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You searched for subject:(Third World Marxism). Showing records 1 – 2 of 2 total matches.

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1. Hornstein, Sarah Shoshana. On Alienation and Imperialism: Synthesizing the Work of Herbert Marcuse and Samir Amin.

Degree: PhD, Sociology, 2019, York University

This dissertation builds on the idea that there is much to be gained by bringing Western Marxism and Marxist theories of imperialism into engagement with each other through synthesis of the work of two key figures: Herbert Marcuse and Samir Amin. Using Marcuse to supplement Amin (and vice versa) provides for a more complete understanding of capitalist imperialism on a world scale. This lends Marcuse an applicability/relevance currently denied to him while also allowing for an updating of his theory that accounts for changes in the operation of capitalism since his time. It also enhances Amins work insofar as it can be used to augment his analysis of the capitalist centres and their relation to the periphery. A key objective of the analysis this dissertation undertakes is to produce a more robust theoretical approach capable of increasing our understanding of the world and positioning us to better meet the challenges posed for human emancipation from an exploitative, alienated existence of suffering. Chapter 1 provides the necessary background for engaging with both Amins and Marcuses analyses of alienation by focusing on the work of Marx, Lukcs, and Freud. Chapter 2 engages in explicit discussion of Amins analysis of the world capitalist system and its development. Chapter 3 is concerned with Marcuses work and begins with discussion of the emergence of one dimensional thinking and technological rationality before turning to Marcuses analysis of alienation. The final chapter demonstrates the compatibility of Amins and Marcuses analyses and concludes by pointing toward some possibilities for future research. Advisors/Committee Members: Anderson, Karen (advisor).

Subjects/Keywords: Political Science; Critical Theory; Frankfurt School; Herbert Marcuse; Samir Amin; Marcuse; Amin; Imperialism; Marxism; Alienation; Alienation and imperialism; Political economy; Political theory; Social theory; Social and political thought; Western Marxism; Marx; Karl Marx; Psychoanalysis; World system; World Systems Theory; Dependency Theory; Freud; Marxist theories of imperialism; Centre; Periphery; Third World Marxism; Technological rationality; Enlightenment; Instrumental rationality; Instrumental reason; Technological reason; One dimensional man; One dimensional thinking; Commodity fetishism; Repressive desublimation; Exploitation; Proletariat; Working class; Bourgeoisie; Class struggle; Revolution; Delinking; Negative thinking; Struggle; Social transformation; Freedom; Human freedom; Transformative social change; Social change; Social struggle; Capitalism; Capitalist imperialism; New left; Estrangement; Totality; Totalizing; Domination; Liberation; Critique; Crisis; Crisis of capitalism; Critique of capitalism; Lukacs; Lukács; Technocracy; Marxist philosophy; Marxian philosophy; Marxist social theory; Marxian social theory; Sociological theory; Reification; Center and periphery; Centre and periphery; Imperialist world system; Capitalist world system; Capitalist imperialist world system; Advanced capitalism; Late capitalism; Obsolescent capitalism; Enlightenment thought; Enlightenment thinking; Administered society; Capitalist development; Tributary society; Tributary formation; Capitalist formation; Capitalist mode of production; Tributary mode of production; Capitalist society; Freudian Marxism; Marxism and psychoanalysis

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hornstein, S. S. (2019). On Alienation and Imperialism: Synthesizing the Work of Herbert Marcuse and Samir Amin. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/35803

Chicago Manual of Style (16th Edition):

Hornstein, Sarah Shoshana. “On Alienation and Imperialism: Synthesizing the Work of Herbert Marcuse and Samir Amin.” 2019. Doctoral Dissertation, York University. Accessed January 19, 2020. http://hdl.handle.net/10315/35803.

MLA Handbook (7th Edition):

Hornstein, Sarah Shoshana. “On Alienation and Imperialism: Synthesizing the Work of Herbert Marcuse and Samir Amin.” 2019. Web. 19 Jan 2020.

Vancouver:

Hornstein SS. On Alienation and Imperialism: Synthesizing the Work of Herbert Marcuse and Samir Amin. [Internet] [Doctoral dissertation]. York University; 2019. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/10315/35803.

Council of Science Editors:

Hornstein SS. On Alienation and Imperialism: Synthesizing the Work of Herbert Marcuse and Samir Amin. [Doctoral Dissertation]. York University; 2019. Available from: http://hdl.handle.net/10315/35803


University of St. Andrews

2. Glomm, Anna Sandaker. Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS .

Degree: 2012, University of St. Andrews

This thesis examines the relationship between the three artists’ workshops Røde Mor (Red Mother), Folkets Ateljé (The People’s Studio) and GRAS, who worked between 1968 and 1975 in Denmark, Sweden and Norway. Røde Mor was from the outset an articulated Communist graphic workshop loosely organised around collective exhibitions. It developed into a highly productive and professionalised group of artists that made posters by commission for political and social movements. Its artists developed a familiar and popular artistic language characterised by imaginative realism and socialist imagery. Folkets Ateljé, which has never been studied before, was a close knit underground group which created quick and immediate responses to concurrent political issues. This group was founded on the example of Atelier Populaire in France and is strongly related to its practices. Within this comparative study it is the group that comes closest to collective practises around 1968 outside Scandinavia, namely the democratic assembly. The silkscreen workshop GRAS stemmed from the idea of economic and artistic freedom, although socially motivated and politically involved, the group never implemented any doctrine for participation. The aim of this transnational study is to reveal common denominators to the three groups’ poster art as it was produced in connection with a Scandinavian experience of 1968. By ‘1968’ it is meant the period from the late 1960s till the end of the 1970s. It examines the socio-political conditions under which the groups flourished and shows how these groups operated in conjunction with the political environment of 1968. The thesis explores the relationship between political movements and the collective art making process as it appeared in Scandinavia. To present a comprehensible picture of the impact of 1968 on these groups, their artworks, manifestos, and activities outside of the collective space have been discussed. The argument has presented itself that even though these groups had very similar ideological stances, their posters and techniques differ. This has impacted the artists involved to different degrees, yet made it possible to express the same political goals. It is suggested to be linked with the Scandinavian social democracies and common experience of the radicalisation that took place mostly in the aftermath of 1968 proper. By comparing these three groups’ it has been uncovered that even with the same socio-political circumstances and ideological stance divergent styles did develop to embrace these issue. Advisors/Committee Members: Howard, Jeremy (advisor).

Subjects/Keywords: Poster art in the twentieth-century; Political art; Propaganda; Social realism; Socialist realism; Røde Mor; GRAS; Folkets Ateljé; Norwegian twentieth-century art; Danish twentieth-century art; Swedish twentieth-century art; Scandinavian twentieth-century art; Pop art; Conceptual art; Figuration; Abstraction; 1968; Popular movements; Transnational study; Op-art; EEC 1972; Communism and art; Marxist-Leninism and art; Underground and sub culture; 1970s Scandinavia; Marxism and art; Grassroot movements; Collectivism; Graphic art; Silkscreen; Serigraphy; Lino-cuts; Offset print; Linoleum print; Atelier Populaire; Art Workers Coalition; Modernism; Postmodernism; Social art history; Russian avant garde poster art; Neo-avant garde; Activism and art; Comparative study of art; Non-figuration; Scandinavian 1968; European 1968; Political pop-art; Youth rebellion and uprising; Capitalism and art; Street art; Scandinavian model and art; Nordic model and art; Social democracy and art; Globalisation; Chinese Cultural Revolution; Third World and anti-imperialism

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Glomm, A. S. (2012). Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/3171

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Glomm, Anna Sandaker. “Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS .” 2012. Thesis, University of St. Andrews. Accessed January 19, 2020. http://hdl.handle.net/10023/3171.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Glomm, Anna Sandaker. “Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS .” 2012. Web. 19 Jan 2020.

Vancouver:

Glomm AS. Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS . [Internet] [Thesis]. University of St. Andrews; 2012. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/10023/3171.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Glomm AS. Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS . [Thesis]. University of St. Andrews; 2012. Available from: http://hdl.handle.net/10023/3171

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.