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Level: d_ph

You searched for subject:(Therapeutic Function of Music). Showing records 1 – 30 of 302 total matches.

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University of Birmingham

1. Rodrigues, Ruth Elizabeth. Selected students of Leopold Auer: a study in violin performance-practice.

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

 This thesis investigates the teaching and legacy of Leopold Auer; it addresses, in particular to what extent his promulgation of the ‘German’ School of Violin… (more)

Subjects/Keywords: ML Literature of music

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APA (6th Edition):

Rodrigues, R. E. (2010). Selected students of Leopold Auer: a study in violin performance-practice. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/739/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rodrigues, Ruth Elizabeth. “Selected students of Leopold Auer: a study in violin performance-practice.” 2010. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/739/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rodrigues, Ruth Elizabeth. “Selected students of Leopold Auer: a study in violin performance-practice.” 2010. Web. 23 Aug 2019.

Vancouver:

Rodrigues RE. Selected students of Leopold Auer: a study in violin performance-practice. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/739/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rodrigues RE. Selected students of Leopold Auer: a study in violin performance-practice. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/739/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

2. Poepel, Cornelius. An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers.

Degree: d_ph, College of Arts & Law, 2011, University of Birmingham

 This thesis proposes an alternative approach to sound synthesis. It seeks to offer traditional string players a synthesiser which will allow them to make use… (more)

Subjects/Keywords: M Music; ML Literature of music; QA75 Electronic computers. Computer science

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APA (6th Edition):

Poepel, C. (2011). An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1479/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Poepel, Cornelius. “An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers.” 2011. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/1479/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Poepel, Cornelius. “An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers.” 2011. Web. 23 Aug 2019.

Vancouver:

Poepel C. An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/1479/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Poepel C. An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/1479/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Morimoto, Yota. Portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 The essay briefly contextualizes the field of my compositional interest and accordingly proceeds to examine sound, space, and time from different grounds. The intention of… (more)

Subjects/Keywords: ML Literature of music

…sonic components evidence his effort in combining essences of Western and non-Western music… …intuitively even though I had little knowledge of music at that time. Often sound in Sakamoto’s… …music manifests such coexistance or collision of distant musical elements (The album… …studying music in university. Because of my listening habit I did not enjoy playing classic music… …of my electronic music 8ound and the tattooer, discussed later. 2 ! After moving to… 

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APA (6th Edition):

Morimoto, Y. (2015). Portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5644/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morimoto, Yota. “Portfolio of compositions.” 2015. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/5644/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morimoto, Yota. “Portfolio of compositions.” 2015. Web. 23 Aug 2019.

Vancouver:

Morimoto Y. Portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/5644/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morimoto Y. Portfolio of compositions. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/5644/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

4. Thomas, Gareth James. The impact of Russian music in England 1893-1929.

Degree: d_ph, School of Humanities, 2005, University of Birmingham

 This thesis is an investigation into the reception of Russian music in England for the period 1893-1929 and the influence it had on English composers.… (more)

Subjects/Keywords: ML Literature of music

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APA (6th Edition):

Thomas, G. J. (2005). The impact of Russian music in England 1893-1929. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/260/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thomas, Gareth James. “The impact of Russian music in England 1893-1929.” 2005. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/260/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thomas, Gareth James. “The impact of Russian music in England 1893-1929.” 2005. Web. 23 Aug 2019.

Vancouver:

Thomas GJ. The impact of Russian music in England 1893-1929. [Internet] [Thesis]. University of Birmingham; 2005. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/260/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thomas GJ. The impact of Russian music in England 1893-1929. [Thesis]. University of Birmingham; 2005. Available from: http://etheses.bham.ac.uk//id/eprint/260/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

5. Mott, Maxine Elizabeth. The choral works of Robert Schumann (1810-56).

Degree: d_ph, Faculty of Arts, 1991, University of Birmingham

 Schumann's choral music provides a focus for an account of his later compositional career. Various original contributions to research are made. The Handelian influence behind… (more)

Subjects/Keywords: ML Literature of music

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APA (6th Edition):

Mott, M. E. (1991). The choral works of Robert Schumann (1810-56). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/261/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mott, Maxine Elizabeth. “The choral works of Robert Schumann (1810-56).” 1991. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/261/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mott, Maxine Elizabeth. “The choral works of Robert Schumann (1810-56).” 1991. Web. 23 Aug 2019.

Vancouver:

Mott ME. The choral works of Robert Schumann (1810-56). [Internet] [Thesis]. University of Birmingham; 1991. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/261/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mott ME. The choral works of Robert Schumann (1810-56). [Thesis]. University of Birmingham; 1991. Available from: http://etheses.bham.ac.uk//id/eprint/261/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

6. Bornstein, Andrea. Two-part didactic music in printed Italian collections of the Renaissance and Baroque (1521-1744).

Degree: d_ph, School of Humanities, 2001, University of Birmingham

 Two-part compositions were one of the main means through which music was taught during the Renaissance and Baroque periods, and they therefore played an important… (more)

Subjects/Keywords: ML Literature of music

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APA (6th Edition):

Bornstein, A. (2001). Two-part didactic music in printed Italian collections of the Renaissance and Baroque (1521-1744). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/677/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bornstein, Andrea. “Two-part didactic music in printed Italian collections of the Renaissance and Baroque (1521-1744).” 2001. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/677/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bornstein, Andrea. “Two-part didactic music in printed Italian collections of the Renaissance and Baroque (1521-1744).” 2001. Web. 23 Aug 2019.

Vancouver:

Bornstein A. Two-part didactic music in printed Italian collections of the Renaissance and Baroque (1521-1744). [Internet] [Thesis]. University of Birmingham; 2001. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/677/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bornstein A. Two-part didactic music in printed Italian collections of the Renaissance and Baroque (1521-1744). [Thesis]. University of Birmingham; 2001. Available from: http://etheses.bham.ac.uk//id/eprint/677/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

7. Langfield, Valerie Gail. Roger Quilter 1877-1953: his life, times and music.

Degree: d_ph, School of Humanities, 2004, University of Birmingham

 Roger Quilter is best known for his elegant and refined songs, which are rooted in late Victorian parlour-song, and are staples of the English artsong… (more)

Subjects/Keywords: ML Literature of music

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APA (6th Edition):

Langfield, V. G. (2004). Roger Quilter 1877-1953: his life, times and music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/1354/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Langfield, Valerie Gail. “Roger Quilter 1877-1953: his life, times and music.” 2004. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/1354/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Langfield, Valerie Gail. “Roger Quilter 1877-1953: his life, times and music.” 2004. Web. 23 Aug 2019.

Vancouver:

Langfield VG. Roger Quilter 1877-1953: his life, times and music. [Internet] [Thesis]. University of Birmingham; 2004. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/1354/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Langfield VG. Roger Quilter 1877-1953: his life, times and music. [Thesis]. University of Birmingham; 2004. Available from: http://etheses.bham.ac.uk//id/eprint/1354/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Simmons, Alexander. Erik Satie's Trois Gnossiennes in the French fin de siècle.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 A majority of modern studies of Erik Satie’s Trois Gnossiennes seem to consider the French composer’s early piano music as a form of anti-Wagnerian nihilism.… (more)

Subjects/Keywords: M Music; ML Literature of music

…that Satie strove to emphasise in his early piano music of the fin de siècle period. 5… …of our subjectivity. As a result, art music has often been distinguished for its ability to… …Ezra Pound once stated, ‘the whole flaw of “emotional music is that it must have ‘more… …reached their expressive limitations. As Adorno commented in the The Philosophy of Modern Music… …emotive content of his music was being deliberately restrained. By the time of John Cage and his… 

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APA (6th Edition):

Simmons, A. (2013). Erik Satie's Trois Gnossiennes in the French fin de siècle. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4344/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Simmons, Alexander. “Erik Satie's Trois Gnossiennes in the French fin de siècle.” 2013. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/4344/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Simmons, Alexander. “Erik Satie's Trois Gnossiennes in the French fin de siècle.” 2013. Web. 23 Aug 2019.

Vancouver:

Simmons A. Erik Satie's Trois Gnossiennes in the French fin de siècle. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/4344/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Simmons A. Erik Satie's Trois Gnossiennes in the French fin de siècle. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4344/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

9. Leavy, Peter. Models, language, and fabricated histories: a portfolio of musical compositions with commentary.

Degree: d_ph, College of Arts & Law, 2018, University of Birmingham

 This portfolio consists of seven compositions accompanied by a written commentary and recordings/mock ups of the works. The compositions span a wide variety of instrumentations… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Leavy, P. (2018). Models, language, and fabricated histories: a portfolio of musical compositions with commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/8771/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leavy, Peter. “Models, language, and fabricated histories: a portfolio of musical compositions with commentary.” 2018. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/8771/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leavy, Peter. “Models, language, and fabricated histories: a portfolio of musical compositions with commentary.” 2018. Web. 23 Aug 2019.

Vancouver:

Leavy P. Models, language, and fabricated histories: a portfolio of musical compositions with commentary. [Internet] [Thesis]. University of Birmingham; 2018. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/8771/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leavy P. Models, language, and fabricated histories: a portfolio of musical compositions with commentary. [Thesis]. University of Birmingham; 2018. Available from: http://etheses.bham.ac.uk//id/eprint/8771/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

10. Kontos, Constantinos. A portfolio of acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2016, University of Birmingham

 This portfolio consists of a series of acousmatic compositions presented in stereophonic and multichannel formats. The works in this portfolio reflect a variety of different… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Kontos, C. (2016). A portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6591/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kontos, Constantinos. “A portfolio of acousmatic compositions.” 2016. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/6591/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kontos, Constantinos. “A portfolio of acousmatic compositions.” 2016. Web. 23 Aug 2019.

Vancouver:

Kontos C. A portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/6591/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kontos C. A portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6591/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

11. Clemente, Manfredi. Between space and evocation: a portfolio of acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2017, University of Birmingham

 This commentary consists of an attempt to discuss the problems raised by the way I approach composition and sound in general. My argument is based… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Clemente, M. (2017). Between space and evocation: a portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7642/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clemente, Manfredi. “Between space and evocation: a portfolio of acousmatic compositions.” 2017. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/7642/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clemente, Manfredi. “Between space and evocation: a portfolio of acousmatic compositions.” 2017. Web. 23 Aug 2019.

Vancouver:

Clemente M. Between space and evocation: a portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/7642/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clemente M. Between space and evocation: a portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7642/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

12. Kuoppala, Visa Tapani. Composition in no-mind’s land: a portfolio of electroacoustic music.

Degree: d_ph, College of Arts & Law, 2017, University of Birmingham

 This PhD thesis comprises a portfolio of electroacoustic music and a written commentary. The portfolio consists of ten acousmatic compositions, two of which are collaborative… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Kuoppala, V. T. (2017). Composition in no-mind’s land: a portfolio of electroacoustic music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/7747/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kuoppala, Visa Tapani. “Composition in no-mind’s land: a portfolio of electroacoustic music.” 2017. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/7747/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kuoppala, Visa Tapani. “Composition in no-mind’s land: a portfolio of electroacoustic music.” 2017. Web. 23 Aug 2019.

Vancouver:

Kuoppala VT. Composition in no-mind’s land: a portfolio of electroacoustic music. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/7747/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kuoppala VT. Composition in no-mind’s land: a portfolio of electroacoustic music. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk//id/eprint/7747/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

13. Hindmarch, David. A portfolio of acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

 This portfolio charts my development as a composer during a period of three years. The works it contains are all acousmatic; they investigate sonic material… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Hindmarch, D. (2010). A portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/758/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hindmarch, David. “A portfolio of acousmatic compositions.” 2010. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/758/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hindmarch, David. “A portfolio of acousmatic compositions.” 2010. Web. 23 Aug 2019.

Vancouver:

Hindmarch D. A portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/758/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hindmarch D. A portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/758/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

14. Spearing, Robert. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

Commentary Scores: 1 After Haydn’s ‘Farewell’ 2 She Solus 3 Two Pieces for clarinet and piano 4 Wings … dreams 5 Piano Symphony

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Spearing, R. (2010). [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/865/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Spearing, Robert. “[A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].” 2010. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/865/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Spearing, Robert. “[A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].” 2010. Web. 23 Aug 2019.

Vancouver:

Spearing R. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/865/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Spearing R. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/865/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

15. Scardanelli, Simon. A portfolio of electroacoustic and acousmatic compositions.

Degree: d_ph, College of Arts & Law, 2010, University of Birmingham

 A portfolio of electroacoustic and acousmatic compositions realised through a variety of audio and audio-visual media, and with a particular emphasis on using speech as… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Scardanelli, S. (2010). A portfolio of electroacoustic and acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scardanelli, Simon. “A portfolio of electroacoustic and acousmatic compositions.” 2010. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scardanelli, Simon. “A portfolio of electroacoustic and acousmatic compositions.” 2010. Web. 23 Aug 2019.

Vancouver:

Scardanelli S. A portfolio of electroacoustic and acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scardanelli S. A portfolio of electroacoustic and acousmatic compositions. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk//id/eprint/914/http://etheses.bham.ac.uk//id/eprint/914/2/ScardanelliCD1-01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/3/ScardanelliCD1-02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/4/ScardanelliCD1-03_dereconstruction.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/5/ScardanelliCD1-04_Aqualogica.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/6/ScardanelliCD1-05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/7/ScardanelliCD2-01_LonelyBridgeSong-Junkie.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/8/ScardanelliCD2-02_LonelyBridgeSong-Begging.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/9/ScardanelliCD2-03_LonelyBridgeSong-BackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/10/ScardanelliCD3-01_ThatDangerousSparkle-TheValentines.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/11/ScardanelliCD3-02_ThatDangerousSparkle-LetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk//id/eprint/914/12/ScardanelliCD3-03_ThatDangerousSparkle-WhenYoureLying.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

16. Hutchins, Charles Celeste. Portfolio of Compositions.

Degree: d_ph, College of Arts & Law, 2012, University of Birmingham

 This portfolio of 19 compositions includes several short commissions intended to reach new listeners and address issues of sustainability and copyright. Two of the pieces… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hutchins, C. C. (2012). Portfolio of Compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hutchins, Charles Celeste. “Portfolio of Compositions.” 2012. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hutchins, Charles Celeste. “Portfolio of Compositions.” 2012. Web. 23 Aug 2019.

Vancouver:

Hutchins CC. Portfolio of Compositions. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hutchins CC. Portfolio of Compositions. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk//id/eprint/3919/http://etheses.bham.ac.uk//id/eprint/3919/9/Archive%20created%20by%20free%20jZip.url

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

17. Pinchbeck, Shawn William. A portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This thesis describes a portfolio of musical compositions and artworks that explore the development of real-time acousmatic music composition, multimedia music and dance performances, interactive… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pinchbeck, S. W. (2013). A portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pinchbeck, Shawn William. “A portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pinchbeck, Shawn William. “A portfolio of compositions.” 2013. Web. 23 Aug 2019.

Vancouver:

Pinchbeck SW. A portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pinchbeck SW. A portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4061/http://etheses.bham.ac.uk//id/eprint/4061/9/ShawnPinchbeck-Cell.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/13/ShawnPinchbeck-TheBather.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/14/ShawnPinchbeck-TuLa-4-ColdSteel.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/15/ShawnPinchbeck-Gong.mp3 ; http://etheses.bham.ac.uk//id/eprint/4061/16/ShawnPinchbeck-KnowledgeBox.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/17/ShawnPinchbeck-Phases.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/18/ShawnPinchbeck-TuLa-1-Limbs.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/19/ShawnPinchbeck-TuLa-3-Duplex.mp4 ; http://etheses.bham.ac.uk//id/eprint/4061/20/ShawnPinchbeck-TuLa-2-Ints.mp4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

18. Carpenter, James John. Portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 A portfolio of acousmatic and mixed compositions for stereophonic and multichannel formats. Particular focus is given to acousmatic music’s relationship with materials and features typically… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carpenter, J. J. (2013). Portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carpenter, James John. “Portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carpenter, James John. “Portfolio of compositions.” 2013. Web. 23 Aug 2019.

Vancouver:

Carpenter JJ. Portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carpenter JJ. Portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4182/http://etheses.bham.ac.uk//id/eprint/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/7/Carpenter13Phd_pent-up_2ch_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/9/Carpenter13Phd_sweet-01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/10/Carpenter13Phd_sweet-02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/11/Carpenter13Phd_sweet-03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk//id/eprint/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

19. Brodie, Val. The overlooked evidence: the use of music in productions of Henry V 1859-1916 .

Degree: d_ph, College of Arts & Law, 2013, University of Birmingham

 This thesis uses the joint approaches of theatre research and musicology to reveal the overlooked soundscape of productions of Shakespeare’s Henry V. The starting point… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brodie, V. (2013). The overlooked evidence: the use of music in productions of Henry V 1859-1916 . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4476/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brodie, Val. “The overlooked evidence: the use of music in productions of Henry V 1859-1916 .” 2013. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/4476/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brodie, Val. “The overlooked evidence: the use of music in productions of Henry V 1859-1916 .” 2013. Web. 23 Aug 2019.

Vancouver:

Brodie V. The overlooked evidence: the use of music in productions of Henry V 1859-1916 . [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/4476/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brodie V. The overlooked evidence: the use of music in productions of Henry V 1859-1916 . [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk//id/eprint/4476/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

20. Lorway, Norah. A portfolio of fixed electroacoustic and live laptop works.

Degree: d_ph, College of Arts & Law, 2014, University of Birmingham

 This PhD thesis includes a portfolio of electroacoustic and live electroacoustic compositions carried out at the electroacoustic music studios at the University of Birmingham. The… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lorway, N. (2014). A portfolio of fixed electroacoustic and live laptop works. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lorway, Norah. “A portfolio of fixed electroacoustic and live laptop works.” 2014. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lorway, Norah. “A portfolio of fixed electroacoustic and live laptop works.” 2014. Web. 23 Aug 2019.

Vancouver:

Lorway N. A portfolio of fixed electroacoustic and live laptop works. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lorway N. A portfolio of fixed electroacoustic and live laptop works. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5183/http://etheses.bham.ac.uk//id/eprint/5183/9/Lorwar14PhD_blurspinFinal.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

21. Szwed, Katarzyna Zofia. A portfolio of compositions.

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 A portfolio of compositions with additional commentary and a contextual chapter. In the introduction chapter, particular focus is given to the individual approach to elements… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Szwed, K. Z. (2015). A portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Szwed, Katarzyna Zofia. “A portfolio of compositions.” 2015. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Szwed, Katarzyna Zofia. “A portfolio of compositions.” 2015. Web. 23 Aug 2019.

Vancouver:

Szwed KZ. A portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Szwed KZ. A portfolio of compositions. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/5731/http://etheses.bham.ac.uk//id/eprint/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/18/08_No_Title_Yet%2C_sorry._%28For_R.%29.mp3 ; http://etheses.bham.ac.uk//id/eprint/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk//id/eprint/5731/19/10_Close_Encounters.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

22. Ibbett, David Roger. Towards an integrated art music.

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 This thesis consists of a portfolio of compositions in acoustic and electronic media with an accompanying commentary. The central theme of these works is the… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ibbett, D. R. (2015). Towards an integrated art music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6485/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ibbett, David Roger. “Towards an integrated art music.” 2015. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/6485/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ibbett, David Roger. “Towards an integrated art music.” 2015. Web. 23 Aug 2019.

Vancouver:

Ibbett DR. Towards an integrated art music. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/6485/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ibbett DR. Towards an integrated art music. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6485/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

23. Minchella, Damon. Making music in the radial mainstream: representations of creative practice in UK-based pop/rock.

Degree: d_ph, College of Arts & Law, 2019, University of Birmingham

 Popular music is one of the United Kingdom’s most readily engaged with and exported cultural forms. Commensurate with such a positioning, there exists a wealth… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Minchella, D. (2019). Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/9220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Minchella, Damon. “Making music in the radial mainstream: representations of creative practice in UK-based pop/rock.” 2019. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/9220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Minchella, Damon. “Making music in the radial mainstream: representations of creative practice in UK-based pop/rock.” 2019. Web. 23 Aug 2019.

Vancouver:

Minchella D. Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. [Internet] [Thesis]. University of Birmingham; 2019. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/9220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Minchella D. Making music in the radial mainstream: representations of creative practice in UK-based pop/rock. [Thesis]. University of Birmingham; 2019. Available from: http://etheses.bham.ac.uk//id/eprint/9220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

24. Rudeforth, Helen Elizabeth. Words, ideas and music : a study of Tchaikovsky's last completed work, the Six Songs, Opus 73.

Degree: d_ph, School of Humanities, 1999, University of Birmingham

 This study focuses on P.I. Tchaikovsky's last completed work, the richly symbolic Six Songs, Opus 73. It demonstrates for the first time how Tchaikovsky's significant… (more)

Subjects/Keywords: PG Slavic, Baltic, Albanian languages and literature; ML Literature of music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rudeforth, H. E. (1999). Words, ideas and music : a study of Tchaikovsky's last completed work, the Six Songs, Opus 73. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/666/http://etheses.bham.ac.uk//id/eprint/666/2/Decl_IS_Rudeforth99PhD.gif

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rudeforth, Helen Elizabeth. “Words, ideas and music : a study of Tchaikovsky's last completed work, the Six Songs, Opus 73.” 1999. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/666/http://etheses.bham.ac.uk//id/eprint/666/2/Decl_IS_Rudeforth99PhD.gif.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rudeforth, Helen Elizabeth. “Words, ideas and music : a study of Tchaikovsky's last completed work, the Six Songs, Opus 73.” 1999. Web. 23 Aug 2019.

Vancouver:

Rudeforth HE. Words, ideas and music : a study of Tchaikovsky's last completed work, the Six Songs, Opus 73. [Internet] [Thesis]. University of Birmingham; 1999. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/666/http://etheses.bham.ac.uk//id/eprint/666/2/Decl_IS_Rudeforth99PhD.gif.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rudeforth HE. Words, ideas and music : a study of Tchaikovsky's last completed work, the Six Songs, Opus 73. [Thesis]. University of Birmingham; 1999. Available from: http://etheses.bham.ac.uk//id/eprint/666/http://etheses.bham.ac.uk//id/eprint/666/2/Decl_IS_Rudeforth99PhD.gif

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

25. Shih, Pei-Yu. Portfolio.

Degree: d_ph, College of Arts & Law, 2014, University of Birmingham

The thesis is the explanation/record of my musical composition.

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shih, P. (2014). Portfolio. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5022/http://etheses.bham.ac.uk//id/eprint/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/11/Shih14PhD_03__F%27s_65.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/21/Shih14PhD_09__RC__7_%281%29.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shih, Pei-Yu. “Portfolio.” 2014. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/5022/http://etheses.bham.ac.uk//id/eprint/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/11/Shih14PhD_03__F%27s_65.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/21/Shih14PhD_09__RC__7_%281%29.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shih, Pei-Yu. “Portfolio.” 2014. Web. 23 Aug 2019.

Vancouver:

Shih P. Portfolio. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/5022/http://etheses.bham.ac.uk//id/eprint/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/11/Shih14PhD_03__F%27s_65.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/21/Shih14PhD_09__RC__7_%281%29.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shih P. Portfolio. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5022/http://etheses.bham.ac.uk//id/eprint/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/11/Shih14PhD_03__F%27s_65.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk//id/eprint/5022/21/Shih14PhD_09__RC__7_%281%29.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

26. Vaughan, Stephen Benson. The influence of music on the development of the Church of God (Cleveland, Tennessee).

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 This thesis examines the (influence) of music on the development of the Church of God (Cleveland, Tennessee). The dissertation is historically driven, but relies upon… (more)

Subjects/Keywords: BR Christianity; M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vaughan, S. B. (2015). The influence of music on the development of the Church of God (Cleveland, Tennessee). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6165/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vaughan, Stephen Benson. “The influence of music on the development of the Church of God (Cleveland, Tennessee).” 2015. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/6165/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vaughan, Stephen Benson. “The influence of music on the development of the Church of God (Cleveland, Tennessee).” 2015. Web. 23 Aug 2019.

Vancouver:

Vaughan SB. The influence of music on the development of the Church of God (Cleveland, Tennessee). [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/6165/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vaughan SB. The influence of music on the development of the Church of God (Cleveland, Tennessee). [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6165/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Olivetti, Paola. Uses and interpretations of ritual terminology: goos, oimoge, threnos and linos in ancient Greek literature.

Degree: d_ph, College of Arts & Law, 2011, University of Birmingham

 The purpose of my thesis is to study the lament in ancient Greek culture, and to show how its ritual meaning is interpreted by literature.… (more)

Subjects/Keywords: BL Religion; CB History of civilization; GT Manners and customs; ML Literature of music; PA Classical philology

…further investigation, for instance into the inter-dependence of ritual and music in ancient… …in the shadow of death` (Malinowski 1974, 1). The function of magic, therefore… …LIST OF ILLUSTRATIONS FIGURE 6: Heracles fighting Linos. Munich 2646, Antikensammlung… …Archaeology Artifact Browser [online] 151 LIST OF ABBREVIATIONS So far as possible I… …sezione filologico-letteraria AJPh = American Journal of Philology Bernand, Inscr.Métr = Bernand… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Olivetti, P. (2011). Uses and interpretations of ritual terminology: goos, oimoge, threnos and linos in ancient Greek literature. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/3009/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Olivetti, Paola. “Uses and interpretations of ritual terminology: goos, oimoge, threnos and linos in ancient Greek literature.” 2011. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/3009/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Olivetti, Paola. “Uses and interpretations of ritual terminology: goos, oimoge, threnos and linos in ancient Greek literature.” 2011. Web. 23 Aug 2019.

Vancouver:

Olivetti P. Uses and interpretations of ritual terminology: goos, oimoge, threnos and linos in ancient Greek literature. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/3009/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Olivetti P. Uses and interpretations of ritual terminology: goos, oimoge, threnos and linos in ancient Greek literature. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk//id/eprint/3009/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Coull, Rosalyn. Portfolio of compositions: emotion, meaning & narrative in electroacoustic music.

Degree: d_ph, College of Arts & Law, 2015, University of Birmingham

 This thesis comprises a portfolio of acousmatic compositions which explore the evocation of emotion and the expression of meaning in electroacoustic music. These works, created… (more)

Subjects/Keywords: M Music

…Portfolio of Compositions: Emotion, Meaning & Narrative in Electroacoustic Music LIST OF… …broader aesthetic of the music rather than the ‘category’ of sounds used. Thus, the composition… …the 2 Portfolio of Compositions: Emotion, Meaning & Narrative in Electroacoustic Music… …their experience of electroacoustic music). This also included performing to children at… …in much western music. I also used tonality to outline key 3 Portfolio of Compositions… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Coull, R. (2015). Portfolio of compositions: emotion, meaning & narrative in electroacoustic music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6026/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Coull, Rosalyn. “Portfolio of compositions: emotion, meaning & narrative in electroacoustic music.” 2015. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/6026/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Coull, Rosalyn. “Portfolio of compositions: emotion, meaning & narrative in electroacoustic music.” 2015. Web. 23 Aug 2019.

Vancouver:

Coull R. Portfolio of compositions: emotion, meaning & narrative in electroacoustic music. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/6026/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Coull R. Portfolio of compositions: emotion, meaning & narrative in electroacoustic music. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/6026/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Shaw, Martyn. The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837).

Degree: d_ph, College of Arts & Law, 2014, University of Birmingham

 Charles Nicholson (1795-1837) was one of the most important figures in the evolution of the flute. His influence on the design of the Boehm flute… (more)

Subjects/Keywords: M Music

…Relating to the German Flute in England from 1729 to 1847’, DMA thesis, Eastman School of Music… …A Complete Dictionary of Music (London: Phillips, 1806), 304 2 According to… …puts us in mind of a church and of the affections suitable to that place; military music, of… …Herder (1800) for example, defines music as ‘the artful play with the tone of 5… …music through his insistence that, ‘tone itself is nothing other than the intuition of the… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shaw, M. (2014). The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/4923/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shaw, Martyn. “The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837).” 2014. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/4923/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shaw, Martyn. “The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837).” 2014. Web. 23 Aug 2019.

Vancouver:

Shaw M. The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837). [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/4923/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shaw M. The ‘Nicholsonian effect’: Aspects of ‘tone’ in early nineteenth-century flute performance practice in England, with particular reference to the work of Charles Nicholson (1795-1837). [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/4923/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Guillamat, Julien. A portfolio of electroacoustic compositions.

Degree: d_ph, College of Arts & Law, 2014, University of Birmingham

 This Portfolio is formed of 9 compositions that have been selected in order to reflect the variety of the music I write. It is a… (more)

Subjects/Keywords: M Music

…creative processes I used to create this portfolio of electroacoustic music composition… …will speak about the process of presenting this music to the public, often as a performer… …what music composition is even though it applies to any kind of conscious composing act… …is more than natural that those two fields are the foundation of music. Since antiquity… …music has been considered the art of time. Indeed, before the invention of recording, music… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Guillamat, J. (2014). A portfolio of electroacoustic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5085/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Guillamat, Julien. “A portfolio of electroacoustic compositions.” 2014. Thesis, University of Birmingham. Accessed August 23, 2019. http://etheses.bham.ac.uk//id/eprint/5085/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Guillamat, Julien. “A portfolio of electroacoustic compositions.” 2014. Web. 23 Aug 2019.

Vancouver:

Guillamat J. A portfolio of electroacoustic compositions. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Aug 23]. Available from: http://etheses.bham.ac.uk//id/eprint/5085/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guillamat J. A portfolio of electroacoustic compositions. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk//id/eprint/5085/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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