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You searched for subject:(Widor). Showing records 1 – 10 of 10 total matches.

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University of Georgia

1. Lopez, John. The pipe organ as inspiration for wind band transcriptions with a transcription of Charles-Marie Widor's Symphony no. 5 in F minor and a conductor's guide to rehearsal and performance.

Degree: DMA, Music, 2014, University of Georgia

 This document is a study of how the pipe organ relates to the wind band and the possibilities of transcribing organ works for band. The… (more)

Subjects/Keywords: Charles-Marie Widor

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APA (6th Edition):

Lopez, J. (2014). The pipe organ as inspiration for wind band transcriptions with a transcription of Charles-Marie Widor's Symphony no. 5 in F minor and a conductor's guide to rehearsal and performance. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/lopez_john_201408_dma

Chicago Manual of Style (16th Edition):

Lopez, John. “The pipe organ as inspiration for wind band transcriptions with a transcription of Charles-Marie Widor's Symphony no. 5 in F minor and a conductor's guide to rehearsal and performance.” 2014. Doctoral Dissertation, University of Georgia. Accessed October 15, 2019. http://purl.galileo.usg.edu/uga_etd/lopez_john_201408_dma.

MLA Handbook (7th Edition):

Lopez, John. “The pipe organ as inspiration for wind band transcriptions with a transcription of Charles-Marie Widor's Symphony no. 5 in F minor and a conductor's guide to rehearsal and performance.” 2014. Web. 15 Oct 2019.

Vancouver:

Lopez J. The pipe organ as inspiration for wind band transcriptions with a transcription of Charles-Marie Widor's Symphony no. 5 in F minor and a conductor's guide to rehearsal and performance. [Internet] [Doctoral dissertation]. University of Georgia; 2014. [cited 2019 Oct 15]. Available from: http://purl.galileo.usg.edu/uga_etd/lopez_john_201408_dma.

Council of Science Editors:

Lopez J. The pipe organ as inspiration for wind band transcriptions with a transcription of Charles-Marie Widor's Symphony no. 5 in F minor and a conductor's guide to rehearsal and performance. [Doctoral Dissertation]. University of Georgia; 2014. Available from: http://purl.galileo.usg.edu/uga_etd/lopez_john_201408_dma


NSYSU

2. Wu, Ting-Yi. A Study and Analysis of Widor's Suite Op.34 for Flute and Piano.

Degree: Master, Music, 2015, NSYSU

 Charles-Marie Widor(1844-1937) is one of the most representative French organists in the Late Romanticism period. He focused his whole life on the enrichment of organ… (more)

Subjects/Keywords: Paul Taffanel; Organ; Widor; Flute Suite

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APA (6th Edition):

Wu, T. (2015). A Study and Analysis of Widor's Suite Op.34 for Flute and Piano. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0316115-134429

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wu, Ting-Yi. “A Study and Analysis of Widor's Suite Op.34 for Flute and Piano.” 2015. Thesis, NSYSU. Accessed October 15, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0316115-134429.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wu, Ting-Yi. “A Study and Analysis of Widor's Suite Op.34 for Flute and Piano.” 2015. Web. 15 Oct 2019.

Vancouver:

Wu T. A Study and Analysis of Widor's Suite Op.34 for Flute and Piano. [Internet] [Thesis]. NSYSU; 2015. [cited 2019 Oct 15]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0316115-134429.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wu T. A Study and Analysis of Widor's Suite Op.34 for Flute and Piano. [Thesis]. NSYSU; 2015. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0316115-134429

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Cortez, Elsa Regina da Silva. Chansons de mer: Charles-Marie Widor e Paul Bourget.

Degree: 2012, Repositório Científico do Instituto Politécnico de Lisboa

Mestrado em Música

Este projecto pretende dar a conhecer parte da obra para canto e piano de Charles-Marie Widor, nomeadamente pelo estudo e execução do… (more)

Subjects/Keywords: Charles-Marie Widor; Paul Bourget; Mélodie; Chanson; Mer

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APA (6th Edition):

Cortez, E. R. d. S. (2012). Chansons de mer: Charles-Marie Widor e Paul Bourget. (Thesis). Repositório Científico do Instituto Politécnico de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/7494

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cortez, Elsa Regina da Silva. “Chansons de mer: Charles-Marie Widor e Paul Bourget.” 2012. Thesis, Repositório Científico do Instituto Politécnico de Lisboa. Accessed October 15, 2019. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/7494.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cortez, Elsa Regina da Silva. “Chansons de mer: Charles-Marie Widor e Paul Bourget.” 2012. Web. 15 Oct 2019.

Vancouver:

Cortez ERdS. Chansons de mer: Charles-Marie Widor e Paul Bourget. [Internet] [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2012. [cited 2019 Oct 15]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/7494.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cortez ERdS. Chansons de mer: Charles-Marie Widor e Paul Bourget. [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2012. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/7494

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

4. -1150-7563. Orchestrations and Transformations: Guilmant, Widor, and the Emergence of Music for Organ and Orchestra in France.

Degree: Music, Moores School of, 2018, University of Houston

 This essay traces the emergence of music for organ and orchestra in France. Félix-Alexandre Guilmant and Charles-Marie Widor were the first two Frenchmen to compose… (more)

Subjects/Keywords: Guilmant; Widor; Symphony for Organ and Orchestra; Orchestration

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APA (6th Edition):

-1150-7563. (2018). Orchestrations and Transformations: Guilmant, Widor, and the Emergence of Music for Organ and Orchestra in France. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/3123

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-1150-7563. “Orchestrations and Transformations: Guilmant, Widor, and the Emergence of Music for Organ and Orchestra in France.” 2018. Thesis, University of Houston. Accessed October 15, 2019. http://hdl.handle.net/10657/3123.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-1150-7563. “Orchestrations and Transformations: Guilmant, Widor, and the Emergence of Music for Organ and Orchestra in France.” 2018. Web. 15 Oct 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-1150-7563. Orchestrations and Transformations: Guilmant, Widor, and the Emergence of Music for Organ and Orchestra in France. [Internet] [Thesis]. University of Houston; 2018. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/10657/3123.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

-1150-7563. Orchestrations and Transformations: Guilmant, Widor, and the Emergence of Music for Organ and Orchestra in France. [Thesis]. University of Houston; 2018. Available from: http://hdl.handle.net/10657/3123

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

5. Viana, José Eduardo Guerra. Escola francesa de clarinete.

Degree: 2017, Instituto Politécnico do Porto

Este trabalho propõe entender as bases e as características representativas da Escola Francesa de Clarinete. É composto por uma contextualização do Conservatório de Paris, desde… (more)

Subjects/Keywords: Clarinete; Conservatório de Paris; Concours; Tradição; Messager; Debussy; Widor; Poulenc; Clarinet; Paris Conservatory; Tradition

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APA (6th Edition):

Viana, J. E. G. (2017). Escola francesa de clarinete. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10573

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Viana, José Eduardo Guerra. “Escola francesa de clarinete.” 2017. Thesis, Instituto Politécnico do Porto. Accessed October 15, 2019. https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10573.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Viana, José Eduardo Guerra. “Escola francesa de clarinete.” 2017. Web. 15 Oct 2019.

Vancouver:

Viana JEG. Escola francesa de clarinete. [Internet] [Thesis]. Instituto Politécnico do Porto; 2017. [cited 2019 Oct 15]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10573.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Viana JEG. Escola francesa de clarinete. [Thesis]. Instituto Politécnico do Porto; 2017. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10573

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. DeMent-Rutledge, Melanie. The mélodie in the Chansons de mer of Charles-Marie Widor, a lecture recital, together with three recitals of selected works of A. Vivaldi, R. Strauss, R. Hahn, G. Binkerd, N. Rorem, G. Brevi, G. Faure, R. Trunk, S. Adler, D. Pinkham, D. Argento, T. Pasatieri, and others.

Degree: 1983, North Texas State University

 The lecture recital, given on April 18, 1983, began with biographical background that suggests the influences on the compositional development of both the composer, Charles… (more)

Subjects/Keywords: Charles Marie Widor; lecture recitals; Chansons de mer

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APA (6th Edition):

DeMent-Rutledge, M. (1983). The mélodie in the Chansons de mer of Charles-Marie Widor, a lecture recital, together with three recitals of selected works of A. Vivaldi, R. Strauss, R. Hahn, G. Binkerd, N. Rorem, G. Brevi, G. Faure, R. Trunk, S. Adler, D. Pinkham, D. Argento, T. Pasatieri, and others. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc798238/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

DeMent-Rutledge, Melanie. “The mélodie in the Chansons de mer of Charles-Marie Widor, a lecture recital, together with three recitals of selected works of A. Vivaldi, R. Strauss, R. Hahn, G. Binkerd, N. Rorem, G. Brevi, G. Faure, R. Trunk, S. Adler, D. Pinkham, D. Argento, T. Pasatieri, and others.” 1983. Thesis, North Texas State University. Accessed October 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc798238/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

DeMent-Rutledge, Melanie. “The mélodie in the Chansons de mer of Charles-Marie Widor, a lecture recital, together with three recitals of selected works of A. Vivaldi, R. Strauss, R. Hahn, G. Binkerd, N. Rorem, G. Brevi, G. Faure, R. Trunk, S. Adler, D. Pinkham, D. Argento, T. Pasatieri, and others.” 1983. Web. 15 Oct 2019.

Vancouver:

DeMent-Rutledge M. The mélodie in the Chansons de mer of Charles-Marie Widor, a lecture recital, together with three recitals of selected works of A. Vivaldi, R. Strauss, R. Hahn, G. Binkerd, N. Rorem, G. Brevi, G. Faure, R. Trunk, S. Adler, D. Pinkham, D. Argento, T. Pasatieri, and others. [Internet] [Thesis]. North Texas State University; 1983. [cited 2019 Oct 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc798238/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

DeMent-Rutledge M. The mélodie in the Chansons de mer of Charles-Marie Widor, a lecture recital, together with three recitals of selected works of A. Vivaldi, R. Strauss, R. Hahn, G. Binkerd, N. Rorem, G. Brevi, G. Faure, R. Trunk, S. Adler, D. Pinkham, D. Argento, T. Pasatieri, and others. [Thesis]. North Texas State University; 1983. Available from: https://digital.library.unt.edu/ark:/67531/metadc798238/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Luleå University of Technology

7. Lundkvist, Mathias. D'une manière élégante Français : Jämförelse mellan fransk flöjtestetik från sekelskiftet 1900 och modern flöjtestetik, belyst genom interpretation av Romance ur Suite Op. 34 av Widor.

Degree: 2010, Luleå University of Technology

Validerat; 20110125 (lewe)

Subjects/Keywords: Fine Art; Konstnärligt arbete; Fransk flöjtmusik; flöjt; widor; fransk flöjtestetik; konstnärliga processer

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APA (6th Edition):

Lundkvist, M. (2010). D'une manière élégante Français : Jämförelse mellan fransk flöjtestetik från sekelskiftet 1900 och modern flöjtestetik, belyst genom interpretation av Romance ur Suite Op. 34 av Widor. (Thesis). Luleå University of Technology. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42759

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lundkvist, Mathias. “D'une manière élégante Français : Jämförelse mellan fransk flöjtestetik från sekelskiftet 1900 och modern flöjtestetik, belyst genom interpretation av Romance ur Suite Op. 34 av Widor.” 2010. Thesis, Luleå University of Technology. Accessed October 15, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42759.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lundkvist, Mathias. “D'une manière élégante Français : Jämförelse mellan fransk flöjtestetik från sekelskiftet 1900 och modern flöjtestetik, belyst genom interpretation av Romance ur Suite Op. 34 av Widor.” 2010. Web. 15 Oct 2019.

Vancouver:

Lundkvist M. D'une manière élégante Français : Jämförelse mellan fransk flöjtestetik från sekelskiftet 1900 och modern flöjtestetik, belyst genom interpretation av Romance ur Suite Op. 34 av Widor. [Internet] [Thesis]. Luleå University of Technology; 2010. [cited 2019 Oct 15]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42759.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lundkvist M. D'une manière élégante Français : Jämförelse mellan fransk flöjtestetik från sekelskiftet 1900 och modern flöjtestetik, belyst genom interpretation av Romance ur Suite Op. 34 av Widor. [Thesis]. Luleå University of Technology; 2010. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42759

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Thomas, Paul Lindsley. Gregorian Chant in the Organ Symphonies of Widor and Dupré, a Lecture Recital, Together With Three Recitals of Selected Works of J. S. Bach, S. Barber, A. Bruckner, F. Couperin, M. Dupré, M. Duruflé, C. Franck, W. A. Mozart, O. Messiaen, J. Pachelbel, M. Reger, and Others.

Degree: 1979, North Texas State University

 The lecture recital was given on November 20, 1979. The final movement of Widor's Symphonie Gothique, opus 70, the first movement of Widor's Symphonie Romane,… (more)

Subjects/Keywords: Gregorian Chant; organ symphonies; Charles-Marie Widor; Marcel Dupré; Widor, Charles Marie, 1844-1937.  – Symphony, organ, no. 9, op. 70, C minor.; Widor, Charles Marie, 1844-1937.  – Symphony, organ, no. 10, op. 73, D major.; Dupré, Marcel, 1886-1971.  – Symphonie passion.; Gregorian chants  – History and criticism.

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APA (6th Edition):

Thomas, P. L. (1979). Gregorian Chant in the Organ Symphonies of Widor and Dupré, a Lecture Recital, Together With Three Recitals of Selected Works of J. S. Bach, S. Barber, A. Bruckner, F. Couperin, M. Dupré, M. Duruflé, C. Franck, W. A. Mozart, O. Messiaen, J. Pachelbel, M. Reger, and Others. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc330911/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thomas, Paul Lindsley. “Gregorian Chant in the Organ Symphonies of Widor and Dupré, a Lecture Recital, Together With Three Recitals of Selected Works of J. S. Bach, S. Barber, A. Bruckner, F. Couperin, M. Dupré, M. Duruflé, C. Franck, W. A. Mozart, O. Messiaen, J. Pachelbel, M. Reger, and Others.” 1979. Thesis, North Texas State University. Accessed October 15, 2019. https://digital.library.unt.edu/ark:/67531/metadc330911/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thomas, Paul Lindsley. “Gregorian Chant in the Organ Symphonies of Widor and Dupré, a Lecture Recital, Together With Three Recitals of Selected Works of J. S. Bach, S. Barber, A. Bruckner, F. Couperin, M. Dupré, M. Duruflé, C. Franck, W. A. Mozart, O. Messiaen, J. Pachelbel, M. Reger, and Others.” 1979. Web. 15 Oct 2019.

Vancouver:

Thomas PL. Gregorian Chant in the Organ Symphonies of Widor and Dupré, a Lecture Recital, Together With Three Recitals of Selected Works of J. S. Bach, S. Barber, A. Bruckner, F. Couperin, M. Dupré, M. Duruflé, C. Franck, W. A. Mozart, O. Messiaen, J. Pachelbel, M. Reger, and Others. [Internet] [Thesis]. North Texas State University; 1979. [cited 2019 Oct 15]. Available from: https://digital.library.unt.edu/ark:/67531/metadc330911/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thomas PL. Gregorian Chant in the Organ Symphonies of Widor and Dupré, a Lecture Recital, Together With Three Recitals of Selected Works of J. S. Bach, S. Barber, A. Bruckner, F. Couperin, M. Dupré, M. Duruflé, C. Franck, W. A. Mozart, O. Messiaen, J. Pachelbel, M. Reger, and Others. [Thesis]. North Texas State University; 1979. Available from: https://digital.library.unt.edu/ark:/67531/metadc330911/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

9. Johnson, Bruce Richard. The rise of the French organ symphony with special reference to the works of Alexandre Guilmant and Charles-Marie Widor.

Degree: Faculty of Humanities, Music and Musicology, 1990, Rhodes University

 This thesis on the Rise of the French Organ Symphony refers especially to the relevant works of Alexandre Guilmant and Charles-Marie Widor. It commences with… (more)

Subjects/Keywords: Guilmant, Alexandre, 1837-1911; Widor, Charles-Marie, 1844-1937;

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APA (6th Edition):

Johnson, B. R. (1990). The rise of the French organ symphony with special reference to the works of Alexandre Guilmant and Charles-Marie Widor. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1002308

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnson, Bruce Richard. “The rise of the French organ symphony with special reference to the works of Alexandre Guilmant and Charles-Marie Widor.” 1990. Thesis, Rhodes University. Accessed October 15, 2019. http://hdl.handle.net/10962/d1002308.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnson, Bruce Richard. “The rise of the French organ symphony with special reference to the works of Alexandre Guilmant and Charles-Marie Widor.” 1990. Web. 15 Oct 2019.

Vancouver:

Johnson BR. The rise of the French organ symphony with special reference to the works of Alexandre Guilmant and Charles-Marie Widor. [Internet] [Thesis]. Rhodes University; 1990. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/10962/d1002308.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnson BR. The rise of the French organ symphony with special reference to the works of Alexandre Guilmant and Charles-Marie Widor. [Thesis]. Rhodes University; 1990. Available from: http://hdl.handle.net/10962/d1002308

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Leightenheimer, Douglas Blair. From Couperin to Vierne: Liturgical and Stylistic Connections between the French Baroque and French Romantic Organ Mass .

Degree: 2016, University of Arizona

 The alternatim practice is one of the oldest and longest observed liturgical practices in the French Catholic Church. With the gradual addition of the organ… (more)

Subjects/Keywords: Charles-Marie Widor; Francois Couperin; French Baroque Organ Mass; French Romantic Organ Mass; Louis Vierne; Music; Camille Saint-Saens

…56 Agnus Dei …. …... 57 CHAPTER 5. WIDOR AND MESSE, OP. 36… …chant from Missa orbis factor ... .….. 62 Musical Example 5.2. Widor, Kyrie, mm. 10… …14, from Messe, op. 36 . 62 Musical Example 5.3. Widor, Kyrie, mm. 34–38, from… …Messe, op. 36..........................................63 Musical Example 5.4. Widor, Kyrie… …Missa cum jubilo .63 12 Musical Example 5.6. Widor, Gloria, mm. 4–12, from… 

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APA (6th Edition):

Leightenheimer, D. B. (2016). From Couperin to Vierne: Liturgical and Stylistic Connections between the French Baroque and French Romantic Organ Mass . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/613259

Chicago Manual of Style (16th Edition):

Leightenheimer, Douglas Blair. “From Couperin to Vierne: Liturgical and Stylistic Connections between the French Baroque and French Romantic Organ Mass .” 2016. Doctoral Dissertation, University of Arizona. Accessed October 15, 2019. http://hdl.handle.net/10150/613259.

MLA Handbook (7th Edition):

Leightenheimer, Douglas Blair. “From Couperin to Vierne: Liturgical and Stylistic Connections between the French Baroque and French Romantic Organ Mass .” 2016. Web. 15 Oct 2019.

Vancouver:

Leightenheimer DB. From Couperin to Vierne: Liturgical and Stylistic Connections between the French Baroque and French Romantic Organ Mass . [Internet] [Doctoral dissertation]. University of Arizona; 2016. [cited 2019 Oct 15]. Available from: http://hdl.handle.net/10150/613259.

Council of Science Editors:

Leightenheimer DB. From Couperin to Vierne: Liturgical and Stylistic Connections between the French Baroque and French Romantic Organ Mass . [Doctoral Dissertation]. University of Arizona; 2016. Available from: http://hdl.handle.net/10150/613259

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