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You searched for subject:(Theatre History). Showing records 1 – 30 of 955 total matches.

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The Ohio State University

1. Chon, ChuYoung Joy. Transforming Indigenous Performance in Contemporary South Korean Theatre: the Case of Sohn JinCh'aek's Madangnori.

Degree: PhD, Theatre, 2014, The Ohio State University

 Contemporary South Korean theatre of the twenty-first century has actively embraced the reproduction of indigenous tradition. Productions marked with Korean cultural codes are now a… (more)

Subjects/Keywords: Theater History; Korean theatre

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APA (6th Edition):

Chon, C. J. (2014). Transforming Indigenous Performance in Contemporary South Korean Theatre: the Case of Sohn JinCh'aek's Madangnori. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1388624592

Chicago Manual of Style (16th Edition):

Chon, ChuYoung Joy. “Transforming Indigenous Performance in Contemporary South Korean Theatre: the Case of Sohn JinCh'aek's Madangnori.” 2014. Doctoral Dissertation, The Ohio State University. Accessed September 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1388624592.

MLA Handbook (7th Edition):

Chon, ChuYoung Joy. “Transforming Indigenous Performance in Contemporary South Korean Theatre: the Case of Sohn JinCh'aek's Madangnori.” 2014. Web. 19 Sep 2019.

Vancouver:

Chon CJ. Transforming Indigenous Performance in Contemporary South Korean Theatre: the Case of Sohn JinCh'aek's Madangnori. [Internet] [Doctoral dissertation]. The Ohio State University; 2014. [cited 2019 Sep 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1388624592.

Council of Science Editors:

Chon CJ. Transforming Indigenous Performance in Contemporary South Korean Theatre: the Case of Sohn JinCh'aek's Madangnori. [Doctoral Dissertation]. The Ohio State University; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1388624592


University of California – Irvine

2. Keating, Kristin. The Performative Corpse: Anatomy Theatres from the Medieval Era to the Virtual Age.

Degree: Drama, 2014, University of California – Irvine

 The Performative Corpse: Anatomy Theatres from the Medieval Era to the Virtual Age examines the various ways in which the human corpse has been displayed,… (more)

Subjects/Keywords: Theater; Theater history; anatomical theatre; anatomy; corpse; performative; theater; theatre

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APA (6th Edition):

Keating, K. (2014). The Performative Corpse: Anatomy Theatres from the Medieval Era to the Virtual Age. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/9th868k6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Keating, Kristin. “The Performative Corpse: Anatomy Theatres from the Medieval Era to the Virtual Age.” 2014. Thesis, University of California – Irvine. Accessed September 19, 2019. http://www.escholarship.org/uc/item/9th868k6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Keating, Kristin. “The Performative Corpse: Anatomy Theatres from the Medieval Era to the Virtual Age.” 2014. Web. 19 Sep 2019.

Vancouver:

Keating K. The Performative Corpse: Anatomy Theatres from the Medieval Era to the Virtual Age. [Internet] [Thesis]. University of California – Irvine; 2014. [cited 2019 Sep 19]. Available from: http://www.escholarship.org/uc/item/9th868k6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Keating K. The Performative Corpse: Anatomy Theatres from the Medieval Era to the Virtual Age. [Thesis]. University of California – Irvine; 2014. Available from: http://www.escholarship.org/uc/item/9th868k6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

3. Devlin, Daniel. Signaling Through the Flames: Theatre Fires and Disaster Sociology.

Degree: PhD, Theatre, 2015, University of Kansas

 “Signaling Through the Flames: Theatre Fires and Disaster Sociology” re-examines archival evidence relevant to three of the most destructive and deadly fires in American theatre(more)

Subjects/Keywords: Theater; Theater history; Disaster; Fires; Theatre; Theatre History

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APA (6th Edition):

Devlin, D. (2015). Signaling Through the Flames: Theatre Fires and Disaster Sociology. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/24829

Chicago Manual of Style (16th Edition):

Devlin, Daniel. “Signaling Through the Flames: Theatre Fires and Disaster Sociology.” 2015. Doctoral Dissertation, University of Kansas. Accessed September 19, 2019. http://hdl.handle.net/1808/24829.

MLA Handbook (7th Edition):

Devlin, Daniel. “Signaling Through the Flames: Theatre Fires and Disaster Sociology.” 2015. Web. 19 Sep 2019.

Vancouver:

Devlin D. Signaling Through the Flames: Theatre Fires and Disaster Sociology. [Internet] [Doctoral dissertation]. University of Kansas; 2015. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/1808/24829.

Council of Science Editors:

Devlin D. Signaling Through the Flames: Theatre Fires and Disaster Sociology. [Doctoral Dissertation]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/24829

4. Long, Hugh K. At a sword's length| Theatrical dueling in early modern Spanish drama.

Degree: 2010, Tufts University

  This dissertation examines the depiction of the sword and stage violence in early modern Spanish drama. Rather than accepting simple stage directions of <i>riñen,</i>… (more)

Subjects/Keywords: Theater; Theater History; Theater Studies

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APA (6th Edition):

Long, H. K. (2010). At a sword's length| Theatrical dueling in early modern Spanish drama. (Thesis). Tufts University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3403440

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Long, Hugh K. “At a sword's length| Theatrical dueling in early modern Spanish drama.” 2010. Thesis, Tufts University. Accessed September 19, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3403440.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Long, Hugh K. “At a sword's length| Theatrical dueling in early modern Spanish drama.” 2010. Web. 19 Sep 2019.

Vancouver:

Long HK. At a sword's length| Theatrical dueling in early modern Spanish drama. [Internet] [Thesis]. Tufts University; 2010. [cited 2019 Sep 19]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3403440.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Long HK. At a sword's length| Theatrical dueling in early modern Spanish drama. [Thesis]. Tufts University; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3403440

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Arizona State University

5. Turner, Thomas. Histories, Horizons, and the Theatre Arts: A Hermeneutic Study of the Theatre Texts An Actor Prepares and Theatre of the Oppressed.

Degree: PhD, Curriculum and Instruction, 2012, Arizona State University

 The purpose of this study is to explore the question: what are the ways in which the texts An Actor Prepares (1936) by Constantin Stanislavski… (more)

Subjects/Keywords: Theater; Theater history

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APA (6th Edition):

Turner, T. (2012). Histories, Horizons, and the Theatre Arts: A Hermeneutic Study of the Theatre Texts An Actor Prepares and Theatre of the Oppressed. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/14655

Chicago Manual of Style (16th Edition):

Turner, Thomas. “Histories, Horizons, and the Theatre Arts: A Hermeneutic Study of the Theatre Texts An Actor Prepares and Theatre of the Oppressed.” 2012. Doctoral Dissertation, Arizona State University. Accessed September 19, 2019. http://repository.asu.edu/items/14655.

MLA Handbook (7th Edition):

Turner, Thomas. “Histories, Horizons, and the Theatre Arts: A Hermeneutic Study of the Theatre Texts An Actor Prepares and Theatre of the Oppressed.” 2012. Web. 19 Sep 2019.

Vancouver:

Turner T. Histories, Horizons, and the Theatre Arts: A Hermeneutic Study of the Theatre Texts An Actor Prepares and Theatre of the Oppressed. [Internet] [Doctoral dissertation]. Arizona State University; 2012. [cited 2019 Sep 19]. Available from: http://repository.asu.edu/items/14655.

Council of Science Editors:

Turner T. Histories, Horizons, and the Theatre Arts: A Hermeneutic Study of the Theatre Texts An Actor Prepares and Theatre of the Oppressed. [Doctoral Dissertation]. Arizona State University; 2012. Available from: http://repository.asu.edu/items/14655


University of California – Santa Cruz

6. Zimmerman, Shadow David. The Anima in Theatre: Animating a Jungian Concept for Devisers, Directors, and Actors.

Degree: Theater Arts, 2016, University of California – Santa Cruz

 In order to distill Carl Jung’s psychoanalytical theories on archetypes into a format, which can be better understood and used by dramatic analysts and theatre-makers,… (more)

Subjects/Keywords: Theater; Theater history; Psychology; Anima; Archetype; Jung; Medea; Theater; Theatre

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APA (6th Edition):

Zimmerman, S. D. (2016). The Anima in Theatre: Animating a Jungian Concept for Devisers, Directors, and Actors. (Thesis). University of California – Santa Cruz. Retrieved from http://www.escholarship.org/uc/item/17r577jp

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zimmerman, Shadow David. “The Anima in Theatre: Animating a Jungian Concept for Devisers, Directors, and Actors.” 2016. Thesis, University of California – Santa Cruz. Accessed September 19, 2019. http://www.escholarship.org/uc/item/17r577jp.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zimmerman, Shadow David. “The Anima in Theatre: Animating a Jungian Concept for Devisers, Directors, and Actors.” 2016. Web. 19 Sep 2019.

Vancouver:

Zimmerman SD. The Anima in Theatre: Animating a Jungian Concept for Devisers, Directors, and Actors. [Internet] [Thesis]. University of California – Santa Cruz; 2016. [cited 2019 Sep 19]. Available from: http://www.escholarship.org/uc/item/17r577jp.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zimmerman SD. The Anima in Theatre: Animating a Jungian Concept for Devisers, Directors, and Actors. [Thesis]. University of California – Santa Cruz; 2016. Available from: http://www.escholarship.org/uc/item/17r577jp

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida State University

7. Andrews, Marisa M. (Marisa Martha). The Closeted Autobiographer: Feminism, Religion, and Queerness in the Unstaged Closet Dramas of Djuna Barnes.

Degree: MA, Theatre, 2018, Florida State University

Throughout her time as a member of the famed Provincetown Players, for which she penned three successful plays, playwright Djuna Barnes simultaneously wrote twelve short… (more)

Subjects/Keywords: Theater; History; Theater; History

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APA (6th Edition):

Andrews, M. M. (. M. (2018). The Closeted Autobiographer: Feminism, Religion, and Queerness in the Unstaged Closet Dramas of Djuna Barnes. (Masters Thesis). Florida State University. Retrieved from http://purl.flvc.org/fsu/fd/2018_Su_Andrews_fsu_0071N_14738 ;

Chicago Manual of Style (16th Edition):

Andrews, Marisa M (Marisa Martha). “The Closeted Autobiographer: Feminism, Religion, and Queerness in the Unstaged Closet Dramas of Djuna Barnes.” 2018. Masters Thesis, Florida State University. Accessed September 19, 2019. http://purl.flvc.org/fsu/fd/2018_Su_Andrews_fsu_0071N_14738 ;.

MLA Handbook (7th Edition):

Andrews, Marisa M (Marisa Martha). “The Closeted Autobiographer: Feminism, Religion, and Queerness in the Unstaged Closet Dramas of Djuna Barnes.” 2018. Web. 19 Sep 2019.

Vancouver:

Andrews MM(M. The Closeted Autobiographer: Feminism, Religion, and Queerness in the Unstaged Closet Dramas of Djuna Barnes. [Internet] [Masters thesis]. Florida State University; 2018. [cited 2019 Sep 19]. Available from: http://purl.flvc.org/fsu/fd/2018_Su_Andrews_fsu_0071N_14738 ;.

Council of Science Editors:

Andrews MM(M. The Closeted Autobiographer: Feminism, Religion, and Queerness in the Unstaged Closet Dramas of Djuna Barnes. [Masters Thesis]. Florida State University; 2018. Available from: http://purl.flvc.org/fsu/fd/2018_Su_Andrews_fsu_0071N_14738 ;

8. Goss, Lindsay Evan. Entertaining the Movement: Jane Fonda, GI Resistance, and the FTA.

Degree: PhD, Theatre Arts and Performance Studies, 2014, Brown University

 This dissertation reframes contemporary investments in political performance through an analysis of the politics and practices of the FTA, a GI-oriented antiwar variety show led… (more)

Subjects/Keywords: Theatre history

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APA (6th Edition):

Goss, L. E. (2014). Entertaining the Movement: Jane Fonda, GI Resistance, and the FTA. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:386331/

Chicago Manual of Style (16th Edition):

Goss, Lindsay Evan. “Entertaining the Movement: Jane Fonda, GI Resistance, and the FTA.” 2014. Doctoral Dissertation, Brown University. Accessed September 19, 2019. https://repository.library.brown.edu/studio/item/bdr:386331/.

MLA Handbook (7th Edition):

Goss, Lindsay Evan. “Entertaining the Movement: Jane Fonda, GI Resistance, and the FTA.” 2014. Web. 19 Sep 2019.

Vancouver:

Goss LE. Entertaining the Movement: Jane Fonda, GI Resistance, and the FTA. [Internet] [Doctoral dissertation]. Brown University; 2014. [cited 2019 Sep 19]. Available from: https://repository.library.brown.edu/studio/item/bdr:386331/.

Council of Science Editors:

Goss LE. Entertaining the Movement: Jane Fonda, GI Resistance, and the FTA. [Doctoral Dissertation]. Brown University; 2014. Available from: https://repository.library.brown.edu/studio/item/bdr:386331/


Utah State University

9. Jenkins, Ronald W. A History of the Grand Opera House and Ogden's Golden Age of Theatre 1890-1909.

Degree: MS, Theatre Arts, 1965, Utah State University

  The Orpheum, or Grand Opera House, as it was known prior to 1910, was constructed and opened in 1890. This theatre is one of… (more)

Subjects/Keywords: theater; theatre; Theatre History

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APA (6th Edition):

Jenkins, R. W. (1965). A History of the Grand Opera House and Ogden's Golden Age of Theatre 1890-1909. (Masters Thesis). Utah State University. Retrieved from https://digitalcommons.usu.edu/etd/2129

Chicago Manual of Style (16th Edition):

Jenkins, Ronald W. “A History of the Grand Opera House and Ogden's Golden Age of Theatre 1890-1909.” 1965. Masters Thesis, Utah State University. Accessed September 19, 2019. https://digitalcommons.usu.edu/etd/2129.

MLA Handbook (7th Edition):

Jenkins, Ronald W. “A History of the Grand Opera House and Ogden's Golden Age of Theatre 1890-1909.” 1965. Web. 19 Sep 2019.

Vancouver:

Jenkins RW. A History of the Grand Opera House and Ogden's Golden Age of Theatre 1890-1909. [Internet] [Masters thesis]. Utah State University; 1965. [cited 2019 Sep 19]. Available from: https://digitalcommons.usu.edu/etd/2129.

Council of Science Editors:

Jenkins RW. A History of the Grand Opera House and Ogden's Golden Age of Theatre 1890-1909. [Masters Thesis]. Utah State University; 1965. Available from: https://digitalcommons.usu.edu/etd/2129


University of California – Irvine

10. Garcia, Leticia Concepcion. Shakespeare: Made in México.

Degree: Drama and Theatre, 2018, University of California – Irvine

 Shakespeare: Made in México examines the implications of Shakespeare in México through a study of cross-cultural exchange between Mexican culture and Shakespeare as a global… (more)

Subjects/Keywords: Theater history

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APA (6th Edition):

Garcia, L. C. (2018). Shakespeare: Made in México. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/516956vm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Garcia, Leticia Concepcion. “Shakespeare: Made in México.” 2018. Thesis, University of California – Irvine. Accessed September 19, 2019. http://www.escholarship.org/uc/item/516956vm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Garcia, Leticia Concepcion. “Shakespeare: Made in México.” 2018. Web. 19 Sep 2019.

Vancouver:

Garcia LC. Shakespeare: Made in México. [Internet] [Thesis]. University of California – Irvine; 2018. [cited 2019 Sep 19]. Available from: http://www.escholarship.org/uc/item/516956vm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Garcia LC. Shakespeare: Made in México. [Thesis]. University of California – Irvine; 2018. Available from: http://www.escholarship.org/uc/item/516956vm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Boulos, Daniel. Fortresses of Culture: Cold War Mobilization, Urban Renewal, and Institutional Identity in the Repertory Theatre of Lincoln Center and Center Theatre Group.

Degree: 2018, University of California – eScholarship, University of California

 The Repertory Theatre of Lincoln Center and Center Theatre Group were just two of dozens of regional theaters that emerged across the United States in… (more)

Subjects/Keywords: Theater history

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APA (6th Edition):

Boulos, D. (2018). Fortresses of Culture: Cold War Mobilization, Urban Renewal, and Institutional Identity in the Repertory Theatre of Lincoln Center and Center Theatre Group. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/8n50d91d

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Boulos, Daniel. “Fortresses of Culture: Cold War Mobilization, Urban Renewal, and Institutional Identity in the Repertory Theatre of Lincoln Center and Center Theatre Group.” 2018. Thesis, University of California – eScholarship, University of California. Accessed September 19, 2019. http://www.escholarship.org/uc/item/8n50d91d.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Boulos, Daniel. “Fortresses of Culture: Cold War Mobilization, Urban Renewal, and Institutional Identity in the Repertory Theatre of Lincoln Center and Center Theatre Group.” 2018. Web. 19 Sep 2019.

Vancouver:

Boulos D. Fortresses of Culture: Cold War Mobilization, Urban Renewal, and Institutional Identity in the Repertory Theatre of Lincoln Center and Center Theatre Group. [Internet] [Thesis]. University of California – eScholarship, University of California; 2018. [cited 2019 Sep 19]. Available from: http://www.escholarship.org/uc/item/8n50d91d.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boulos D. Fortresses of Culture: Cold War Mobilization, Urban Renewal, and Institutional Identity in the Repertory Theatre of Lincoln Center and Center Theatre Group. [Thesis]. University of California – eScholarship, University of California; 2018. Available from: http://www.escholarship.org/uc/item/8n50d91d

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida State University

12. Lunderman, Shelby Caitlyn. Reform Through Radio: Constructing Juvenile Delinquency within Buffalo's Federal Theatre Project.

Degree: MA, Theatre, 2016, Florida State University

To combat rising levels of juvenile delinquency in Buffalo, New York, in the 1930s, the Federal Theatre Project created the Crime Prevention Serial. The multi-episode… (more)

Subjects/Keywords: Theater; History

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APA (6th Edition):

Lunderman, S. C. (2016). Reform Through Radio: Constructing Juvenile Delinquency within Buffalo's Federal Theatre Project. (Masters Thesis). Florida State University. Retrieved from http://purl.flvc.org/fsu/fd/FSU_2016SP_Lunderman_fsu_0071N_13234 ;

Chicago Manual of Style (16th Edition):

Lunderman, Shelby Caitlyn. “Reform Through Radio: Constructing Juvenile Delinquency within Buffalo's Federal Theatre Project.” 2016. Masters Thesis, Florida State University. Accessed September 19, 2019. http://purl.flvc.org/fsu/fd/FSU_2016SP_Lunderman_fsu_0071N_13234 ;.

MLA Handbook (7th Edition):

Lunderman, Shelby Caitlyn. “Reform Through Radio: Constructing Juvenile Delinquency within Buffalo's Federal Theatre Project.” 2016. Web. 19 Sep 2019.

Vancouver:

Lunderman SC. Reform Through Radio: Constructing Juvenile Delinquency within Buffalo's Federal Theatre Project. [Internet] [Masters thesis]. Florida State University; 2016. [cited 2019 Sep 19]. Available from: http://purl.flvc.org/fsu/fd/FSU_2016SP_Lunderman_fsu_0071N_13234 ;.

Council of Science Editors:

Lunderman SC. Reform Through Radio: Constructing Juvenile Delinquency within Buffalo's Federal Theatre Project. [Masters Thesis]. Florida State University; 2016. Available from: http://purl.flvc.org/fsu/fd/FSU_2016SP_Lunderman_fsu_0071N_13234 ;


Florida State University

13. Gunn, Anthony. The Disembodied Theatre of Edward Gorey.

Degree: PhD, Theatre, 2018, Florida State University

 Edward Gorey (1925–2000) is primarily known as an enigmatic artist, author, and personality. All told, Gorey wrote and illustrated over one hundred books during his… (more)

Subjects/Keywords: Theater; History

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APA (6th Edition):

Gunn, A. (2018). The Disembodied Theatre of Edward Gorey. (Doctoral Dissertation). Florida State University. Retrieved from http://purl.flvc.org/fsu/fd/2018_Sp_Gunn_fsu_0071E_14497 ;

Chicago Manual of Style (16th Edition):

Gunn, Anthony. “The Disembodied Theatre of Edward Gorey.” 2018. Doctoral Dissertation, Florida State University. Accessed September 19, 2019. http://purl.flvc.org/fsu/fd/2018_Sp_Gunn_fsu_0071E_14497 ;.

MLA Handbook (7th Edition):

Gunn, Anthony. “The Disembodied Theatre of Edward Gorey.” 2018. Web. 19 Sep 2019.

Vancouver:

Gunn A. The Disembodied Theatre of Edward Gorey. [Internet] [Doctoral dissertation]. Florida State University; 2018. [cited 2019 Sep 19]. Available from: http://purl.flvc.org/fsu/fd/2018_Sp_Gunn_fsu_0071E_14497 ;.

Council of Science Editors:

Gunn A. The Disembodied Theatre of Edward Gorey. [Doctoral Dissertation]. Florida State University; 2018. Available from: http://purl.flvc.org/fsu/fd/2018_Sp_Gunn_fsu_0071E_14497 ;


University of Akron

14. Whitaker, Janelle. A Whole New World: A study on the impact the Disney Theatrical Group has made on Broadway theatre and Times Square over the past 20 years.

Degree: MA, Theatre Arts, 2017, University of Akron

 New York’s Time Square looked much different in the 1980’s than it does today. Drug dealers, prostitutes, and pimps lurked on many street corners. Porn… (more)

Subjects/Keywords: Theater; Theater History; Disney; Broadway; theatre; Times Square

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APA (6th Edition):

Whitaker, J. (2017). A Whole New World: A study on the impact the Disney Theatrical Group has made on Broadway theatre and Times Square over the past 20 years. (Masters Thesis). University of Akron. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=akron1514644833674716

Chicago Manual of Style (16th Edition):

Whitaker, Janelle. “A Whole New World: A study on the impact the Disney Theatrical Group has made on Broadway theatre and Times Square over the past 20 years.” 2017. Masters Thesis, University of Akron. Accessed September 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=akron1514644833674716.

MLA Handbook (7th Edition):

Whitaker, Janelle. “A Whole New World: A study on the impact the Disney Theatrical Group has made on Broadway theatre and Times Square over the past 20 years.” 2017. Web. 19 Sep 2019.

Vancouver:

Whitaker J. A Whole New World: A study on the impact the Disney Theatrical Group has made on Broadway theatre and Times Square over the past 20 years. [Internet] [Masters thesis]. University of Akron; 2017. [cited 2019 Sep 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=akron1514644833674716.

Council of Science Editors:

Whitaker J. A Whole New World: A study on the impact the Disney Theatrical Group has made on Broadway theatre and Times Square over the past 20 years. [Masters Thesis]. University of Akron; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=akron1514644833674716


Michigan Technological University

15. Soderna, Rebecca Ann. STRUGGLING TOWARD AN AMERICAN NATIONAL THEATRE.

Degree: PhD, Department of Humanities, 2018, Michigan Technological University

  The United States is conspicuously lacking in a large-scale government subsidy program for the arts and has never established a National Theatre. This makes… (more)

Subjects/Keywords: Federal Theatre Project; National Theatre; Theatre History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Soderna, R. A. (2018). STRUGGLING TOWARD AN AMERICAN NATIONAL THEATRE. (Doctoral Dissertation). Michigan Technological University. Retrieved from http://digitalcommons.mtu.edu/etdr/625

Chicago Manual of Style (16th Edition):

Soderna, Rebecca Ann. “STRUGGLING TOWARD AN AMERICAN NATIONAL THEATRE.” 2018. Doctoral Dissertation, Michigan Technological University. Accessed September 19, 2019. http://digitalcommons.mtu.edu/etdr/625.

MLA Handbook (7th Edition):

Soderna, Rebecca Ann. “STRUGGLING TOWARD AN AMERICAN NATIONAL THEATRE.” 2018. Web. 19 Sep 2019.

Vancouver:

Soderna RA. STRUGGLING TOWARD AN AMERICAN NATIONAL THEATRE. [Internet] [Doctoral dissertation]. Michigan Technological University; 2018. [cited 2019 Sep 19]. Available from: http://digitalcommons.mtu.edu/etdr/625.

Council of Science Editors:

Soderna RA. STRUGGLING TOWARD AN AMERICAN NATIONAL THEATRE. [Doctoral Dissertation]. Michigan Technological University; 2018. Available from: http://digitalcommons.mtu.edu/etdr/625


Bowling Green State University

16. Calcamp, Kevin. The Semiotics of Celebrity at the Intersection of Hollywood and Broadway.

Degree: PhD, Theatre and Film, 2016, Bowling Green State University

  In 1990, Michael L. Quinn, in his essay, “Celebrity and the Semiotics of Acting,” considered celebrity phenomenon—and its growth in the latter part of… (more)

Subjects/Keywords: Theater; Theater History; Theater Studies; Broadway; Off-Broadway; Semiotics; Theatre; Celebrity; Stage; Hollywood; Star; Stardom

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APA (6th Edition):

Calcamp, K. (2016). The Semiotics of Celebrity at the Intersection of Hollywood and Broadway. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1471741170

Chicago Manual of Style (16th Edition):

Calcamp, Kevin. “The Semiotics of Celebrity at the Intersection of Hollywood and Broadway.” 2016. Doctoral Dissertation, Bowling Green State University. Accessed September 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1471741170.

MLA Handbook (7th Edition):

Calcamp, Kevin. “The Semiotics of Celebrity at the Intersection of Hollywood and Broadway.” 2016. Web. 19 Sep 2019.

Vancouver:

Calcamp K. The Semiotics of Celebrity at the Intersection of Hollywood and Broadway. [Internet] [Doctoral dissertation]. Bowling Green State University; 2016. [cited 2019 Sep 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1471741170.

Council of Science Editors:

Calcamp K. The Semiotics of Celebrity at the Intersection of Hollywood and Broadway. [Doctoral Dissertation]. Bowling Green State University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1471741170


University of California – Santa Cruz

17. Centeno, Adrian. Nepantlerx Thought: An Examination of the Intersection of Culture and Performance in Community Theater Spaces.

Degree: Theater Arts, 2016, University of California – Santa Cruz

 Theater administrators are tasked with the difficult job of curating performance within community spaces. As America grows more diverse, the task of theater management becomes… (more)

Subjects/Keywords: Theater; Theater history; Latin American studies; community; empathy; inclusion; nepantla; theater; theatre

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APA (6th Edition):

Centeno, A. (2016). Nepantlerx Thought: An Examination of the Intersection of Culture and Performance in Community Theater Spaces. (Thesis). University of California – Santa Cruz. Retrieved from http://www.escholarship.org/uc/item/1xg406d9

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Centeno, Adrian. “Nepantlerx Thought: An Examination of the Intersection of Culture and Performance in Community Theater Spaces.” 2016. Thesis, University of California – Santa Cruz. Accessed September 19, 2019. http://www.escholarship.org/uc/item/1xg406d9.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Centeno, Adrian. “Nepantlerx Thought: An Examination of the Intersection of Culture and Performance in Community Theater Spaces.” 2016. Web. 19 Sep 2019.

Vancouver:

Centeno A. Nepantlerx Thought: An Examination of the Intersection of Culture and Performance in Community Theater Spaces. [Internet] [Thesis]. University of California – Santa Cruz; 2016. [cited 2019 Sep 19]. Available from: http://www.escholarship.org/uc/item/1xg406d9.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Centeno A. Nepantlerx Thought: An Examination of the Intersection of Culture and Performance in Community Theater Spaces. [Thesis]. University of California – Santa Cruz; 2016. Available from: http://www.escholarship.org/uc/item/1xg406d9

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

18. Tindell, Walter Baughman. Lighting Design: A Tether to Reality.

Degree: Theatre and Dance, 2015, University of California – San Diego

 Lighting is about the darkness more than it is about light itself. A designer should always let the design/vision grow like a tree, grow it… (more)

Subjects/Keywords: Design; Theater; Theater history

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APA (6th Edition):

Tindell, W. B. (2015). Lighting Design: A Tether to Reality. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/7wd1z9np

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tindell, Walter Baughman. “Lighting Design: A Tether to Reality.” 2015. Thesis, University of California – San Diego. Accessed September 19, 2019. http://www.escholarship.org/uc/item/7wd1z9np.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tindell, Walter Baughman. “Lighting Design: A Tether to Reality.” 2015. Web. 19 Sep 2019.

Vancouver:

Tindell WB. Lighting Design: A Tether to Reality. [Internet] [Thesis]. University of California – San Diego; 2015. [cited 2019 Sep 19]. Available from: http://www.escholarship.org/uc/item/7wd1z9np.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tindell WB. Lighting Design: A Tether to Reality. [Thesis]. University of California – San Diego; 2015. Available from: http://www.escholarship.org/uc/item/7wd1z9np

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida State University

19. Bartley, Sean. Contemporary Ambulatory Theatre and Audience Agency.

Degree: PhD, Theatre, 2018, Florida State University

Contemporary Ambulatory Theatre and Audience Agency explores recent productions that encourage individual audience members to move through large, public spaces in new ways, developing a… (more)

Subjects/Keywords: Theater; Performing arts; Theater; History

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APA (6th Edition):

Bartley, S. (2018). Contemporary Ambulatory Theatre and Audience Agency. (Doctoral Dissertation). Florida State University. Retrieved from http://purl.flvc.org/fsu/fd/2018_Sp_Bartley_fsu_0071E_14460 ;

Chicago Manual of Style (16th Edition):

Bartley, Sean. “Contemporary Ambulatory Theatre and Audience Agency.” 2018. Doctoral Dissertation, Florida State University. Accessed September 19, 2019. http://purl.flvc.org/fsu/fd/2018_Sp_Bartley_fsu_0071E_14460 ;.

MLA Handbook (7th Edition):

Bartley, Sean. “Contemporary Ambulatory Theatre and Audience Agency.” 2018. Web. 19 Sep 2019.

Vancouver:

Bartley S. Contemporary Ambulatory Theatre and Audience Agency. [Internet] [Doctoral dissertation]. Florida State University; 2018. [cited 2019 Sep 19]. Available from: http://purl.flvc.org/fsu/fd/2018_Sp_Bartley_fsu_0071E_14460 ;.

Council of Science Editors:

Bartley S. Contemporary Ambulatory Theatre and Audience Agency. [Doctoral Dissertation]. Florida State University; 2018. Available from: http://purl.flvc.org/fsu/fd/2018_Sp_Bartley_fsu_0071E_14460 ;


UCLA

20. Jeong, Areum. Performing Colonial Imagi-nation.

Degree: Theater and Performance Studies 09A2, 2015, UCLA

 This dissertation examines representations of national identity in live performance in Korea and the United States from the early twentieth century to the present. My… (more)

Subjects/Keywords: Theater; Theater history; Performance; Theater; Visual media

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APA (6th Edition):

Jeong, A. (2015). Performing Colonial Imagi-nation. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/9gx7z90d

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jeong, Areum. “Performing Colonial Imagi-nation.” 2015. Thesis, UCLA. Accessed September 19, 2019. http://www.escholarship.org/uc/item/9gx7z90d.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jeong, Areum. “Performing Colonial Imagi-nation.” 2015. Web. 19 Sep 2019.

Vancouver:

Jeong A. Performing Colonial Imagi-nation. [Internet] [Thesis]. UCLA; 2015. [cited 2019 Sep 19]. Available from: http://www.escholarship.org/uc/item/9gx7z90d.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jeong A. Performing Colonial Imagi-nation. [Thesis]. UCLA; 2015. Available from: http://www.escholarship.org/uc/item/9gx7z90d

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

21. Boyle, Amanda Jan. MEN, MEMORY, AND MEMORIAL: VIETNAM VETERAN THEATRICAL NARRATIVES.

Degree: PhD, Theatre, 2016, University of Kansas

 This dissertation is a study of Vietnam War veteran narratives and how they are presented on stage. I argue that these plays are a form… (more)

Subjects/Keywords: Theater; Theater history; Military history; Documentary Theatre; Memorial; Performance; Playwrights; Veteran; Vietnam War

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APA (6th Edition):

Boyle, A. J. (2016). MEN, MEMORY, AND MEMORIAL: VIETNAM VETERAN THEATRICAL NARRATIVES. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21816

Chicago Manual of Style (16th Edition):

Boyle, Amanda Jan. “MEN, MEMORY, AND MEMORIAL: VIETNAM VETERAN THEATRICAL NARRATIVES.” 2016. Doctoral Dissertation, University of Kansas. Accessed September 19, 2019. http://hdl.handle.net/1808/21816.

MLA Handbook (7th Edition):

Boyle, Amanda Jan. “MEN, MEMORY, AND MEMORIAL: VIETNAM VETERAN THEATRICAL NARRATIVES.” 2016. Web. 19 Sep 2019.

Vancouver:

Boyle AJ. MEN, MEMORY, AND MEMORIAL: VIETNAM VETERAN THEATRICAL NARRATIVES. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/1808/21816.

Council of Science Editors:

Boyle AJ. MEN, MEMORY, AND MEMORIAL: VIETNAM VETERAN THEATRICAL NARRATIVES. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/21816


University of North Texas

22. Brooks, Cassandra M. Cultural Exchange: the Role of Stanislavsky and the Moscow Art Theatre’s 1923 and 1924 American Tours.

Degree: 2014, University of North Texas

 The following is a historical analysis on the Moscow Art Theatre’s (MAT) tours to the United States in 1923 and 1924, and the developments and… (more)

Subjects/Keywords: Stanislavsky, Konstantin; Moscow Art Theatre; American theatre; System (theatre training); Stanislavsky, Konstantin  – 1863-1938.; Moskovskiĭ khudozhestvennyĭ akademicheskiĭ teatr.; Theater  – History  – 20th century.; Theater  – Russia  – History.; Theater  – United States  – History.

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APA (6th Edition):

Brooks, C. M. (2014). Cultural Exchange: the Role of Stanislavsky and the Moscow Art Theatre’s 1923 and 1924 American Tours. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699929/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brooks, Cassandra M. “Cultural Exchange: the Role of Stanislavsky and the Moscow Art Theatre’s 1923 and 1924 American Tours.” 2014. Thesis, University of North Texas. Accessed September 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc699929/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brooks, Cassandra M. “Cultural Exchange: the Role of Stanislavsky and the Moscow Art Theatre’s 1923 and 1924 American Tours.” 2014. Web. 19 Sep 2019.

Vancouver:

Brooks CM. Cultural Exchange: the Role of Stanislavsky and the Moscow Art Theatre’s 1923 and 1924 American Tours. [Internet] [Thesis]. University of North Texas; 2014. [cited 2019 Sep 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699929/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brooks CM. Cultural Exchange: the Role of Stanislavsky and the Moscow Art Theatre’s 1923 and 1924 American Tours. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc699929/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

23. Connick, Rob. Rethinking Artaud's Theoretical and Practical Works.

Degree: PhD, Theatre and Film, 2011, Bowling Green State University

 This study aims to counter the claims that Artaud was a practical failure and his theoretical writings had little value for theatre practice during his… (more)

Subjects/Keywords: Performing Arts; Theater; Theater History; Theater Studies; Antonin Artaud; Theatre of Cruelty; French Theatre; Alfred Jarry Theatre; The Cenci; 20th Century Theatre

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Connick, R. (2011). Rethinking Artaud's Theoretical and Practical Works. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063

Chicago Manual of Style (16th Edition):

Connick, Rob. “Rethinking Artaud's Theoretical and Practical Works.” 2011. Doctoral Dissertation, Bowling Green State University. Accessed September 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063.

MLA Handbook (7th Edition):

Connick, Rob. “Rethinking Artaud's Theoretical and Practical Works.” 2011. Web. 19 Sep 2019.

Vancouver:

Connick R. Rethinking Artaud's Theoretical and Practical Works. [Internet] [Doctoral dissertation]. Bowling Green State University; 2011. [cited 2019 Sep 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063.

Council of Science Editors:

Connick R. Rethinking Artaud's Theoretical and Practical Works. [Doctoral Dissertation]. Bowling Green State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063


University of Colorado

24. Dabney, Karen Michelle. "For the Soldier, By the Soldier": Self-produced Theater on Stateside U.S. Army Bases from 1983 - 2013.

Degree: PhD, Theatre & Dance, 2015, University of Colorado

  Throughout the history of the U.S. military, soldiers have created their own theatrical entertainments as a means to boost morale, maintain resiliency, and avoid… (more)

Subjects/Keywords: Army Entertainment Division; Community-based Theater; Community Theater; Soldier; Theatrical Tours; U.S. military; Military History; Theatre and Performance Studies; Theatre History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dabney, K. M. (2015). "For the Soldier, By the Soldier": Self-produced Theater on Stateside U.S. Army Bases from 1983 - 2013. (Doctoral Dissertation). University of Colorado. Retrieved from http://scholar.colorado.edu/thtr_gradetds/33

Chicago Manual of Style (16th Edition):

Dabney, Karen Michelle. “"For the Soldier, By the Soldier": Self-produced Theater on Stateside U.S. Army Bases from 1983 - 2013.” 2015. Doctoral Dissertation, University of Colorado. Accessed September 19, 2019. http://scholar.colorado.edu/thtr_gradetds/33.

MLA Handbook (7th Edition):

Dabney, Karen Michelle. “"For the Soldier, By the Soldier": Self-produced Theater on Stateside U.S. Army Bases from 1983 - 2013.” 2015. Web. 19 Sep 2019.

Vancouver:

Dabney KM. "For the Soldier, By the Soldier": Self-produced Theater on Stateside U.S. Army Bases from 1983 - 2013. [Internet] [Doctoral dissertation]. University of Colorado; 2015. [cited 2019 Sep 19]. Available from: http://scholar.colorado.edu/thtr_gradetds/33.

Council of Science Editors:

Dabney KM. "For the Soldier, By the Soldier": Self-produced Theater on Stateside U.S. Army Bases from 1983 - 2013. [Doctoral Dissertation]. University of Colorado; 2015. Available from: http://scholar.colorado.edu/thtr_gradetds/33


Louisiana State University

25. Hebert, Neal Anderson. Professional Wrestling: Local Performance History, Global Performance Praxis.

Degree: PhD, Theatre and Performance Studies, 2016, Louisiana State University

 Professional Wrestling: Local Performance History, Global Performance Praxis, is a work of interdisciplinary scholarship (combining elements of theatre history, performance studies, and philosophy) that addresses… (more)

Subjects/Keywords: theatre; theatre history; performance studies; Noel Carroll; Mary Sirridge; theater; theater history; professional wrestling; sport; analytic philosophy; aesthetics; philosophy of art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hebert, N. A. (2016). Professional Wrestling: Local Performance History, Global Performance Praxis. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-07112016-140347 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2329

Chicago Manual of Style (16th Edition):

Hebert, Neal Anderson. “Professional Wrestling: Local Performance History, Global Performance Praxis.” 2016. Doctoral Dissertation, Louisiana State University. Accessed September 19, 2019. etd-07112016-140347 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2329.

MLA Handbook (7th Edition):

Hebert, Neal Anderson. “Professional Wrestling: Local Performance History, Global Performance Praxis.” 2016. Web. 19 Sep 2019.

Vancouver:

Hebert NA. Professional Wrestling: Local Performance History, Global Performance Praxis. [Internet] [Doctoral dissertation]. Louisiana State University; 2016. [cited 2019 Sep 19]. Available from: etd-07112016-140347 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2329.

Council of Science Editors:

Hebert NA. Professional Wrestling: Local Performance History, Global Performance Praxis. [Doctoral Dissertation]. Louisiana State University; 2016. Available from: etd-07112016-140347 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2329


University of Nevada – Las Vegas

26. Bunt, Bonita Elissa. Finding the Shakespeare in Ambroise Thomas' Hamlet: A Comparison of Plot and Character in the Seventeenth-century English Play and the Nineteenth-century French Opera.

Degree: DMA, Music, 2017, University of Nevada – Las Vegas

  Although the 17th century play Hamlet by William Shakespeare was originally performed in English, its popularity grew throughout Europe, entering France’s robust theatre tradition… (more)

Subjects/Keywords: Music; Theatre History

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APA (6th Edition):

Bunt, B. E. (2017). Finding the Shakespeare in Ambroise Thomas' Hamlet: A Comparison of Plot and Character in the Seventeenth-century English Play and the Nineteenth-century French Opera. (Doctoral Dissertation). University of Nevada – Las Vegas. Retrieved from https://digitalscholarship.unlv.edu/thesesdissertations/2953

Chicago Manual of Style (16th Edition):

Bunt, Bonita Elissa. “Finding the Shakespeare in Ambroise Thomas' Hamlet: A Comparison of Plot and Character in the Seventeenth-century English Play and the Nineteenth-century French Opera.” 2017. Doctoral Dissertation, University of Nevada – Las Vegas. Accessed September 19, 2019. https://digitalscholarship.unlv.edu/thesesdissertations/2953.

MLA Handbook (7th Edition):

Bunt, Bonita Elissa. “Finding the Shakespeare in Ambroise Thomas' Hamlet: A Comparison of Plot and Character in the Seventeenth-century English Play and the Nineteenth-century French Opera.” 2017. Web. 19 Sep 2019.

Vancouver:

Bunt BE. Finding the Shakespeare in Ambroise Thomas' Hamlet: A Comparison of Plot and Character in the Seventeenth-century English Play and the Nineteenth-century French Opera. [Internet] [Doctoral dissertation]. University of Nevada – Las Vegas; 2017. [cited 2019 Sep 19]. Available from: https://digitalscholarship.unlv.edu/thesesdissertations/2953.

Council of Science Editors:

Bunt BE. Finding the Shakespeare in Ambroise Thomas' Hamlet: A Comparison of Plot and Character in the Seventeenth-century English Play and the Nineteenth-century French Opera. [Doctoral Dissertation]. University of Nevada – Las Vegas; 2017. Available from: https://digitalscholarship.unlv.edu/thesesdissertations/2953


University of California – San Diego

27. Lee, Siu Hei. The Music and Social Politics of Pierrot, 1884-1915.

Degree: Music, 2018, University of California – San Diego

 With few exceptions, the understanding of the commedia dell’arte character of Pierrot in musicology focuses on aesthetic progress and the representation of the lonely artist.… (more)

Subjects/Keywords: Music history; Music; Theater history; Carnival; Commedia dell'arte; Music history; Pierrot; Social history; Theatre

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APA (6th Edition):

Lee, S. H. (2018). The Music and Social Politics of Pierrot, 1884-1915. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/4tv9r5ts

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Siu Hei. “The Music and Social Politics of Pierrot, 1884-1915.” 2018. Thesis, University of California – San Diego. Accessed September 19, 2019. http://www.escholarship.org/uc/item/4tv9r5ts.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Siu Hei. “The Music and Social Politics of Pierrot, 1884-1915.” 2018. Web. 19 Sep 2019.

Vancouver:

Lee SH. The Music and Social Politics of Pierrot, 1884-1915. [Internet] [Thesis]. University of California – San Diego; 2018. [cited 2019 Sep 19]. Available from: http://www.escholarship.org/uc/item/4tv9r5ts.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee SH. The Music and Social Politics of Pierrot, 1884-1915. [Thesis]. University of California – San Diego; 2018. Available from: http://www.escholarship.org/uc/item/4tv9r5ts

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Ohanian, Theresa Marie. Fallen: Euripidess The Trojan Women as a Feminist Exploration.

Degree: MFA - Master of Fine Arts, Theatre, 2018, York University

 Was the ancient Athenian Euripides actually a proto-feminist? Euripidess writings have long been coopted and adapted by different political groups as historic evidence of their… (more)

Subjects/Keywords: Theater history; The Trojan Women; Feminist; Euripides; Fallen; Greek; Theatre History; Greek Theatre; Feminist Theatre; Women

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APA (6th Edition):

Ohanian, T. M. (2018). Fallen: Euripidess The Trojan Women as a Feminist Exploration. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/34240

Chicago Manual of Style (16th Edition):

Ohanian, Theresa Marie. “Fallen: Euripidess The Trojan Women as a Feminist Exploration.” 2018. Masters Thesis, York University. Accessed September 19, 2019. http://hdl.handle.net/10315/34240.

MLA Handbook (7th Edition):

Ohanian, Theresa Marie. “Fallen: Euripidess The Trojan Women as a Feminist Exploration.” 2018. Web. 19 Sep 2019.

Vancouver:

Ohanian TM. Fallen: Euripidess The Trojan Women as a Feminist Exploration. [Internet] [Masters thesis]. York University; 2018. [cited 2019 Sep 19]. Available from: http://hdl.handle.net/10315/34240.

Council of Science Editors:

Ohanian TM. Fallen: Euripidess The Trojan Women as a Feminist Exploration. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/34240


West Virginia University

29. Rudari, David Joseph. Opera at the Metropolitan: The 1896 – 1897 Damrosch Opera Season and Xaver Scharwenka's "Mataswintha".

Degree: DMA, School of Music, 2011, West Virginia University

 Franz Xaver Scharwenka (1850-1924), was an enterprising and successful pianist, composer, and teacher in nineteenth century Germany who in 1893 composed an opera, Mataswintha, based… (more)

Subjects/Keywords: Music; Theater history

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APA (6th Edition):

Rudari, D. J. (2011). Opera at the Metropolitan: The 1896 – 1897 Damrosch Opera Season and Xaver Scharwenka's "Mataswintha". (Thesis). West Virginia University. Retrieved from https://researchrepository.wvu.edu/etd/3546

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rudari, David Joseph. “Opera at the Metropolitan: The 1896 – 1897 Damrosch Opera Season and Xaver Scharwenka's "Mataswintha".” 2011. Thesis, West Virginia University. Accessed September 19, 2019. https://researchrepository.wvu.edu/etd/3546.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rudari, David Joseph. “Opera at the Metropolitan: The 1896 – 1897 Damrosch Opera Season and Xaver Scharwenka's "Mataswintha".” 2011. Web. 19 Sep 2019.

Vancouver:

Rudari DJ. Opera at the Metropolitan: The 1896 – 1897 Damrosch Opera Season and Xaver Scharwenka's "Mataswintha". [Internet] [Thesis]. West Virginia University; 2011. [cited 2019 Sep 19]. Available from: https://researchrepository.wvu.edu/etd/3546.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rudari DJ. Opera at the Metropolitan: The 1896 – 1897 Damrosch Opera Season and Xaver Scharwenka's "Mataswintha". [Thesis]. West Virginia University; 2011. Available from: https://researchrepository.wvu.edu/etd/3546

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Wai Benny, Lim Kok. The human lefts series : postmodern self-reflexivity and post-independence Singaporean theater.

Degree: PhD, 2012, University of South Wales

 This critical review serves as a significant formal documentation of the postmodern self-reflexive theatre in the postmodern and post-independence Singapore. Through the Human Lefts Series,… (more)

Subjects/Keywords: Theater; Singapore; History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wai Benny, L. K. (2012). The human lefts series : postmodern self-reflexivity and post-independence Singaporean theater. (Doctoral Dissertation). University of South Wales. Retrieved from https://pure.southwales.ac.uk/en/studentthesis/the-human-lefts-series-postmodern-selfreflexivity-and-post-independence-singaporean-theater(3fb839d9-511f-4735-abb5-b800165e0caf).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.717025

Chicago Manual of Style (16th Edition):

Wai Benny, Lim Kok. “The human lefts series : postmodern self-reflexivity and post-independence Singaporean theater.” 2012. Doctoral Dissertation, University of South Wales. Accessed September 19, 2019. https://pure.southwales.ac.uk/en/studentthesis/the-human-lefts-series-postmodern-selfreflexivity-and-post-independence-singaporean-theater(3fb839d9-511f-4735-abb5-b800165e0caf).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.717025.

MLA Handbook (7th Edition):

Wai Benny, Lim Kok. “The human lefts series : postmodern self-reflexivity and post-independence Singaporean theater.” 2012. Web. 19 Sep 2019.

Vancouver:

Wai Benny LK. The human lefts series : postmodern self-reflexivity and post-independence Singaporean theater. [Internet] [Doctoral dissertation]. University of South Wales; 2012. [cited 2019 Sep 19]. Available from: https://pure.southwales.ac.uk/en/studentthesis/the-human-lefts-series-postmodern-selfreflexivity-and-post-independence-singaporean-theater(3fb839d9-511f-4735-abb5-b800165e0caf).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.717025.

Council of Science Editors:

Wai Benny LK. The human lefts series : postmodern self-reflexivity and post-independence Singaporean theater. [Doctoral Dissertation]. University of South Wales; 2012. Available from: https://pure.southwales.ac.uk/en/studentthesis/the-human-lefts-series-postmodern-selfreflexivity-and-post-independence-singaporean-theater(3fb839d9-511f-4735-abb5-b800165e0caf).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.717025

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