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Cornell University
1.
Gelderloos, Carl.
The Instrumental Body And The Organic Machine: Technology As Nature In Weimar Germany.
Degree: PhD, Germanic Studies, 2014, Cornell University
URL: http://hdl.handle.net/1813/37031 
► This dissertation explores cultural narratives about technology in the Weimar Republic with a particular focus on tropes of the body-as-tool and the organic machine. At…
(more)
▼ This dissertation explores cultural narratives about technology in the
Weimar Republic with a particular focus on tropes of the body-as-tool and the organic machine. At once the organic seat of the self and merely one instrument among others in the shaping of the natural world, the ambiguous figure of the instrumental body straddles the border between nature and technology while undermining any strong distinction between the two spheres. The technological anthropologies of Karl Marx, Ernst Kapp, and Helmut Plessner invoke radically divergent political visions from the relationship between technology, the human body, and its environment. The conflicted implications of this relationship are literalized in Alfred Döblin's emblematic novel Berge Meere und Giganten (1924), which pushes the trope of the body-as-tool to a breaking point by repeatedly and spectacularly rupturing the bounds of the body itself; this topological assault on the autonomous individual reflects the confluence of Döblin's monist philosophy of nature and his avant-garde critique of the novel form. I then analyze key contributions to
Weimar-era photographic discourse by Döblin, Brecht, Benjamin, Kracauer, and Albert Renger-Patzsch to unfold the uneasy relationship between physiognomy - the belief in the body's inherent legibility - and the way photography as technology compels the visible body to speak. And for Ernst Jünger, future technology itself becomes a human organ, thereby closing the progression of human history in a static, elemental temporality. In contrast to accounts of modernity that see an encroachment of a mechanical register on the organicist discourse of the body, my dissertation shows how the tropes of the body-as-tool and the organic machine destabilize any unidirectional relationship between nature and technology. By recovering the centrality of the organic body within contemporary technological imaginaries, my project intervenes in scholarship on the culture of the
Weimar Republic by contributing a more complex - and non-teleological - picture of the aesthetic, philosophical, and political stakes of the discursive entwinements of nature and technology.
Advisors/Committee Members: McBride, Patrizia C. (chair), Adelson, Leslie Allen (committee member), Schwarz, Anette (committee member).
Subjects/Keywords: Weimar Republic; Technology; Culture
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APA (6th Edition):
Gelderloos, C. (2014). The Instrumental Body And The Organic Machine: Technology As Nature In Weimar Germany. (Doctoral Dissertation). Cornell University. Retrieved from http://hdl.handle.net/1813/37031
Chicago Manual of Style (16th Edition):
Gelderloos, Carl. “The Instrumental Body And The Organic Machine: Technology As Nature In Weimar Germany.” 2014. Doctoral Dissertation, Cornell University. Accessed April 17, 2021.
http://hdl.handle.net/1813/37031.
MLA Handbook (7th Edition):
Gelderloos, Carl. “The Instrumental Body And The Organic Machine: Technology As Nature In Weimar Germany.” 2014. Web. 17 Apr 2021.
Vancouver:
Gelderloos C. The Instrumental Body And The Organic Machine: Technology As Nature In Weimar Germany. [Internet] [Doctoral dissertation]. Cornell University; 2014. [cited 2021 Apr 17].
Available from: http://hdl.handle.net/1813/37031.
Council of Science Editors:
Gelderloos C. The Instrumental Body And The Organic Machine: Technology As Nature In Weimar Germany. [Doctoral Dissertation]. Cornell University; 2014. Available from: http://hdl.handle.net/1813/37031
University of Georgia
2.
Byers, Richard W.
Power and initiative in twentieth century germany : the case of Hugo Junkers.
Degree: 2014, University of Georgia
URL: http://hdl.handle.net/10724/20508
► This dissertation explores the relationship between private enterprises and nation states in high technology research and applications. As the twentieth century progressed, this relationship became…
(more)
▼ This dissertation explores the relationship between private enterprises and nation states in high technology research and applications. As the twentieth century progressed, this relationship became more contentious as state organs, citing
national security priorities, attempted to assert their influence on private manufacturers. Nowhere is this relationship better illustrated than in the aircraft industry, and Germany’s geopolitical circumstances during the first half of the twentieth
century provide an excellent framework to explore this intersection of interests. The dissertation focuses on the relationship between Professor Hugo Junkers and three successive state regimes in Germany between 1914 and 1934. Already a successful
businessman and entrepreneur by the beginning of the First World War, Hugo Junkers continued to pursue plans for all-metal aircraft designs after war began despite wartime supply difficulties and widespread skepticism that such a craft would ever fly.
Successful flight trials in 1915 lead to increased official interest in the Junkers firm as a possible military aircraft supplier, and military representatives began negotiations with Junkers over possible production of his aircraft designs. When these
negotiations foundered, state officials accused Junkers of pursuing selfish objectives at the state’s expense, and increasingly intervened in the firm’s production processes. Professor Junkers fiercely resisted these incursions, and this resistance
permanently damaged relations between the two parties. Throughout the life of the Weimar Republic, Junkers and state officials fought to control the firm’s production and design priorities. Eventually the state tired of Junkers’ machinations and applied
coercion in conjunction with financial pressure to remove Hugo Junkers from control of his firm, a process completed by the National Socialist regime in 1934. This national takeover characterizes the loss of individual initiative within high technology
sectors considered crucial to national security throughout the twentieth century.
Subjects/Keywords: Hugo Junkers; Weimar Republic; aviation
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APA (6th Edition):
Byers, R. W. (2014). Power and initiative in twentieth century germany : the case of Hugo Junkers. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/20508
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Byers, Richard W. “Power and initiative in twentieth century germany : the case of Hugo Junkers.” 2014. Thesis, University of Georgia. Accessed April 17, 2021.
http://hdl.handle.net/10724/20508.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Byers, Richard W. “Power and initiative in twentieth century germany : the case of Hugo Junkers.” 2014. Web. 17 Apr 2021.
Vancouver:
Byers RW. Power and initiative in twentieth century germany : the case of Hugo Junkers. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Apr 17].
Available from: http://hdl.handle.net/10724/20508.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Byers RW. Power and initiative in twentieth century germany : the case of Hugo Junkers. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/20508
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Georgia
3.
Turner, Alexander Ross.
Science fiction and colonialism in the Weimar Republic.
Degree: 2018, University of Georgia
URL: http://hdl.handle.net/10724/37044
► Between 1918 and 1933, dozens of German Science Fiction writers in the Weimar Republic envisioned Germany’s return as a colonial power. To date, historians and…
(more)
▼ Between 1918 and 1933, dozens of German Science Fiction writers in the Weimar Republic envisioned Germany’s return as a colonial power. To date, historians and scholars have viewed Weimar Science Fiction novelists strictly as contributors to
a radical nationalist discourse that culminated in the rise of National Socialism, without investigating the connections between the novels and Germany’s colonial past. Through an examination of three Science Fiction novels published between 1919 and
1930, this essay argues that Weimar Science Fiction should be understood as a response to Germany’s loss of status as a colonizing nation and the sanctions of the Treaty of Versailles. Ultimately, reading the novels through the lens of colonialism shows
that Weimar Science Fiction, which has often been viewed as simply an overture to the Third Reich, shared as much with Germany’s colonial past as it did with the nation’s future.
Subjects/Keywords: Germany; Weimar Republic; Science Fiction; Colonialism; History
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APA (6th Edition):
Turner, A. R. (2018). Science fiction and colonialism in the Weimar Republic. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/37044
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Turner, Alexander Ross. “Science fiction and colonialism in the Weimar Republic.” 2018. Thesis, University of Georgia. Accessed April 17, 2021.
http://hdl.handle.net/10724/37044.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Turner, Alexander Ross. “Science fiction and colonialism in the Weimar Republic.” 2018. Web. 17 Apr 2021.
Vancouver:
Turner AR. Science fiction and colonialism in the Weimar Republic. [Internet] [Thesis]. University of Georgia; 2018. [cited 2021 Apr 17].
Available from: http://hdl.handle.net/10724/37044.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Turner AR. Science fiction and colonialism in the Weimar Republic. [Thesis]. University of Georgia; 2018. Available from: http://hdl.handle.net/10724/37044
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Oxford
4.
Hanisch, Peter.
Heralds of change? : on the societal function of Weimar Republic journals, 1918-1933.
Degree: PhD, 2016, University of Oxford
URL: http://ora.ox.ac.uk/objects/uuid:902e1dac-035b-42fb-a812-00bab1aac69b
;
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730106
► This thesis investigates how societal change is represented and negotiated in Weimar Republic journals. I advance the idea that journals serve as unique crystallisations of…
(more)
▼ This thesis investigates how societal change is represented and negotiated in Weimar Republic journals. I advance the idea that journals serve as unique crystallisations of the negotiation of social change within social communities due to their inherent periodicity, polyphony and materiality. I elucidate how these journals function, both as material objects with their own specific identities and within Weimar society more generally. To do so, I examine six selected journals: Die Weltbühne, Kladderadatsch, Simplicissimus, Die Gartenkunst, Sport im Bild and Fürs Haus. Together, these journals cover a wide range of bourgeois communities, exemplifying a multiplicity of strategies in order to negotiate the challenges posed by modernisation to their communal identities as well as to the individual identities of their creators and readers. This thesis thus establishes a history of small steps visible in the continuous development of the journals' content and material form, offering an understanding of history as a continuous development of social practices rather than a history of caesuras and breaks. Accordingly, I propose that journals tell us about culture, their material Eigenlogik setting them apart from newspaper and book alike. I then develop a notion of culture as dynamic and of journal communities as communities of practice. Next, I provide a case study of the Simplicissimus's communal practices materialised in shifts of its editorial content and material form, before generalising these findings to include non-authorial voices in advertisements and letters to the editor. Finally, I investigate the negotiation of modernisation in the form of sport and the "New Woman" in the journals, highlighting the concurrency of discourse and active participation, and the coexistence of rejection and incorporation. Ultimately, Weimar journal communities exhibit a continuity of social practices and identities that span from the Kaiserreich to Nazi Germany, both negotiating and furthering modernisation in the process.
Subjects/Keywords: 073; Germany; Periodicals; Social history; Weimar Republic
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APA ·
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CSE |
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APA (6th Edition):
Hanisch, P. (2016). Heralds of change? : on the societal function of Weimar Republic journals, 1918-1933. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:902e1dac-035b-42fb-a812-00bab1aac69b ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730106
Chicago Manual of Style (16th Edition):
Hanisch, Peter. “Heralds of change? : on the societal function of Weimar Republic journals, 1918-1933.” 2016. Doctoral Dissertation, University of Oxford. Accessed April 17, 2021.
http://ora.ox.ac.uk/objects/uuid:902e1dac-035b-42fb-a812-00bab1aac69b ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730106.
MLA Handbook (7th Edition):
Hanisch, Peter. “Heralds of change? : on the societal function of Weimar Republic journals, 1918-1933.” 2016. Web. 17 Apr 2021.
Vancouver:
Hanisch P. Heralds of change? : on the societal function of Weimar Republic journals, 1918-1933. [Internet] [Doctoral dissertation]. University of Oxford; 2016. [cited 2021 Apr 17].
Available from: http://ora.ox.ac.uk/objects/uuid:902e1dac-035b-42fb-a812-00bab1aac69b ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730106.
Council of Science Editors:
Hanisch P. Heralds of change? : on the societal function of Weimar Republic journals, 1918-1933. [Doctoral Dissertation]. University of Oxford; 2016. Available from: http://ora.ox.ac.uk/objects/uuid:902e1dac-035b-42fb-a812-00bab1aac69b ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730106
University of Tennessee – Knoxville
5.
Cross, Margaret Susan.
The Weimar Republic in German Terms: An English Translation of Two Pre-Unification Essays.
Degree: MA, German, 2019, University of Tennessee – Knoxville
URL: https://trace.tennessee.edu/utk_gradthes/5471
► This thesis is a translation project to mark the centennial of the Weimar Republic’s founding in 1918 – 1919. The period of turmoil which began…
(more)
▼ This thesis is a translation project to mark the centennial of the
Weimar Republic’s founding in 1918 – 1919. The period of turmoil which began during the November Revolution set the tone both for Germany’s national and political development (even into the 21st century) and for the way that people talk about the
Weimar Republic and its ultimate demise.Through the translation of two essays on the
Weimar Republic first published in former West Germany, an English-speaking audience may be introduced to certain elements which inform discussions of the
Weimar Republic; some of these issues are explored in “An Introduction to Linguistic and Historical Factors Which Influence the Translation of
Weimar Research.” In “The Political Culture of the
Weimar Republic,” Kurt Sontheimer delineates the problems that scholars encounter when trying to argue the existence of a predominant political culture in Germany at that time. Finally, Klaus Schwabe abridges the ten most functional years of Weimar’s legislative and executive branches in “The Path of the
Republic from the Kapp Putsch of 1920 Until the Collapse of Müller’s Cabinet in 1930” in order to demonstrate the extent of the strained relations between Weimar’s many political parties and leaders.Framed from the viewpoint of translation, Sontheimer and Schwabe’s essays help to define a discursive space wherein multiple perspectives can contribute to a more comprehensive understanding of the
Weimar Republic. These perspectives require an analysis of language as it has functioned at different points in time, of relationships with the past, and of the fact that Germans’ modern framing of the
Weimar Republic is based on how the
Republic was handled discursively and rhetorically both during its own time and during the early years of the Federal
Republic of Germany.
Advisors/Committee Members: Adrian Del Caro, Stefanie Ohnesorg, Daniel Magilow.
Subjects/Keywords: translation; German; cultural mediation; Weimar Republic
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APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Cross, M. S. (2019). The Weimar Republic in German Terms: An English Translation of Two Pre-Unification Essays. (Thesis). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_gradthes/5471
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Cross, Margaret Susan. “The Weimar Republic in German Terms: An English Translation of Two Pre-Unification Essays.” 2019. Thesis, University of Tennessee – Knoxville. Accessed April 17, 2021.
https://trace.tennessee.edu/utk_gradthes/5471.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Cross, Margaret Susan. “The Weimar Republic in German Terms: An English Translation of Two Pre-Unification Essays.” 2019. Web. 17 Apr 2021.
Vancouver:
Cross MS. The Weimar Republic in German Terms: An English Translation of Two Pre-Unification Essays. [Internet] [Thesis]. University of Tennessee – Knoxville; 2019. [cited 2021 Apr 17].
Available from: https://trace.tennessee.edu/utk_gradthes/5471.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Cross MS. The Weimar Republic in German Terms: An English Translation of Two Pre-Unification Essays. [Thesis]. University of Tennessee – Knoxville; 2019. Available from: https://trace.tennessee.edu/utk_gradthes/5471
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Georgia
6.
Turner, Alexander Ross.
Science fiction and colonialism in the Weimar Republic.
Degree: 2018, University of Georgia
URL: http://hdl.handle.net/10724/37201
► Between 1918 and 1933, dozens of German Science Fiction writers in the Weimar Republic envisioned Germany’s return as a colonial power. To date, historians and…
(more)
▼ Between 1918 and 1933, dozens of German Science Fiction writers in the Weimar Republic envisioned Germany’s return as a colonial power. To date, historians and scholars have viewed Weimar Science Fiction novelists strictly as contributors to
a radical nationalist discourse that culminated in the rise of National Socialism, without investigating the connections between the novels and Germany’s colonial past. Through an examination of three Science Fiction novels published between 1919 and
1930, this essay argues that Weimar Science Fiction should be understood as a response to Germany’s loss of status as a colonizing nation and the sanctions of the Treaty of Versailles. Ultimately, reading the novels through the lens of colonialism shows
that Weimar Science Fiction, which has often been viewed as simply an overture to the Third Reich, shared as much with Germany’s colonial past as it did with the nation’s future.
Subjects/Keywords: Germany; Weimar Republic; Science Fiction; Colonialism; History
Record Details
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Record Details
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❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Turner, A. R. (2018). Science fiction and colonialism in the Weimar Republic. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/37201
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Turner, Alexander Ross. “Science fiction and colonialism in the Weimar Republic.” 2018. Thesis, University of Georgia. Accessed April 17, 2021.
http://hdl.handle.net/10724/37201.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Turner, Alexander Ross. “Science fiction and colonialism in the Weimar Republic.” 2018. Web. 17 Apr 2021.
Vancouver:
Turner AR. Science fiction and colonialism in the Weimar Republic. [Internet] [Thesis]. University of Georgia; 2018. [cited 2021 Apr 17].
Available from: http://hdl.handle.net/10724/37201.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Turner AR. Science fiction and colonialism in the Weimar Republic. [Thesis]. University of Georgia; 2018. Available from: http://hdl.handle.net/10724/37201
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Technical University of Lisbon
7.
Roque, José Manuel de Carvalho.
Weimar:factores de colapso de um regime.
Degree: 2013, Technical University of Lisbon
URL: http://www.rcaap.pt/detail.jsp?id=oai:www.repository.utl.pt:10400.5/5881
► Dissertação de Mestrado em Ciência Política
O colapso do regime democrático alemão proclamado em 1918 (República de Weimar) continua a ser um importante caso de…
(more)
▼ Dissertação de Mestrado em Ciência Política
O colapso do regime democrático alemão proclamado em 1918 (República de
Weimar) continua a ser um importante caso de estudo, não só pela
complexidade dos processos desenrolados nas instituições do Estado
democrático, como também pelo facto de constituir uma herança políticocultural
que continua a marcar o pensamento alemão e, consequentemente, a
formatar a política contemporânea da Alemanha.
Neste sentido é especialmente importante o estudo das próprias concepções
alemãs sobre o assunto, pelo que se privilegiou o recurso a fontes deste
país.
Estudam-se as características constitucionais do Estado erigido e os
processos que conduziram à implantação da ditadura nacional-socialista,
liderados pela elite nacionalista-conservadora, dominada pelos Junker e
promovidos sob a tutela da Presidência da República, bem como a génese
dos movimentos eleitorais que alcandoraram o NSDAP à predominância no
espectro parlamentar alemão e sobre os quais Adolf Hitler baseou a
reivindicação da chefia do Governo.
Assumem aqui particular relevância as consequências da derrota militar
sofrida pela Alemanha na I Guerra Mundial, bem como as consequências das
crises económicas associadas, primeiro, à hiperinflação e, depois, à Grande
Depressão.
The collapse of the German democratic regime first proclaimed in 1918 (Weimar
Republic) remains an important case study, because of the complexity of the
processes which unfurled in the institutions of the democratic State and because it
represents, for the German people, a cultural and political heritage deeply embedded
in German thought and, therefore, essential to the understanding of the political
decisions of Germany in present times.
In this sense, the study of the native German understanding of the subject becomes
especially important and, therefore, the use of German sources was privileged.
The dissertation addresses the constitutional framework of the weimarian State and
the political processes that brought about the implantation of the national-socialist
dictatorship, engineered by the nationalist-conservative elite largely dominated by
the Junker class, under the aegis of the Office of the President of the Republic, as
well as the electoral movements which brought the NSDAP to pre-eminence within
the German parliamentary spectrum and upon which Adolf Hitler based his demand
for the chancellorship.
Particularly relevant are the consequences of Germany’s military defeat in the I
World War, as well as the two economic crises associated, first, with the
hyperinflation and, later, the Great Depression.
Advisors/Committee Members: Balão, Sandra Maria Rodrigues.
Subjects/Keywords: Weimar; República; Alemanha; Constituição; Nacional-socialismo; Hitler; Weimar; Republic; Germany; Constitution; National-socialism; Hitler
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APA (6th Edition):
Roque, J. M. d. C. (2013). Weimar:factores de colapso de um regime. (Thesis). Technical University of Lisbon. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:www.repository.utl.pt:10400.5/5881
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Roque, José Manuel de Carvalho. “Weimar:factores de colapso de um regime.” 2013. Thesis, Technical University of Lisbon. Accessed April 17, 2021.
http://www.rcaap.pt/detail.jsp?id=oai:www.repository.utl.pt:10400.5/5881.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Roque, José Manuel de Carvalho. “Weimar:factores de colapso de um regime.” 2013. Web. 17 Apr 2021.
Vancouver:
Roque JMdC. Weimar:factores de colapso de um regime. [Internet] [Thesis]. Technical University of Lisbon; 2013. [cited 2021 Apr 17].
Available from: http://www.rcaap.pt/detail.jsp?id=oai:www.repository.utl.pt:10400.5/5881.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Roque JMdC. Weimar:factores de colapso de um regime. [Thesis]. Technical University of Lisbon; 2013. Available from: http://www.rcaap.pt/detail.jsp?id=oai:www.repository.utl.pt:10400.5/5881
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Freie Universität Berlin
8.
Hacker, Mark.
The political-philosophical discourse about law and justice using the example
of the development of the modern income tax in the Weimar Republic.
Degree: 2013, Freie Universität Berlin
URL: http://dx.doi.org/10.17169/refubium-10123
► The target of this study is the attempt of fiscal policy and finance to create the first time uniform income taxes throughout the whole area…
(more)
▼ The target of this study is the attempt of fiscal policy and finance to create
the first time uniform income taxes throughout the whole area of the Deutsche
Reich. This study shows, that the first Reichseinkommensteuergesetz of 1920
and its amendment in 1925 was not only a simple harmonisation and
consolidation of the diverse Landesgesetze to one Reichsgesetz. With this
first Reichseinkommensteuergesetz politics went new ways to create for the
first time “modern and fair” income taxes. The laws incorporate comprehensive
claims of science for an integral structure, a reasoned definition for income
and fair taxation. This lawmaking process is analysed under the aspect of
“modern and fair” income taxes and its impact on today’s laws are presented.
Besides the economical analysis of the bodies of law, the purpose of this
study is to outline the political and financial decision-making process and
its direct impact on the enacted law as well to demonstrate from which sides
of the political spectrum and general public ideas flowed in and ultimately
implemented. This all happened within the historical background of radical
changes after World War I. Apart from the fiscal-budgetary, the economic-
political and the tax goals, tax laws demand for the basis of fair taxation.
But in the postulate for fair taxes lies the main problem of every scientific
consideration of income tax, since fairness is a subjective notion which can
only be conclusively accessed via a certain type or concept of society. A
close evaluation of theories concerning fairness and their feasibility of
implementation to law as well as the analysis of the de facto tax laws are
essential for the answer of the question above. This is aggravated by the fact
that the term of income has not yet been definitely resolved. Since these two
issues interact, it results in the fact that the problematic of fair taxation
fascinates both political scientists as well as taxation scientists equally.
Yet, to obtain a reasonable answer of the question under the given
circumstances, the first establishment of a nation-wide unified taxation laws
in Germany is discussed. At this time, the political-philosophical discussion
on the term of fairness was firstly implemented into law.
Advisors/Committee Members: m (gender), PD Dr. Sabine Berghahn (firstReferee), Prof. Dr. Cilja Harders (furtherReferee).
Subjects/Keywords: justiceM; fiscal policy; Weimar Republic; Gerechtigkeit; Steuerpolitik; Weimar; 300 Sozialwissenschaften::320 Politikwissenschaft::328 Der Gesetzgebungsprozess
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APA (6th Edition):
Hacker, M. (2013). The political-philosophical discourse about law and justice using the example
of the development of the modern income tax in the Weimar Republic. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-10123
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Hacker, Mark. “The political-philosophical discourse about law and justice using the example
of the development of the modern income tax in the Weimar Republic.” 2013. Thesis, Freie Universität Berlin. Accessed April 17, 2021.
http://dx.doi.org/10.17169/refubium-10123.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Hacker, Mark. “The political-philosophical discourse about law and justice using the example
of the development of the modern income tax in the Weimar Republic.” 2013. Web. 17 Apr 2021.
Vancouver:
Hacker M. The political-philosophical discourse about law and justice using the example
of the development of the modern income tax in the Weimar Republic. [Internet] [Thesis]. Freie Universität Berlin; 2013. [cited 2021 Apr 17].
Available from: http://dx.doi.org/10.17169/refubium-10123.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Hacker M. The political-philosophical discourse about law and justice using the example
of the development of the modern income tax in the Weimar Republic. [Thesis]. Freie Universität Berlin; 2013. Available from: http://dx.doi.org/10.17169/refubium-10123
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
9.
Sage, Marion.
Danses modernes d'Allemagne à Paris : critiques de danses et danses critiques dans la France des années 30 : Modern dances from Germany to Paris : reviews of dance and dance criticism in the France of the 30s.
Degree: Docteur es, Arts du spectacle, 2017, Lille 3
URL: http://www.theses.fr/2017LIL30036
► A partir des expériences singulières de danseurs expressionnistes allemands qui débutent leur carrière sous la République de Weimar et émigrent à Paris dans les années…
(more)
▼ A partir des expériences singulières de danseurs expressionnistes allemands qui débutent leur carrière sous la République de Weimar et émigrent à Paris dans les années 30, il s’agira d’analyser des esthétiques politiquement engagées à gauche : quel langage scénique produit l’investissement politique de ces danseurs d’Allemagne ? Nous relèverons alors les différentes formes chorégraphiques de l’engagement, nous distinguerons plusieurs registres de la dénonciation et, à plus petite échelle, nous tenterons de répertorier une palette de gestes politiques à l’œuvre dans ces danses.Il faudra ensuite étudier l’évolution esthétique des chorégraphies au cœur du processus d’émigration : comment la lutte politique utopiste de la République de Weimar devient-elle un acte de survie pendant le temps de l’exil à Paris ? Quels réseaux artistiques et sociaux construisent les danseurs exilés pour continuer leur métier dans les contraintes de l'émigration?Par ailleurs, une étude comparative des deux contextes de réception – celui de l’Allemagne des années 20 et celui de la France des années 30-40 – permettra de mettre en avant les différents lieux de représentation, les divers publics de la danse et le regard particulier porté par les spectateurs et les critiques parisiens sur la danse d’expression allemande.En quoi en effet, l’exil politique de ces danseurs d’Allemagne constitue-t-il un véritable phénomène transculturel à travers la confrontation avec un nouveau mode de réception et malgré la montée des nationalismes également présents dans le milieu chorégraphique des années 30-40 ?
Pas de résumé disponible
Advisors/Committee Members: Boissière, Anne (thesis director), Launay, Isabelle (thesis director).
Subjects/Keywords: Danses; Danseurs; Allemagne; République de Weimar; Paris; Dances; Dancers; Germany; Republic of Weimar; Paris
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APA ·
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MLA ·
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APA (6th Edition):
Sage, M. (2017). Danses modernes d'Allemagne à Paris : critiques de danses et danses critiques dans la France des années 30 : Modern dances from Germany to Paris : reviews of dance and dance criticism in the France of the 30s. (Doctoral Dissertation). Lille 3. Retrieved from http://www.theses.fr/2017LIL30036
Chicago Manual of Style (16th Edition):
Sage, Marion. “Danses modernes d'Allemagne à Paris : critiques de danses et danses critiques dans la France des années 30 : Modern dances from Germany to Paris : reviews of dance and dance criticism in the France of the 30s.” 2017. Doctoral Dissertation, Lille 3. Accessed April 17, 2021.
http://www.theses.fr/2017LIL30036.
MLA Handbook (7th Edition):
Sage, Marion. “Danses modernes d'Allemagne à Paris : critiques de danses et danses critiques dans la France des années 30 : Modern dances from Germany to Paris : reviews of dance and dance criticism in the France of the 30s.” 2017. Web. 17 Apr 2021.
Vancouver:
Sage M. Danses modernes d'Allemagne à Paris : critiques de danses et danses critiques dans la France des années 30 : Modern dances from Germany to Paris : reviews of dance and dance criticism in the France of the 30s. [Internet] [Doctoral dissertation]. Lille 3; 2017. [cited 2021 Apr 17].
Available from: http://www.theses.fr/2017LIL30036.
Council of Science Editors:
Sage M. Danses modernes d'Allemagne à Paris : critiques de danses et danses critiques dans la France des années 30 : Modern dances from Germany to Paris : reviews of dance and dance criticism in the France of the 30s. [Doctoral Dissertation]. Lille 3; 2017. Available from: http://www.theses.fr/2017LIL30036
University of Michigan
10.
Mandarino, Grant.
Seeing Class: Graphic Satire and the Cultivation of Radicalism in the Weimar Republic.
Degree: PhD, History of Art, 2018, University of Michigan
URL: http://hdl.handle.net/2027.42/144172
► The power of visual images to foster political identities and mold ways of seeing has long been a concern for scholars of print. From the…
(more)
▼ The power of visual images to foster political identities and mold ways of seeing has long been a concern for scholars of print. From the outbreak of the Reformation to the development of serial illustrated publications, historians of European print culture have documented a widespread belief that print media, properly aimed and deployed, can transform like-minded viewers into reliable constituencies, or even a revolutionary force. While such insights have proven decisive for studies of eighteenth- and nineteenth-century graphic satire, art historical discussion of twentieth-century production remains oddly unaffected, especially so in the case of the
Weimar Republic, a period of intense political polarization that saw a resurgence of graphic satire.
Seeing Class: Graphic Satire and the Cultivation of Radicalism in the
Weimar Republic aims to address this lacuna through an in-depth exploration of how artists of the interwar period reshaped graphic satire for political ends. The representational flexibility of graphic satire provided partisan artists ample resources to attack the republican government and ridicule perceived enemies. Focusing on the German Left, I show how the targeting of working class audiences spurred formal experimentation and led to reevaluations of graphic satire’s artistic import and political potential.
Upon its foundation in 1919, the German Communist Party (KPD) garnered immediate support from a number of recognized avant garde artists (e.g. George Grosz, John Heartfield, Rudolf Schlichter) who eventually became regular caricaturists for party publications. Their goal was to translate structural foes of the working class into identifiable enemies whose visibility would assist in propagating a revolutionary perspective. How to meet this goal became a topic of debate, as the party struggled to define a consistent approach to visual culture and artists struggled to relate to a politics of proletarian revolution. Early efforts were guided by the writings of the Marxist cultural historian Eduard Fuchs, who championed graphic satire as a potent "agitational medium" (Kampfmittel) before WWI. By the end of the 1920s, however, the political value of such imagery was no longer so clear. Criticized for being aloof and “too negative" by party leaders, the sardonic drawings of Grosz, Schlichter, and fellow caricaturists gave way to more positive, "social" themes. Over the course of three chapters I discuss why this shift occurred and how it relates to changing conceptions of class, visual culture, and artistic production during this period, within and beyond the Communist milieu. I combine extensive archival research with analyses of images within and across specific publications, resulting in an approach that holds the political significance of visual art to be irreducible to formal innovation and highly dependent upon its ability to resonate with the lived experience and perspectives of specific audiences.
Advisors/Committee Members: Biro, Matthew Nicholas (committee member), Eley, Geoff (committee member), Hemingway, Andrew Frank (committee member), Potts, Alexander D (committee member), Zimmerman, Claire A (committee member).
Subjects/Keywords: Graphic satire during the Weimar Republic; Art History; Arts
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APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Mandarino, G. (2018). Seeing Class: Graphic Satire and the Cultivation of Radicalism in the Weimar Republic. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/144172
Chicago Manual of Style (16th Edition):
Mandarino, Grant. “Seeing Class: Graphic Satire and the Cultivation of Radicalism in the Weimar Republic.” 2018. Doctoral Dissertation, University of Michigan. Accessed April 17, 2021.
http://hdl.handle.net/2027.42/144172.
MLA Handbook (7th Edition):
Mandarino, Grant. “Seeing Class: Graphic Satire and the Cultivation of Radicalism in the Weimar Republic.” 2018. Web. 17 Apr 2021.
Vancouver:
Mandarino G. Seeing Class: Graphic Satire and the Cultivation of Radicalism in the Weimar Republic. [Internet] [Doctoral dissertation]. University of Michigan; 2018. [cited 2021 Apr 17].
Available from: http://hdl.handle.net/2027.42/144172.
Council of Science Editors:
Mandarino G. Seeing Class: Graphic Satire and the Cultivation of Radicalism in the Weimar Republic. [Doctoral Dissertation]. University of Michigan; 2018. Available from: http://hdl.handle.net/2027.42/144172
11.
Leo-Stone, Gesine Charlotte Maria.
Esotericism and conservative utopias : a study of the School of Wisdom in Darmstadt, 1920 - 1930.
Degree: PhD, 1995, Lancaster University
URL: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296947
Subjects/Keywords: 100; Weimar Republic; National Socialism
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APA ·
Chicago ·
MLA ·
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Export
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APA (6th Edition):
Leo-Stone, G. C. M. (1995). Esotericism and conservative utopias : a study of the School of Wisdom in Darmstadt, 1920 - 1930. (Doctoral Dissertation). Lancaster University. Retrieved from https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296947
Chicago Manual of Style (16th Edition):
Leo-Stone, Gesine Charlotte Maria. “Esotericism and conservative utopias : a study of the School of Wisdom in Darmstadt, 1920 - 1930.” 1995. Doctoral Dissertation, Lancaster University. Accessed April 17, 2021.
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296947.
MLA Handbook (7th Edition):
Leo-Stone, Gesine Charlotte Maria. “Esotericism and conservative utopias : a study of the School of Wisdom in Darmstadt, 1920 - 1930.” 1995. Web. 17 Apr 2021.
Vancouver:
Leo-Stone GCM. Esotericism and conservative utopias : a study of the School of Wisdom in Darmstadt, 1920 - 1930. [Internet] [Doctoral dissertation]. Lancaster University; 1995. [cited 2021 Apr 17].
Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296947.
Council of Science Editors:
Leo-Stone GCM. Esotericism and conservative utopias : a study of the School of Wisdom in Darmstadt, 1920 - 1930. [Doctoral Dissertation]. Lancaster University; 1995. Available from: https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296947
IUPUI
12.
Miller, Janice.
In brighter colors: Fauvist influences and gender politics in the art of Gabriele Münter.
Degree: 2016, IUPUI
URL: http://hdl.handle.net/1805/12593
► Indiana University-Purdue University Indianapolis
Gabriele Münter (1877-1962) was a primary member of the twentieth-century German Expressionist group Der Blaue Reiter (The Blue Rider). This thesis…
(more)
▼ Indiana University-Purdue University Indianapolis
Gabriele Münter (1877-1962) was a primary member of the twentieth-century German Expressionist group Der Blaue Reiter (The Blue Rider). This thesis examine the stylistic intersection between avant-garde French Fauvism and German Expressionism in Gabriele Münter's substantial oeuvre. Her body of work demonstrates an unmistakable affiliation with modern French aesthetic inclinations, a distinctive characteristic that confirms Münter's intrinsic comprehension of innovation artistic principles in creative communities across Europe. To contextualize the analysis of Münter's stylistic experimentation, this thesis illuminates the development and maturation of German feminine artistic culture from 1900 to 1933.
Advisors/Committee Members: Robbins, Kevin C..
Subjects/Keywords: Expressionism; Fauvism; German Art; Weimar Republic; Gabriele Münter; Wassily Kandinsky
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APA ·
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MLA ·
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APA (6th Edition):
Miller, J. (2016). In brighter colors: Fauvist influences and gender politics in the art of Gabriele Münter. (Thesis). IUPUI. Retrieved from http://hdl.handle.net/1805/12593
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Miller, Janice. “In brighter colors: Fauvist influences and gender politics in the art of Gabriele Münter.” 2016. Thesis, IUPUI. Accessed April 17, 2021.
http://hdl.handle.net/1805/12593.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Miller, Janice. “In brighter colors: Fauvist influences and gender politics in the art of Gabriele Münter.” 2016. Web. 17 Apr 2021.
Vancouver:
Miller J. In brighter colors: Fauvist influences and gender politics in the art of Gabriele Münter. [Internet] [Thesis]. IUPUI; 2016. [cited 2021 Apr 17].
Available from: http://hdl.handle.net/1805/12593.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Miller J. In brighter colors: Fauvist influences and gender politics in the art of Gabriele Münter. [Thesis]. IUPUI; 2016. Available from: http://hdl.handle.net/1805/12593
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Edinburgh
13.
Harrison, John Frederick Anthony.
Between art and reality : a comparison of the ideological development of Ernst Toller and Georg Kaiser.
Degree: PhD, 1988, University of Edinburgh
URL: http://hdl.handle.net/1842/18944
Subjects/Keywords: 800; Playwrights - Weimar Republic
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Chicago ·
MLA ·
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Export
to Zotero / EndNote / Reference
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APA (6th Edition):
Harrison, J. F. A. (1988). Between art and reality : a comparison of the ideological development of Ernst Toller and Georg Kaiser. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/18944
Chicago Manual of Style (16th Edition):
Harrison, John Frederick Anthony. “Between art and reality : a comparison of the ideological development of Ernst Toller and Georg Kaiser.” 1988. Doctoral Dissertation, University of Edinburgh. Accessed April 17, 2021.
http://hdl.handle.net/1842/18944.
MLA Handbook (7th Edition):
Harrison, John Frederick Anthony. “Between art and reality : a comparison of the ideological development of Ernst Toller and Georg Kaiser.” 1988. Web. 17 Apr 2021.
Vancouver:
Harrison JFA. Between art and reality : a comparison of the ideological development of Ernst Toller and Georg Kaiser. [Internet] [Doctoral dissertation]. University of Edinburgh; 1988. [cited 2021 Apr 17].
Available from: http://hdl.handle.net/1842/18944.
Council of Science Editors:
Harrison JFA. Between art and reality : a comparison of the ideological development of Ernst Toller and Georg Kaiser. [Doctoral Dissertation]. University of Edinburgh; 1988. Available from: http://hdl.handle.net/1842/18944
Lehigh University
14.
Kauffman, Justin Pierce.
Contested Politics and the Communist Visual: A Critical Analysis of John Heartfield's Photomontages at the End of the Weimar Republic.
Degree: MA, History, 2014, Lehigh University
URL: https://preserve.lehigh.edu/etd/1524
► Justin Kauffman, History, Lehigh University Abstract of Master's Thesis, Submitted August 15, 2014:The aim of this thesis is to examine a conflict of Communist politics…
(more)
▼ Justin Kauffman, History, Lehigh University Abstract of Master's Thesis, Submitted August 15, 2014:The aim of this thesis is to examine a conflict of Communist politics in the last pre-Nazi years of Germany's
Weimar Republic through the photomontages of Communist Party member John Heartfield. The research investigates a moment when a radical Communist artist sacrificed his commitment to party line to reach the leftist masses with his propaganda.In the first part of the thesis, a background on Heartfield is provided to in order to present a trajectory leading up to his propaganda work for the Die Arbeiter-Illustrierte-Zeitung (AIZ or Worker's Illustrated Magazine). Following this background, the discussion delves into an analysis of the photomontage in 1930 and 1931 starting with a brief comparison to election posters of the Kommunistische Partei Deutschlands (Communist Party of Germany or KPD). This section uses the photomontage visuals and articles written about the medium in order to outline the aesthetic and practical value of the photomontage as an appealing, widespread form of propaganda. In the final part of the thesis, an analysis of Heartfield's photomontages from July 1932 until February 1933 is presented along with the context of political conflict in the KPD. This section starts by exploring the moment in July 1932 when Heartfield went against the KPD party line with a montage that proposed a united front coalition with Social Democrats. In conclusion, the thesis argues that Heartfield's decision to go against party line contributed to the political conflict among German Communists in 1932. Heartfield was willing to undermine short-term changes in KPD policy for the immediate need of reaching his broad audience with what he considered the correct political message.
Advisors/Committee Members: Savage, John.
Subjects/Keywords: Communist; Heartfield; Photomontage; Propaganda; Weimar Republic; Arts and Humanities; History
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APA (6th Edition):
Kauffman, J. P. (2014). Contested Politics and the Communist Visual: A Critical Analysis of John Heartfield's Photomontages at the End of the Weimar Republic. (Thesis). Lehigh University. Retrieved from https://preserve.lehigh.edu/etd/1524
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Kauffman, Justin Pierce. “Contested Politics and the Communist Visual: A Critical Analysis of John Heartfield's Photomontages at the End of the Weimar Republic.” 2014. Thesis, Lehigh University. Accessed April 17, 2021.
https://preserve.lehigh.edu/etd/1524.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Kauffman, Justin Pierce. “Contested Politics and the Communist Visual: A Critical Analysis of John Heartfield's Photomontages at the End of the Weimar Republic.” 2014. Web. 17 Apr 2021.
Vancouver:
Kauffman JP. Contested Politics and the Communist Visual: A Critical Analysis of John Heartfield's Photomontages at the End of the Weimar Republic. [Internet] [Thesis]. Lehigh University; 2014. [cited 2021 Apr 17].
Available from: https://preserve.lehigh.edu/etd/1524.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Kauffman JP. Contested Politics and the Communist Visual: A Critical Analysis of John Heartfield's Photomontages at the End of the Weimar Republic. [Thesis]. Lehigh University; 2014. Available from: https://preserve.lehigh.edu/etd/1524
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
15.
Wiemers, Judith.
"Das ist die Broadway Melodie" : American cultural motifs in German music film, 1929-1945.
Degree: PhD, 2021, Queen's University Belfast
URL: https://pure.qub.ac.uk/en/theses/das-ist-die-broadway-melodie(df464cad-e8e6-413a-91f5-5c5801222c1f).html
;
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.823690
► This thesis analyses American cultural motifs in German music films in the years 1929 - 1945 and focuses on generic trends that bridged the political…
(more)
▼ This thesis analyses American cultural motifs in German music films in the years 1929 - 1945 and focuses on generic trends that bridged the political caesura of the year 1933 as the end of Germany's first democracy and the beginning of the dictatorial rule of Adolf Hitler and the Nationalist Socialist party. Early manifestations of a process labelled "Cultural Americanisation" in Germany during the Weimar Republic had a lasting impact on music film production from 1929. One of the strongest factors with great influence on the cultural landscape of the Weimar Republic was jazz, which exceeded its meaning as a musical genre by far and was both heralded and despised as a symbol of modernity. Popular stage genres, such as revue and operetta also absorbed American trends and subsequently influenced generic developments in German music film significantly. When inaugurating the genre of Tonfilmoperette (sound film operetta), German producers, directors and composers looked to Hollywood for inspiration. From its very beginning, German music film was not only perceived in many respects as a reaction to its American counterpart, but continued for several decades to be measured against productions from Hollywood studios. By the time the Nazi regime came into government, musical and visual motifs, as well as themes and dramaturgical concepts associated with American culture and film had been firmly established in German music film. A comparative analysis of German films of both the Weimar Republic and the Nazi era, and American productions of the same periods, explores the multifaceted ways in which the American influence continued to flourish in popular German cinema against the backdrop of heightened political tensions and the conflicted cultural politics of the Nazi regime.
Subjects/Keywords: Film musical; operetta; German film; Weimar Republic; national socialism; musical
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APA ·
Chicago ·
MLA ·
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Export
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Manager
APA (6th Edition):
Wiemers, J. (2021). "Das ist die Broadway Melodie" : American cultural motifs in German music film, 1929-1945. (Doctoral Dissertation). Queen's University Belfast. Retrieved from https://pure.qub.ac.uk/en/theses/das-ist-die-broadway-melodie(df464cad-e8e6-413a-91f5-5c5801222c1f).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.823690
Chicago Manual of Style (16th Edition):
Wiemers, Judith. “"Das ist die Broadway Melodie" : American cultural motifs in German music film, 1929-1945.” 2021. Doctoral Dissertation, Queen's University Belfast. Accessed April 17, 2021.
https://pure.qub.ac.uk/en/theses/das-ist-die-broadway-melodie(df464cad-e8e6-413a-91f5-5c5801222c1f).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.823690.
MLA Handbook (7th Edition):
Wiemers, Judith. “"Das ist die Broadway Melodie" : American cultural motifs in German music film, 1929-1945.” 2021. Web. 17 Apr 2021.
Vancouver:
Wiemers J. "Das ist die Broadway Melodie" : American cultural motifs in German music film, 1929-1945. [Internet] [Doctoral dissertation]. Queen's University Belfast; 2021. [cited 2021 Apr 17].
Available from: https://pure.qub.ac.uk/en/theses/das-ist-die-broadway-melodie(df464cad-e8e6-413a-91f5-5c5801222c1f).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.823690.
Council of Science Editors:
Wiemers J. "Das ist die Broadway Melodie" : American cultural motifs in German music film, 1929-1945. [Doctoral Dissertation]. Queen's University Belfast; 2021. Available from: https://pure.qub.ac.uk/en/theses/das-ist-die-broadway-melodie(df464cad-e8e6-413a-91f5-5c5801222c1f).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.823690
Universidade Estadual de Campinas
16.
Santos, Bruno Mendes dos, 1980-.
Na armadura de um soldado moderno : o antitestemunho nacional-conservador de Ernst von Salomon em 'Die Geächteten'.
Degree: Instituto de Estudos da Linguagem; Programa de Pós-Graduação em Teoria e História Literária, 2019, Universidade Estadual de Campinas
URL: http://repositorio.unicamp.br/jspui/handle/REPOSIP/335852
► Orientador: Marcio Orlando Seligmann Silva
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2020-01-29T17:41:58Z (GMT). No.…
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▼ Orientador: Marcio Orlando Seligmann Silva
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2020-01-29T17:41:58Z (GMT). No. of bitstreams: 1 Santos_BrunoMendesDos_D.pdf: 1723028 bytes, checksum: 0215829bde81dbb9e8766d5d85b40472 (MD5) Previous issue date: 2019
Resumo: No contexto da República de Weimar, emergiu um movimento político-cultural conhecido como Revolução Conservadora, formado principalmente por combatentes da Primeira Guerra Mundial que se sentiram traídos pela negociação política da rendição. Entre eles, figura Ernst von Salomon (1899-1973), jovem formado em escolas de cadetes, prussiano orgulhoso, fiel ao império (portanto antirrepublicano e antidemocrático), contrário tanto às ideologias de esquerda quanto aos valores burgueses. Após atuar nos Freikorps em diferentes frentes e participar da Organisation Consul, movimento conspiratório contra membros do governo
vigente (inclusive no assassinato do então ministro Walter Rathenau, motivo pelo qual foi preso), registrou suas experiências no romance autobiográfico Die Geächteten (1929). Ao contrário de soldados que deram seu testemunho dos horrores da guerra a fim de denunciar a barbárie dos campos de batalha e da destruição em massa, Salomon procura ressaltar o heroísmo e a luta nacionalista pela restauração do império ou, pelo menos, pela desestruturação do sistema democrático. Como a maioria dos veteranos de guerra, acumulou experiências potencialmente traumáticas, como a violência extrema da guerra de trincheiras, as mortes de companheiros ou o choque de cenas fortemente abjetas. No entanto, ele não escreve como um traumatizado, como se verifica na literatura de testemunho: pelo contrário, ele cria uma narrativa pouco subjetiva e não fragmentada; procura apresentar uma memória totalizante e detalhista, porém sem distanciamento; não demonstra vulnerabilidade e não se coloca em dúvida.
Procura dar conta do real objetivamente e utiliza recursos estéticos literários, e não menciona dificuldades na representação simbólica dos eventos narrados. Como observador (testis) e sobrevivente (superstes), fala dos mortos de uma maneira "apatética", sem emoções. Trata-se, portanto, de uma espécie de "antitestemunho" dos eventos traumáticos que experienciou. Essa característica pode ser atribuída ao corpo de Panzer: uma armadura (ou couraça), uma blindagem psíquica que, por um lado, torna o indivíduo mais resistente à dor, mas, por outro, gera uma cisão interna que o separa do universo externo, bloqueando a sensibilidade a qualquer estímulo que contrarie sua visão de mundo, e organiza seu inconsciente de modo a exercer uma postura dominadora sobre as categorias que considera inferiores ou incapazes, como forma de manter intacta a sua estrutura interna. Tal armadura não permite que ele se expresse de forma subjetiva ou sentimental, pois isso poderia desagregar o seu Eu e
destruí-lo
During the Weimar Republic in Germany, a political-cultural movement known as "Conservative Revolution" emerged.…
Advisors/Committee Members: UNIVERSIDADE ESTADUAL DE CAMPINAS, Seligmann-Silva, Márcio, 1964-, Frungillo, Mario Luiz, Lasch, Markus Volker, Galle, Helmut Paul Erich, Dornbusch, Claudia Sibylle.
Subjects/Keywords: Salomon, Ernst von, 1902-1972; República de Weimar (1918-1933); Testemunhas; Freikorps; Salomon, Ernst von; Testimony; Weimar Republic; Freikorps
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APA (6th Edition):
Santos, Bruno Mendes dos, 1. (2019). Na armadura de um soldado moderno : o antitestemunho nacional-conservador de Ernst von Salomon em 'Die Geächteten'. (Doctoral Dissertation). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/335852
Chicago Manual of Style (16th Edition):
Santos, Bruno Mendes dos, 1980-. “Na armadura de um soldado moderno : o antitestemunho nacional-conservador de Ernst von Salomon em 'Die Geächteten'.” 2019. Doctoral Dissertation, Universidade Estadual de Campinas. Accessed April 17, 2021.
http://repositorio.unicamp.br/jspui/handle/REPOSIP/335852.
MLA Handbook (7th Edition):
Santos, Bruno Mendes dos, 1980-. “Na armadura de um soldado moderno : o antitestemunho nacional-conservador de Ernst von Salomon em 'Die Geächteten'.” 2019. Web. 17 Apr 2021.
Vancouver:
Santos, Bruno Mendes dos 1. Na armadura de um soldado moderno : o antitestemunho nacional-conservador de Ernst von Salomon em 'Die Geächteten'. [Internet] [Doctoral dissertation]. Universidade Estadual de Campinas; 2019. [cited 2021 Apr 17].
Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/335852.
Council of Science Editors:
Santos, Bruno Mendes dos 1. Na armadura de um soldado moderno : o antitestemunho nacional-conservador de Ernst von Salomon em 'Die Geächteten'. [Doctoral Dissertation]. Universidade Estadual de Campinas; 2019. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/335852
University of Iowa
17.
Range, Regina Christiane.
Positioning Gina Kaus: a transnational career from Vienna novelist and playwright to Hollywood scriptwriter.
Degree: PhD, German, 2012, University of Iowa
URL: https://ir.uiowa.edu/etd/3515
► This dissertation evaluates the career and work of the underappreciated Austrian-Jewish-American novelist, dramatist, essayist and screen writer Gina Kaus (1894 - 1985). The dissertation's…
(more)
▼ This dissertation evaluates the career and work of the underappreciated Austrian-Jewish-American novelist, dramatist, essayist and screen writer Gina Kaus (1894 - 1985). The dissertation's approach is interdisciplinary in nature, drawing from the fields of German, American, exile, literary, feminist, performance, global, cultural as well as film studies. The unusually diverse corpus of Kaus's work in both the literary and filmic medium makes such an interdisciplinary approach indispensable. The dissertation argues that Kaus's specific female and little visible exile experience was shaped and accompanied by a significant, social, cultural, political, linguistic and geographical change. It reconstructs and consciously reinserts Kaus' transatlantic accomplishments into the larger exile history. My dissertation offers close reading of Gina Kaus's second play
Toni (1928) and positions her piece within the larger landscape of the
Weimar Republic and Vienna during the 1920s. The analysis incorporates a feminist reading, which focuses on the performances of gender and the representation of femininity and illustrates the destabilization of gender and sexual identities during the
Weimar period. The analysis of
Die Überfahrt (1932), Kaus's second bestseller novel, discusses her novel as a
Zeitroman (novel of the times). It contextualizes her book in terms of its readership and the literary market while examining it as a comment on the political, financial and social circumstances of 1920s
Weimar culture. A thorough investigation of two films for which Kaus invented the story and collaborated on the screenplay, namely
The Wife Takes a Flyer (directed by Richard Wallace, USA, 1942), an Anti-Nazi comedy, and
Three Secrets (directed by Robert Wise, USA, 1950), a melodrama, challenges the persistent idea that Kaus's work for Hollywood was incapable to live up to her earlier literary and theatrical successes as an author of the
Weimar period. My particular focus on the representation of femininity and female agency sheds light on how the émigrée Kaus, who had been known as an ardent feminist in Europe, successfully managed to subvert ideas of heteronormative gender and power discourses even within the restrictive limits of the Hollywood apparatus. The dissertation further investigates the understudied text form screenplay and the practice of screenwriting. It examines for the first time various unpublished film script versions of the
The Wife Takes a Flyer and
Three Secrets and thus promotes the film script as a textual form worthy of investigation and integration in both literary and film studies. The script analysis pays attention to the collaborative nature, considers the various versions and revisions the script underwent, offers a comparison to the movies and evaluates the script in its multi-functionality, style, and aesthetics. The scripts also give insight into the ways in which Kaus's exilic consciousness permeates her scriptwriting.…
Advisors/Committee Members: Maierhofer, Waltraud, 1959- (supervisor).
Subjects/Keywords: Female autobiography; Female exiles; Gender roles in Hollywood movies; Screenwriting and film scripts; Theater of the Weimar Republic; Weimar Republic; German Language and Literature
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APA (6th Edition):
Range, R. C. (2012). Positioning Gina Kaus: a transnational career from Vienna novelist and playwright to Hollywood scriptwriter. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/3515
Chicago Manual of Style (16th Edition):
Range, Regina Christiane. “Positioning Gina Kaus: a transnational career from Vienna novelist and playwright to Hollywood scriptwriter.” 2012. Doctoral Dissertation, University of Iowa. Accessed April 17, 2021.
https://ir.uiowa.edu/etd/3515.
MLA Handbook (7th Edition):
Range, Regina Christiane. “Positioning Gina Kaus: a transnational career from Vienna novelist and playwright to Hollywood scriptwriter.” 2012. Web. 17 Apr 2021.
Vancouver:
Range RC. Positioning Gina Kaus: a transnational career from Vienna novelist and playwright to Hollywood scriptwriter. [Internet] [Doctoral dissertation]. University of Iowa; 2012. [cited 2021 Apr 17].
Available from: https://ir.uiowa.edu/etd/3515.
Council of Science Editors:
Range RC. Positioning Gina Kaus: a transnational career from Vienna novelist and playwright to Hollywood scriptwriter. [Doctoral Dissertation]. University of Iowa; 2012. Available from: https://ir.uiowa.edu/etd/3515
University of California – San Diego
18.
Haddad, Natalie Anne.
Representing the Unrepresentable: Otto Dix's Der Krieg and the Representation of Otherness in War.
Degree: Art History, Theory and Criticism, 2016, University of California – San Diego
URL: http://www.escholarship.org/uc/item/98z5v3b0
► My dissertation is a critical analysis of subjectivity and otherness in Der Krieg (The War), German artist Otto Dix’s (1891-1969) 1924 portfolio of etchings based…
(more)
▼ My dissertation is a critical analysis of subjectivity and otherness in Der Krieg (The War), German artist Otto Dix’s (1891-1969) 1924 portfolio of etchings based on his tenure in World War I. Comparable only to Francisco Goya’s Disasters of War (Los desastres de la Guerra, 1810-1820) etchings, the breadth and intensity of Der Krieg surpasses the pacifist politics of many of Dix’s contemporaries and engages the images with issues of otherness and the loss of one’s identity in war, encompassing larger issues of visual representation in relation to these experiences. The first war to take an acutely psychological toll on combatants, WWI disrupted conventional modes of expression for artists because of the unprecedented nature and psychical shock of the experience. Dix’s combat experience, coupled with his penchant for physical exaggeration in art and his technical skills, provided him with a unique means of addressing the psychological aspect of the war, the material that proved most problematic to visual representation. With Der Krieg Dix bridges the gap between the inexpressible firsthand experience of war and the visual expression of the experience by manipulating the visual field. Dix transposes the instability of the war onto the image by attacking the conventions of representation without abandoning realism altogether. The human body serves as an index of trauma and dehumanization: of the fifty randomly ordered images that comprise Der Krieg, almost all focus on battle-wearied, injured and dead soldiers and civilians, along with devastated landscapes and makeshift burial sites left in the wake of battles. This study aims to analyze Dix’s visual techniques in order to see how traumatic and unprecedented experiences––that which, by definition, lies outside of representation––can be represented in art and thus better understood by others.
Subjects/Keywords: Art history; History; art; Germany; Otto Dix; trauma; Weimar Republic; World War I
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APA (6th Edition):
Haddad, N. A. (2016). Representing the Unrepresentable: Otto Dix's Der Krieg and the Representation of Otherness in War. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/98z5v3b0
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Haddad, Natalie Anne. “Representing the Unrepresentable: Otto Dix's Der Krieg and the Representation of Otherness in War.” 2016. Thesis, University of California – San Diego. Accessed April 17, 2021.
http://www.escholarship.org/uc/item/98z5v3b0.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Haddad, Natalie Anne. “Representing the Unrepresentable: Otto Dix's Der Krieg and the Representation of Otherness in War.” 2016. Web. 17 Apr 2021.
Vancouver:
Haddad NA. Representing the Unrepresentable: Otto Dix's Der Krieg and the Representation of Otherness in War. [Internet] [Thesis]. University of California – San Diego; 2016. [cited 2021 Apr 17].
Available from: http://www.escholarship.org/uc/item/98z5v3b0.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Haddad NA. Representing the Unrepresentable: Otto Dix's Der Krieg and the Representation of Otherness in War. [Thesis]. University of California – San Diego; 2016. Available from: http://www.escholarship.org/uc/item/98z5v3b0
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of California – Berkeley
19.
Strote, Noah Benezra.
Emigration and the Foundation of West Germany, 1933-1963.
Degree: History, 2011, University of California – Berkeley
URL: http://www.escholarship.org/uc/item/4pp6r8kw
► This dissertation traces the development of German national life from the disintegration of the Weimar Republic in 1933 to the end of the foundational period…
(more)
▼ This dissertation traces the development of German national life from the disintegration of the Weimar Republic in 1933 to the end of the foundational period of the Federal Republic of Germany in 1963. Charting the alliances between previously hostile groups formed in emigration in response to National Socialism, I offer a way of understanding the ideological strength of reconstruction and nation-building after Hitler. The study covers four principal areas of activity: law and politics, humanistic culture, higher education, and religion. It takes as representative case studies the careers of young Weimar-era leaders who fled the Nazi regime in the 1930s and returned to help build the infrastructure of the Federal Republic after 1945. Extensive use is made of their personal papers and other archival material from the institutions with which they were affiliated. Examining the legal, cultural, intellectual, and theological response to the failure of Germany's first democracy, I challenge arguments that have privileged economic success as the driving cause of postwar democratization in West Germany. Instead, the dissertation points to the indispensability of social and ideological reconciliation as preconditions for development.
Subjects/Keywords: European History; Judaic Studies; Development; Exile; Nation-Building; Return Emigration; Weimar Republic; West German History
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APA (6th Edition):
Strote, N. B. (2011). Emigration and the Foundation of West Germany, 1933-1963. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/4pp6r8kw
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Strote, Noah Benezra. “Emigration and the Foundation of West Germany, 1933-1963.” 2011. Thesis, University of California – Berkeley. Accessed April 17, 2021.
http://www.escholarship.org/uc/item/4pp6r8kw.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Strote, Noah Benezra. “Emigration and the Foundation of West Germany, 1933-1963.” 2011. Web. 17 Apr 2021.
Vancouver:
Strote NB. Emigration and the Foundation of West Germany, 1933-1963. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2021 Apr 17].
Available from: http://www.escholarship.org/uc/item/4pp6r8kw.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Strote NB. Emigration and the Foundation of West Germany, 1933-1963. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/4pp6r8kw
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Western Ontario
20.
Carney, Kathryn.
Encountering Others: Degeneration, Distortion, and Disability in Interwar German Visual Culture, 1918-1933.
Degree: 2020, University of Western Ontario
URL: https://ir.lib.uwo.ca/etd/7035
► This thesis project examines the interrelationships of Weimar Körperkultur (“body culture”), interwar photographic practices broadly known as “Neues Sehen,” and Verist “Neue Sachlichkeit” painting to…
(more)
▼ This thesis project examines the interrelationships of Weimar Körperkultur (“body culture”), interwar photographic practices broadly known as “Neues Sehen,” and Verist “Neue Sachlichkeit” painting to interrogate visual representations of bodily difference in Weimar media and art. Through close analysis of select case studies in Weimar film, photography, and painting, I argue that the lines between aesthetic, sociopolitical, and bodily deviance are blurred by many artists of the period. Such focus on the body as the site of an intermedial, interdisciplinary debate about aesthetic, social, political, and national “values” has historically been overlooked by scholars. I ultimately argue that certain “reactionary” figures (namely Franz Roh, Christian Schad, Otto Dix, and others associated with "mimetic" forms of interwar art) used non-normate embodiments to radically contest Körperkultur norms, the visual language of physiognomy, and the proto-Fascist eugenic legacies from which they emerged.
Subjects/Keywords: body culture; degeneration; eugenics; disability; modern art; Weimar Republic; Theory and Criticism
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APA (6th Edition):
Carney, K. (2020). Encountering Others: Degeneration, Distortion, and Disability in Interwar German Visual Culture, 1918-1933. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/7035
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Carney, Kathryn. “Encountering Others: Degeneration, Distortion, and Disability in Interwar German Visual Culture, 1918-1933.” 2020. Thesis, University of Western Ontario. Accessed April 17, 2021.
https://ir.lib.uwo.ca/etd/7035.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Carney, Kathryn. “Encountering Others: Degeneration, Distortion, and Disability in Interwar German Visual Culture, 1918-1933.” 2020. Web. 17 Apr 2021.
Vancouver:
Carney K. Encountering Others: Degeneration, Distortion, and Disability in Interwar German Visual Culture, 1918-1933. [Internet] [Thesis]. University of Western Ontario; 2020. [cited 2021 Apr 17].
Available from: https://ir.lib.uwo.ca/etd/7035.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Carney K. Encountering Others: Degeneration, Distortion, and Disability in Interwar German Visual Culture, 1918-1933. [Thesis]. University of Western Ontario; 2020. Available from: https://ir.lib.uwo.ca/etd/7035
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Toronto
21.
Lieblang, Jason Stefan.
The Representation of Masculinity in Crisis: An Interrogation of Its Roots and Reasons.
Degree: PhD, 2015, University of Toronto
URL: http://hdl.handle.net/1807/69423
► This dissertation develops out of the disturbing realization that masculinity is pervasively represented as `in crisis.' It argues that both `masculinity' and `crisis' are discursive…
(more)
▼ This dissertation develops out of the disturbing realization that masculinity is pervasively represented as `in crisis.' It argues that both `masculinity' and `crisis' are discursive constructs, which have been functioning in unison since the late nineteenth century to bolster male hegemony.
My introductory chapter offers an explication of how discursive domination functions at the level of signification. It explains, and applies to numerous examples, the method of discourse analysis developed by Ernesto Laclau and Chantal Mouffe, and also engages with Reinhardt Koselleck's critical history of the concept `crisis,' which has recently been further developed in the work of Janet Roitman.
In chapter two I examine the roots of the `masculinity in crisis' discourse in the European fin de siècle. This search proceeds by way of readings of Rémy de Gourmont's La Dissociation des Idées, Daniel Paul Schreber's Denkwürdigkeiten eines Nervenkranken, and Otto Weininger's Geschlecht und Charakter. Chapter two also examines the crucial role that the representation of women played in defining masculinity as `in crisis' during the period.
My third and fourth chapters offer in-depth readings of several literary and cinematic works, these showing that while `masculinity' being represented as `in crisis' is a constant, the forms and tropes employed in this representation vary over time and are geographically contingent. I focus in chapter three on Arthur Schnitzler's stories Leutnant Gustl and Andreas Thameyers letzter Brief, prose works within which contemporaneous psychological, gender and class discourses converge in protagonists representative of bourgeois Austrian masculinity `in crisis.'
Chapter four argues by way of analyses of the canonical
Weimar era films Das Cabinet des Dr Caligari and Die Straße as well as Ernst Toller's Heimkehrer drama Hinkemann that the sudden postwar domination of the discursive field by visual forms of media - what Martin Jay calls `a scopic regime' - resulted in `masculinity in crisis' becoming increasingly spectral - taking on ghostly and/or monstrous forms - and spectacular, namely as an event staged for the voyeuristic gaze.
In my conclusion I pursue answers to why `masculinity' has been for over a century, and more importantly continues to be, pervasively represented as `in crisis.'
Advisors/Committee Members: Noyes, John K, Germanic Languages and Literatures.
Subjects/Keywords: Critical Theory; Fin de Siecle; German Film; Germanic Literature; Masculinities; Weimar Republic; 0733
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APA ·
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APA (6th Edition):
Lieblang, J. S. (2015). The Representation of Masculinity in Crisis: An Interrogation of Its Roots and Reasons. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/69423
Chicago Manual of Style (16th Edition):
Lieblang, Jason Stefan. “The Representation of Masculinity in Crisis: An Interrogation of Its Roots and Reasons.” 2015. Doctoral Dissertation, University of Toronto. Accessed April 17, 2021.
http://hdl.handle.net/1807/69423.
MLA Handbook (7th Edition):
Lieblang, Jason Stefan. “The Representation of Masculinity in Crisis: An Interrogation of Its Roots and Reasons.” 2015. Web. 17 Apr 2021.
Vancouver:
Lieblang JS. The Representation of Masculinity in Crisis: An Interrogation of Its Roots and Reasons. [Internet] [Doctoral dissertation]. University of Toronto; 2015. [cited 2021 Apr 17].
Available from: http://hdl.handle.net/1807/69423.
Council of Science Editors:
Lieblang JS. The Representation of Masculinity in Crisis: An Interrogation of Its Roots and Reasons. [Doctoral Dissertation]. University of Toronto; 2015. Available from: http://hdl.handle.net/1807/69423
University of Southern California
22.
Maynes, Erin Sullivan.
Speculating on paper: print culture and the German
inflation, 1918-1924.
Degree: PhD, Art History, 2016, University of Southern California
URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/438106/rec/6008
► ""Speculating on Paper: Print Culture and the German Inflation, 1918-1924"" takes the post‐World War I boom in print production in Germany as its subject and…
(more)
▼ ""Speculating on Paper: Print Culture and the German
Inflation, 1918-1924"" takes the post‐World War I boom in print
production in Germany as its
subject and considers the German
Inflation (1914-1923) as a major influence on the production and
reception of the graphic arts during this period. While scholarship
has focused extensively on German artists' responses to the First
World War and the November Revolution that followed, my
dissertation explores how
Weimar print culture was shaped by a
decade of inflation. Given the pervasiveness of the graphic arts
during these years, this dissertation also argues that it was not
'new' media such as photography and film, but established graphic
media that engendered and rehearsed key aspects of
Weimar modernity
during the
Republic's earliest days. Germinating in the print
portfolios of artists like Max Beckmann, Otto Dix, and George Grosz
are debates about mass production and mass audiences, popular
versus fine art, and the status of the reproduction. ❧ Although
scholars have considered the graphic production of the immediate
postwar period as a continuation of pre‐WWI stylistic and
conceptual trends, I assert that postwar print culture was
distinct, particularly in the way it engaged with the variety of
media—manual as well as photomechanical processes—and with the
possibilities of a mass cultural public sphere. Prominent critics,
curators, and historians recognized that the contemporary print
faced an identity crisis between the low‐edition hand‐printed
graphics embodied by the artist group Die Brücke and the cheap
photomechanical mass editions produced by artists like George
Grosz. Some worried that mass production eroded the print's
aesthetic value and cultural status. But mass production
represented a more palpable threat in the climate of inflation, as
the inundation of fine art prints coincided with an unprecedented
surge in the production of Paper Marks, part of the government's
response to, and a leading cause of, ever‐rising prices during the
inflationary period. Both types of overproduction were described
and depicted as a flood, a tidal wave of printed paper that
threatened to drown the populace. ❧ This dissertation looks at
print culture in a broad sense, incorporating not only the fine art
prints of key figures such as Beckmann, Dix, and Grosz, but also
the content of illustrated magazines as well as and the Notgeld, or
emergency money, printed during these years in its analysis.
Speculation frames the postwar print boom in both economic and
conceptual terms. Dealers, publishers, collectors and artists all
speculated on the financial value of prints for opportunistic
reasons. But these figures also speculated on the symbolic capital
of the print and its future as a progressive art
form.
Advisors/Committee Members: Luke, Megan R. (Committee Chair), Lang, Karen A. (Committee Member), Lerner, Paul F. (Committee Member), Roberts, Sean E. (Committee Member).
Subjects/Keywords: modern art; graphic art; modern print; print culture; German inflation; Germany; Weimar Republic
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APA ·
Chicago ·
MLA ·
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Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Maynes, E. S. (2016). Speculating on paper: print culture and the German
inflation, 1918-1924. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/438106/rec/6008
Chicago Manual of Style (16th Edition):
Maynes, Erin Sullivan. “Speculating on paper: print culture and the German
inflation, 1918-1924.” 2016. Doctoral Dissertation, University of Southern California. Accessed April 17, 2021.
http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/438106/rec/6008.
MLA Handbook (7th Edition):
Maynes, Erin Sullivan. “Speculating on paper: print culture and the German
inflation, 1918-1924.” 2016. Web. 17 Apr 2021.
Vancouver:
Maynes ES. Speculating on paper: print culture and the German
inflation, 1918-1924. [Internet] [Doctoral dissertation]. University of Southern California; 2016. [cited 2021 Apr 17].
Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/438106/rec/6008.
Council of Science Editors:
Maynes ES. Speculating on paper: print culture and the German
inflation, 1918-1924. [Doctoral Dissertation]. University of Southern California; 2016. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/438106/rec/6008
Univerzitet u Beogradu
23.
Bajagić, Dušan, 1973-.
Упоредна анализа државне администрације у политичким
системима Вајмарске републике, Француске Треће републике и
Краљевине СХС/Југославије.
Degree: Fakultet političkih nauka, 2015, Univerzitet u Beogradu
URL: https://fedorabg.bg.ac.rs/fedora/get/o:10029/bdef:Content/get
► Политичке науке - Уупоредна политика / Political science - Comparative politics
Докторска дисертација „Упоредна анализа државне администрације у политичким системима Вајмарске републике, Француске Треће републике…
(more)
▼ Политичке науке - Уупоредна политика / Political
science - Comparative politics
Докторска дисертација „Упоредна анализа државне
администрације у политичким системима Вајмарске републике,
Француске Треће републике и Краљевине СХС/Југославије“ представља
истраживање државне администрације, начина на који управља
пословима од јавног интереса, обележја ових послова, као и њихов
положај и организацију у конкретним политичким системима Вајмарске
републике, Француске Треће републике и Краљевине СХС/Југославије.
Ово истраживање постављено је као студија случаја и представља
интегративан и синтетички приступ процесу организовања и
функционисања државне администрације у политичким системима
поменуте три земље. Процес организовања и функционисања државне
администрације се на основу теоријских сугестија схвата као
универзалан процес. Истраживањем је обухваћено време између два
светска рата, јер се тада у Европи стварао један нов тип државе
који је имао карактеристике особене политичке еволуције. Обележја
таквих промена била су неким случајевима корените револуционарне
промене, које су довеле до нових уређења с новим идеологијама. У
другим, пак, случајевима задржана је структура старих установа, али
су се упоредо с њима уводиле нове које су представљале резултат
нових схватања државе и њених задатака. У општем смислу овим
истраживањем настоји се на томе да се проникне у суштину односа
које су према државној администрацији имали централна управа и њени
органи у ове три државе. Унутар тог приступа утврђен је карактер
односа шефова управних власти, влада и парламената на процес
организовања и функционисања државне администрације. Упоредо са
овим нивоом посматрања разматран је утицај политичких партија и
интересних група на ток организовања и функционисања државне
администрације. Резултати истраживања указују на то да државна
администрација има централно место у политичком систему и у ширем
смислу у друштвеном систему. Разлог за тако значајно место био је
пре свега у томе што непристрасна и професионална државна
администрација много може да допринесе смањивању 6 ризика од
угрожавања јавног интереса и нарушавања демократског поретка.
Управо таква њена функција утицала је да основни задатак државне
администрације у политичком систему буде ефикасно, економично и
рационално управља пословима од јавног интереса. Ово посебно због
тога да би се на тај начин уз остваривање свих задатака и обављање
свих послова штитиле људске слободе и права, и тиме повећала општа
добробит целог друштва
Advisors/Committee Members: Krstić, Zoran, 1965-.
Subjects/Keywords: Public Administration; Political System; the Weimar
Republic; the French Third Republic; the Kingdom of SCS/Yugoslavia;
Comparative Analysis
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APA (6th Edition):
Bajagić, Dušan, 1. (2015). Упоредна анализа државне администрације у политичким
системима Вајмарске републике, Француске Треће републике и
Краљевине СХС/Југославије. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:10029/bdef:Content/get
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Bajagić, Dušan, 1973-. “Упоредна анализа државне администрације у политичким
системима Вајмарске републике, Француске Треће републике и
Краљевине СХС/Југославије.” 2015. Thesis, Univerzitet u Beogradu. Accessed April 17, 2021.
https://fedorabg.bg.ac.rs/fedora/get/o:10029/bdef:Content/get.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Bajagić, Dušan, 1973-. “Упоредна анализа државне администрације у политичким
системима Вајмарске републике, Француске Треће републике и
Краљевине СХС/Југославије.” 2015. Web. 17 Apr 2021.
Vancouver:
Bajagić, Dušan 1. Упоредна анализа државне администрације у политичким
системима Вајмарске републике, Француске Треће републике и
Краљевине СХС/Југославије. [Internet] [Thesis]. Univerzitet u Beogradu; 2015. [cited 2021 Apr 17].
Available from: https://fedorabg.bg.ac.rs/fedora/get/o:10029/bdef:Content/get.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Bajagić, Dušan 1. Упоредна анализа државне администрације у политичким
системима Вајмарске републике, Француске Треће републике и
Краљевине СХС/Југославије. [Thesis]. Univerzitet u Beogradu; 2015. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:10029/bdef:Content/get
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Pontifical Catholic University of Rio de Janeiro
24.
RAFAEL BARROS VIEIRA.
[en] WALTER BENJAMIN: LAW, POLITICS AND THE RISE AND
COLLAPSE OF THE WEIMAR REPUBLIC (1918/9-1933).
Degree: 2016, Pontifical Catholic University of Rio de Janeiro
URL: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27346
► [pt] O presente estudo tem como objetivo realizar uma análise simultaneamente histórica e conceitual sobre as percepções de Walter Benjamin sobre o direito e a…
(more)
▼ [pt] O presente estudo tem como objetivo realizar uma
análise simultaneamente histórica e conceitual sobre as percepções
de Walter Benjamin sobre o direito e a política situando-as no
contexto histórico da República de Weimar (1918/9-1933). Através
dessa análise articulada, trata-se de expor os traços principais do
debate proposto por Benjamin, analisando seus escritos que
enfrentam a discussão sobre o direito e a política, seus embates em
torno da noção de estado de exceção, e sua relação com a filosofia
da história do autor. Será importante também desdobrar tais
reflexões, indicando os questionamentos colocados, as inflexões
sofridas em relação ao seu pensamento anterior e a incorporação de
novas questões. Benjamin será, portanto, analisado tendo como
referência o seu próprio tempo, indicando-se também suas
especificidades como autor e as respostas dadas a esse tempo que o
particularizam. A hipótese central do presente trabalho é que para
uma melhor compreensão dos escritos políticojurídicos de Benjamin é
fundamental a análise conjunta do contexto de onde emergiram,
reconhecendo que os problemas levantados pelo autor vão além dele,
e que a partir daquele contexto determinado levantou questões que
dizem respeito à tendências da própria modernidade, e que ainda
são, portanto, questões do nosso tempo.
[en] This study aims to conduct both a historical and
a conceptual analysis of Walter Benjamin s perceptions on law and
politics, locating them in the historical context of the Weimar
Republic (1918/9 - 1933 ). Through this articulated analysis, the
purpose is to expose the main features of Benjamin s debates,
analyzing his writings that face the discussions on law and
politics, the struggles around the concept of state of exception,
and its relation with author s philosophy of history.It will also
be important to unfold such reflections, indicating the questions
posed, the inflections incurred in relation to his previous thought
and the incorporation of new issues. Benjamin will therefore be
analyzed with reference to his own time, indicating as well his
specificities as author and the answers given to this time that
particularizes him.The central hypothesis of this study is that for
a better understanding of Benjamin s political and legal writings
is fundamental to analyse them together with the context from which
they emerged, recognizing that the problems raised by the author go
beyond him and, from that particular context, he lifted questions
concerning particular tendencies of modernity which still are
issues of our time.
Advisors/Committee Members: BETHANIA DE ALBUQUERQUE ASSY.
Subjects/Keywords: [pt] MARXISMO; [en] MARXISM; [pt] DIREITO; [en] LAW; [pt] POLITICA; [en] POLICY; [pt] WALTER BENJAMIN; [en] WALTER BENJAMIN; [pt] ESTADO DE EXCECAO; [pt] REPUBLICA DE WEIMAR; [en] WEIMAR REPUBLIC
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APA ·
Chicago ·
MLA ·
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CSE |
Export
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Manager
APA (6th Edition):
VIEIRA, R. B. (2016). [en] WALTER BENJAMIN: LAW, POLITICS AND THE RISE AND
COLLAPSE OF THE WEIMAR REPUBLIC (1918/9-1933). (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27346
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
VIEIRA, RAFAEL BARROS. “[en] WALTER BENJAMIN: LAW, POLITICS AND THE RISE AND
COLLAPSE OF THE WEIMAR REPUBLIC (1918/9-1933).” 2016. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed April 17, 2021.
http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27346.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
VIEIRA, RAFAEL BARROS. “[en] WALTER BENJAMIN: LAW, POLITICS AND THE RISE AND
COLLAPSE OF THE WEIMAR REPUBLIC (1918/9-1933).” 2016. Web. 17 Apr 2021.
Vancouver:
VIEIRA RB. [en] WALTER BENJAMIN: LAW, POLITICS AND THE RISE AND
COLLAPSE OF THE WEIMAR REPUBLIC (1918/9-1933). [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2016. [cited 2021 Apr 17].
Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27346.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
VIEIRA RB. [en] WALTER BENJAMIN: LAW, POLITICS AND THE RISE AND
COLLAPSE OF THE WEIMAR REPUBLIC (1918/9-1933). [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2016. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27346
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
25.
Plehwe, Livia.
G-Material zur elementaren Gestaltung (1923-1926) : une revue au croisement des avant-gardes artistiques et architecturales sous la République de Weimar : G-Material zur elementaren Gestaltung (1923-1926) : a magazine at the crossroads of the artistic and architectural avant-gardes in the Weimar Republic.
Degree: Docteur es, Études germaniques, 2019, Sorbonne université; Europa-Universität Viadrina (Francfort-sur-l'Oder, Allemagne)
URL: http://www.theses.fr/2019SORUL187
► Cette étude est consacrée à la revue G : Material zur elementaren Gestaltung, publiée par Hans Richter à Berlin entre 1923 et 1926. Située au…
(more)
▼ Cette étude est consacrée à la revue G : Material zur elementaren Gestaltung, publiée par Hans Richter à Berlin entre 1923 et 1926. Située au croisement de Dada, De Stijl, du Bauhaus et du constructivisme russe, G réunit un groupe hétérogène d’artistes, d’architectes et de cinéastes d’avant-garde, parmi lesquels on compte notamment Theo van Doesburg, Mies van der Rohe, El Lissitzky, Ludwig Hilberseimer, Kurt Schwitters, Hans Arp, Werner Gräff et Viking Eggeling. Après l’analyse des aspects concrets de sa publication (édition et diffusion), de son format et design graphique, et après la reconstitution des étapes de sa fondation autour du collectif spécifique que formait le « groupe G », nous étudions l’ancrage de G dans le réseau international des revues, en mettant en lumière sa fonction de plaque tournante entre les avant-gardes d’Europe de l’Ouest et d’Europe centrale, de l’Est et de Russie. Nous examinons ensuite la spécificité de son projet esthétique, articulé autour de la « configuration élémentaire » [elementare Gestaltung] de divers matériaux (articles, photographies, objets d’art et d’architecture, objets techniques, objets de mode et de loisirs) selon le principe de l’économie des moyens. Nous réinscrivons enfin le projet artistique et intellectuel de la revue dans la dimension politique contemporaine, en montrant que son engagement réside dans sa dynamique internationaliste et collective, dans le potentiel émancipateur qu’elle accorde aux nouveaux médias (exploiter les possibilités du médium filmique pour transformer la perception sensible) et dans sa volonté de reconfigurer radicalement l’environnement matériel et culturel de l’homme.
This study focuses on the magazine G : Material zur elementaren Gestaltung, published by Hans Richter in Berlin between 1923 and 1926. Standing at the crossroads of Dada, De Stijl, Bauhaus and russian constructivism, G brought together an eclectic group of avant-garde artists, architects and filmmakers (among which Theo van Doesburg, Mies van der Rohe, El Lissitzky, Ludwig Hilberseimer, Kurt Schwitters, Hans Arp, Werner Gräff and Viking Eggeling). After the analysis of the concrete aspects of its publication (edition and distribution), of its format and graphic design, and after the reconstruction of the different steps of its foundation around the specific constellation formed around the “Group G”, we examine G’s connection to the international network of avant-garde magazines, by showing its turntable role between the avant-gardes of Western and Central-Eastern Europe and Russia. We then analyse its specific aesthetic project, based on the “elemental configuration” [elementare Gestaltung] of various materials (articles, photographs, artistic and architectural objects, technical objects, fashion and leisure objects), according to the principle of the economy of means. Finally, we resituate G’s artistic and intellectual project within the contemporary political dimension, by showing that its engagement consisted in its internationalist orientation and collective…
Advisors/Committee Members: Raulet, Gérard (thesis director).
Subjects/Keywords: Avant-garde; Revue; Réseau; République de Weimar; Configuration élémentaire; Matériau; Design graphique; Nouveaux médias; Avant-garde; Magazine; Network; Weimar Republic; Elemental configuration; Material; Graphic design; New media; 700.411; 943.085; 025.3432
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Record Details
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APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
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APA (6th Edition):
Plehwe, L. (2019). G-Material zur elementaren Gestaltung (1923-1926) : une revue au croisement des avant-gardes artistiques et architecturales sous la République de Weimar : G-Material zur elementaren Gestaltung (1923-1926) : a magazine at the crossroads of the artistic and architectural avant-gardes in the Weimar Republic. (Doctoral Dissertation). Sorbonne université; Europa-Universität Viadrina (Francfort-sur-l'Oder, Allemagne). Retrieved from http://www.theses.fr/2019SORUL187
Chicago Manual of Style (16th Edition):
Plehwe, Livia. “G-Material zur elementaren Gestaltung (1923-1926) : une revue au croisement des avant-gardes artistiques et architecturales sous la République de Weimar : G-Material zur elementaren Gestaltung (1923-1926) : a magazine at the crossroads of the artistic and architectural avant-gardes in the Weimar Republic.” 2019. Doctoral Dissertation, Sorbonne université; Europa-Universität Viadrina (Francfort-sur-l'Oder, Allemagne). Accessed April 17, 2021.
http://www.theses.fr/2019SORUL187.
MLA Handbook (7th Edition):
Plehwe, Livia. “G-Material zur elementaren Gestaltung (1923-1926) : une revue au croisement des avant-gardes artistiques et architecturales sous la République de Weimar : G-Material zur elementaren Gestaltung (1923-1926) : a magazine at the crossroads of the artistic and architectural avant-gardes in the Weimar Republic.” 2019. Web. 17 Apr 2021.
Vancouver:
Plehwe L. G-Material zur elementaren Gestaltung (1923-1926) : une revue au croisement des avant-gardes artistiques et architecturales sous la République de Weimar : G-Material zur elementaren Gestaltung (1923-1926) : a magazine at the crossroads of the artistic and architectural avant-gardes in the Weimar Republic. [Internet] [Doctoral dissertation]. Sorbonne université; Europa-Universität Viadrina (Francfort-sur-l'Oder, Allemagne); 2019. [cited 2021 Apr 17].
Available from: http://www.theses.fr/2019SORUL187.
Council of Science Editors:
Plehwe L. G-Material zur elementaren Gestaltung (1923-1926) : une revue au croisement des avant-gardes artistiques et architecturales sous la République de Weimar : G-Material zur elementaren Gestaltung (1923-1926) : a magazine at the crossroads of the artistic and architectural avant-gardes in the Weimar Republic. [Doctoral Dissertation]. Sorbonne université; Europa-Universität Viadrina (Francfort-sur-l'Oder, Allemagne); 2019. Available from: http://www.theses.fr/2019SORUL187
26.
Garzillo, Rômulo Monteiro.
Elementos autoritários em Carl Schmitt: breve estudo dos escritos de Weimar (1919-1932).
Degree: 2020, Pontifical Catholic University of São Paulo
URL: https://tede2.pucsp.br/handle/handle/23229
► Submitted by Filipe dos Santos ([email protected]) on 2020-08-26T11:22:19Z No. of bitstreams: 1 Rômulo Monteiro Garzillo.pdf: 1106612 bytes, checksum: e4f148941f536bc548b177af66c3a0a4 (MD5)
Made available in DSpace on…
(more)
▼ Submitted by Filipe dos Santos ([email protected]) on 2020-08-26T11:22:19Z No. of bitstreams: 1 Rômulo Monteiro Garzillo.pdf: 1106612 bytes, checksum: e4f148941f536bc548b177af66c3a0a4 (MD5)
Made available in DSpace on 2020-08-26T11:22:19Z (GMT). No. of bitstreams: 1 Rômulo Monteiro Garzillo.pdf: 1106612 bytes, checksum: e4f148941f536bc548b177af66c3a0a4 (MD5) Previous issue date: 2020-08-05
The object of this dissertation is the authoritarian content of the texts written by the German constitutionalist, Carl Schmitt, between the years of 1919 and 1932, a period known as the Weimar Republic. Its general objective is to understand the structure of authoritarianism, as an idea and political movement. Its specific objectives are to analyze, identify and systematize the authoritarian elements of his work. The research justification is the importance of understanding the elements that compose the authoritarian phenomenon, and additionally the better
understanding of the nature, origin, history and objectives of the constitutional democratic regimes. The choice for Carl Schmitt's work results from the author's own biography, which was one of the most relevant constitutionalists of his time and defender of the dictatorship and the state of exception. Furthermore, Carl Schmitt's ideas were not limited to academic debate, but they were able to seduce politicians linked to National Socialism, culminating in the author's effective participation in the totalitarian regime led by Adolf Hitler. The adopted method establishes a comparison between Carl Schmitt's main ideas and the founding elements of constitutional democracy. Throughout this dissertation, it appears that the ideas developed by Carl Schmitt are opposed to the values of modernity, illuminism and liberalism, both in the legal and political sense. The denial consequence of the Rule of Law under liberal molds puts Carl Schmitt in confrontation with the Austrian positivist Hans
Kelsen, which ends up generating one of the greatest legal debates of the 20th century. In this clash, it appears that the Schmitt's work is organized through a triad of elements – cultural, legal and political – that end up denying the whole ideas framework prepared by the liberal movement called constitutionalism
O objeto da presente dissertação é o conteúdo autoritário dos textos escritos pelo constitucionalista alemão, Carl Schmitt, entre os anos de 1919 e 1932, período conhecido como República Weimar. Seu objetivo geral é compreender a estrutura do autoritarismo, enquanto ideia e movimento político. Seus objetivos específicos são analisar, identificar e sistematizar os elementos autoritários de sua obra. A justificativa da pesquisa está na importância da compreensão dos elementos que compõem o fenômeno autoritário, inclusive para um melhor entendimento da natureza, origem, história e objetivos dos regimes democráticos constitucionais. A escolha da obra de Carl Schmitt resulta
da própria biografia do autor, que foi um dos mais relevantes constitucionalistas de seu tempo e defensor…
Advisors/Committee Members: Serrano, Pedro Estevam Alves Pinto.
Subjects/Keywords: Alemanha - História - 1918-1933; Schmitt, Carl, 1888-1985; República de Weimar; Autoritarismo; Germany - History - 1918-1933; Weimar Republic; Authoritarianism; CNPQ::CIENCIAS SOCIAIS APLICADAS::DIREITO
Record Details
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Record Details
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❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Garzillo, R. M. (2020). Elementos autoritários em Carl Schmitt: breve estudo dos escritos de Weimar (1919-1932). (Masters Thesis). Pontifical Catholic University of São Paulo. Retrieved from https://tede2.pucsp.br/handle/handle/23229
Chicago Manual of Style (16th Edition):
Garzillo, Rômulo Monteiro. “Elementos autoritários em Carl Schmitt: breve estudo dos escritos de Weimar (1919-1932).” 2020. Masters Thesis, Pontifical Catholic University of São Paulo. Accessed April 17, 2021.
https://tede2.pucsp.br/handle/handle/23229.
MLA Handbook (7th Edition):
Garzillo, Rômulo Monteiro. “Elementos autoritários em Carl Schmitt: breve estudo dos escritos de Weimar (1919-1932).” 2020. Web. 17 Apr 2021.
Vancouver:
Garzillo RM. Elementos autoritários em Carl Schmitt: breve estudo dos escritos de Weimar (1919-1932). [Internet] [Masters thesis]. Pontifical Catholic University of São Paulo; 2020. [cited 2021 Apr 17].
Available from: https://tede2.pucsp.br/handle/handle/23229.
Council of Science Editors:
Garzillo RM. Elementos autoritários em Carl Schmitt: breve estudo dos escritos de Weimar (1919-1932). [Masters Thesis]. Pontifical Catholic University of São Paulo; 2020. Available from: https://tede2.pucsp.br/handle/handle/23229
University of Michigan
27.
Schroeder, Kristin.
How to Look Sachlich: Fashion and Objectivity in Weimar Germany.
Degree: PhD, History of Art, 2017, University of Michigan
URL: http://hdl.handle.net/2027.42/137172
► “How to Look Sachlich: Fashion and Objectivity in Weimar Germany” is an analysis of the representation and treatment of fashion in the late Weimar works…
(more)
▼ “How to Look Sachlich: Fashion and Objectivity in
Weimar Germany” is an analysis of the representation and treatment of fashion in the late
Weimar works of the architect and designer, Lilly Reich (1885-1947) and the painters, Otto Dix (1891-1969), Christian Schad (1894-1982), and Lotte Laserstein (1898-1993). Its argument is that these artists, through their acute handling of clothing and fabric, pushed the aesthetic program of Neue Sachlichkeit (New Objectivity) beyond strict Sachlichkeit (objectivity) and ultimately show that Neue Sachlichkeit, contrary to its association with sobriety, is a style of material extravagance. The terms “Sachlichkeit” and “Neue Sachlichkeit,” popular in every facet of
Weimar culture from fashion to architecture and painting to journalism, connoted matter-of-factness, functionality, and realism. By examining the treatment of fashion and fabric in these paintings and architectural projects, this study, drawing upon design and architectural theory, sheds new light onto the painterly practices of Neue Sachlichkeit, while also demonstrating that an emphasis on surface materiality was an aesthetic strategy common to both the architecture and painting of the period. In this way, fashion and an accentuation of tactile surfaces serve as critical links between architectural Sachlichkeit and painterly Neue Sachlichkeit during the
Weimar Republic.
Schad, Dix, Laserstein, and Reich undermine rationality and sobriety in their sachlich and neu sachlich works by emphasizing the texture and appearance of material surfaces to the extent that they take on expressive lives of their own. By presenting this material excess, these artists respond to a cultural preoccupation with objectivity, the sociopolitical conditions of the period, and counter the outgoing discourse of spiritualized subjectivity that was tied to Expressionism. For Schad, Dix, Laserstein, and Reich, Sachlichkeit offered a mode of cultural production that was oriented around externalized facts and the objective world. Instead of exposing social realities through abstraction and appeals to emotion, these artists represented tangible surfaces and charged them with the task of expressing the material realities of modern life. While neither rational nor sober, the striking appearance of surfaces in their works is nonetheless “objective” in the sense that it constitutes a mimetic response to the processes of objectification and fetishization in market capitalism, which transform both people (subjects) and commodities (objects) into instruments to aid in its perpetual growth.
Advisors/Committee Members: Biro, Matthew Nicholas (committee member), Barndt, Kerstin (committee member), Potts, Alexander D (committee member), Siegfried, Susan L (committee member), Zimmerman, Claire A (committee member).
Subjects/Keywords: Weimar Republic; Painting; Architecture & Design; Fashion; Gender; Neue Sachlichkeit; Architecture; Art and Design; Art History; Arts
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APA (6th Edition):
Schroeder, K. (2017). How to Look Sachlich: Fashion and Objectivity in Weimar Germany. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/137172
Chicago Manual of Style (16th Edition):
Schroeder, Kristin. “How to Look Sachlich: Fashion and Objectivity in Weimar Germany.” 2017. Doctoral Dissertation, University of Michigan. Accessed April 17, 2021.
http://hdl.handle.net/2027.42/137172.
MLA Handbook (7th Edition):
Schroeder, Kristin. “How to Look Sachlich: Fashion and Objectivity in Weimar Germany.” 2017. Web. 17 Apr 2021.
Vancouver:
Schroeder K. How to Look Sachlich: Fashion and Objectivity in Weimar Germany. [Internet] [Doctoral dissertation]. University of Michigan; 2017. [cited 2021 Apr 17].
Available from: http://hdl.handle.net/2027.42/137172.
Council of Science Editors:
Schroeder K. How to Look Sachlich: Fashion and Objectivity in Weimar Germany. [Doctoral Dissertation]. University of Michigan; 2017. Available from: http://hdl.handle.net/2027.42/137172
University of Michigan
28.
Wipplinger, Jonathan Otto.
The jazz republic: Music, race, and American culture in Weimar Germany.
Degree: PhD, Music, 2006, University of Michigan
URL: http://hdl.handle.net/2027.42/125928
► This dissertation examines the German encounter and engagement with jazz music during the Weimar Republic through the three interwoven issues of music, race, and American…
(more)
▼ This dissertation examines the German encounter and engagement with jazz music during the
Weimar Republic through the three interwoven issues of music, race, and American culture. Through close readings of newspaper and journal articles, as well as analysis of discussions of music, theater, and the visual arts, it reconstructs jazz's multiple locations within
Weimar's cultural landscape and demonstrates how jazz played a pivotal role in defining
Weimar's modernity. It suggests that jazz music occupied a central position in the
Weimar Republic, not as the reflection of something outside German culture, but as one of the most complicated and contested objects through which this culture and its modernity were imagined, constructed, and defined. After the introduction, chapter two explores the networks of exchange between African American music and German culture in the mediated form of the technological reproduction of music. It focuses on ethnomusicologist Erich Moritz von Hornbostel's writings and activities as head of the important Phonogramm-Archiv for the study of primitive music in Berlin. Chapter three interrogates the German confrontation with notions of blackness and African American culture by exposing the appropriation of American blackface minstrel practices within the modernism of George Grosz, Walter Mehring, Ernst Krenek, and others. Chapter four examines the experience of live jazz and looks specifically at the opposed responses of Germans to the African American Sam Wooding Band and the white American jazz band of Paul Whiteman, who each toured Germany in the mid-1920s. Chapter five reworks the current understanding of the function of gender and race discourses in
Weimar by illuminating moments of interracial and intercultural encounter on the popular revue stage. Chapter six investigates the origins and outcomes of the 1927 creation of a Jazzklasse at Dr. Hoch's Conservatory in Frankfurt am Main. It maintains that this first academic program in jazz instruction in Germany is representative of a breakdown of the boundaries between high and low culture in
Weimar. Chapter seven, finally, re-examines the controversial jazz writings of philosopher Theodor W. Adorno by situating them within the cultural and historical contexts of the
Weimar Republic, National Socialist Germany, and exile.
Advisors/Committee Members: Spector, Scott D. (advisor).
Subjects/Keywords: American; Culture; Germany; Jazz; Music; Race; Weimar Republic
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APA ·
Chicago ·
MLA ·
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CSE |
Export
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Manager
APA (6th Edition):
Wipplinger, J. O. (2006). The jazz republic: Music, race, and American culture in Weimar Germany. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/125928
Chicago Manual of Style (16th Edition):
Wipplinger, Jonathan Otto. “The jazz republic: Music, race, and American culture in Weimar Germany.” 2006. Doctoral Dissertation, University of Michigan. Accessed April 17, 2021.
http://hdl.handle.net/2027.42/125928.
MLA Handbook (7th Edition):
Wipplinger, Jonathan Otto. “The jazz republic: Music, race, and American culture in Weimar Germany.” 2006. Web. 17 Apr 2021.
Vancouver:
Wipplinger JO. The jazz republic: Music, race, and American culture in Weimar Germany. [Internet] [Doctoral dissertation]. University of Michigan; 2006. [cited 2021 Apr 17].
Available from: http://hdl.handle.net/2027.42/125928.
Council of Science Editors:
Wipplinger JO. The jazz republic: Music, race, and American culture in Weimar Germany. [Doctoral Dissertation]. University of Michigan; 2006. Available from: http://hdl.handle.net/2027.42/125928
Royal Holloway, University of London
29.
Poljakowa, Natalja.
The distribution, censorship and reception of German films in Soviet Russia of the 1920s.
Degree: PhD, 2015, Royal Holloway, University of London
URL: https://pure.royalholloway.ac.uk/portal/en/publications/the-distribution-censorship-and-reception-of-german-films-in-soviet-russia-of-the-1920s(226dc94b-94a9-4128-80e0-d154f5549243).html
;
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792437
► Despite the huge amount of research on European cinema of the 1920s, little attention has been paid to the influence of cross-cultural encounters on the…
(more)
▼ Despite the huge amount of research on European cinema of the 1920s, little attention has been paid to the influence of cross-cultural encounters on the trajectory of national film histories. This study argues that Soviet film was shaped by the reception of German film to an extent that existing scholarship has not acknowledged. It focuses on the impact of German and Austrian films on the revival of the Soviet film industry in the period of the New Economic Policy. German films helped to fill in the gaps in Soviet film distribution, as until the mid-1920s Soviet Russia was not able to revive its own film production and entirely relied on foreign film imports. However, all imported films were thoroughly examined, classified and, in most of cases, 'adjusted' to the Soviet ideology through re-editing. This thesis explores previously ignored aspects of the film exchange between the Weimar Republic and Soviet Russia: the process of selection and purchase, the censorship control over content, the reception of the films in little-known periodicals and film brochures and, finally, the influence of the imported productions on the Soviet audience. The thesis attempts for the first time to describe the mechanisms and the process of film censorship in Soviet Russia of the 1920s, with particular attention to censorship policy towards foreign cinema. Describing the German productions that reached Soviet film theatres after 1922, the thesis explores the attitude to foreign cinema in the context of the ideologically-uncompromising Soviet censorship, with the focus on the conflict between the inviolability of an author's conception and the ideological necessity of film re-editing. The thesis offers an analysis of the cultural dialogue between the Weimar Republic and Soviet Russia on the basis of the rare archival material and the surviving copies of the re-edited German films in the Russian State Film Archive.
Subjects/Keywords: cinema; film censorship; film distribution; silent film; Soviet cinema; German cinema; 1920s; Weimar Republic; film history
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APA ·
Chicago ·
MLA ·
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CSE |
Export
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APA (6th Edition):
Poljakowa, N. (2015). The distribution, censorship and reception of German films in Soviet Russia of the 1920s. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/the-distribution-censorship-and-reception-of-german-films-in-soviet-russia-of-the-1920s(226dc94b-94a9-4128-80e0-d154f5549243).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792437
Chicago Manual of Style (16th Edition):
Poljakowa, Natalja. “The distribution, censorship and reception of German films in Soviet Russia of the 1920s.” 2015. Doctoral Dissertation, Royal Holloway, University of London. Accessed April 17, 2021.
https://pure.royalholloway.ac.uk/portal/en/publications/the-distribution-censorship-and-reception-of-german-films-in-soviet-russia-of-the-1920s(226dc94b-94a9-4128-80e0-d154f5549243).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792437.
MLA Handbook (7th Edition):
Poljakowa, Natalja. “The distribution, censorship and reception of German films in Soviet Russia of the 1920s.” 2015. Web. 17 Apr 2021.
Vancouver:
Poljakowa N. The distribution, censorship and reception of German films in Soviet Russia of the 1920s. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2015. [cited 2021 Apr 17].
Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-distribution-censorship-and-reception-of-german-films-in-soviet-russia-of-the-1920s(226dc94b-94a9-4128-80e0-d154f5549243).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792437.
Council of Science Editors:
Poljakowa N. The distribution, censorship and reception of German films in Soviet Russia of the 1920s. [Doctoral Dissertation]. Royal Holloway, University of London; 2015. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-distribution-censorship-and-reception-of-german-films-in-soviet-russia-of-the-1920s(226dc94b-94a9-4128-80e0-d154f5549243).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792437
Penn State University
30.
Spinney, Russell Alfred.
A Nation in Peril? Rethinking How Fear Influenced Everyday Life and Politics in the Weimar Republic.
Degree: 2009, Penn State University
URL: https://submit-etda.libraries.psu.edu/catalog/10249
► In order to gain access to the experience of fear as a social fact, this dissertation project examines a variety of public, semi-public and private…
(more)
▼ In order to gain access to the experience of fear as a social fact, this dissertation project examines a variety of public, semi-public and private sources, including literary voices, local newspaper editorials, reports from municipal police, town councils, district attorneys and gendarmerie, collections of Catholic, Lutheran, Jehovah’s Witness and Jewish materials, and individual German writings, diaries, memoirs, petitions and photographs from central German communities in Thuringia and other neighboring regions.
The archival evidence indicates that fear was not necessarily particular to Germany or universally experienced by all Germans in the same ways at the same time. Fear had multiple historical sources that informed how different groups understood fear in a variety of ways and defined how people should feel fear and express those feelings (or not) in the politics of Imperial Germany. Much of this history of fear is not necessarily unique to German political culture, when compared to Western Europe and North America, and Germans were not overwhelmed by any one fear, but the prospects of defeat in the First World radicalized how Germans increasingly invoked fear in their politics after the war.
Activists of various kinds increasingly cultivated social realities of fear in the
Weimar Republic in order to valorize certain “emotional economies” that framed how both men and women should feel and express their feelings. The most radical emotional economies sanctioned more aggressive forms of politics that threatened to undermine the dominant forms of respectable middle class political culture and any chances of cooperation with moderate working class activism or other opponents. Yet the threats that radical activists posed also led to a vigorous defense of the
republic at the local level and a variety of alternative emotional economies to counter the fear emanating from the extremes.
Antisemitism was a key source for fear in the provincial Germany, but more so through ordinary, everyday life than currently understood in the scholarship, not only motivating Jewish and non-Jewish German resistance to increasing antisemitic violence, but also undermining Jewish and non-Jewish German relations and racially transforming local communities in the process.
Finally, the focus on central German communities demonstrates that nationalist economies of fear played a key role in forging nationalist solidarity in the latter years of
Weimar Republic, suppressing nationalist dissent to the emergence of the Nazi movement in Thuringia, and informing a social reality of fear that must be considered more seriously in current thinking about the relationship of terror and persuasion in the Nazi seizure of power.
Advisors/Committee Members: Greg Eghigian, Dissertation Advisor/Co-Advisor, Greg Eghigian, Committee Chair/Co-Chair, Catherine Wanner, Committee Member, Sophie C De Schaepdrijver, Committee Member, Tobias Heinrich Albert Brinkmann, Committee Member, John Philip Christman, Committee Member.
Subjects/Keywords: Emotions; Fear; Everyday Life; Politics; Weimar Republic; Nazism
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APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Spinney, R. A. (2009). A Nation in Peril? Rethinking How Fear Influenced Everyday Life and Politics in the Weimar Republic. (Thesis). Penn State University. Retrieved from https://submit-etda.libraries.psu.edu/catalog/10249
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Spinney, Russell Alfred. “A Nation in Peril? Rethinking How Fear Influenced Everyday Life and Politics in the Weimar Republic.” 2009. Thesis, Penn State University. Accessed April 17, 2021.
https://submit-etda.libraries.psu.edu/catalog/10249.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Spinney, Russell Alfred. “A Nation in Peril? Rethinking How Fear Influenced Everyday Life and Politics in the Weimar Republic.” 2009. Web. 17 Apr 2021.
Vancouver:
Spinney RA. A Nation in Peril? Rethinking How Fear Influenced Everyday Life and Politics in the Weimar Republic. [Internet] [Thesis]. Penn State University; 2009. [cited 2021 Apr 17].
Available from: https://submit-etda.libraries.psu.edu/catalog/10249.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Spinney RA. A Nation in Peril? Rethinking How Fear Influenced Everyday Life and Politics in the Weimar Republic. [Thesis]. Penn State University; 2009. Available from: https://submit-etda.libraries.psu.edu/catalog/10249
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
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Open Access Theses and Dissertations