subject:(Video Art)

University of Illinois – Chicago

1. Berrill, Margot K. The Host and the Roast: Kitchen Humor in Feminist Video Art and Pop Culture.

Degree: 2016, University of Illinois – Chicago

► This project addresses questions of female subjectivity by examining video art made in the 1970s by American artists Suzanne Lacy and Martha Rosler. Their work… (more)

▼ This project addresses questions of female subjectivity by examining video art made in the 1970s by American artists Suzanne Lacy and Martha Rosler. Their work is considered in comparison to popular culture by means of two television cooking programs The French Chef, hosted by Julia Child, and Nadia G.’s Bitchin’ Kitchen, hosted by Nadia Giosia. Each chapter in this dissertation examines the functions of kitchen humor and popular culture, and how each woman uses it in her work. This dissertation tracks the genesis of kitchen humor. A theory of kitchen humor has been developed made up of three elements that include the perturbed relationship women have with the domestic sphere as both a site of oppression and a site of resistance; the performance of domestic rituals, such as food preparation; and the use of humor, such as satire, to bring attention to the problems of socially prescribed gender normativity. Pop culture examples range from Betty Friedan’s The Feminine Mystique to Lucille Ball’s slapstick performances on I Love Lucy, and also include formative American cook books from the pre-war era. Taking all of this in stride, feminist video artists in the 1970s used kitchen humor to grapple with the multifaceted nature of what it meant to be a feminist and used satire to advocate for change in the definition of gender roles. Key texts used in understanding the political nature of humor include Umberto Eco’s “Frames of Comic ‘Freedom,’” Mary Douglas’ “Jokes,” and Richard M. Stephenson’s “The Conflict and Control Functions of Humor.” These texts are further supported through the discussion of feminist authors’ work including (but not limited to) Betty Friedan’s Feminine Mystique, Hélène Cixous’ “Laugh of the Medusa,” and Judith Butler’s Gender Trouble: Feminism and the Subversion of Identity. The trajectory of kitchen humor beginning with post-war pop culture, moving through 1970s video art, and ending with contemporary popular culture shows kitchen humor to be a considerable element in feminist visual culture. Advisors/Committee Members: Higgins, Hannah B (advisor).

Subjects/Keywords: Video art; Feminism

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APA (6^th Edition):

Berrill, M. K. (2016). The Host and the Roast: Kitchen Humor in Feminist Video Art and Pop Culture. (Thesis). University of Illinois – Chicago. Retrieved from http://hdl.handle.net/10027/21525

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Berrill, Margot K. “The Host and the Roast: Kitchen Humor in Feminist Video Art and Pop Culture.” 2016. Thesis, University of Illinois – Chicago. Accessed December 15, 2019. http://hdl.handle.net/10027/21525.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Berrill, Margot K. “The Host and the Roast: Kitchen Humor in Feminist Video Art and Pop Culture.” 2016. Web. 15 Dec 2019.

Vancouver:

Berrill MK. The Host and the Roast: Kitchen Humor in Feminist Video Art and Pop Culture. [Internet] [Thesis]. University of Illinois – Chicago; 2016. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10027/21525.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Berrill MK. The Host and the Roast: Kitchen Humor in Feminist Video Art and Pop Culture. [Thesis]. University of Illinois – Chicago; 2016. Available from: http://hdl.handle.net/10027/21525

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rochester Institute of Technology

2. Wang, Chen. Rabbit Hole.

Degree: MFA, School of Photographic Arts and Sciences (CIAS), 2017, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/9822

► Rabbit Hole is a multimedia installation, which combines drawing, performance, animation, and sculpture to celebrate gender as a performative expression of multiple possibilities while… (more)

Subjects/Keywords: Art; Installation; Video

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APA (6^th Edition):

Wang, C. (2017). Rabbit Hole. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/9822

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wang, Chen. “Rabbit Hole.” 2017. Thesis, Rochester Institute of Technology. Accessed December 15, 2019. https://scholarworks.rit.edu/theses/9822.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wang, Chen. “Rabbit Hole.” 2017. Web. 15 Dec 2019.

Vancouver:

Wang C. Rabbit Hole. [Internet] [Thesis]. Rochester Institute of Technology; 2017. [cited 2019 Dec 15]. Available from: https://scholarworks.rit.edu/theses/9822.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang C. Rabbit Hole. [Thesis]. Rochester Institute of Technology; 2017. Available from: https://scholarworks.rit.edu/theses/9822

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Massey University

3. Mick, Mica Hubertus. Liquid contemporeality : cybernetic waves emerging from the currents of time : exegesis submitted in partial fulfillment of the requirements for a Master of Fine Arts (MFA) degree at Massey University, Wellington, New Zealand .

Degree: 2014, Massey University

URL: http://hdl.handle.net/10179/6943

► This exegesis outlines the metanarrative that builds the conceptual background relevant for my artistic practice. It is centered towards some of the relevant issues and… (more)

Subjects/Keywords: Video art; Art installations

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APA (6^th Edition):

Mick, M. H. (2014). Liquid contemporeality : cybernetic waves emerging from the currents of time : exegesis submitted in partial fulfillment of the requirements for a Master of Fine Arts (MFA) degree at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/6943

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Mick, Mica Hubertus. “Liquid contemporeality : cybernetic waves emerging from the currents of time : exegesis submitted in partial fulfillment of the requirements for a Master of Fine Arts (MFA) degree at Massey University, Wellington, New Zealand .” 2014. Thesis, Massey University. Accessed December 15, 2019. http://hdl.handle.net/10179/6943.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Mick, Mica Hubertus. “Liquid contemporeality : cybernetic waves emerging from the currents of time : exegesis submitted in partial fulfillment of the requirements for a Master of Fine Arts (MFA) degree at Massey University, Wellington, New Zealand .” 2014. Web. 15 Dec 2019.

Vancouver:

Mick MH. Liquid contemporeality : cybernetic waves emerging from the currents of time : exegesis submitted in partial fulfillment of the requirements for a Master of Fine Arts (MFA) degree at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2014. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10179/6943.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mick MH. Liquid contemporeality : cybernetic waves emerging from the currents of time : exegesis submitted in partial fulfillment of the requirements for a Master of Fine Arts (MFA) degree at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2014. Available from: http://hdl.handle.net/10179/6943

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Louisiana State University

4. Maestri, Lindsey Elizabeth. Faining pain and care.

Degree: MFA, Fine Arts, 2010, Louisiana State University

URL: etd-06092010-174311 ; https://digitalcommons.lsu.edu/gradschool_theses/261

► Simple repetitive actions such as rocking or jumping paired with garments that contain, heighten, or limit the movements of such actions are the focus of… (more)

Subjects/Keywords: tender; performance art; video art; fiber art

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APA (6^th Edition):

Maestri, L. E. (2010). Faining pain and care. (Masters Thesis). Louisiana State University. Retrieved from etd-06092010-174311 ; https://digitalcommons.lsu.edu/gradschool_theses/261

Chicago Manual of Style (16^th Edition):

Maestri, Lindsey Elizabeth. “Faining pain and care.” 2010. Masters Thesis, Louisiana State University. Accessed December 15, 2019. etd-06092010-174311 ; https://digitalcommons.lsu.edu/gradschool_theses/261.

MLA Handbook (7^th Edition):

Maestri, Lindsey Elizabeth. “Faining pain and care.” 2010. Web. 15 Dec 2019.

Vancouver:

Maestri LE. Faining pain and care. [Internet] [Masters thesis]. Louisiana State University; 2010. [cited 2019 Dec 15]. Available from: etd-06092010-174311 ; https://digitalcommons.lsu.edu/gradschool_theses/261.

Council of Science Editors:

Maestri LE. Faining pain and care. [Masters Thesis]. Louisiana State University; 2010. Available from: etd-06092010-174311 ; https://digitalcommons.lsu.edu/gradschool_theses/261

University of Sydney

5. Knezevic, Danica. Minding my own mirrors .

Degree: 2013, University of Sydney

URL: http://hdl.handle.net/2123/10204

► This aim of my research paper is to process the search for self and identity through the analogy of the mirror as a negotiation between… (more)

Subjects/Keywords: Identity; Constructed self; Video performance; Video art

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APA (6^th Edition):

Knezevic, D. (2013). Minding my own mirrors . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/10204

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Knezevic, Danica. “Minding my own mirrors .” 2013. Thesis, University of Sydney. Accessed December 15, 2019. http://hdl.handle.net/2123/10204.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Knezevic, Danica. “Minding my own mirrors .” 2013. Web. 15 Dec 2019.

Vancouver:

Knezevic D. Minding my own mirrors . [Internet] [Thesis]. University of Sydney; 2013. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/2123/10204.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Knezevic D. Minding my own mirrors . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/10204

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Brno University of Technology

6. Pavúček, František. Bez názvu .

Degree: 2013, Brno University of Technology

URL: http://hdl.handle.net/11012/26005

► - Gustav Meyrink: "Muž se zahalenou tváří je osud." - Gesto v pohybu, nekonečná fotografie, autoportrét, stav duše a nebytí - Nádech a výdech skrze… (more)

Subjects/Keywords: umění; video; performance; art; video; performance

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APA (6^th Edition):

Pavúček, F. (2013). Bez názvu . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/26005

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pavúček, František. “Bez názvu .” 2013. Thesis, Brno University of Technology. Accessed December 15, 2019. http://hdl.handle.net/11012/26005.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pavúček, František. “Bez názvu .” 2013. Web. 15 Dec 2019.

Vancouver:

Pavúček F. Bez názvu . [Internet] [Thesis]. Brno University of Technology; 2013. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/11012/26005.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pavúček F. Bez názvu . [Thesis]. Brno University of Technology; 2013. Available from: http://hdl.handle.net/11012/26005

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Brno University of Technology

7. Marie, Lukáčová. Dokument .

Degree: 2015, Brno University of Technology

URL: http://hdl.handle.net/11012/41242

► Mokument mapující oblast českého pohraničního opevnění, jeho kvality a současnou sociální situaci. Video se skládá ze dvou částí, kdy první podléhá dnešnímu stavu a druhá… (more)

Subjects/Keywords: Mokument; Video; Film; Mocumentary; Video art; movie

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APA (6^th Edition):

Marie, L. (2015). Dokument . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/41242

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Marie, Lukáčová. “Dokument .” 2015. Thesis, Brno University of Technology. Accessed December 15, 2019. http://hdl.handle.net/11012/41242.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Marie, Lukáčová. “Dokument .” 2015. Web. 15 Dec 2019.

Vancouver:

Marie L. Dokument . [Internet] [Thesis]. Brno University of Technology; 2015. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/11012/41242.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marie L. Dokument . [Thesis]. Brno University of Technology; 2015. Available from: http://hdl.handle.net/11012/41242

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Melbourne

8. Jane, Marcia. Pulse, chance, flux: the energetic image.

Degree: 2015, University of Melbourne

URL: http://hdl.handle.net/11343/112321

► Pulse, chance, flux: the energetic image is a practice-led research project which investigates the possibilities for extending analogue film and digital video projection beyond mere… (more)

▼ Pulse, chance, flux: the energetic image is a practice-led research project which investigates the possibilities for extending analogue film and digital video projection beyond mere image reproduction, to become a transmission of embodied energy. The project is broken down into three key areas of investigation: pulse (vibration; frequency), chance (indeterminacy; synchronicity) and flux (the flow and transduction of energy). This project argues for the existence of a fundamental pulse to the world, or rather for millions of pulses, overlapping each other. From the addition of a multitude of pulses of information arises interference: the complexity of the world. Key works of vibration by Alvin Lucier, Tony Conrad and Bridget Riley are discussed. Artistic strategies of chance are investigated as a means to imbue works with the complex- ity of interference and to question how deeply relation really goes. Key time-based works by John Cage and David Tudor are compared for their strategic attempts to model the indeterminacy of the world in their very form. Flux is articulated as being the flow of energy. Douglas Kahn’s concept of the Aelectrosonic (the always-moving electromagnetic) is discussed and an argument is raised for its extension from sonic practices to include the luminous. In thinking about Kahn’s idea of transduction as the ‘locating moment’ of energy, a fundamental technical difficulty in working with light energy versus sound can be accounted for by abandoning literal transductions, instead turning to allusions. Three projection installation works, Modulations (2012–2015), Black Noise (2012) and Dark Matter (2015), were created, each comprising arrangements of projection devices, objects and images in relation. Flicker was used as a tactic to transmit an apparent embodied energy via the projection to the visitor. Decentralisation and dislocation were used strategically to continually shift attention from object to image to space to experience. The marriage of these theories and tactics is intended to create an energetic ‘noise’ in the space, in the projection machines and in the neurophysical of the viewer.

Subjects/Keywords: art; installation; video; video art; experimental film; sound art; energy

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APA (6^th Edition):

Jane, M. (2015). Pulse, chance, flux: the energetic image. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/112321

Chicago Manual of Style (16^th Edition):

Jane, Marcia. “Pulse, chance, flux: the energetic image.” 2015. Masters Thesis, University of Melbourne. Accessed December 15, 2019. http://hdl.handle.net/11343/112321.

MLA Handbook (7^th Edition):

Jane, Marcia. “Pulse, chance, flux: the energetic image.” 2015. Web. 15 Dec 2019.

Vancouver:

Jane M. Pulse, chance, flux: the energetic image. [Internet] [Masters thesis]. University of Melbourne; 2015. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/11343/112321.

Council of Science Editors:

Jane M. Pulse, chance, flux: the energetic image. [Masters Thesis]. University of Melbourne; 2015. Available from: http://hdl.handle.net/11343/112321

University of the Arts London

9. Millett, Joanna. Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry.

Degree: 2013, University of the Arts London

URL: http://ualresearchonline.arts.ac.uk/5649/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619202

► This thesis addresses temporal experience in moving image from the perspective of artists’ film and video and asks: "if material qualities are implicated in memory… (more)

▼ This thesis addresses temporal experience in moving image from the perspective of artists’ film and video and asks: "if material qualities are implicated in memory as pastness, how can this be made apperceptible using art practice?” The study contributes to the understanding of temporal and material experience in contemporary art practice, finding that materiality is entwined with pastness dynamically. In disrupting anticipated temporal and material flow, conflicting temporalities are exposed as present and apperception made possible. The moving image is a growing part of visual culture and with increasing access to both current and historical material there is a vast reserve to draw from. Early film and its reception, in particular the Rough Sea film, is a pivotal component in this research both as a means to consider how experiences of moving image materiality were shaped but also as reference points for later experimental approaches to making and viewing. Reflexive spectatorial and archival research is interwoven with critical, theoretical and philosophical review. The active viewer of structural/materialist discourse is recuperated as a basis for a contemporary critical position on materiality and moving image spectatorship. Selected works by artist-filmmakers are analysed as forms of practice research that inform the investigation. Material qualities such as interval and colour are examined as familiar and habitual aspects of moving image with involvement in senses of past. The limitations of isolating them are addressed through the two works. One, a video work created from appropriated archival film footage of sea questions temporality sequentially within the spatial mnemonics of the cinema. The other, a multi-screen film and video installation, explores temporality in a non- cinematic space through the concurrent and disruptive. Both works show that experience of the material conditions of moving image has significance in memory and are therefore crucial to an examination of pastness.

Subjects/Keywords: 777; Fine Art; Film & Video

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APA (6^th Edition):

Millett, J. (2013). Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/5649/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619202

Chicago Manual of Style (16^th Edition):

Millett, Joanna. “Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry.” 2013. Doctoral Dissertation, University of the Arts London. Accessed December 15, 2019. http://ualresearchonline.arts.ac.uk/5649/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619202.

MLA Handbook (7^th Edition):

Millett, Joanna. “Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry.” 2013. Web. 15 Dec 2019.

Vancouver:

Millett J. Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry. [Internet] [Doctoral dissertation]. University of the Arts London; 2013. [cited 2019 Dec 15]. Available from: http://ualresearchonline.arts.ac.uk/5649/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619202.

Council of Science Editors:

Millett J. Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry. [Doctoral Dissertation]. University of the Arts London; 2013. Available from: http://ualresearchonline.arts.ac.uk/5649/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619202

University of the Arts London

10. Norris, Jane M. K. Viatopias : exploring the experience of urban travel space.

Degree: 2009, University of the Arts London

URL: http://ualresearchonline.arts.ac.uk/7466/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517538

► The title of this research is constructed from: `via' - route and töp(os) -a place. Viatopias are urban spaces of continual travel or flux that… (more)

Subjects/Keywords: 708; Fine Art : Film & Video

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APA (6^th Edition):

Norris, J. M. K. (2009). Viatopias : exploring the experience of urban travel space. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/7466/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517538

Chicago Manual of Style (16^th Edition):

Norris, Jane M K. “Viatopias : exploring the experience of urban travel space.” 2009. Doctoral Dissertation, University of the Arts London. Accessed December 15, 2019. http://ualresearchonline.arts.ac.uk/7466/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517538.

MLA Handbook (7^th Edition):

Norris, Jane M K. “Viatopias : exploring the experience of urban travel space.” 2009. Web. 15 Dec 2019.

Vancouver:

Norris JMK. Viatopias : exploring the experience of urban travel space. [Internet] [Doctoral dissertation]. University of the Arts London; 2009. [cited 2019 Dec 15]. Available from: http://ualresearchonline.arts.ac.uk/7466/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517538.

Council of Science Editors:

Norris JMK. Viatopias : exploring the experience of urban travel space. [Doctoral Dissertation]. University of the Arts London; 2009. Available from: http://ualresearchonline.arts.ac.uk/7466/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517538

University of Cincinnati

11. Martin, Maria. In The Forest.

Degree: DMA, College-Conservatory of Music : Composition, 2007, University of Cincinnati

URL: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179930915

► <i>In The Forest</i> is a non-narrative, audio-visual work exploring fall foliage filmed in northwestern Pennsylvania. For me it is a meditation on natural color, motion… (more)

Subjects/Keywords: Music; multimedia; composer; video art

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APA (6^th Edition):

Martin, M. (2007). In The Forest. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179930915

Chicago Manual of Style (16^th Edition):

Martin, Maria. “In The Forest.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed December 15, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179930915.

MLA Handbook (7^th Edition):

Martin, Maria. “In The Forest.” 2007. Web. 15 Dec 2019.

Vancouver:

Martin M. In The Forest. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Dec 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179930915.

Council of Science Editors:

Martin M. In The Forest. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179930915

University of Hong Kong

12. Law, Sum-po, Jamsen. Nietzsche, Deleuze and video art.

Degree: MA, 2000, University of Hong Kong

URL: Law, S. J. [羅琛堡]. (2000). Nietzsche, Deleuze and video art. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195266 ; http://dx.doi.org/10.5353/th_b3195266 ; http://hdl.handle.net/10722/40535

published_or_final_version

Literary and Cultural Studies

Master

Master of Arts

Subjects/Keywords: Video art

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APA (6^th Edition):

Law, Sum-po, J. (2000). Nietzsche, Deleuze and video art. (Masters Thesis). University of Hong Kong. Retrieved from Law, S. J. [羅琛堡]. (2000). Nietzsche, Deleuze and video art. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195266 ; http://dx.doi.org/10.5353/th_b3195266 ; http://hdl.handle.net/10722/40535

Chicago Manual of Style (16^th Edition):

Law, Sum-po, Jamsen. “Nietzsche, Deleuze and video art.” 2000. Masters Thesis, University of Hong Kong. Accessed December 15, 2019. Law, S. J. [羅琛堡]. (2000). Nietzsche, Deleuze and video art. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195266 ; http://dx.doi.org/10.5353/th_b3195266 ; http://hdl.handle.net/10722/40535.

MLA Handbook (7^th Edition):

Law, Sum-po, Jamsen. “Nietzsche, Deleuze and video art.” 2000. Web. 15 Dec 2019.

Vancouver:

Law, Sum-po J. Nietzsche, Deleuze and video art. [Internet] [Masters thesis]. University of Hong Kong; 2000. [cited 2019 Dec 15]. Available from: Law, S. J. [羅琛堡]. (2000). Nietzsche, Deleuze and video art. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195266 ; http://dx.doi.org/10.5353/th_b3195266 ; http://hdl.handle.net/10722/40535.

Council of Science Editors:

Law, Sum-po J. Nietzsche, Deleuze and video art. [Masters Thesis]. University of Hong Kong; 2000. Available from: Law, S. J. [羅琛堡]. (2000). Nietzsche, Deleuze and video art. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3195266 ; http://dx.doi.org/10.5353/th_b3195266 ; http://hdl.handle.net/10722/40535

University of the Arts London

13. Perry, Colin. Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990.

Degree: PhD, 2016, University of the Arts London

URL: http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002

► This thesis looks at independent film and video cultures in Britain from the mid 1970s to late 1980s. It examines a period of time in… (more)

▼ This thesis looks at independent film and video cultures in Britain from the mid 1970s to late 1980s. It examines a period of time in which diverse radical film- and video-makers in Britain contributed towards struggles against capitalism, patriarchy, racism, colonialism and homophobia. New social models of film and video production and exhibition were developed, such as the film collective, and new alliances were built to campaign for changes to social policy and legislature. The study examines this moment in order to clarify the capacity for radical discourse to bring groups together and impact on dominant cultural forms such as television. The thesis explores the interrelation between public debate, institutions and individuals. It uses public sphere theories to examine alternative reading publics, and media such as film, video and television. It argues that independent film and video in Britain at this time, including activist documentary, currents of counter-cinema and avant-garde film, was largely concerned with creating and circulating counterpublic discourses. These counterpublic discourses consolidated and expanded oppositional groups, and set out to change aspects of society as a whole. The thesis gives an account of the diversity of the influences on independent film and video, from socialist and liberation movements, to popular radical histories and psychoanalytic and Marxist film theory. Attention is given to the Independent Filmmakers’ Association as an agent of change between filmmakers and state, notably in terms of national film and broadcasting policy. There is a case study of Marc Karlin’s television film For Memory (1986), which looks at the fate of socialist memory under televisual regimes; and a case study of Stuart Marshall’s Bright Eyes (1984), which looks at issues of sexuality, identity and counter-history during the AIDS crisis. The thesis argues that during this period, independent film- and videomakers helped to transform television into a vital site of counterpublic discourse.

Subjects/Keywords: History of Art; Film & Video

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Perry, C. (2016). Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002

Chicago Manual of Style (16^th Edition):

Perry, Colin. “Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990.” 2016. Doctoral Dissertation, University of the Arts London. Accessed December 15, 2019. http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002.

MLA Handbook (7^th Edition):

Perry, Colin. “Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990.” 2016. Web. 15 Dec 2019.

Vancouver:

Perry C. Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990. [Internet] [Doctoral dissertation]. University of the Arts London; 2016. [cited 2019 Dec 15]. Available from: http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002.

Council of Science Editors:

Perry C. Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990. [Doctoral Dissertation]. University of the Arts London; 2016. Available from: http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002

University of the Arts London

14. Akça, Deniz. Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.

Degree: PhD, 2015, University of the Arts London

URL: http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000

► This practice-led research investigates the problematic representations of women from ethnic minorities in the context of Turkey. It questions the ways in which Turkish cinema… (more)

▼ This practice-led research investigates the problematic representations of women from ethnic minorities in the context of Turkey. It questions the ways in which Turkish cinema conceals the ‘other’ ethnic and cultural differences and represents female identity. It seeks to address this problem through newly created artworks: a series of animation and video works aiming to evoke traces of ‘other’ female ethnicities in Turkish society. The case study, Istiklal Avenue,is an important location that was formerly inhabited by ethnic minorities and was the birthplace of Turkish cinema (Yeşilçam) in 1914. This location forms a platform for the research to find new forms of representation through spatial mappings in the specially created artworks. The thesis is situated in relation to the existing literature on historical representations, from the late nineteenth-century Ottoman Istanbul to the period that marks the Istanbul Pogrom (1955), and to contemporary representations of women, especially Asuman Suner and Gönül Dönmez-Colin’s analyses of non-Muslim women in New Turkish Cinema. The methodological approach of the thesis is shaped by the investigation of Turkish cinema and site-specific research at Istiklal Avenue. Svetlana Boym’s (2001) idea that cultural references are usually hidden within the details of ‘reflective nostalgia’films is an important concept which is referred to throughout the thesis. The term ‘shock effect’, which Suner (2010) employs for Turkish reflective nostalgia films, is used in the thesis to describe moments of rupture in the collective memory and consciousness of Turkish society regarding the histories of the ethnic and religious minorities of Turkey. Visual and aural dissonances are created in the artworks to evoke traces of these histories. The first artwork uses the voice-over of the female protagonist Madame Lena in the film Whistle If You Come Back (1993)to create an audio-visual and spatial map for these repressed identities, but the female voice in the final artwork generates a more intensified evocative experience, described by adopting Catherine Clément’s term ‘rapture’ (1994). The research also looks at the difference between ethnic identities through the spoken Turkish of ethnic minorities of an older generation, to explore the viewing of the artworks in different cultural contexts. As well as theoretical and historical research into the female voice,architectural and other visual details are used as research material to make artworks. On-site investigations reveal how various film techniques and montages inform cognitive and psychogeographic mapping, which is put into practice to achieve a spatial understanding of Istiklal Avenue. This investigation leads to the discovery of Botter House, a culturally and historically significant building,which enables the thesis to examine female presence in public space by investigating the flâneuse of the nineteenth-century Istiklal Avenue. Through the artworks, this study proposes that spatial representations, reconstructed from visual and vocal…

Subjects/Keywords: History of Art; Film & Video

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Akça, D. (2015). Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000

Chicago Manual of Style (16^th Edition):

Akça, Deniz. “Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Doctoral Dissertation, University of the Arts London. Accessed December 15, 2019. http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000.

MLA Handbook (7^th Edition):

Akça, Deniz. “Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Web. 15 Dec 2019.

Vancouver:

Akça D. Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Internet] [Doctoral dissertation]. University of the Arts London; 2015. [cited 2019 Dec 15]. Available from: http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000.

Council of Science Editors:

Akça D. Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Doctoral Dissertation]. University of the Arts London; 2015. Available from: http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000

University of the Arts London

15. Millett, Joanna. Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry.

Degree: 2013, University of the Arts London

URL: http://ualresearchonline.arts.ac.uk/5649/

► This thesis addresses temporal experience in moving image from the perspective of artists’ film and video and asks: "if material qualities are implicated in memory… (more)

▼ This thesis addresses temporal experience in moving image from the perspective of artists’ film and video and asks: "if material qualities are implicated in memory as pastness, how can this be made apperceptible using art practice?” The study contributes to the understanding of temporal and material experience in contemporary art practice, finding that materiality is entwined with pastness dynamically. In disrupting anticipated temporal and material flow, conflicting temporalities are exposed as present and apperception made possible. The moving image is a growing part of visual culture and with increasing access to both current and historical material there is a vast reserve to draw from. Early film and its reception, in particular the Rough Sea film, is a pivotal component in this research both as a means to consider how experiences of moving image materiality were shaped but also as reference points for later experimental approaches to making and viewing. Reflexive spectatorial and archival research is interwoven with critical, theoretical and philosophical review. The active viewer of structural/materialist discourse is recuperated as a basis for a contemporary critical position on materiality and moving image spectatorship. Selected works by artist-filmmakers are analysed as forms of practice research that inform the investigation. Material qualities such as interval and colour are examined as familiar and habitual aspects of moving image with involvement in senses of past. The limitations of isolating them are addressed through the two works. One, a video work created from appropriated archival film footage of sea questions temporality sequentially within the spatial mnemonics of the cinema. The other, a multi-screen film and video installation, explores temporality in a non- cinematic space through the concurrent and disruptive. Both works show that experience of the material conditions of moving image has significance in memory and are therefore crucial to an examination of pastness.

Subjects/Keywords: Fine Art; Film & Video

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Millett, J. (2013). Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/5649/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Millett, Joanna. “Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry.” 2013. Thesis, University of the Arts London. Accessed December 15, 2019. http://ualresearchonline.arts.ac.uk/5649/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Millett, Joanna. “Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry.” 2013. Web. 15 Dec 2019.

Vancouver:

Millett J. Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry. [Internet] [Thesis]. University of the Arts London; 2013. [cited 2019 Dec 15]. Available from: http://ualresearchonline.arts.ac.uk/5649/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Millett J. Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry. [Thesis]. University of the Arts London; 2013. Available from: http://ualresearchonline.arts.ac.uk/5649/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Arts London

16. fitzPatrick, Edwina. Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age.

Degree: 2014, University of the Arts London

URL: https://www.grizedalearchive.org

40,000 word paper accompanying an AHRC funded collaborative PhD with the Forestry Commission at Grizedale and Glasgow School of Art

Subjects/Keywords: Fine Art; Sculpture; Film & Video

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

fitzPatrick, E. (2014). Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age. (Thesis). University of the Arts London. Retrieved from https://www.grizedalearchive.org

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

fitzPatrick, Edwina. “Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age.” 2014. Thesis, University of the Arts London. Accessed December 15, 2019. https://www.grizedalearchive.org.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

fitzPatrick, Edwina. “Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age.” 2014. Web. 15 Dec 2019.

Vancouver:

fitzPatrick E. Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age. [Internet] [Thesis]. University of the Arts London; 2014. [cited 2019 Dec 15]. Available from: https://www.grizedalearchive.org.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

fitzPatrick E. Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age. [Thesis]. University of the Arts London; 2014. Available from: https://www.grizedalearchive.org

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Arts London

17. Perry, Colin. Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990.

Degree: 2016, University of the Arts London

URL: http://ualresearchonline.arts.ac.uk/11999/

► This thesis looks at independent film and video cultures in Britain from the mid 1970s to late 1980s. It examines a period of time in… (more)

▼ This thesis looks at independent film and video cultures in Britain from the mid 1970s to late 1980s. It examines a period of time in which diverse radical film- and video-makers in Britain contributed towards struggles against capitalism, patriarchy, racism, colonialism and homophobia. New social models of film and video production and exhibition were developed, such as the film collective, and new alliances were built to campaign for changes to social policy and legislature. The study examines this moment in order to clarify the capacity for radical discourse to bring groups together and impact on dominant cultural forms such as television. The thesis explores the interrelation between public debate, institutions and individuals. It uses public sphere theories to examine alternative reading publics, and media such as film, video and television. It argues that independent film and video in Britain at this time, including activist documentary, currents of counter-cinema and avant-garde film, was largely concerned with creating and circulating counterpublic discourses. These counterpublic discourses consolidated and expanded oppositional groups, and set out to change aspects of society as a whole. The thesis gives an account of the diversity of the influences on independent film and video, from socialist and liberation movements, to popular radical histories and psychoanalytic and Marxist film theory. Attention is given to the Independent Filmmakers’ Association as an agent of change between filmmakers and state, notably in terms of national film and broadcasting policy. There is a case study of Marc Karlin’s television film For Memory (1986), which looks at the fate of socialist memory under televisual regimes; and a case study of Stuart Marshall’s Bright Eyes (1984), which looks at issues of sexuality, identity and counter-history during the AIDS crisis. The thesis argues that during this period, independent film- and videomakers helped to transform television into a vital site of counterpublic discourse.

Subjects/Keywords: History of Art; Film & Video

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Perry, C. (2016). Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/11999/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Perry, Colin. “Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990.” 2016. Thesis, University of the Arts London. Accessed December 15, 2019. http://ualresearchonline.arts.ac.uk/11999/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Perry, Colin. “Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990.” 2016. Web. 15 Dec 2019.

Vancouver:

Perry C. Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990. [Internet] [Thesis]. University of the Arts London; 2016. [cited 2019 Dec 15]. Available from: http://ualresearchonline.arts.ac.uk/11999/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Perry C. Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990. [Thesis]. University of the Arts London; 2016. Available from: http://ualresearchonline.arts.ac.uk/11999/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Arts London

18. Perry, Colin. Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990.

Degree: 2016, University of the Arts London

URL: http://ualresearchonline.arts.ac.uk/12070/

► This thesis looks at independent film and video cultures in Britain from the mid-1970s to late 1980s. It examines a period of time in which… (more)

▼ This thesis looks at independent film and video cultures in Britain from the mid-1970s to late 1980s. It examines a period of time in which diverse radical film-and video-makers in Britain contributed towards struggles against capitalism, patriarchy,racism, colonialism and homophobia. New social models of film and video production and exhibition were developed, such as the film collective, and new alliances were built to campaign for changes to social policy and legislature. The study examines this moment in order to clarify the capacity for radical discourse to bring groups together and impact on dominant cultural forms such as television. The thesis explores the interrelation between public debate, institutions and individuals. It uses public sphere theories to examine alternative reading publics, and media such as film, video and television. It argues that independent film and video in Britain at this time, including activist documentary, currents of counter-cinema and avant-garde film, was largely concerned with creating and circulating counterpublic discourses. These counterpublic discourses consolidated and expanded oppositional groups, and set out to change aspects of society as a whole. The thesis gives an account of the diversity of the influences on independent film and video, from socialist and liberation movements, to popular radical histories and psychoanalytic and Marxist film theory. Attention is given to the Independent Filmmakers’ Association as an agent of change between filmmakers and state,notably in terms of national film and broadcasting policy. There is a case study of Marc Karlin’s television film 'For Memory' (1986), which looks at the fate of socialist memory under televisual regimes; and a case study of Stuart Marshall’s 'Bright Eyes' (1984), which looks at issues of sexuality, identity and counter-history during the AIDS crisis. The thesis argues that during this period, independent film- and video-makers helped to transform television into a vital site of counterpublic discourse.

Subjects/Keywords: History of Art; Film & Video

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Perry, C. (2016). Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12070/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Perry, Colin. “Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990.” 2016. Thesis, University of the Arts London. Accessed December 15, 2019. http://ualresearchonline.arts.ac.uk/12070/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Perry, Colin. “Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990.” 2016. Web. 15 Dec 2019.

Vancouver:

Perry C. Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990. [Internet] [Thesis]. University of the Arts London; 2016. [cited 2019 Dec 15]. Available from: http://ualresearchonline.arts.ac.uk/12070/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Perry C. Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990. [Thesis]. University of the Arts London; 2016. Available from: http://ualresearchonline.arts.ac.uk/12070/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Arts London

19. Akça, Deniz. Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.

Degree: 2015, University of the Arts London

URL: http://ualresearchonline.arts.ac.uk/12373/

► This practice-led research investigates the problematic representations of women from ethnic minorities in the context of Turkey. It questions the ways in which Turkish cinema… (more)

▼ This practice-led research investigates the problematic representations of women from ethnic minorities in the context of Turkey. It questions the ways in which Turkish cinema conceals the ‘other’ ethnic and cultural differences and represents female identity. It seeks to address this problem through newly created artworks: a series of animation and video works aiming to evoke traces of ‘other’ female ethnicities in Turkish society. The case study, Istiklal Avenue,is an important location that was formerly inhabited by ethnic minorities and was the birthplace of Turkish cinema (Yeşilçam) in 1914. This location forms a platform for the research to find new forms of representation through spatial mappings in the specially created artworks. The thesis is situated in relation to the existing literature on historical representations, from the late nineteenth-century Ottoman Istanbul to the period that marks the Istanbul Pogrom (1955), and to contemporary representations of women, especially Asuman Suner and Gönül Dönmez-Colin’s analyses of non-Muslim women in New Turkish Cinema. The methodological approach of the thesis is shaped by the investigation of Turkish cinema and site-specific research at Istiklal Avenue. Svetlana Boym’s (2001) idea that cultural references are usually hidden within the details of ‘reflective nostalgia’films is an important concept which is referred to throughout the thesis. The term ‘shock effect’, which Suner (2010) employs for Turkish reflective nostalgia films, is used in the thesis to describe moments of rupture in the collective memory and consciousness of Turkish society regarding the histories of the ethnic and religious minorities of Turkey. Visual and aural dissonances are created in the artworks to evoke traces of these histories. The first artwork uses the voice-over of the female protagonist Madame Lena in the film Whistle If You Come Back (1993)to create an audio-visual and spatial map for these repressed identities, but the female voice in the final artwork generates a more intensified evocative experience, described by adopting Catherine Clément’s term ‘rapture’ (1994). The research also looks at the difference between ethnic identities through the spoken Turkish of ethnic minorities of an older generation, to explore the viewing of the artworks in different cultural contexts. As well as theoretical and historical research into the female voice,architectural and other visual details are used as research material to make artworks. On-site investigations reveal how various film techniques and montages inform cognitive and psychogeographic mapping, which is put into practice to achieve a spatial understanding of Istiklal Avenue. This investigation leads to the discovery of Botter House, a culturally and historically significant building,which enables the thesis to examine female presence in public space by investigating the flâneuse of the nineteenth-century Istiklal Avenue. Through the artworks, this study proposes that spatial representations,…

Subjects/Keywords: History of Art; Film & Video

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Akça, D. (2015). Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12373/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Akça, Deniz. “Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Thesis, University of the Arts London. Accessed December 15, 2019. http://ualresearchonline.arts.ac.uk/12373/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Akça, Deniz. “Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Web. 15 Dec 2019.

Vancouver:

Akça D. Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2019 Dec 15]. Available from: http://ualresearchonline.arts.ac.uk/12373/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Akça D. Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Thesis]. University of the Arts London; 2015. Available from: http://ualresearchonline.arts.ac.uk/12373/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Western Carolina University

20. Farmer, Paul Matthew. Never fully right.

Degree: 2016, Western Carolina University

URL: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21207

► In my sculptural paintings, which I refer to as Hybrids, the covering/uncovering relationship between the beautiful and the repulsive elements is a metaphor for art’s… (more)

Subjects/Keywords: Sculpture; Painting; Video art; Ontology

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Farmer, P. M. (2016). Never fully right. (Masters Thesis). Western Carolina University. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21207

Chicago Manual of Style (16^th Edition):

Farmer, Paul Matthew. “Never fully right.” 2016. Masters Thesis, Western Carolina University. Accessed December 15, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21207.

MLA Handbook (7^th Edition):

Farmer, Paul Matthew. “Never fully right.” 2016. Web. 15 Dec 2019.

Vancouver:

Farmer PM. Never fully right. [Internet] [Masters thesis]. Western Carolina University; 2016. [cited 2019 Dec 15]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21207.

Council of Science Editors:

Farmer PM. Never fully right. [Masters Thesis]. Western Carolina University; 2016. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21207

University of New South Wales

21. Morrison, Scott Norman. Rendering the real - towards a musical landscape.

Degree: Art, 2010, University of New South Wales

URL: http://handle.unsw.edu.au/1959.4/45609 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8889/SOURCE01?view=true

► The research project, RENDERING THE REAL - Towards a Musical Landscape investigates and further develops my studies of Australia's rural landscape within an audiovisual context.… (more)

Subjects/Keywords: Landscape; Video Art; Experimental

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Morrison, S. N. (2010). Rendering the real - towards a musical landscape. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/45609 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8889/SOURCE01?view=true

Chicago Manual of Style (16^th Edition):

Morrison, Scott Norman. “Rendering the real - towards a musical landscape.” 2010. Masters Thesis, University of New South Wales. Accessed December 15, 2019. http://handle.unsw.edu.au/1959.4/45609 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8889/SOURCE01?view=true.

MLA Handbook (7^th Edition):

Morrison, Scott Norman. “Rendering the real - towards a musical landscape.” 2010. Web. 15 Dec 2019.

Vancouver:

Morrison SN. Rendering the real - towards a musical landscape. [Internet] [Masters thesis]. University of New South Wales; 2010. [cited 2019 Dec 15]. Available from: http://handle.unsw.edu.au/1959.4/45609 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8889/SOURCE01?view=true.

Council of Science Editors:

Morrison SN. Rendering the real - towards a musical landscape. [Masters Thesis]. University of New South Wales; 2010. Available from: http://handle.unsw.edu.au/1959.4/45609 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8889/SOURCE01?view=true

Virginia Tech

22. Freeman, Lucas Jerome. Alchemically, an Educational Role-Playing Game.

Degree: MFA, Art and Art History, 2019, Virginia Tech

URL: http://hdl.handle.net/10919/89252

► Alchemically is an educational role-playing game that functions as a classroom aid for boosting middle school and high school students' memorization of molecular formulas and… (more)

Subjects/Keywords: Chemistry; Art; Video Games; Education

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APA (6^th Edition):

Freeman, L. J. (2019). Alchemically, an Educational Role-Playing Game. (Thesis). Virginia Tech. Retrieved from http://hdl.handle.net/10919/89252

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Freeman, Lucas Jerome. “Alchemically, an Educational Role-Playing Game.” 2019. Thesis, Virginia Tech. Accessed December 15, 2019. http://hdl.handle.net/10919/89252.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Freeman, Lucas Jerome. “Alchemically, an Educational Role-Playing Game.” 2019. Web. 15 Dec 2019.

Vancouver:

Freeman LJ. Alchemically, an Educational Role-Playing Game. [Internet] [Thesis]. Virginia Tech; 2019. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10919/89252.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Freeman LJ. Alchemically, an Educational Role-Playing Game. [Thesis]. Virginia Tech; 2019. Available from: http://hdl.handle.net/10919/89252

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Sydney

23. Ives, Harley. The Material Qualities of the Moving Image and the Painterly Gesture .

Degree: 2018, University of Sydney

URL: http://hdl.handle.net/2123/19674

► This thesis examines how qualities of process errors in the moving image might be adapted and applied aesthetically in ways analogous to painterly gesture. In… (more)

Subjects/Keywords: glitch; materiality; video art

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APA (6^th Edition):

Ives, H. (2018). The Material Qualities of the Moving Image and the Painterly Gesture . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/19674

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Ives, Harley. “The Material Qualities of the Moving Image and the Painterly Gesture .” 2018. Thesis, University of Sydney. Accessed December 15, 2019. http://hdl.handle.net/2123/19674.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Ives, Harley. “The Material Qualities of the Moving Image and the Painterly Gesture .” 2018. Web. 15 Dec 2019.

Vancouver:

Ives H. The Material Qualities of the Moving Image and the Painterly Gesture . [Internet] [Thesis]. University of Sydney; 2018. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/2123/19674.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ives H. The Material Qualities of the Moving Image and the Painterly Gesture . [Thesis]. University of Sydney; 2018. Available from: http://hdl.handle.net/2123/19674

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Kent State University

24. King, Donald V. [Frame] /-Bridge- !Bang! ((Spill)) *Sparkle* (Mapping Mogadore).

Degree: MFA, College of the Arts / School of Art, 2008, Kent State University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=kent1216759724

► The purpose of this project was to create a body of work that engages the viewer in three-dimensional space. My intent was to construct a… (more)

Subjects/Keywords: Fine Arts; Sculpture; Installation Art; Video Art

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APA (6^th Edition):

King, D. V. (2008). [Frame] /-Bridge- !Bang! ((Spill)) *Sparkle* (Mapping Mogadore). (Masters Thesis). Kent State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=kent1216759724

Chicago Manual of Style (16^th Edition):

King, Donald V. “[Frame] /-Bridge- !Bang! ((Spill)) *Sparkle* (Mapping Mogadore).” 2008. Masters Thesis, Kent State University. Accessed December 15, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1216759724.

MLA Handbook (7^th Edition):

King, Donald V. “[Frame] /-Bridge- !Bang! ((Spill)) *Sparkle* (Mapping Mogadore).” 2008. Web. 15 Dec 2019.

Vancouver:

King DV. [Frame] /-Bridge- !Bang! ((Spill)) *Sparkle* (Mapping Mogadore). [Internet] [Masters thesis]. Kent State University; 2008. [cited 2019 Dec 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1216759724.

Council of Science Editors:

King DV. [Frame] /-Bridge- !Bang! ((Spill)) *Sparkle* (Mapping Mogadore). [Masters Thesis]. Kent State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1216759724

California State University – Sacramento

25. Helenske, Tammy. Entropy.

Degree: MA, Art (Art Studio, 2019, California State University – Sacramento

URL: http://hdl.handle.net/10211.3/210433

► During my time in the Master of Art Studio program at Sacramento State University Sacramento I have had an opportunity to expand my perceptions and… (more)

Subjects/Keywords: Video; New media art; Installation art

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APA (6^th Edition):

Helenske, T. (2019). Entropy. (Masters Thesis). California State University – Sacramento. Retrieved from http://hdl.handle.net/10211.3/210433

Chicago Manual of Style (16^th Edition):

Helenske, Tammy. “Entropy.” 2019. Masters Thesis, California State University – Sacramento. Accessed December 15, 2019. http://hdl.handle.net/10211.3/210433.

MLA Handbook (7^th Edition):

Helenske, Tammy. “Entropy.” 2019. Web. 15 Dec 2019.

Vancouver:

Helenske T. Entropy. [Internet] [Masters thesis]. California State University – Sacramento; 2019. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10211.3/210433.

Council of Science Editors:

Helenske T. Entropy. [Masters Thesis]. California State University – Sacramento; 2019. Available from: http://hdl.handle.net/10211.3/210433

University of Rochester

26. Bouman, Margot (1962 - ). “A broken piece of an absent whole” : experimental video and its spaces of production and reception.

Degree: PhD, 2009, University of Rochester

URL: http://hdl.handle.net/1802/6783

► This dissertation, “‘A Broken Piece of an Absent Whole’: Experimental Video and its Spaces of Production and Reception” presumes that where video is found—as the… (more)

▼ This dissertation, “‘A Broken Piece of an Absent Whole’: Experimental Video and its Spaces of Production and Reception” presumes that where video is found—as the glass eye and window of broadcast network television, as an integral component of contemporary architecture, as one more medium in the museum, and as the newly primary visual interface of the internet—determines its form. Video also has a formative influence on the spaces into which it is inserted. The recently expanded field of video is divided in two: by “broken piece” the art historian Ann Wagner refers to experimental video and video installation art; by “absent whole,” the rest of media culture. Why this break occurs, and how it is both policed and undermined is my dissertation’s project. In the late 1960s, experimental or avant-garde video’s space was assumed to be broadcast television, and secondarily the artist’s studio, the art gallery and the movie theater. Chapter 1 looks at the avant-garde strategies for accessing and altering broadcast television, which consisted of multipronged attacks on its complex of industry programming, audience and technological form. Its failure to maintain a lasting presence on television is used to support the argument that television’s vigorous and highly militant avant-garde did not produce any lasting cultural assets. I argue otherwise, by looking at some of the unresolved “problems” of avant-garde television that return over the ensuing decades. Following its release from the television set, video has appeared almost everywhere, on screens the size of buildings that form a backdrop for people carrying screens that fit into their hands. Through a consideration of public video art, chapter 2 analyzes how the dismissal of broadcast television audience by the avant-garde is repeated in later responses to the newly expanded spaces of “television.” Chapter 3 looks at the changes to video’s temporal form that take place after its successful introduction into the museum in the 1990s. Chapter 4 historicizes the rhetoric dividing high art from mass culture through an analysis of attempts to split the virtual from the phenomenological in the reception of projected video environments.

Subjects/Keywords: Contemporary art; Video art; Avant-garde; Television

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bouman, M. (. -. ). (2009). “A broken piece of an absent whole” : experimental video and its spaces of production and reception. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/6783

Chicago Manual of Style (16^th Edition):

Bouman, Margot (1962 - ). ““A broken piece of an absent whole” : experimental video and its spaces of production and reception.” 2009. Doctoral Dissertation, University of Rochester. Accessed December 15, 2019. http://hdl.handle.net/1802/6783.

MLA Handbook (7^th Edition):

Bouman, Margot (1962 - ). ““A broken piece of an absent whole” : experimental video and its spaces of production and reception.” 2009. Web. 15 Dec 2019.

Vancouver:

Bouman M(-). “A broken piece of an absent whole” : experimental video and its spaces of production and reception. [Internet] [Doctoral dissertation]. University of Rochester; 2009. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/1802/6783.

Council of Science Editors:

Bouman M(-). “A broken piece of an absent whole” : experimental video and its spaces of production and reception. [Doctoral Dissertation]. University of Rochester; 2009. Available from: http://hdl.handle.net/1802/6783

27. Heinämäki, Tatu. Landscapes and video installations : Where the Trails and Trees Are as a case study .

Degree: 2019, Theseus

URL: http://www.theseus.fi/handle/10024/168793

► In this written part of the Bachelor’s thesis I present my work ‘Where the Trails and Trees Are’ concerning the themes of home, nostalgia and… (more)

Subjects/Keywords: fine art; media art; video installations; landscapes

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APA (6^th Edition):

Heinämäki, T. (2019). Landscapes and video installations : Where the Trails and Trees Are as a case study . (Thesis). Theseus. Retrieved from http://www.theseus.fi/handle/10024/168793

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Heinämäki, Tatu. “Landscapes and video installations : Where the Trails and Trees Are as a case study .” 2019. Thesis, Theseus. Accessed December 15, 2019. http://www.theseus.fi/handle/10024/168793.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Heinämäki, Tatu. “Landscapes and video installations : Where the Trails and Trees Are as a case study .” 2019. Web. 15 Dec 2019.

Vancouver:

Heinämäki T. Landscapes and video installations : Where the Trails and Trees Are as a case study . [Internet] [Thesis]. Theseus; 2019. [cited 2019 Dec 15]. Available from: http://www.theseus.fi/handle/10024/168793.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Heinämäki T. Landscapes and video installations : Where the Trails and Trees Are as a case study . [Thesis]. Theseus; 2019. Available from: http://www.theseus.fi/handle/10024/168793

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Massey University

28. Mechen, Johanna. Stepping into social waters : photography performed as moving image : an extended essay presented in partial fulfilment of the requirements for the postgraduate degree of Master of Fine Arts at Massey University, Wellington, New Zealand .

Degree: 2014, Massey University

URL: http://hdl.handle.net/10179/6940

► Stepping into Social Waters: A Video Essay on the Waiwhetu Stream, is a photographically derived micro history - an imaginative weaving of moving image -… (more)

Subjects/Keywords: Video art; Waiwhetu stream; Documentary video; Experimental video; Photography

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APA (6^th Edition):

Mechen, J. (2014). Stepping into social waters : photography performed as moving image : an extended essay presented in partial fulfilment of the requirements for the postgraduate degree of Master of Fine Arts at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/6940

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Mechen, Johanna. “Stepping into social waters : photography performed as moving image : an extended essay presented in partial fulfilment of the requirements for the postgraduate degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2014. Thesis, Massey University. Accessed December 15, 2019. http://hdl.handle.net/10179/6940.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Mechen, Johanna. “Stepping into social waters : photography performed as moving image : an extended essay presented in partial fulfilment of the requirements for the postgraduate degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2014. Web. 15 Dec 2019.

Vancouver:

Mechen J. Stepping into social waters : photography performed as moving image : an extended essay presented in partial fulfilment of the requirements for the postgraduate degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2014. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10179/6940.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mechen J. Stepping into social waters : photography performed as moving image : an extended essay presented in partial fulfilment of the requirements for the postgraduate degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2014. Available from: http://hdl.handle.net/10179/6940

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Oregon

29. Gibson, Ashley M., 1982-. From Ant Farm to UbuWeb: Distribution and Access in Artists’ Video from the 1960s to the Present: Distribution and Access in Artists’ Video from the 1960s to the Present.

Degree: 2011, University of Oregon

URL: http://hdl.handle.net/1794/11984

► This thesis examines the history of distribution platforms for artists' video. Artists' video is defined as time based art works that employ the medium of… (more)

Subjects/Keywords: Art history; Communication and the arts; Artists' video; Platform; Video art

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APA (6^th Edition):

Gibson, Ashley M., 1. (2011). From Ant Farm to UbuWeb: Distribution and Access in Artists’ Video from the 1960s to the Present: Distribution and Access in Artists’ Video from the 1960s to the Present. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/11984

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Gibson, Ashley M., 1982-. “From Ant Farm to UbuWeb: Distribution and Access in Artists’ Video from the 1960s to the Present: Distribution and Access in Artists’ Video from the 1960s to the Present.” 2011. Thesis, University of Oregon. Accessed December 15, 2019. http://hdl.handle.net/1794/11984.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Gibson, Ashley M., 1982-. “From Ant Farm to UbuWeb: Distribution and Access in Artists’ Video from the 1960s to the Present: Distribution and Access in Artists’ Video from the 1960s to the Present.” 2011. Web. 15 Dec 2019.

Vancouver:

Gibson, Ashley M. 1. From Ant Farm to UbuWeb: Distribution and Access in Artists’ Video from the 1960s to the Present: Distribution and Access in Artists’ Video from the 1960s to the Present. [Internet] [Thesis]. University of Oregon; 2011. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/1794/11984.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gibson, Ashley M. 1. From Ant Farm to UbuWeb: Distribution and Access in Artists’ Video from the 1960s to the Present: Distribution and Access in Artists’ Video from the 1960s to the Present. [Thesis]. University of Oregon; 2011. Available from: http://hdl.handle.net/1794/11984

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Texas – Austin

30. -6745-9444. Towards a queer ulteriority.

Degree: MFA, Studio Art, 2017, University of Texas – Austin

URL: http://hdl.handle.net/2152/62816

► This report outlines the evolution of three year's (2014-2017) of research and practice investigating the objectification and representation of queer sexuality, while tracing the conceptual… (more)

Subjects/Keywords: Studio art; Video art; Queer; Art; Installation art

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APA (6^th Edition):

-6745-9444. (2017). Towards a queer ulteriority. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/62816

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16^th Edition):

-6745-9444. “Towards a queer ulteriority.” 2017. Masters Thesis, University of Texas – Austin. Accessed December 15, 2019. http://hdl.handle.net/2152/62816.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7^th Edition):

-6745-9444. “Towards a queer ulteriority.” 2017. Web. 15 Dec 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-6745-9444. Towards a queer ulteriority. [Internet] [Masters thesis]. University of Texas – Austin; 2017. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/2152/62816.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-6745-9444. Towards a queer ulteriority. [Masters Thesis]. University of Texas – Austin; 2017. Available from: http://hdl.handle.net/2152/62816

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

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Open Access Theses and Dissertations