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You searched for subject:(Tonality). Showing records 1 – 30 of 93 total matches.

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University of Otago

1. Swindells, Rachel Mary. Tonality, Functionality and Beethovenian Form in the Late Instrumental Works of César Franck .

Degree: 2012, University of Otago

 After Beethoven’s compositional achievements, particularly those of his late period, nineteenth-century composers drew on his ideas in many different ways. The harmonic language of music… (more)

Subjects/Keywords: Franck; Tonality

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APA (6th Edition):

Swindells, R. M. (2012). Tonality, Functionality and Beethovenian Form in the Late Instrumental Works of César Franck . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/2365

Chicago Manual of Style (16th Edition):

Swindells, Rachel Mary. “Tonality, Functionality and Beethovenian Form in the Late Instrumental Works of César Franck .” 2012. Doctoral Dissertation, University of Otago. Accessed June 16, 2019. http://hdl.handle.net/10523/2365.

MLA Handbook (7th Edition):

Swindells, Rachel Mary. “Tonality, Functionality and Beethovenian Form in the Late Instrumental Works of César Franck .” 2012. Web. 16 Jun 2019.

Vancouver:

Swindells RM. Tonality, Functionality and Beethovenian Form in the Late Instrumental Works of César Franck . [Internet] [Doctoral dissertation]. University of Otago; 2012. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10523/2365.

Council of Science Editors:

Swindells RM. Tonality, Functionality and Beethovenian Form in the Late Instrumental Works of César Franck . [Doctoral Dissertation]. University of Otago; 2012. Available from: http://hdl.handle.net/10523/2365


University of British Columbia

2. Morrison, Charles Douglas. Interactions of conventional and nonconventional tonal determinants in the string quartets of Béla Bartók .

Degree: 1987, University of British Columbia

 Although there exists substantial literature on Béla Bartók's music, few sources address his tonal language in a penetrating, analytical way. Analyses often lack precision in… (more)

Subjects/Keywords: Tonality

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APA (6th Edition):

Morrison, C. D. (1987). Interactions of conventional and nonconventional tonal determinants in the string quartets of Béla Bartók . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/27460

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morrison, Charles Douglas. “Interactions of conventional and nonconventional tonal determinants in the string quartets of Béla Bartók .” 1987. Thesis, University of British Columbia. Accessed June 16, 2019. http://hdl.handle.net/2429/27460.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morrison, Charles Douglas. “Interactions of conventional and nonconventional tonal determinants in the string quartets of Béla Bartók .” 1987. Web. 16 Jun 2019.

Vancouver:

Morrison CD. Interactions of conventional and nonconventional tonal determinants in the string quartets of Béla Bartók . [Internet] [Thesis]. University of British Columbia; 1987. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2429/27460.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morrison CD. Interactions of conventional and nonconventional tonal determinants in the string quartets of Béla Bartók . [Thesis]. University of British Columbia; 1987. Available from: http://hdl.handle.net/2429/27460

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Daynes, Helen. Listeners' perceptual and emotional responses to tonal and atonal music.

Degree: 2007, University of Hull

 This thesis examines listeners' responses to tonal and atonal music through a combined model that encompasses music perception theories such as the cue abstraction mechanism,… (more)

Subjects/Keywords: 781.26; Music; Tonality

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APA (6th Edition):

Daynes, H. (2007). Listeners' perceptual and emotional responses to tonal and atonal music. (Doctoral Dissertation). University of Hull. Retrieved from http://hydra.hull.ac.uk/resources/hull:753 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494864

Chicago Manual of Style (16th Edition):

Daynes, Helen. “Listeners' perceptual and emotional responses to tonal and atonal music.” 2007. Doctoral Dissertation, University of Hull. Accessed June 16, 2019. http://hydra.hull.ac.uk/resources/hull:753 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494864.

MLA Handbook (7th Edition):

Daynes, Helen. “Listeners' perceptual and emotional responses to tonal and atonal music.” 2007. Web. 16 Jun 2019.

Vancouver:

Daynes H. Listeners' perceptual and emotional responses to tonal and atonal music. [Internet] [Doctoral dissertation]. University of Hull; 2007. [cited 2019 Jun 16]. Available from: http://hydra.hull.ac.uk/resources/hull:753 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494864.

Council of Science Editors:

Daynes H. Listeners' perceptual and emotional responses to tonal and atonal music. [Doctoral Dissertation]. University of Hull; 2007. Available from: http://hydra.hull.ac.uk/resources/hull:753 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494864


University of South Africa

4. Du Plessis, Stephen James. Olivier Messiaen's concept of tonality.

Degree: 1998, University of South Africa

 The dissertation identifies three types of tonality: scalicfmodal, melodic, and harmonic. Scalic/modal tonality and melodic tonality are known to have been existent in Antiquity. Messiaen… (more)

Subjects/Keywords: Messiaen, O.; Tonality; Modal tonality; Scalic tonality; Melodic tonality; Harmonic tonality; Expanded tonality

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APA (6th Edition):

Du Plessis, S. J. (1998). Olivier Messiaen's concept of tonality. (Masters Thesis). University of South Africa. Retrieved from http://hdl.handle.net/10500/16695

Chicago Manual of Style (16th Edition):

Du Plessis, Stephen James. “Olivier Messiaen's concept of tonality.” 1998. Masters Thesis, University of South Africa. Accessed June 16, 2019. http://hdl.handle.net/10500/16695.

MLA Handbook (7th Edition):

Du Plessis, Stephen James. “Olivier Messiaen's concept of tonality.” 1998. Web. 16 Jun 2019.

Vancouver:

Du Plessis SJ. Olivier Messiaen's concept of tonality. [Internet] [Masters thesis]. University of South Africa; 1998. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10500/16695.

Council of Science Editors:

Du Plessis SJ. Olivier Messiaen's concept of tonality. [Masters Thesis]. University of South Africa; 1998. Available from: http://hdl.handle.net/10500/16695


The Ohio State University

5. Lohman, Peter Nathan. Schoenberg's atonal procedures : a non-serial analytic approach to the instrumental works, 1908-1921.

Degree: PhD, Graduate School, 1981, The Ohio State University

Subjects/Keywords: Music; Tonality

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APA (6th Edition):

Lohman, P. N. (1981). Schoenberg's atonal procedures : a non-serial analytic approach to the instrumental works, 1908-1921. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu148715601300574

Chicago Manual of Style (16th Edition):

Lohman, Peter Nathan. “Schoenberg's atonal procedures : a non-serial analytic approach to the instrumental works, 1908-1921.” 1981. Doctoral Dissertation, The Ohio State University. Accessed June 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu148715601300574.

MLA Handbook (7th Edition):

Lohman, Peter Nathan. “Schoenberg's atonal procedures : a non-serial analytic approach to the instrumental works, 1908-1921.” 1981. Web. 16 Jun 2019.

Vancouver:

Lohman PN. Schoenberg's atonal procedures : a non-serial analytic approach to the instrumental works, 1908-1921. [Internet] [Doctoral dissertation]. The Ohio State University; 1981. [cited 2019 Jun 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu148715601300574.

Council of Science Editors:

Lohman PN. Schoenberg's atonal procedures : a non-serial analytic approach to the instrumental works, 1908-1921. [Doctoral Dissertation]. The Ohio State University; 1981. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu148715601300574


The Ohio State University

6. Kosar, Anthony Jay. François-Joseph Fetis' theory of chromaticism and early ninteenth century music.

Degree: PhD, Graduate School, 1984, The Ohio State University

Subjects/Keywords: Education; Tonality

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APA (6th Edition):

Kosar, A. J. (1984). François-Joseph Fetis' theory of chromaticism and early ninteenth century music. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487256380164156

Chicago Manual of Style (16th Edition):

Kosar, Anthony Jay. “François-Joseph Fetis' theory of chromaticism and early ninteenth century music.” 1984. Doctoral Dissertation, The Ohio State University. Accessed June 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487256380164156.

MLA Handbook (7th Edition):

Kosar, Anthony Jay. “François-Joseph Fetis' theory of chromaticism and early ninteenth century music.” 1984. Web. 16 Jun 2019.

Vancouver:

Kosar AJ. François-Joseph Fetis' theory of chromaticism and early ninteenth century music. [Internet] [Doctoral dissertation]. The Ohio State University; 1984. [cited 2019 Jun 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487256380164156.

Council of Science Editors:

Kosar AJ. François-Joseph Fetis' theory of chromaticism and early ninteenth century music. [Doctoral Dissertation]. The Ohio State University; 1984. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487256380164156


University of British Columbia

7. McNab, Grace A. L. Tonal voice-leading in Schoenberg’s opus 15 .

Degree: 1982, University of British Columbia

 This study deals with the processes of tonal counterpoint inherent in the songs of Schoenberg's Opus 15i "Book of the Hanging Gardens" and, by implication,… (more)

Subjects/Keywords: Counterpoint; Tonality

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APA (6th Edition):

McNab, G. A. L. (1982). Tonal voice-leading in Schoenberg’s opus 15 . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/22941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McNab, Grace A L. “Tonal voice-leading in Schoenberg’s opus 15 .” 1982. Thesis, University of British Columbia. Accessed June 16, 2019. http://hdl.handle.net/2429/22941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McNab, Grace A L. “Tonal voice-leading in Schoenberg’s opus 15 .” 1982. Web. 16 Jun 2019.

Vancouver:

McNab GAL. Tonal voice-leading in Schoenberg’s opus 15 . [Internet] [Thesis]. University of British Columbia; 1982. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2429/22941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McNab GAL. Tonal voice-leading in Schoenberg’s opus 15 . [Thesis]. University of British Columbia; 1982. Available from: http://hdl.handle.net/2429/22941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

8. Kidd, Gary Richard. The perception of tonal relationships in music.

Degree: PhD, Graduate School, 1984, The Ohio State University

Subjects/Keywords: Psychology; Tonality; Music

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APA (6th Edition):

Kidd, G. R. (1984). The perception of tonal relationships in music. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487255963557453

Chicago Manual of Style (16th Edition):

Kidd, Gary Richard. “The perception of tonal relationships in music.” 1984. Doctoral Dissertation, The Ohio State University. Accessed June 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487255963557453.

MLA Handbook (7th Edition):

Kidd, Gary Richard. “The perception of tonal relationships in music.” 1984. Web. 16 Jun 2019.

Vancouver:

Kidd GR. The perception of tonal relationships in music. [Internet] [Doctoral dissertation]. The Ohio State University; 1984. [cited 2019 Jun 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487255963557453.

Council of Science Editors:

Kidd GR. The perception of tonal relationships in music. [Doctoral Dissertation]. The Ohio State University; 1984. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487255963557453


The Ohio State University

9. Garcia, David Manuel. Tonality in Schoenberg's Theme and variations for band, Opus 43a and Symphony for band.

Degree: PhD, Graduate School, 1986, The Ohio State University

Subjects/Keywords: Music; Tonality; Schoenberg

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APA (6th Edition):

Garcia, D. M. (1986). Tonality in Schoenberg's Theme and variations for band, Opus 43a and Symphony for band. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487266691093948

Chicago Manual of Style (16th Edition):

Garcia, David Manuel. “Tonality in Schoenberg's Theme and variations for band, Opus 43a and Symphony for band.” 1986. Doctoral Dissertation, The Ohio State University. Accessed June 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487266691093948.

MLA Handbook (7th Edition):

Garcia, David Manuel. “Tonality in Schoenberg's Theme and variations for band, Opus 43a and Symphony for band.” 1986. Web. 16 Jun 2019.

Vancouver:

Garcia DM. Tonality in Schoenberg's Theme and variations for band, Opus 43a and Symphony for band. [Internet] [Doctoral dissertation]. The Ohio State University; 1986. [cited 2019 Jun 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487266691093948.

Council of Science Editors:

Garcia DM. Tonality in Schoenberg's Theme and variations for band, Opus 43a and Symphony for band. [Doctoral Dissertation]. The Ohio State University; 1986. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487266691093948

10. Bruschini, Adrien. Tonalités, motifs et structures d'intervalles dans les mélodies de Claude Debussy (1887-1893) : Tonality, motives and interval structures in the melodies of Claude Debussy (1887-1893).

Degree: Docteur es, Musicologie, 2014, Nice

A la fin des années 1880, le langage musical de Claude Debussy, influencé à la fois par Wagner, le symbolisme, et la poétique de Baudelaire,… (more)

Subjects/Keywords: Tonalité; Structures d'intervalles; Tonality; Interval structures

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APA (6th Edition):

Bruschini, A. (2014). Tonalités, motifs et structures d'intervalles dans les mélodies de Claude Debussy (1887-1893) : Tonality, motives and interval structures in the melodies of Claude Debussy (1887-1893). (Doctoral Dissertation). Nice. Retrieved from http://www.theses.fr/2014NICE2049

Chicago Manual of Style (16th Edition):

Bruschini, Adrien. “Tonalités, motifs et structures d'intervalles dans les mélodies de Claude Debussy (1887-1893) : Tonality, motives and interval structures in the melodies of Claude Debussy (1887-1893).” 2014. Doctoral Dissertation, Nice. Accessed June 16, 2019. http://www.theses.fr/2014NICE2049.

MLA Handbook (7th Edition):

Bruschini, Adrien. “Tonalités, motifs et structures d'intervalles dans les mélodies de Claude Debussy (1887-1893) : Tonality, motives and interval structures in the melodies of Claude Debussy (1887-1893).” 2014. Web. 16 Jun 2019.

Vancouver:

Bruschini A. Tonalités, motifs et structures d'intervalles dans les mélodies de Claude Debussy (1887-1893) : Tonality, motives and interval structures in the melodies of Claude Debussy (1887-1893). [Internet] [Doctoral dissertation]. Nice; 2014. [cited 2019 Jun 16]. Available from: http://www.theses.fr/2014NICE2049.

Council of Science Editors:

Bruschini A. Tonalités, motifs et structures d'intervalles dans les mélodies de Claude Debussy (1887-1893) : Tonality, motives and interval structures in the melodies of Claude Debussy (1887-1893). [Doctoral Dissertation]. Nice; 2014. Available from: http://www.theses.fr/2014NICE2049


Columbia University

11. Hoffman, Justin. Listening with Two Ears: Conflicting Perceptions of Space in Tonal Music.

Degree: 2011, Columbia University

 The Tonnetz is a spatial model of tonal pitch, constructed by placing fifths along the horizontal axis of a coordinate plane and thirds along the… (more)

Subjects/Keywords: Music; Tonality; Musical intervals and scales

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APA (6th Edition):

Hoffman, J. (2011). Listening with Two Ears: Conflicting Perceptions of Space in Tonal Music. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8HT2WBZ

Chicago Manual of Style (16th Edition):

Hoffman, Justin. “Listening with Two Ears: Conflicting Perceptions of Space in Tonal Music.” 2011. Doctoral Dissertation, Columbia University. Accessed June 16, 2019. https://doi.org/10.7916/D8HT2WBZ.

MLA Handbook (7th Edition):

Hoffman, Justin. “Listening with Two Ears: Conflicting Perceptions of Space in Tonal Music.” 2011. Web. 16 Jun 2019.

Vancouver:

Hoffman J. Listening with Two Ears: Conflicting Perceptions of Space in Tonal Music. [Internet] [Doctoral dissertation]. Columbia University; 2011. [cited 2019 Jun 16]. Available from: https://doi.org/10.7916/D8HT2WBZ.

Council of Science Editors:

Hoffman J. Listening with Two Ears: Conflicting Perceptions of Space in Tonal Music. [Doctoral Dissertation]. Columbia University; 2011. Available from: https://doi.org/10.7916/D8HT2WBZ

12. Phelps, James, 1954-. Syntactic Structures in Functional Tonality.

Degree: 1985, North Texas State University

 Chapter I examines linguistic structures fundamental to most tasks of comprehension performed by humans. Chapter II proposes musical elements to be linguistic structures functioning within… (more)

Subjects/Keywords: music theory; tonality in music; Tonality.

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APA (6th Edition):

Phelps, James, 1. (1985). Syntactic Structures in Functional Tonality. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500265/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Phelps, James, 1954-. “Syntactic Structures in Functional Tonality.” 1985. Thesis, North Texas State University. Accessed June 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc500265/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Phelps, James, 1954-. “Syntactic Structures in Functional Tonality.” 1985. Web. 16 Jun 2019.

Vancouver:

Phelps, James 1. Syntactic Structures in Functional Tonality. [Internet] [Thesis]. North Texas State University; 1985. [cited 2019 Jun 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500265/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Phelps, James 1. Syntactic Structures in Functional Tonality. [Thesis]. North Texas State University; 1985. Available from: https://digital.library.unt.edu/ark:/67531/metadc500265/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

13. Steinbron, Matthew. Polyfocal structures in Franz Schubert's Lieder.

Degree: PhD, Music, 2011, Louisiana State University

 Before the later nineteenth century, the principle governing nearly all earlier tonal composition was monotonality. Monotonality explains the structure of most tonal compositions, but there… (more)

Subjects/Keywords: tonal deviation; Brahms Intermezzo op. 118 no. 1; background conglomerate; double tonality; extended tonality; interlocking structures; emergent tonality; relative tonality; double-tonic complex; bifocal tonality; dramatic key symbolism; progressive tonality; tonal pairing

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APA (6th Edition):

Steinbron, M. (2011). Polyfocal structures in Franz Schubert's Lieder. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-04252011-144734 ; https://digitalcommons.lsu.edu/gradschool_dissertations/659

Chicago Manual of Style (16th Edition):

Steinbron, Matthew. “Polyfocal structures in Franz Schubert's Lieder.” 2011. Doctoral Dissertation, Louisiana State University. Accessed June 16, 2019. etd-04252011-144734 ; https://digitalcommons.lsu.edu/gradschool_dissertations/659.

MLA Handbook (7th Edition):

Steinbron, Matthew. “Polyfocal structures in Franz Schubert's Lieder.” 2011. Web. 16 Jun 2019.

Vancouver:

Steinbron M. Polyfocal structures in Franz Schubert's Lieder. [Internet] [Doctoral dissertation]. Louisiana State University; 2011. [cited 2019 Jun 16]. Available from: etd-04252011-144734 ; https://digitalcommons.lsu.edu/gradschool_dissertations/659.

Council of Science Editors:

Steinbron M. Polyfocal structures in Franz Schubert's Lieder. [Doctoral Dissertation]. Louisiana State University; 2011. Available from: etd-04252011-144734 ; https://digitalcommons.lsu.edu/gradschool_dissertations/659


The Ohio State University

14. Kniesner, Virginia Elizabeth. Tonality and form in selected French piano sonatas : 1900-1950.

Degree: PhD, Graduate School, 1977, The Ohio State University

Subjects/Keywords: Music; Sonatas; Tonality; Musical form

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APA (6th Edition):

Kniesner, V. E. (1977). Tonality and form in selected French piano sonatas : 1900-1950. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067153033567

Chicago Manual of Style (16th Edition):

Kniesner, Virginia Elizabeth. “Tonality and form in selected French piano sonatas : 1900-1950.” 1977. Doctoral Dissertation, The Ohio State University. Accessed June 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067153033567.

MLA Handbook (7th Edition):

Kniesner, Virginia Elizabeth. “Tonality and form in selected French piano sonatas : 1900-1950.” 1977. Web. 16 Jun 2019.

Vancouver:

Kniesner VE. Tonality and form in selected French piano sonatas : 1900-1950. [Internet] [Doctoral dissertation]. The Ohio State University; 1977. [cited 2019 Jun 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067153033567.

Council of Science Editors:

Kniesner VE. Tonality and form in selected French piano sonatas : 1900-1950. [Doctoral Dissertation]. The Ohio State University; 1977. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067153033567


The Ohio State University

15. Kniesner, Virginia Elizabeth. Tonality and form in selected French piano sonatas : 1900-1950.

Degree: PhD, Graduate School, 1977, The Ohio State University

Subjects/Keywords: Music; Sonatas; Tonality; Musical form

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APA (6th Edition):

Kniesner, V. E. (1977). Tonality and form in selected French piano sonatas : 1900-1950. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067284784427

Chicago Manual of Style (16th Edition):

Kniesner, Virginia Elizabeth. “Tonality and form in selected French piano sonatas : 1900-1950.” 1977. Doctoral Dissertation, The Ohio State University. Accessed June 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067284784427.

MLA Handbook (7th Edition):

Kniesner, Virginia Elizabeth. “Tonality and form in selected French piano sonatas : 1900-1950.” 1977. Web. 16 Jun 2019.

Vancouver:

Kniesner VE. Tonality and form in selected French piano sonatas : 1900-1950. [Internet] [Doctoral dissertation]. The Ohio State University; 1977. [cited 2019 Jun 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067284784427.

Council of Science Editors:

Kniesner VE. Tonality and form in selected French piano sonatas : 1900-1950. [Doctoral Dissertation]. The Ohio State University; 1977. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487067284784427


University of Cincinnati

16. Byrne, David A. The Harmonic Theories of Sigfrid Karg-Elert: Acoustics, Function, Transformation, Perception.

Degree: PhD, College-Conservatory of Music: Theory, 2018, University of Cincinnati

 This dissertation is the first comprehensive study of the harmonic theories of German composer and music theorist Sigfrid Karg-Elert (1887–1933), whose two major treatises date… (more)

Subjects/Keywords: Music; Karg-Elert; music theory; acoustics; harmonic analysis; tonality; music perception

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APA (6th Edition):

Byrne, D. A. (2018). The Harmonic Theories of Sigfrid Karg-Elert: Acoustics, Function, Transformation, Perception. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522417315389199

Chicago Manual of Style (16th Edition):

Byrne, David A. “The Harmonic Theories of Sigfrid Karg-Elert: Acoustics, Function, Transformation, Perception.” 2018. Doctoral Dissertation, University of Cincinnati. Accessed June 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522417315389199.

MLA Handbook (7th Edition):

Byrne, David A. “The Harmonic Theories of Sigfrid Karg-Elert: Acoustics, Function, Transformation, Perception.” 2018. Web. 16 Jun 2019.

Vancouver:

Byrne DA. The Harmonic Theories of Sigfrid Karg-Elert: Acoustics, Function, Transformation, Perception. [Internet] [Doctoral dissertation]. University of Cincinnati; 2018. [cited 2019 Jun 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522417315389199.

Council of Science Editors:

Byrne DA. The Harmonic Theories of Sigfrid Karg-Elert: Acoustics, Function, Transformation, Perception. [Doctoral Dissertation]. University of Cincinnati; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522417315389199


Temple University

17. Hass, Richard William. DEVELOPMENT OF CREATIVE EXPERTISE IN MUSIC: A QUANTITATIVE ANALYSIS OF THE SONGS OF COLE PORTER AND IRVING BERLIN.

Degree: PhD, 2008, Temple University

Psychology

Previous studies of musical creativity lacked strong foundations in music theory and music analysis. The goal of the current project was to merge the… (more)

Subjects/Keywords: Psychology, Cognitive; Creativity; Music cognition; Music perception; Popular music; Tonality

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APA (6th Edition):

Hass, R. W. (2008). DEVELOPMENT OF CREATIVE EXPERTISE IN MUSIC: A QUANTITATIVE ANALYSIS OF THE SONGS OF COLE PORTER AND IRVING BERLIN. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,21257

Chicago Manual of Style (16th Edition):

Hass, Richard William. “DEVELOPMENT OF CREATIVE EXPERTISE IN MUSIC: A QUANTITATIVE ANALYSIS OF THE SONGS OF COLE PORTER AND IRVING BERLIN.” 2008. Doctoral Dissertation, Temple University. Accessed June 16, 2019. http://digital.library.temple.edu/u?/p245801coll10,21257.

MLA Handbook (7th Edition):

Hass, Richard William. “DEVELOPMENT OF CREATIVE EXPERTISE IN MUSIC: A QUANTITATIVE ANALYSIS OF THE SONGS OF COLE PORTER AND IRVING BERLIN.” 2008. Web. 16 Jun 2019.

Vancouver:

Hass RW. DEVELOPMENT OF CREATIVE EXPERTISE IN MUSIC: A QUANTITATIVE ANALYSIS OF THE SONGS OF COLE PORTER AND IRVING BERLIN. [Internet] [Doctoral dissertation]. Temple University; 2008. [cited 2019 Jun 16]. Available from: http://digital.library.temple.edu/u?/p245801coll10,21257.

Council of Science Editors:

Hass RW. DEVELOPMENT OF CREATIVE EXPERTISE IN MUSIC: A QUANTITATIVE ANALYSIS OF THE SONGS OF COLE PORTER AND IRVING BERLIN. [Doctoral Dissertation]. Temple University; 2008. Available from: http://digital.library.temple.edu/u?/p245801coll10,21257


University of KwaZulu-Natal

18. [No author]. Tonality in the first book of Debussy's preludes .

Degree: Music, 1978, University of KwaZulu-Natal

 This paper attempts to explore the extent to which Rudolph Reti's concepts of melodic and harmonic tonality are useful in describing Debussy's Preludes. It is… (more)

Subjects/Keywords: Musical analysis.; Tonality.; Music.

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APA (6th Edition):

author], [. (1978). Tonality in the first book of Debussy's preludes . (Thesis). University of KwaZulu-Natal. Retrieved from http://hdl.handle.net/10413/364

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Tonality in the first book of Debussy's preludes .” 1978. Thesis, University of KwaZulu-Natal. Accessed June 16, 2019. http://hdl.handle.net/10413/364.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Tonality in the first book of Debussy's preludes .” 1978. Web. 16 Jun 2019.

Vancouver:

author] [. Tonality in the first book of Debussy's preludes . [Internet] [Thesis]. University of KwaZulu-Natal; 1978. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/10413/364.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Tonality in the first book of Debussy's preludes . [Thesis]. University of KwaZulu-Natal; 1978. Available from: http://hdl.handle.net/10413/364

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

19. Miller, Brian Andrew. Exploring Tonal Substitutions in Schubert's Late Sonata Forms.

Degree: M.M., Music, 2014, University of Kansas

 In his sonata-form movements, Schubert's characteristic remote modulations often received negative reactions from contemporary critics; compared to the Beethovenian standard, Schubert's formal designs seemed inefficient,… (more)

Subjects/Keywords: Music; Schubert, Franz; Sonata form; Tonality; Transformational theory

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APA (6th Edition):

Miller, B. A. (2014). Exploring Tonal Substitutions in Schubert's Late Sonata Forms. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/14882

Chicago Manual of Style (16th Edition):

Miller, Brian Andrew. “Exploring Tonal Substitutions in Schubert's Late Sonata Forms.” 2014. Masters Thesis, University of Kansas. Accessed June 16, 2019. http://hdl.handle.net/1808/14882.

MLA Handbook (7th Edition):

Miller, Brian Andrew. “Exploring Tonal Substitutions in Schubert's Late Sonata Forms.” 2014. Web. 16 Jun 2019.

Vancouver:

Miller BA. Exploring Tonal Substitutions in Schubert's Late Sonata Forms. [Internet] [Masters thesis]. University of Kansas; 2014. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/1808/14882.

Council of Science Editors:

Miller BA. Exploring Tonal Substitutions in Schubert's Late Sonata Forms. [Masters Thesis]. University of Kansas; 2014. Available from: http://hdl.handle.net/1808/14882


University of Toronto

20. Podolak, Olivia Magdalena. The Influence of Tonality on Sight-reading Accuracy.

Degree: 2013, University of Toronto

The present study investigated how knowledge of tonality is used in sight-reading by comparing sight-reading accuracy across three tonal constructs: major, minor and atonal. It… (more)

Subjects/Keywords: Music performance; Sight-reading; Tonality; Expectancies; Top-Down Processing; 0633

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APA (6th Edition):

Podolak, O. M. (2013). The Influence of Tonality on Sight-reading Accuracy. (Masters Thesis). University of Toronto. Retrieved from http://hdl.handle.net/1807/43303

Chicago Manual of Style (16th Edition):

Podolak, Olivia Magdalena. “The Influence of Tonality on Sight-reading Accuracy.” 2013. Masters Thesis, University of Toronto. Accessed June 16, 2019. http://hdl.handle.net/1807/43303.

MLA Handbook (7th Edition):

Podolak, Olivia Magdalena. “The Influence of Tonality on Sight-reading Accuracy.” 2013. Web. 16 Jun 2019.

Vancouver:

Podolak OM. The Influence of Tonality on Sight-reading Accuracy. [Internet] [Masters thesis]. University of Toronto; 2013. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/1807/43303.

Council of Science Editors:

Podolak OM. The Influence of Tonality on Sight-reading Accuracy. [Masters Thesis]. University of Toronto; 2013. Available from: http://hdl.handle.net/1807/43303


Indiana University

21. Kleppinger, Stanley V. Tonal Coherence in Copland's Music of the 1940s .

Degree: 2010, Indiana University

 Aaron Copland's compositions of the 1940s present unique approaches to large-scale tonal organization. Particular pitch classes become central through their perceptual salience. In combination with… (more)

Subjects/Keywords: pitch centricity; tonal structure; tonality; Aaron Copland; American music; pitch salience

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APA (6th Edition):

Kleppinger, S. V. (2010). Tonal Coherence in Copland's Music of the 1940s . (Thesis). Indiana University. Retrieved from http://hdl.handle.net/2022/7254

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kleppinger, Stanley V. “Tonal Coherence in Copland's Music of the 1940s .” 2010. Thesis, Indiana University. Accessed June 16, 2019. http://hdl.handle.net/2022/7254.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kleppinger, Stanley V. “Tonal Coherence in Copland's Music of the 1940s .” 2010. Web. 16 Jun 2019.

Vancouver:

Kleppinger SV. Tonal Coherence in Copland's Music of the 1940s . [Internet] [Thesis]. Indiana University; 2010. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2022/7254.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kleppinger SV. Tonal Coherence in Copland's Music of the 1940s . [Thesis]. Indiana University; 2010. Available from: http://hdl.handle.net/2022/7254

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

22. Bardoux Loven, Cécile. Karl-Birger Blomdahl et Ingvar Lidholm : enjeux mélodiques, tonals et organiques des années 1940 : Karl-Birger Blomdahl and Ingvar Lidholm : Exploring melodic, tonal and organic challenges in the 1940s.

Degree: Docteur es, Musicologie, 2013, Université Paris-Sorbonne – Paris IV

Karl-Birger Blomdahl (1916-1968) et Ingvar Lidholm (né en 1921) sont deux chefs de file de la musique suédoise moderne. Étudiants à Stockholm, ils forment un… (more)

Subjects/Keywords: Sweden; Blomdahl; Lidholm; The 1940s; Melody; Tonality; Organicism; Anti-romanticism

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APA (6th Edition):

Bardoux Loven, C. (2013). Karl-Birger Blomdahl et Ingvar Lidholm : enjeux mélodiques, tonals et organiques des années 1940 : Karl-Birger Blomdahl and Ingvar Lidholm : Exploring melodic, tonal and organic challenges in the 1940s. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2013PA040004

Chicago Manual of Style (16th Edition):

Bardoux Loven, Cécile. “Karl-Birger Blomdahl et Ingvar Lidholm : enjeux mélodiques, tonals et organiques des années 1940 : Karl-Birger Blomdahl and Ingvar Lidholm : Exploring melodic, tonal and organic challenges in the 1940s.” 2013. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed June 16, 2019. http://www.theses.fr/2013PA040004.

MLA Handbook (7th Edition):

Bardoux Loven, Cécile. “Karl-Birger Blomdahl et Ingvar Lidholm : enjeux mélodiques, tonals et organiques des années 1940 : Karl-Birger Blomdahl and Ingvar Lidholm : Exploring melodic, tonal and organic challenges in the 1940s.” 2013. Web. 16 Jun 2019.

Vancouver:

Bardoux Loven C. Karl-Birger Blomdahl et Ingvar Lidholm : enjeux mélodiques, tonals et organiques des années 1940 : Karl-Birger Blomdahl and Ingvar Lidholm : Exploring melodic, tonal and organic challenges in the 1940s. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2013. [cited 2019 Jun 16]. Available from: http://www.theses.fr/2013PA040004.

Council of Science Editors:

Bardoux Loven C. Karl-Birger Blomdahl et Ingvar Lidholm : enjeux mélodiques, tonals et organiques des années 1940 : Karl-Birger Blomdahl and Ingvar Lidholm : Exploring melodic, tonal and organic challenges in the 1940s. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2013. Available from: http://www.theses.fr/2013PA040004


University of Oklahoma

23. Sisson, Jack Ulness. Pitch preference determination :.

Degree: D.Mus.Ed., School of Music, 1969, University of Oklahoma

Subjects/Keywords: Music.; Tonality.; Musical pitch.

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APA (6th Edition):

Sisson, J. U. (1969). Pitch preference determination :. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/2628

Chicago Manual of Style (16th Edition):

Sisson, Jack Ulness. “Pitch preference determination :.” 1969. Doctoral Dissertation, University of Oklahoma. Accessed June 16, 2019. http://hdl.handle.net/11244/2628.

MLA Handbook (7th Edition):

Sisson, Jack Ulness. “Pitch preference determination :.” 1969. Web. 16 Jun 2019.

Vancouver:

Sisson JU. Pitch preference determination :. [Internet] [Doctoral dissertation]. University of Oklahoma; 1969. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/11244/2628.

Council of Science Editors:

Sisson JU. Pitch preference determination :. [Doctoral Dissertation]. University of Oklahoma; 1969. Available from: http://hdl.handle.net/11244/2628


University of Texas – Austin

24. -5148-9307. Between worlds : musical allegory in Final Fantasy X.

Degree: Music, 2017, University of Texas – Austin

 In this essay, I question and problematize the undertheorized notion of what it means to “beat” video games, as well as address the lack of… (more)

Subjects/Keywords: Final Fantasy X; Nobuo Uematsu; Tonality; Simulation; Antitheism; Replay value

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APA (6th Edition):

-5148-9307. (2017). Between worlds : musical allegory in Final Fantasy X. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/62763

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-5148-9307. “Between worlds : musical allegory in Final Fantasy X.” 2017. Thesis, University of Texas – Austin. Accessed June 16, 2019. http://hdl.handle.net/2152/62763.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-5148-9307. “Between worlds : musical allegory in Final Fantasy X.” 2017. Web. 16 Jun 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-5148-9307. Between worlds : musical allegory in Final Fantasy X. [Internet] [Thesis]. University of Texas – Austin; 2017. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/2152/62763.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

-5148-9307. Between worlds : musical allegory in Final Fantasy X. [Thesis]. University of Texas – Austin; 2017. Available from: http://hdl.handle.net/2152/62763

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation


University of Minnesota

25. Borchert, Elizabeth Marta Olsen. Effects of timing and context on pitch comparisons between spectrally segregated tones.

Degree: PhD, Psychology, 2011, University of Minnesota

 Pitch, the perceptual correlate of fundamental frequency (F0), is an important cue for understanding aspects of both music and speech. Much research has been devoted… (more)

Subjects/Keywords: Auditory grouping; Fundamental frequency; Pitch; Timbre; Tonality; Psychology

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APA (6th Edition):

Borchert, E. M. O. (2011). Effects of timing and context on pitch comparisons between spectrally segregated tones. (Doctoral Dissertation). University of Minnesota. Retrieved from http://purl.umn.edu/119753

Chicago Manual of Style (16th Edition):

Borchert, Elizabeth Marta Olsen. “Effects of timing and context on pitch comparisons between spectrally segregated tones.” 2011. Doctoral Dissertation, University of Minnesota. Accessed June 16, 2019. http://purl.umn.edu/119753.

MLA Handbook (7th Edition):

Borchert, Elizabeth Marta Olsen. “Effects of timing and context on pitch comparisons between spectrally segregated tones.” 2011. Web. 16 Jun 2019.

Vancouver:

Borchert EMO. Effects of timing and context on pitch comparisons between spectrally segregated tones. [Internet] [Doctoral dissertation]. University of Minnesota; 2011. [cited 2019 Jun 16]. Available from: http://purl.umn.edu/119753.

Council of Science Editors:

Borchert EMO. Effects of timing and context on pitch comparisons between spectrally segregated tones. [Doctoral Dissertation]. University of Minnesota; 2011. Available from: http://purl.umn.edu/119753


Rochester Institute of Technology

26. Monteiro, Sylvia. A comparison of the perception of juxtaposed tones in newspaper images when screened with conventional and random dot screens.

Degree: School of Media Sciences (CIAS), 1982, Rochester Institute of Technology

 The halftone process has been the conventional means of reproducing photographic artwork on newsprint. The use of relatively coarse screen rulings, dictated by the paper… (more)

Subjects/Keywords: Halftone; Photography; Printing; Reproduction; Tonality

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APA (6th Edition):

Monteiro, S. (1982). A comparison of the perception of juxtaposed tones in newspaper images when screened with conventional and random dot screens. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/5021

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Monteiro, Sylvia. “A comparison of the perception of juxtaposed tones in newspaper images when screened with conventional and random dot screens.” 1982. Thesis, Rochester Institute of Technology. Accessed June 16, 2019. https://scholarworks.rit.edu/theses/5021.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Monteiro, Sylvia. “A comparison of the perception of juxtaposed tones in newspaper images when screened with conventional and random dot screens.” 1982. Web. 16 Jun 2019.

Vancouver:

Monteiro S. A comparison of the perception of juxtaposed tones in newspaper images when screened with conventional and random dot screens. [Internet] [Thesis]. Rochester Institute of Technology; 1982. [cited 2019 Jun 16]. Available from: https://scholarworks.rit.edu/theses/5021.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Monteiro S. A comparison of the perception of juxtaposed tones in newspaper images when screened with conventional and random dot screens. [Thesis]. Rochester Institute of Technology; 1982. Available from: https://scholarworks.rit.edu/theses/5021

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

27. Dalla Vecchia, Francesco. Key symbolism in Francesco Cavalli's arias.

Degree: PhD, Music, 2011, University of Iowa

  This study has been conceived to verify whether Francesco Cavalli (Crema, 1602 – Venice, 1676), the most representative composer of seventeenth-century Venetian opera, used what… (more)

Subjects/Keywords: aria; Cavalli; ethos; key symbolism; opera; tonality; Music

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APA (6th Edition):

Dalla Vecchia, F. (2011). Key symbolism in Francesco Cavalli's arias. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/2689

Chicago Manual of Style (16th Edition):

Dalla Vecchia, Francesco. “Key symbolism in Francesco Cavalli's arias.” 2011. Doctoral Dissertation, University of Iowa. Accessed June 16, 2019. https://ir.uiowa.edu/etd/2689.

MLA Handbook (7th Edition):

Dalla Vecchia, Francesco. “Key symbolism in Francesco Cavalli's arias.” 2011. Web. 16 Jun 2019.

Vancouver:

Dalla Vecchia F. Key symbolism in Francesco Cavalli's arias. [Internet] [Doctoral dissertation]. University of Iowa; 2011. [cited 2019 Jun 16]. Available from: https://ir.uiowa.edu/etd/2689.

Council of Science Editors:

Dalla Vecchia F. Key symbolism in Francesco Cavalli's arias. [Doctoral Dissertation]. University of Iowa; 2011. Available from: https://ir.uiowa.edu/etd/2689


Rice University

28. McKiggan, Christopher Janwong. The Movement of New Tonality: An Analysis of Robert Beaser’s Piano Concerto.

Degree: DMA, Piano Performance, 2018, Rice University

 Robert Beaser (b.1954) was one of the first composers of his generation to be labeled as a “New Tonalist” and was one of the first… (more)

Subjects/Keywords: Robert Beaser; Christopher Janwong McKiggan; Piano Concerto; New Tonality

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APA (6th Edition):

McKiggan, C. J. (2018). The Movement of New Tonality: An Analysis of Robert Beaser’s Piano Concerto. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/105870

Chicago Manual of Style (16th Edition):

McKiggan, Christopher Janwong. “The Movement of New Tonality: An Analysis of Robert Beaser’s Piano Concerto.” 2018. Doctoral Dissertation, Rice University. Accessed June 16, 2019. http://hdl.handle.net/1911/105870.

MLA Handbook (7th Edition):

McKiggan, Christopher Janwong. “The Movement of New Tonality: An Analysis of Robert Beaser’s Piano Concerto.” 2018. Web. 16 Jun 2019.

Vancouver:

McKiggan CJ. The Movement of New Tonality: An Analysis of Robert Beaser’s Piano Concerto. [Internet] [Doctoral dissertation]. Rice University; 2018. [cited 2019 Jun 16]. Available from: http://hdl.handle.net/1911/105870.

Council of Science Editors:

McKiggan CJ. The Movement of New Tonality: An Analysis of Robert Beaser’s Piano Concerto. [Doctoral Dissertation]. Rice University; 2018. Available from: http://hdl.handle.net/1911/105870

29. Robert, Dorothy. Some modern theories of tonality.

Degree: 1946, North Texas State Teachers College

 The traditional major-minor tonality and the means for its establishment have been developed and used for the last four centuries, until all the possibilities of… (more)

Subjects/Keywords: tonality; music theory; musical analysis

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APA (6th Edition):

Robert, D. (1946). Some modern theories of tonality. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935789/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Robert, Dorothy. “Some modern theories of tonality.” 1946. Thesis, North Texas State Teachers College. Accessed June 16, 2019. https://digital.library.unt.edu/ark:/67531/metadc935789/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Robert, Dorothy. “Some modern theories of tonality.” 1946. Web. 16 Jun 2019.

Vancouver:

Robert D. Some modern theories of tonality. [Internet] [Thesis]. North Texas State Teachers College; 1946. [cited 2019 Jun 16]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935789/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robert D. Some modern theories of tonality. [Thesis]. North Texas State Teachers College; 1946. Available from: https://digital.library.unt.edu/ark:/67531/metadc935789/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

30. Brown, Helen. The effects of set content and temporal context of pitches on musicians' aural perception of tonality.

Degree: PhD, Graduate School, 1985, The Ohio State University

Subjects/Keywords: Music; Tonality; Musical pitch; Auditory perception

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APA (6th Edition):

Brown, H. (1985). The effects of set content and temporal context of pitches on musicians' aural perception of tonality. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262825076471

Chicago Manual of Style (16th Edition):

Brown, Helen. “The effects of set content and temporal context of pitches on musicians' aural perception of tonality.” 1985. Doctoral Dissertation, The Ohio State University. Accessed June 16, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262825076471.

MLA Handbook (7th Edition):

Brown, Helen. “The effects of set content and temporal context of pitches on musicians' aural perception of tonality.” 1985. Web. 16 Jun 2019.

Vancouver:

Brown H. The effects of set content and temporal context of pitches on musicians' aural perception of tonality. [Internet] [Doctoral dissertation]. The Ohio State University; 1985. [cited 2019 Jun 16]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262825076471.

Council of Science Editors:

Brown H. The effects of set content and temporal context of pitches on musicians' aural perception of tonality. [Doctoral Dissertation]. The Ohio State University; 1985. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262825076471

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