?: An analysis of the narrative portrayals and ideologies of romantic love in the neo-traditional romantic comedy. [Thesis]. Ryerson University; 2012. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A2949

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Central Connecticut State University

11. Syharat, Constance Mosher, 1978-. La guerra en el cine : representaciones de las mujeres y de los niños en las películas que tratan de la guerra civil española.

Degree: Department of Modern Languages, 2011, Central Connecticut State University

 A study of film as a reflection of life often reveals truths about the time period. In an attempt to better understand the history of… (more)

Subjects/Keywords: Spain  – History  – Civil War, 1936-1939  – In motion pictures; Spain  – History  – 1939-1975  – In motion pictures; Women in motion pictures; Children in motion pictures

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APA (6th Edition):

Syharat, Constance Mosher, 1. (2011). La guerra en el cine : representaciones de las mujeres y de los niños en las películas que tratan de la guerra civil española. (Thesis). Central Connecticut State University. Retrieved from http://content.library.ccsu.edu/u?/ccsutheses,1735

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Syharat, Constance Mosher, 1978-. “La guerra en el cine : representaciones de las mujeres y de los niños en las películas que tratan de la guerra civil española.” 2011. Thesis, Central Connecticut State University. Accessed October 23, 2019. http://content.library.ccsu.edu/u?/ccsutheses,1735.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Syharat, Constance Mosher, 1978-. “La guerra en el cine : representaciones de las mujeres y de los niños en las películas que tratan de la guerra civil española.” 2011. Web. 23 Oct 2019.

Vancouver:

Syharat, Constance Mosher 1. La guerra en el cine : representaciones de las mujeres y de los niños en las películas que tratan de la guerra civil española. [Internet] [Thesis]. Central Connecticut State University; 2011. [cited 2019 Oct 23]. Available from: http://content.library.ccsu.edu/u?/ccsutheses,1735.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Syharat, Constance Mosher 1. La guerra en el cine : representaciones de las mujeres y de los niños en las películas que tratan de la guerra civil española. [Thesis]. Central Connecticut State University; 2011. Available from: http://content.library.ccsu.edu/u?/ccsutheses,1735

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Central Connecticut State University

12. Boyke, Kimberly M. El cambio del rol de la mujer en la sociedad espaola dentro del cine : un estudio de pelculas entre 1999 a 2007.

Degree: Department of Modern Languages, 2009, Central Connecticut State University

 In an effort to further develop the use of film as an educational tool, the topic of women's roles in society through film was chosen.… (more)

Subjects/Keywords: Sex role  – Spain; Women  – Spain  – Identity; Women in motion pictures

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APA (6th Edition):

Boyke, K. M. (2009). El cambio del rol de la mujer en la sociedad espaola dentro del cine : un estudio de pelculas entre 1999 a 2007. (Thesis). Central Connecticut State University. Retrieved from http://content.library.ccsu.edu/u?/ccsutheses,954

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Boyke, Kimberly M. “El cambio del rol de la mujer en la sociedad espaola dentro del cine : un estudio de pelculas entre 1999 a 2007.” 2009. Thesis, Central Connecticut State University. Accessed October 23, 2019. http://content.library.ccsu.edu/u?/ccsutheses,954.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Boyke, Kimberly M. “El cambio del rol de la mujer en la sociedad espaola dentro del cine : un estudio de pelculas entre 1999 a 2007.” 2009. Web. 23 Oct 2019.

Vancouver:

Boyke KM. El cambio del rol de la mujer en la sociedad espaola dentro del cine : un estudio de pelculas entre 1999 a 2007. [Internet] [Thesis]. Central Connecticut State University; 2009. [cited 2019 Oct 23]. Available from: http://content.library.ccsu.edu/u?/ccsutheses,954.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boyke KM. El cambio del rol de la mujer en la sociedad espaola dentro del cine : un estudio de pelculas entre 1999 a 2007. [Thesis]. Central Connecticut State University; 2009. Available from: http://content.library.ccsu.edu/u?/ccsutheses,954

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

13. Rosenek, Benjamin. Stories About Men: An Analysis of the Intersection of Gender and Screen Presence in Contemporary Top-Grossing Films Since 1995.

Degree: 2011, University of Florida

 This paper serves as an analysis of the relative time men and women spent on-screen in top-grossing films from 1995 to 2010. A sample of… (more)

Subjects/Keywords: Content analysis; Gender roles; Literary characters; Men; Motion picture industry; Movies; Peak hour traffic; Stereotypes; Video games; Women; Men in motion pictures; Motion pictures; Women in motion pictures

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APA (6th Edition):

Rosenek, B. (2011). Stories About Men: An Analysis of the Intersection of Gender and Screen Presence in Contemporary Top-Grossing Films Since 1995. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00057493

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rosenek, Benjamin. “Stories About Men: An Analysis of the Intersection of Gender and Screen Presence in Contemporary Top-Grossing Films Since 1995.” 2011. Thesis, University of Florida. Accessed October 23, 2019. http://ufdc.ufl.edu/AA00057493.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rosenek, Benjamin. “Stories About Men: An Analysis of the Intersection of Gender and Screen Presence in Contemporary Top-Grossing Films Since 1995.” 2011. Web. 23 Oct 2019.

Vancouver:

Rosenek B. Stories About Men: An Analysis of the Intersection of Gender and Screen Presence in Contemporary Top-Grossing Films Since 1995. [Internet] [Thesis]. University of Florida; 2011. [cited 2019 Oct 23]. Available from: http://ufdc.ufl.edu/AA00057493.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rosenek B. Stories About Men: An Analysis of the Intersection of Gender and Screen Presence in Contemporary Top-Grossing Films Since 1995. [Thesis]. University of Florida; 2011. Available from: http://ufdc.ufl.edu/AA00057493

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

14. 郭錦恩.; Kwok, Crystal Lee. Ghosts and goddesses: women, cinema, & the image.

Degree: MA, 1995, University of Hong Kong

published_or_final_version

Literary Studies

Master

Master of Arts

Subjects/Keywords: Ghosts in motion pictures.; Ghosts.; Women in motion pictures.; Women in motion pictures.

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APA (6th Edition):

郭錦恩.; Kwok, C. L. (1995). Ghosts and goddesses: women, cinema, & the image. (Masters Thesis). University of Hong Kong. Retrieved from Guo, J. [郭錦恩]. (1995). Ghosts and goddesses : women, cinema, & the image. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195097 ; http://dx.doi.org/10.5353/th_b3195097 ; http://hdl.handle.net/10722/40387

Chicago Manual of Style (16th Edition):

郭錦恩.; Kwok, Crystal Lee. “Ghosts and goddesses: women, cinema, & the image.” 1995. Masters Thesis, University of Hong Kong. Accessed October 23, 2019. Guo, J. [郭錦恩]. (1995). Ghosts and goddesses : women, cinema, & the image. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195097 ; http://dx.doi.org/10.5353/th_b3195097 ; http://hdl.handle.net/10722/40387.

MLA Handbook (7th Edition):

郭錦恩.; Kwok, Crystal Lee. “Ghosts and goddesses: women, cinema, & the image.” 1995. Web. 23 Oct 2019.

Vancouver:

郭錦恩.; Kwok CL. Ghosts and goddesses: women, cinema, & the image. [Internet] [Masters thesis]. University of Hong Kong; 1995. [cited 2019 Oct 23]. Available from: Guo, J. [郭錦恩]. (1995). Ghosts and goddesses : women, cinema, & the image. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195097 ; http://dx.doi.org/10.5353/th_b3195097 ; http://hdl.handle.net/10722/40387.

Council of Science Editors:

郭錦恩.; Kwok CL. Ghosts and goddesses: women, cinema, & the image. [Masters Thesis]. University of Hong Kong; 1995. Available from: Guo, J. [郭錦恩]. (1995). Ghosts and goddesses : women, cinema, & the image. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195097 ; http://dx.doi.org/10.5353/th_b3195097 ; http://hdl.handle.net/10722/40387


University of KwaZulu-Natal

15. [No author]. Representations of women in Bollywood cinema : characterisation, songs, dance and dress in Yash Raj films from 1997 to 2007 / Nikita Ramkissoon.

Degree: Gender studies, 2009, University of KwaZulu-Natal

 This dissertation focuses on a content analysis through which representation of women in Bollywood cinema is examined. Bollywood has been a major point of reference… (more)

Subjects/Keywords: Women in motion pictures – India.; Motion pictures – India.; Motion picture producers and directors – India.; Gender studies.

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APA (6th Edition):

author], [. (2009). Representations of women in Bollywood cinema : characterisation, songs, dance and dress in Yash Raj films from 1997 to 2007 / Nikita Ramkissoon. (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/881

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Representations of women in Bollywood cinema : characterisation, songs, dance and dress in Yash Raj films from 1997 to 2007 / Nikita Ramkissoon. ” 2009. Thesis, University of KwaZulu-Natal. Accessed October 23, 2019. http://hdl.handle.net/10413/881.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Representations of women in Bollywood cinema : characterisation, songs, dance and dress in Yash Raj films from 1997 to 2007 / Nikita Ramkissoon. ” 2009. Web. 23 Oct 2019.

Vancouver:

author] [. Representations of women in Bollywood cinema : characterisation, songs, dance and dress in Yash Raj films from 1997 to 2007 / Nikita Ramkissoon. [Internet] [Thesis]. University of KwaZulu-Natal; 2009. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10413/881.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Representations of women in Bollywood cinema : characterisation, songs, dance and dress in Yash Raj films from 1997 to 2007 / Nikita Ramkissoon. [Thesis]. University of KwaZulu-Natal; 2009. Available from: http://hdl.handle.net/10413/881

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

16. Walters, Kayleigh. Russian Stereotypes in American Films and How They Have Changed Since the End of the Cold War Or: How We Learned to Stop Worrying and Find a New Russian Image.

Degree: 2012, University of Florida

 In this paper, I examine the portrayal of Russia and Russians in English language films from the sixties to the current year. In examining the… (more)

Subjects/Keywords: Cold wars; Comic books; Communism; Motion picture industry; Movies; Russian culture; State espionage; Stereotypes; Villains; Women; Motion pictures; Russians in motion pictures; Stereotypes (Social psychology) in motion pictures

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APA (6th Edition):

Walters, K. (2012). Russian Stereotypes in American Films and How They Have Changed Since the End of the Cold War Or: How We Learned to Stop Worrying and Find a New Russian Image. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00060210

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walters, Kayleigh. “Russian Stereotypes in American Films and How They Have Changed Since the End of the Cold War Or: How We Learned to Stop Worrying and Find a New Russian Image.” 2012. Thesis, University of Florida. Accessed October 23, 2019. http://ufdc.ufl.edu/AA00060210.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walters, Kayleigh. “Russian Stereotypes in American Films and How They Have Changed Since the End of the Cold War Or: How We Learned to Stop Worrying and Find a New Russian Image.” 2012. Web. 23 Oct 2019.

Vancouver:

Walters K. Russian Stereotypes in American Films and How They Have Changed Since the End of the Cold War Or: How We Learned to Stop Worrying and Find a New Russian Image. [Internet] [Thesis]. University of Florida; 2012. [cited 2019 Oct 23]. Available from: http://ufdc.ufl.edu/AA00060210.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walters K. Russian Stereotypes in American Films and How They Have Changed Since the End of the Cold War Or: How We Learned to Stop Worrying and Find a New Russian Image. [Thesis]. University of Florida; 2012. Available from: http://ufdc.ufl.edu/AA00060210

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


East Carolina University

17. Lederer, Erin Michelle. Passively Ever After : Disney's Cinematic Abuse in Beauty and the Beast.

Degree: 2012, East Carolina University

 This thesis examines the manner in which Disney's Beauty and the Beast cultivates stereotypes and gendered behaviors consistent with domestic violence and thereby encourages viewers… (more)

Subjects/Keywords: Violence in motion pictures; Family violence; Women in motion pictures; Stereotypes (Social psychology); Motion pictures and children; Walt Disney Company; Beauty and the beast (Motion picture : 1991)

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APA (6th Edition):

Lederer, E. M. (2012). Passively Ever After : Disney's Cinematic Abuse in Beauty and the Beast. (Masters Thesis). East Carolina University. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14405

Chicago Manual of Style (16th Edition):

Lederer, Erin Michelle. “Passively Ever After : Disney's Cinematic Abuse in Beauty and the Beast.” 2012. Masters Thesis, East Carolina University. Accessed October 23, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14405.

MLA Handbook (7th Edition):

Lederer, Erin Michelle. “Passively Ever After : Disney's Cinematic Abuse in Beauty and the Beast.” 2012. Web. 23 Oct 2019.

Vancouver:

Lederer EM. Passively Ever After : Disney's Cinematic Abuse in Beauty and the Beast. [Internet] [Masters thesis]. East Carolina University; 2012. [cited 2019 Oct 23]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14405.

Council of Science Editors:

Lederer EM. Passively Ever After : Disney's Cinematic Abuse in Beauty and the Beast. [Masters Thesis]. East Carolina University; 2012. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14405


Oregon State University

18. Finch, Kurstin. When she was bad : framing female killers in contemporary film.

Degree: MA, 1999, Oregon State University

 This thesis presents an analysis of seventeen contemporary blockbuster films in which women kill people. The purpose of the analysis is to discover the "frames"… (more)

Subjects/Keywords: Women in motion pictures

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APA (6th Edition):

Finch, K. (1999). When she was bad : framing female killers in contemporary film. (Masters Thesis). Oregon State University. Retrieved from http://hdl.handle.net/1957/33104

Chicago Manual of Style (16th Edition):

Finch, Kurstin. “When she was bad : framing female killers in contemporary film.” 1999. Masters Thesis, Oregon State University. Accessed October 23, 2019. http://hdl.handle.net/1957/33104.

MLA Handbook (7th Edition):

Finch, Kurstin. “When she was bad : framing female killers in contemporary film.” 1999. Web. 23 Oct 2019.

Vancouver:

Finch K. When she was bad : framing female killers in contemporary film. [Internet] [Masters thesis]. Oregon State University; 1999. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/1957/33104.

Council of Science Editors:

Finch K. When she was bad : framing female killers in contemporary film. [Masters Thesis]. Oregon State University; 1999. Available from: http://hdl.handle.net/1957/33104


MIT

19. Barco, Julia. Women and film : basic considerations .

Degree: MS, Architecture, 1980, MIT

Subjects/Keywords: Architecture.; Women in motion pictures

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APA (6th Edition):

Barco, J. (1980). Women and film : basic considerations . (Masters Thesis). MIT. Retrieved from http://hdl.handle.net/1721.1/71331

Chicago Manual of Style (16th Edition):

Barco, Julia. “Women and film : basic considerations .” 1980. Masters Thesis, MIT. Accessed October 23, 2019. http://hdl.handle.net/1721.1/71331.

MLA Handbook (7th Edition):

Barco, Julia. “Women and film : basic considerations .” 1980. Web. 23 Oct 2019.

Vancouver:

Barco J. Women and film : basic considerations . [Internet] [Masters thesis]. MIT; 1980. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/1721.1/71331.

Council of Science Editors:

Barco J. Women and film : basic considerations . [Masters Thesis]. MIT; 1980. Available from: http://hdl.handle.net/1721.1/71331


University of North Carolina – Wilmington

20. Still, Kara B. The Dance.

Degree: 2009, University of North Carolina – Wilmington

 This screenplay, The Dance, tells a story of a woman struggling for a life and love to call her own in a world where so… (more)

Subjects/Keywords: Women in motion pictures

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APA (6th Edition):

Still, K. B. (2009). The Dance. (Masters Thesis). University of North Carolina – Wilmington. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1367

Chicago Manual of Style (16th Edition):

Still, Kara B. “The Dance.” 2009. Masters Thesis, University of North Carolina – Wilmington. Accessed October 23, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1367.

MLA Handbook (7th Edition):

Still, Kara B. “The Dance.” 2009. Web. 23 Oct 2019.

Vancouver:

Still KB. The Dance. [Internet] [Masters thesis]. University of North Carolina – Wilmington; 2009. [cited 2019 Oct 23]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1367.

Council of Science Editors:

Still KB. The Dance. [Masters Thesis]. University of North Carolina – Wilmington; 2009. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1367


Simon Fraser University

21. Lakin-Dainow, Nâeema. Women in film : D.W. Griffith and the Victorian stereotype.

Degree: 1975, Simon Fraser University

Subjects/Keywords: Women in motion pictures.

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APA (6th Edition):

Lakin-Dainow, N. (1975). Women in film : D.W. Griffith and the Victorian stereotype. (Thesis). Simon Fraser University. Retrieved from http://summit.sfu.ca/item/2916

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lakin-Dainow, Nâeema. “Women in film : D.W. Griffith and the Victorian stereotype.” 1975. Thesis, Simon Fraser University. Accessed October 23, 2019. http://summit.sfu.ca/item/2916.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lakin-Dainow, Nâeema. “Women in film : D.W. Griffith and the Victorian stereotype.” 1975. Web. 23 Oct 2019.

Vancouver:

Lakin-Dainow N. Women in film : D.W. Griffith and the Victorian stereotype. [Internet] [Thesis]. Simon Fraser University; 1975. [cited 2019 Oct 23]. Available from: http://summit.sfu.ca/item/2916.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lakin-Dainow N. Women in film : D.W. Griffith and the Victorian stereotype. [Thesis]. Simon Fraser University; 1975. Available from: http://summit.sfu.ca/item/2916

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Nelson Mandela Metropolitan University

22. Mntanga, Overman Mziwakhe. A critical analysis of the portrayal of women in some selected Xhosa dramas.

Degree: DLitt, Faculty of Arts, 2008, Nelson Mandela Metropolitan University

 This thesis entitled “a critical analysis of the portrayal of women in some selected Xhosa dramas”, endeavours to examine the effect of gender inequality. Women(more)

Subjects/Keywords: Xhosa literature; Culture in motion pictures; Gender identity in motion pictures; Women  – Africa  – Drama; Xhosa (African people)  – Conduct of life

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APA (6th Edition):

Mntanga, O. M. (2008). A critical analysis of the portrayal of women in some selected Xhosa dramas. (Doctoral Dissertation). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/1030

Chicago Manual of Style (16th Edition):

Mntanga, Overman Mziwakhe. “A critical analysis of the portrayal of women in some selected Xhosa dramas.” 2008. Doctoral Dissertation, Nelson Mandela Metropolitan University. Accessed October 23, 2019. http://hdl.handle.net/10948/1030.

MLA Handbook (7th Edition):

Mntanga, Overman Mziwakhe. “A critical analysis of the portrayal of women in some selected Xhosa dramas.” 2008. Web. 23 Oct 2019.

Vancouver:

Mntanga OM. A critical analysis of the portrayal of women in some selected Xhosa dramas. [Internet] [Doctoral dissertation]. Nelson Mandela Metropolitan University; 2008. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10948/1030.

Council of Science Editors:

Mntanga OM. A critical analysis of the portrayal of women in some selected Xhosa dramas. [Doctoral Dissertation]. Nelson Mandela Metropolitan University; 2008. Available from: http://hdl.handle.net/10948/1030


University of Hong Kong

23. Ngan, Ka-hing. Gender representation in Zhang Yimou's films.

Degree: MA, 2005, University of Hong Kong

published_or_final_version

Literary and Cultural Studies

Master

Master of Arts

Subjects/Keywords: Women in motion pictures.; Sex role in motion pictures.

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APA (6th Edition):

Ngan, K. (2005). Gender representation in Zhang Yimou's films. (Masters Thesis). University of Hong Kong. Retrieved from Ngan, K. [顏加興]. (2005). Gender representation in Zhang Yimou's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4500764 ; http://dx.doi.org/10.5353/th_b4500764 ; http://hdl.handle.net/10722/131106

Chicago Manual of Style (16th Edition):

Ngan, Ka-hing. “Gender representation in Zhang Yimou's films.” 2005. Masters Thesis, University of Hong Kong. Accessed October 23, 2019. Ngan, K. [顏加興]. (2005). Gender representation in Zhang Yimou's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4500764 ; http://dx.doi.org/10.5353/th_b4500764 ; http://hdl.handle.net/10722/131106.

MLA Handbook (7th Edition):

Ngan, Ka-hing. “Gender representation in Zhang Yimou's films.” 2005. Web. 23 Oct 2019.

Vancouver:

Ngan K. Gender representation in Zhang Yimou's films. [Internet] [Masters thesis]. University of Hong Kong; 2005. [cited 2019 Oct 23]. Available from: Ngan, K. [顏加興]. (2005). Gender representation in Zhang Yimou's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4500764 ; http://dx.doi.org/10.5353/th_b4500764 ; http://hdl.handle.net/10722/131106.

Council of Science Editors:

Ngan K. Gender representation in Zhang Yimou's films. [Masters Thesis]. University of Hong Kong; 2005. Available from: Ngan, K. [顏加興]. (2005). Gender representation in Zhang Yimou's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4500764 ; http://dx.doi.org/10.5353/th_b4500764 ; http://hdl.handle.net/10722/131106


Massey University

24. Dillon, Sarah M. The future is female : gynoidian skins and prosthetic experience.

Degree: MA, Media Studies, 2017, Massey University

 The female cyborg, or ‘gynoid’, has historically recurred in cinema as a trope by which the female form magnetises anxieties about new experiences proffered by… (more)

Subjects/Keywords: Cyborgs in motion pictures; Women in motion pictures; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Film

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APA (6th Edition):

Dillon, S. M. (2017). The future is female : gynoidian skins and prosthetic experience. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/12488

Chicago Manual of Style (16th Edition):

Dillon, Sarah M. “The future is female : gynoidian skins and prosthetic experience.” 2017. Masters Thesis, Massey University. Accessed October 23, 2019. http://hdl.handle.net/10179/12488.

MLA Handbook (7th Edition):

Dillon, Sarah M. “The future is female : gynoidian skins and prosthetic experience.” 2017. Web. 23 Oct 2019.

Vancouver:

Dillon SM. The future is female : gynoidian skins and prosthetic experience. [Internet] [Masters thesis]. Massey University; 2017. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10179/12488.

Council of Science Editors:

Dillon SM. The future is female : gynoidian skins and prosthetic experience. [Masters Thesis]. Massey University; 2017. Available from: http://hdl.handle.net/10179/12488


McGill University

25. Ward, Katherine. Tracing the heroine in masculine spectacle : gender, technology, and the role of the destroyer in recent American film.

Degree: MA, Department of English., 1992, McGill University

This thesis explores the changing relationship of power, technology, and gender in recent Hollywood films. Beginning with ideas of gender "truths" in philosophical thought, I… (more)

Subjects/Keywords: Women in motion pictures; Violence in motion pictures

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APA (6th Edition):

Ward, K. (1992). Tracing the heroine in masculine spectacle : gender, technology, and the role of the destroyer in recent American film. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile56771.pdf

Chicago Manual of Style (16th Edition):

Ward, Katherine. “Tracing the heroine in masculine spectacle : gender, technology, and the role of the destroyer in recent American film.” 1992. Masters Thesis, McGill University. Accessed October 23, 2019. http://digitool.library.mcgill.ca/thesisfile56771.pdf.

MLA Handbook (7th Edition):

Ward, Katherine. “Tracing the heroine in masculine spectacle : gender, technology, and the role of the destroyer in recent American film.” 1992. Web. 23 Oct 2019.

Vancouver:

Ward K. Tracing the heroine in masculine spectacle : gender, technology, and the role of the destroyer in recent American film. [Internet] [Masters thesis]. McGill University; 1992. [cited 2019 Oct 23]. Available from: http://digitool.library.mcgill.ca/thesisfile56771.pdf.

Council of Science Editors:

Ward K. Tracing the heroine in masculine spectacle : gender, technology, and the role of the destroyer in recent American film. [Masters Thesis]. McGill University; 1992. Available from: http://digitool.library.mcgill.ca/thesisfile56771.pdf


McGill University

26. Lewis, Alanna. The political and educational implications of gender, class and race in Hollywood film : holding out for a female hero.

Degree: MA, Department of Culture and Values in Education., 1998, McGill University

This thesis examines the articulations of gender, class, and race in a specific sample of films from the 1930's to the 1990's. The tendency in… (more)

Subjects/Keywords: Women in motion pictures.; Heroes in motion pictures.

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APA (6th Edition):

Lewis, A. (1998). The political and educational implications of gender, class and race in Hollywood film : holding out for a female hero. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile21233.pdf

Chicago Manual of Style (16th Edition):

Lewis, Alanna. “The political and educational implications of gender, class and race in Hollywood film : holding out for a female hero.” 1998. Masters Thesis, McGill University. Accessed October 23, 2019. http://digitool.library.mcgill.ca/thesisfile21233.pdf.

MLA Handbook (7th Edition):

Lewis, Alanna. “The political and educational implications of gender, class and race in Hollywood film : holding out for a female hero.” 1998. Web. 23 Oct 2019.

Vancouver:

Lewis A. The political and educational implications of gender, class and race in Hollywood film : holding out for a female hero. [Internet] [Masters thesis]. McGill University; 1998. [cited 2019 Oct 23]. Available from: http://digitool.library.mcgill.ca/thesisfile21233.pdf.

Council of Science Editors:

Lewis A. The political and educational implications of gender, class and race in Hollywood film : holding out for a female hero. [Masters Thesis]. McGill University; 1998. Available from: http://digitool.library.mcgill.ca/thesisfile21233.pdf


Ryerson University

27. Hergott, Melissa. The voice and the void: the scream in 1950s American science fiction film.

Degree: 2010, Ryerson University

 In the United States, science fiction film rose to prominence as a critically recognized genre in the 1950s, a decade fraught with cultural complications and… (more)

Subjects/Keywords: Science fiction films  – History and criticism; Science fiction films  – Moral and ethical aspects; Sex role in motion pictures; Women in motion pictures; Men in motion pictures

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APA (6th Edition):

Hergott, M. (2010). The voice and the void: the scream in 1950s American science fiction film. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A3159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hergott, Melissa. “The voice and the void: the scream in 1950s American science fiction film.” 2010. Thesis, Ryerson University. Accessed October 23, 2019. https://digital.library.ryerson.ca/islandora/object/RULA%3A3159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hergott, Melissa. “The voice and the void: the scream in 1950s American science fiction film.” 2010. Web. 23 Oct 2019.

Vancouver:

Hergott M. The voice and the void: the scream in 1950s American science fiction film. [Internet] [Thesis]. Ryerson University; 2010. [cited 2019 Oct 23]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hergott M. The voice and the void: the scream in 1950s American science fiction film. [Thesis]. Ryerson University; 2010. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A3159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

28. 林淑燕.; Lam, Suk-yin. The construct of masculinity and femininity in John Woo and Stanley Kwan's films.

Degree: MA, 1996, University of Hong Kong

published_or_final_version

Literary and Cultural Studies

Master

Master of Arts

Subjects/Keywords: Men in motion pictures.; Men in motion pictures.; Sex role in motion pictures.; Women in motion pictures.; Motion pictures - China - Hong Kong - History.; Women in motion pictures.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

林淑燕.; Lam, S. (1996). The construct of masculinity and femininity in John Woo and Stanley Kwan's films. (Masters Thesis). University of Hong Kong. Retrieved from Lam, S. [林淑燕]. (1996). The construct of masculinity and femininity in John Woo and Stanley Kwan's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195114 ; http://dx.doi.org/10.5353/th_b3195114 ; http://hdl.handle.net/10722/40400

Chicago Manual of Style (16th Edition):

林淑燕.; Lam, Suk-yin. “The construct of masculinity and femininity in John Woo and Stanley Kwan's films.” 1996. Masters Thesis, University of Hong Kong. Accessed October 23, 2019. Lam, S. [林淑燕]. (1996). The construct of masculinity and femininity in John Woo and Stanley Kwan's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195114 ; http://dx.doi.org/10.5353/th_b3195114 ; http://hdl.handle.net/10722/40400.

MLA Handbook (7th Edition):

林淑燕.; Lam, Suk-yin. “The construct of masculinity and femininity in John Woo and Stanley Kwan's films.” 1996. Web. 23 Oct 2019.

Vancouver:

林淑燕.; Lam S. The construct of masculinity and femininity in John Woo and Stanley Kwan's films. [Internet] [Masters thesis]. University of Hong Kong; 1996. [cited 2019 Oct 23]. Available from: Lam, S. [林淑燕]. (1996). The construct of masculinity and femininity in John Woo and Stanley Kwan's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195114 ; http://dx.doi.org/10.5353/th_b3195114 ; http://hdl.handle.net/10722/40400.

Council of Science Editors:

林淑燕.; Lam S. The construct of masculinity and femininity in John Woo and Stanley Kwan's films. [Masters Thesis]. University of Hong Kong; 1996. Available from: Lam, S. [林淑燕]. (1996). The construct of masculinity and femininity in John Woo and Stanley Kwan's films. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195114 ; http://dx.doi.org/10.5353/th_b3195114 ; http://hdl.handle.net/10722/40400


University of Hong Kong

29. 黃淑嫻.; Wong, Shuk-han, Mary. New Chinese cinemas and feminine writings.

Degree: PhD, 2000, University of Hong Kong

published_or_final_version

Comparative Literature

Doctoral

Doctor of Philosophy

Subjects/Keywords: Motion pictures - China - Hong Kong.; Women in motion pictures.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

黃淑嫻.; Wong, Shuk-han, M. (2000). New Chinese cinemas and feminine writings. (Doctoral Dissertation). University of Hong Kong. Retrieved from Huang, S. [黃淑嫻]. (2000). New Chinese cinemas and feminine writings. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389441 ; http://dx.doi.org/10.5353/th_b4389441 ; http://hdl.handle.net/10722/65159

Chicago Manual of Style (16th Edition):

黃淑嫻.; Wong, Shuk-han, Mary. “New Chinese cinemas and feminine writings.” 2000. Doctoral Dissertation, University of Hong Kong. Accessed October 23, 2019. Huang, S. [黃淑嫻]. (2000). New Chinese cinemas and feminine writings. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389441 ; http://dx.doi.org/10.5353/th_b4389441 ; http://hdl.handle.net/10722/65159.

MLA Handbook (7th Edition):

黃淑嫻.; Wong, Shuk-han, Mary. “New Chinese cinemas and feminine writings.” 2000. Web. 23 Oct 2019.

Vancouver:

黃淑嫻.; Wong, Shuk-han M. New Chinese cinemas and feminine writings. [Internet] [Doctoral dissertation]. University of Hong Kong; 2000. [cited 2019 Oct 23]. Available from: Huang, S. [黃淑嫻]. (2000). New Chinese cinemas and feminine writings. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389441 ; http://dx.doi.org/10.5353/th_b4389441 ; http://hdl.handle.net/10722/65159.

Council of Science Editors:

黃淑嫻.; Wong, Shuk-han M. New Chinese cinemas and feminine writings. [Doctoral Dissertation]. University of Hong Kong; 2000. Available from: Huang, S. [黃淑嫻]. (2000). New Chinese cinemas and feminine writings. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4389441 ; http://dx.doi.org/10.5353/th_b4389441 ; http://hdl.handle.net/10722/65159


University of Hong Kong

30. 何堅慧.; Ho, Kin-wai. Cult of the fragmented body: establishing a feminine identity in popular cinema.

Degree: MA, 2000, University of Hong Kong

published_or_final_version

Literary and Cultural Studies

Master

Master of Arts

Subjects/Keywords: Women in motion pictures.; Women - Identity.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

何堅慧.; Ho, K. (2000). Cult of the fragmented body: establishing a feminine identity in popular cinema. (Masters Thesis). University of Hong Kong. Retrieved from Ho, K. [何堅慧]. (2000). Cult of the fragmented body : establishing a feminine identity in popular cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195261 ; http://dx.doi.org/10.5353/th_b3195261 ; http://hdl.handle.net/10722/40530

Chicago Manual of Style (16th Edition):

何堅慧.; Ho, Kin-wai. “Cult of the fragmented body: establishing a feminine identity in popular cinema.” 2000. Masters Thesis, University of Hong Kong. Accessed October 23, 2019. Ho, K. [何堅慧]. (2000). Cult of the fragmented body : establishing a feminine identity in popular cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195261 ; http://dx.doi.org/10.5353/th_b3195261 ; http://hdl.handle.net/10722/40530.

MLA Handbook (7th Edition):

何堅慧.; Ho, Kin-wai. “Cult of the fragmented body: establishing a feminine identity in popular cinema.” 2000. Web. 23 Oct 2019.

Vancouver:

何堅慧.; Ho K. Cult of the fragmented body: establishing a feminine identity in popular cinema. [Internet] [Masters thesis]. University of Hong Kong; 2000. [cited 2019 Oct 23]. Available from: Ho, K. [何堅慧]. (2000). Cult of the fragmented body : establishing a feminine identity in popular cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195261 ; http://dx.doi.org/10.5353/th_b3195261 ; http://hdl.handle.net/10722/40530.

Council of Science Editors:

何堅慧.; Ho K. Cult of the fragmented body: establishing a feminine identity in popular cinema. [Masters Thesis]. University of Hong Kong; 2000. Available from: Ho, K. [何堅慧]. (2000). Cult of the fragmented body : establishing a feminine identity in popular cinema. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195261 ; http://dx.doi.org/10.5353/th_b3195261 ; http://hdl.handle.net/10722/40530

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