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You searched for subject:(Timbre). Showing records 1 – 30 of 198 total matches.

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1. Cabrita, Tiago Manuel Pardal. Ressonância(s): processos de escrita musical.

Degree: 2012, Repositório Científico do Instituto Politécnico de Lisboa

Dissertação - Mestrado em Música

O estudo presente neste relatório é uma reflexão acerca de uma perspetiva sobre a ressonância no contexto da composição musical,… (more)

Subjects/Keywords: Ressonância; Reverberação; Timbre; Resonance; Reverberation; Timbre

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cabrita, T. M. P. (2012). Ressonância(s): processos de escrita musical. (Thesis). Repositório Científico do Instituto Politécnico de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/8350

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cabrita, Tiago Manuel Pardal. “Ressonância(s): processos de escrita musical.” 2012. Thesis, Repositório Científico do Instituto Politécnico de Lisboa. Accessed March 05, 2021. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/8350.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cabrita, Tiago Manuel Pardal. “Ressonância(s): processos de escrita musical.” 2012. Web. 05 Mar 2021.

Vancouver:

Cabrita TMP. Ressonância(s): processos de escrita musical. [Internet] [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2012. [cited 2021 Mar 05]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/8350.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cabrita TMP. Ressonância(s): processos de escrita musical. [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2012. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/8350

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

2. Plazak, Joseph S. Perceiving Changes of Sound-Source Size Within Musical Tone Pairs.

Degree: Schulich School of Music, 2017, McGill University

 Recent research suggests that the perception of sound-source size may be based in part on attributes of timbre, and further, that it may play a… (more)

Subjects/Keywords: timbre; size perception

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APA (6th Edition):

Plazak, J. S. (2017). Perceiving Changes of Sound-Source Size Within Musical Tone Pairs. (Thesis). McGill University. Retrieved from https://escholarship.mcgill.ca/downloads/9g54xk85t.pdf ; https://escholarship.mcgill.ca/concern/theses/6w924d88h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Plazak, Joseph S. “Perceiving Changes of Sound-Source Size Within Musical Tone Pairs.” 2017. Thesis, McGill University. Accessed March 05, 2021. https://escholarship.mcgill.ca/downloads/9g54xk85t.pdf ; https://escholarship.mcgill.ca/concern/theses/6w924d88h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Plazak, Joseph S. “Perceiving Changes of Sound-Source Size Within Musical Tone Pairs.” 2017. Web. 05 Mar 2021.

Vancouver:

Plazak JS. Perceiving Changes of Sound-Source Size Within Musical Tone Pairs. [Internet] [Thesis]. McGill University; 2017. [cited 2021 Mar 05]. Available from: https://escholarship.mcgill.ca/downloads/9g54xk85t.pdf ; https://escholarship.mcgill.ca/concern/theses/6w924d88h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Plazak JS. Perceiving Changes of Sound-Source Size Within Musical Tone Pairs. [Thesis]. McGill University; 2017. Available from: https://escholarship.mcgill.ca/downloads/9g54xk85t.pdf ; https://escholarship.mcgill.ca/concern/theses/6w924d88h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

3. Marquez, Tania Lanfer. Perceptual Assertiveness of Elected Dimensions: An Extrapolation Derived From Schoenberg Op. 16, No. 3 "Farben".

Degree: Music, 2010, University of California – San Diego

 The aim of this paper is to derive extrapolations of compositional significance from Schoenberg's Op. 16 No. 3 "Farben." An extrapolation, in this sense, is… (more)

Subjects/Keywords: Music; Cognition; Schoenberg; Timbre

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APA (6th Edition):

Marquez, T. L. (2010). Perceptual Assertiveness of Elected Dimensions: An Extrapolation Derived From Schoenberg Op. 16, No. 3 "Farben". (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/1v95215s

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marquez, Tania Lanfer. “Perceptual Assertiveness of Elected Dimensions: An Extrapolation Derived From Schoenberg Op. 16, No. 3 "Farben".” 2010. Thesis, University of California – San Diego. Accessed March 05, 2021. http://www.escholarship.org/uc/item/1v95215s.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marquez, Tania Lanfer. “Perceptual Assertiveness of Elected Dimensions: An Extrapolation Derived From Schoenberg Op. 16, No. 3 "Farben".” 2010. Web. 05 Mar 2021.

Vancouver:

Marquez TL. Perceptual Assertiveness of Elected Dimensions: An Extrapolation Derived From Schoenberg Op. 16, No. 3 "Farben". [Internet] [Thesis]. University of California – San Diego; 2010. [cited 2021 Mar 05]. Available from: http://www.escholarship.org/uc/item/1v95215s.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marquez TL. Perceptual Assertiveness of Elected Dimensions: An Extrapolation Derived From Schoenberg Op. 16, No. 3 "Farben". [Thesis]. University of California – San Diego; 2010. Available from: http://www.escholarship.org/uc/item/1v95215s

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Toronto

4. Weiss, Michael William. Vocal Timbre Influences Memory for Melodies.

Degree: 2011, University of Toronto

Several studies have demonstrated that melody recognition is reduced when the timbre (instrument) changes between exposure and test, but no study has evaluated the possibility… (more)

Subjects/Keywords: Memory; Music; Timbre; Melody; 0633

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APA (6th Edition):

Weiss, M. W. (2011). Vocal Timbre Influences Memory for Melodies. (Masters Thesis). University of Toronto. Retrieved from http://hdl.handle.net/1807/31626

Chicago Manual of Style (16th Edition):

Weiss, Michael William. “Vocal Timbre Influences Memory for Melodies.” 2011. Masters Thesis, University of Toronto. Accessed March 05, 2021. http://hdl.handle.net/1807/31626.

MLA Handbook (7th Edition):

Weiss, Michael William. “Vocal Timbre Influences Memory for Melodies.” 2011. Web. 05 Mar 2021.

Vancouver:

Weiss MW. Vocal Timbre Influences Memory for Melodies. [Internet] [Masters thesis]. University of Toronto; 2011. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1807/31626.

Council of Science Editors:

Weiss MW. Vocal Timbre Influences Memory for Melodies. [Masters Thesis]. University of Toronto; 2011. Available from: http://hdl.handle.net/1807/31626


Universidad de Chile

5. Cortés Rodríguez, David. Música y reciclaje: tres miradas de un objeto.

Degree: 2015, Universidad de Chile

 La presente tesis subraya la importancia de dos motivaciones que son clave para una invitación a la composición musical. En primer término, mi interés por… (more)

Subjects/Keywords: Composición musical; Timbre (Música)

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APA (6th Edition):

Cortés Rodríguez, D. (2015). Música y reciclaje: tres miradas de un objeto. (Thesis). Universidad de Chile. Retrieved from http://repositorio.uchile.cl/handle/2250/136750

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cortés Rodríguez, David. “Música y reciclaje: tres miradas de un objeto.” 2015. Thesis, Universidad de Chile. Accessed March 05, 2021. http://repositorio.uchile.cl/handle/2250/136750.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cortés Rodríguez, David. “Música y reciclaje: tres miradas de un objeto.” 2015. Web. 05 Mar 2021.

Vancouver:

Cortés Rodríguez D. Música y reciclaje: tres miradas de un objeto. [Internet] [Thesis]. Universidad de Chile; 2015. [cited 2021 Mar 05]. Available from: http://repositorio.uchile.cl/handle/2250/136750.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cortés Rodríguez D. Música y reciclaje: tres miradas de un objeto. [Thesis]. Universidad de Chile; 2015. Available from: http://repositorio.uchile.cl/handle/2250/136750

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

6. McNamara, Peter. The Role of Timbre and Microtones in the Music of Peter McNamara .

Degree: 2011, University of Sydney

 This dissertation examines the role that timbre and microtones perform in my music and how these elements are intrinsically linked. Timbre and microtones are the… (more)

Subjects/Keywords: Microtones; Timbre and spectral harmony

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APA (6th Edition):

McNamara, P. (2011). The Role of Timbre and Microtones in the Music of Peter McNamara . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/7903

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McNamara, Peter. “The Role of Timbre and Microtones in the Music of Peter McNamara .” 2011. Thesis, University of Sydney. Accessed March 05, 2021. http://hdl.handle.net/2123/7903.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McNamara, Peter. “The Role of Timbre and Microtones in the Music of Peter McNamara .” 2011. Web. 05 Mar 2021.

Vancouver:

McNamara P. The Role of Timbre and Microtones in the Music of Peter McNamara . [Internet] [Thesis]. University of Sydney; 2011. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/2123/7903.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McNamara P. The Role of Timbre and Microtones in the Music of Peter McNamara . [Thesis]. University of Sydney; 2011. Available from: http://hdl.handle.net/2123/7903

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

7. Li, Weicong. The physics of playing clarinet and saxophone: how players control articulation and timbre.

Degree: Physics, 2016, University of New South Wales

 For musicians, a beautiful note has appropriate pitch, loudness and timbre, and is elegantly articulated. On clarinet and saxophone, frequency, sound level, spectral envelope and… (more)

Subjects/Keywords: Timbre; Single reed; Articulation

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APA (6th Edition):

Li, W. (2016). The physics of playing clarinet and saxophone: how players control articulation and timbre. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/56318 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:40550/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Li, Weicong. “The physics of playing clarinet and saxophone: how players control articulation and timbre.” 2016. Doctoral Dissertation, University of New South Wales. Accessed March 05, 2021. http://handle.unsw.edu.au/1959.4/56318 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:40550/SOURCE02?view=true.

MLA Handbook (7th Edition):

Li, Weicong. “The physics of playing clarinet and saxophone: how players control articulation and timbre.” 2016. Web. 05 Mar 2021.

Vancouver:

Li W. The physics of playing clarinet and saxophone: how players control articulation and timbre. [Internet] [Doctoral dissertation]. University of New South Wales; 2016. [cited 2021 Mar 05]. Available from: http://handle.unsw.edu.au/1959.4/56318 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:40550/SOURCE02?view=true.

Council of Science Editors:

Li W. The physics of playing clarinet and saxophone: how players control articulation and timbre. [Doctoral Dissertation]. University of New South Wales; 2016. Available from: http://handle.unsw.edu.au/1959.4/56318 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:40550/SOURCE02?view=true


NSYSU

8. Hwang, Shin-shyan. The explanation of musical work <<Soliloque>>.

Degree: Master, Music, 2004, NSYSU

 Abstract This paper is based upon my musical workâSoliloquyâ, Duet for Flute and Violoncello, to present the musical ideas and the compositional techniques. Structurally,âSoliloquyâcan be… (more)

Subjects/Keywords: Timbre; explanation; Soliloque

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APA (6th Edition):

Hwang, S. (2004). The explanation of musical work <<Soliloque>>. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0818104-140626

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hwang, Shin-shyan. “The explanation of musical work <<Soliloque>>.” 2004. Thesis, NSYSU. Accessed March 05, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0818104-140626.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hwang, Shin-shyan. “The explanation of musical work <<Soliloque>>.” 2004. Web. 05 Mar 2021.

Vancouver:

Hwang S. The explanation of musical work <<Soliloque>>. [Internet] [Thesis]. NSYSU; 2004. [cited 2021 Mar 05]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0818104-140626.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hwang S. The explanation of musical work <<Soliloque>>. [Thesis]. NSYSU; 2004. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0818104-140626

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


San Jose State University

9. Kim, Jeanna. Change and Transformation: The Harp as a Symbol of Liminality in Tchaikovsky’s The Nutcracker (1892).

Degree: MM, Music and Dance, 2018, San Jose State University

  The harp is a musical instrument with a uniquely resonating timbre, and a highly specialized expressive niche within the orchestral repertoire. A deeper study… (more)

Subjects/Keywords: Harp; Liminality; Nutcracker; Orchestration; Tchaikovsky; Timbre

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APA (6th Edition):

Kim, J. (2018). Change and Transformation: The Harp as a Symbol of Liminality in Tchaikovsky’s The Nutcracker (1892). (Thesis). San Jose State University. Retrieved from https://doi.org/10.31979/etd.58a2-m76b ; https://scholarworks.sjsu.edu/etd_theses/4973

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Jeanna. “Change and Transformation: The Harp as a Symbol of Liminality in Tchaikovsky’s The Nutcracker (1892).” 2018. Thesis, San Jose State University. Accessed March 05, 2021. https://doi.org/10.31979/etd.58a2-m76b ; https://scholarworks.sjsu.edu/etd_theses/4973.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Jeanna. “Change and Transformation: The Harp as a Symbol of Liminality in Tchaikovsky’s The Nutcracker (1892).” 2018. Web. 05 Mar 2021.

Vancouver:

Kim J. Change and Transformation: The Harp as a Symbol of Liminality in Tchaikovsky’s The Nutcracker (1892). [Internet] [Thesis]. San Jose State University; 2018. [cited 2021 Mar 05]. Available from: https://doi.org/10.31979/etd.58a2-m76b ; https://scholarworks.sjsu.edu/etd_theses/4973.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim J. Change and Transformation: The Harp as a Symbol of Liminality in Tchaikovsky’s The Nutcracker (1892). [Thesis]. San Jose State University; 2018. Available from: https://doi.org/10.31979/etd.58a2-m76b ; https://scholarworks.sjsu.edu/etd_theses/4973

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Porto

10. Lopes, Miguel Alexandre Gaspar. Automatic classification of latin music : some experiments on musical genre classification.

Degree: 2009, Universidade do Porto

Estágio realizado no INESC Porto

Tese de mestrado integrado. Engenharia Electrotécnica e de Computadores. Faculdade de Engenharia. Universidade do Porto. 2009

Advisors/Committee Members: Gouyon, Fabien, Universidade do Porto. Faculdade de Engenharia.

Subjects/Keywords: Classificação automática; Análise de timbre; Música

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APA (6th Edition):

Lopes, M. A. G. (2009). Automatic classification of latin music : some experiments on musical genre classification. (Thesis). Universidade do Porto. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio-aberto.up.pt:10216/57525

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lopes, Miguel Alexandre Gaspar. “Automatic classification of latin music : some experiments on musical genre classification.” 2009. Thesis, Universidade do Porto. Accessed March 05, 2021. http://www.rcaap.pt/detail.jsp?id=oai:repositorio-aberto.up.pt:10216/57525.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lopes, Miguel Alexandre Gaspar. “Automatic classification of latin music : some experiments on musical genre classification.” 2009. Web. 05 Mar 2021.

Vancouver:

Lopes MAG. Automatic classification of latin music : some experiments on musical genre classification. [Internet] [Thesis]. Universidade do Porto; 2009. [cited 2021 Mar 05]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio-aberto.up.pt:10216/57525.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lopes MAG. Automatic classification of latin music : some experiments on musical genre classification. [Thesis]. Universidade do Porto; 2009. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio-aberto.up.pt:10216/57525

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brunel University

11. McGuire, Paul. Composing with an expanded instrumental palette.

Degree: PhD, 2015, Brunel University

 This thesis is comprised of a portfolio of musical compositions with accompanying media and a written commentary. In each of the seven compositions, the timbral… (more)

Subjects/Keywords: 781.3; Music; Noise; Timbre; Graphic; Notation

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APA (6th Edition):

McGuire, P. (2015). Composing with an expanded instrumental palette. (Doctoral Dissertation). Brunel University. Retrieved from http://bura.brunel.ac.uk/handle/2438/12690 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685464

Chicago Manual of Style (16th Edition):

McGuire, Paul. “Composing with an expanded instrumental palette.” 2015. Doctoral Dissertation, Brunel University. Accessed March 05, 2021. http://bura.brunel.ac.uk/handle/2438/12690 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685464.

MLA Handbook (7th Edition):

McGuire, Paul. “Composing with an expanded instrumental palette.” 2015. Web. 05 Mar 2021.

Vancouver:

McGuire P. Composing with an expanded instrumental palette. [Internet] [Doctoral dissertation]. Brunel University; 2015. [cited 2021 Mar 05]. Available from: http://bura.brunel.ac.uk/handle/2438/12690 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685464.

Council of Science Editors:

McGuire P. Composing with an expanded instrumental palette. [Doctoral Dissertation]. Brunel University; 2015. Available from: http://bura.brunel.ac.uk/handle/2438/12690 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685464

12. Mesquita, João de Sousa Delgado Goiana. O pensamento orquestral no treino auditivo de um pianista .

Degree: 2019, Universidade de Aveiro

 Um dos pontos frágeis da aprendizagem do nível complementar de piano em Portugal revela-se na separação das componentes práticas e artísticas. Ou seja, muitas vezes… (more)

Subjects/Keywords: Criatividade; Imaginação; Timbre; Transcrição; Pensamento orquestral

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APA (6th Edition):

Mesquita, J. d. S. D. G. (2019). O pensamento orquestral no treino auditivo de um pianista . (Thesis). Universidade de Aveiro. Retrieved from http://hdl.handle.net/10773/28495

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mesquita, João de Sousa Delgado Goiana. “O pensamento orquestral no treino auditivo de um pianista .” 2019. Thesis, Universidade de Aveiro. Accessed March 05, 2021. http://hdl.handle.net/10773/28495.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mesquita, João de Sousa Delgado Goiana. “O pensamento orquestral no treino auditivo de um pianista .” 2019. Web. 05 Mar 2021.

Vancouver:

Mesquita JdSDG. O pensamento orquestral no treino auditivo de um pianista . [Internet] [Thesis]. Universidade de Aveiro; 2019. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10773/28495.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mesquita JdSDG. O pensamento orquestral no treino auditivo de um pianista . [Thesis]. Universidade de Aveiro; 2019. Available from: http://hdl.handle.net/10773/28495

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat Politècnica de València

13. Pérez Hernández, Patricia. LA TRANSFORMACIÓN DEL TIMBRE DEL PIANO: DESDE SU EVOLUCIÓN MECÁNICA HASTA LAS TÉCNICAS EXTENDIDAS, MEDIANTE ELEMENTOS INTERNOS, EXTERNOS Y ELECTRÓNICOS .

Degree: 2016, Universitat Politècnica de València

 [EN] SUMMARY (English) THE TRANSFORMATION OF THE TIMBRE OF PIANO: SINCE ITS MECHANICAL EVOLUTION TO EXTENDED TECHNIQUES, THROUGH INTERNAL, EXTERNAL AND ELECTRONIC ELEMENTS. This research… (more)

Subjects/Keywords: Piano; Timbre; Técnicas extendidas; Espectralismo; Música electroacústica.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pérez Hernández, P. (2016). LA TRANSFORMACIÓN DEL TIMBRE DEL PIANO: DESDE SU EVOLUCIÓN MECÁNICA HASTA LAS TÉCNICAS EXTENDIDAS, MEDIANTE ELEMENTOS INTERNOS, EXTERNOS Y ELECTRÓNICOS . (Doctoral Dissertation). Universitat Politècnica de València. Retrieved from http://hdl.handle.net/10251/63260

Chicago Manual of Style (16th Edition):

Pérez Hernández, Patricia. “LA TRANSFORMACIÓN DEL TIMBRE DEL PIANO: DESDE SU EVOLUCIÓN MECÁNICA HASTA LAS TÉCNICAS EXTENDIDAS, MEDIANTE ELEMENTOS INTERNOS, EXTERNOS Y ELECTRÓNICOS .” 2016. Doctoral Dissertation, Universitat Politècnica de València. Accessed March 05, 2021. http://hdl.handle.net/10251/63260.

MLA Handbook (7th Edition):

Pérez Hernández, Patricia. “LA TRANSFORMACIÓN DEL TIMBRE DEL PIANO: DESDE SU EVOLUCIÓN MECÁNICA HASTA LAS TÉCNICAS EXTENDIDAS, MEDIANTE ELEMENTOS INTERNOS, EXTERNOS Y ELECTRÓNICOS .” 2016. Web. 05 Mar 2021.

Vancouver:

Pérez Hernández P. LA TRANSFORMACIÓN DEL TIMBRE DEL PIANO: DESDE SU EVOLUCIÓN MECÁNICA HASTA LAS TÉCNICAS EXTENDIDAS, MEDIANTE ELEMENTOS INTERNOS, EXTERNOS Y ELECTRÓNICOS . [Internet] [Doctoral dissertation]. Universitat Politècnica de València; 2016. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10251/63260.

Council of Science Editors:

Pérez Hernández P. LA TRANSFORMACIÓN DEL TIMBRE DEL PIANO: DESDE SU EVOLUCIÓN MECÁNICA HASTA LAS TÉCNICAS EXTENDIDAS, MEDIANTE ELEMENTOS INTERNOS, EXTERNOS Y ELECTRÓNICOS . [Doctoral Dissertation]. Universitat Politècnica de València; 2016. Available from: http://hdl.handle.net/10251/63260


Princeton University

14. Yamaguchi, Liesl Marie Jensen. Sensations of Tone: Colored Hearing and the Decline of Meter in French Verse .

Degree: PhD, 2017, Princeton University

 Sensations of Tone traces the emergence of the notion that vowels possess specific visual properties (the idea that “I” is bright, or “A” is red,… (more)

Subjects/Keywords: colored hearing; poetry; symbolism; synesthesia; timbre; vowels

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APA (6th Edition):

Yamaguchi, L. M. J. (2017). Sensations of Tone: Colored Hearing and the Decline of Meter in French Verse . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01qv33s030s

Chicago Manual of Style (16th Edition):

Yamaguchi, Liesl Marie Jensen. “Sensations of Tone: Colored Hearing and the Decline of Meter in French Verse .” 2017. Doctoral Dissertation, Princeton University. Accessed March 05, 2021. http://arks.princeton.edu/ark:/88435/dsp01qv33s030s.

MLA Handbook (7th Edition):

Yamaguchi, Liesl Marie Jensen. “Sensations of Tone: Colored Hearing and the Decline of Meter in French Verse .” 2017. Web. 05 Mar 2021.

Vancouver:

Yamaguchi LMJ. Sensations of Tone: Colored Hearing and the Decline of Meter in French Verse . [Internet] [Doctoral dissertation]. Princeton University; 2017. [cited 2021 Mar 05]. Available from: http://arks.princeton.edu/ark:/88435/dsp01qv33s030s.

Council of Science Editors:

Yamaguchi LMJ. Sensations of Tone: Colored Hearing and the Decline of Meter in French Verse . [Doctoral Dissertation]. Princeton University; 2017. Available from: http://arks.princeton.edu/ark:/88435/dsp01qv33s030s


University of Toronto

15. Weiss, Michael William. Exploring the Memory Advantage for Vocal Melodies.

Degree: PhD, 2016, University of Toronto

 The voice is a biologically significant and spectrally rich signal that plays a critical role in communication and social engagement throughout life. Nevertheless, music cognition… (more)

Subjects/Keywords: Melody; Memory; Music; Timbre; Voice; 0621

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APA (6th Edition):

Weiss, M. W. (2016). Exploring the Memory Advantage for Vocal Melodies. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/77421

Chicago Manual of Style (16th Edition):

Weiss, Michael William. “Exploring the Memory Advantage for Vocal Melodies.” 2016. Doctoral Dissertation, University of Toronto. Accessed March 05, 2021. http://hdl.handle.net/1807/77421.

MLA Handbook (7th Edition):

Weiss, Michael William. “Exploring the Memory Advantage for Vocal Melodies.” 2016. Web. 05 Mar 2021.

Vancouver:

Weiss MW. Exploring the Memory Advantage for Vocal Melodies. [Internet] [Doctoral dissertation]. University of Toronto; 2016. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/1807/77421.

Council of Science Editors:

Weiss MW. Exploring the Memory Advantage for Vocal Melodies. [Doctoral Dissertation]. University of Toronto; 2016. Available from: http://hdl.handle.net/1807/77421


University of New Mexico

16. Gomez, Steven M. Selected Works of Steven Matthew Gomez (Diaz) 2015-2018.

Degree: 2018, University of New Mexico

  Abstract The focus of my work as a composer during my Master’s program at the University of New Mexico from 2015 to 2018 has… (more)

Subjects/Keywords: Music; Composition; Improvisation; Timbre; Collaboration.; Music

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APA (6th Edition):

Gomez, S. M. (2018). Selected Works of Steven Matthew Gomez (Diaz) 2015-2018. (Masters Thesis). University of New Mexico. Retrieved from https://digitalrepository.unm.edu/mus_etds/28

Chicago Manual of Style (16th Edition):

Gomez, Steven M. “Selected Works of Steven Matthew Gomez (Diaz) 2015-2018.” 2018. Masters Thesis, University of New Mexico. Accessed March 05, 2021. https://digitalrepository.unm.edu/mus_etds/28.

MLA Handbook (7th Edition):

Gomez, Steven M. “Selected Works of Steven Matthew Gomez (Diaz) 2015-2018.” 2018. Web. 05 Mar 2021.

Vancouver:

Gomez SM. Selected Works of Steven Matthew Gomez (Diaz) 2015-2018. [Internet] [Masters thesis]. University of New Mexico; 2018. [cited 2021 Mar 05]. Available from: https://digitalrepository.unm.edu/mus_etds/28.

Council of Science Editors:

Gomez SM. Selected Works of Steven Matthew Gomez (Diaz) 2015-2018. [Masters Thesis]. University of New Mexico; 2018. Available from: https://digitalrepository.unm.edu/mus_etds/28


University of Minnesota

17. Allen, Emily. Perception and Processing of Pitch and Timbre in Human Cortex.

Degree: PhD, Psychology, 2018, University of Minnesota

 Pitch and timbre are integral components of auditory perception, yet our understanding of how they interact with one another and how they are processed cortically… (more)

Subjects/Keywords: auditory; fMRI; neuroimaging; perception; pitch; timbre

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APA (6th Edition):

Allen, E. (2018). Perception and Processing of Pitch and Timbre in Human Cortex. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/198406

Chicago Manual of Style (16th Edition):

Allen, Emily. “Perception and Processing of Pitch and Timbre in Human Cortex.” 2018. Doctoral Dissertation, University of Minnesota. Accessed March 05, 2021. http://hdl.handle.net/11299/198406.

MLA Handbook (7th Edition):

Allen, Emily. “Perception and Processing of Pitch and Timbre in Human Cortex.” 2018. Web. 05 Mar 2021.

Vancouver:

Allen E. Perception and Processing of Pitch and Timbre in Human Cortex. [Internet] [Doctoral dissertation]. University of Minnesota; 2018. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/11299/198406.

Council of Science Editors:

Allen E. Perception and Processing of Pitch and Timbre in Human Cortex. [Doctoral Dissertation]. University of Minnesota; 2018. Available from: http://hdl.handle.net/11299/198406


Louisiana State University

18. Goncalves, Pitagoras. Human Perception of Piano Timbre Variations Relative to the Piano's Dynamic Range.

Degree: DMA, Music, 2014, Louisiana State University

 The purpose of this study was to investigate the perception of brightness as it relates to loudness variations in piano tone. A single note was… (more)

Subjects/Keywords: Piano timbre; piano dynamics; piano tone; brightness

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APA (6th Edition):

Goncalves, P. (2014). Human Perception of Piano Timbre Variations Relative to the Piano's Dynamic Range. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-11112014-190646 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2385

Chicago Manual of Style (16th Edition):

Goncalves, Pitagoras. “Human Perception of Piano Timbre Variations Relative to the Piano's Dynamic Range.” 2014. Doctoral Dissertation, Louisiana State University. Accessed March 05, 2021. etd-11112014-190646 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2385.

MLA Handbook (7th Edition):

Goncalves, Pitagoras. “Human Perception of Piano Timbre Variations Relative to the Piano's Dynamic Range.” 2014. Web. 05 Mar 2021.

Vancouver:

Goncalves P. Human Perception of Piano Timbre Variations Relative to the Piano's Dynamic Range. [Internet] [Doctoral dissertation]. Louisiana State University; 2014. [cited 2021 Mar 05]. Available from: etd-11112014-190646 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2385.

Council of Science Editors:

Goncalves P. Human Perception of Piano Timbre Variations Relative to the Piano's Dynamic Range. [Doctoral Dissertation]. Louisiana State University; 2014. Available from: etd-11112014-190646 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2385

19. Shimoda, Lucas Takeo. O estatuto conotativo do timbre em semiótica da canção.

Degree: Mestrado, Semiótica e Lingüística Geral, 2014, University of São Paulo

 O presente trabalho tem como objetivo discutir o papel do timbre no edifício teórico da Semiótica da Canção, entendida aqui como a vertente teórica da… (more)

Subjects/Keywords: Canção; Connotation; Conotação; Semiótica; Semiótica da canção; Semiotics; Semiotics of song; Song; Timbre; Timbre

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shimoda, L. T. (2014). O estatuto conotativo do timbre em semiótica da canção. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8139/tde-26052014-121524/ ;

Chicago Manual of Style (16th Edition):

Shimoda, Lucas Takeo. “O estatuto conotativo do timbre em semiótica da canção.” 2014. Masters Thesis, University of São Paulo. Accessed March 05, 2021. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-26052014-121524/ ;.

MLA Handbook (7th Edition):

Shimoda, Lucas Takeo. “O estatuto conotativo do timbre em semiótica da canção.” 2014. Web. 05 Mar 2021.

Vancouver:

Shimoda LT. O estatuto conotativo do timbre em semiótica da canção. [Internet] [Masters thesis]. University of São Paulo; 2014. [cited 2021 Mar 05]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8139/tde-26052014-121524/ ;.

Council of Science Editors:

Shimoda LT. O estatuto conotativo do timbre em semiótica da canção. [Masters Thesis]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/8/8139/tde-26052014-121524/ ;

20. Coelho, Fabiana Moura. A influência da configuração do trato vocal na sonoridade da flauta.

Degree: PhD, Musicologia, 2014, University of São Paulo

O presente trabalho busca demonstrar de forma objetiva a influência das diferentes configurações de trato vocal na sonoridade da flauta. As alterações ocorridas na sonoridade… (more)

Subjects/Keywords: acoustics; acústica; flauta; flute; sonologia; sonology; sonoridade; sonority; timbre; timbre; trato vocal; vocal tract

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APA (6th Edition):

Coelho, F. M. (2014). A influência da configuração do trato vocal na sonoridade da flauta. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27157/tde-05112014-092753/ ;

Chicago Manual of Style (16th Edition):

Coelho, Fabiana Moura. “A influência da configuração do trato vocal na sonoridade da flauta.” 2014. Doctoral Dissertation, University of São Paulo. Accessed March 05, 2021. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-05112014-092753/ ;.

MLA Handbook (7th Edition):

Coelho, Fabiana Moura. “A influência da configuração do trato vocal na sonoridade da flauta.” 2014. Web. 05 Mar 2021.

Vancouver:

Coelho FM. A influência da configuração do trato vocal na sonoridade da flauta. [Internet] [Doctoral dissertation]. University of São Paulo; 2014. [cited 2021 Mar 05]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-05112014-092753/ ;.

Council of Science Editors:

Coelho FM. A influência da configuração do trato vocal na sonoridade da flauta. [Doctoral Dissertation]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-05112014-092753/ ;

21. Ansari Dezfoul, Mona. Transposition des valeurs des voitures européennes à travers la bande-son des spots publicitaires produits à l'année 2012 : Transposition of the values of European cars through the soundtrack advertising.

Degree: Docteur es, Sciences de l'Information et de la Communication, 2016, Limoges

Le son, sur un support audio-visuel, est le vecteur d’un sens supplémentaire pour l’image. La captation de ce sens concerne trois attitudes de l’individu vis-à-vis… (more)

Subjects/Keywords: Jingle; Congruence; Timbre; Bande-son; Marketing musical; Jingle; Congruency; Timbre; Sound track; Musical marketing; 410

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APA (6th Edition):

Ansari Dezfoul, M. (2016). Transposition des valeurs des voitures européennes à travers la bande-son des spots publicitaires produits à l'année 2012 : Transposition of the values of European cars through the soundtrack advertising. (Doctoral Dissertation). Limoges. Retrieved from http://www.theses.fr/2016LIMO0059

Chicago Manual of Style (16th Edition):

Ansari Dezfoul, Mona. “Transposition des valeurs des voitures européennes à travers la bande-son des spots publicitaires produits à l'année 2012 : Transposition of the values of European cars through the soundtrack advertising.” 2016. Doctoral Dissertation, Limoges. Accessed March 05, 2021. http://www.theses.fr/2016LIMO0059.

MLA Handbook (7th Edition):

Ansari Dezfoul, Mona. “Transposition des valeurs des voitures européennes à travers la bande-son des spots publicitaires produits à l'année 2012 : Transposition of the values of European cars through the soundtrack advertising.” 2016. Web. 05 Mar 2021.

Vancouver:

Ansari Dezfoul M. Transposition des valeurs des voitures européennes à travers la bande-son des spots publicitaires produits à l'année 2012 : Transposition of the values of European cars through the soundtrack advertising. [Internet] [Doctoral dissertation]. Limoges; 2016. [cited 2021 Mar 05]. Available from: http://www.theses.fr/2016LIMO0059.

Council of Science Editors:

Ansari Dezfoul M. Transposition des valeurs des voitures européennes à travers la bande-son des spots publicitaires produits à l'année 2012 : Transposition of the values of European cars through the soundtrack advertising. [Doctoral Dissertation]. Limoges; 2016. Available from: http://www.theses.fr/2016LIMO0059


UCLA

22. Saulle, Joshua H. Vocal Timbre and Technique in Caroline Shaw's Partita for 8 Voices.

Degree: Music, 2019, UCLA

 The vocal ensemble Roomful of Teeth has attracted a great deal of attention since its founding in 2009 for its exploration of vocal timbre, extended… (more)

Subjects/Keywords: Musical composition; Music theory; Caroline Shaw; Extended Techniques; Roomful of Teeth; Timbre; Vocal Timbre; Voice

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APA (6th Edition):

Saulle, J. H. (2019). Vocal Timbre and Technique in Caroline Shaw's Partita for 8 Voices. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/6t13v7fr

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Saulle, Joshua H. “Vocal Timbre and Technique in Caroline Shaw's Partita for 8 Voices.” 2019. Thesis, UCLA. Accessed March 05, 2021. http://www.escholarship.org/uc/item/6t13v7fr.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Saulle, Joshua H. “Vocal Timbre and Technique in Caroline Shaw's Partita for 8 Voices.” 2019. Web. 05 Mar 2021.

Vancouver:

Saulle JH. Vocal Timbre and Technique in Caroline Shaw's Partita for 8 Voices. [Internet] [Thesis]. UCLA; 2019. [cited 2021 Mar 05]. Available from: http://www.escholarship.org/uc/item/6t13v7fr.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Saulle JH. Vocal Timbre and Technique in Caroline Shaw's Partita for 8 Voices. [Thesis]. UCLA; 2019. Available from: http://www.escholarship.org/uc/item/6t13v7fr

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Evanno-Ledoux, Gwenaëlle. Les parodies de spectacles parisiens sous l'Ancien Régime : étude des procédés musicaux : The parodies of Parisian spectacles under L'Ancien Régime (1676-1752) : study of musical methods.

Degree: Docteur es, Musique et musicologie, 2014, Université François-Rabelais de Tours

La parodie dramatique du XVIIIe siècle est un thème qui a bien souvent été traité. Il existe en effet de nombreux travaux sur le sujet,… (more)

Subjects/Keywords: Parodie; Musicologie; Timbre; Spectacles parisiens; Airs populaires; Parody; Musicology; Timbre; Parisian spectacles; Tunes

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APA (6th Edition):

Evanno-Ledoux, G. (2014). Les parodies de spectacles parisiens sous l'Ancien Régime : étude des procédés musicaux : The parodies of Parisian spectacles under L'Ancien Régime (1676-1752) : study of musical methods. (Doctoral Dissertation). Université François-Rabelais de Tours. Retrieved from http://www.theses.fr/2014TOUR2033

Chicago Manual of Style (16th Edition):

Evanno-Ledoux, Gwenaëlle. “Les parodies de spectacles parisiens sous l'Ancien Régime : étude des procédés musicaux : The parodies of Parisian spectacles under L'Ancien Régime (1676-1752) : study of musical methods.” 2014. Doctoral Dissertation, Université François-Rabelais de Tours. Accessed March 05, 2021. http://www.theses.fr/2014TOUR2033.

MLA Handbook (7th Edition):

Evanno-Ledoux, Gwenaëlle. “Les parodies de spectacles parisiens sous l'Ancien Régime : étude des procédés musicaux : The parodies of Parisian spectacles under L'Ancien Régime (1676-1752) : study of musical methods.” 2014. Web. 05 Mar 2021.

Vancouver:

Evanno-Ledoux G. Les parodies de spectacles parisiens sous l'Ancien Régime : étude des procédés musicaux : The parodies of Parisian spectacles under L'Ancien Régime (1676-1752) : study of musical methods. [Internet] [Doctoral dissertation]. Université François-Rabelais de Tours; 2014. [cited 2021 Mar 05]. Available from: http://www.theses.fr/2014TOUR2033.

Council of Science Editors:

Evanno-Ledoux G. Les parodies de spectacles parisiens sous l'Ancien Régime : étude des procédés musicaux : The parodies of Parisian spectacles under L'Ancien Régime (1676-1752) : study of musical methods. [Doctoral Dissertation]. Université François-Rabelais de Tours; 2014. Available from: http://www.theses.fr/2014TOUR2033


University of Florida

24. Smock, Brandon. A Perception-Centric Framework for Digital Timbre Manipulation in Music Composition.

Degree: PhD, Computer Engineering - Computer and Information Science and Engineering, 2014, University of Florida

 In this work, a new framework is developed for the unrestricted manipulation of timbre in musical composition. Unlike other perceptual musical attributes such as pitch… (more)

Subjects/Keywords: Auditory perception; Harmonics; Loudness; Musical instruments; Musical perception; Musical timbre; Signals; Sound; Sound pitch; Timbre; composition  – instantaneous  – mds  – music  – perception  – space  – timbre

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smock, B. (2014). A Perception-Centric Framework for Digital Timbre Manipulation in Music Composition. (Doctoral Dissertation). University of Florida. Retrieved from https://ufdc.ufl.edu/UFE0046695

Chicago Manual of Style (16th Edition):

Smock, Brandon. “A Perception-Centric Framework for Digital Timbre Manipulation in Music Composition.” 2014. Doctoral Dissertation, University of Florida. Accessed March 05, 2021. https://ufdc.ufl.edu/UFE0046695.

MLA Handbook (7th Edition):

Smock, Brandon. “A Perception-Centric Framework for Digital Timbre Manipulation in Music Composition.” 2014. Web. 05 Mar 2021.

Vancouver:

Smock B. A Perception-Centric Framework for Digital Timbre Manipulation in Music Composition. [Internet] [Doctoral dissertation]. University of Florida; 2014. [cited 2021 Mar 05]. Available from: https://ufdc.ufl.edu/UFE0046695.

Council of Science Editors:

Smock B. A Perception-Centric Framework for Digital Timbre Manipulation in Music Composition. [Doctoral Dissertation]. University of Florida; 2014. Available from: https://ufdc.ufl.edu/UFE0046695

25. Pereira, Flavia Vieira. As práticas de reelaboração musical.

Degree: PhD, Musicologia, 2011, University of São Paulo

Este trabalho tem como principal objetivo realizar um estudo das práticas de reelaboração musical relacionadas aqui como: transcrição, orquestração, redução, arranjo, adaptação e paráfrase, promovendo… (more)

Subjects/Keywords: Adaptação; Adaptation; Arrangement; Arranjo; Orchestration; Orquestração; Paráfrase; Paraphrase; Re-elaboration; Redução; Reduction; Reelaboração; Textura; Texture; Timbre; Timbre; Transcrição; Transcription

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APA (6th Edition):

Pereira, F. V. (2011). As práticas de reelaboração musical. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27157/tde-24062011-104128/ ;

Chicago Manual of Style (16th Edition):

Pereira, Flavia Vieira. “As práticas de reelaboração musical.” 2011. Doctoral Dissertation, University of São Paulo. Accessed March 05, 2021. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-24062011-104128/ ;.

MLA Handbook (7th Edition):

Pereira, Flavia Vieira. “As práticas de reelaboração musical.” 2011. Web. 05 Mar 2021.

Vancouver:

Pereira FV. As práticas de reelaboração musical. [Internet] [Doctoral dissertation]. University of São Paulo; 2011. [cited 2021 Mar 05]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-24062011-104128/ ;.

Council of Science Editors:

Pereira FV. As práticas de reelaboração musical. [Doctoral Dissertation]. University of São Paulo; 2011. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-24062011-104128/ ;


Universidad de Chile

26. Isla Mateluna, Carlos Andrés. Alcances de la eliminación del impuesto de timbres y estampillas, y su reemplazo poe el impuesto al valor agregado para los creditos de bancos e instituciones financiera.

Degree: 2009, Universidad de Chile

Este tipo de operaciones le reporta una importante recaudación al fisco, y siempre se ha discutido su eventual eliminación.

Subjects/Keywords: Impuestos de timbre – Chile; SELLOS DE TIMBRE; Tributación

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Isla Mateluna, C. A. (2009). Alcances de la eliminación del impuesto de timbres y estampillas, y su reemplazo poe el impuesto al valor agregado para los creditos de bancos e instituciones financiera. (Thesis). Universidad de Chile. Retrieved from http://repositorio.uchile.cl/handle/2250/113585

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Isla Mateluna, Carlos Andrés. “Alcances de la eliminación del impuesto de timbres y estampillas, y su reemplazo poe el impuesto al valor agregado para los creditos de bancos e instituciones financiera.” 2009. Thesis, Universidad de Chile. Accessed March 05, 2021. http://repositorio.uchile.cl/handle/2250/113585.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Isla Mateluna, Carlos Andrés. “Alcances de la eliminación del impuesto de timbres y estampillas, y su reemplazo poe el impuesto al valor agregado para los creditos de bancos e instituciones financiera.” 2009. Web. 05 Mar 2021.

Vancouver:

Isla Mateluna CA. Alcances de la eliminación del impuesto de timbres y estampillas, y su reemplazo poe el impuesto al valor agregado para los creditos de bancos e instituciones financiera. [Internet] [Thesis]. Universidad de Chile; 2009. [cited 2021 Mar 05]. Available from: http://repositorio.uchile.cl/handle/2250/113585.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Isla Mateluna CA. Alcances de la eliminación del impuesto de timbres y estampillas, y su reemplazo poe el impuesto al valor agregado para los creditos de bancos e instituciones financiera. [Thesis]. Universidad de Chile; 2009. Available from: http://repositorio.uchile.cl/handle/2250/113585

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Tech

27. Locy, Raymond S. The effect of instrumental timbre preference and instrumental timbre on the pitch error detection skills of university conducting students.

Degree: EdD, Curriculum and Instruction, 1996, Virginia Tech

 The purpose of this study was to determine the effect of instrumental timbre preference and instrumental timbre on the error detection skills of undergraduate conducting… (more)

Subjects/Keywords: Error detection; Timbre; Timbre preference; LD5655.V856 1996.L639

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Locy, R. S. (1996). The effect of instrumental timbre preference and instrumental timbre on the pitch error detection skills of university conducting students. (Doctoral Dissertation). Virginia Tech. Retrieved from http://hdl.handle.net/10919/39543

Chicago Manual of Style (16th Edition):

Locy, Raymond S. “The effect of instrumental timbre preference and instrumental timbre on the pitch error detection skills of university conducting students.” 1996. Doctoral Dissertation, Virginia Tech. Accessed March 05, 2021. http://hdl.handle.net/10919/39543.

MLA Handbook (7th Edition):

Locy, Raymond S. “The effect of instrumental timbre preference and instrumental timbre on the pitch error detection skills of university conducting students.” 1996. Web. 05 Mar 2021.

Vancouver:

Locy RS. The effect of instrumental timbre preference and instrumental timbre on the pitch error detection skills of university conducting students. [Internet] [Doctoral dissertation]. Virginia Tech; 1996. [cited 2021 Mar 05]. Available from: http://hdl.handle.net/10919/39543.

Council of Science Editors:

Locy RS. The effect of instrumental timbre preference and instrumental timbre on the pitch error detection skills of university conducting students. [Doctoral Dissertation]. Virginia Tech; 1996. Available from: http://hdl.handle.net/10919/39543


The Ohio State University

28. Reymore, Lindsey E. Empirical approaches to timbre semantics as a foundation for musical analysis.

Degree: PhD, Music, 2020, The Ohio State University

 This dissertation presents empirical investigations of the cognitive linguistics of musical instrument timbre qualia and explores applications of these results to musical analysis. First, interviews… (more)

Subjects/Keywords: Music; timbre, qualia, music cognition, timbre semantics, cognitive linguistics, musical analysis, cross-modal correspondence, music and color

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APA (6th Edition):

Reymore, L. E. (2020). Empirical approaches to timbre semantics as a foundation for musical analysis. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1586792450387823

Chicago Manual of Style (16th Edition):

Reymore, Lindsey E. “Empirical approaches to timbre semantics as a foundation for musical analysis.” 2020. Doctoral Dissertation, The Ohio State University. Accessed March 05, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1586792450387823.

MLA Handbook (7th Edition):

Reymore, Lindsey E. “Empirical approaches to timbre semantics as a foundation for musical analysis.” 2020. Web. 05 Mar 2021.

Vancouver:

Reymore LE. Empirical approaches to timbre semantics as a foundation for musical analysis. [Internet] [Doctoral dissertation]. The Ohio State University; 2020. [cited 2021 Mar 05]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1586792450387823.

Council of Science Editors:

Reymore LE. Empirical approaches to timbre semantics as a foundation for musical analysis. [Doctoral Dissertation]. The Ohio State University; 2020. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1586792450387823


University of California – Berkeley

29. Griscom, William. Visualizing Sound: Cross-Modal Mapping Between Music and Color.

Degree: Psychology, 2015, University of California – Berkeley

 Within the realm of perception, the phrase "cross-modal correspondences" refers to consistent associations between features in two different sensory domains, such as the fact that… (more)

Subjects/Keywords: Psychology; Music; Aesthetics; Audio; Multi-sensory; Perception; Timbre; Vision; Visualization

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APA (6th Edition):

Griscom, W. (2015). Visualizing Sound: Cross-Modal Mapping Between Music and Color. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/7px9h0gg

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Griscom, William. “Visualizing Sound: Cross-Modal Mapping Between Music and Color.” 2015. Thesis, University of California – Berkeley. Accessed March 05, 2021. http://www.escholarship.org/uc/item/7px9h0gg.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Griscom, William. “Visualizing Sound: Cross-Modal Mapping Between Music and Color.” 2015. Web. 05 Mar 2021.

Vancouver:

Griscom W. Visualizing Sound: Cross-Modal Mapping Between Music and Color. [Internet] [Thesis]. University of California – Berkeley; 2015. [cited 2021 Mar 05]. Available from: http://www.escholarship.org/uc/item/7px9h0gg.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Griscom W. Visualizing Sound: Cross-Modal Mapping Between Music and Color. [Thesis]. University of California – Berkeley; 2015. Available from: http://www.escholarship.org/uc/item/7px9h0gg

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Utah

30. Iachimciuc, Igor. Part I: Sound color in the music of Gyorgy Kurtag, Part II: Leopard's path, thirteen visions for chamber ensemble.

Degree: PhD, Music (School of);, 2010, University of Utah

 The dissertation is in two parts, a theoretical study and a musical composition. In Part I the music of György Kurtág is analyzed from the… (more)

Subjects/Keywords: Gyorgy Kurtag; Music; Sonorism; Sound color; Timbre; Tone color

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Iachimciuc, I. (2010). Part I: Sound color in the music of Gyorgy Kurtag, Part II: Leopard's path, thirteen visions for chamber ensemble. (Doctoral Dissertation). University of Utah. Retrieved from http://content.lib.utah.edu/cdm/singleitem/collection/etd2/id/810/rec/863

Chicago Manual of Style (16th Edition):

Iachimciuc, Igor. “Part I: Sound color in the music of Gyorgy Kurtag, Part II: Leopard's path, thirteen visions for chamber ensemble.” 2010. Doctoral Dissertation, University of Utah. Accessed March 05, 2021. http://content.lib.utah.edu/cdm/singleitem/collection/etd2/id/810/rec/863.

MLA Handbook (7th Edition):

Iachimciuc, Igor. “Part I: Sound color in the music of Gyorgy Kurtag, Part II: Leopard's path, thirteen visions for chamber ensemble.” 2010. Web. 05 Mar 2021.

Vancouver:

Iachimciuc I. Part I: Sound color in the music of Gyorgy Kurtag, Part II: Leopard's path, thirteen visions for chamber ensemble. [Internet] [Doctoral dissertation]. University of Utah; 2010. [cited 2021 Mar 05]. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd2/id/810/rec/863.

Council of Science Editors:

Iachimciuc I. Part I: Sound color in the music of Gyorgy Kurtag, Part II: Leopard's path, thirteen visions for chamber ensemble. [Doctoral Dissertation]. University of Utah; 2010. Available from: http://content.lib.utah.edu/cdm/singleitem/collection/etd2/id/810/rec/863

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