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You searched for subject:(Theatre). Showing records 1 – 30 of 8466 total matches.

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Addis Ababa University

1. Mesele, Mengesteab Habtu. The case of the Samre Community Theatre Project on Evil-Eye Organized by the Tigray Arts School .

Degree: 2012, Addis Ababa University

 It seems that the traditional canon of conceptualizing theatre along the line of ‘Art for Art’s Sake’ ends up in this epoch. Instead its practical… (more)

Subjects/Keywords: Community Theatre; Evil-eye

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APA (6th Edition):

Mesele, M. H. (2012). The case of the Samre Community Theatre Project on Evil-Eye Organized by the Tigray Arts School . (Thesis). Addis Ababa University. Retrieved from http://etd.aau.edu.et/dspace/handle/123456789/3632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mesele, Mengesteab Habtu. “The case of the Samre Community Theatre Project on Evil-Eye Organized by the Tigray Arts School .” 2012. Thesis, Addis Ababa University. Accessed April 02, 2020. http://etd.aau.edu.et/dspace/handle/123456789/3632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mesele, Mengesteab Habtu. “The case of the Samre Community Theatre Project on Evil-Eye Organized by the Tigray Arts School .” 2012. Web. 02 Apr 2020.

Vancouver:

Mesele MH. The case of the Samre Community Theatre Project on Evil-Eye Organized by the Tigray Arts School . [Internet] [Thesis]. Addis Ababa University; 2012. [cited 2020 Apr 02]. Available from: http://etd.aau.edu.et/dspace/handle/123456789/3632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mesele MH. The case of the Samre Community Theatre Project on Evil-Eye Organized by the Tigray Arts School . [Thesis]. Addis Ababa University; 2012. Available from: http://etd.aau.edu.et/dspace/handle/123456789/3632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Manenti-Ronzeaud, Claudia. Édition de HARNALI, N, I, ni OH ! QU'NENNI : Les parodies d'Hernani sur les scènes des théâtres secondaires en 1830 : Analysis of liquid caramels : development and validation of new methods by two-dimensional liquid chromatography (LC-LC).

Degree: Docteur es, Langue et littérature françaises, 2011, Aix-Marseille 1

L’étude du fonctionnement des reprises parodiques d’Hernani en 1830 et l’édition de Harnali, N, I, ni et Oh ! Qu’Nenni, établie à partir des manuscrits,… (more)

Subjects/Keywords: Théâtre; Année 1830; Parodies d’Hernani; Édition critique; Théâtres secondaires parisiens; Spectacles; Mises en scène; Acteurs; Comique; Musique; Theatre; Year 1830; Parodies of Hernani; Critical edition; Secondary Parisian theatres; Theatrical performances; Stage directing; Actors; The comic; Music

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APA (6th Edition):

Manenti-Ronzeaud, C. (2011). Édition de HARNALI, N, I, ni OH ! QU'NENNI : Les parodies d'Hernani sur les scènes des théâtres secondaires en 1830 : Analysis of liquid caramels : development and validation of new methods by two-dimensional liquid chromatography (LC-LC). (Doctoral Dissertation). Aix-Marseille 1. Retrieved from http://www.theses.fr/2011AIX10113

Chicago Manual of Style (16th Edition):

Manenti-Ronzeaud, Claudia. “Édition de HARNALI, N, I, ni OH ! QU'NENNI : Les parodies d'Hernani sur les scènes des théâtres secondaires en 1830 : Analysis of liquid caramels : development and validation of new methods by two-dimensional liquid chromatography (LC-LC).” 2011. Doctoral Dissertation, Aix-Marseille 1. Accessed April 02, 2020. http://www.theses.fr/2011AIX10113.

MLA Handbook (7th Edition):

Manenti-Ronzeaud, Claudia. “Édition de HARNALI, N, I, ni OH ! QU'NENNI : Les parodies d'Hernani sur les scènes des théâtres secondaires en 1830 : Analysis of liquid caramels : development and validation of new methods by two-dimensional liquid chromatography (LC-LC).” 2011. Web. 02 Apr 2020.

Vancouver:

Manenti-Ronzeaud C. Édition de HARNALI, N, I, ni OH ! QU'NENNI : Les parodies d'Hernani sur les scènes des théâtres secondaires en 1830 : Analysis of liquid caramels : development and validation of new methods by two-dimensional liquid chromatography (LC-LC). [Internet] [Doctoral dissertation]. Aix-Marseille 1; 2011. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2011AIX10113.

Council of Science Editors:

Manenti-Ronzeaud C. Édition de HARNALI, N, I, ni OH ! QU'NENNI : Les parodies d'Hernani sur les scènes des théâtres secondaires en 1830 : Analysis of liquid caramels : development and validation of new methods by two-dimensional liquid chromatography (LC-LC). [Doctoral Dissertation]. Aix-Marseille 1; 2011. Available from: http://www.theses.fr/2011AIX10113

3. Saccomano, Olivier. Le théâtre comme pensée : A study of language usage in Cameroonian urban aeras : the case of "camfranglais" in Yaounde.

Degree: Docteur es, Philosophie, 2011, Aix-Marseille 1

Ce travail se propose une double tâche : penser l’expérience théâtrale à partir de ses coordonnées internes et, partant de là, voir à quelles conditions… (more)

Subjects/Keywords: Théâtre; Pensée; Situation; Acteurs; Public; Texte; Vérité; Opération; Theatre; Thought; Situation; Actors; Public; Script; Truth; Operation

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APA (6th Edition):

Saccomano, O. (2011). Le théâtre comme pensée : A study of language usage in Cameroonian urban aeras : the case of "camfranglais" in Yaounde. (Doctoral Dissertation). Aix-Marseille 1. Retrieved from http://www.theses.fr/2011AIX10148

Chicago Manual of Style (16th Edition):

Saccomano, Olivier. “Le théâtre comme pensée : A study of language usage in Cameroonian urban aeras : the case of "camfranglais" in Yaounde.” 2011. Doctoral Dissertation, Aix-Marseille 1. Accessed April 02, 2020. http://www.theses.fr/2011AIX10148.

MLA Handbook (7th Edition):

Saccomano, Olivier. “Le théâtre comme pensée : A study of language usage in Cameroonian urban aeras : the case of "camfranglais" in Yaounde.” 2011. Web. 02 Apr 2020.

Vancouver:

Saccomano O. Le théâtre comme pensée : A study of language usage in Cameroonian urban aeras : the case of "camfranglais" in Yaounde. [Internet] [Doctoral dissertation]. Aix-Marseille 1; 2011. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2011AIX10148.

Council of Science Editors:

Saccomano O. Le théâtre comme pensée : A study of language usage in Cameroonian urban aeras : the case of "camfranglais" in Yaounde. [Doctoral Dissertation]. Aix-Marseille 1; 2011. Available from: http://www.theses.fr/2011AIX10148

4. Wu, Yafei. La réception en Chine du sentiment de l'absurde dans le théâtre d'Eugène Ionesco : The reception of the sentiment of the absurd in Eugène Ionesco's theatre in China.

Degree: Docteur es, Langue et littérature françaises, 2014, Aix-Marseille; Académie de théâtre de Shanghai

La réception du théâtre d'Eugène Ionesco en Chine a connu plusieurs périodes différentes depuis les années 1960. Cette thèse consiste à l'explorer sous trois formes… (more)

Subjects/Keywords: Ionesco; Théâtre; XXe-XXIe; Réception; Absurde; Identité culturelle; Autrui; Ionesco; Theatre; XXe-XXIe; Reception; Absurd; Cultural identity; The other

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APA (6th Edition):

Wu, Y. (2014). La réception en Chine du sentiment de l'absurde dans le théâtre d'Eugène Ionesco : The reception of the sentiment of the absurd in Eugène Ionesco's theatre in China. (Doctoral Dissertation). Aix-Marseille; Académie de théâtre de Shanghai. Retrieved from http://www.theses.fr/2014AIXM3027

Chicago Manual of Style (16th Edition):

Wu, Yafei. “La réception en Chine du sentiment de l'absurde dans le théâtre d'Eugène Ionesco : The reception of the sentiment of the absurd in Eugène Ionesco's theatre in China.” 2014. Doctoral Dissertation, Aix-Marseille; Académie de théâtre de Shanghai. Accessed April 02, 2020. http://www.theses.fr/2014AIXM3027.

MLA Handbook (7th Edition):

Wu, Yafei. “La réception en Chine du sentiment de l'absurde dans le théâtre d'Eugène Ionesco : The reception of the sentiment of the absurd in Eugène Ionesco's theatre in China.” 2014. Web. 02 Apr 2020.

Vancouver:

Wu Y. La réception en Chine du sentiment de l'absurde dans le théâtre d'Eugène Ionesco : The reception of the sentiment of the absurd in Eugène Ionesco's theatre in China. [Internet] [Doctoral dissertation]. Aix-Marseille; Académie de théâtre de Shanghai; 2014. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2014AIXM3027.

Council of Science Editors:

Wu Y. La réception en Chine du sentiment de l'absurde dans le théâtre d'Eugène Ionesco : The reception of the sentiment of the absurd in Eugène Ionesco's theatre in China. [Doctoral Dissertation]. Aix-Marseille; Académie de théâtre de Shanghai; 2014. Available from: http://www.theses.fr/2014AIXM3027

5. Gervais de Lafond, Delphine. Shakespeare et les peintres français au XIXè siècle : Numerical and experimental study of a low power Rankine-Hirn cycle for waste heat recovery.

Degree: Docteur es, Histoire de l'art, 2012, Aix Marseille Université

Shakespeare est partout en ce XIXe siècle. Il inspire la littérature, la musique, les arts plastiques. Il est dans l'accomplissement d'un nouveau théâtre et dans… (more)

Subjects/Keywords: Shakespeare; Théâtre; Littérature; Peinture; Art contemporain; XIXe siècle; Peinture littéraire; Peinture d’histoire; Ut pictura poesis; Shakespeare; Theatre; Literature; Painting; Contemporary art; 19th century; Literary painting; History painting; Ut pictura poesis

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APA (6th Edition):

Gervais de Lafond, D. (2012). Shakespeare et les peintres français au XIXè siècle : Numerical and experimental study of a low power Rankine-Hirn cycle for waste heat recovery. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2012AIXM3105

Chicago Manual of Style (16th Edition):

Gervais de Lafond, Delphine. “Shakespeare et les peintres français au XIXè siècle : Numerical and experimental study of a low power Rankine-Hirn cycle for waste heat recovery.” 2012. Doctoral Dissertation, Aix Marseille Université. Accessed April 02, 2020. http://www.theses.fr/2012AIXM3105.

MLA Handbook (7th Edition):

Gervais de Lafond, Delphine. “Shakespeare et les peintres français au XIXè siècle : Numerical and experimental study of a low power Rankine-Hirn cycle for waste heat recovery.” 2012. Web. 02 Apr 2020.

Vancouver:

Gervais de Lafond D. Shakespeare et les peintres français au XIXè siècle : Numerical and experimental study of a low power Rankine-Hirn cycle for waste heat recovery. [Internet] [Doctoral dissertation]. Aix Marseille Université 2012. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2012AIXM3105.

Council of Science Editors:

Gervais de Lafond D. Shakespeare et les peintres français au XIXè siècle : Numerical and experimental study of a low power Rankine-Hirn cycle for waste heat recovery. [Doctoral Dissertation]. Aix Marseille Université 2012. Available from: http://www.theses.fr/2012AIXM3105

6. Schwitzer-Borgiallo, Hélène. Le théâtre au service du développement dans l'Afrique du Sud post-apartheid : l'art de l'engagement (2004-2014) : Theatre as a tool for development in post-apartheid South Africa : the art of commitment (2004-2014).

Degree: Docteur es, Etudes anglophones, 2015, Aix Marseille Université

Depuis la fin de l’apartheid, l’Afrique du Sud est entrée dans un vaste processus de reconstruction nationale. Les artistes de théâtre, qui s’étaient pour beaucoup… (more)

Subjects/Keywords: Afrique du Sud post-Apartheid; Théâtre; Développement; Théâtre engagé; Théâtre Appliqué; Psychologie sociale; Post-Apartheid South Africa; Theatre; Development; Socially-Engaged theatre; Applied Theatre; Social psychology

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APA (6th Edition):

Schwitzer-Borgiallo, H. (2015). Le théâtre au service du développement dans l'Afrique du Sud post-apartheid : l'art de l'engagement (2004-2014) : Theatre as a tool for development in post-apartheid South Africa : the art of commitment (2004-2014). (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2015AIXM3073

Chicago Manual of Style (16th Edition):

Schwitzer-Borgiallo, Hélène. “Le théâtre au service du développement dans l'Afrique du Sud post-apartheid : l'art de l'engagement (2004-2014) : Theatre as a tool for development in post-apartheid South Africa : the art of commitment (2004-2014).” 2015. Doctoral Dissertation, Aix Marseille Université. Accessed April 02, 2020. http://www.theses.fr/2015AIXM3073.

MLA Handbook (7th Edition):

Schwitzer-Borgiallo, Hélène. “Le théâtre au service du développement dans l'Afrique du Sud post-apartheid : l'art de l'engagement (2004-2014) : Theatre as a tool for development in post-apartheid South Africa : the art of commitment (2004-2014).” 2015. Web. 02 Apr 2020.

Vancouver:

Schwitzer-Borgiallo H. Le théâtre au service du développement dans l'Afrique du Sud post-apartheid : l'art de l'engagement (2004-2014) : Theatre as a tool for development in post-apartheid South Africa : the art of commitment (2004-2014). [Internet] [Doctoral dissertation]. Aix Marseille Université 2015. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2015AIXM3073.

Council of Science Editors:

Schwitzer-Borgiallo H. Le théâtre au service du développement dans l'Afrique du Sud post-apartheid : l'art de l'engagement (2004-2014) : Theatre as a tool for development in post-apartheid South Africa : the art of commitment (2004-2014). [Doctoral Dissertation]. Aix Marseille Université 2015. Available from: http://www.theses.fr/2015AIXM3073

7. Faure-Gignoux, Sophie. Le théâtre anthropophage de Miguel Romero Esteo ou le cycle grotescomachique infernal : Miguel Romero Esteo’s anthropophagous theater or the infernal Grotescomachique cycle.

Degree: Docteur es, Etudes romanes, 2015, Aix Marseille Université

Le monde théâtral de Miguel Romero Esteo, sans doute l’un des dramaturges espagnols les plus importants de la deuxième moitié du XXe siècle, ouvre sur… (more)

Subjects/Keywords: Théâtre Espagnol contemporain; Langue; Jeu; Intertextualité; Rituel; Festif; Baroque; Postmodernité; Contemporany spanish theatre; Lenguaje; Play; Intertextuality; Ritual; Festive; Baroque; Post-Modernity

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APA (6th Edition):

Faure-Gignoux, S. (2015). Le théâtre anthropophage de Miguel Romero Esteo ou le cycle grotescomachique infernal : Miguel Romero Esteo’s anthropophagous theater or the infernal Grotescomachique cycle. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2015AIXM3035

Chicago Manual of Style (16th Edition):

Faure-Gignoux, Sophie. “Le théâtre anthropophage de Miguel Romero Esteo ou le cycle grotescomachique infernal : Miguel Romero Esteo’s anthropophagous theater or the infernal Grotescomachique cycle.” 2015. Doctoral Dissertation, Aix Marseille Université. Accessed April 02, 2020. http://www.theses.fr/2015AIXM3035.

MLA Handbook (7th Edition):

Faure-Gignoux, Sophie. “Le théâtre anthropophage de Miguel Romero Esteo ou le cycle grotescomachique infernal : Miguel Romero Esteo’s anthropophagous theater or the infernal Grotescomachique cycle.” 2015. Web. 02 Apr 2020.

Vancouver:

Faure-Gignoux S. Le théâtre anthropophage de Miguel Romero Esteo ou le cycle grotescomachique infernal : Miguel Romero Esteo’s anthropophagous theater or the infernal Grotescomachique cycle. [Internet] [Doctoral dissertation]. Aix Marseille Université 2015. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2015AIXM3035.

Council of Science Editors:

Faure-Gignoux S. Le théâtre anthropophage de Miguel Romero Esteo ou le cycle grotescomachique infernal : Miguel Romero Esteo’s anthropophagous theater or the infernal Grotescomachique cycle. [Doctoral Dissertation]. Aix Marseille Université 2015. Available from: http://www.theses.fr/2015AIXM3035

8. Zenker, Kathrin-Julie. Au bord du jeu. : Esthétiques du réel dans la création documentaire contemporaine : Spielverderber : Ästhetiken des Realen in der zeitgenössischen Dokumentarkunst.

Degree: Docteur es, Arts du spectacle, 2015, Aix Marseille Université

La présente étude analyse d'un côté et sous une perspective philosophique et anthropologique, la relation de l'artiste au réel. De l'autre, elle étudie la place… (more)

Subjects/Keywords: Art documentaire; Théâtre contemporain; Réel; Perception; Jeu; Performance; Fiction; Erwin Piscator; Arthur Nauzyciel; Rimini Protokoll; Rithy Panh; Documentary art; Contemporary theatre; Reality; Percepton; Play; Performance; Fiction; Erwin piscator; Arthur Nauzyciel; Rimini Protokoll; Rithy Panh

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APA (6th Edition):

Zenker, K. (2015). Au bord du jeu. : Esthétiques du réel dans la création documentaire contemporaine : Spielverderber : Ästhetiken des Realen in der zeitgenössischen Dokumentarkunst. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2015AIXM3012

Chicago Manual of Style (16th Edition):

Zenker, Kathrin-Julie. “Au bord du jeu. : Esthétiques du réel dans la création documentaire contemporaine : Spielverderber : Ästhetiken des Realen in der zeitgenössischen Dokumentarkunst.” 2015. Doctoral Dissertation, Aix Marseille Université. Accessed April 02, 2020. http://www.theses.fr/2015AIXM3012.

MLA Handbook (7th Edition):

Zenker, Kathrin-Julie. “Au bord du jeu. : Esthétiques du réel dans la création documentaire contemporaine : Spielverderber : Ästhetiken des Realen in der zeitgenössischen Dokumentarkunst.” 2015. Web. 02 Apr 2020.

Vancouver:

Zenker K. Au bord du jeu. : Esthétiques du réel dans la création documentaire contemporaine : Spielverderber : Ästhetiken des Realen in der zeitgenössischen Dokumentarkunst. [Internet] [Doctoral dissertation]. Aix Marseille Université 2015. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2015AIXM3012.

Council of Science Editors:

Zenker K. Au bord du jeu. : Esthétiques du réel dans la création documentaire contemporaine : Spielverderber : Ästhetiken des Realen in der zeitgenössischen Dokumentarkunst. [Doctoral Dissertation]. Aix Marseille Université 2015. Available from: http://www.theses.fr/2015AIXM3012

9. Satre, Barbara. L'Arte Povera et les arts de la scène : Les expériences théâtrales de Jannis Kounellis, Giulio Paolini, Michelangelo Pistoletto et Mario Ceroli : Les carences en micronutriments : de l'épidémiologie à une stratégie d'enrichissement des aliments : étude de cas au Vietnam.

Degree: Docteur es, Histoire de l'art, 2012, Aix Marseille Université

Certains des acteurs de ce groupe italien, déterminés à faire éclater les limites des genres pour mieux les interroger, s'emparent tout particulièrement des arts de… (more)

Subjects/Keywords: Arte Povera; Jannis Kounellis; Giulio Paolini; Michelangelo Pistoletto; Mario Ceroli; Théâtre italien; Théâtre d'artiste; Art contemporain; Arte Povera; Jannis Kounellis; Giulio Paolini; Michelangelo Pistoletto; Mario Ceroli; Italian's theatre; Contemporary art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Satre, B. (2012). L'Arte Povera et les arts de la scène : Les expériences théâtrales de Jannis Kounellis, Giulio Paolini, Michelangelo Pistoletto et Mario Ceroli : Les carences en micronutriments : de l'épidémiologie à une stratégie d'enrichissement des aliments : étude de cas au Vietnam. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2012AIXM3115

Chicago Manual of Style (16th Edition):

Satre, Barbara. “L'Arte Povera et les arts de la scène : Les expériences théâtrales de Jannis Kounellis, Giulio Paolini, Michelangelo Pistoletto et Mario Ceroli : Les carences en micronutriments : de l'épidémiologie à une stratégie d'enrichissement des aliments : étude de cas au Vietnam.” 2012. Doctoral Dissertation, Aix Marseille Université. Accessed April 02, 2020. http://www.theses.fr/2012AIXM3115.

MLA Handbook (7th Edition):

Satre, Barbara. “L'Arte Povera et les arts de la scène : Les expériences théâtrales de Jannis Kounellis, Giulio Paolini, Michelangelo Pistoletto et Mario Ceroli : Les carences en micronutriments : de l'épidémiologie à une stratégie d'enrichissement des aliments : étude de cas au Vietnam.” 2012. Web. 02 Apr 2020.

Vancouver:

Satre B. L'Arte Povera et les arts de la scène : Les expériences théâtrales de Jannis Kounellis, Giulio Paolini, Michelangelo Pistoletto et Mario Ceroli : Les carences en micronutriments : de l'épidémiologie à une stratégie d'enrichissement des aliments : étude de cas au Vietnam. [Internet] [Doctoral dissertation]. Aix Marseille Université 2012. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2012AIXM3115.

Council of Science Editors:

Satre B. L'Arte Povera et les arts de la scène : Les expériences théâtrales de Jannis Kounellis, Giulio Paolini, Michelangelo Pistoletto et Mario Ceroli : Les carences en micronutriments : de l'épidémiologie à une stratégie d'enrichissement des aliments : étude de cas au Vietnam. [Doctoral Dissertation]. Aix Marseille Université 2012. Available from: http://www.theses.fr/2012AIXM3115

10. De Michele, Patrick. Le centre monumental de la ville d'Apt à l'époque gallo-romaine : Itaconic acid production by Aspergillus strains by solid state fermentation.

Degree: Docteur es, Archéologie, 2012, Aix Marseille Université

Cette thèse présente les résultats des recherches réalisées sur l'architecture du centre monumental municipal et religieux de la cité antique d'Apta Iulia (Apt). Colonie latine… (more)

Subjects/Keywords: Apta Julia; Théâtre antique; Urbanisme; Temple; Forum; Apta Julia; Antic theatre; Town planning; Forum; Temple

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APA (6th Edition):

De Michele, P. (2012). Le centre monumental de la ville d'Apt à l'époque gallo-romaine : Itaconic acid production by Aspergillus strains by solid state fermentation. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2012AIXM3096

Chicago Manual of Style (16th Edition):

De Michele, Patrick. “Le centre monumental de la ville d'Apt à l'époque gallo-romaine : Itaconic acid production by Aspergillus strains by solid state fermentation.” 2012. Doctoral Dissertation, Aix Marseille Université. Accessed April 02, 2020. http://www.theses.fr/2012AIXM3096.

MLA Handbook (7th Edition):

De Michele, Patrick. “Le centre monumental de la ville d'Apt à l'époque gallo-romaine : Itaconic acid production by Aspergillus strains by solid state fermentation.” 2012. Web. 02 Apr 2020.

Vancouver:

De Michele P. Le centre monumental de la ville d'Apt à l'époque gallo-romaine : Itaconic acid production by Aspergillus strains by solid state fermentation. [Internet] [Doctoral dissertation]. Aix Marseille Université 2012. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2012AIXM3096.

Council of Science Editors:

De Michele P. Le centre monumental de la ville d'Apt à l'époque gallo-romaine : Itaconic acid production by Aspergillus strains by solid state fermentation. [Doctoral Dissertation]. Aix Marseille Université 2012. Available from: http://www.theses.fr/2012AIXM3096

11. Lübbe, Dorothea. Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France.

Degree: Docteur es, Arts du spectacle, 2017, Aix Marseille Université

Ce projet de recherche se concentre sur les conditions generales de politique culturelle sous lesquelles se créent les nouvelles formes artistiques du theatre musical contemporain… (more)

Subjects/Keywords: Contemporain; Politique culturelle; Franco-Allemand; France; Allemagne; Opera; Theatre musical; Processus d'innovation; Music theatre; Contemporary; German-French; France; Germany; Opera; Cultural policy; Innovation processus

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APA (6th Edition):

Lübbe, D. (2017). Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2017AIXM0315

Chicago Manual of Style (16th Edition):

Lübbe, Dorothea. “Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France.” 2017. Doctoral Dissertation, Aix Marseille Université. Accessed April 02, 2020. http://www.theses.fr/2017AIXM0315.

MLA Handbook (7th Edition):

Lübbe, Dorothea. “Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France.” 2017. Web. 02 Apr 2020.

Vancouver:

Lübbe D. Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France. [Internet] [Doctoral dissertation]. Aix Marseille Université 2017. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2017AIXM0315.

Council of Science Editors:

Lübbe D. Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France. [Doctoral Dissertation]. Aix Marseille Université 2017. Available from: http://www.theses.fr/2017AIXM0315

12. Tudesque, Andrée. Marcel Pagnol : aspects bucoliques, poétiques et classiques de son oeuvre : Marcel Pagnol : the bucolic, poetical and classical aspects of his work.

Degree: Docteur es, Langue et littérature françaises, 2018, Aix Marseille Université

RésuméLa notoriété de Marcel Pagnol n’est plus à attester, mais force est de reconnaître que les universitaires ne manifestent généralement pas de considération pour lui.… (more)

Subjects/Keywords: Mots clés : Marcel Pagnol; Bucolique; Poésie; Classicisme; Universalité; Théâtre; Cinéma; Intermédialité; Keywords : Marcel Pagnol; Bucolic; Poetry; Classicism; Universality; Theater; Cinema; Intermediality.

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APA (6th Edition):

Tudesque, A. (2018). Marcel Pagnol : aspects bucoliques, poétiques et classiques de son oeuvre : Marcel Pagnol : the bucolic, poetical and classical aspects of his work. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2018AIXM0137

Chicago Manual of Style (16th Edition):

Tudesque, Andrée. “Marcel Pagnol : aspects bucoliques, poétiques et classiques de son oeuvre : Marcel Pagnol : the bucolic, poetical and classical aspects of his work.” 2018. Doctoral Dissertation, Aix Marseille Université. Accessed April 02, 2020. http://www.theses.fr/2018AIXM0137.

MLA Handbook (7th Edition):

Tudesque, Andrée. “Marcel Pagnol : aspects bucoliques, poétiques et classiques de son oeuvre : Marcel Pagnol : the bucolic, poetical and classical aspects of his work.” 2018. Web. 02 Apr 2020.

Vancouver:

Tudesque A. Marcel Pagnol : aspects bucoliques, poétiques et classiques de son oeuvre : Marcel Pagnol : the bucolic, poetical and classical aspects of his work. [Internet] [Doctoral dissertation]. Aix Marseille Université 2018. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2018AIXM0137.

Council of Science Editors:

Tudesque A. Marcel Pagnol : aspects bucoliques, poétiques et classiques de son oeuvre : Marcel Pagnol : the bucolic, poetical and classical aspects of his work. [Doctoral Dissertation]. Aix Marseille Université 2018. Available from: http://www.theses.fr/2018AIXM0137

13. Diassinous, Nicolas. Crise de scène : dramaturgies poétiques du romantisme au symbolisme : Stage crisis : poetic dramaturgies from romanticism to symbolism.

Degree: Docteur es, Langue et littérature françaises, 2018, Aix Marseille Université

Cette réflexion porte sur l’influence de la poésie lyrique dans les œuvres théâtrales du romantisme au symbolisme. En essayant de confronter les corpus du drame… (more)

Subjects/Keywords: Théâtre; Poésie; Lyrisme; Romantisme; Parnasse; Symbolisme; Mimesis; Métathéâtre; Theater; Poetry; Lyricism; Romanticism; Parnasse; Symbolism; Mimesis; Metatheater

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APA (6th Edition):

Diassinous, N. (2018). Crise de scène : dramaturgies poétiques du romantisme au symbolisme : Stage crisis : poetic dramaturgies from romanticism to symbolism. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2018AIXM0398

Chicago Manual of Style (16th Edition):

Diassinous, Nicolas. “Crise de scène : dramaturgies poétiques du romantisme au symbolisme : Stage crisis : poetic dramaturgies from romanticism to symbolism.” 2018. Doctoral Dissertation, Aix Marseille Université. Accessed April 02, 2020. http://www.theses.fr/2018AIXM0398.

MLA Handbook (7th Edition):

Diassinous, Nicolas. “Crise de scène : dramaturgies poétiques du romantisme au symbolisme : Stage crisis : poetic dramaturgies from romanticism to symbolism.” 2018. Web. 02 Apr 2020.

Vancouver:

Diassinous N. Crise de scène : dramaturgies poétiques du romantisme au symbolisme : Stage crisis : poetic dramaturgies from romanticism to symbolism. [Internet] [Doctoral dissertation]. Aix Marseille Université 2018. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2018AIXM0398.

Council of Science Editors:

Diassinous N. Crise de scène : dramaturgies poétiques du romantisme au symbolisme : Stage crisis : poetic dramaturgies from romanticism to symbolism. [Doctoral Dissertation]. Aix Marseille Université 2018. Available from: http://www.theses.fr/2018AIXM0398

14. Richard, Charlotte. Poétique transgénérique du second théâtre beckettien : Transgeneric poetics of Beckett’s late theatre.

Degree: Docteur es, Langue et littérature françaises, 2018, Aix Marseille Université

À partir de La Dernière Bande, la scène beckettienne est envahie d’êtres solitaires qui tentent de se raconter et de se prendre comme objets de… (more)

Subjects/Keywords: Beckett; Poétique; Théâtre; Transgénéricité; Dramaticule; Langage dramatique; Beckett; Poetics; Theatre; Transgenericity; Dramaticule; Dramatic language

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APA (6th Edition):

Richard, C. (2018). Poétique transgénérique du second théâtre beckettien : Transgeneric poetics of Beckett’s late theatre. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2018AIXM0470

Chicago Manual of Style (16th Edition):

Richard, Charlotte. “Poétique transgénérique du second théâtre beckettien : Transgeneric poetics of Beckett’s late theatre.” 2018. Doctoral Dissertation, Aix Marseille Université. Accessed April 02, 2020. http://www.theses.fr/2018AIXM0470.

MLA Handbook (7th Edition):

Richard, Charlotte. “Poétique transgénérique du second théâtre beckettien : Transgeneric poetics of Beckett’s late theatre.” 2018. Web. 02 Apr 2020.

Vancouver:

Richard C. Poétique transgénérique du second théâtre beckettien : Transgeneric poetics of Beckett’s late theatre. [Internet] [Doctoral dissertation]. Aix Marseille Université 2018. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2018AIXM0470.

Council of Science Editors:

Richard C. Poétique transgénérique du second théâtre beckettien : Transgeneric poetics of Beckett’s late theatre. [Doctoral Dissertation]. Aix Marseille Université 2018. Available from: http://www.theses.fr/2018AIXM0470

15. Basdevant-Corbier, Patricia. Edward Albee, dramaturge iconoclaste : Edward Albee, iconoclast playwright.

Degree: Docteur es, Etudes anglophones, 2017, Aix Marseille Université

Figure patricienne incontournable du panorama de la création théâtrale, digne successeur d’Eugene O’Neill, de Tennessee Williams et d’Arthur Miller, Edward Albee (1928-2016) a insufflé une… (more)

Subjects/Keywords: Théâtre américain; Iconoclaste; Réalité/imaginaire; Réalisme; Theatrum Mundi; Jeu; Questionnements philosophiques; Représentation/expérience; Humanisme; Catharsis.; American theatre; Iconoclastic; Reality/imagination; Realism; Theatrum Mundi; Game; Philosophical interrogations; Representation/experience; Humanism; Catharsis.

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APA (6th Edition):

Basdevant-Corbier, P. (2017). Edward Albee, dramaturge iconoclaste : Edward Albee, iconoclast playwright. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2017AIXM0399

Chicago Manual of Style (16th Edition):

Basdevant-Corbier, Patricia. “Edward Albee, dramaturge iconoclaste : Edward Albee, iconoclast playwright.” 2017. Doctoral Dissertation, Aix Marseille Université. Accessed April 02, 2020. http://www.theses.fr/2017AIXM0399.

MLA Handbook (7th Edition):

Basdevant-Corbier, Patricia. “Edward Albee, dramaturge iconoclaste : Edward Albee, iconoclast playwright.” 2017. Web. 02 Apr 2020.

Vancouver:

Basdevant-Corbier P. Edward Albee, dramaturge iconoclaste : Edward Albee, iconoclast playwright. [Internet] [Doctoral dissertation]. Aix Marseille Université 2017. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2017AIXM0399.

Council of Science Editors:

Basdevant-Corbier P. Edward Albee, dramaturge iconoclaste : Edward Albee, iconoclast playwright. [Doctoral Dissertation]. Aix Marseille Université 2017. Available from: http://www.theses.fr/2017AIXM0399

16. Nawar, Abdo. La pratique théâtrale professionnelle de Roger Assaf, médiation d'une histoire singulière : Professional theatrical practice of Roger Assaf, mediation of a singular history.

Degree: Docteur es, Arts du spectacle, 2018, Aix Marseille Université

Notre thèse est une approche à double objectif : D’abord, comme le titre l’indique, étudier la pratique théâtrale professionnelle de Roger Assaf, médiation d'une Histoire… (more)

Subjects/Keywords: Roger Assaf; Association SHAMS; Espace Culturel Le Tournesol; Théâtre de Beyrouth; Théâtre; Dramaturge; Comédien; Metteur en scène; Mémoire; Archives; Politique; Guerres; Engagement; Liban; Palestine.; Roger Assaf; SHAMS Association; The Sunflower Cultural Space; Beirut Theater; Theater; Dramaturge; Actor; Director; Memory; Archives; Politics; Wars; Engagement; Lebanon; Palestine.

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APA (6th Edition):

Nawar, A. (2018). La pratique théâtrale professionnelle de Roger Assaf, médiation d'une histoire singulière : Professional theatrical practice of Roger Assaf, mediation of a singular history. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2018AIXM0471

Chicago Manual of Style (16th Edition):

Nawar, Abdo. “La pratique théâtrale professionnelle de Roger Assaf, médiation d'une histoire singulière : Professional theatrical practice of Roger Assaf, mediation of a singular history.” 2018. Doctoral Dissertation, Aix Marseille Université. Accessed April 02, 2020. http://www.theses.fr/2018AIXM0471.

MLA Handbook (7th Edition):

Nawar, Abdo. “La pratique théâtrale professionnelle de Roger Assaf, médiation d'une histoire singulière : Professional theatrical practice of Roger Assaf, mediation of a singular history.” 2018. Web. 02 Apr 2020.

Vancouver:

Nawar A. La pratique théâtrale professionnelle de Roger Assaf, médiation d'une histoire singulière : Professional theatrical practice of Roger Assaf, mediation of a singular history. [Internet] [Doctoral dissertation]. Aix Marseille Université 2018. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2018AIXM0471.

Council of Science Editors:

Nawar A. La pratique théâtrale professionnelle de Roger Assaf, médiation d'une histoire singulière : Professional theatrical practice of Roger Assaf, mediation of a singular history. [Doctoral Dissertation]. Aix Marseille Université 2018. Available from: http://www.theses.fr/2018AIXM0471

17. Bassène, Ignace. Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work.

Degree: Docteur es, Langue et littérature françaises, 2014, Aix-Marseille; Université de Saint-Louis (Sénégal)

Si d'aucuns pensent que la tragédie est morte, le tragique quant à lui reste une catégorie théâtrale toujours actuelle. Chez Eugène Ionesco, dramaturge de la… (more)

Subjects/Keywords: Eugène Ionesco; Tragique; Théâtre français du XXe siècle; Comique; Métaphysique; Eugène Ionesco; Tragic; French Theater of the XXth century; Funny; Metaphysical

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APA (6th Edition):

Bassène, I. (2014). Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work. (Doctoral Dissertation). Aix-Marseille; Université de Saint-Louis (Sénégal). Retrieved from http://www.theses.fr/2014AIXM3002

Chicago Manual of Style (16th Edition):

Bassène, Ignace. “Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work.” 2014. Doctoral Dissertation, Aix-Marseille; Université de Saint-Louis (Sénégal). Accessed April 02, 2020. http://www.theses.fr/2014AIXM3002.

MLA Handbook (7th Edition):

Bassène, Ignace. “Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work.” 2014. Web. 02 Apr 2020.

Vancouver:

Bassène I. Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work. [Internet] [Doctoral dissertation]. Aix-Marseille; Université de Saint-Louis (Sénégal); 2014. [cited 2020 Apr 02]. Available from: http://www.theses.fr/2014AIXM3002.

Council of Science Editors:

Bassène I. Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work. [Doctoral Dissertation]. Aix-Marseille; Université de Saint-Louis (Sénégal); 2014. Available from: http://www.theses.fr/2014AIXM3002

18. Powell, Haley. BEYOND THE TEMPLES AND PALACES: THE IMPORTANCE OF UNUSUAL ART SPACES IN THE TWENTY-FIRST CENTURY.

Degree: 2017, American University

This thesis explores unusual art spaces in the twenty-first century and examines why they are important to artists and audiences. Art spaces in the United… (more)

Subjects/Keywords: Art; Nontraditional; Space; Theatre; Unusual; Venue

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APA (6th Edition):

Powell, H. (2017). BEYOND THE TEMPLES AND PALACES: THE IMPORTANCE OF UNUSUAL ART SPACES IN THE TWENTY-FIRST CENTURY. (Masters Thesis). American University. Retrieved from http://hdl.handle.net/1961/auislandora:68605

Chicago Manual of Style (16th Edition):

Powell, Haley. “BEYOND THE TEMPLES AND PALACES: THE IMPORTANCE OF UNUSUAL ART SPACES IN THE TWENTY-FIRST CENTURY.” 2017. Masters Thesis, American University. Accessed April 02, 2020. http://hdl.handle.net/1961/auislandora:68605.

MLA Handbook (7th Edition):

Powell, Haley. “BEYOND THE TEMPLES AND PALACES: THE IMPORTANCE OF UNUSUAL ART SPACES IN THE TWENTY-FIRST CENTURY.” 2017. Web. 02 Apr 2020.

Vancouver:

Powell H. BEYOND THE TEMPLES AND PALACES: THE IMPORTANCE OF UNUSUAL ART SPACES IN THE TWENTY-FIRST CENTURY. [Internet] [Masters thesis]. American University; 2017. [cited 2020 Apr 02]. Available from: http://hdl.handle.net/1961/auislandora:68605.

Council of Science Editors:

Powell H. BEYOND THE TEMPLES AND PALACES: THE IMPORTANCE OF UNUSUAL ART SPACES IN THE TWENTY-FIRST CENTURY. [Masters Thesis]. American University; 2017. Available from: http://hdl.handle.net/1961/auislandora:68605


Angelo State University

19. Cuellar, John Marc. Movie Etiquette: Discursive Struggles with Co-Constructed Norms of Behavior.

Degree: Masters of Arts, Communication, 2015, Angelo State University

 Perceptions of etiquette, involving expected behavioral norms in movie theaters, clash in discursive struggles of contradictory behaviors. This focus group driven research examines social constructions… (more)

Subjects/Keywords: movie theater etiquette; relational dialectics theory; discursive struggles

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APA (6th Edition):

Cuellar, J. M. (2015). Movie Etiquette: Discursive Struggles with Co-Constructed Norms of Behavior. (Masters Thesis). Angelo State University. Retrieved from http://hdl.handle.net/2346.1/30419

Chicago Manual of Style (16th Edition):

Cuellar, John Marc. “Movie Etiquette: Discursive Struggles with Co-Constructed Norms of Behavior.” 2015. Masters Thesis, Angelo State University. Accessed April 02, 2020. http://hdl.handle.net/2346.1/30419.

MLA Handbook (7th Edition):

Cuellar, John Marc. “Movie Etiquette: Discursive Struggles with Co-Constructed Norms of Behavior.” 2015. Web. 02 Apr 2020.

Vancouver:

Cuellar JM. Movie Etiquette: Discursive Struggles with Co-Constructed Norms of Behavior. [Internet] [Masters thesis]. Angelo State University; 2015. [cited 2020 Apr 02]. Available from: http://hdl.handle.net/2346.1/30419.

Council of Science Editors:

Cuellar JM. Movie Etiquette: Discursive Struggles with Co-Constructed Norms of Behavior. [Masters Thesis]. Angelo State University; 2015. Available from: http://hdl.handle.net/2346.1/30419

20. Litwak, Jessica. My Heart is in the East: Exploring Theater as a Vehicle for Change, Inspired by the Poetic Performances of Ancient Andalucía.

Degree: PhD, Leadership and Change, 2015, Antioch University

 This study addresses the research question “How Do I Inspire Personal and Social Change Through My Theater Practice?” I implement the theory and practice of… (more)

Subjects/Keywords: Aesthetics; Islamic Studies; Judaic Studies; Medieval History; Medieval Literature; Middle Eastern Literature; Middle Eastern History; Middle Eastern Studies; Performing Arts; Psychology; Psychotherapy; Theater; Theater Studies; theater; theatre; drama therapy; applied theater; history; Middle East; Muslims; Jews; poetry; social change; arts; performance ethnography; autoethnography; performative writing; arts-based research; playwriting; HEAT Collective

…4 Can Theater Change the World… …22 Theater… …53 Theater As Healer… …53 Theater As Educator… …59 History As Theater Education… 

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APA (6th Edition):

Litwak, J. (2015). My Heart is in the East: Exploring Theater as a Vehicle for Change, Inspired by the Poetic Performances of Ancient Andalucía. (Doctoral Dissertation). Antioch University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=antioch1432152428

Chicago Manual of Style (16th Edition):

Litwak, Jessica. “My Heart is in the East: Exploring Theater as a Vehicle for Change, Inspired by the Poetic Performances of Ancient Andalucía.” 2015. Doctoral Dissertation, Antioch University. Accessed April 02, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1432152428.

MLA Handbook (7th Edition):

Litwak, Jessica. “My Heart is in the East: Exploring Theater as a Vehicle for Change, Inspired by the Poetic Performances of Ancient Andalucía.” 2015. Web. 02 Apr 2020.

Vancouver:

Litwak J. My Heart is in the East: Exploring Theater as a Vehicle for Change, Inspired by the Poetic Performances of Ancient Andalucía. [Internet] [Doctoral dissertation]. Antioch University; 2015. [cited 2020 Apr 02]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=antioch1432152428.

Council of Science Editors:

Litwak J. My Heart is in the East: Exploring Theater as a Vehicle for Change, Inspired by the Poetic Performances of Ancient Andalucía. [Doctoral Dissertation]. Antioch University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=antioch1432152428


Antioch University

21. Davis Haggerty, Luane Ruth. Adjusting The Margins: Building Bridges Between Deaf and Hearing Cultures Through Performance Arts.

Degree: PhD, Leadership and Change, 2006, Antioch University

 This study addresses a gap in scholarship on leadership styles in the Deaf community. There is an invisible style of leadership differing from the mainstream… (more)

Subjects/Keywords: performance ethnography; drama; Deaf theater; leadership; cultural identity; ethnographic research

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APA (6th Edition):

Davis Haggerty, L. R. (2006). Adjusting The Margins: Building Bridges Between Deaf and Hearing Cultures Through Performance Arts. (Doctoral Dissertation). Antioch University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=antioch1166037841

Chicago Manual of Style (16th Edition):

Davis Haggerty, Luane Ruth. “Adjusting The Margins: Building Bridges Between Deaf and Hearing Cultures Through Performance Arts.” 2006. Doctoral Dissertation, Antioch University. Accessed April 02, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1166037841.

MLA Handbook (7th Edition):

Davis Haggerty, Luane Ruth. “Adjusting The Margins: Building Bridges Between Deaf and Hearing Cultures Through Performance Arts.” 2006. Web. 02 Apr 2020.

Vancouver:

Davis Haggerty LR. Adjusting The Margins: Building Bridges Between Deaf and Hearing Cultures Through Performance Arts. [Internet] [Doctoral dissertation]. Antioch University; 2006. [cited 2020 Apr 02]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=antioch1166037841.

Council of Science Editors:

Davis Haggerty LR. Adjusting The Margins: Building Bridges Between Deaf and Hearing Cultures Through Performance Arts. [Doctoral Dissertation]. Antioch University; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=antioch1166037841


Antioch University

22. Erenrich, Susan J. Rhythms of Rebellion: Artists Creating Dangerously for Social Change.

Degree: PhD, Leadership and Change, 2010, Antioch University

 On December 14, 1957, after winning the Nobel Prize for literature, Albert Camus challenged artists attending a lecture at the University of Uppsala in Sweden… (more)

Subjects/Keywords: Adult Education; African Americans; African History; African Literature; American History; American Studies; Black History; History; Latin American History; Literacy; Music; Sociology; Theater; social change; social justice; popular education; portraiture; qualitative; arts; creating dangerously; transformational leadership; history; activism; social movements; dissent; liberation; narrative; civic engagement; community organizing; rebellion

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APA (6th Edition):

Erenrich, S. J. (2010). Rhythms of Rebellion: Artists Creating Dangerously for Social Change. (Doctoral Dissertation). Antioch University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=antioch1286560130

Chicago Manual of Style (16th Edition):

Erenrich, Susan J. “Rhythms of Rebellion: Artists Creating Dangerously for Social Change.” 2010. Doctoral Dissertation, Antioch University. Accessed April 02, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1286560130.

MLA Handbook (7th Edition):

Erenrich, Susan J. “Rhythms of Rebellion: Artists Creating Dangerously for Social Change.” 2010. Web. 02 Apr 2020.

Vancouver:

Erenrich SJ. Rhythms of Rebellion: Artists Creating Dangerously for Social Change. [Internet] [Doctoral dissertation]. Antioch University; 2010. [cited 2020 Apr 02]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=antioch1286560130.

Council of Science Editors:

Erenrich SJ. Rhythms of Rebellion: Artists Creating Dangerously for Social Change. [Doctoral Dissertation]. Antioch University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=antioch1286560130


Antioch University

23. La Follette, Tavia. Sites of Passage: Art as Action in Egypt and the US – Creating an Autoethnography Through Performance Writing, Revolution, and Social Practice.

Degree: PhD, Leadership and Change, 2013, Antioch University

 As a performance artist and arts activist I present my research project to the audience in performative writing, a postmodern research style that advocates the… (more)

Subjects/Keywords: Aesthetics; Communication; Cultural Anthropology; Design; Ecology; Educational Theory; Education Philosophy; Epistemology; Experiments; Fine Arts; International Relations; Language; Linguistics; Middle Eastern Studies; Metaphysics; Multicultural Education; Multimedia Communications; Museums; Peace Studies; Pedagogy; Performing Arts; Spirituality; Teaching; Technical Communication; Theater; Theater Studies; Egypt; Revolution; Occupy Movement; Auto-ethnography; Installation Art; Performance Art; Site Specific; Theatre; Theatre Studies; Social Practice; Social Justice; Performance Writing; Art Exchange; Arab Spring; 911; virtual; website; digital; mother

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APA (6th Edition):

La Follette, T. (2013). Sites of Passage: Art as Action in Egypt and the US – Creating an Autoethnography Through Performance Writing, Revolution, and Social Practice. (Doctoral Dissertation). Antioch University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=antioch1365450771

Chicago Manual of Style (16th Edition):

La Follette, Tavia. “Sites of Passage: Art as Action in Egypt and the US – Creating an Autoethnography Through Performance Writing, Revolution, and Social Practice.” 2013. Doctoral Dissertation, Antioch University. Accessed April 02, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1365450771.

MLA Handbook (7th Edition):

La Follette, Tavia. “Sites of Passage: Art as Action in Egypt and the US – Creating an Autoethnography Through Performance Writing, Revolution, and Social Practice.” 2013. Web. 02 Apr 2020.

Vancouver:

La Follette T. Sites of Passage: Art as Action in Egypt and the US – Creating an Autoethnography Through Performance Writing, Revolution, and Social Practice. [Internet] [Doctoral dissertation]. Antioch University; 2013. [cited 2020 Apr 02]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=antioch1365450771.

Council of Science Editors:

La Follette T. Sites of Passage: Art as Action in Egypt and the US – Creating an Autoethnography Through Performance Writing, Revolution, and Social Practice. [Doctoral Dissertation]. Antioch University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=antioch1365450771

24. Grist, Rodney W. Ethnodrama as a Path to Teacher Euphoria: How Might Ethnodrama Influence Teachers' Perceptions of Themselves and Promote Teacher Euphoria?.

Degree: PhD, Leadership and Change, 2015, Antioch University

 This study is intended as a mini-pilot program, exploring the potential of ethnodrama to positively impact the burnout experiences of urban public secondary teachers. The… (more)

Subjects/Keywords: Education; Educational Leadership; Inservice Training; Performing Arts; Secondary Education; Teacher Education; Teaching; Theater; Teachers; Teaching; Ethnodrama; Faculty Development; Euphoria; Self-Care; Self-Perception; Stress; Burnout; Action Research

…be particularly ambiguous. The purpose of my study is to determine how interactive theatre… …The Promise of Interactive Theatre and Ethnodrama Immediately, the word theatre brings to… …theatre is simply a theatre experience in which the audience is invited to participate. It is… …not uncommon that interactive theatre is used at colleges and universities, for example, “to… …of interactive theatre practices in faculty development to “present research on teaching… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Grist, R. W. (2015). Ethnodrama as a Path to Teacher Euphoria: How Might Ethnodrama Influence Teachers' Perceptions of Themselves and Promote Teacher Euphoria?. (Doctoral Dissertation). Antioch University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=antioch1446304885

Chicago Manual of Style (16th Edition):

Grist, Rodney W. “Ethnodrama as a Path to Teacher Euphoria: How Might Ethnodrama Influence Teachers' Perceptions of Themselves and Promote Teacher Euphoria?.” 2015. Doctoral Dissertation, Antioch University. Accessed April 02, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1446304885.

MLA Handbook (7th Edition):

Grist, Rodney W. “Ethnodrama as a Path to Teacher Euphoria: How Might Ethnodrama Influence Teachers' Perceptions of Themselves and Promote Teacher Euphoria?.” 2015. Web. 02 Apr 2020.

Vancouver:

Grist RW. Ethnodrama as a Path to Teacher Euphoria: How Might Ethnodrama Influence Teachers' Perceptions of Themselves and Promote Teacher Euphoria?. [Internet] [Doctoral dissertation]. Antioch University; 2015. [cited 2020 Apr 02]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=antioch1446304885.

Council of Science Editors:

Grist RW. Ethnodrama as a Path to Teacher Euphoria: How Might Ethnodrama Influence Teachers' Perceptions of Themselves and Promote Teacher Euphoria?. [Doctoral Dissertation]. Antioch University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=antioch1446304885

25. Carollo, Michael A. Examining the Relationship Between Alcohol Use and Work in the Professional Theater.

Degree: Psy. D., Antioch New England: Clinical Psychology, 2019, Antioch University

 Objective: The perception of a culture within the professional theatrical community that promotes problem drinking has been discussed anecdotally within the industry. No meaningful research… (more)

Subjects/Keywords: Clinical Psychology; alcohol; theater; occupations; problem drinking; performers; creatives

…ALCOHOL AND PROFESSIONAL THEATER 3 perceived correlation between abusing substances and… …is based on the scriptwriter’s experience at an exclusive children’s theater camp in… …within the theater. It is therefore interesting that both movies rely heavily on more than one… …previously examined the impact various individual and ALCOHOL AND PROFESSIONAL THEATER 4… …prevalence of ALCOHOL AND PROFESSIONAL THEATER 5 alcohol use disorders within each occupation… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carollo, M. A. (2019). Examining the Relationship Between Alcohol Use and Work in the Professional Theater. (Doctoral Dissertation). Antioch University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=antioch1564659826872089

Chicago Manual of Style (16th Edition):

Carollo, Michael A. “Examining the Relationship Between Alcohol Use and Work in the Professional Theater.” 2019. Doctoral Dissertation, Antioch University. Accessed April 02, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1564659826872089.

MLA Handbook (7th Edition):

Carollo, Michael A. “Examining the Relationship Between Alcohol Use and Work in the Professional Theater.” 2019. Web. 02 Apr 2020.

Vancouver:

Carollo MA. Examining the Relationship Between Alcohol Use and Work in the Professional Theater. [Internet] [Doctoral dissertation]. Antioch University; 2019. [cited 2020 Apr 02]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=antioch1564659826872089.

Council of Science Editors:

Carollo MA. Examining the Relationship Between Alcohol Use and Work in the Professional Theater. [Doctoral Dissertation]. Antioch University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=antioch1564659826872089


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

26. Ζηροπούλου, Κωνσταντίνα. Γιώργος Σεβαστίκογλου: η πολύπλευρη θεατρική του δραστηριότητα στην Ελλάδα και το εξωτερικό (1940-1990).

Degree: 2007, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

The thesis focused on the polymorphous theatrical activity of Y. Sevastikoglou in Greece and abroad in conjuction with the primary theatrical, social and historical evolution… (more)

Subjects/Keywords: Σεβαστίκογλου, Γεώργιος; Ζέη, Άλκη; Θέατρο Τέχνης Καρόλου Κουν; Θέατρο πολιτικών προσφύγων; Ενωμένοι καλλιτέχνες; Προφορικές μαρτυρίες; Πολιτικό θέατρο; Εθνικό Θέατρο; Sevastikoglou, Yorgos; Zei, Alki; Theatre Technis Karolos Koun; Theatre of political refugees; Theatre group United Artists; Oral history; Political theatre; National Theater

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ζηροπούλου, . . (2007). Γιώργος Σεβαστίκογλου: η πολύπλευρη θεατρική του δραστηριότητα στην Ελλάδα και το εξωτερικό (1940-1990). (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/18826

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ζηροπούλου, Κωνσταντίνα. “Γιώργος Σεβαστίκογλου: η πολύπλευρη θεατρική του δραστηριότητα στην Ελλάδα και το εξωτερικό (1940-1990).” 2007. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed April 02, 2020. http://hdl.handle.net/10442/hedi/18826.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ζηροπούλου, Κωνσταντίνα. “Γιώργος Σεβαστίκογλου: η πολύπλευρη θεατρική του δραστηριότητα στην Ελλάδα και το εξωτερικό (1940-1990).” 2007. Web. 02 Apr 2020.

Vancouver:

Ζηροπούλου . Γιώργος Σεβαστίκογλου: η πολύπλευρη θεατρική του δραστηριότητα στην Ελλάδα και το εξωτερικό (1940-1990). [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2007. [cited 2020 Apr 02]. Available from: http://hdl.handle.net/10442/hedi/18826.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ζηροπούλου . Γιώργος Σεβαστίκογλου: η πολύπλευρη θεατρική του δραστηριότητα στην Ελλάδα και το εξωτερικό (1940-1990). [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2007. Available from: http://hdl.handle.net/10442/hedi/18826

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. ΒΑΦΕΙΑΔΟΥ, ΕΥΤΕΡΠΗ. ΕΙΣΑΓΩΓΗ ΣΤΗ ΔΡΑΜΑΤΟΥΡΓΙΑ ΤΟΥ ΠΑΝΤΕΛΗ ΧΟΡΝ.

Degree: 1994, Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH)

ΣΤΟΧΟΣ ΤΗΣ ΕΡΓΑΣΙΑΣ ΕΙΝΑΙ Η ΠΑΡΟΥΣΙΑΣΗ ΤΗΣ ΔΡΑΜΑΤΟΥΡΓΙΑΣ ΤΟΥ ΠΑΝΤΕΛΗ ΧΟΡΝ. (1881-1941). ΣΤΟ ΠΡΩΤΟ ΜΕΡΟΣ ΔΙΝΟΝΤΑΙ ΕΡΓΟΒΙΟΓΡΑΦΙΚΕΣ ΠΛΗΡΟΦΟΡΙΕΣ, ΠΕΡΙΓΡΑΦΕΤΑΙ ΤΟ ΘΕΑΤΡΙΚΟ ΑΡΧΕΙΟ ΤΟΥ ΣΥΓΓΡΑΦΕΑ ΚΑΙ… (more)

Subjects/Keywords: Drama; KYVELI; MARIKA KOTOPOULI; NEO-HELLENIC GREEK THEATRE; NEO-HELLENIC GREEK THEATRICAL CRITICISM; P.CHORN (1881-1941); Δραματουργία; ΚΥΒΕΛΗ; ΜΑΡΙΚΑ ΚΟΤΟΠΟΥΛΗ; ΝΕΟΕΛΛΗΝΙΚΗ ΘΕΑΤΡΙΚΗ ΚΡΙΤΙΚΗ (1906-1937); Νεοελληνικό θέατρο; ΠΑΝΤΕΛΗΣ ΧΟΡΝ

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

ΒΑΦΕΙΑΔΟΥ, . (1994). ΕΙΣΑΓΩΓΗ ΣΤΗ ΔΡΑΜΑΤΟΥΡΓΙΑ ΤΟΥ ΠΑΝΤΕΛΗ ΧΟΡΝ. (Thesis). Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH). Retrieved from http://hdl.handle.net/10442/hedi/3348

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

ΒΑΦΕΙΑΔΟΥ, ΕΥΤΕΡΠΗ. “ΕΙΣΑΓΩΓΗ ΣΤΗ ΔΡΑΜΑΤΟΥΡΓΙΑ ΤΟΥ ΠΑΝΤΕΛΗ ΧΟΡΝ.” 1994. Thesis, Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH). Accessed April 02, 2020. http://hdl.handle.net/10442/hedi/3348.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

ΒΑΦΕΙΑΔΟΥ, ΕΥΤΕΡΠΗ. “ΕΙΣΑΓΩΓΗ ΣΤΗ ΔΡΑΜΑΤΟΥΡΓΙΑ ΤΟΥ ΠΑΝΤΕΛΗ ΧΟΡΝ.” 1994. Web. 02 Apr 2020.

Vancouver:

ΒΑΦΕΙΑΔΟΥ . ΕΙΣΑΓΩΓΗ ΣΤΗ ΔΡΑΜΑΤΟΥΡΓΙΑ ΤΟΥ ΠΑΝΤΕΛΗ ΧΟΡΝ. [Internet] [Thesis]. Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH); 1994. [cited 2020 Apr 02]. Available from: http://hdl.handle.net/10442/hedi/3348.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

ΒΑΦΕΙΑΔΟΥ . ΕΙΣΑΓΩΓΗ ΣΤΗ ΔΡΑΜΑΤΟΥΡΓΙΑ ΤΟΥ ΠΑΝΤΕΛΗ ΧΟΡΝ. [Thesis]. Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH); 1994. Available from: http://hdl.handle.net/10442/hedi/3348

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

28. Γραμματικός, Ηλίας. Θέατρο: ο χώρος από τη μορφή της επιθυμίας ως τη δομή της πραγματικότητας.

Degree: 2010, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

 The PHD thesis titled “Theatre: the space from the form of desire to the structure of reality” constitutes the “reading” of a theatrical and architectural… (more)

Subjects/Keywords: Θέατρο; Αρχιτεκτονική; Αρχιτεκτονικός σχεδιασμός; Σκηνογραφία; Ερμηνευτική; Theatre; Architecture; Architectural plannig; Stage Design; Hermeneutics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Γραμματικός, . . (2010). Θέατρο: ο χώρος από τη μορφή της επιθυμίας ως τη δομή της πραγματικότητας. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/24182

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Γραμματικός, Ηλίας. “Θέατρο: ο χώρος από τη μορφή της επιθυμίας ως τη δομή της πραγματικότητας.” 2010. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed April 02, 2020. http://hdl.handle.net/10442/hedi/24182.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Γραμματικός, Ηλίας. “Θέατρο: ο χώρος από τη μορφή της επιθυμίας ως τη δομή της πραγματικότητας.” 2010. Web. 02 Apr 2020.

Vancouver:

Γραμματικός . Θέατρο: ο χώρος από τη μορφή της επιθυμίας ως τη δομή της πραγματικότητας. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2010. [cited 2020 Apr 02]. Available from: http://hdl.handle.net/10442/hedi/24182.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Γραμματικός . Θέατρο: ο χώρος από τη μορφή της επιθυμίας ως τη δομή της πραγματικότητας. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2010. Available from: http://hdl.handle.net/10442/hedi/24182

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

29. Φυλακτάκη, Παναγιώτα. Trans-staging: Greek theatre translation in the whirlwind of politics and culture.

Degree: 2008, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

Subjects/Keywords: Μετάφραση; Θέατρο; Κοινωνική σημειολογία; Θεατρική πολιτική; Θεατρικοί μεταφραστές; Beckett, Samuel; Bassnett, Susan; Translation; Drama; Socio-semiotics; Theatre translators

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Φυλακτάκη, . . (2008). Trans-staging: Greek theatre translation in the whirlwind of politics and culture. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/25504

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Φυλακτάκη, Παναγιώτα. “Trans-staging: Greek theatre translation in the whirlwind of politics and culture.” 2008. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed April 02, 2020. http://hdl.handle.net/10442/hedi/25504.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Φυλακτάκη, Παναγιώτα. “Trans-staging: Greek theatre translation in the whirlwind of politics and culture.” 2008. Web. 02 Apr 2020.

Vancouver:

Φυλακτάκη . Trans-staging: Greek theatre translation in the whirlwind of politics and culture. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2008. [cited 2020 Apr 02]. Available from: http://hdl.handle.net/10442/hedi/25504.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Φυλακτάκη . Trans-staging: Greek theatre translation in the whirlwind of politics and culture. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2008. Available from: http://hdl.handle.net/10442/hedi/25504

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

30. Τσαμούρη, Αντωνία. Γράφοντας για τη θεατρική σκηνή και τη μεγάλη οθόνη: φαινομενολογικές αναζητήσεις στο θεατρικό και κινηματογραφικό έργο του Χάρολντ Πίντερ.

Degree: 2009, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

Subjects/Keywords: Πίντερ, Χάρολντ; Μερλω - Πόντυ, Μωρις; Θέατρο; Κινηματογράφος; Θεωρία φαινομενολογίας; Χρόνος; Χώρος; Υποκειμενοποίηση; Αντικειμενοποίηση; Pinter, Harold; Merleau - Ponty, Maurice; Theatre; Cinema; Theory of the phenomenology; Time; Space; Subjectivity; Objectivity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Τσαμούρη, . . (2009). Γράφοντας για τη θεατρική σκηνή και τη μεγάλη οθόνη: φαινομενολογικές αναζητήσεις στο θεατρικό και κινηματογραφικό έργο του Χάρολντ Πίντερ. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/18806

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Τσαμούρη, Αντωνία. “Γράφοντας για τη θεατρική σκηνή και τη μεγάλη οθόνη: φαινομενολογικές αναζητήσεις στο θεατρικό και κινηματογραφικό έργο του Χάρολντ Πίντερ.” 2009. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed April 02, 2020. http://hdl.handle.net/10442/hedi/18806.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Τσαμούρη, Αντωνία. “Γράφοντας για τη θεατρική σκηνή και τη μεγάλη οθόνη: φαινομενολογικές αναζητήσεις στο θεατρικό και κινηματογραφικό έργο του Χάρολντ Πίντερ.” 2009. Web. 02 Apr 2020.

Vancouver:

Τσαμούρη . Γράφοντας για τη θεατρική σκηνή και τη μεγάλη οθόνη: φαινομενολογικές αναζητήσεις στο θεατρικό και κινηματογραφικό έργο του Χάρολντ Πίντερ. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2009. [cited 2020 Apr 02]. Available from: http://hdl.handle.net/10442/hedi/18806.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Τσαμούρη . Γράφοντας για τη θεατρική σκηνή και τη μεγάλη οθόνη: φαινομενολογικές αναζητήσεις στο θεατρικό και κινηματογραφικό έργο του Χάρολντ Πίντερ. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2009. Available from: http://hdl.handle.net/10442/hedi/18806

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2] [3] [4] [5] … [283]

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