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You searched for subject:(Total Reality). Showing records 1 – 5 of 5 total matches.

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University of Western Ontario

1. Tony, Arezoo. WebGL-Based Simulation of Bone Removal in Surgical Orthopeadic Procedures.

Degree: 2016, University of Western Ontario

 The effective role of virtual reality simulators in surgical operations has been demonstrated during the last decades. The proposed work has been done to give… (more)

Subjects/Keywords: Total shoulder arthroplasty; WebGL; virtual reality simulators; CSG; mesh Boolean operation; Collision detection; Other Computer Engineering

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tony, A. (2016). WebGL-Based Simulation of Bone Removal in Surgical Orthopeadic Procedures. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/4043

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tony, Arezoo. “WebGL-Based Simulation of Bone Removal in Surgical Orthopeadic Procedures.” 2016. Thesis, University of Western Ontario. Accessed October 23, 2019. https://ir.lib.uwo.ca/etd/4043.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tony, Arezoo. “WebGL-Based Simulation of Bone Removal in Surgical Orthopeadic Procedures.” 2016. Web. 23 Oct 2019.

Vancouver:

Tony A. WebGL-Based Simulation of Bone Removal in Surgical Orthopeadic Procedures. [Internet] [Thesis]. University of Western Ontario; 2016. [cited 2019 Oct 23]. Available from: https://ir.lib.uwo.ca/etd/4043.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tony A. WebGL-Based Simulation of Bone Removal in Surgical Orthopeadic Procedures. [Thesis]. University of Western Ontario; 2016. Available from: https://ir.lib.uwo.ca/etd/4043

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Nechvatal, Jospeh. Immersive ideals/critical distances : a study of the affinity between artistic ideologies based in virtual reality and previous immersive idioms.

Degree: PhD, 1999, University of South Wales

 My research into Virtual Reality technology and its central property of immersion has indicated that immersion in Virtual Reality (VR) electronic systems is a significant… (more)

Subjects/Keywords: Interactive art; Immersion; total-immersion; Virtual Reality; VR

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nechvatal, J. (1999). Immersive ideals/critical distances : a study of the affinity between artistic ideologies based in virtual reality and previous immersive idioms. (Doctoral Dissertation). University of South Wales. Retrieved from https://pure.southwales.ac.uk/en/studentthesis/immersive-ideals – critical-distances(da015b14-2ee9-4d37-ad31-0b3f8ab7dda5).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749630

Chicago Manual of Style (16th Edition):

Nechvatal, Jospeh. “Immersive ideals/critical distances : a study of the affinity between artistic ideologies based in virtual reality and previous immersive idioms.” 1999. Doctoral Dissertation, University of South Wales. Accessed October 23, 2019. https://pure.southwales.ac.uk/en/studentthesis/immersive-ideals – critical-distances(da015b14-2ee9-4d37-ad31-0b3f8ab7dda5).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749630.

MLA Handbook (7th Edition):

Nechvatal, Jospeh. “Immersive ideals/critical distances : a study of the affinity between artistic ideologies based in virtual reality and previous immersive idioms.” 1999. Web. 23 Oct 2019.

Vancouver:

Nechvatal J. Immersive ideals/critical distances : a study of the affinity between artistic ideologies based in virtual reality and previous immersive idioms. [Internet] [Doctoral dissertation]. University of South Wales; 1999. [cited 2019 Oct 23]. Available from: https://pure.southwales.ac.uk/en/studentthesis/immersive-ideals – critical-distances(da015b14-2ee9-4d37-ad31-0b3f8ab7dda5).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749630.

Council of Science Editors:

Nechvatal J. Immersive ideals/critical distances : a study of the affinity between artistic ideologies based in virtual reality and previous immersive idioms. [Doctoral Dissertation]. University of South Wales; 1999. Available from: https://pure.southwales.ac.uk/en/studentthesis/immersive-ideals – critical-distances(da015b14-2ee9-4d37-ad31-0b3f8ab7dda5).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749630

3. Oagaz, Hawkar Ali. An Investigation of Measuring Energy and Power During Walking on Slopes Using Foot Mounted Inertial Magnetic sensors.

Degree: Master of Computer Science, Computer Science & Software Engineering, 2017, Miami University

 To more fully immerse users in virtual environments, the use of a natural walking locomotion interface has been shown to be superior in simulating natural… (more)

Subjects/Keywords: Computer Science; virtual reality; simulating slope; total mechanical energy; inertial magnetic sensor

…velocity changes in virtual reality In table (3.1) the total summery of the synthetic… …Virtual reality can create immersive environments that provide us with the opportunity to… …virtual reality could increase the feeling of fully immersed in VR [3]. However… …Total mechanical energy consists from kinetic energy and potential energy. Kinetic energy… …work/total energy and power. Previous work related to simulating slope in virtual… 

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APA (6th Edition):

Oagaz, H. A. (2017). An Investigation of Measuring Energy and Power During Walking on Slopes Using Foot Mounted Inertial Magnetic sensors. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1501177386277178

Chicago Manual of Style (16th Edition):

Oagaz, Hawkar Ali. “An Investigation of Measuring Energy and Power During Walking on Slopes Using Foot Mounted Inertial Magnetic sensors.” 2017. Masters Thesis, Miami University. Accessed October 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1501177386277178.

MLA Handbook (7th Edition):

Oagaz, Hawkar Ali. “An Investigation of Measuring Energy and Power During Walking on Slopes Using Foot Mounted Inertial Magnetic sensors.” 2017. Web. 23 Oct 2019.

Vancouver:

Oagaz HA. An Investigation of Measuring Energy and Power During Walking on Slopes Using Foot Mounted Inertial Magnetic sensors. [Internet] [Masters thesis]. Miami University; 2017. [cited 2019 Oct 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1501177386277178.

Council of Science Editors:

Oagaz HA. An Investigation of Measuring Energy and Power During Walking on Slopes Using Foot Mounted Inertial Magnetic sensors. [Masters Thesis]. Miami University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1501177386277178


University of South Africa

4. Smith, Theo George. Ondersoek na die betekenis van goddelike openbaringskennis en werklikheidsbeelde vir die begeleiding van die mens.

Degree: 1998, University of South Africa

 Hierdie navorsing belig en evalueer die ontwikkeling van die belangrikste wereldbeskouinge binne die Westerse kultuur deur op noodsaaklike interaksies tussen die filosofie, religie, wetenskap en… (more)

Subjects/Keywords: Goddelike openbaringskennis; Berekende en besinnende denke; Totale Werklikheid; Postmodern; Metaparadigmatiese benadering; Vertroue en geloof; Begeleiding; Werklikbeidsbeelde; Godlike revelation; Calculative and reflective thinking; Total Reality; Trust and faith; Reality images; Postmodern; Accompaniment; Metaparadigmatic approach

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smith, T. G. (1998). Ondersoek na die betekenis van goddelike openbaringskennis en werklikheidsbeelde vir die begeleiding van die mens. (Doctoral Dissertation). University of South Africa. Retrieved from http://hdl.handle.net/10500/16073

Chicago Manual of Style (16th Edition):

Smith, Theo George. “Ondersoek na die betekenis van goddelike openbaringskennis en werklikheidsbeelde vir die begeleiding van die mens.” 1998. Doctoral Dissertation, University of South Africa. Accessed October 23, 2019. http://hdl.handle.net/10500/16073.

MLA Handbook (7th Edition):

Smith, Theo George. “Ondersoek na die betekenis van goddelike openbaringskennis en werklikheidsbeelde vir die begeleiding van die mens.” 1998. Web. 23 Oct 2019.

Vancouver:

Smith TG. Ondersoek na die betekenis van goddelike openbaringskennis en werklikheidsbeelde vir die begeleiding van die mens. [Internet] [Doctoral dissertation]. University of South Africa; 1998. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10500/16073.

Council of Science Editors:

Smith TG. Ondersoek na die betekenis van goddelike openbaringskennis en werklikheidsbeelde vir die begeleiding van die mens. [Doctoral Dissertation]. University of South Africa; 1998. Available from: http://hdl.handle.net/10500/16073


Brno University of Technology

5. Hýl, Petr. Slovinské národní divadlo v Lublani .

Degree: 2009, Brno University of Technology

SLOVINSKÉ NÁRODNÍ DIVADLO V LUBLANI Autorská zpráva k diplomové práci Bc. Petr Hýl vedoucí práce: doc. ing. arch. Zdeněk Makovský; SLOVENE NATIONAL THEATRE IN LJUBLJANA Author Report Of The Diploma Work Author: Bc. Petr Hýl Supervisor: doc. ing. arch. Zdeněk Makovský Advisors/Committee Members: Makovský, Zdeněk (advisor).

Subjects/Keywords: DIVADLO Divadelní umění je staré jako lidstvo samo. Za dobu své existence prošlo dlouhým a barvitým vývojem; z něhož jsme zmapovali zřejmě jen malou část. Požadavek činoherního divadla a přítomnost dalších klasických divadel ve městě vedlo k inspiraci divadlem řeckým; japonským; středověkým; alžbětinským; totálním; osvobozeným; arénovým. Moderní budova činohry národního divadla se nemůže spoléhat pouze na klasická schémata; i když i ta mohou být požadována. Návrh reflektuje divadlo především jako místo střetnutí dvou protichůdných světů; světa reálného; v němž žijeme; a světa zidealizovaného; přetvořeného; který vídáme na jevišti; světa skutečnosti a jejího obrazu; světa tragédie a komedie; světa skutečných tváří herců a jejich masek; jejich skutečných osobností a jejich rolí; světa skutečných věcí a kulis; světa prostorového a plošně zjednodušeného. Také dva základní protichůdné pohledy na divadelní umění jako na svět ideální; pompézní; výchovný; poučný a zábavný a na divadlo jako nemilosrdné zrcadlo našeho života; subjektivní; věrné či sarkastické; i rozpor těchto dvou chápání divadla můžeme zahrnout mezi divadelní dvojakosti. BUDOVA Nová budova divadla chce být zhmotněním dialogu; základního stavebního prvku divadelní tvorby; kterým Aischylos povýšil do té doby všeplatné zpěvné a taneční rituály na skutečné drama. Dialog spolu vedou dvě protichůdné formy – budova divadla a její prázdný otisk – veřejné prostranství. Klasifikace dialog a monolog se stává subjektivní; uvažujeme-li za druhý subjekt prázdno. Tato představa dodává úvaze existenciální náboj. Samotné dvě formy – plná a prázdná – mají kromě parafráze divadelní protichůdnosti; pověstného rozhraní dvou světů; přesah do mnoha dalších oblastí života – podobně jako samotné divadlo. Tvar budovy - zužující a zvyšující se hmota - vznikl spolu s prostranstvím spontánně jako asociace doplňkovosti. Tento tvar však reaguje kromě urbanistických a provozních návazností také na ideu moderního divadla; které by mělo být proměnlivé a dynamické. Vzletný tvar budovy zhmotňuje nejen tuto abstraktní dynamiku; ale je také intuitivním přepisem dynamiky hereckého projevu; přetlaku energie sršící z člověka; nepostradatelné nejen k hereckému výkonu; ale také ke všem lidským tvůrčím činnostem.; THEATRE Dramatic art is as old as human society. During its existence it has passed through long and colourful evolution which we charted probably only really partially. Requierement of a drama theatre and presence of another classical thetre buildings in the town caused an inspiration by Greek; Japonese; medieval; Elizabethan; Total; Exempt or arena theatre. A modern bulding of national drama theatre can´t depend of only calssical schemes; though even those could be reguired. The project reflect theatre first of all as a place of a battle of two contradictory worlds; a real world which we live in it; and an ideal; transformated world which we use to see on a stage; a world of reality and a world of its reflex; a world of tragedy and a of comedy; a world of existing faces of actors and a world of their masks; their real personalities and their parts; a world of true things and a world od scenes; a three-dimensional world and a 2D-simplified world. Also the two contradictory views of dramatic art; the first one as an ideal world; pompous; educational; instructive and funy and the second as a merciless mirror of our own lifes; subjective; authentic or caustic; so even this discrepancy of those two different opinions of theatre we could add in the theatre duplicity. BUILDING The new theatre building wants to be an objectification of a dialog; which is the basic structural element of dramatic production; whith which Aischylos sublimated singing and dancig rituals which were of binding force in that times to a real drama. This dialog is runned by two antagonistic forms – the theatre building and its empty impression – a public space. Established classification of dialog and monolog becomes subjective; if we suppose an emptiness as the second object. This idea gives our meditation an existencial character a bit. The two forms by themselves – the full one and the empty one –except of an imitation of theatre dialectics; a proverbial boundery-line of two worlds; also transcend into many other spheres of human life – analogous to a theatre. The shape of the building – a diminished and raising mass – has arised within the open space spontaneously as an association of complementing. But this shape – except other urbanistic and functional sequences - also reacts to an ide of modern theatre; which should be variable and dynamic. The poetic shape of the building not only materializes thist abstract dynamism but it is also an intuitive transscription of dynamism of an actor´s manifestation; an overpressure of human energy which is indispensable not only for a performance but also for all human creative activities.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hýl, P. (2009). Slovinské národní divadlo v Lublani . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/3455

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hýl, Petr. “Slovinské národní divadlo v Lublani .” 2009. Thesis, Brno University of Technology. Accessed October 23, 2019. http://hdl.handle.net/11012/3455.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hýl, Petr. “Slovinské národní divadlo v Lublani .” 2009. Web. 23 Oct 2019.

Vancouver:

Hýl P. Slovinské národní divadlo v Lublani . [Internet] [Thesis]. Brno University of Technology; 2009. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/11012/3455.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hýl P. Slovinské národní divadlo v Lublani . [Thesis]. Brno University of Technology; 2009. Available from: http://hdl.handle.net/11012/3455

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.