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You searched for subject:(William kentridge). Showing records 1 – 8 of 8 total matches.

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University of Manchester

1. Hennlich, Andrew Joseph. (un)Fixing the Eye: William Kentridge and the Optics of Witness.

Degree: 2011, University of Manchester

 South African artist William Kentridge’s (b. 1955) work frequently employsoptical tools, such as the stereoscope, to highlight the contingency and instability ofwitness. These visual tools… (more)

Subjects/Keywords: William Kentridge; South Africa; Apartheid; Truth and Reconciliation Commission; Namibia; Optical toys; Stereoscope; Photography; Witness

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hennlich, A. J. (2011). (un)Fixing the Eye: William Kentridge and the Optics of Witness. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:119602

Chicago Manual of Style (16th Edition):

Hennlich, Andrew Joseph. “(un)Fixing the Eye: William Kentridge and the Optics of Witness.” 2011. Doctoral Dissertation, University of Manchester. Accessed October 14, 2019. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:119602.

MLA Handbook (7th Edition):

Hennlich, Andrew Joseph. “(un)Fixing the Eye: William Kentridge and the Optics of Witness.” 2011. Web. 14 Oct 2019.

Vancouver:

Hennlich AJ. (un)Fixing the Eye: William Kentridge and the Optics of Witness. [Internet] [Doctoral dissertation]. University of Manchester; 2011. [cited 2019 Oct 14]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:119602.

Council of Science Editors:

Hennlich AJ. (un)Fixing the Eye: William Kentridge and the Optics of Witness. [Doctoral Dissertation]. University of Manchester; 2011. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:119602


University of South Africa

2. Wadzanai, Tirimboyi. The role of migration in the morphing of Shona identity .

Degree: 2017, University of South Africa

 This dissertation reports on a study, which used story telling through installation art in analysing how migration has affected the identity of Shona people of… (more)

Subjects/Keywords: Shona people; Identity; Migration; Theory of liminality; Intercultural identity; El Anatsui; William Kentridge; Yinka Shonibare

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APA (6th Edition):

Wadzanai, T. (2017). The role of migration in the morphing of Shona identity . (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/25337

Chicago Manual of Style (16th Edition):

Wadzanai, Tirimboyi. “The role of migration in the morphing of Shona identity .” 2017. Masters Thesis, University of South Africa. Accessed October 14, 2019. http://hdl.handle.net/10500/25337.

MLA Handbook (7th Edition):

Wadzanai, Tirimboyi. “The role of migration in the morphing of Shona identity .” 2017. Web. 14 Oct 2019.

Vancouver:

Wadzanai T. The role of migration in the morphing of Shona identity . [Internet] [Masters thesis]. University of South Africa; 2017. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10500/25337.

Council of Science Editors:

Wadzanai T. The role of migration in the morphing of Shona identity . [Masters Thesis]. University of South Africa; 2017. Available from: http://hdl.handle.net/10500/25337


University of Manchester

3. Hennlich, Andrew Joseph. (un)Fixing the Eye : William Kentridge and the optics of witness.

Degree: PhD, 2011, University of Manchester

 South African artist William Kentridge's (b. 1955) work frequently employs optical tools, such as the stereoscope, to highlight the contingency and instability of witness. These… (more)

Subjects/Keywords: 708; William Kentridge; South Africa; Apartheid; Truth and Reconciliation Commission; Namibia; Optical toys; Stereoscope; Photography; Witness

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hennlich, A. J. (2011). (un)Fixing the Eye : William Kentridge and the optics of witness. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/unfixing-the-eye-william-kentridge-and-the-optics-of-witness(9d9a31ed-43b8-4f5a-9121-8b98cc7e7fde).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532247

Chicago Manual of Style (16th Edition):

Hennlich, Andrew Joseph. “(un)Fixing the Eye : William Kentridge and the optics of witness.” 2011. Doctoral Dissertation, University of Manchester. Accessed October 14, 2019. https://www.research.manchester.ac.uk/portal/en/theses/unfixing-the-eye-william-kentridge-and-the-optics-of-witness(9d9a31ed-43b8-4f5a-9121-8b98cc7e7fde).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532247.

MLA Handbook (7th Edition):

Hennlich, Andrew Joseph. “(un)Fixing the Eye : William Kentridge and the optics of witness.” 2011. Web. 14 Oct 2019.

Vancouver:

Hennlich AJ. (un)Fixing the Eye : William Kentridge and the optics of witness. [Internet] [Doctoral dissertation]. University of Manchester; 2011. [cited 2019 Oct 14]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/unfixing-the-eye-william-kentridge-and-the-optics-of-witness(9d9a31ed-43b8-4f5a-9121-8b98cc7e7fde).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532247.

Council of Science Editors:

Hennlich AJ. (un)Fixing the Eye : William Kentridge and the optics of witness. [Doctoral Dissertation]. University of Manchester; 2011. Available from: https://www.research.manchester.ac.uk/portal/en/theses/unfixing-the-eye-william-kentridge-and-the-optics-of-witness(9d9a31ed-43b8-4f5a-9121-8b98cc7e7fde).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532247


Universitat de Barcelona

4. Gomes, Noémia Herdade. Desenho: interacções e extensões no processo, projecto e obra artística. Estudo de caso: William Kentridge = Dibujo: interacciones y extensiones en el proceso, proyecto y obra artística. Estudo de caso: William Kentridge.

Degree: Departament de Dibuix, 2011, Universitat de Barcelona

 The work of William Kentridge, the internationally renowned south-African artist, constitutes the basis of this thesis dedicated to the study of the interactions and extensions… (more)

Subjects/Keywords: Dibuix; Dibujo; Drawing; Art contemporani; Arte contemporáneo; Contemporary art; Kentridge, William, 1955-; Creació artística; Creación artística; Artistic creation; Ciències Humanes i Socials; 74

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APA (6th Edition):

Gomes, N. H. (2011). Desenho: interacções e extensões no processo, projecto e obra artística. Estudo de caso: William Kentridge = Dibujo: interacciones y extensiones en el proceso, proyecto y obra artística. Estudo de caso: William Kentridge. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/403711

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gomes, Noémia Herdade. “Desenho: interacções e extensões no processo, projecto e obra artística. Estudo de caso: William Kentridge = Dibujo: interacciones y extensiones en el proceso, proyecto y obra artística. Estudo de caso: William Kentridge.” 2011. Thesis, Universitat de Barcelona. Accessed October 14, 2019. http://hdl.handle.net/10803/403711.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gomes, Noémia Herdade. “Desenho: interacções e extensões no processo, projecto e obra artística. Estudo de caso: William Kentridge = Dibujo: interacciones y extensiones en el proceso, proyecto y obra artística. Estudo de caso: William Kentridge.” 2011. Web. 14 Oct 2019.

Vancouver:

Gomes NH. Desenho: interacções e extensões no processo, projecto e obra artística. Estudo de caso: William Kentridge = Dibujo: interacciones y extensiones en el proceso, proyecto y obra artística. Estudo de caso: William Kentridge. [Internet] [Thesis]. Universitat de Barcelona; 2011. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10803/403711.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gomes NH. Desenho: interacções e extensões no processo, projecto e obra artística. Estudo de caso: William Kentridge = Dibujo: interacciones y extensiones en el proceso, proyecto y obra artística. Estudo de caso: William Kentridge. [Thesis]. Universitat de Barcelona; 2011. Available from: http://hdl.handle.net/10803/403711

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Estado do Rio de Janeiro

5. Agostinho Lage Ornellas de Souza Neto. Oswaldo Goeldi, o fantástico e as ambiguidades contemporâneas.

Degree: Master, 2013, Universidade do Estado do Rio de Janeiro

Compreender o caráter ambíguo da temática de Oswaldo Goeldi é o grande desafio proposto pelo artista a todos que, de forma geral, estão inseridos em… (more)

Subjects/Keywords: Literatura fantástica; Oswaldo Goeldi; Ambiguidades; Oswaldo Goeldi; Fantastic Literature; Ambiguities; ARTES; Goeldi, Oswaldo, 1895-1961; Literatura fantástica História e crítica; Arte e literatura; Ambiguidade; Expressionismo; Ramos, Nuno; Rufino, José, 1965-; Kentridge, William, 1955

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APA (6th Edition):

Neto, A. L. O. d. S. (2013). Oswaldo Goeldi, o fantástico e as ambiguidades contemporâneas. (Masters Thesis). Universidade do Estado do Rio de Janeiro. Retrieved from http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5754 ; http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5755 ;

Chicago Manual of Style (16th Edition):

Neto, Agostinho Lage Ornellas de Souza. “Oswaldo Goeldi, o fantástico e as ambiguidades contemporâneas.” 2013. Masters Thesis, Universidade do Estado do Rio de Janeiro. Accessed October 14, 2019. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5754 ; http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5755 ;.

MLA Handbook (7th Edition):

Neto, Agostinho Lage Ornellas de Souza. “Oswaldo Goeldi, o fantástico e as ambiguidades contemporâneas.” 2013. Web. 14 Oct 2019.

Vancouver:

Neto ALOdS. Oswaldo Goeldi, o fantástico e as ambiguidades contemporâneas. [Internet] [Masters thesis]. Universidade do Estado do Rio de Janeiro; 2013. [cited 2019 Oct 14]. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5754 ; http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5755 ;.

Council of Science Editors:

Neto ALOdS. Oswaldo Goeldi, o fantástico e as ambiguidades contemporâneas. [Masters Thesis]. Universidade do Estado do Rio de Janeiro; 2013. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5754 ; http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5755 ;


Rhodes University

6. Belluigi, Dina Zoe. Broken vessels : the im-possibility of the art of remembrance and re-collection in the work of Anselm Kiefer, Christian Boltanski, William Kentridge and Santu Mofokeng.

Degree: Faculty of Humanities, Fine Art, 2002, Rhodes University

 This thesis is structured around investigating the philosophical and aesthetic problematics, politics, and possibilities of representing the past for the purposes of demythifying the present… (more)

Subjects/Keywords: History in art; Kiefer, Anselm, 1945-; Boltanski, Christian, 1944-; Kentridge, William, 1955-; Mofokeng, Santu, 1956-

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APA (6th Edition):

Belluigi, D. Z. (2002). Broken vessels : the im-possibility of the art of remembrance and re-collection in the work of Anselm Kiefer, Christian Boltanski, William Kentridge and Santu Mofokeng. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1002191

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Belluigi, Dina Zoe. “Broken vessels : the im-possibility of the art of remembrance and re-collection in the work of Anselm Kiefer, Christian Boltanski, William Kentridge and Santu Mofokeng.” 2002. Thesis, Rhodes University. Accessed October 14, 2019. http://hdl.handle.net/10962/d1002191.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Belluigi, Dina Zoe. “Broken vessels : the im-possibility of the art of remembrance and re-collection in the work of Anselm Kiefer, Christian Boltanski, William Kentridge and Santu Mofokeng.” 2002. Web. 14 Oct 2019.

Vancouver:

Belluigi DZ. Broken vessels : the im-possibility of the art of remembrance and re-collection in the work of Anselm Kiefer, Christian Boltanski, William Kentridge and Santu Mofokeng. [Internet] [Thesis]. Rhodes University; 2002. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10962/d1002191.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Belluigi DZ. Broken vessels : the im-possibility of the art of remembrance and re-collection in the work of Anselm Kiefer, Christian Boltanski, William Kentridge and Santu Mofokeng. [Thesis]. Rhodes University; 2002. Available from: http://hdl.handle.net/10962/d1002191

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pretoria

7. Krueger, Anton Robert. Experiments in freedom : representations of identity in new South African drama : an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994 - 2007.

Degree: English, 2008, University of Pretoria

 This thesis examines ways in which identities have been represented in new South African play texts. It begins by exploring various ways in which identity… (more)

Subjects/Keywords: Identity; Post-apartheid literature; Freedom; South african literature; Drama; Theatre; Physical theatre; Ethnicity; Race; Rainbow nation; Paradox; Gender; Syncretism; Heterogeneity; Transformation; Charles taylor; Athol fugard; Zakes mda; Greig coetzee; Mike van graan; William kentridge; Jane taylor; Anthony akerman; Brett bailey; Reza de wet; Gilles deleuze; Ashraf jamal; UCTD

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Krueger, A. (2008). Experiments in freedom : representations of identity in new South African drama : an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994 - 2007. (Doctoral Dissertation). University of Pretoria. Retrieved from http://hdl.handle.net/2263/29095

Chicago Manual of Style (16th Edition):

Krueger, Anton. “Experiments in freedom : representations of identity in new South African drama : an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994 - 2007.” 2008. Doctoral Dissertation, University of Pretoria. Accessed October 14, 2019. http://hdl.handle.net/2263/29095.

MLA Handbook (7th Edition):

Krueger, Anton. “Experiments in freedom : representations of identity in new South African drama : an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994 - 2007.” 2008. Web. 14 Oct 2019.

Vancouver:

Krueger A. Experiments in freedom : representations of identity in new South African drama : an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994 - 2007. [Internet] [Doctoral dissertation]. University of Pretoria; 2008. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/2263/29095.

Council of Science Editors:

Krueger A. Experiments in freedom : representations of identity in new South African drama : an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994 - 2007. [Doctoral Dissertation]. University of Pretoria; 2008. Available from: http://hdl.handle.net/2263/29095


University of Pretoria

8. [No author]. Experiments in freedom : representations of identity in new South African drama : an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994 - 2007 .

Degree: 2008, University of Pretoria

 This thesis examines ways in which identities have been represented in new South African play texts. It begins by exploring various ways in which identity… (more)

Subjects/Keywords: Identity; Post-apartheid literature; Freedom; South african literature; Drama; Theatre; Physical theatre; Ethnicity; Race; Rainbow nation; Paradox; Gender; Syncretism; Heterogeneity; Transformation; Charles taylor; Athol fugard; Zakes mda; Greig coetzee; Mike van graan; William kentridge; Jane taylor; Anthony akerman; Brett bailey; Reza de wet; Gilles deleuze; Ashraf jamal; UCTD

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (2008). Experiments in freedom : representations of identity in new South African drama : an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994 - 2007 . (Doctoral Dissertation). University of Pretoria. Retrieved from http://upetd.up.ac.za/thesis/available/etd-10282008-141823/

Chicago Manual of Style (16th Edition):

author], [No. “Experiments in freedom : representations of identity in new South African drama : an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994 - 2007 .” 2008. Doctoral Dissertation, University of Pretoria. Accessed October 14, 2019. http://upetd.up.ac.za/thesis/available/etd-10282008-141823/.

MLA Handbook (7th Edition):

author], [No. “Experiments in freedom : representations of identity in new South African drama : an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994 - 2007 .” 2008. Web. 14 Oct 2019.

Vancouver:

author] [. Experiments in freedom : representations of identity in new South African drama : an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994 - 2007 . [Internet] [Doctoral dissertation]. University of Pretoria; 2008. [cited 2019 Oct 14]. Available from: http://upetd.up.ac.za/thesis/available/etd-10282008-141823/.

Council of Science Editors:

author] [. Experiments in freedom : representations of identity in new South African drama : an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994 - 2007 . [Doctoral Dissertation]. University of Pretoria; 2008. Available from: http://upetd.up.ac.za/thesis/available/etd-10282008-141823/

.