Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(Trauma Cinema). Showing records 1 – 30 of 34 total matches.

[1] [2]

Search Limiters

Last 2 Years | English Only

No search limiters apply to these results.

▼ Search Limiters


University College Cork

1. Clancy, Fiona. No place like home: trauma and the moral subject in contemporary Argentine cinema.

Degree: 2018, University College Cork

 Over the past two decades, cinematic production from Argentina has been enjoying increased commercial success and critical acclaim on both the national and international film… (more)

Subjects/Keywords: Argentine cinema; Argentina; World cinema; Trauma; Morality

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Clancy, F. (2018). No place like home: trauma and the moral subject in contemporary Argentine cinema. (Thesis). University College Cork. Retrieved from http://hdl.handle.net/10468/6820

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clancy, Fiona. “No place like home: trauma and the moral subject in contemporary Argentine cinema.” 2018. Thesis, University College Cork. Accessed March 07, 2021. http://hdl.handle.net/10468/6820.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clancy, Fiona. “No place like home: trauma and the moral subject in contemporary Argentine cinema.” 2018. Web. 07 Mar 2021.

Vancouver:

Clancy F. No place like home: trauma and the moral subject in contemporary Argentine cinema. [Internet] [Thesis]. University College Cork; 2018. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/10468/6820.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clancy F. No place like home: trauma and the moral subject in contemporary Argentine cinema. [Thesis]. University College Cork; 2018. Available from: http://hdl.handle.net/10468/6820

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Royal Holloway, University of London

2. Nasu, Madori. Contesting visions : memory and cultural trauma in early post-Civil War Spanish cinema, 1939-1950.

Degree: PhD, 2014, Royal Holloway, University of London

 This thesis is a critical study of Spanish cinema of the 1940s and its relation to the memory politics in early post-Civil War Spain. Despite… (more)

Subjects/Keywords: Spanish Cinema; memory; trauma; franquismo

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nasu, M. (2014). Contesting visions : memory and cultural trauma in early post-Civil War Spanish cinema, 1939-1950. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/contesting-visions-memory-and-cultural-trauma-in-early-postcivil-war-spanish-cinema-19391950(892cb2bf-4d08-4793-bd1d-0d20215f79b7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792186

Chicago Manual of Style (16th Edition):

Nasu, Madori. “Contesting visions : memory and cultural trauma in early post-Civil War Spanish cinema, 1939-1950.” 2014. Doctoral Dissertation, Royal Holloway, University of London. Accessed March 07, 2021. https://pure.royalholloway.ac.uk/portal/en/publications/contesting-visions-memory-and-cultural-trauma-in-early-postcivil-war-spanish-cinema-19391950(892cb2bf-4d08-4793-bd1d-0d20215f79b7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792186.

MLA Handbook (7th Edition):

Nasu, Madori. “Contesting visions : memory and cultural trauma in early post-Civil War Spanish cinema, 1939-1950.” 2014. Web. 07 Mar 2021.

Vancouver:

Nasu M. Contesting visions : memory and cultural trauma in early post-Civil War Spanish cinema, 1939-1950. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2014. [cited 2021 Mar 07]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/contesting-visions-memory-and-cultural-trauma-in-early-postcivil-war-spanish-cinema-19391950(892cb2bf-4d08-4793-bd1d-0d20215f79b7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792186.

Council of Science Editors:

Nasu M. Contesting visions : memory and cultural trauma in early post-Civil War Spanish cinema, 1939-1950. [Doctoral Dissertation]. Royal Holloway, University of London; 2014. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/contesting-visions-memory-and-cultural-trauma-in-early-postcivil-war-spanish-cinema-19391950(892cb2bf-4d08-4793-bd1d-0d20215f79b7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792186


University of Manchester

3. Ahmed, Omar. In the wake of Rupture: Iconoclasm, Film Aesthetics and the Wound in the foundational years of Indian Parallel Cinema (1968 - 1975).

Degree: 2019, University of Manchester

 Rupture is a relatively undetermined scholarly field often associated with political philosophy. While there have been many ruptures in the history of film, South Asian… (more)

Subjects/Keywords: Rupture; Indian Cinema; Parallel Cinema; Trauma; Iconoclasm; Film Aesthetics

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ahmed, O. (2019). In the wake of Rupture: Iconoclasm, Film Aesthetics and the Wound in the foundational years of Indian Parallel Cinema (1968 - 1975). (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:320175

Chicago Manual of Style (16th Edition):

Ahmed, Omar. “In the wake of Rupture: Iconoclasm, Film Aesthetics and the Wound in the foundational years of Indian Parallel Cinema (1968 - 1975).” 2019. Doctoral Dissertation, University of Manchester. Accessed March 07, 2021. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:320175.

MLA Handbook (7th Edition):

Ahmed, Omar. “In the wake of Rupture: Iconoclasm, Film Aesthetics and the Wound in the foundational years of Indian Parallel Cinema (1968 - 1975).” 2019. Web. 07 Mar 2021.

Vancouver:

Ahmed O. In the wake of Rupture: Iconoclasm, Film Aesthetics and the Wound in the foundational years of Indian Parallel Cinema (1968 - 1975). [Internet] [Doctoral dissertation]. University of Manchester; 2019. [cited 2021 Mar 07]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:320175.

Council of Science Editors:

Ahmed O. In the wake of Rupture: Iconoclasm, Film Aesthetics and the Wound in the foundational years of Indian Parallel Cinema (1968 - 1975). [Doctoral Dissertation]. University of Manchester; 2019. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:320175


University of Manchester

4. Ahmed, Omar. In the wake of rupture : iconoclasm, film aesthetics and the wound in the foundational years of Indian Parallel Cinema (1968-1975).

Degree: PhD, 2019, University of Manchester

 Rupture is a relatively undetermined scholarly field often associated with political philosophy. While there have been many ruptures in the history of film, South Asian… (more)

Subjects/Keywords: Film Aesthetics; Iconoclasm; Trauma; Parallel Cinema; Indian Cinema; Rupture

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ahmed, O. (2019). In the wake of rupture : iconoclasm, film aesthetics and the wound in the foundational years of Indian Parallel Cinema (1968-1975). (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/in-the-wake-of-rupture-iconoclasm-film-aesthetics-and-the-wound-in-the-foundational-years-of-indian-parallel-cinema-1968 – 1975(15b26cb5-caea-4ee6-a1af-b10c79afcbf6).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.816287

Chicago Manual of Style (16th Edition):

Ahmed, Omar. “In the wake of rupture : iconoclasm, film aesthetics and the wound in the foundational years of Indian Parallel Cinema (1968-1975).” 2019. Doctoral Dissertation, University of Manchester. Accessed March 07, 2021. https://www.research.manchester.ac.uk/portal/en/theses/in-the-wake-of-rupture-iconoclasm-film-aesthetics-and-the-wound-in-the-foundational-years-of-indian-parallel-cinema-1968 – 1975(15b26cb5-caea-4ee6-a1af-b10c79afcbf6).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.816287.

MLA Handbook (7th Edition):

Ahmed, Omar. “In the wake of rupture : iconoclasm, film aesthetics and the wound in the foundational years of Indian Parallel Cinema (1968-1975).” 2019. Web. 07 Mar 2021.

Vancouver:

Ahmed O. In the wake of rupture : iconoclasm, film aesthetics and the wound in the foundational years of Indian Parallel Cinema (1968-1975). [Internet] [Doctoral dissertation]. University of Manchester; 2019. [cited 2021 Mar 07]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/in-the-wake-of-rupture-iconoclasm-film-aesthetics-and-the-wound-in-the-foundational-years-of-indian-parallel-cinema-1968 – 1975(15b26cb5-caea-4ee6-a1af-b10c79afcbf6).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.816287.

Council of Science Editors:

Ahmed O. In the wake of rupture : iconoclasm, film aesthetics and the wound in the foundational years of Indian Parallel Cinema (1968-1975). [Doctoral Dissertation]. University of Manchester; 2019. Available from: https://www.research.manchester.ac.uk/portal/en/theses/in-the-wake-of-rupture-iconoclasm-film-aesthetics-and-the-wound-in-the-foundational-years-of-indian-parallel-cinema-1968 – 1975(15b26cb5-caea-4ee6-a1af-b10c79afcbf6).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.816287


University of Melbourne

5. Lovejoy, Cassandra J. Becoming worthy of the event: Left Bank trauma cinema, 1945-1962.

Degree: 2012, University of Melbourne

 Asking the question, ‘How can we articulate the conditions that make possible the catastrophic event without referring to any form of identity?’ this thesis considers… (more)

Subjects/Keywords: Gilles Deleuze; trauma; trauma cinema; Left Bank group; Alain Resnais; continental philosophy

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lovejoy, C. J. (2012). Becoming worthy of the event: Left Bank trauma cinema, 1945-1962. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/37963

Chicago Manual of Style (16th Edition):

Lovejoy, Cassandra J. “Becoming worthy of the event: Left Bank trauma cinema, 1945-1962.” 2012. Masters Thesis, University of Melbourne. Accessed March 07, 2021. http://hdl.handle.net/11343/37963.

MLA Handbook (7th Edition):

Lovejoy, Cassandra J. “Becoming worthy of the event: Left Bank trauma cinema, 1945-1962.” 2012. Web. 07 Mar 2021.

Vancouver:

Lovejoy CJ. Becoming worthy of the event: Left Bank trauma cinema, 1945-1962. [Internet] [Masters thesis]. University of Melbourne; 2012. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/11343/37963.

Council of Science Editors:

Lovejoy CJ. Becoming worthy of the event: Left Bank trauma cinema, 1945-1962. [Masters Thesis]. University of Melbourne; 2012. Available from: http://hdl.handle.net/11343/37963


Victoria University of Wellington

6. Fadlon, Dor Thor. Incredible but Very Real: 3D Cinema and Trauma in the Wake of WWII and 9/11.

Degree: 2020, Victoria University of Wellington

 This thesis investigates Hollywood and global Hollywood 3D cinema at the height of its box office success, the early fifties, and from 2009-2014. Discourse surrounding… (more)

Subjects/Keywords: 3D Cinema; Trauma; Phenomenology; Deleuze; WWII; September 11

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fadlon, D. T. (2020). Incredible but Very Real: 3D Cinema and Trauma in the Wake of WWII and 9/11. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/8864

Chicago Manual of Style (16th Edition):

Fadlon, Dor Thor. “Incredible but Very Real: 3D Cinema and Trauma in the Wake of WWII and 9/11.” 2020. Doctoral Dissertation, Victoria University of Wellington. Accessed March 07, 2021. http://hdl.handle.net/10063/8864.

MLA Handbook (7th Edition):

Fadlon, Dor Thor. “Incredible but Very Real: 3D Cinema and Trauma in the Wake of WWII and 9/11.” 2020. Web. 07 Mar 2021.

Vancouver:

Fadlon DT. Incredible but Very Real: 3D Cinema and Trauma in the Wake of WWII and 9/11. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2020. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/10063/8864.

Council of Science Editors:

Fadlon DT. Incredible but Very Real: 3D Cinema and Trauma in the Wake of WWII and 9/11. [Doctoral Dissertation]. Victoria University of Wellington; 2020. Available from: http://hdl.handle.net/10063/8864


University of Sydney

7. Devonish, Emme. Screen Violence and Complex Storytelling: Trauma, Marginalization, and Stereotypes .

Degree: 2015, University of Sydney

 Since the mid-1990s, complex storytelling ignited a trend in the film industry towards more nontraditional narrative structures. Most film theorists agree that the popularity of… (more)

Subjects/Keywords: Screen violence; Complex storytelling; Stereotypes; Narrative cinema; Trauma; Marginalization

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Devonish, E. (2015). Screen Violence and Complex Storytelling: Trauma, Marginalization, and Stereotypes . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/16948

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Devonish, Emme. “Screen Violence and Complex Storytelling: Trauma, Marginalization, and Stereotypes .” 2015. Thesis, University of Sydney. Accessed March 07, 2021. http://hdl.handle.net/2123/16948.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Devonish, Emme. “Screen Violence and Complex Storytelling: Trauma, Marginalization, and Stereotypes .” 2015. Web. 07 Mar 2021.

Vancouver:

Devonish E. Screen Violence and Complex Storytelling: Trauma, Marginalization, and Stereotypes . [Internet] [Thesis]. University of Sydney; 2015. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/2123/16948.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Devonish E. Screen Violence and Complex Storytelling: Trauma, Marginalization, and Stereotypes . [Thesis]. University of Sydney; 2015. Available from: http://hdl.handle.net/2123/16948

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


York University

8. Romvari, Sophy. Still Processing.

Degree: MFA - Master of Fine Arts, Film And Video, 2020, York University

 A box of stunning family photos unearthed from storage and unseen for decades awakens lost memories as they are viewed for the first time on… (more)

Subjects/Keywords: Fine arts; Film; Photography; Autobiography; Ethnography; Trauma; Process Cinema; Psychology

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Romvari, S. (2020). Still Processing. (Masters Thesis). York University. Retrieved from https://yorkspace.library.yorku.ca/xmlui/handle/10315/37492

Chicago Manual of Style (16th Edition):

Romvari, Sophy. “Still Processing.” 2020. Masters Thesis, York University. Accessed March 07, 2021. https://yorkspace.library.yorku.ca/xmlui/handle/10315/37492.

MLA Handbook (7th Edition):

Romvari, Sophy. “Still Processing.” 2020. Web. 07 Mar 2021.

Vancouver:

Romvari S. Still Processing. [Internet] [Masters thesis]. York University; 2020. [cited 2021 Mar 07]. Available from: https://yorkspace.library.yorku.ca/xmlui/handle/10315/37492.

Council of Science Editors:

Romvari S. Still Processing. [Masters Thesis]. York University; 2020. Available from: https://yorkspace.library.yorku.ca/xmlui/handle/10315/37492


Universidade Nova

9. Barata, António Maria Alves Leite do Amaral. Não Esqueçerás.

Degree: 2017, Universidade Nova

Este relatório de estágio analisa as temáticas e o trabalho desenvolvido durante o estágio no decorrer da realização e montagem do filme “Não Esquecerás”, realizado… (more)

Subjects/Keywords: Comunicação; Cinema; Memória; Trauma; Entre-os-Rios; Monumento; Comunication; Memory; Trauma; Monument; Domínio/Área Científica::Ciências Sociais::Ciências da Comunicação

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barata, A. M. A. L. d. A. (2017). Não Esqueçerás. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/22293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barata, António Maria Alves Leite do Amaral. “Não Esqueçerás.” 2017. Thesis, Universidade Nova. Accessed March 07, 2021. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/22293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barata, António Maria Alves Leite do Amaral. “Não Esqueçerás.” 2017. Web. 07 Mar 2021.

Vancouver:

Barata AMALdA. Não Esqueçerás. [Internet] [Thesis]. Universidade Nova; 2017. [cited 2021 Mar 07]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/22293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barata AMALdA. Não Esqueçerás. [Thesis]. Universidade Nova; 2017. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/22293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Adriana Rodrigues Novais. Cinema e memória da ditadura civil-militar no Brasil: Uma análise dos filmes Pra frente Brasil (1982) e Ação entre amigos (1998).

Degree: 2013, Universidade Federal de São Carlos

A presente pesquisa procurou lançar luzes sobre a questão da memória e da representação da ditadura civil-militar (1964-1985) no Brasil através da análise dos filmes… (more)

Subjects/Keywords: Sociologia; Cinema; Memória; Ditadura civilmilitar; Pra frente Brasil (Filme); Ação entre amigos (Filme); Trauma; Ressentimento; SOCIOLOGIA; Cinema; Memory; civil-military dictatorship; Trauma; Resentment

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Novais, A. R. (2013). Cinema e memória da ditadura civil-militar no Brasil: Uma análise dos filmes Pra frente Brasil (1982) e Ação entre amigos (1998). (Thesis). Universidade Federal de São Carlos. Retrieved from http://www.bdtd.ufscar.br/htdocs/tedeSimplificado//tde_busca/arquivo.php?codArquivo=6848

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Novais, Adriana Rodrigues. “Cinema e memória da ditadura civil-militar no Brasil: Uma análise dos filmes Pra frente Brasil (1982) e Ação entre amigos (1998).” 2013. Thesis, Universidade Federal de São Carlos. Accessed March 07, 2021. http://www.bdtd.ufscar.br/htdocs/tedeSimplificado//tde_busca/arquivo.php?codArquivo=6848.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Novais, Adriana Rodrigues. “Cinema e memória da ditadura civil-militar no Brasil: Uma análise dos filmes Pra frente Brasil (1982) e Ação entre amigos (1998).” 2013. Web. 07 Mar 2021.

Vancouver:

Novais AR. Cinema e memória da ditadura civil-militar no Brasil: Uma análise dos filmes Pra frente Brasil (1982) e Ação entre amigos (1998). [Internet] [Thesis]. Universidade Federal de São Carlos; 2013. [cited 2021 Mar 07]. Available from: http://www.bdtd.ufscar.br/htdocs/tedeSimplificado//tde_busca/arquivo.php?codArquivo=6848.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Novais AR. Cinema e memória da ditadura civil-militar no Brasil: Uma análise dos filmes Pra frente Brasil (1982) e Ação entre amigos (1998). [Thesis]. Universidade Federal de São Carlos; 2013. Available from: http://www.bdtd.ufscar.br/htdocs/tedeSimplificado//tde_busca/arquivo.php?codArquivo=6848

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat Pompeu Fabra

11. Lluró, Josep M. Pasolini en context: Trauma, memòria, identitat i història cultural a la Itàlia de postguerra.

Degree: Departament d'Humanitats, 2016, Universitat Pompeu Fabra

 Throughhiswork, Pasolini conceptualized the destructive processes of post- SecondWorldWarcapitalism. Hisnarrativefocuses on the processes from the perspective of social groupsfromdilapidatedsuburbs: a mass of dispossessedpeoplewhocreated a hybridculturebetween… (more)

Subjects/Keywords: Antropologia; Cinema; Consumisme; Cos; Feixisme; Història; Identitat; Itàlia; Marxisme; Neoliberalisme; Novel·la; Poesia; Trauma; Anthropology; Body; Cinema; Consumerism; Fascism; History; Identity; Italy; Marxism; Neoliberalism; Novel; Poetry; Trauma; 82

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lluró, J. M. (2016). Pasolini en context: Trauma, memòria, identitat i història cultural a la Itàlia de postguerra. (Thesis). Universitat Pompeu Fabra. Retrieved from http://hdl.handle.net/10803/396253

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lluró, Josep M. “Pasolini en context: Trauma, memòria, identitat i història cultural a la Itàlia de postguerra.” 2016. Thesis, Universitat Pompeu Fabra. Accessed March 07, 2021. http://hdl.handle.net/10803/396253.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lluró, Josep M. “Pasolini en context: Trauma, memòria, identitat i història cultural a la Itàlia de postguerra.” 2016. Web. 07 Mar 2021.

Vancouver:

Lluró JM. Pasolini en context: Trauma, memòria, identitat i història cultural a la Itàlia de postguerra. [Internet] [Thesis]. Universitat Pompeu Fabra; 2016. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/10803/396253.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lluró JM. Pasolini en context: Trauma, memòria, identitat i història cultural a la Itàlia de postguerra. [Thesis]. Universitat Pompeu Fabra; 2016. Available from: http://hdl.handle.net/10803/396253

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Cornell University

12. Yi, We Jung. Family Apart: The Aesthetic Genealogy Of Korean War Memories.

Degree: PhD, East Asian Literature, 2013, Cornell University

 This dissertation examines the formation of national subjectivity in South Korea through an analysis of what I call "Korean War memory works." Countering the selective… (more)

Subjects/Keywords: Korean War memories; literature; cinema; national subjectivity; family; gender; trauma; representation; mourning

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yi, W. J. (2013). Family Apart: The Aesthetic Genealogy Of Korean War Memories. (Doctoral Dissertation). Cornell University. Retrieved from http://hdl.handle.net/1813/34380

Chicago Manual of Style (16th Edition):

Yi, We Jung. “Family Apart: The Aesthetic Genealogy Of Korean War Memories.” 2013. Doctoral Dissertation, Cornell University. Accessed March 07, 2021. http://hdl.handle.net/1813/34380.

MLA Handbook (7th Edition):

Yi, We Jung. “Family Apart: The Aesthetic Genealogy Of Korean War Memories.” 2013. Web. 07 Mar 2021.

Vancouver:

Yi WJ. Family Apart: The Aesthetic Genealogy Of Korean War Memories. [Internet] [Doctoral dissertation]. Cornell University; 2013. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/1813/34380.

Council of Science Editors:

Yi WJ. Family Apart: The Aesthetic Genealogy Of Korean War Memories. [Doctoral Dissertation]. Cornell University; 2013. Available from: http://hdl.handle.net/1813/34380


University of Manchester

13. Levi, Dejan. Negotiating tropes of madness : trauma and identity in post-Yugoslav cinemas.

Degree: PhD, 2014, University of Manchester

 This thesis examines how madness has been used in post-Yugoslav cinemas to facilitate thinking about experiences of the break-up of the SFRY throughout the 1990s… (more)

Subjects/Keywords: 791.43; Film studies; post-Yugoslav cinema; Madness; Trauma; Yugoslavia; Identity; Serbia; Montenegro; Croatia; Kosovo; Bosnia and Herzegovina; Macedonia; Slovenia

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Levi, D. (2014). Negotiating tropes of madness : trauma and identity in post-Yugoslav cinemas. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/negotiating-tropes-of-madness-trauma-and-identity-in-postyugoslav-cinemas(70e003f1-291b-4fb4-b14a-b1ec628750c5).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603224

Chicago Manual of Style (16th Edition):

Levi, Dejan. “Negotiating tropes of madness : trauma and identity in post-Yugoslav cinemas.” 2014. Doctoral Dissertation, University of Manchester. Accessed March 07, 2021. https://www.research.manchester.ac.uk/portal/en/theses/negotiating-tropes-of-madness-trauma-and-identity-in-postyugoslav-cinemas(70e003f1-291b-4fb4-b14a-b1ec628750c5).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603224.

MLA Handbook (7th Edition):

Levi, Dejan. “Negotiating tropes of madness : trauma and identity in post-Yugoslav cinemas.” 2014. Web. 07 Mar 2021.

Vancouver:

Levi D. Negotiating tropes of madness : trauma and identity in post-Yugoslav cinemas. [Internet] [Doctoral dissertation]. University of Manchester; 2014. [cited 2021 Mar 07]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/negotiating-tropes-of-madness-trauma-and-identity-in-postyugoslav-cinemas(70e003f1-291b-4fb4-b14a-b1ec628750c5).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603224.

Council of Science Editors:

Levi D. Negotiating tropes of madness : trauma and identity in post-Yugoslav cinemas. [Doctoral Dissertation]. University of Manchester; 2014. Available from: https://www.research.manchester.ac.uk/portal/en/theses/negotiating-tropes-of-madness-trauma-and-identity-in-postyugoslav-cinemas(70e003f1-291b-4fb4-b14a-b1ec628750c5).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603224


University of Illinois – Urbana-Champaign

14. Huang, Yiju. Wounds in time: the aesthetic afterlives of the Cultural Revolution.

Degree: PhD, 0285, 2011, University of Illinois – Urbana-Champaign

 My dissertation, ???Wounds in Time: the Aesthetic Afterlives of the Cultural Revolution,??? departs from the traditional historicist approach to the Cultural Revolution, contributing instead an… (more)

Subjects/Keywords: trauma; trauma theory; Cultural Revolution; China; literature; Chinese literature; Chinese modern literature; art; Chinese art; Chinese modern art; film; Chinese film; cinema; Chinese cinema; Zhang Xiaogang; Hong Ying; Han Shaogong; Jiang Wen; Ann Hui; Ba Jin

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Huang, Y. (2011). Wounds in time: the aesthetic afterlives of the Cultural Revolution. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/26247

Chicago Manual of Style (16th Edition):

Huang, Yiju. “Wounds in time: the aesthetic afterlives of the Cultural Revolution.” 2011. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed March 07, 2021. http://hdl.handle.net/2142/26247.

MLA Handbook (7th Edition):

Huang, Yiju. “Wounds in time: the aesthetic afterlives of the Cultural Revolution.” 2011. Web. 07 Mar 2021.

Vancouver:

Huang Y. Wounds in time: the aesthetic afterlives of the Cultural Revolution. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2011. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/2142/26247.

Council of Science Editors:

Huang Y. Wounds in time: the aesthetic afterlives of the Cultural Revolution. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/26247

15. Shu, Yongzhen. Post-socialist regime and popular imagination in Chinese cinema in the twenty-first century : Lu Chan and his films.

Degree: PhD, Asian Cultures and Languages, 2012, University of Texas – Austin

 Under the tensions of nationalization and globalization, mainland Chinese cinema has undergone tremendous changes in terms of industrial transformations, diversification of film language, style and… (more)

Subjects/Keywords: Chinese cinema; Lu Chuan; Authorship; Trauma; Popular culture

…as those on classical Hollywood cinema, international art films, authorship, trauma studies… …international art films, trauma cinema and Chinese national trauma, cinema’s engagement with national… …application of international film language and styles including classical Hollywood cinema and the… …others and establish his position in the field. Trauma studies provide a useful tool in… …discussing Chinese cinematic representations of the national trauma, the Nanjing Massacre, during… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shu, Y. (2012). Post-socialist regime and popular imagination in Chinese cinema in the twenty-first century : Lu Chan and his films. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/ETD-UT-2012-08-6320

Chicago Manual of Style (16th Edition):

Shu, Yongzhen. “Post-socialist regime and popular imagination in Chinese cinema in the twenty-first century : Lu Chan and his films.” 2012. Doctoral Dissertation, University of Texas – Austin. Accessed March 07, 2021. http://hdl.handle.net/2152/ETD-UT-2012-08-6320.

MLA Handbook (7th Edition):

Shu, Yongzhen. “Post-socialist regime and popular imagination in Chinese cinema in the twenty-first century : Lu Chan and his films.” 2012. Web. 07 Mar 2021.

Vancouver:

Shu Y. Post-socialist regime and popular imagination in Chinese cinema in the twenty-first century : Lu Chan and his films. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2012. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/2152/ETD-UT-2012-08-6320.

Council of Science Editors:

Shu Y. Post-socialist regime and popular imagination in Chinese cinema in the twenty-first century : Lu Chan and his films. [Doctoral Dissertation]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/ETD-UT-2012-08-6320


University of Stirling

16. Mai, Nadin. The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz.

Degree: PhD, 2015, University of Stirling

 Aiming to make an intervention in both emerging Slow Cinema and classical Trauma Cinema scholarship, this thesis demonstrates the ways in which the post-trauma cinema(more)

Subjects/Keywords: film; Slow Cinema; cinema; Lav Diaz; Philippines; history; memory; trauma; PTSD; concentrationary; terror; extrajudicial killings; torture; rape; post-trauma; Death in the Land of Encantos; Melancholia; Florentina Hubaldo CTE; Trauma Cinema; Janet Walker; Roger Luckhurst; Susannah Radstone; aesthetics; duration; absence; latency period; instantaneity; flashbacks; anxiety; Cathy Caruth; Raya Morag; failed witnessing; Trauma Studies; Philippine Cinema; trauma therapy; sound; silence; framing; ghosts; haunting; Béla Tarr; Tsai Ming-liang; Apichatpong Weerasethakul; Ari Folman; Rithy Panh; Waltz with Bashir; time; long-take; colonialism; oppression; psyche; poverty; Martial Law; l’univers concentrationnaire; hamlets; speed; off-screen space; temporality; power; psychological warfare; mental paralysis; the disappeared; chronic trauma; backstory wounds; repetition; circularity; post-traumatic cinema; death; depletion; ethics; atrocity; painting; landscape painting; Rückenfigur; Chinese painting; accousmêtre; accousmatic; mourning; grief; Slow cinema; Diaz, Lav, 1958- Filmmaker; Motion picture producers and directors Philippines

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mai, N. (2015). The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz. (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/22990

Chicago Manual of Style (16th Edition):

Mai, Nadin. “The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz.” 2015. Doctoral Dissertation, University of Stirling. Accessed March 07, 2021. http://hdl.handle.net/1893/22990.

MLA Handbook (7th Edition):

Mai, Nadin. “The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz.” 2015. Web. 07 Mar 2021.

Vancouver:

Mai N. The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz. [Internet] [Doctoral dissertation]. University of Stirling; 2015. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/1893/22990.

Council of Science Editors:

Mai N. The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz. [Doctoral Dissertation]. University of Stirling; 2015. Available from: http://hdl.handle.net/1893/22990

17. Zhang, Shiya. Does time heal?: cinematic reconstruction of historical trauma in twenty-first century China.

Degree: Department of Pacific and Asian Studies, 2018, University of Victoria

 While the whole world is talking about China’s rise in wealth and power, most focus has been placed on understanding China’s present policies and future… (more)

Subjects/Keywords: China; the Fifth Generation; cinema; historical trauma; Japanese New Wave Cinema

Cinema. As for Chen Kaige, he is now acknowledged as a key Fifth Generation filmmaker who… …Huang tudi, 1984), heralded the beginning of Chinese New Wave Cinema (though this… …Contemporary Cinema (Dangdai dianying).1 Both Chen and Oshima were survivors of national… …trauma, with erratic lived experiences that reflected the social and political upheavals of… …Oshima” (Chen Kaige yu Dadao Zhu duitan), Contemporary Cinema (Dangdai dianying… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zhang, S. (2018). Does time heal?: cinematic reconstruction of historical trauma in twenty-first century China. (Masters Thesis). University of Victoria. Retrieved from https://dspace.library.uvic.ca//handle/1828/9207

Chicago Manual of Style (16th Edition):

Zhang, Shiya. “Does time heal?: cinematic reconstruction of historical trauma in twenty-first century China.” 2018. Masters Thesis, University of Victoria. Accessed March 07, 2021. https://dspace.library.uvic.ca//handle/1828/9207.

MLA Handbook (7th Edition):

Zhang, Shiya. “Does time heal?: cinematic reconstruction of historical trauma in twenty-first century China.” 2018. Web. 07 Mar 2021.

Vancouver:

Zhang S. Does time heal?: cinematic reconstruction of historical trauma in twenty-first century China. [Internet] [Masters thesis]. University of Victoria; 2018. [cited 2021 Mar 07]. Available from: https://dspace.library.uvic.ca//handle/1828/9207.

Council of Science Editors:

Zhang S. Does time heal?: cinematic reconstruction of historical trauma in twenty-first century China. [Masters Thesis]. University of Victoria; 2018. Available from: https://dspace.library.uvic.ca//handle/1828/9207


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

18. Dimoulas, Dimos. From absence to trauma: a study on the representation of the occupation and the civil war in greek films of the period 1946-1989.

Degree: 2017, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

The present thesis undertook to examine how the historical events of the Nazi Occupation and the Greek Civil War were represented in an extensive range… (more)

Subjects/Keywords: Ελληνικός εμφύλιος πόλεμος; Γερμανική κατοχή; Ελληνικός κινηματογράφος; Αναπαράσταση; Τραύμα; Κοινωνιογλωσσολογία; Ιστορία; Νέος ελληνικός κινηματογράφος; Μεταπολιτευτικός κινηματογράφος; Ελληνικός δημοφιλής κινηματογράφος; Modern greek history; German Occupation-Civil War; Film theory; Representation of the past; Trauma; Sociolinguistics; World war II; New greek cinema; Popular greek cinema

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dimoulas, D. (2017). From absence to trauma: a study on the representation of the occupation and the civil war in greek films of the period 1946-1989. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/41354

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dimoulas, Dimos. “From absence to trauma: a study on the representation of the occupation and the civil war in greek films of the period 1946-1989.” 2017. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed March 07, 2021. http://hdl.handle.net/10442/hedi/41354.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dimoulas, Dimos. “From absence to trauma: a study on the representation of the occupation and the civil war in greek films of the period 1946-1989.” 2017. Web. 07 Mar 2021.

Vancouver:

Dimoulas D. From absence to trauma: a study on the representation of the occupation and the civil war in greek films of the period 1946-1989. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2017. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/10442/hedi/41354.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dimoulas D. From absence to trauma: a study on the representation of the occupation and the civil war in greek films of the period 1946-1989. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2017. Available from: http://hdl.handle.net/10442/hedi/41354

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

19. Barnes, Annette. The soundtracks of Australian transcultural cinema: re-sounding the past.

Degree: Arts and Media, 2014, University of New South Wales

 This thesis addresses a gap in current scholarship on Australian cinema by highlighting the role of the soundtrack in what I call an Australian transcultural… (more)

Subjects/Keywords: Sound; Film; Cinema; Soundtrack; Ghost; Haunting; Spectre; Hearing; Listening; Genre; Gothic; Silence; Interview; Sound Designer; Film Soundtrack; Director; Australian Film Industry; Australian Film Bodies; Australian Society; Fetish; Artefact; Australia; Australian Cinema; Australian History; Transcultural; Loss; Trauma; Memory

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barnes, A. (2014). The soundtracks of Australian transcultural cinema: re-sounding the past. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/53725 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12420/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Barnes, Annette. “The soundtracks of Australian transcultural cinema: re-sounding the past.” 2014. Doctoral Dissertation, University of New South Wales. Accessed March 07, 2021. http://handle.unsw.edu.au/1959.4/53725 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12420/SOURCE02?view=true.

MLA Handbook (7th Edition):

Barnes, Annette. “The soundtracks of Australian transcultural cinema: re-sounding the past.” 2014. Web. 07 Mar 2021.

Vancouver:

Barnes A. The soundtracks of Australian transcultural cinema: re-sounding the past. [Internet] [Doctoral dissertation]. University of New South Wales; 2014. [cited 2021 Mar 07]. Available from: http://handle.unsw.edu.au/1959.4/53725 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12420/SOURCE02?view=true.

Council of Science Editors:

Barnes A. The soundtracks of Australian transcultural cinema: re-sounding the past. [Doctoral Dissertation]. University of New South Wales; 2014. Available from: http://handle.unsw.edu.au/1959.4/53725 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12420/SOURCE02?view=true

20. Kelen Martins Andrade. Climatologia e comportamento dos sistemas frontais sobre a América do Sul.

Degree: 2005, Instituto Nacional de Pesquisas Espaciais

Neste estudo foi feita uma climatologia do período de 1980-2002 dos sistemas frontais que afetam o Brasil, em várias áreas, e foram destacados os padrões… (more)

Subjects/Keywords: Ficção brasileira Séc. XX Adaptações para cinema e vídeo Teses.; Cinema e literatura Teses.; Adaptações para o cinema Teses.; Linguagem cinematográfica Teses.; Estrangeiros na literatura Teses.; Trauma craniocerebral/diagnóstico DeCS; Morbidade DeCS; Hemorragia cerebral trumática/complicações DeCS; Técnicas de diagnóstico e procedimentos/tendências DeCS; Radiografia/utilização DeCS; Radiografia/economia DeCS; Estudos prospectivos DeCS; Análise multivariada DeCS; Escala de coma de Glasgow DeCS

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Andrade, K. M. (2005). Climatologia e comportamento dos sistemas frontais sobre a América do Sul. (Thesis). Instituto Nacional de Pesquisas Espaciais. Retrieved from http://urlib.net/sid.inpe.br/jeferson/2005/06.15.17.12

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Andrade, Kelen Martins. “Climatologia e comportamento dos sistemas frontais sobre a América do Sul.” 2005. Thesis, Instituto Nacional de Pesquisas Espaciais. Accessed March 07, 2021. http://urlib.net/sid.inpe.br/jeferson/2005/06.15.17.12.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Andrade, Kelen Martins. “Climatologia e comportamento dos sistemas frontais sobre a América do Sul.” 2005. Web. 07 Mar 2021.

Vancouver:

Andrade KM. Climatologia e comportamento dos sistemas frontais sobre a América do Sul. [Internet] [Thesis]. Instituto Nacional de Pesquisas Espaciais; 2005. [cited 2021 Mar 07]. Available from: http://urlib.net/sid.inpe.br/jeferson/2005/06.15.17.12.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Andrade KM. Climatologia e comportamento dos sistemas frontais sobre a América do Sul. [Thesis]. Instituto Nacional de Pesquisas Espaciais; 2005. Available from: http://urlib.net/sid.inpe.br/jeferson/2005/06.15.17.12

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Dinkelbach, Stefanie. The Legacy (Das Vermächtnis): the role of cultural production in the reprocessing of collective experiences that are equivalent to trauma .

Degree: 2013, National University of Ireland – Galway

 This project attempts to address and raise awareness of a loss of social and emotional connection (Bezugsverlust) that has developed over time in German society… (more)

Subjects/Keywords: Trauma; Post-traumatic growth; Collective memory; Cultural trauma; Trauma cinema; Holocaust; Vergangenheitsbewältigung; Huston School of Film and Digital Media

…experiences of social crises. Since society as a whole repeatedly experienced trauma-like events… …what can be called ‘the reprocessing of collective experiences that are equivalent to trauma… …understanding of trauma in which a personal traumatic experience causes a loss of mental and emotional… …connection, and, in an analogous manner, the macro-scale social effect of such trauma expressed… …collectively, thereby leading to a society that is, as a whole, experiencing something akin to trauma… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dinkelbach, S. (2013). The Legacy (Das Vermächtnis): the role of cultural production in the reprocessing of collective experiences that are equivalent to trauma . (Thesis). National University of Ireland – Galway. Retrieved from http://hdl.handle.net/10379/3752

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dinkelbach, Stefanie. “The Legacy (Das Vermächtnis): the role of cultural production in the reprocessing of collective experiences that are equivalent to trauma .” 2013. Thesis, National University of Ireland – Galway. Accessed March 07, 2021. http://hdl.handle.net/10379/3752.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dinkelbach, Stefanie. “The Legacy (Das Vermächtnis): the role of cultural production in the reprocessing of collective experiences that are equivalent to trauma .” 2013. Web. 07 Mar 2021.

Vancouver:

Dinkelbach S. The Legacy (Das Vermächtnis): the role of cultural production in the reprocessing of collective experiences that are equivalent to trauma . [Internet] [Thesis]. National University of Ireland – Galway; 2013. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/10379/3752.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dinkelbach S. The Legacy (Das Vermächtnis): the role of cultural production in the reprocessing of collective experiences that are equivalent to trauma . [Thesis]. National University of Ireland – Galway; 2013. Available from: http://hdl.handle.net/10379/3752

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

22. Sulek, Nadja. Die Interaktion von Traum- und Traumasequenzen in David Lynchs 'Eraserhead' und 'Mulholland Drive'.

Degree: 2009, University of Vienna

 Eine Traumsequenz charakterisiert sich durch ein zentrales Thema bzw. einen Wunsch. Meist stellt Lynch dieses Zentraltopik innerhalb der ersten 15 Minuten der Filmdauer vor. Die… (more)

Subjects/Keywords: 24.37 Film: Sonstiges; 24.31 Systematische Filmwissenschaft; 24.34 Filmgattungen, Filmsparten; Film / Lynch, David / Filmpsychologie / Filmrezeption / Traum / Trauma / Traumfilm / Trauma-Kino / Psychoanalyse; film / Lynch, David / film psychology / film reception / dream / trauma / dream film / trauma cinema / psychoanalysis

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sulek, N. (2009). Die Interaktion von Traum- und Traumasequenzen in David Lynchs 'Eraserhead' und 'Mulholland Drive'. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/4080/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sulek, Nadja. “Die Interaktion von Traum- und Traumasequenzen in David Lynchs 'Eraserhead' und 'Mulholland Drive'.” 2009. Thesis, University of Vienna. Accessed March 07, 2021. http://othes.univie.ac.at/4080/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sulek, Nadja. “Die Interaktion von Traum- und Traumasequenzen in David Lynchs 'Eraserhead' und 'Mulholland Drive'.” 2009. Web. 07 Mar 2021.

Vancouver:

Sulek N. Die Interaktion von Traum- und Traumasequenzen in David Lynchs 'Eraserhead' und 'Mulholland Drive'. [Internet] [Thesis]. University of Vienna; 2009. [cited 2021 Mar 07]. Available from: http://othes.univie.ac.at/4080/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sulek N. Die Interaktion von Traum- und Traumasequenzen in David Lynchs 'Eraserhead' und 'Mulholland Drive'. [Thesis]. University of Vienna; 2009. Available from: http://othes.univie.ac.at/4080/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Furuiti, Edna. A imagem fundamental e o traumático: possibilidades de sentidos em \"Festa de Família\" e na Trilogia Coração de Ouro, de Lars von Trier.

Degree: Mestrado, Comunicação e Estética do Audivisual, 2003, University of São Paulo

Esta pesquisa associa a enunciação fílmica ao âmbito do traumático e da repetição, procedimento que produz variações que constituem uma imagem fundamental. Esta imagem não… (more)

Subjects/Keywords: Carl-Theodor Dreyer; Carl-Theodor Dreyer; cinema dinamarquês; Danish cinema; Dogma 95; Dogma 95; Hear of Gold Trilogy; Lars von Trier; Lars von Trier; Thomas Vinterberg; Thomas Vinterberg; Trauma; Trauma; Traumatic; Traumático; Trilogia Coração de Ouro

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Furuiti, E. (2003). A imagem fundamental e o traumático: possibilidades de sentidos em \"Festa de Família\" e na Trilogia Coração de Ouro, de Lars von Trier. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27149/tde-08112011-150600/ ;

Chicago Manual of Style (16th Edition):

Furuiti, Edna. “A imagem fundamental e o traumático: possibilidades de sentidos em \"Festa de Família\" e na Trilogia Coração de Ouro, de Lars von Trier.” 2003. Masters Thesis, University of São Paulo. Accessed March 07, 2021. http://www.teses.usp.br/teses/disponiveis/27/27149/tde-08112011-150600/ ;.

MLA Handbook (7th Edition):

Furuiti, Edna. “A imagem fundamental e o traumático: possibilidades de sentidos em \"Festa de Família\" e na Trilogia Coração de Ouro, de Lars von Trier.” 2003. Web. 07 Mar 2021.

Vancouver:

Furuiti E. A imagem fundamental e o traumático: possibilidades de sentidos em \"Festa de Família\" e na Trilogia Coração de Ouro, de Lars von Trier. [Internet] [Masters thesis]. University of São Paulo; 2003. [cited 2021 Mar 07]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27149/tde-08112011-150600/ ;.

Council of Science Editors:

Furuiti E. A imagem fundamental e o traumático: possibilidades de sentidos em \"Festa de Família\" e na Trilogia Coração de Ouro, de Lars von Trier. [Masters Thesis]. University of São Paulo; 2003. Available from: http://www.teses.usp.br/teses/disponiveis/27/27149/tde-08112011-150600/ ;


University of Lethbridge

24. University of Lethbridge. Faculty of Arts and Science. Transformative filmmaking in resettlement : refugees addressing acculturation gaps, concordance, and cohesion in Canada .

Degree: 2016, University of Lethbridge

 This research looks at the potential of community film-making as an acculturation resource for use by resettling refugees. It explores the questions: How does participatory… (more)

Subjects/Keywords: migration; Acculturation; Integration; acculturation gaps; acculturative family distancing (AFD); diversity; community cohesion; social capital; visual ethnography; Participatory Action Research; Community Filmmaking for Acculturation Purposes (CFAP); community cinema; indigenous cinema; cultural trauma; culture shock; community development; intercultural relations; cross-cultural relations; social investment; social cohesion; sociology of migration; sociology of media and migration; refugee integration; refugee resettlement; Acculturation Concordance; refugee; settlement services; multiculturalism

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Science, U. o. L. F. o. A. a. (2016). Transformative filmmaking in resettlement : refugees addressing acculturation gaps, concordance, and cohesion in Canada . (Thesis). University of Lethbridge. Retrieved from http://hdl.handle.net/10133/4494

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Science, University of Lethbridge. Faculty of Arts and. “Transformative filmmaking in resettlement : refugees addressing acculturation gaps, concordance, and cohesion in Canada .” 2016. Thesis, University of Lethbridge. Accessed March 07, 2021. http://hdl.handle.net/10133/4494.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Science, University of Lethbridge. Faculty of Arts and. “Transformative filmmaking in resettlement : refugees addressing acculturation gaps, concordance, and cohesion in Canada .” 2016. Web. 07 Mar 2021.

Vancouver:

Science UoLFoAa. Transformative filmmaking in resettlement : refugees addressing acculturation gaps, concordance, and cohesion in Canada . [Internet] [Thesis]. University of Lethbridge; 2016. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/10133/4494.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Science UoLFoAa. Transformative filmmaking in resettlement : refugees addressing acculturation gaps, concordance, and cohesion in Canada . [Thesis]. University of Lethbridge; 2016. Available from: http://hdl.handle.net/10133/4494

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Michigan

25. Colleoni, Federica. Political Violence and National Identity: Trauma, Spectrality and Allegory in Contemporary Italian Film and Literature.

Degree: PhD, Romance Languages & Literatures: Italian, 2010, University of Michigan

 My dissertation investigates how the traumatic phenomenon of political violence in Italy has been narrated in novels and represented in films. My aim is to… (more)

Subjects/Keywords: Violenza Politica; Spettralita'; Trauma; Allegoria; Letteratura Italiana; Cinema Italiano; Romance Languages and Literature; Humanities

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Colleoni, F. (2010). Political Violence and National Identity: Trauma, Spectrality and Allegory in Contemporary Italian Film and Literature. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/78833

Chicago Manual of Style (16th Edition):

Colleoni, Federica. “Political Violence and National Identity: Trauma, Spectrality and Allegory in Contemporary Italian Film and Literature.” 2010. Doctoral Dissertation, University of Michigan. Accessed March 07, 2021. http://hdl.handle.net/2027.42/78833.

MLA Handbook (7th Edition):

Colleoni, Federica. “Political Violence and National Identity: Trauma, Spectrality and Allegory in Contemporary Italian Film and Literature.” 2010. Web. 07 Mar 2021.

Vancouver:

Colleoni F. Political Violence and National Identity: Trauma, Spectrality and Allegory in Contemporary Italian Film and Literature. [Internet] [Doctoral dissertation]. University of Michigan; 2010. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/2027.42/78833.

Council of Science Editors:

Colleoni F. Political Violence and National Identity: Trauma, Spectrality and Allegory in Contemporary Italian Film and Literature. [Doctoral Dissertation]. University of Michigan; 2010. Available from: http://hdl.handle.net/2027.42/78833


Université de Montréal

26. Babin, Stéphanie. L'enfant au cinéma : la condition tragique d'une figure traumatique.

Degree: 2016, Université de Montréal

Subjects/Keywords: Cinéma; Enfant; Tragique; Trauma; Figure; Child; Tragic; Image; Communications and the Arts - Cinema / Communications et les arts - Cinéma (UMI : 0900)

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Babin, S. (2016). L'enfant au cinéma : la condition tragique d'une figure traumatique. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/13723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Babin, Stéphanie. “L'enfant au cinéma : la condition tragique d'une figure traumatique.” 2016. Thesis, Université de Montréal. Accessed March 07, 2021. http://hdl.handle.net/1866/13723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Babin, Stéphanie. “L'enfant au cinéma : la condition tragique d'une figure traumatique.” 2016. Web. 07 Mar 2021.

Vancouver:

Babin S. L'enfant au cinéma : la condition tragique d'une figure traumatique. [Internet] [Thesis]. Université de Montréal; 2016. [cited 2021 Mar 07]. Available from: http://hdl.handle.net/1866/13723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Babin S. L'enfant au cinéma : la condition tragique d'une figure traumatique. [Thesis]. Université de Montréal; 2016. Available from: http://hdl.handle.net/1866/13723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Kang, Kai. Beyond New Waves: Gender and Sexuality in Sinophone Women's Cinema from the 1980s to the 2000s.

Degree: Comparative Literature, 2015, University of California – Riverside

 My dissertation bridges Chinese film studies, Sinophone studies, transnational feminism, and gender and sexuality studies through a comparative study of women's cinema in post-1976 China,… (more)

Subjects/Keywords: Comparative literature; Gender studies; Gender and Sexuality Studies; Sinophone Women's Cinema; Trauma Studies

…and the rules of international cinema. Chapter Four ―Spider Lilies: Tattoo My Trauma, Tattoo… …Breaching the Law of the Father 78 Chapter Four Spider Lilies: Tattoo My Trauma, Tattoo My… …sexualities in Sinophone Women‘s cinema from the 1980s to the 2000s reflects my personal… …intellectual endeavor to bridge the areas of Sinophone studies, Chinese cinema studies, gender and… …sexuality studies, and trauma studies. Growing up in post-Mao China, I have witnessed the changing… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kang, K. (2015). Beyond New Waves: Gender and Sexuality in Sinophone Women's Cinema from the 1980s to the 2000s. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/4h13x81f

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kang, Kai. “Beyond New Waves: Gender and Sexuality in Sinophone Women's Cinema from the 1980s to the 2000s.” 2015. Thesis, University of California – Riverside. Accessed March 07, 2021. http://www.escholarship.org/uc/item/4h13x81f.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kang, Kai. “Beyond New Waves: Gender and Sexuality in Sinophone Women's Cinema from the 1980s to the 2000s.” 2015. Web. 07 Mar 2021.

Vancouver:

Kang K. Beyond New Waves: Gender and Sexuality in Sinophone Women's Cinema from the 1980s to the 2000s. [Internet] [Thesis]. University of California – Riverside; 2015. [cited 2021 Mar 07]. Available from: http://www.escholarship.org/uc/item/4h13x81f.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kang K. Beyond New Waves: Gender and Sexuality in Sinophone Women's Cinema from the 1980s to the 2000s. [Thesis]. University of California – Riverside; 2015. Available from: http://www.escholarship.org/uc/item/4h13x81f

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Barnes, Christopher. Mediating Terror: Filmic Responses to September 11th, 2001, and the "War on Terror".

Degree: MA, English/Literature, 2012, Bowling Green State University

 This thesis applies both postcolonial and trauma theory to explore filmic responses to September 11th and the “War on Terror.” I examine the Hollywood films… (more)

Subjects/Keywords: Film Studies; POSTCOLONIALISM; 9/11; SEPTEMBER 11TH; TERRORISM AND CINEMA; TRAUMA STUDIES; FILM STUDIES

…stylistically conservative form of ‘dominant cinema according to Robert Stam and Ella Shohat… …of postcolonial theory and trauma theory – a combination which I believe offers an… …Trade Center (Oliver Stone, 2006) to establish how dominant Western cinema… …mediation of postcolonial and trauma theory discourses, I formulate my theoretical approach to… …for both critiquing Eurocentric terrorism discourses and also understanding how the trauma… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barnes, C. (2012). Mediating Terror: Filmic Responses to September 11th, 2001, and the "War on Terror". (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1341932373

Chicago Manual of Style (16th Edition):

Barnes, Christopher. “Mediating Terror: Filmic Responses to September 11th, 2001, and the "War on Terror".” 2012. Masters Thesis, Bowling Green State University. Accessed March 07, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1341932373.

MLA Handbook (7th Edition):

Barnes, Christopher. “Mediating Terror: Filmic Responses to September 11th, 2001, and the "War on Terror".” 2012. Web. 07 Mar 2021.

Vancouver:

Barnes C. Mediating Terror: Filmic Responses to September 11th, 2001, and the "War on Terror". [Internet] [Masters thesis]. Bowling Green State University; 2012. [cited 2021 Mar 07]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1341932373.

Council of Science Editors:

Barnes C. Mediating Terror: Filmic Responses to September 11th, 2001, and the "War on Terror". [Masters Thesis]. Bowling Green State University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1341932373

29. Minguez-Cunningham, Caroline. Évolution des droits de l'homme aux États-Unis : étude des notions d'esclavagisme et de traumatisme culturel et du mouvement abolitionniste à travers trois représentations cinématographiques : the Birth of a Nation, de D. W. Griffith, (1915), Amistad, de Steven Spielberg, (1997) et The Help de Tate Taylor,(2011) : Civil rights evolutions in the United States : a study of the notions of slavery, cultural trauma and the abolitionist movement through three film representations : the Birth of a Nation (D. W. Griffith, 1915), Amistad (S. Spielberg, 1997) and The Help (T. Taylor, 2011).

Degree: Docteur es, Etudes transculturelles, 2015, Université Jean Moulin – Lyon III

 La thématique de l’esclavage aux États-Unis nous a toujours interpellés, interrogés et nous a toujours donné envie d’en savoir plus et de comprendre comment un… (more)

Subjects/Keywords: Esclavage; Cinéma; Traumatisme culturel; Représentation cinématographique; Abolition; Mouvement abolitionniste; Films; Steven Spielberg; Tate Taylor; D. W. Griffith; Amistad; The Help; The Birth of a Nation; Ron Eyerman; Droits civiques; Slavery; Cinema; Cultural trauma; Cinematographic representation; Abolition; Abolitionist movement; Films; Steven Spielberg; Tate Taylor; D. W. Griffith; Amistad; The Help; The Birth of a Nation; Ron Eyerman; Civil rights; 970; 790; 300

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Minguez-Cunningham, C. (2015). Évolution des droits de l'homme aux États-Unis : étude des notions d'esclavagisme et de traumatisme culturel et du mouvement abolitionniste à travers trois représentations cinématographiques : the Birth of a Nation, de D. W. Griffith, (1915), Amistad, de Steven Spielberg, (1997) et The Help de Tate Taylor,(2011) : Civil rights evolutions in the United States : a study of the notions of slavery, cultural trauma and the abolitionist movement through three film representations : the Birth of a Nation (D. W. Griffith, 1915), Amistad (S. Spielberg, 1997) and The Help (T. Taylor, 2011). (Doctoral Dissertation). Université Jean Moulin – Lyon III. Retrieved from http://www.theses.fr/2015LYO30014

Chicago Manual of Style (16th Edition):

Minguez-Cunningham, Caroline. “Évolution des droits de l'homme aux États-Unis : étude des notions d'esclavagisme et de traumatisme culturel et du mouvement abolitionniste à travers trois représentations cinématographiques : the Birth of a Nation, de D. W. Griffith, (1915), Amistad, de Steven Spielberg, (1997) et The Help de Tate Taylor,(2011) : Civil rights evolutions in the United States : a study of the notions of slavery, cultural trauma and the abolitionist movement through three film representations : the Birth of a Nation (D. W. Griffith, 1915), Amistad (S. Spielberg, 1997) and The Help (T. Taylor, 2011).” 2015. Doctoral Dissertation, Université Jean Moulin – Lyon III. Accessed March 07, 2021. http://www.theses.fr/2015LYO30014.

MLA Handbook (7th Edition):

Minguez-Cunningham, Caroline. “Évolution des droits de l'homme aux États-Unis : étude des notions d'esclavagisme et de traumatisme culturel et du mouvement abolitionniste à travers trois représentations cinématographiques : the Birth of a Nation, de D. W. Griffith, (1915), Amistad, de Steven Spielberg, (1997) et The Help de Tate Taylor,(2011) : Civil rights evolutions in the United States : a study of the notions of slavery, cultural trauma and the abolitionist movement through three film representations : the Birth of a Nation (D. W. Griffith, 1915), Amistad (S. Spielberg, 1997) and The Help (T. Taylor, 2011).” 2015. Web. 07 Mar 2021.

Vancouver:

Minguez-Cunningham C. Évolution des droits de l'homme aux États-Unis : étude des notions d'esclavagisme et de traumatisme culturel et du mouvement abolitionniste à travers trois représentations cinématographiques : the Birth of a Nation, de D. W. Griffith, (1915), Amistad, de Steven Spielberg, (1997) et The Help de Tate Taylor,(2011) : Civil rights evolutions in the United States : a study of the notions of slavery, cultural trauma and the abolitionist movement through three film representations : the Birth of a Nation (D. W. Griffith, 1915), Amistad (S. Spielberg, 1997) and The Help (T. Taylor, 2011). [Internet] [Doctoral dissertation]. Université Jean Moulin – Lyon III; 2015. [cited 2021 Mar 07]. Available from: http://www.theses.fr/2015LYO30014.

Council of Science Editors:

Minguez-Cunningham C. Évolution des droits de l'homme aux États-Unis : étude des notions d'esclavagisme et de traumatisme culturel et du mouvement abolitionniste à travers trois représentations cinématographiques : the Birth of a Nation, de D. W. Griffith, (1915), Amistad, de Steven Spielberg, (1997) et The Help de Tate Taylor,(2011) : Civil rights evolutions in the United States : a study of the notions of slavery, cultural trauma and the abolitionist movement through three film representations : the Birth of a Nation (D. W. Griffith, 1915), Amistad (S. Spielberg, 1997) and The Help (T. Taylor, 2011). [Doctoral Dissertation]. Université Jean Moulin – Lyon III; 2015. Available from: http://www.theses.fr/2015LYO30014

30. Levi, Dejan. Negotiating Tropes of Madness: Trauma and Identity in Post-Yugoslav Cinemas.

Degree: 2014, University of Manchester

 This thesis examines how madness has been used in post-Yugoslav cinemas to facilitate thinking about experiences of the break-up of the SFRY throughout the 1990s… (more)

Subjects/Keywords: Film studies; post-Yugoslav cinema; Madness; Trauma; Yugoslavia; Identity; Serbia; Montenegro; Croatia; Kosovo; Bosnia and Herzegovina; Macedonia; Slovenia

…special interest in the cinema of former Yugoslavia and its successor states. My academic… …genre cinema in the post-Milošević years. It was at this time that I became interested in… …worked as an NCTJ-qualified journalist. 9 Chapter 1: Introducing tropes of madness: trauma… …arts. Cinema too, even from its early roots, abounds with evidence that it would become the… …art form with the greatest attachment to madness. The early silent cinema classic, The… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Levi, D. (2014). Negotiating Tropes of Madness: Trauma and Identity in Post-Yugoslav Cinemas. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:219752

Chicago Manual of Style (16th Edition):

Levi, Dejan. “Negotiating Tropes of Madness: Trauma and Identity in Post-Yugoslav Cinemas.” 2014. Doctoral Dissertation, University of Manchester. Accessed March 07, 2021. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:219752.

MLA Handbook (7th Edition):

Levi, Dejan. “Negotiating Tropes of Madness: Trauma and Identity in Post-Yugoslav Cinemas.” 2014. Web. 07 Mar 2021.

Vancouver:

Levi D. Negotiating Tropes of Madness: Trauma and Identity in Post-Yugoslav Cinemas. [Internet] [Doctoral dissertation]. University of Manchester; 2014. [cited 2021 Mar 07]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:219752.

Council of Science Editors:

Levi D. Negotiating Tropes of Madness: Trauma and Identity in Post-Yugoslav Cinemas. [Doctoral Dissertation]. University of Manchester; 2014. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:219752

[1] [2]

.