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You searched for subject:(Violoncello sonatas). Showing records 1 – 16 of 16 total matches.

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1. Xin, Yi. Doctoral thesis recital (violoncello).

Degree: DMA, Violoncello performance, 2012, University of Texas – Austin

Cello sonata, op.102, no.2 / Ludwig van Beethoven  – Cello concerto, op.104 / Anton Dvorak. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Violoncello music; Violoncello sonatas; Violoncello concertos

Page 1

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APA (6th Edition):

Xin, Y. (2012). Doctoral thesis recital (violoncello). (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23956

Chicago Manual of Style (16th Edition):

Xin, Yi. “Doctoral thesis recital (violoncello).” 2012. Doctoral Dissertation, University of Texas – Austin. Accessed January 21, 2020. http://hdl.handle.net/2152/23956.

MLA Handbook (7th Edition):

Xin, Yi. “Doctoral thesis recital (violoncello).” 2012. Web. 21 Jan 2020.

Vancouver:

Xin Y. Doctoral thesis recital (violoncello). [Internet] [Doctoral dissertation]. University of Texas – Austin; 2012. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/2152/23956.

Council of Science Editors:

Xin Y. Doctoral thesis recital (violoncello). [Doctoral Dissertation]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/23956

2. Smith, Daniel F. Doctoral thesis recital (violoncello).

Degree: DMA, Violoncello performance, 2014, University of Texas – Austin

Suite for solo cello in c major / J. S. Bach  – Suite for solo cello / Gaspar Cassado  – Sonata for cello and piano, op.69 / Ludwig van Beethoven. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Violoncello music; Violoncello sonatas

Page 1

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APA (6th Edition):

Smith, D. F. (2014). Doctoral thesis recital (violoncello). (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24531

Chicago Manual of Style (16th Edition):

Smith, Daniel F. “Doctoral thesis recital (violoncello).” 2014. Doctoral Dissertation, University of Texas – Austin. Accessed January 21, 2020. http://hdl.handle.net/2152/24531.

MLA Handbook (7th Edition):

Smith, Daniel F. “Doctoral thesis recital (violoncello).” 2014. Web. 21 Jan 2020.

Vancouver:

Smith DF. Doctoral thesis recital (violoncello). [Internet] [Doctoral dissertation]. University of Texas – Austin; 2014. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/2152/24531.

Council of Science Editors:

Smith DF. Doctoral thesis recital (violoncello). [Doctoral Dissertation]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24531

3. Kim, Hyung Joo. Master's thesis recital (violoncello).

Degree: MM, violoncello performance, 2013, University of Texas – Austin

Sonata for cello and piano no.3 in A major, op.69 / Ludwig van Beethoven  – Cello concerto no.2 in D major, Hob.VIIb/2 op.101 / Franz Joseph Haydn. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Violoncello concertos; Violoncello sonatas

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APA (6th Edition):

Kim, H. J. (2013). Master's thesis recital (violoncello). (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23357

Chicago Manual of Style (16th Edition):

Kim, Hyung Joo. “Master's thesis recital (violoncello).” 2013. Masters Thesis, University of Texas – Austin. Accessed January 21, 2020. http://hdl.handle.net/2152/23357.

MLA Handbook (7th Edition):

Kim, Hyung Joo. “Master's thesis recital (violoncello).” 2013. Web. 21 Jan 2020.

Vancouver:

Kim HJ. Master's thesis recital (violoncello). [Internet] [Masters thesis]. University of Texas – Austin; 2013. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/2152/23357.

Council of Science Editors:

Kim HJ. Master's thesis recital (violoncello). [Masters Thesis]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/23357

4. Kim, Hyung Joo. Master's thesis recital (violoncello).

Degree: MM, Violoncello performance, 2013, University of Texas – Austin

Sonata for cello and piano no.3 in A major, op.69 / Ludwig van Beethoven  – Cello concerto No.2 in D major, Hob. VIIb/2, op.101 / Franz Joseph Haydn. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Violoncello music; Violoncello sonatas

Page 1

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APA (6th Edition):

Kim, H. J. (2013). Master's thesis recital (violoncello). (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24043

Chicago Manual of Style (16th Edition):

Kim, Hyung Joo. “Master's thesis recital (violoncello).” 2013. Masters Thesis, University of Texas – Austin. Accessed January 21, 2020. http://hdl.handle.net/2152/24043.

MLA Handbook (7th Edition):

Kim, Hyung Joo. “Master's thesis recital (violoncello).” 2013. Web. 21 Jan 2020.

Vancouver:

Kim HJ. Master's thesis recital (violoncello). [Internet] [Masters thesis]. University of Texas – Austin; 2013. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/2152/24043.

Council of Science Editors:

Kim HJ. Master's thesis recital (violoncello). [Masters Thesis]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/24043


University of North Texas

5. Kleinmann, Johannes. Polystylistic Features of Schnittke's Cello Sonata (1978).

Degree: 2010, University of North Texas

 Polystylism in Alfred Schnittke's music has been considered by scholars as a central aspect of his music. Although there are many published analyses of his… (more)

Subjects/Keywords: Schnittke; Cello Sonata; polystylism; Schnittke, Alfred, 1934-1998. Sonatas, violoncello, piano no. 1.

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APA (6th Edition):

Kleinmann, J. (2010). Polystylistic Features of Schnittke's Cello Sonata (1978). (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc30478/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kleinmann, Johannes. “Polystylistic Features of Schnittke's Cello Sonata (1978).” 2010. Thesis, University of North Texas. Accessed January 21, 2020. https://digital.library.unt.edu/ark:/67531/metadc30478/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kleinmann, Johannes. “Polystylistic Features of Schnittke's Cello Sonata (1978).” 2010. Web. 21 Jan 2020.

Vancouver:

Kleinmann J. Polystylistic Features of Schnittke's Cello Sonata (1978). [Internet] [Thesis]. University of North Texas; 2010. [cited 2020 Jan 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc30478/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kleinmann J. Polystylistic Features of Schnittke's Cello Sonata (1978). [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc30478/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Rietz, Marilyn June. Eclectic qualities of Zoltán Kodály's Sonata, opus 8, for solo violoncello :|ba lecture recital, together with three recitals of music by Shostakovich, Biggs, Brahms, Franck, Bach, Ginastera, Martinu, and Barber.

Degree: 1977, North Texas State University

 The lecture recital was given April 11, 1977. The subject was Eclectic Qualities of Zoltán Kodály's Sonata, Opus 8, for Solo Violoncello, and it included… (more)

Subjects/Keywords: Zoltán Kodály; lecture recitals; violoncello sonatas

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APA (6th Edition):

Rietz, M. J. (1977). Eclectic qualities of Zoltán Kodály's Sonata, opus 8, for solo violoncello :|ba lecture recital, together with three recitals of music by Shostakovich, Biggs, Brahms, Franck, Bach, Ginastera, Martinu, and Barber. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc332818/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rietz, Marilyn June. “Eclectic qualities of Zoltán Kodály's Sonata, opus 8, for solo violoncello :|ba lecture recital, together with three recitals of music by Shostakovich, Biggs, Brahms, Franck, Bach, Ginastera, Martinu, and Barber.” 1977. Thesis, North Texas State University. Accessed January 21, 2020. https://digital.library.unt.edu/ark:/67531/metadc332818/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rietz, Marilyn June. “Eclectic qualities of Zoltán Kodály's Sonata, opus 8, for solo violoncello :|ba lecture recital, together with three recitals of music by Shostakovich, Biggs, Brahms, Franck, Bach, Ginastera, Martinu, and Barber.” 1977. Web. 21 Jan 2020.

Vancouver:

Rietz MJ. Eclectic qualities of Zoltán Kodály's Sonata, opus 8, for solo violoncello :|ba lecture recital, together with three recitals of music by Shostakovich, Biggs, Brahms, Franck, Bach, Ginastera, Martinu, and Barber. [Internet] [Thesis]. North Texas State University; 1977. [cited 2020 Jan 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc332818/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rietz MJ. Eclectic qualities of Zoltán Kodály's Sonata, opus 8, for solo violoncello :|ba lecture recital, together with three recitals of music by Shostakovich, Biggs, Brahms, Franck, Bach, Ginastera, Martinu, and Barber. [Thesis]. North Texas State University; 1977. Available from: https://digital.library.unt.edu/ark:/67531/metadc332818/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Carolina – Greensboro

7. Graebert, Ryan James. Urtext and performance editions of sonata for Violoncello Alone (1968) by Peter Paul Fuchs.

Degree: 2015, University of North Carolina – Greensboro

 Peter Paul Fuchs’s Sonata for Violoncello Alone (1968)—previously unpublished—is typeset from the autographed manuscript through a methodical process of analysis and interpretation resulting in an… (more)

Subjects/Keywords: Fuchs, Peter Paul – Sonata for violoncello alone; Fuchs, Peter Paul – Manuscripts; Sonatas (Cello) – Scores; Twelve-tone system

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APA (6th Edition):

Graebert, R. J. (2015). Urtext and performance editions of sonata for Violoncello Alone (1968) by Peter Paul Fuchs. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18899

Chicago Manual of Style (16th Edition):

Graebert, Ryan James. “Urtext and performance editions of sonata for Violoncello Alone (1968) by Peter Paul Fuchs.” 2015. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed January 21, 2020. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18899.

MLA Handbook (7th Edition):

Graebert, Ryan James. “Urtext and performance editions of sonata for Violoncello Alone (1968) by Peter Paul Fuchs.” 2015. Web. 21 Jan 2020.

Vancouver:

Graebert RJ. Urtext and performance editions of sonata for Violoncello Alone (1968) by Peter Paul Fuchs. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2015. [cited 2020 Jan 21]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18899.

Council of Science Editors:

Graebert RJ. Urtext and performance editions of sonata for Violoncello Alone (1968) by Peter Paul Fuchs. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2015. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=18899


University of Arizona

8. Monsman, Nancy Weaver. Cello music in an eighteenth century manuscript: The "Opus 1" sonatas of Giuseppe Dall'Abaco (1710-1805).

Degree: 1991, University of Arizona

 Giuseppe Dall'Abaco was one of a small group of Italian cellists active as composers and performers in London at the midpoint of the eighteenth century.… (more)

Subjects/Keywords: Sonatas (Violoncello and continuo)  – Scores; British Library. Manuscript. Additional 31528.

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APA (6th Edition):

Monsman, N. W. (1991). Cello music in an eighteenth century manuscript: The "Opus 1" sonatas of Giuseppe Dall'Abaco (1710-1805). (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/185470

Chicago Manual of Style (16th Edition):

Monsman, Nancy Weaver. “Cello music in an eighteenth century manuscript: The "Opus 1" sonatas of Giuseppe Dall'Abaco (1710-1805). ” 1991. Doctoral Dissertation, University of Arizona. Accessed January 21, 2020. http://hdl.handle.net/10150/185470.

MLA Handbook (7th Edition):

Monsman, Nancy Weaver. “Cello music in an eighteenth century manuscript: The "Opus 1" sonatas of Giuseppe Dall'Abaco (1710-1805). ” 1991. Web. 21 Jan 2020.

Vancouver:

Monsman NW. Cello music in an eighteenth century manuscript: The "Opus 1" sonatas of Giuseppe Dall'Abaco (1710-1805). [Internet] [Doctoral dissertation]. University of Arizona; 1991. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/10150/185470.

Council of Science Editors:

Monsman NW. Cello music in an eighteenth century manuscript: The "Opus 1" sonatas of Giuseppe Dall'Abaco (1710-1805). [Doctoral Dissertation]. University of Arizona; 1991. Available from: http://hdl.handle.net/10150/185470


University of North Texas

9. Janssen, Tido. William Bolcom's Sonata for Violoncello and Piano (1989).

Degree: 2003, University of North Texas

 Composer William Bolcom (1938-) has shown a remarkable capacity for incorporating disparate materials and combining them to create original compositions, while often using traditional genres… (more)

Subjects/Keywords: Bolcom, William. Sonatas, violoncello, piano.; Bolcom; cello; sonata; postmodern music; 21st century; chamber music

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APA (6th Edition):

Janssen, T. (2003). William Bolcom's Sonata for Violoncello and Piano (1989). (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc5532/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Janssen, Tido. “William Bolcom's Sonata for Violoncello and Piano (1989).” 2003. Thesis, University of North Texas. Accessed January 21, 2020. https://digital.library.unt.edu/ark:/67531/metadc5532/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Janssen, Tido. “William Bolcom's Sonata for Violoncello and Piano (1989).” 2003. Web. 21 Jan 2020.

Vancouver:

Janssen T. William Bolcom's Sonata for Violoncello and Piano (1989). [Internet] [Thesis]. University of North Texas; 2003. [cited 2020 Jan 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc5532/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Janssen T. William Bolcom's Sonata for Violoncello and Piano (1989). [Thesis]. University of North Texas; 2003. Available from: https://digital.library.unt.edu/ark:/67531/metadc5532/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Rietz, Marilyn June. An Analytical Study of Prokofiev's Sonata, Opus 119, for Violoncello and Piano.

Degree: 1972, North Texas State University

 Sergei Prokofiev experimented with styles which shocked the public because his ideas were far ahead of his time. In the 1930's, the Soviet composer turned… (more)

Subjects/Keywords: Sergei Prokofiev; Prokofiev, Sergey, 1891-1953  – Sonatas  – violoncello, piano  – op. 119  – C major.; compositional techniques

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APA (6th Edition):

Rietz, M. J. (1972). An Analytical Study of Prokofiev's Sonata, Opus 119, for Violoncello and Piano. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663600/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rietz, Marilyn June. “An Analytical Study of Prokofiev's Sonata, Opus 119, for Violoncello and Piano.” 1972. Thesis, North Texas State University. Accessed January 21, 2020. https://digital.library.unt.edu/ark:/67531/metadc663600/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rietz, Marilyn June. “An Analytical Study of Prokofiev's Sonata, Opus 119, for Violoncello and Piano.” 1972. Web. 21 Jan 2020.

Vancouver:

Rietz MJ. An Analytical Study of Prokofiev's Sonata, Opus 119, for Violoncello and Piano. [Internet] [Thesis]. North Texas State University; 1972. [cited 2020 Jan 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663600/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rietz MJ. An Analytical Study of Prokofiev's Sonata, Opus 119, for Violoncello and Piano. [Thesis]. North Texas State University; 1972. Available from: https://digital.library.unt.edu/ark:/67531/metadc663600/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

11. Coker, Bradley Gene. The employment of historically-informed performance practices in present-day tuba performances of two Italian baroque violoncello transcriptions.

Degree: 2008, University of North Texas

 As several Italian baroque violoncello transcriptions have entered the standard performance repertory for both high school and collegiate tubists, and as numerous texts, articles, and… (more)

Subjects/Keywords: Tuba; historically-informed; performance; practice; baroque; Tuba  – Performance.; Sonatas (Tuba and piano), Arranged  – History and criticism.; Vivaldi, Antonio, 1678-1741. Sonatas, violoncello, continuo RV 43, A minor; arr.; Marcello, Benedetto, 1686-1739. Sonatas, violoncello, continuo op. 1. No. 5; arr.; Morris, R. Winston.; Little, Donald C.; Nelson, Richard Bruce, 1952-

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APA (6th Edition):

Coker, B. G. (2008). The employment of historically-informed performance practices in present-day tuba performances of two Italian baroque violoncello transcriptions. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc6122/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Coker, Bradley Gene. “The employment of historically-informed performance practices in present-day tuba performances of two Italian baroque violoncello transcriptions.” 2008. Thesis, University of North Texas. Accessed January 21, 2020. https://digital.library.unt.edu/ark:/67531/metadc6122/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Coker, Bradley Gene. “The employment of historically-informed performance practices in present-day tuba performances of two Italian baroque violoncello transcriptions.” 2008. Web. 21 Jan 2020.

Vancouver:

Coker BG. The employment of historically-informed performance practices in present-day tuba performances of two Italian baroque violoncello transcriptions. [Internet] [Thesis]. University of North Texas; 2008. [cited 2020 Jan 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc6122/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Coker BG. The employment of historically-informed performance practices in present-day tuba performances of two Italian baroque violoncello transcriptions. [Thesis]. University of North Texas; 2008. Available from: https://digital.library.unt.edu/ark:/67531/metadc6122/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

12. Kim, Jungsun. Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5.

Degree: 2004, University of North Texas

 This paper examines the generic aspect of Beethoven's Opus 5 Cello Sonatas (1796) from structuralist and post-structuralist perspectives, and explores the works from these viewpoints… (more)

Subjects/Keywords: Beethoven, Ludwig van, 1770-1827. Sonatas, violoncello, piano, no. 1, op. 5, no. 1, F major.; Beethoven, Ludwig van, 1770-1827. Sonatas, violoncello, piano, no. 2, op. 5, no. 2, G minor.; Beethoven; voice; Op. 5; Cello Sonata

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APA (6th Edition):

Kim, J. (2004). Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4504/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Jungsun. “Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5.” 2004. Thesis, University of North Texas. Accessed January 21, 2020. https://digital.library.unt.edu/ark:/67531/metadc4504/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Jungsun. “Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5.” 2004. Web. 21 Jan 2020.

Vancouver:

Kim J. Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5. [Internet] [Thesis]. University of North Texas; 2004. [cited 2020 Jan 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4504/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim J. Voice and Genre in Beethoven's Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5. [Thesis]. University of North Texas; 2004. Available from: https://digital.library.unt.edu/ark:/67531/metadc4504/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. Lee, Jeong-A. Benjamin Britten's Sonata in C for Cello and Piano, Op. 65: A Practical Guide for Performance.

Degree: 2009, University of North Texas

 Benjamin Britten is a renowned and prolific English composer, well known for his operas and vocal works. He did, however, also compose five works especially… (more)

Subjects/Keywords: guide for performance; Benjamin Britten; Sonata in C; cello sonata; practical guide; Britten, Benjamin, 1913-1976. Sonatas, violoncello, piano, op. 65, C major.

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APA (6th Edition):

Lee, J. (2009). Benjamin Britten's Sonata in C for Cello and Piano, Op. 65: A Practical Guide for Performance. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc9841/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Jeong-A. “Benjamin Britten's Sonata in C for Cello and Piano, Op. 65: A Practical Guide for Performance.” 2009. Thesis, University of North Texas. Accessed January 21, 2020. https://digital.library.unt.edu/ark:/67531/metadc9841/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Jeong-A. “Benjamin Britten's Sonata in C for Cello and Piano, Op. 65: A Practical Guide for Performance.” 2009. Web. 21 Jan 2020.

Vancouver:

Lee J. Benjamin Britten's Sonata in C for Cello and Piano, Op. 65: A Practical Guide for Performance. [Internet] [Thesis]. University of North Texas; 2009. [cited 2020 Jan 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc9841/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee J. Benjamin Britten's Sonata in C for Cello and Piano, Op. 65: A Practical Guide for Performance. [Thesis]. University of North Texas; 2009. Available from: https://digital.library.unt.edu/ark:/67531/metadc9841/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

14. Hall, Philip Jeremy. Portfolio of compositions and exegesis: Leitmotifs and their development.

Degree: 2009, University of Adelaide

 This submission for the degree of Master of Music at the Elder Conservatorium of Music, University of Adelaide, consists of a portfolio of original compositions… (more)

Subjects/Keywords: music; composition; Leitmotifs; Composition (Music); Sonatas (Horn and piano); Quintets (Horn, violins (2), viola, violoncello); Vocal trios with horn.; Instrumental music.; Jazz.

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APA (6th Edition):

Hall, P. J. (2009). Portfolio of compositions and exegesis: Leitmotifs and their development. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/56830

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hall, Philip Jeremy. “Portfolio of compositions and exegesis: Leitmotifs and their development.” 2009. Thesis, University of Adelaide. Accessed January 21, 2020. http://hdl.handle.net/2440/56830.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hall, Philip Jeremy. “Portfolio of compositions and exegesis: Leitmotifs and their development.” 2009. Web. 21 Jan 2020.

Vancouver:

Hall PJ. Portfolio of compositions and exegesis: Leitmotifs and their development. [Internet] [Thesis]. University of Adelaide; 2009. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/2440/56830.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hall PJ. Portfolio of compositions and exegesis: Leitmotifs and their development. [Thesis]. University of Adelaide; 2009. Available from: http://hdl.handle.net/2440/56830

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Carolina – Greensboro

15. Anderson, Grace Shih-Huei Lin. Beethoven's D Major Sonata for Cello and Piano, Op. 102 No. 2: an annotated performer's edition based on the suggestions of Bernard Greenhouse.

Degree: 2009, University of North Carolina – Greensboro

 Honorary Doctor of Music Bernard Greenhouse has earned a worldwide reputation as one of the leading cellists of our generation. As the founding cellist of… (more)

Subjects/Keywords: Greenhouse, Bernard, – 1916-; Beethoven, Ludwig van, – 1770-1827. t Sonatas, m violoncello, piano, n no. 5, op. 102, no. 2, o arr; Violoncello music – Interpretation (Phrasing, dynamics, etc.); Beethoven, Ludwig van, – 1770-1827 – Criticism and interpretation.; Violoncello music – Analysis, appreciation.

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APA (6th Edition):

Anderson, G. S. L. (2009). Beethoven's D Major Sonata for Cello and Piano, Op. 102 No. 2: an annotated performer's edition based on the suggestions of Bernard Greenhouse. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1831

Chicago Manual of Style (16th Edition):

Anderson, Grace Shih-Huei Lin. “Beethoven's D Major Sonata for Cello and Piano, Op. 102 No. 2: an annotated performer's edition based on the suggestions of Bernard Greenhouse.” 2009. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed January 21, 2020. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1831.

MLA Handbook (7th Edition):

Anderson, Grace Shih-Huei Lin. “Beethoven's D Major Sonata for Cello and Piano, Op. 102 No. 2: an annotated performer's edition based on the suggestions of Bernard Greenhouse.” 2009. Web. 21 Jan 2020.

Vancouver:

Anderson GSL. Beethoven's D Major Sonata for Cello and Piano, Op. 102 No. 2: an annotated performer's edition based on the suggestions of Bernard Greenhouse. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2009. [cited 2020 Jan 21]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1831.

Council of Science Editors:

Anderson GSL. Beethoven's D Major Sonata for Cello and Piano, Op. 102 No. 2: an annotated performer's edition based on the suggestions of Bernard Greenhouse. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2009. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1831


University of Adelaide

16. Weekes, Diana K. Twistonality [music] : a personal exploration : portfolio of original compositions and exegesis.

Degree: 2007, University of Adelaide

 This doctoral submission comprises three volumes and is entitled Twistonality: A Personal Exploration. Volume One consists of a portfolio of eleven original compositions, Volume Two… (more)

Subjects/Keywords: Donne, John, 1572-1631 musical settings; songs with piano scores; concertos (instrumental ensemble) scores; ballets scores; orchestral music scores; sonatas (violoncello and piano) scores; string quartets scores; piano music (pianos (2)) scores; rhapsodies (music) scores; choruses (mixed voices), unaccompanied scores; vocal trios with instrumental ensemble scores; brass ensembles scores; fanfares scores; composition (music) tonality

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Weekes, D. K. (2007). Twistonality [music] : a personal exploration : portfolio of original compositions and exegesis. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/57119

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weekes, Diana K. “Twistonality [music] : a personal exploration : portfolio of original compositions and exegesis.” 2007. Thesis, University of Adelaide. Accessed January 21, 2020. http://hdl.handle.net/2440/57119.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weekes, Diana K. “Twistonality [music] : a personal exploration : portfolio of original compositions and exegesis.” 2007. Web. 21 Jan 2020.

Vancouver:

Weekes DK. Twistonality [music] : a personal exploration : portfolio of original compositions and exegesis. [Internet] [Thesis]. University of Adelaide; 2007. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/2440/57119.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weekes DK. Twistonality [music] : a personal exploration : portfolio of original compositions and exegesis. [Thesis]. University of Adelaide; 2007. Available from: http://hdl.handle.net/2440/57119

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.