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You searched for subject:(Urban scenography). Showing records 1 – 3 of 3 total matches.

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Delft University of Technology

1. Tang, Mengzhe (author). Tactics of the Other Everyday: From Urban Scenography to Architecture.

Degree: 2018, Delft University of Technology

The graduation project begins with understanding small, mundane urban scenes as scenographic settings to construct an Other world, by means of both framing and associations. Further through narratives, drawings and models, these scenographic settings are translated into architectural elements with surreal qualities, as a design methodology. The final design project is a library of digital culture in Yerevan, as an architectural elaboration, and a heterotopia of virtuality. Advisors/Committee Members: Schoonderbeek, Marc (mentor), Rommens, Oscar (mentor), Jennen, Pierre (mentor), Delft University of Technology (degree granting institution).

Subjects/Keywords: Urban Scenography; Architectural Design; Everyday Life; Surreality

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tang, M. (. (2018). Tactics of the Other Everyday: From Urban Scenography to Architecture. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:77cf4f57-eaff-4553-801f-28121de5fc33

Chicago Manual of Style (16th Edition):

Tang, Mengzhe (author). “Tactics of the Other Everyday: From Urban Scenography to Architecture.” 2018. Masters Thesis, Delft University of Technology. Accessed February 24, 2021. http://resolver.tudelft.nl/uuid:77cf4f57-eaff-4553-801f-28121de5fc33.

MLA Handbook (7th Edition):

Tang, Mengzhe (author). “Tactics of the Other Everyday: From Urban Scenography to Architecture.” 2018. Web. 24 Feb 2021.

Vancouver:

Tang M(. Tactics of the Other Everyday: From Urban Scenography to Architecture. [Internet] [Masters thesis]. Delft University of Technology; 2018. [cited 2021 Feb 24]. Available from: http://resolver.tudelft.nl/uuid:77cf4f57-eaff-4553-801f-28121de5fc33.

Council of Science Editors:

Tang M(. Tactics of the Other Everyday: From Urban Scenography to Architecture. [Masters Thesis]. Delft University of Technology; 2018. Available from: http://resolver.tudelft.nl/uuid:77cf4f57-eaff-4553-801f-28121de5fc33


RMIT University

2. Fryatt, A. Mediated interior: subjective and empowering productions.

Degree: 2016, RMIT University

This research investigates interior design through the notion of flux. Rather than considering an interior to be fixed and stable it instead argues that an interior is in continual production through the making of relations the interior co-dependent upon both spatial and temporal conditions encountered. The term mise-en-scène originating from film and stage disciplines is adopted in relation to interior design. It is understood as a layered and scenic site of material, temporal and virtual conditions. Despite a reliance upon spatial cues and implied narratives the mise-en-scène avoids certain meaning in favour of complexity. Rather than offering up a determined and resolved encounter it instead invites levels of contemplation, speculation and exchange. This approach emphasises the inhabitant as an involved and performative participant that actively constructs relationships through a process of scenic assemblage. In this way the mediated interior experience is co created by both the spatial and temporal structures of the mise-en-scène and the subjective productions of the participant. This conceptual framework allows the research to escape the somewhat predictable definition of an interior; i.e. that they reside only within a building or must be spatially constrained or enclosed by walls. Rather more excitingly in this research an interior is understood to potentially occur throughout space flowing into the city as a continuous urban interior. In this way the urban situation is considered as a broad social and spatial context adopted as a design laboratory for interior investigation. It is accepted as a dense, complex and simultaneous condition, in a way a grand or continuous mise-en-scène of buildings, programs and events. The inherent idea of mobility becomes a key interest in the work where rational concepts of city space begin to break down at a street level into more fragmented, sequenced and filmic ideas of experience. The urban situation is recognised as a fascinating collision of the strategic institutional structures and the informal lived tactics of the everyday. As the research progresses the interior becomes understood as a critical urban and social tool implicated in the production and exchange of our individual and collective identities. These ideas upon the interior have been explored through the act of making. Using a method of reflective practice, a series of speculative design projects have been undertaken by the collaborative practice Making Distance consisting of RMIT University academics Roger Kemp and Anthony Fryatt. The projects have allowed for the exploration of design processes, spatial and temporal conditions, and qualities of experience relevant to interior design. It has enabled the establishment of various design techniques within the work including operative diagrams, fragmented scenography and representational imagery. These techniques allow the work to simultaneously provide both spatial cues and levels of indeterminacy. Ultimately…

Subjects/Keywords: Fields of Research; Interior design; Interior architecture; Mediated; Performative; Diagram; Scenography; Experience; Spatial; Temporal; Urban; Collaboration; Design practice

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APA (6th Edition):

Fryatt, A. (2016). Mediated interior: subjective and empowering productions. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161888

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fryatt, A. “Mediated interior: subjective and empowering productions.” 2016. Thesis, RMIT University. Accessed February 24, 2021. http://researchbank.rmit.edu.au/view/rmit:161888.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fryatt, A. “Mediated interior: subjective and empowering productions.” 2016. Web. 24 Feb 2021.

Vancouver:

Fryatt A. Mediated interior: subjective and empowering productions. [Internet] [Thesis]. RMIT University; 2016. [cited 2021 Feb 24]. Available from: http://researchbank.rmit.edu.au/view/rmit:161888.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fryatt A. Mediated interior: subjective and empowering productions. [Thesis]. RMIT University; 2016. Available from: http://researchbank.rmit.edu.au/view/rmit:161888

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Gangloff, Emmanuelle. Quand la scénographie devient urbaine : Nantes comme observatoire des fonctions du scénographe dans la fabrique de la ville : When the scenography becomes urban : Nantes as an observatory of the scenographer's functions in the city fabric.

Degree: Docteur es, Aménagement du territoire et urbanisme, 2017, Angers

S’appuyant sur l’effervescence dont fait actuellement l’objet le terme de scénographie dans le milieu créatif, ce travail propose d’étudier l’apparition d’une fonction spécifique autour du concept de scénographie urbaine dans la fabrique de la ville contemporaine. En effet depuis les années 1980, dans un contexte d’essor de la ville événementielle, créative et culturelle nous assistons à une multiplication de propositions artistiques éphémères déployant des dispositifs scénographiques dans l’espace public qui font évoluer les modes d’action des acteurs de la fabrique urbaine (opérateurs culturels, artistes, gestionnaires publics et aménageurs). Entre théâtre et espace public, scène et ville, nous retracerons les origines de la scénographie pour ensuite s’intéresser à la scène nantaise qui est ici considérée comme un laboratoire des différentes formes que peut prendre la scénographie urbaine. En définissant le rôle du scénographe sur un terrain d’intervention spécifique, à savoir l’espace urbain, il s’agit par-là d’identifier un groupe professionnel émergent, les scénographes, au regard de l’évolution de leurs pratiques hors du théâtre. Puis, en resserrant la focale sur un territoire, nous caractérisons plus particulièrement la fonction de scénographie urbaine dans son acception contemporaine traduisant une évolution de la place de la création artistique dans la fabrique urbaine. Plus largement, cette étude met en question la production d’espaces urbains, révélatrice de tension entre nécessité fonctionnelle et conception d’espaces sensibles. Entre fabrique artistique et dynamique de récupération, ce travail nous renseigne sur un mode de faire la ville contemporaine à l’interface entre urbanisme du divertissement et utopie artistique.

Based on the current effervescence of scenography in the creative environment , this work proposes to study the appearance of a specific function around the concept of urban scenography in the fabric of the contemporary city. Since the 1980s, in a context of the development of event, creative and cultural city, we are witnessing a multiplication of ephemeral artistic proposals deploying scenographic devices in the public space that evolve modes of action of the actors of the urban factory (cultural operators, artists, public managers and developers). Between theater and public space, stage and city, we will trace the origins of the scenography and then take an interest in the Nantes scene, which is considered here as a laboratory of different forms that can take urban scenography. Infact, in urban space, it is an identifying an emerging professional group, the scenographers, about the evolution of their practices outside the theater. Then, by tightening the focus on a territory, we characterize more specifically the function of urban scenography in its contemporary meaning reflecting an evolution of the place of artistic creation in the urban factory. A larger scale, this study calls into question the production of urban spaces, revealing tension between functional necessity and the…

Advisors/Committee Members: Sagot-Duvauroux, Dominique (thesis director).

Subjects/Keywords: Scénographie urbaine; Ville événementielle; Scénographe; Groupe professionnel émergent; Arts de la scène; Fabrique urbaine; Nantes; Ville créative; Event city; Emerging professionnal group; Scenographer; Performing arts; City fabric; Creative city; Urban scenography; 711.4

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gangloff, E. (2017). Quand la scénographie devient urbaine : Nantes comme observatoire des fonctions du scénographe dans la fabrique de la ville : When the scenography becomes urban : Nantes as an observatory of the scenographer's functions in the city fabric. (Doctoral Dissertation). Angers. Retrieved from http://www.theses.fr/2017ANGE0018

Chicago Manual of Style (16th Edition):

Gangloff, Emmanuelle. “Quand la scénographie devient urbaine : Nantes comme observatoire des fonctions du scénographe dans la fabrique de la ville : When the scenography becomes urban : Nantes as an observatory of the scenographer's functions in the city fabric.” 2017. Doctoral Dissertation, Angers. Accessed February 24, 2021. http://www.theses.fr/2017ANGE0018.

MLA Handbook (7th Edition):

Gangloff, Emmanuelle. “Quand la scénographie devient urbaine : Nantes comme observatoire des fonctions du scénographe dans la fabrique de la ville : When the scenography becomes urban : Nantes as an observatory of the scenographer's functions in the city fabric.” 2017. Web. 24 Feb 2021.

Vancouver:

Gangloff E. Quand la scénographie devient urbaine : Nantes comme observatoire des fonctions du scénographe dans la fabrique de la ville : When the scenography becomes urban : Nantes as an observatory of the scenographer's functions in the city fabric. [Internet] [Doctoral dissertation]. Angers; 2017. [cited 2021 Feb 24]. Available from: http://www.theses.fr/2017ANGE0018.

Council of Science Editors:

Gangloff E. Quand la scénographie devient urbaine : Nantes comme observatoire des fonctions du scénographe dans la fabrique de la ville : When the scenography becomes urban : Nantes as an observatory of the scenographer's functions in the city fabric. [Doctoral Dissertation]. Angers; 2017. Available from: http://www.theses.fr/2017ANGE0018

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