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You searched for subject:(W G Sebald). Showing records 1 – 14 of 14 total matches.

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University of California – Berkeley

1. Etzler, Melissa Starr. Writing from the Periphery: W. G. Sebald and Outsider Art.

Degree: German, 2014, University of California – Berkeley

 This study focuses on a major aspect of literature and culture in the later twentieth century: the intersection of psychiatry, madness and art. As the… (more)

Subjects/Keywords: Germanic literature; Ernst Herbeck; Psychopathology; W. G. Sebald

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APA (6th Edition):

Etzler, M. S. (2014). Writing from the Periphery: W. G. Sebald and Outsider Art. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/1979c8pp

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Etzler, Melissa Starr. “Writing from the Periphery: W. G. Sebald and Outsider Art.” 2014. Thesis, University of California – Berkeley. Accessed December 05, 2020. http://www.escholarship.org/uc/item/1979c8pp.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Etzler, Melissa Starr. “Writing from the Periphery: W. G. Sebald and Outsider Art.” 2014. Web. 05 Dec 2020.

Vancouver:

Etzler MS. Writing from the Periphery: W. G. Sebald and Outsider Art. [Internet] [Thesis]. University of California – Berkeley; 2014. [cited 2020 Dec 05]. Available from: http://www.escholarship.org/uc/item/1979c8pp.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Etzler MS. Writing from the Periphery: W. G. Sebald and Outsider Art. [Thesis]. University of California – Berkeley; 2014. Available from: http://www.escholarship.org/uc/item/1979c8pp

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. ALVES, Álvaro Renan José de Brito. Cartografias da memória: ensaísmo, memória e narrativas de viagem e exílio nas obras de Chris Marker e W. G. Sebald .

Degree: 2018, Universidade Federal de Pernambuco

 O presente trabalho propõe um ensaio sobre o ensaísmo como forma e procedimento em obras de arte; recuperando os escritos e pensamentos sobre a prática… (more)

Subjects/Keywords: Ensaísmo; Cinema e literatura; Memória; Chris Marker; W. G. Sebald

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APA (6th Edition):

ALVES, . R. J. d. B. (2018). Cartografias da memória: ensaísmo, memória e narrativas de viagem e exílio nas obras de Chris Marker e W. G. Sebald . (Masters Thesis). Universidade Federal de Pernambuco. Retrieved from https://repositorio.ufpe.br/handle/123456789/30883

Chicago Manual of Style (16th Edition):

ALVES, Álvaro Renan José de Brito. “Cartografias da memória: ensaísmo, memória e narrativas de viagem e exílio nas obras de Chris Marker e W. G. Sebald .” 2018. Masters Thesis, Universidade Federal de Pernambuco. Accessed December 05, 2020. https://repositorio.ufpe.br/handle/123456789/30883.

MLA Handbook (7th Edition):

ALVES, Álvaro Renan José de Brito. “Cartografias da memória: ensaísmo, memória e narrativas de viagem e exílio nas obras de Chris Marker e W. G. Sebald .” 2018. Web. 05 Dec 2020.

Vancouver:

ALVES RJdB. Cartografias da memória: ensaísmo, memória e narrativas de viagem e exílio nas obras de Chris Marker e W. G. Sebald . [Internet] [Masters thesis]. Universidade Federal de Pernambuco; 2018. [cited 2020 Dec 05]. Available from: https://repositorio.ufpe.br/handle/123456789/30883.

Council of Science Editors:

ALVES RJdB. Cartografias da memória: ensaísmo, memória e narrativas de viagem e exílio nas obras de Chris Marker e W. G. Sebald . [Masters Thesis]. Universidade Federal de Pernambuco; 2018. Available from: https://repositorio.ufpe.br/handle/123456789/30883


University of Michigan

3. Itkin, Alan Joshua. Bringing the Past Back to Life: Classical Motifs and the Representation of History in the Works of W. G. Sebald.

Degree: PhD, Comparative Literature, 2011, University of Michigan

 This dissertation argues that the German author W. G. Sebald (1944-2001) uses motifs drawn from classical epic poetry to articulate a new mode of historical… (more)

Subjects/Keywords: W. G. Sebald; German Jewish Authors; Classical Reception; Representation of History; Photography; General and Comparative Literature; Germanic Languages and Literature; Humanities

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APA (6th Edition):

Itkin, A. J. (2011). Bringing the Past Back to Life: Classical Motifs and the Representation of History in the Works of W. G. Sebald. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/84517

Chicago Manual of Style (16th Edition):

Itkin, Alan Joshua. “Bringing the Past Back to Life: Classical Motifs and the Representation of History in the Works of W. G. Sebald.” 2011. Doctoral Dissertation, University of Michigan. Accessed December 05, 2020. http://hdl.handle.net/2027.42/84517.

MLA Handbook (7th Edition):

Itkin, Alan Joshua. “Bringing the Past Back to Life: Classical Motifs and the Representation of History in the Works of W. G. Sebald.” 2011. Web. 05 Dec 2020.

Vancouver:

Itkin AJ. Bringing the Past Back to Life: Classical Motifs and the Representation of History in the Works of W. G. Sebald. [Internet] [Doctoral dissertation]. University of Michigan; 2011. [cited 2020 Dec 05]. Available from: http://hdl.handle.net/2027.42/84517.

Council of Science Editors:

Itkin AJ. Bringing the Past Back to Life: Classical Motifs and the Representation of History in the Works of W. G. Sebald. [Doctoral Dissertation]. University of Michigan; 2011. Available from: http://hdl.handle.net/2027.42/84517


University of Washington

4. Schowengerdt-Kuzmany, Verena Veronica. To the Funhouse: W. G. Sebald's Playful Intertextuality.

Degree: PhD, 2014, University of Washington

 To the Funhouse: W. G. Sebald's Playful Intertextuality examines intertextual and intermedial techniques of narrative composition in the works of W. G. Sebald (1944-2001) as… (more)

Subjects/Keywords: Holocaust literature; Intermediality; Intertextuality; Playful; Vladimir Nabokov; W. G. Sebald; Comparative literature; Germanic literature; comparative literature

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APA (6th Edition):

Schowengerdt-Kuzmany, V. V. (2014). To the Funhouse: W. G. Sebald's Playful Intertextuality. (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/26443

Chicago Manual of Style (16th Edition):

Schowengerdt-Kuzmany, Verena Veronica. “To the Funhouse: W. G. Sebald's Playful Intertextuality.” 2014. Doctoral Dissertation, University of Washington. Accessed December 05, 2020. http://hdl.handle.net/1773/26443.

MLA Handbook (7th Edition):

Schowengerdt-Kuzmany, Verena Veronica. “To the Funhouse: W. G. Sebald's Playful Intertextuality.” 2014. Web. 05 Dec 2020.

Vancouver:

Schowengerdt-Kuzmany VV. To the Funhouse: W. G. Sebald's Playful Intertextuality. [Internet] [Doctoral dissertation]. University of Washington; 2014. [cited 2020 Dec 05]. Available from: http://hdl.handle.net/1773/26443.

Council of Science Editors:

Schowengerdt-Kuzmany VV. To the Funhouse: W. G. Sebald's Playful Intertextuality. [Doctoral Dissertation]. University of Washington; 2014. Available from: http://hdl.handle.net/1773/26443


University of Michigan

5. Kempinski, Avi. The muted I: Locating a narrator in the works of W.G. Sebald.

Degree: PhD, Language, Literature and Linguistics, 2006, University of Michigan

 This dissertation probes the identity and pursuits of the first-person narrator in the fictional works of W.G. Sebald (1944-2001). I posit that the common narrator… (more)

Subjects/Keywords: England; First-person; Germany; Locating; Muted; Narrator; Sebald, W. G.; Works

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APA (6th Edition):

Kempinski, A. (2006). The muted I: Locating a narrator in the works of W.G. Sebald. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/126072

Chicago Manual of Style (16th Edition):

Kempinski, Avi. “The muted I: Locating a narrator in the works of W.G. Sebald.” 2006. Doctoral Dissertation, University of Michigan. Accessed December 05, 2020. http://hdl.handle.net/2027.42/126072.

MLA Handbook (7th Edition):

Kempinski, Avi. “The muted I: Locating a narrator in the works of W.G. Sebald.” 2006. Web. 05 Dec 2020.

Vancouver:

Kempinski A. The muted I: Locating a narrator in the works of W.G. Sebald. [Internet] [Doctoral dissertation]. University of Michigan; 2006. [cited 2020 Dec 05]. Available from: http://hdl.handle.net/2027.42/126072.

Council of Science Editors:

Kempinski A. The muted I: Locating a narrator in the works of W.G. Sebald. [Doctoral Dissertation]. University of Michigan; 2006. Available from: http://hdl.handle.net/2027.42/126072


Leiden University

6. Zelnick, Sharon. The Photo-Fiction of Migration: History, Memory, and Identity in Aleksandar Hemon and W. G. Sebald.

Degree: 2018, Leiden University

 This thesis explores how the hybrid form of photo-fiction suits migrants’ experiences. Taking Aleksandar Hemon’s The Lazarus Project (2008) and W. G. Sebald’s The Emigrants… (more)

Subjects/Keywords: Photo-Fiction; Photography-Embedded Literature; Migratory Aesthetics; Migrant Identities; Image/Text; Aleksandar Hemon; W. G. Sebald; Memory and Photography; Hybridity; Desired Memories

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APA (6th Edition):

Zelnick, S. (2018). The Photo-Fiction of Migration: History, Memory, and Identity in Aleksandar Hemon and W. G. Sebald. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/58400

Chicago Manual of Style (16th Edition):

Zelnick, Sharon. “The Photo-Fiction of Migration: History, Memory, and Identity in Aleksandar Hemon and W. G. Sebald.” 2018. Masters Thesis, Leiden University. Accessed December 05, 2020. http://hdl.handle.net/1887/58400.

MLA Handbook (7th Edition):

Zelnick, Sharon. “The Photo-Fiction of Migration: History, Memory, and Identity in Aleksandar Hemon and W. G. Sebald.” 2018. Web. 05 Dec 2020.

Vancouver:

Zelnick S. The Photo-Fiction of Migration: History, Memory, and Identity in Aleksandar Hemon and W. G. Sebald. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2020 Dec 05]. Available from: http://hdl.handle.net/1887/58400.

Council of Science Editors:

Zelnick S. The Photo-Fiction of Migration: History, Memory, and Identity in Aleksandar Hemon and W. G. Sebald. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/58400


Université de Montréal

7. Massicotte, Claudie. Architectures de la mémoire : Peter Eisenman, Robert Lepage et W.G. Sebald.

Degree: 2009, Université de Montréal

Subjects/Keywords: Eisenman, Peter; Lepage, Robert; Sebald, W. G.; Architecture; Mémoire; Traumatisme; Memory; Trauma

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APA (6th Edition):

Massicotte, C. (2009). Architectures de la mémoire : Peter Eisenman, Robert Lepage et W.G. Sebald. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/7910

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Massicotte, Claudie. “Architectures de la mémoire : Peter Eisenman, Robert Lepage et W.G. Sebald.” 2009. Thesis, Université de Montréal. Accessed December 05, 2020. http://hdl.handle.net/1866/7910.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Massicotte, Claudie. “Architectures de la mémoire : Peter Eisenman, Robert Lepage et W.G. Sebald.” 2009. Web. 05 Dec 2020.

Vancouver:

Massicotte C. Architectures de la mémoire : Peter Eisenman, Robert Lepage et W.G. Sebald. [Internet] [Thesis]. Université de Montréal; 2009. [cited 2020 Dec 05]. Available from: http://hdl.handle.net/1866/7910.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Massicotte C. Architectures de la mémoire : Peter Eisenman, Robert Lepage et W.G. Sebald. [Thesis]. Université de Montréal; 2009. Available from: http://hdl.handle.net/1866/7910

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

8. McArthur, Elizabeth Andrews. Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan.

Degree: 2012, Columbia University

 This dissertation analyzes how twentieth- and early twenty-first- century novelists respond to the English landscape through their presentation of narrative and their experiments with novelistic… (more)

Subjects/Keywords: Landscapes in literature; British literature; Irish literature; Woolf, Virginia, 1882-1941; Sebald, W. G. (Winfried Georg), 1944-2001; Ishiguro, Kazuo, 1954-; McEwan, Ian

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APA (6th Edition):

McArthur, E. A. (2012). Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D89Z9BV7

Chicago Manual of Style (16th Edition):

McArthur, Elizabeth Andrews. “Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan.” 2012. Doctoral Dissertation, Columbia University. Accessed December 05, 2020. https://doi.org/10.7916/D89Z9BV7.

MLA Handbook (7th Edition):

McArthur, Elizabeth Andrews. “Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan.” 2012. Web. 05 Dec 2020.

Vancouver:

McArthur EA. Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan. [Internet] [Doctoral dissertation]. Columbia University; 2012. [cited 2020 Dec 05]. Available from: https://doi.org/10.7916/D89Z9BV7.

Council of Science Editors:

McArthur EA. Narrative Topography: Fictions of Country, City, and Suburb in the Work of Virginia Woolf, W. G. Sebald, Kazuo Ishiguro, and Ian McEwan. [Doctoral Dissertation]. Columbia University; 2012. Available from: https://doi.org/10.7916/D89Z9BV7


University of Zurich

9. Läubli, Martina. Subjekt mit Körper : die Erschreibung des Selbst bei Jean-Jacques Rousseau, Karl Philipp Moritz und W.G. Sebald.

Degree: 2014, University of Zurich

 Wer bin ich? Um diese Frage dreht sich jedes autobiografische Schreiben – auch die literarische Selbsterforschung von Jean-Jacques Rousseau, Karl Philipp Moritz und W.G. Sebald.… (more)

Subjects/Keywords: UZH Dissertations; 800 Literature, rhetoric & criticism; Jean-Jacques Rousseau, 1712-1778, Karl Philipp Moritz, 1756-1793, W G Sebald, 1944-2001, Autobiografische Literatur, Subjektivität, Körper

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APA (6th Edition):

Läubli, M. (2014). Subjekt mit Körper : die Erschreibung des Selbst bei Jean-Jacques Rousseau, Karl Philipp Moritz und W.G. Sebald. (Thesis). University of Zurich. Retrieved from https://www.zora.uzh.ch/id/eprint/164312/1/20142092.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Läubli, Martina. “Subjekt mit Körper : die Erschreibung des Selbst bei Jean-Jacques Rousseau, Karl Philipp Moritz und W.G. Sebald.” 2014. Thesis, University of Zurich. Accessed December 05, 2020. https://www.zora.uzh.ch/id/eprint/164312/1/20142092.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Läubli, Martina. “Subjekt mit Körper : die Erschreibung des Selbst bei Jean-Jacques Rousseau, Karl Philipp Moritz und W.G. Sebald.” 2014. Web. 05 Dec 2020.

Vancouver:

Läubli M. Subjekt mit Körper : die Erschreibung des Selbst bei Jean-Jacques Rousseau, Karl Philipp Moritz und W.G. Sebald. [Internet] [Thesis]. University of Zurich; 2014. [cited 2020 Dec 05]. Available from: https://www.zora.uzh.ch/id/eprint/164312/1/20142092.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Läubli M. Subjekt mit Körper : die Erschreibung des Selbst bei Jean-Jacques Rousseau, Karl Philipp Moritz und W.G. Sebald. [Thesis]. University of Zurich; 2014. Available from: https://www.zora.uzh.ch/id/eprint/164312/1/20142092.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stellenbosch University

10. Bam, Otto Erich. In that gathering dusk – wonder, horror, and the transitory pedestrianism of Austerlitz.

Degree: MA, English, 2020, Stellenbosch University

ENGLISH ABSTRACT: In this study I investigate the critical potential inherent in dusk, a motif that functions as the predominant temporal setting of W.G. Sebald’s… (more)

Subjects/Keywords: Memory in literature; Sebald, W. G. (Winfried Georg), 1944-2001.; Austerlitz (Novel); Dusk as metaphor; Space and time in literature; Civilization, Modern; Holocaust, Jewish (1939-1945)  – Fiction; UCTD

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APA (6th Edition):

Bam, O. E. (2020). In that gathering dusk – wonder, horror, and the transitory pedestrianism of Austerlitz. (Masters Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/107819

Chicago Manual of Style (16th Edition):

Bam, Otto Erich. “In that gathering dusk – wonder, horror, and the transitory pedestrianism of Austerlitz.” 2020. Masters Thesis, Stellenbosch University. Accessed December 05, 2020. http://hdl.handle.net/10019.1/107819.

MLA Handbook (7th Edition):

Bam, Otto Erich. “In that gathering dusk – wonder, horror, and the transitory pedestrianism of Austerlitz.” 2020. Web. 05 Dec 2020.

Vancouver:

Bam OE. In that gathering dusk – wonder, horror, and the transitory pedestrianism of Austerlitz. [Internet] [Masters thesis]. Stellenbosch University; 2020. [cited 2020 Dec 05]. Available from: http://hdl.handle.net/10019.1/107819.

Council of Science Editors:

Bam OE. In that gathering dusk – wonder, horror, and the transitory pedestrianism of Austerlitz. [Masters Thesis]. Stellenbosch University; 2020. Available from: http://hdl.handle.net/10019.1/107819

11. Jones, Emily Erin. Verschachtelte Räume: Writing and Reading Environments in W. G. Sebald.

Degree: PhD, Germanic Languages and Literatures, 2012, Harvard University

 This dissertation focuses on the construction of the narrated environment in W. G. Sebald's Die Ausgewanderten, Die Ringe des Saturn, and Austerlitz. Drawing on a… (more)

Subjects/Keywords: Germanic literature; environment; German culture; German history; memory; W. G. Sebald; environmental studies

…and without whom this would not have been possible vii INTRODUCTION W. G. Sebald has… …2 W. G. Sebald, hlungen (Frankfurt am Main: Fischer Taschenbuch Verlag, 1994)… …W. G. Sebald, Die Ringe Des Saturn: Eine Englische Wallfahrt, 8. Aufl. (Frankfurt am… …Main: Fischer-Taschenbuch-Verl., 2004). 3 4 W. G. Sebald, Austerlitz (Munchen… …individual essays) is W. G. Sebald, who in this same period – roughly since 2000 – became a… 

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APA (6th Edition):

Jones, E. E. (2012). Verschachtelte Räume: Writing and Reading Environments in W. G. Sebald. (Doctoral Dissertation). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:9406020

Chicago Manual of Style (16th Edition):

Jones, Emily Erin. “Verschachtelte Räume: Writing and Reading Environments in W. G. Sebald.” 2012. Doctoral Dissertation, Harvard University. Accessed December 05, 2020. http://nrs.harvard.edu/urn-3:HUL.InstRepos:9406020.

MLA Handbook (7th Edition):

Jones, Emily Erin. “Verschachtelte Räume: Writing and Reading Environments in W. G. Sebald.” 2012. Web. 05 Dec 2020.

Vancouver:

Jones EE. Verschachtelte Räume: Writing and Reading Environments in W. G. Sebald. [Internet] [Doctoral dissertation]. Harvard University; 2012. [cited 2020 Dec 05]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:9406020.

Council of Science Editors:

Jones EE. Verschachtelte Räume: Writing and Reading Environments in W. G. Sebald. [Doctoral Dissertation]. Harvard University; 2012. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:9406020


University of Toronto

12. Mikulinsky, Romi. Photography and Trauma in Photo-fiction: Literary Montage in the Writings of Jonathan Safran Foer, Aleksandar Hemon and W. G. Sebald.

Degree: 2009, University of Toronto

Located on the interstice between Media Studies and Literary Theory, my dissertation explores the emerging genre of photo-fiction  – literary works that incorporate photographic images… (more)

Subjects/Keywords: photo-fiction; visual culture; trauma; photography; Literary Montage; context; media; memory; Jonathan Safran Foer; W. G. Sebald; Aleksandar Hemon; 0593

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APA (6th Edition):

Mikulinsky, R. (2009). Photography and Trauma in Photo-fiction: Literary Montage in the Writings of Jonathan Safran Foer, Aleksandar Hemon and W. G. Sebald. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/19529

Chicago Manual of Style (16th Edition):

Mikulinsky, Romi. “Photography and Trauma in Photo-fiction: Literary Montage in the Writings of Jonathan Safran Foer, Aleksandar Hemon and W. G. Sebald.” 2009. Doctoral Dissertation, University of Toronto. Accessed December 05, 2020. http://hdl.handle.net/1807/19529.

MLA Handbook (7th Edition):

Mikulinsky, Romi. “Photography and Trauma in Photo-fiction: Literary Montage in the Writings of Jonathan Safran Foer, Aleksandar Hemon and W. G. Sebald.” 2009. Web. 05 Dec 2020.

Vancouver:

Mikulinsky R. Photography and Trauma in Photo-fiction: Literary Montage in the Writings of Jonathan Safran Foer, Aleksandar Hemon and W. G. Sebald. [Internet] [Doctoral dissertation]. University of Toronto; 2009. [cited 2020 Dec 05]. Available from: http://hdl.handle.net/1807/19529.

Council of Science Editors:

Mikulinsky R. Photography and Trauma in Photo-fiction: Literary Montage in the Writings of Jonathan Safran Foer, Aleksandar Hemon and W. G. Sebald. [Doctoral Dissertation]. University of Toronto; 2009. Available from: http://hdl.handle.net/1807/19529


University of Texas – Austin

13. -0458-6497. Roni Horn’s Still Water (The River Thames, for Example) and the psychogeography of looking.

Degree: MA, Art History, 2019, University of Texas – Austin

 “(When you see your reflection in water, do you recognize the water in you?)” So asks a footnote of Roni Horn’s Still Water (The River… (more)

Subjects/Keywords: Photography; Film; Literature; Psychogeography; Roni Horn; Patrick Keiller; W. G. Sebald; Water surfaces; River Thames; Flâneur; London; Looking; Modes of looking; Still Water (The River Thames, for Example); Urban space; Psychology of place; Psychology of reading

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APA (6th Edition):

-0458-6497. (2019). Roni Horn’s Still Water (The River Thames, for Example) and the psychogeography of looking. (Masters Thesis). University of Texas – Austin. Retrieved from http://dx.doi.org/10.26153/tsw/2227

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

-0458-6497. “Roni Horn’s Still Water (The River Thames, for Example) and the psychogeography of looking.” 2019. Masters Thesis, University of Texas – Austin. Accessed December 05, 2020. http://dx.doi.org/10.26153/tsw/2227.

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Author name may be incomplete

MLA Handbook (7th Edition):

-0458-6497. “Roni Horn’s Still Water (The River Thames, for Example) and the psychogeography of looking.” 2019. Web. 05 Dec 2020.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-0458-6497. Roni Horn’s Still Water (The River Thames, for Example) and the psychogeography of looking. [Internet] [Masters thesis]. University of Texas – Austin; 2019. [cited 2020 Dec 05]. Available from: http://dx.doi.org/10.26153/tsw/2227.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-0458-6497. Roni Horn’s Still Water (The River Thames, for Example) and the psychogeography of looking. [Masters Thesis]. University of Texas – Austin; 2019. Available from: http://dx.doi.org/10.26153/tsw/2227

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


Université de Montréal

14. Dupuis-Morency, Clara. Le temps des formes : l'œuvre de la cécité chez Marcel Proust et W. G. Sebald.

Degree: 2017, Université de Montréal

Subjects/Keywords: Marcel Proust; W. G. Sebald; forme; déformation; temps; regard; cécité; pensée littéraire; littérature du vingtième siècle; time; vision; blindness; literary thought; twentieth-century literature; Literature - Comparative / Littérature - Comparée (UMI : 0295)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dupuis-Morency, C. (2017). Le temps des formes : l'œuvre de la cécité chez Marcel Proust et W. G. Sebald. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/18450

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dupuis-Morency, Clara. “Le temps des formes : l'œuvre de la cécité chez Marcel Proust et W. G. Sebald.” 2017. Thesis, Université de Montréal. Accessed December 05, 2020. http://hdl.handle.net/1866/18450.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dupuis-Morency, Clara. “Le temps des formes : l'œuvre de la cécité chez Marcel Proust et W. G. Sebald.” 2017. Web. 05 Dec 2020.

Vancouver:

Dupuis-Morency C. Le temps des formes : l'œuvre de la cécité chez Marcel Proust et W. G. Sebald. [Internet] [Thesis]. Université de Montréal; 2017. [cited 2020 Dec 05]. Available from: http://hdl.handle.net/1866/18450.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dupuis-Morency C. Le temps des formes : l'œuvre de la cécité chez Marcel Proust et W. G. Sebald. [Thesis]. Université de Montréal; 2017. Available from: http://hdl.handle.net/1866/18450

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.