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You searched for subject:(Wind Quintet). Showing records 1 – 7 of 7 total matches.

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The Ohio State University

1. Zajkowski, Roberta. The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship.

Degree: DMA, Music, 2010, The Ohio State University

 The unusual instrumentation of Wolfgang Amadeus Mozart’s Quintet, K. 452, and Ludwig van Beethoven’s Quintet, op. 16, has led many scholars to consider these two… (more)

Subjects/Keywords: Music; Mozart K. 452; Beethoven op. 16; piano and wind quintet

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APA (6th Edition):

Zajkowski, R. (2010). The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1275422871

Chicago Manual of Style (16th Edition):

Zajkowski, Roberta. “The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship.” 2010. Doctoral Dissertation, The Ohio State University. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1275422871.

MLA Handbook (7th Edition):

Zajkowski, Roberta. “The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship.” 2010. Web. 14 Oct 2019.

Vancouver:

Zajkowski R. The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship. [Internet] [Doctoral dissertation]. The Ohio State University; 2010. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1275422871.

Council of Science Editors:

Zajkowski R. The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship. [Doctoral Dissertation]. The Ohio State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1275422871

2. Dennis, Donald Munroe. Quintet for Woodwinds.

Degree: 1963, North Texas State University

 "Quintet for Woodwinds " is in four movements. The form of each movement is basically traditional: the first movement is in Sonata form; the second… (more)

Subjects/Keywords: wind quintet; original composition

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APA (6th Edition):

Dennis, D. M. (1963). Quintet for Woodwinds. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1038824/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dennis, Donald Munroe. “Quintet for Woodwinds.” 1963. Thesis, North Texas State University. Accessed October 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc1038824/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dennis, Donald Munroe. “Quintet for Woodwinds.” 1963. Web. 14 Oct 2019.

Vancouver:

Dennis DM. Quintet for Woodwinds. [Internet] [Thesis]. North Texas State University; 1963. [cited 2019 Oct 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038824/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dennis DM. Quintet for Woodwinds. [Thesis]. North Texas State University; 1963. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038824/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

3. Leffler, Hannah Michelle. A National Idiom Universally Understood: Brazilian Tradition and Personal Evolution in Osvaldo Lacerda's "Variações e Fuga para quinteto de sopros".

Degree: 2018, University of North Texas

 The career of Osvaldo Lacerda (1927-2011) spanned a critical time in the development of Brazilian nationalist music. Though he was an outspoken nationalist composer, he… (more)

Subjects/Keywords: Osvaldo Lacerda; Flute; Wind Quintet; Variações e Fuga

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APA (6th Edition):

Leffler, H. M. (2018). A National Idiom Universally Understood: Brazilian Tradition and Personal Evolution in Osvaldo Lacerda's "Variações e Fuga para quinteto de sopros". (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1248512/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leffler, Hannah Michelle. “A National Idiom Universally Understood: Brazilian Tradition and Personal Evolution in Osvaldo Lacerda's "Variações e Fuga para quinteto de sopros".” 2018. Thesis, University of North Texas. Accessed October 14, 2019. https://digital.library.unt.edu/ark:/67531/metadc1248512/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leffler, Hannah Michelle. “A National Idiom Universally Understood: Brazilian Tradition and Personal Evolution in Osvaldo Lacerda's "Variações e Fuga para quinteto de sopros".” 2018. Web. 14 Oct 2019.

Vancouver:

Leffler HM. A National Idiom Universally Understood: Brazilian Tradition and Personal Evolution in Osvaldo Lacerda's "Variações e Fuga para quinteto de sopros". [Internet] [Thesis]. University of North Texas; 2018. [cited 2019 Oct 14]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248512/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leffler HM. A National Idiom Universally Understood: Brazilian Tradition and Personal Evolution in Osvaldo Lacerda's "Variações e Fuga para quinteto de sopros". [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1248512/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Moses, Karen R. Nielsen, Hindemith and Schoenberg: Foundations of the Twentieth-Century Wind Quintet.

Degree: PhD, Musicology, 2015, Catholic U of America

This study focuses on a repertoire that established the twentieth-century wind quintet. This new genre is anchored on three canonic wind quintets written between 1922… (more)

Subjects/Keywords: Music; Arnold Schoenberg; Carl Nielsen; Chamber Music; Paul Hindemith; Wind Quintet; Woodwind

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APA (6th Edition):

Moses, K. R. (2015). Nielsen, Hindemith and Schoenberg: Foundations of the Twentieth-Century Wind Quintet. (Doctoral Dissertation). Catholic U of America. Retrieved from http://hdl.handle.net/1961/cuislandora:28263

Chicago Manual of Style (16th Edition):

Moses, Karen R. “Nielsen, Hindemith and Schoenberg: Foundations of the Twentieth-Century Wind Quintet.” 2015. Doctoral Dissertation, Catholic U of America. Accessed October 14, 2019. http://hdl.handle.net/1961/cuislandora:28263.

MLA Handbook (7th Edition):

Moses, Karen R. “Nielsen, Hindemith and Schoenberg: Foundations of the Twentieth-Century Wind Quintet.” 2015. Web. 14 Oct 2019.

Vancouver:

Moses KR. Nielsen, Hindemith and Schoenberg: Foundations of the Twentieth-Century Wind Quintet. [Internet] [Doctoral dissertation]. Catholic U of America; 2015. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/1961/cuislandora:28263.

Council of Science Editors:

Moses KR. Nielsen, Hindemith and Schoenberg: Foundations of the Twentieth-Century Wind Quintet. [Doctoral Dissertation]. Catholic U of America; 2015. Available from: http://hdl.handle.net/1961/cuislandora:28263

5. Vitale, Claudio Horacio. Dez peças para quinteto de sopros de György Ligeti: a gradação como uma ferramenta para a construção do discurso musical.

Degree: Mestrado, Processos de Criação Musical, 2008, University of São Paulo

O objetivo desta dissertação é descrever os processos graduais utilizados por György Ligeti na composição de sua obra Dez peças para quinteto de sopros (1968).… (more)

Subjects/Keywords: Dez Peças Para Quinteto de Sopros; Gradação; Gradual Process; György Ligeti; György Ligeti; Minimal Variations; Progressive Transformations; Ten Pieces For Wind Quintet; Transformações Progressivas; Variações Mínimas

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APA (6th Edition):

Vitale, C. H. (2008). Dez peças para quinteto de sopros de György Ligeti: a gradação como uma ferramenta para a construção do discurso musical. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-28042009-101615/ ;

Chicago Manual of Style (16th Edition):

Vitale, Claudio Horacio. “Dez peças para quinteto de sopros de György Ligeti: a gradação como uma ferramenta para a construção do discurso musical.” 2008. Masters Thesis, University of São Paulo. Accessed October 14, 2019. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-28042009-101615/ ;.

MLA Handbook (7th Edition):

Vitale, Claudio Horacio. “Dez peças para quinteto de sopros de György Ligeti: a gradação como uma ferramenta para a construção do discurso musical.” 2008. Web. 14 Oct 2019.

Vancouver:

Vitale CH. Dez peças para quinteto de sopros de György Ligeti: a gradação como uma ferramenta para a construção do discurso musical. [Internet] [Masters thesis]. University of São Paulo; 2008. [cited 2019 Oct 14]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-28042009-101615/ ;.

Council of Science Editors:

Vitale CH. Dez peças para quinteto de sopros de György Ligeti: a gradação como uma ferramenta para a construção do discurso musical. [Masters Thesis]. University of São Paulo; 2008. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-28042009-101615/ ;


University of Cincinnati

6. CHANDLER, BETH E. The “Arcadian” Flute: Late Style in Carl Nielsen’s Works for Flute.

Degree: DMA, College-Conservatory of Music : Flute, 2004, University of Cincinnati

 Revered as Denmark’s most celebrated musical figure and regarded as one of the finest, albeit under recognized composers, Carl Nielsen (1865–1931) holds a place as… (more)

Subjects/Keywords: Music; Nielsen, Carl; Flute; Denmark; Wind Quintet; Flute Concerto; 20th-Century Music; Chamber Music; Musical Style

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APA (6th Edition):

CHANDLER, B. E. (2004). The “Arcadian” Flute: Late Style in Carl Nielsen’s Works for Flute. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085004413

Chicago Manual of Style (16th Edition):

CHANDLER, BETH E. “The “Arcadian” Flute: Late Style in Carl Nielsen’s Works for Flute.” 2004. Doctoral Dissertation, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085004413.

MLA Handbook (7th Edition):

CHANDLER, BETH E. “The “Arcadian” Flute: Late Style in Carl Nielsen’s Works for Flute.” 2004. Web. 14 Oct 2019.

Vancouver:

CHANDLER BE. The “Arcadian” Flute: Late Style in Carl Nielsen’s Works for Flute. [Internet] [Doctoral dissertation]. University of Cincinnati; 2004. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085004413.

Council of Science Editors:

CHANDLER BE. The “Arcadian” Flute: Late Style in Carl Nielsen’s Works for Flute. [Doctoral Dissertation]. University of Cincinnati; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085004413

7. Belianski, Eugene. Russian Folk Traditions in Contemporary Musical Literature for Winds.

Degree: MA -MA, Music, 2015, York University

 This dissertation performs analyses of and compositions in three musical traditions that have received little attention in the English-speaking literature: Russian vocal folk polyphony (as… (more)

Subjects/Keywords: Music; Russian history; Folklore; Russian music; Guitar poetry; Soviet bard; Russian folk polyphony; Kastalsky; Brass quintet; Woodwind; Brass; Woodwind ensemble; Accordion; Russian accordion; Arranging; Composition; Chord analysis; Musical form; Pitch constellation; Garmon; Bayan; Folk song; Russian folk song; Music history; Music education; Wind band grading system

…149 4.6. The Oceans We Traversed Together (a composition for brass quintet based on… …90 3.6.1. Torontovka within the North American wind band grading system… …166 4.7.9. The Oceans We Traversed Together within the North American wind band grading… …A Chronicle of the Continuing Evolution of the Contemporary American Wind Band/Ensemble… …principles in creating three corresponding compositions for wind instrument ensembles (one for… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Belianski, E. (2015). Russian Folk Traditions in Contemporary Musical Literature for Winds. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/30111

Chicago Manual of Style (16th Edition):

Belianski, Eugene. “Russian Folk Traditions in Contemporary Musical Literature for Winds.” 2015. Masters Thesis, York University. Accessed October 14, 2019. http://hdl.handle.net/10315/30111.

MLA Handbook (7th Edition):

Belianski, Eugene. “Russian Folk Traditions in Contemporary Musical Literature for Winds.” 2015. Web. 14 Oct 2019.

Vancouver:

Belianski E. Russian Folk Traditions in Contemporary Musical Literature for Winds. [Internet] [Masters thesis]. York University; 2015. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10315/30111.

Council of Science Editors:

Belianski E. Russian Folk Traditions in Contemporary Musical Literature for Winds. [Masters Thesis]. York University; 2015. Available from: http://hdl.handle.net/10315/30111

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